Kodaly: Missa Brevis; Laudes Organi
Editorial Reviews
Amazon.com
To the average secular humanist, Zoltán Kodály's Missa Brevis can be a bewildering experience. It's an erratic expanse of music, ranging from deep-throated organ runs to angelic boys-choir arrangements--all over, one might say, God's green earth. The familiar "Gloria in excelsis Deo," sung solemnly by a solo male voice, blossoms instantly into full-bodied polyphony; the brief but elaborate organ works that bookend the mass proper threaten to smother its memory. Pairing Kodály with Leos Janácek makes more sense as concept album than as seamless listening experience. Both wrote church music in the early 20th century, but the differences between these works are more striking than are their similarities. Janácek's vocal settings are highly sophisticated, concerned less with the specific words of God than with their haunting spirit. He favors shifting vocal parts, in contrast with Kodály's formal rounds; when Janácek's voices do align, it's for stark dramatic effect. The choir is remarkable in its enunciation and ensemble, but the volume levels on this recording vary so widely as to unnecessarily complicate the selection of an appropriate listening level. Paul Wingfield's opinionated liner notes remind us that the Lord's work is fraught with human ego. --Marc Weidenbaum
Kodaly: Missa Brevis; Laudes Organi, Music, Leos Janacek, Zoltan Kodaly, Andrew Reid, Choral, Classical, Classical Composers, Classical Music, Classical Vocals, Modern Mass, Romantic Mass, Sacred Choral Music with keyboard (or continuo)
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Kodaly: Missa Brevis; Laudes Organi / Janacek: Mass in E Flat
Leos Janacek , Zoltan Kodaly , James O'Donnell , Choir of Westminster Cathedral , and Andrew Reid Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004R61P Release Date: 2000-03-14 |
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Amazon.com
To the average secular humanist, Zoltán Kodály's Missa Brevis can be a bewildering experience. It's an erratic expanse of music, ranging from deep-throated organ runs to angelic boys-choir arrangements--all over, one might say, God's green earth. The familiar "Gloria in excelsis Deo," sung solemnly by a solo male voice, blossoms instantly into full-bodied polyphony; the brief but elaborate organ works that bookend the mass proper threaten to smother its memory. Pairing Kodály with Leos Janácek makes more sense as concept album than as seamless listening experience. Both wrote church music in the early 20th century, but the differences between these works are more striking than are their similarities. Janácek's vocal settings are highly sophisticated, concerned less with the specific words of God than with their haunting spirit. He favors shifting vocal parts, in contrast with Kodály's formal rounds; when Janácek's voices do align, it's for stark dramatic effect. The choir is remarkable in its enunciation and ensemble, but the volume levels on this recording vary so widely as to unnecessarily complicate the selection of an appropriate listening level. Paul Wingfield's opinionated liner notes remind us that the Lord's work is fraught with human ego. --Marc WeidenbaumCustomer Reviews:
An interesting showcase.......2000-07-06
Most of the programme is given over to the Hungarian composer Zoltan Kodaly. The opening "Missa Brevis" is a remarkable work - it has a fine sense of melody and a tonal language that is at times unpredictable but nonetheless bearable if you're used to Mozart or Haydn or Schubert. There are some really haunting moments here - the austere and lyrical opening of the "Kyrie" gives way to a passage for trebles and high organ accompaniment of the most radiant quality, including some unbelievably quiet top Cs! By contrast, such movements as the "Gloria" and "Credo" manage to be joyful but at the same time rather staid. As the work draws to a conclusion, the contemplative and ethereal mood returns. It is not hard to imagine this in liturgical performance.
The centre of the programme is taken up by an unusual cantata, "Laudes Organi," in which Kodaly sets an ancient Latin poem extolling the use of instruments (especially the organ) in worship, as well as offering praise for the makers of such instruments. The harmonic language of the Mass is also evident in this much more exuberant work, although for some reason I find myself taking it with a pinch of salt; it doesn't come across as convincingly as the Mass, although in its own right it is well-written.
The disc concludes with a very special 'new' work: the "Mass in E flat" by Leos Janacek. This has often been referred to as the "Unfinished Mass" and has been a topic of interest to musicologists and Janacek scholars for many years - it is known that he wrote it as a study model for his composition pupils who sought to write short mass settings, and that the work was a prototype for the celebrated "Glagolitic Mass." There have now been at least two attempts to reconstruct the original sketches of the "Unfinished Mass," and the version recorded here is the most recent, made by musicologist Paul Wingfield (who describes the process in an informative booklet note). This is an interesting glimpse at Janacek's style: he had no religious convictions whatsoever and it certainly shows in places (the lack of a "Gloria" and the formal, almost stiff construction of the "Agnus Dei" are obvious examples). Nonetheless, like the Kodaly, one can imagine parts of this being performed in liturgical offerings, and it appears that Westminster Cathedral Choir are the first to try it out in that way.
This is certainly an interesting showcase of the now-legendary musicianship at the Cathedral. The daunting expressionism of the Kodaly Mass is ably met by the boys, a testament to James O'Donnell's choir training abilities, and the balance of voices throughout the rest of the programme is admirable. What is particularly arresting about the programme, however, is the performance of the Cathedral's sub-organist Andrew Reid. Each of the three works includes substantial passages for organ: the Kodaly Mass begins and ends with movements for organ alone; "Laudes Organi" naturally takes an opportunity to milk the resources of the organ (and test the stamina of its player!) and the Janacek Mass calls for some remarkably flambuoyant playing, particularly in the "Sanctus." Because of this, I feel that the disc is more of a presentation of the Westminster Cathedral organ that of the choir - not that there's anything wrong with that...
This is perhaps not a disc for you if you like your sacred music pure and unsullied. Still, it is an interesting and well-executed performance, worthy of anything else offered by James O'Donnell and his forces in the past.
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Kodaly: Choral Works
Manufacturer: Guild ProductGroup: Music Binding: Audio CD ASIN: B000026CZM Release Date: 1999-10-01 |
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Zoltà n Kodà ly: Laudes Organi / Missa Brevis
Manufacturer: Globe ProductGroup: Music Binding: Audio CD ASIN: B000025YMB Release Date: 2006-05-22 |
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Kodaly: Missa Brevis; Laudes Organi
Manufacturer: Globe ProductGroup: Music Binding: Audio CD ASIN: B0000044OQ Release Date: 1995-12-01 |
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In Praise of the Organ: The Latin Choral and Organ Music of Zoltán Kodály
Manufacturer: Pro Organo ProductGroup: Music Binding: Audio CD ASIN: B0000520TL Release Date: 2000-11-28 |
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