Virtuoso Choral Music
Track Listings
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1. Monteverdi: Sestina "Lagrime d'amante al sepolcro dell'amata;
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2. Dallapiccola: Il Coro delle Malmaritate;
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3. Il Coro del Malammogllati;
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4. Pizzetti: Tre composizioni corali;
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5. Werle: Nautical Preludes;
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6. Ach, Herr, strafe mich nicht, op. 110 No 2;
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7. Reger: Acht gelstliche Gesänge, op. 138;
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8. R. Strauss: Die Göttin im Putzzimmer;
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9. Der Abend;
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10. Poulenc: Sept Chansons;
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11. Jolivet: Epithalame;
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12. Messiaen: Cinq Rechants;
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13. Martin: Messe
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Editorial Reviews
Album Description
For more than 30 years, these ground-breaking recordings by the legendary Eric Ericson have been the standard for choral interpretation. While often out-of-print or only available as a costly import, these recordings by Maestro Ericson with the Rundfunkchor Stockholm and Stockholmer Kammerchor are a virtual omnibus of choral literature. The Clarion label was founded by Stanley Schmidt- a distinguished music educator, choral director, radio personality and businessman, for the purpose of showcasing the great choral recordings from the past and provide contemporary choirs with a vehicle to promote their own recordings. Mr. Schmidt is also President of CollegiumUSA.com, one of the countrys largest and most celebrated distributors of recorded choral music.
It is with tremendous satisfaction that Clarion can once again make these priceless recordings available for the enjoyment of collectors and the inspiration of choral directors. Be sure to contact us to stay informed of future releases on the Clarion label.
Virtuoso Choral Music, Music, Various, Classical, Classical Music, Classical Vocals, V/a Compilations
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Excellent recording
- Highly Recommended!
- Amazing
- A gentleman musical agreement!
- Extreme virtuosity
|
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Duets
| Chamber Music
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General
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All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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General
| Couperin, François
| ( C )
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All Works by Falla
| Falla, Manuel de
| ( F )
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General
| Fauré, Gabriel
| ( F )
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Granados, Enrique
| ( G )
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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| Classical
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Ravel, Maurice
| ( R )
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| Classical
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All Works by Satie
| Satie, Erik
| ( S )
| Featured Composers, A-Z
| Classical
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All Works by Tarrega
| Tarrega, Francisco
| ( T )
| Featured Composers, A-Z
| Classical
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Telemann, Georg Philipp
| ( T )
| Featured Composers, A-Z
| Classical
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Villa-Lobos, Heitor
| ( V )
| Featured Composers, A-Z
| Classical
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All Works by Debussy
| Debussy, Claude
| ( D )
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Preludes
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Character Pieces
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General
| Telemann, Georg Philipp
| Composers
| Baroque (c.1600-1750)
| Historical Periods
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General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
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| Music
General
| Villa-Lobos, Heitor
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
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General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
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| Music
General
| Keyboard
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Guitar
| Strings
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Lute
| Strings
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| Strings
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Parkening, Christopher
| ( P )
| Featured Performers, A-Z
| Classical
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General
| Symphonies
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General
| Sacred & Religious
| Classical
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General
| Classical
| Styles
| Music
Gospel
| Christian & Gospel
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General
| Opera & Vocal
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Cantatas
| Vocal Non-Opera
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General
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| Vocal Non-Opera
| Opera & Vocal
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Similar Items:
- Christopher Parkening plays Bach
- Simple Gifts: Christopher Parkening
- The Christopher Parkening Guitar Method - Volume 2: Guitar Technique
- In the Spanish Style / Christopher Parkening
- Christopher Parkening - A Tribute to Segovia
ASIN: B000002RTR
Release Date: 1993-09-14 |
Tracks:
- Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
- Estudio brillante
- Etude No. 1 In E Minor
- Recuerdos de la Alhambra
- Leyenda
- Romance
- Rumores de la Caleta
- Capricho Arabe
- Cantata 147: Jesu, Joy Of Man's Desiring
- Well-Tempered Clavier: Prelude No. 1
- Well-Tempered Clavier: Prelude No. 6
- Cantata 140: Sleepers Awake
- Prelude, Fugue, And Allegro: Allegro
- Cantata 208: Sheep May Safely Graze
- Les Barricades mysterieuses
- Preambulo & Allegro vivo: Preambulo And Allegro vivo
- Passacaglia
- The Girl With The Flaxen Hair
- Gymnopedie No. 1
- Empress Of The Pagodas
- Afro-Cuban Lullaby
Tracks:
- Fourth Lute Suite: Praludium
- Fairest Lord Jesus
- Praise Ye The Lord, K. 339
- Simple Gifts
- Hymn Of Christian Joy
- Cantata 29: We Thank Thee, Lord
- Cantata 156: Arioso
- Cantata 99: What God Hath Done
- Canon
- Dolly Suite: Berceuse
- La Vida breve: Spanish Dance No. 1
- Terezinha De Jesus
- Prelude (In The Baroque Style)
- Goyescas: Intermezzo
- Prelude & Fugue No. 4 In E: Fugue
- Evening Dance
- Variations On A Theme Of Mozart
- Canarlos
- La Maja de Goya
- El Noi de la Mare
- Concierto de Aranjuez: Adagio - J. Rodrigo
Customer Reviews:
Excellent recording.......2007-05-12
If you are a fan of classical guitar than this is a must own set. I enjoy every moment.
Highly Recommended!.......2006-12-23
I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.
This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.
Amazing.......2006-05-08
I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.
A gentleman musical agreement! .......2006-03-16
In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.
But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.
Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.
Extreme virtuosity.......2005-09-25
CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
Average customer rating:
- "Nothing is more beautiful than a guitar, save perhaps two," ...
- Parkening and Brandon Duo
|
Christopher Parkening with David Brandon ~ Virtuoso Duets
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
Duets
| Chamber Music
| Classical
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| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Falla
| Falla, Manuel de
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Fauré, Gabriel
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Granados, Enrique
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Telemann, Georg Philipp
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Villa-Lobos, Heitor
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
General
| Telemann, Georg Philipp
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Villa-Lobos, Heitor
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Guitar
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Madrigals
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
Solo Instrumental
| New Age
| Styles
| Music
Similar Items:
- Simple Gifts: Christopher Parkening
- Christopher Parkening - A Tribute to Segovia
- In the Spanish Style / Christopher Parkening
- Rodrigo: Concierto de Aranjuez; Walton: 5 Bagatelles; Christopher Parkening
- Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
ASIN: B000002RQ9
Release Date: 1990-10-15 |
Tracks:
- La Vida breve: Spanish Dance No. 1
- El sombrero de tres picos: The Miller's Dance
- De los alamos vengo, madre
- Ciranda No.1: Terezinha de Jesus
- El Paoruno
- Danza de la pastora
- Danza de la gitana
- Song Of The Will - o' - the - wisp From El Amor brujo
- Intermezzo From Goyescas
- Prelude And Fugue No. 4 In E
- Prelude And Fugue No. 4 in E
- Hymn Of Christian Joy (Prelude In Classic Style)
- Prelude (In The Baroque Style)
- Sanctify Us By Thy Goodness
- Offertorio
- Canon
- Four Renaissance Pieces: Le Rossignol
- Four Renaissance Pieces: Drewies Accordes
- Four Renaissance Pieces: Watkins Ale
- Four Renaissance Pieces: La Volta
- Berceuse From Dolly Suite
- An Old Music Box
- Evening Dance
Customer Reviews:
"Nothing is more beautiful than a guitar, save perhaps two," ..........2005-10-24
wrote Frederic Chopin. Those who enjoy classical guitar music find special pleasure in duets. The repertoire for duets is less frequently played, yet offers more possibilities for textural and harmonic effects than solo guitar. In such capable hands as Christopher Parkening and David Brandon, few musical experiences could give greater listening pleasure.
This album is, sadly, no longer in print and thus makes it even more collectable. Please buy this CD before you loose the chance to hear some the most beautifully played classical guitar duets ever recorded.
Parkening and Brandon Duo.......2001-12-14
This duo plays very well; however, the best tracks of this CD are on the Parkening "Great Recordings" double CD. Thus buying that CD would get you the best of this CD plus a lot of other good recordings. The duo's performance of "La Vida Breve," "Intermezzo," and "Evening Dance" are my favorites (and are included on the "Great Recordings" CD).
Average customer rating:
- A whistling wonder
- Terrific Album!
- THIS ALBUM IS THE BENCH MARK FOR ANY WHISTLING ALBUM
|
Whistling Virtuoso
Manufacturer: Northern Lights
ProductGroup: Music
Binding: Audio CD
Minuets
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| Classical
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Waltzes
| Ballets & Dances
| Classical
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All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
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Grieg, Edvard
| ( G )
| Featured Composers, A-Z
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Ketèlbey, Albert William
| ( K )
| Featured Composers, A-Z
| Classical
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All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
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| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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| Classical
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All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
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General
| Paganini, Niccolò
| ( P )
| Featured Composers, A-Z
| Classical
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| Sonatas
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Sonatinas
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General
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General
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General
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General
| Chamber Music
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
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General
| Opera & Vocal
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French
| Languages
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Movie Scores
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Movie Soundtracks
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General
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General
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Novelty Music
| Comedic Music
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| Miscellaneous
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ASIN: B00000165H
Release Date: 1996-12-17 |
Tracks:
- Torna A Surriento
- Mamma
- An Die Rosen
- Minuet. Allegretto
- In A Monastery Garden
- Mattinata
- L'Amour En Heritage
- Der Rote Sarafan, Romanze
- Romance De Nadir
- My Lovely Celia
- Morakullans Vals
- Lied Ohne Worte
- Varen
- Sonata No.12
- Summer Night Serenade
- Walzer
- The Dream Of Olwen
- Varmlandsvisan
- Oppna Ladskap
- Symphony
- Rondo Alla Turca
- Sakkijarven Polkka
Customer Reviews:
A whistling wonder.......2007-01-04
I ordered this cd as inspiration for my African Grey parrot. (no kidding) I adopted him a couple of months ago and his first family taught him some basic tunes. I ask you, how many times do I have to hear the 'wolf whistle'? While he's hopefully absorbing some new, more challenging tunes, I'm enjoying listening to familiar scores whistled, accompanied by a piano.
Terrific Album!.......2002-04-05
Leo Eide will be remembered as one of the greatest whistlers of all time. I cannot recommend this album highly enough.
THIS ALBUM IS THE BENCH MARK FOR ANY WHISTLING ALBUM.......1999-06-08
I WAS SO IMPRESSED WITH THIS ALBUM I ONLY WISH I COULD HAVE TALKED WITH MR. EDDIE ABOUT HIS TALENT IT IS A GIFT. THE ACOMPANYMENT IS OUT STANDING HAKAN SUND IS GIFTED ALSO. MAMA AND RETURN TO SURRENTO ARE MY FAVORITES IF YOU LOVE WHISTLING I STRONGLY RECOMMEND THIS ALBUM THIS ALBUM IS THE BENCH MARK FOR ANY WHISTLING ALBUMS TO FOLLOW. WHISTLER SEAN LOMAX
Average customer rating:
- A fine introduction, with some quibbles
|
Virtuoso
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
All Works by Albinoni
| Albinoni, Tomaso
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Borodin
| Borodin, Alexander
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Falla
| Falla, Manuel de
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Holborne, Anthony
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Hummel
| Hummel, Johann Nepomuk
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Smetana
| Smetana, Bedrich
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tartini
| Tartini, Giuseppe
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concerto Grossi
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
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Suites
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
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Similar Items:
- Trumpet Concertos of Haydn, Hummel, Torelli, and Bellini
- Virtuoso Trumpet
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ASIN: B00004C4MM
Release Date: 2000-01-25 |
Tracks:
- Allegro Assai
- Allegro
- Finale: Allegro
- Sicilienne
- Gigue
- Badinerie
- Rondo
- Allegro
- Polovtsian Dances
- Danse Bacchanale
- Rondo Alla Turka
- Allegro Grazioso
- Dance Of The Comedians
- Grave
- Sibley Sanctus Lydian
- Romanza
- Ritual Fire Dance
Customer Reviews:
A fine introduction, with some quibbles.......2000-10-26
"Virtuoso" is a compilation CD, a shot at a "best of" classical trumpet player Rolf Smedvig. Seven of the tracks on this CD are drawn from three CDs Rolf Smedvig recorded for Telarc as a trumpet soloist (two with orchestras, one with pipe organ). The other ten tracks were taken from six of the many CDs Smedvig recorded as lead trumpeter with Empire Brass, Rolf's evolving brass quintet supplemented, at times, with other instruments. If you already have several Smedvig or Empire Brass CDs, compare the track listings for this CD with those you own before deciding to buy "Virtuoso". Sadly, there are no new previously unreleased bonus tracks included for long-time fans. Also, this full-price compilation CD clocks in under an hour; Telarc could have easily chosen an additional quarter-hour of material at little additional corporate expense.
I was very familiar with all the Empire Brass tracks included on this CD, but not with the solo tracks which aptly demonstrate the lovely lyrical warmth in Smedvig's playing. It's always been there when he plays with Empire Brass, but it's more striking in his soloist performances. He draws on personal romantic sensibilities in his interpretations without ever making those works that are baroque or classical sound like romantic period pieces, a tough row to hoe. Particularly haunting for me was the unfamiliar Maria-Theresa von Paradis' "Sicilienne".
The Empire Brass selections, however, puzzled me. The lightning-fast last minute of the Borodin, off-and-on brief sections of the Saint-Saens, and all of the Mozart track lack the effortless rhythmic fluidity that is found in virtuosi playing and can be heard in many orchestral or piano performances of these works. This small flaw these tracks share is particularly highlighted by their consecutive sequence on this CD. Three selections from "Firedance", while fairly good, are arguably not Rolf's or EB's best performances on that CD or others. And "Sibley Sanctus Lydian", from "Passage", which features an uncredited melodic line better known as the trumpet solo Respighi employed for his Roman pines near the catacombs, is well-played but a relatively easy solo for trumpeters. My Empire Brass choices to make the case for Rolf Smedvig as virtuoso would have been very different.
Still, this CD is recommended, particularly for the seven Smedvig soloist cuts (1-4, 6-7 and 12), and for three very strong Smedvig/Empire Brass tracks (5, 8 and 13) that are included here. For any one who's not familiar with Rolf Smedvig, "Virtuoso" is a fine introduction that will whet the appetite for more.
Average customer rating:
- Annoy Your Annoying Neighbors!
- It's a Hoot!
- Moshing in the orchestra pit!
- Bring down the house!!!
|
Heavy Classix
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- 25 Thunderous Classics
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ASIN: B000002SO9
Release Date: 1993-03-16 |
Tracks:
- The Valkyrie: The Ride Of The Valkyries
- Gayaneh: Sabre Dance
- Symphonie Fantastique: IV March To The Scaffold (Conclusion)
- Pictures At An Exhibition: The Hut On Fowls' Legs
- Pictures At An Exhibition: The Great Gate At Kiev
- 1812 Overture (Conclusion)
- Symphony No. 6 'Pathetique': III. Allegro Molto Vivace
- Espana
- Prince Igor: Polovtsian Dance
- The Damnation of Faust: Hungarian March
- The Planets: Mars, The Bringer Of War (Conclusion)
- Romeo And Juliet: Montagues And Capulets
- Lohengrin: Prelude To Act III
- The Firebird: Infernal Dance
- Symphony No. 1 In D 'Titan': IV Sturmisch Bewegt (Conclusion)
Customer Reviews:
Annoy Your Annoying Neighbors!.......2003-01-23
Come on - you know they're going to hate classical music, so when your annoying upstairs neighbor decides to vacuum at 1 in the morning, take out this CD and blast 'em with track 11: Mars, The Bringer of War!
Seriously, this is a great CD for getting you up and energized in the morning - and they're darned good recordings. Enjoy!
It's a Hoot!.......2000-09-25
This is highway driving music for me. I love cranking it up while I tool down the road. It's also a pick-me-up. Annoyed by the guy in the car next to you playing obnoxious noise that passes for music? Blast him back with this classical baby.
Moshing in the orchestra pit!.......1999-06-11
Let's face it, the composers of the classical era were the rock stars of their time, complete with all-night parties and illegitimate children. This collection of lease-breaking, window-rattling, ground-pounding classical selections will impress even the most hard core metal head (for whom this appears to have been released for). If the 1812 Overture (complete with cannons!) doesn't get you psyched up, nothing will. Highly reccomended for those who love classical music for the sheer thrill of it all, or those who want to make their way from "Stairway to Heaven" to "The Ride of the Valkyries"!
(I've played this at FULL BLAST on my van's stereo with the windows down and got the wildest looks from other drivers at the stop lights!)
Bring down the house!!!.......1999-03-28
Don't feel guilty, this CD really rocks! For the many people who do not listen to classical music because of a perceived boredom, listen to this CD! If you enjoy driving your car at excessive speeds, skydiving, or being shot out of a cannon, then this CD is probably for you. We are NOT kidding. This music will move you, as well as any furniture that is not bolted down!
Average customer rating:
- Just a Dream CD
- Performance 5 stars; sound quality 2 stars
- An addictive listen
- I loved this album
- My favorite album of Liona Boyd
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Baroque Favorites
Manufacturer: Moston Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00000IKTL
Release Date: 1999-04-06 |
Tracks:
- Jesu Joy Of Man's Desiring
- Adagio For Guitar And Strings
- Sleepers Awake
- Concerto In D Minor: Andante Spicatto
- Concerto In D Minor: Adagio
- Concerto In D Minor: Presto
- Air On A G String
- Concerto In D Major: Allegro
- Concerto In D Major: Adagio
- Concerto In D Major: Allegro
- Concerto In D Major: Allegro
- Concerto In D Major: Largo
- Concerto In D Major: Allegro
Customer Reviews:
Just a Dream CD.......2004-01-25
Wonderful, Liona manages again to make me feel in heaven. What an artist, what a beautiful performance. Can't recall anyone even coming close to her virtuosity.
Performance 5 stars; sound quality 2 stars.......2000-12-02
My first encounter with this recording occurred in 1979 when I acquired it in LP (on a vinyl record for those of you born after 1980) form. I developed a great fondness for it; and I was delighted to discover it now existed in CD format. Delight, unfortunately, soon yielded to disappointment when a few minutes of listening told me that the sound quality of the CD was distinctly inferior to the sound on the LP. Just to make certain, I pulled out the LP once again; and, sure enough, the LP does sound much better. The CD sound is strangled and compressed compared to the open and airy sound of the record; and for some reason there is a noticeable sound of tape hiss on the CD, which is distinctly missing on the LP. The problem: the CD was probably created from second or third generation copies rather than from the original masters. What a shame. I acquired three other Liona Boyd CD's at the same time I got this one; and there are no sonic problems with them. Why did one of her best moments have to be given inferior treatment?
An addictive listen.......2000-07-21
I first heard this music, and an interview with Ms Boyd, on a plane in around 1981. I loved the music and her. I got it as soon as I could and it was often on my turntable. I was delighted to find it on CD. This is a great album. Her playing and the orchestral accompaniment, led by the incomparable Andrew Davis, blend into a CD you'll wear out.
I loved this album.......2000-04-18
Wonderful work..Well done,Liona! Brings me back to a special place....
My favorite album of Liona Boyd.......2000-01-15
I just happen to love Baroque Music, and especially Vivaldi. My collection is quite large, but I consider this one of my treasures. Great sound quality, as always with Liona, and the English Chamber Orchestra backs her up beautifully. A must for every CD collection.
Average customer rating:
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Sweet Torment: Virtuoso Duets of 17th Century Italy & Germany
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD
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| Monteverdi, Claudio
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ASIN: B000001SHG
Release Date: 1994-11-29 |
Tracks:
- Tornate, o cari baci
- O come sei gentile
- Ardo
- Perche fuggi
- Zefiro torna
- Cor mio, deh non languire
- Stral pungente d'amore
- Deh vienti ormai
- Ardo
- Langue al vostro languir
- Dove Potro mai gir
- La mia Filli crudel
- Der Herr ist gross
- Ihr Heilgen, lobsinget dem Herren
- Herr, ich hoffe darauf
- O lieber Herre Gott
- Erhore mich
- Habe deine Lust an dem Herren
Average customer rating:
|
Virtuoso Choral Music
Manufacturer: Clarion
ProductGroup: Music
Binding: Audio CD
Jolivet, André
| ( J )
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| Messiaen, Olivier
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| Monteverdi, Claudio
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All Works by Penderecki
| Penderecki, Krzysztof
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| Poulenc, Francis
| ( P )
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Reger, Max
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| Strauss, Richard
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Similar Items:
- 500 Years of European Choral Music
ASIN: B00006KRXR
Release Date: 2002-09-01 |
Tracks:
- Monteverdi: Sestina "Lagrime d'amante al sepolcro dell'amata;
- Dallapiccola: Il Coro delle Malmaritate;
- Il Coro del Malammogllati;
- Pizzetti: Tre composizioni corali;
- Werle: Nautical Preludes;
- Ach, Herr, strafe mich nicht, op. 110 No 2;
- Reger: Acht gelstliche Gese, op. 138;
- R. Strauss: Die Gn im Putzzimmer;
- Der Abend;
- Poulenc: Sept Chansons;
- Jolivet: Epithalame;
- Messiaen: Cinq Rechants;
- Martin: Messe
Album Description
For more than 30 years, these ground-breaking recordings by the legendary Eric Ericson have been the standard for choral interpretation. While often out-of-print or only available as a costly import, these recordings by Maestro Ericson with the Rundfunkchor Stockholm and Stockholmer Kammerchor are a virtual omnibus of choral literature.
The Clarion label was founded by Stanley Schmidt- a distinguished music educator, choral director, radio personality and businessman, for the purpose of showcasing the great choral recordings from the past and provide contemporary choirs with a vehicle to promote their own recordings. Mr. Schmidt is also President of CollegiumUSA.com, one of the country's largest and most celebrated distributors of recorded choral music.
It is with tremendous satisfaction that Clarion can once again make these priceless recordings available for the enjoyment of collectors and the inspiration of choral directors. Be sure to contact us to stay informed of future releases on the Clarion label.
Average customer rating:
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Visions of the Renaissance
Manufacturer: Channel Classics
ProductGroup: Music
Binding: Audio CD
Trios
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| Albinoni, Tomaso
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| Scarlatti, Domenico
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Classical
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ASIN: B000003UYP
Release Date: 1994-11-29 |
Track Listings:
- Visions Interieures: The Developing Song Cycle/The Wanderer
- Vivaldi - Gloria · Handel - Gloria · Dixit Dominus / English Baroque Soloists · Monteverdi Choir · Gardiner
- Vivaldi: Sacred Music [Hybrid SACD] [Hybrid SACD] [SACD]
- Voyage
- Wagner: Flying Dutchman [Import]
- American Music for Tuba: Something Old Something New
- An Introduction to Verdi's Il trovatore
- Antonio Vivaldi: The Four Seasons / 3 Violin Concertos - Giuliano Carmignola / Venice Baroque Orchestra / Andrea Marcon
- Argentinian Songs
- Bach: Sonatas for Viola da Gamba and Harpsichord
Track Listings
track listings
Track Listings
Hungry, So Angry [Enhanced]
Joaquín Turina Complete Piano Works, Vol. 15: Becqueriana
Heart Full of Fear
Conversations With the Unseen
Against the Night
Lost And Found
Man of La Mancha (2002 Broadway Revival Cast) [Cast Recording]
Haydn: Symphony No94; Symphony No82
Rock Music rock-music-66
link-web.net Music Review: 15 Christmas Classics: Hallelujah
Japan Japon [Import]
Grandes Exitos
Feliz Navidad Mi Amorcito
The Bill Wyman Compendium
Natural High