Lyapunov: Piano Concerto No. 2

Track Listings

1. Symphony No. 1, Op. 12: Andantino-Allegro con spirito-Poco piu tranquillo-Tempo I (Poco animato)-Poco piu

2. Symphony No. 1, Op. 12: Andante sostenuto-Pochissimo meno mosso

3. Symphony No. 1, Op. 12: Scherzo. Allegretto vivace-Pochissimo meno mosso-Tempo I

4. Symphony No. 1, Op. 12: Finale. Allegro molto-Piu animato-Poco piu tranquillo-Meno mossos, grandioso-Piu animato

5. Piano Concerto No. 2, Op. 38

6. Polonaise, Op. 16

Lyapunov: Piano Concerto No. 2, Music, Sergey Mikhaylovich Lyapunov, Vassily Sinaisky, BBC Philharmonic Orchestra, Howard Shelley, Classical, Classical Composers, Classical Music, Concerto, Orchestral, Orchestral & Symphonic, Orchestral Music, Symphonic, Symphony

Balakirev: Piano Concertos No. 1 in F-Sharp Minor and No. 2 in E-Flat Major / Rimsky-Korsakov: Piano Concerto in C-Sharp Minor
Average customer rating:

Beautiful pieces, even if one is a warm-up

Three Precious Jewels (2 rubies, one small sapphire) from the Old Russia

One of the Best in the Romantic Concerto Series

Great Concertos by a Teacher and his student

In defense of Balakirev

Balakirev: Piano Concertos No. 1 in F-Sharp Minor and No. 2 in E-Flat Major / Rimsky-Korsakov: Piano Concerto in C-Sharp Minor

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Concertos | Forms & Genres | Classical | Styles | Music
Piano | Keyboard | Instruments | Classical | Styles | Music
General | Classical | Styles | Music
Classical | Imports | Stores | Music
Similar Items:

Arensky: Piano Concerto in F Minor, Op. 2; Fantasia, Op. 48 / Bortkiewicz: Piano Concerto No. 1 in B Flat, Op. 16

Glazunov: Piano Concertos Nos. 1 & 2; Goedicke: Concertstück, Op. 11

Kullak / Dreyschock: Piano Concertos

Korngold: Piano Concerto, Op. 17; Marx: Romantisches Klavierkonzert

Scharwenka: Piano Concerto No. 4 in F minor; Sauer: Piano Concerto No. 1 in E minor

ASIN: B000002ZSH
Release Date: 1993-03-04

Tracks:

Piano Concerto In C Sharp Minor Op. 30: Moderato - Allegretto quasi polacca
Piano Concerto In C Sharp Minor Op. 30: Andante mosso
Piano Concerto In C Sharp Minor Op. 30: Allegro
Piano Concerto No. 1 In F Sharp Minor Op. 1
Piano Concierto No 2 In E Flat Major, Op. Posth.: Allegro non troppo
Piano Concierto No 2 In E Flat Major, Op. Posth.: Adagio
Piano Concierto No 2 In E Flat Major, Op. Posth.: Allegro risoluto

Customer Reviews:

Beautiful pieces, even if one is a warm-up.......2007-02-12

Listening to the first part of this CD (Rimsky-Korsakov's beautiful piano concerto) practically made me paralyzed. It's so pretty, so nice, and so different. After all, what is Rimsky-Korsakov best known for? Scheherezade. Beautiful, yes, but nothing could have prepared me for the piano concerto. It felt so different and lovely. Listening to it just made me feel happy. It was positively wonderful. This was actually the reason I personally bought the CD, curious to hear more Rimsky-Korsakov, but along the way, I picked up two more lovely treasures.

Balakirev's first piano concerto is again different. After going back and listening to the CD again, it becomes clear that it's of a much poorer quality than the other two pieces here. But then I must ask the question: Is it of poor quality? and the answer is without a doubt, NO. It's just as nice, but kind of more innocent, young, and cute. It's just as enjoyable to hear, and I could hear it whenever I want to. It's nice, but I can't say that it took my breath away.

Balakirev's second concerto, on the other hand, did. From the very first moment, the stunning music had me spell-bound. Absolutely beautiful music. The concerto is fresh and wonderful, but also original and Russian at the same time. It's exciting and beautiful at the same time. It's not the sort of thing a person can describe. It must be heard, and if the other two parts of this CD don't convince you, let this be the concerto that makes you purchase this amazing CD. The playing is wonderful, the music is incredible, and it's the sort of CD you could listen to again and again. I know I will.

Definitely recommended, and I urge you to purchase it. Without a doubt, worth anything.

Three Precious Jewels (2 rubies, one small sapphire) from the Old Russia.......2005-09-01

Superb recording. Pianistic aplomb on the part of Malcolm Binns that may remind you of Sviatoslav Richter. Committed, empathetic conducting on the part of David Lloyd-Jones (one of the world's foremost experts on 19th century Russian music). And the English Northern Philharmonia is "crack" enough to give even the old "Legge" Philharmonia a run for its money...Then there's the music itself.

The Rimsky-Korsakov Concerto deserves to be heard at least as often as the Tchaik 1st & 2nd, or the Rach 2nd...
A deep, red ruby in the exotic key of C-sharp minor.

The Balakirev First Conerto...Don't let anyone tell you it's "worthless." Yes, chronologically, it's one of Balakirev's "jeuvenille" works, and it's rather Chopinian. But the "landscape" portrayed is a bit more vast, and the colors run even deeper...A five-star sapphire in the phosphorescent key of F-sharp minor.

The Balakirev Second Concerto is stupdendous...Sweet interludes of melody, based on Russian liturgical chant; deep pools of thought and feeling; and on the surface, the colors shimmer shamelessly...Yes, the last movement's final draft was left unfinished by the composer, but even in its 'realized' state, it emerges as the most characteristically "Balakirevian" of the three movements. With the composer's reputation as an irrascible curmudgeon, it's good to know that even at the very end of his life, he still had this much "sap" and joy in him...Another multi-faceted ruby, or maybe an ultra-rare red diamond.

For an ideal "Old Russian" Christmas Stocking...Take this disc; add Beecham's EMI Balakirev First & Tamara , and his Scheherazade & Polivetzian Dances...Happy Holidays.

One of the Best in the Romantic Concerto Series.......2003-03-14

OK. So the Balakirev First Concerto is not a masterpiece. Far from it. It is a piece of juvenilia that, while it displays the fluent keyboard writing you'd expect from a young virtuoso, is all too indebted to Chopin, among others.

That said, the other works on the disc are sheer gems. Rimsky's concerto from the 1880s is clearly a work of his "classical" period, which also brought forth his underrated Third Symphony. In these works Rimsky tried to expiate the sins of an earlier period when he was naive enough to compose a suite called "Antar" and dub it his Second Symphony. (Suite or symphony, it's a fine work.) For those who think only of Scheherazade or Capriccio Espagnol when they hear Rimsky's name, the Concerto may be a bit of a letdown, or at least a puzzlement. But it is a finely crafted work whose variations on a Russian folk tune are tasteful and never less than inventive. For Rimsky, the orchestration is modest though colorful and, as one would expect, fully expert. The work builds to a jubiliant little finale that reminds me of Franck's Symphonic Variations. In fact, I'll go out on a limb and say that Rimsky's work is not far inferior to Franck's much more celebrated piece.

More substantial is Balakirev's Second Concerto. It has a grand first movement with a truly memorable main subject, a tender slow movement, and a rousing finale in the best tradition of Russian festival music--think of the swaggering finales of Glazunov's best symphonies, such as the Fourth and Fifth. If the Second Concerto can't rival the Russian warhorses from Tchaikovsky and Rachmaninov, still, why isn't it heard more often? It should be played from time to time in the world's music capitals--for me, it could happily replace some of the 1,000 or so performances of the Tchaikovky First Concerto in a season!

As I say, this is for me one of the best of Hyperion's mostly admirable Romantic Piano Concerto Series. If Malcolm Binns isn't quite the heaven-stormer that his colleague Stephen Hough is, he is nonetheless a very distinguished player, tossing off some pretty difficult piano writing with aplumb and with a certain patrician quality that this important music benefits from. The accompaniments and recorded sound are all one could wish. In short, a winner on all counts. Unless you want to gripe about the Balakirev First. I won't.

Great Concertos by a Teacher and his student.......2002-04-24

The teacher that I refer to
in the title is of course
BalaKirev(1837-1910)and the
student is Nicolai Rimsky-Korsakov.
Now, once too many times, we have
read about Balakirev's lack
of a proper musical training,
and I am sure that we all
have read reviews and articles
that do not give Balakirev enough
merits. Let's think a bit about
what we have read about Balakirev,
and what we listen from him on this
disc.To my personal taste, the articles
and reviews do not do Balakirev enough justice.
Balakirev was a great composer during
his time, the problem was that his style
was a bit different from that of the "mainstream"
Russian school of the time, therefore so
many negative reviews were written about his
music. Let us take also into considaration that
Balakirev had some very powerful critics, critics
that whatever they wrote that was "the law of the land".
The piano concerto by Balakirev in this recording
a very little if at all heard.The first Piano Concerto
is in the one-movement Franz Liszt style, in fact
he sounds very much like Liszt.The second Piano Concerto
is in the traditional three-movemnt form.The second Concerto
we hear more of Balakirev himself than in the first,however,
Balakirev never completed it.The concerto was completed
by his faithful student Sergei Liapunov, therefore
in the title in the Opus number we see, Op.Posth.
which stands for Opus posthumus.The Concerto by
Rimsky-Korsakov has been recorded and performed more
often than those of Balakirev.All works recorded here
are performed wonderfully.Indeed a 5 star recording!

In defense of Balakirev.......2001-03-06

I very rarely write reviews simply to counteract another's point of view, but this disc truly deserves a more favorible account. Even if Balakirev's first concerti is of lesser notice than the other works on this disc, I think it should be noted that it is Balakriev's opus 1. It is a somewhat immature work, but it's historical importance as a reference point in the development of the Russian piano concerto makes it a valuable recording.

I feel that the only reason it is seen as so terribly below par is because it happens to be sandwiched between Rimsky-Korsakov's gorgeous Concerto in c-sharp minor and Balakirev's Concerto No. 2 in E-flat Major. Another interesting note is that while Balakirev's Piano Concerto No. 1 was written very early in his career, the Second Concerto was initiated in the middle of the composer's life, subsequently abandoned, only to be taken up again towards the end of his life. Indeed, it was finished by Lyapunov. To some degree, these works make an interesting set of bookends for Balakirev's career.

Tracks:

Con Moto, Largamente
Interludium; Finale
Allegro Non Troppo
Adagio; Allegro Risoluto
Rhapsody On Ukrainian Themes For Piano And Orchestra, Op. 28

Tracks:

Allegro Non Troppo - Roland Keller
Andante - Roland Keller
Allegro Non Assai - Roland Keller
Massig Bewegt: Massig Langsam
Langsman; Lebhaft

Customer Reviews:

Treasures of high level!.......2005-07-15

This double album keeps for you interesting findings. Fantasy on Ukrainian themes is a magnificent musical work, expressive and deeply emotive; the Russian steppes, the Caucasian spirit, the exotic melodies. Reminds us so much to the overwhelming kaleidoscopic mind of Nikolai Rimsky Korsakov, undeniably the boldest and sophisticated composer in this genre.
Mili Balkirev 's piano Concert is extremely emotional composed by clever nuances. Michael Ponti has a percussive sound that fits appropriately.
The jewel of the crown may be this Nikolai Medtner Piano Concerto, a Russian composer that kept isolated from the musical flow in those ages. He was securely a potent source of inspiration for Alexander Scriabin. A difficult score loaded with dark poetry and elusive lyricism.
Christian Sinding is a worthy piece, and somehow is an extended Chamber work. Sinding was extremely influenced by Edvard Grieg, but there are curious involved motives.

Sinding's/Medtner's Concertos will blow you away.......2005-03-08

Purchasing this set just for Sinding's and Medtner's concertos would be worth it. Beautiful and grandiose are two words that come immediately to mind. Sinding's concerto is a piece of music that has gone largely unnoticed, but it is by far my favorite piece on the album. The beauty of the melodies and harmonies are perfectly accompanied by the technicality of the piano. Grieg and Sinding were the two big Scandinavian composers at the time, and Sinding basically got shoved out of the limelight by Grieg. Though in my opinion Sinding's piano concerto beats Grieg's hands down. Even the finale is better (and if you've ever heard Grieg's concerto, you know it's got one hell of a finale).

But the two aforementioned concertos are not the only good ones. Balakirev's and Goetz's are great in their own right. Balakirev's being more modern, and Goetz's being more traditionally romantic. The Rhapsody on Ukranian themes won't delight as much as the other songs on the album, but it is good listen as well.

To sum up, if you have never heard of Sinding's concerto in d-flat or Medtner's 3rd concerto, then you must buy this album.

Medtner Surprise.......2000-10-21

I bought this set on a whim, not being acquainted with any of the works contained therein. I had put the Medtner on as, I ashamedly admit, background music to a session of bill paying and letter writing. The 3rd Concerto caught my ear with its unique musical parlance, a kind of Rachmaninoff mixed with neo-classical influences that introduced me to Medtner's unique musical viewpoint. There is a place near the middle of the 3rd movement, when all activity ceases and the soloist begin to reflect on past materials that is other-worldly. The other concertos on the disc are interesting but at times hackneyed in their familiar tuttis and scale running. I'd highly recommend this Vox set for the Medtner and Ponti's extraordinary musicianship throughout. Listen a few times before making a judgement and perhaps the Medtner will overwhelm you as it did me. Think Rachmaninoff Third but with more restrained pathos but at times more cerebral pleasures-enjoy the adventure.

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Russian Rarities
Tasty Russian Confections

Symphony 1 / Piano Concerto 2
Lyapunov , Shelley , Sinaisky , and BBC Philharmonic
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Joly Braga Santos: Symphony No. 2/ Crossroads
Arensky: Symphony No. 1 and Premiere Recordings
Taneyev: Symphonies Nos. 1 & 3

ASIN: B0000640BH
Release Date: 2002-05-21

Tracks:

Symphony No. 1, Op. 12: Andantino-Allegro con spirito-Poco piu tranquillo-Tempo I (Poco animato)-Poco piu
Symphony No. 1, Op. 12: Andante sostenuto-Pochissimo meno mosso
Symphony No. 1, Op. 12: Scherzo. Allegretto vivace-Pochissimo meno mosso-Tempo I
Symphony No. 1, Op. 12: Finale. Allegro molto-Piu animato-Poco piu tranquillo-Meno mossos, grandioso-Piu animato
Piano Concerto No. 2, Op. 38
Polonaise, Op. 16

Customer Reviews:

Russian Rarities.......2002-08-24

This is the first music I have heard by Lyapunov, and it is an interesting disc. The Symphony No. 1 was influenced by Borodin and also has the lyricism of Glazunov's orchestra works. It is a pleasant symphony to listen to and one benefits from hearing it several times. My first impression was that it is a "nice" work but there were no melodies that were memorable. Rather, Lyapunov was a master of orchestration. Listening closely, you can heard the parts clearly without any "clutter." On subsequent hearings, the mood of the music was more affecting. The energetic first movement is invigorating; the Andante slow movement is mysterious, like a nocturne; the Scherzo is playful with the woodwinds trading melodies with the strings, and the Finale is as dynamic as the first movement and brings the symphony to a stirring conclusion.

The Piano concerto is quite compact and is structured after Liszt's second concerto. There is brilliant passagework written for the piano and portions of the orchestration are reminiscent of Liszt. Howard Shelly plays magnificently. The Polonaise is a delight and provides a rousing finish to this disc. Again, the influence of Borodin and Glazunov can be heard. The difference in is the way the music is crafted with an orchestration makes the most of the ideas without being ostentatious.

This disc is definitely for lovers of Russian music. As one expects from Chandos, the recording is beautiful.

Tasty Russian Confections.......2002-08-03

We enjoy an embarrassment of riches when it comes to documentation of turn-of-the-century composition from Russia. Composers from Alexander Glazunov (a worthy successor to Peter Ilyich Tchaikovsky) to Sergey Taneyev have made their way to compact disc. A relatively minor figure, Sergey Lyapunov (1859-1934) nevertheless wrote music impressive in scale and gratifying in melodic fecundity. He did so on a model and in an idiom bequeathed to him by the extraordinary tradition of the first generation of Russian nationalist composers; to this same tradition Alexander Grechanninov and Maximillian Steinberg owed their idiom. Behind Lyapunov stand Nicolas Rimsky-Korsakov, Alexander Borodin, Cesar Cui, and Modest Mussorgsky. The twentieth century would make a fetish of "originality." You could hardly say that Lyapunov (or Grechanninov or Steinberg) is "original." He is, rather, superbly trained by his masters, genially endowed in his talent, and felicitous in his expression. Like Glazunov, he could not weather the Bolsheviks and ended up in Paris, where he tried to create a Russian Conservatory in Exile. Lyapunov, like Rachmaninov and Scriabin, was a keyboard virtuoso and lived on the recital circuit for much of his early maturity. Many years ago he was represented in the record catalogues by two Turnabout LPs of his Transcendental Etudes and his Ukrainian Rhapsody. (Louis Kentner, I believe, was the pianist. Or was it Michael Ponti?) These were attractive works that piqued the imagination and made one ask: what else did he write? The new Chandos CD answers the question in part: Lyapunov wrote two piano concertos (in addition to that fondly remembered Ukrainian Fantasy), two symphonies, and a variety of other works. Maestro Vassily Sinaisky's program embraces the Second Piano Concerto, the First Symphony, and a Polonaise for Orchestra. The Symphony, from 1897, is big, almost forty minutes in duration. The bracketing movements are in the Russian heroic style pioneered by Borodin and cultivated by Lyapunov's younger contemporary Reinhold ("Ilya Murometz") Gliere. There is an eminently recognizable four-note motto, first heard in the horns, that appears to furnish most of the First Movement's material, primary and second subjects included. The Finale returns to this material and reworks it in various fresh and gratifying ways. There is the expected martial coda, with splashes of percussion and brave gestures in the brass. The two inner movements are a melancholy Andante with a lovely theme for the violins and a Scherzo, much in the fashion of Glazunov. The orchestration is attractive. Sinaisky underlines the music's rhythmic vitality and balances the colorful orchestrations neatly. In the Piano Concerto, the keyboard soloist is Howard Shelley. As the notes say, this is a frankly Lisztian concerto, which actually makes overt references to Liszt's own Second Concerto. Like its model, Lyapunov's work is in one internally subdivided movement. Even if the melodic content were not as striking as in the Symphony, the Concerto would nevertheless recommend itself for its muscularity and brilliance. The Polonaise is obvious but worth the ticket, like one of those dances for orchestra that Glazunov composed so copiously. This disc broadens our knowledge of late-nineteenth century Russian symphonism. Very much a worthwhile endeavor, so - strongly recommended.

Glazunov: Piano Concerto No.1 & Mazurka-Oberek/Lyapunov: Piano Concerto No.2

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Glazunov: Piano Concerto No.1 & Mazurka-Oberek/Lyapunov: Piano Concerto No.2

Manufacturer: Russian Disc
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B000001LNQ
Release Date: 1994-03-22

Tracks:

Pno Con No. 1 in f, Op. 92: Allegro Moderato
Pno Con No. 1 in f, Op. 92: Theme And Vars
Pno Con No. 2 in E, Op. 38 (In One Movt) - Alexander Bakhchiev
Mazurka-Oberek in D - Tatiana Grindenko

The Great History of Russian Classical Music

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The Great History of Russian Classical Music

Manufacturer: Columbia River Ent.
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | International | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classical | Box Sets | Stores | Music

Tracks:

Russian Orthodox Church Music. Smolensk: Lord, Have Mercy - Russian Orthodox Chm Chor/Prof. Dr. Johannes Schumilin
Russian Orthodox Church Music. Archangelski: Praise The Lord - Russian Orthodox Chm Chor/Prof. Dr. Johannes Schumilin
Russian Orthodox Church Music: Dead Liturgy: With All The Saints - Russian Orthodox Chm Chor/Prof. Dr. Johannes Schumilin
Pno Con Op.2: Allegro Maestoso - Maria Littauer
Pno Con in E flat: Allegro Non Troppo - Michael Ponti
Prince Igor: Ov - Phil Hungarica/Siegfried Koehler
Prince Igor: Polovetsian Dances - Phil Hungarica/Siegfried Koehler
Str Qt No.2 in D: Allegro Moderato - International Str Qt, N.Y.
Te Deum - Chor Of The Black Sea Cossacks/Sergei Horbenko

Tracks:

Ruslan And Ludmilla: Ov - Philharmonia Orch London/Alfred Scholz
A Life For The Czar: Ov - Phil Hungarica/Siegfried Koehler
A Life For The Czar: Polonaise - Phil Hungarica/Siegfried Koehler
A Life For The Czar: Pas De Quatre - Phil Hungarica/Siegfried Koehler
A Life For The Czar: Krakowiak - Phil Hungarica/Siegfried Koehler
Pictures At An Exhibition: Promenade - Gerhard Eckle
Pictures At An Exhibition: The Gnome - Gerhard Eckle
Pictures At An Exhibition: Bydlo - Gerhard Eckle
Pictures At An Exhibition: Promenade - Gerhard Eckle
Pictures At An Exhibition: The Great Gate Of Kiev - Gerhard Eckle
Sunless: Four Songs. The Long Day Goes To An End - Robert Titze/Walter Bohle
Sunless: Four Songs. For Nothing - Robert Titze/Walter Bohle
Sunless: Four Songs. Elegie - Robert Titze/Walter Bohle
Sunless: Four Songs. On The River - Robert Titze/Walter Bohle
Songs And Dances Of Death: Trepak - Robert Titze/Walter Bohle
Songs And Dances Of Death: Berceuse - Robert Titze/Walter Bohle
Songs And Dances Of Death: Ser - Robert Titze/Walter Bohle

Tracks:

Fant On Russian Themes Op.33 - Aaron Rosand
Mlada: Ste - Philharmonia Hungarica/Richard Kapp
The Night Before Christmas: Ov - Bochum SO/Othmar M.F. Maga
May Night - Philharmonia Hungarica/Richard Kapp
Ov On A Russian Theme - Bochum SO/Othmar M.F. Maga

Tracks:

The Invisible City Of Kitezh: Prld - Philharmonia Hungarica/Richard Kapp
The Invisible City Of Kitezh: The Festive Procession Of Fevronia's Wedding - Philharmonia Hungarica/Richard Kapp
The Invisible City Of Kitezh: Battle - Philharmonia Hungarica/Richard Kapp
The Invisible City Of Kitezh: The Invisible City - Philharmonia Hungarica/Richard Kapp
Scheherazade Op.35: The Young Prince And The Young Princess - Slovak PO/Bystrik Rezucha
Sym No.6 in a Op.111: Moderato Con Moto - Hamburg SO/Heribert Beissel
Pno Con No.4 in d Op.70: Allegro (Finale) - Michael Ponti
Reve Angelique Op.10/22 - Michael Ponti
Nocturne Op.9/2 - Michael Ponti
Prld Op.9/1 - Peter Schmalfuss
Pno Con Op.20 in f#: Allegro - Michael Ponti

Tracks:

Pno Con No.1 in b: Allegro Non Troppo E Molto Maestoso - Peter Toperczer
Sym No.6 in b 'Pathetique': Allegro Con Grazio - Bratislava State Phil/Bystrik Rezucha
Sleeping Beauty: Intro: The Lilac Fairy - Philharmonia Orch London/Lawrence Siegel
Swan Lake: Lake In The Moonlight - Munich SO/Henry Adolph
The Nutcracker: Finale: Waltz Of The Flowers - South German Phil/Alfred Scholz
Capriccio Italien Op.45 - Slovak State Phil/Bystrik Rezucha
Ov Solenelle 1812 Op.49 - Slovak State Phil/Bystrik Rezucha
Prayer - Russian Orthodox Chm Chor/Prof. Dr. Johannes Schumilin

Track Listings:

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1. Symphony No. 1, Op. 12: Andantino-Allegro con spirito-Poco piu tranquillo-Tempo I (Poco animato)-Poco piu
2. Symphony No. 1, Op. 12: Andante sostenuto-Pochissimo meno mosso
3. Symphony No. 1, Op. 12: Scherzo. Allegretto vivace-Pochissimo meno mosso-Tempo I
4. Symphony No. 1, Op. 12: Finale. Allegro molto-Piu animato-Poco piu tranquillo-Meno mossos, grandioso-Piu animato
5. Piano Concerto No. 2, Op. 38
6. Polonaise, Op. 16