Thomas Tallis: Spem in alium; Lamentations; Mass & Motets
Editorial Reviews Thomas Tallis (1505-1585) Spem In Alium - Lamentations - Mass & Motets Magnificat Caroline Ashton, Janet Coxwell, Sally Dunkley, Rebecca Outram - soprano Magnificat was formed in 1991 to explore the rich diversity of choral music from the last five centuries. Many of its young professional singers are former Oxford and Cambridge choral scholars or were trained at the countrys leading music conservatoires. The choir takes its name from Marys canticle in St. Lukes Gospel, the Magnificat: My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. This song of praise reflects the spirit of the music that has played a formative part in the musical education of many of the singers through Choral Evensongs in Chapels and Cathedrals and establishes the ensembles particular interest in sacred choral music. Philip Cave is Magnificats founder and conductor. He was a choral scholar and lay-clerk at Christ Church, Oxford, under Simon Preston and has worked as a singer with many of the countrys leading choral ensembles and conductors including The Clerkes of Oxenford, The Hilliard Ensemble, The Sixteen and the choir of The English Concert. He is a member of The Tallis Scholars and a lay-clerk at New College, Oxford.
Album Description
Philip Cave, director
Michael Lees, Fergus McLusky - alto
Steven Harrold, Daniel Norman, Tom Raskin, Julian Stocker - tenor
Jonathan Arnold, Neil Bellingham, Robert Macdonald bass
Thomas Tallis: Spem in alium; Lamentations; Mass & Motets, Music, Thomas Tallis, Magnificat, Philip Cave, Thomas Tallis
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Thomas Tallis: The Complete Works (Box Set)
Manufacturer: Signum UK ProductGroup: Music Binding: Audio CD ASIN: B0006OR0DA Release Date: 2005-01-25 |
Customer Reviews:
Go To Amazon.com/uk.......2006-02-23
Wonderful Set, but why pay this much?.......2005-07-30
Average customer rating: |
Thomas Tallis: Spem in alium; Lamentations; Mass & Motets
Manufacturer: Linn Records ProductGroup: Music Binding: Audio CD ASIN: B00069OVVO Release Date: 2004-10-16 |
Album Description
Thomas Tallis (1505-1585)
Spem In Alium - Lamentations - Mass & Motets
Magnificat
Philip Cave, director
Caroline Ashton, Janet Coxwell, Sally Dunkley, Rebecca Outram - soprano
Michael Lees, Fergus McLusky - alto
Steven Harrold, Daniel Norman, Tom Raskin, Julian Stocker - tenor
Jonathan Arnold, Neil Bellingham, Robert Macdonald - bass
Magnificat was formed in 1991 to explore the rich diversity of choral music from the last five centuries. Many of its young professional singers are former Oxford and Cambridge choral scholars or were trained at the country's leading music conservatoires. The choir takes its name from Mary's canticle in St. Luke's Gospel, the Magnificat: My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. This song of praise reflects the spirit of the music that has played a formative part in the musical education of many of the singers through Choral Evensongs in Chapels and Cathedrals and establishes the ensemble's particular interest in sacred choral music.
Philip Cave is Magnificat's founder and conductor. He was a choral scholar and lay-clerk at Christ Church, Oxford, under Simon Preston and has worked as a singer with many of the country's leading choral ensembles and conductors including The Clerkes of Oxenford, The Hilliard Ensemble, The Sixteen and the choir of The English Concert. He is a member of The Tallis Scholars and a lay-clerk at New College, Oxford.
Average customer rating:
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Thomas Tallis: Spem in alium; Lamentations; Mass; Motets
Manufacturer: Linn Records ProductGroup: Music Binding: Audio CD ASIN: B00004TQMZ Release Date: 2000-11-28 |
Tracks:
Customer Reviews:
Indescribable.......2000-12-03
Magnificat have come of age in this recording, with musically sound and dicpilined renderings of some very difficult works. The Spem in Alium is possibly the best recording I have ever heard. It rivals the Tallis Scholars, and that's saying something. It definitely blows the Camdridge Singers' version out of the water. Imagiune that! Something that shows up John Rutter's choir at the height of its perfection!
For anyone who doesn't know, "Spem In Alium" is a motet in forty parts. It is huge. Ten minutes of pure musical delight. A sea of sound on which false relations and glorious moving lines float by almost unnoticed. And yet it posesses moments of such intense intimacy - e.g. between the first half-force entry and the full frontal forty part assault, and again after that assualt is finished.
This choir displays fantastic musicality. They do so much with the phrases, the shapes and textures, and so flawlessly it is amazing. My only musical criticism is of the basses in some passages, for instance the start of Salvator Mundi, where admittedly they do have to have a strong presence throughout the phrase, but there could be something more done to it to make it more interesting!
But I digress. The whole CD is basied on one voice to one part - just as Tallis wrote. In the hands of such musical performers, and with a sympathetic conductor, the results are beyond belief. As I implied before, the Spem in Alium is the star of the show, but the Lamentations are amazing - there are a few moments where the voices fail the minds - particualy at the start of phrases (e.g. "Ghimel" where the solo tenor is exposed. However, it is apparent from the very beginning that these are singers who love Tallis and undertand his wriing in a way that no conductor can ever teach, nor engineer counterfeit. Philip Cave is to be congratulated, more for his construction of such a group than his conducting, which is obviously first class nonetheless.
I challenge anyone to come up with a better recording of Tallis. I'm sure you will come up lacking.
Summary - get yourself a good stereo, get this CD, get an hour's free time, and marvel.
Track Listings:
Track Listings
Kubelik:The Otto Klemperer Memorial Concert
Into the Woods (2002 Broadway Revival Cast) [Cast Recording]
Gateway To Classical Music: The Romantic Era
Ian Bostridge - Liederkreis Op. 24, Dichterliebe Op. 48 & 7 Lieder