A German Requiem (sung in English)

Track Listings

1. Chorus - Blessed are they that mourn

2. Chorus - Behold, all flesh is as the grass

3. Baritone & Chorus - Lord, make me to know the measure of my days on earth

4. Chorus - How lovely is Thy dwelling place

5. Soprano & Chorus - Ye now are sorrowful

6. Baritone & Chorus - Here on earth have we no continuing place

7. Chorus - Blessed are the dead which die in the Lord

Editorial Reviews
About the Artist
Anna Haagenson, soprano, holds the Bachelor of Music degree from the University of Colorado at Boulder and the Master of Music degree in vocal performance from the University of Minnesota. She has studied at the HageGården Music Center in Sweden with Håkan Hagegård and has received vocal coaching from Martin Issep, Lucy Shelton and Thomas Houser. She is a voice teacher who appears frequently in Minnesota Opera productions, is soprano section leader in the Minnesota Chorale and has sung solos with the Minnesota Orchestra. Symphonic solo work has included Falstaff by Verdi, Mendelssohn's Elijah, Mozart's Requiem and Grand Mass in C Minor, Poulenc's Gloria, the Bach St. Matthew Passion, Handel's Messiah and Bloch's Sacred Service. She has received performance awards from the Schubert Club and was named the national winner of the Mother of the Year Vocal Competition.

William Strom, baritone, graduated from Augsburg College with a Bachelor of Arts degree in Philosophy and holds a Master of Divinity degree from Luther Seminary. A Lutheran Pastor, currently serving a congregation in Knoxville, Tennessee, he has also enjoyed a distinguished career in vocal performance. He has sung as a soloist with the St. Paul Chamber Orchestra, the Oudal Chorale, the Dale Warland Singers, the Minneapolis Symphony, the Mankato Symphony, the Rochester Symphony, the Augsburg Centennial Singers, and Exultate. He has sung solos in La Traviata, Amahl and the Night Visitors, the Brahms Requiem, Handel’s Messiah, The Seven Last Words of Christ by Théodore Dubois, the Haydn Creation, Mendelssohn’s Elijah and St. Paul, and the Mozart Requiem. In addition, he has received several Schubert Club competitive performance awards and appears on Exultate recordings.

Tracks:

'The Marriage Of Figaro': Overture
Symphony No. 29 In A, K. 201: ll. Andante
Symphony No. 25 In G Minor, K. 183: l. Allegro con brio
Piano Concerto No. 9 In E Flat, K. 271: ll. Andantino
Piano Concerto No. 17 In G, K. 453: l. Allegro
'The Magic Flute': Overture
Symphony No. 40 in G minor: l. Molto Allegro
Symphony No. 38 In D, K. 504 'Prague': lll. Finale: Presto
Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante
Clarinet Concerto In A, K. 622: l. Allegro
Flute Concerto No. 2 In D, K. 314: ll. Andante ma non troppo
Clarinet Quintet In A, K. 581: ll. Larghetto
Piano Sonata In C Minor, K. 457: ll. Adagio
Piano Sonata In A Minor, K. 310: l. Allegro maestoso
Piano Concerto No. 23 In A, K. 488: ll. Adagio
Symphony No. 39 in E-flat, K. 543: lV. Finale: Allegro
Horn Concerto No. 3 In E-Flat, K. 447: lll. Allegro
Piano Concerto No. 21 In C, K. 467: ll. Andante
Sinfonia Concertante For Violin And Viola In E-Flat, K. 364: l. Allegro maestoso
String Quartet No. 17 In B-Flat, K. 458 'The Hunt': l. Allegro vivace assai
Violin Concerto No. 4 In D, K. 218: ll. Andante cantabile
Violin Concerto No. 5 In A, K. 219: ll. Adagio
Eine Kleine Nachtmusik, K. 525: lV. Presto
Requiem, K. 626: Confutatis Maledictis
Exsultate Jubilate: Alleluia

Amazon.com

This is an astonishing collection of works - or parts of works - by Mozart that covers almost every aspect of his creative output: symphonic, religious music, concerti (for piano, horn, violin, clarinet, flute), chamber music, serenades (for strings; winds), a couple of opera overtures and more. Those who know and love Mozart's music will not need this, but it's a great introduction, a great overview. The selections are well-chosen and interestingly organized, with familiar pieces splrinkled among some not-so well known. A good primer. --Robert Levine

Customer Reviews:

How can you go wrong with Mozart?...Buy this and find out........2007-05-13

I was extraordinarely ignorant when I purchased this recording. I thought,"WOW!! Look at all the music you get in this CD set. The price cannot be beat!" When I received the CD, I discovered that you don't really get any music at all. This is a great sample CD, and should be bought by a person brand new to classical music. However, if you have any experience with classical music, you will want to pass on this CD.

Each of the pieces are hacked apart to the point of it being comical. It's interesting to listen to the greatest music in the world, only to have the development cut. All of a sudden I was thrust into a new key, I thought my ears were going crazy. Perhaps an effort by a decent high school orchestra, but this music is not up to snuff with any other recording.

Do yourself a favor and go out and purchase real recordings of Mozart, and not watered down stereotypes.

25 Mozart Favorites.......2007-05-12

Very pleased with product, delivery, cost and service. Will use this vendor again.

Wonderful collection and price!.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

Nice Mozart selection - Nice price.......2006-09-24

Nice selection of Mozart work that give us inner peace...

Mozart Listener.......2006-08-31

This is a good CD if you like Mozart's music. It is not the best CD I ever purchased. It is nice to listen to it in the morning before I go to work. And I sometimes listen to it in the evening before I go to bed. It is relaxing and soothing. I am not a music major or therapist. This is the best review I can write. Mary Agnes Cross

Essential Mozart: 32 Of His Greatest Masterpieces

Average customer rating:

Gorgeous music, bad quality cd.
Great music, low quality reproduction
A nice introduction
Mozart is the reference point for good classical music.
Mozart's music

Essential Mozart: 32 Of His Greatest Masterpieces

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Mozart: The Great Piano Concertos, Vol. 1
Beethoven Collection: Symphonies Nos. 1-9, Complete Recording (Box Set)

ASIN: B00005A8JZ
Release Date: 2001-03-13

Tracks:

Eine kleine Nachtmusik, K525: Allegro - Academy Of St Martin-In-The-Fields
Piano Concerto No.21 In C Major, K467: Andante - Radu Lupu
Le nozze di Figaro: Voi che sapete - Cecilia Bartoli
Clarinet Quintet In A Major, K581: Largetto - Peter Schmidl
Ave verum Corpus, K618 - James Vivian
Vesperae solennes de confessore in C major: Laudate Dominum - Emma Kirkby
Concerto For Flute And Harp In C Major: Andantino - Lisa Beznosiuk
Le nozze di Figaro: Overture - London Philharmonic Orchestra
Cosi fan tutte: Trio: Soava sia il vento - Renee Fleming
Symphony No.39 in E-flat Major, K495: Andante con moto - Chicago Symphony
Horn Concerto: Rondo - Barry Tuckwell
Don Giovanni: Serenade Deh, vieni alla finestra - Bryn Terfel
Contredanse In C Major, K609 No.1 'Non piu andrai' - Vienna Mozart Ensemble
German Dance, K605 No.3 'Sleigh Ride' - Vienna Mozart Ensemble
Piano Concerto No.23 In A Major, K488: Adagio - Vladimir Ashkenazy
A Musical Joke, K522: Presto - Vienna Mozart Ensemble

Tracks:

Symphony No.40 In G Minor, K550: Molto allegro - Vienna Philharmonic
Piano Sonata No.16 In C Major: Allegro - Andras Schiff
The Magic Flute: Queen Of The Night: Der Holle Rache - Sumi Jo
Clarinet Concerto In A Major, K622: Adagio - Franklin Cohen
Don Giovanni: La ci darem la mano - Cecilia Bartoli
Serenade in Bb Major, K361: Adagio - London Wind Soloists
Der Vogelfanger bin ich ja - Hermann Prey
Le nozze di Figaro: Dove sono - Kiri Te Kanawa
Violin Concerto No.3 in G Major, K216: Adagio - Joshua Bell
Requiem, K626: Lacrimosa - Vienna Philharmonic
Litaniae de venerabili altaris sacramento: Dulcissimum convivium - Margaret Marshall
Piano Sonata No.11 In A Major, K331: Rondo alla turca - Andras Schiff
Don Giovanni: Champagne aria: Fin ch'chan dal vino - Bryn Terfel
Divertimento No.17 in D Major, K334: Minuet & trio - Vienna Mozart Ensemble
Exsultate, jubilat, K165: Alleluja - Leontyne Price
Symphony No.41 In C Major, K551 'Jupiter': Finale: Molto allegro - Vienna Philharmonic

Customer Reviews:

Gorgeous music, bad quality cd........2007-04-13

The music is Mozart's and is fantastic. The last piece on the first disc
stutters halfway through, and seizes up my system. I don't have time to return items to Amazon. On the positive side, most of the time Amazon provides quality products and service. I gave 3 stars because I love the music.

Great music, low quality reproduction.......2007-01-30

this is a great collection of his work... the only problem i have found so far is that my copy has irritating "clicks" over the recording.

A nice introduction.......2006-02-22

This is a good well rounded collection to dip you into the classical world of Mozart.

Mozart is the reference point for good classical music........2005-10-20

A good collection of his best work and I find it helps me focus when I'm writing or contempating life.

"We exposed these animals [rats] in utero and then sixty days after birth to different types of auditory stimulation and then we ran them in a spatial maze. And sure enough, the animals that were exposed to the Mozart completed the maze faster and with fewer errors. And now what we're doing is we're removing their brains so we can slice them and see neuro-anatomically precisely what has changed as a function of this exposure. So it may be that this intense exposure to the music is a type of enrichment that has similar effects on the spatial areas of the hippocampus of the brain." --Dr. Frances Rauscher

Dr. Frances Rausher sums up what I feel happening when I expose myself to this incredible composer (Mozart).

I have yet to grow tired of any of the tracks yet, but I will invest in more of his work soon.

Mozart's music.......2005-10-17

This is a review of Mozart's music, not the cd. Mozart is praised to the skies by all and sundry, including most musicians, including my father, who no doubt has his reasons. But my feeling about Mozart has always been that there is nothing in Mozart's music that is other than music. There is no logical impressionism, there are no events that seem to be transpiring as in, for example, Beethoven. Mozart is just music. Mozart is to music as pure mathematics is to science. It hints of nothing else and has no application. I find some of his music irritatingly trivial, for example, Eine Kleine Nachtmuzic. This is mechanical music that one can imagine being piped in by a totalitarian government that insists everyone be cheerful. If Disneyland was an eighteenth century totalitarian state, Mozart would be its Muzak. The populace would be awakened, like Chinese train passengers, at 6AM by the strains of some allegro. They would arise and busy themselves with their ablutions in a state of thoughtless cheer, never for one moment leaving the surface of things. That being said, the second movement of Mozart's clarinette concerto is the music that one will hear on going into heaven.

Little Night Music - Ultimate Mozart Collection [20 CD Set]

Average customer rating:

A Wonderful Collection
Celebrate Mozart's 250th at a Budget Price

Little Night Music - Ultimate Mozart Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00012QLTG
Release Date: 2003-12-09

Tracks:

Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

String Quartet in a Major K.464: Allegro - Petersen Quartett
String Quartet in a Major K.464: Menuetto - Petersen Quartett
String Quartet in a Major K.464: Andante - Petersen Quartett
String Quartet in a Major K.464: Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

Ave Verum Corpus [From Lorenzo's Oil] - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
Exsultate, Jubilate, K.165 - Gabrielle Fuchs
Church Sonata in C, K.328 - Robert Kuppelwieser
Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
Fantasy in F Minor, K.608
Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED

Average customer rating:

A Whitman sampler of Mozart
shows some of Mozart's highlight pieces
Great Price
An excellent soundtrack and an excellent film!!
If You've Seen The Movie....

Amadeus: Original Soundtrack Recording

Manufacturer: Fantasy
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Amadeus: More Music From The Original Soundtrack Of The Film Amadeus
Amadeus - Director's Cut (Two-Disc Special Edition)
Immortal Beloved / Sir Georg Solti (film 1994)
Mozart: Requiem / McNair, Watkinson, Araiza, Lloyd; Marriner
Essential Mozart: 32 Of His Greatest Masterpieces

ASIN: B000000XBT
Release Date: 1992-12-22

Tracks:

Symphony No.25 In G Minor, K.183: 1st Movemen
Stabat Mater: Quando Corpus Morietur And Amen
Bubak and Hungaricus
Serenade For Winds, K.361: 3rd Movement
The Abduction From The Seraglio: Turkish Finale
Symphony No.29 In A Major, K.201: 1st Movement: Allegro Moderato
Concerto For Two Pianos, K.365: 3rd Movement
Mass In C Minor, K.427: Kyrie
Symphonie Concertante, K.364: 1st Movement

Tracks:

Piano Concerto In E Flat Major, K.482: 3rd Movement - Neville Marriner/Academy Of St Martin-In-The-Fields/Ivan Moravec
The Marriage Of Figaro: Act III: Ecco La Marcia - Neville Marriner/Academy Of St Martin-In-The-Fields
The Marriage Of Figaro: Act IV: Ah Tutti Contenti - Neville Marriner/Academy Of St Martin-In-The-Fields
Don Giovanni: Act II: Commendatore Scene - Neville Marriner/Academy Of St Martin-In-The-Fields
Zaide: Aria: Ruhe Sanft - Neville Marriner/Academy Of St Martin-In-The-Fields/Felicity Lott
Requiem, K.626: Introitus (Eternal Rest Give To Them, O Lord) - Neville Marriner/Academy Of St Martin-In-The-Fields/Academy Chorus/Laszlo Heltay
Requiem, K.626: Dies Irae (Day Of Wrath) - Neville Marriner/Academy Of St Martin-In-The-Fields/Academy Chorus/Laszlo Heltay
Requiem, K.626: Rex Tremandae Majestatis (Awe-Inspiring King) - Neville Marriner/Academy Of St Martin-In-The-Fields/Academy Chorus/Laszlo Heltay
Requiem, K.626: Confutatis (When Those Cursed Enter Flames) - Neville Marriner/Academy Of St Martin-In-The-Fields/Academy Chorus/Laszlo Heltay
Requiem, K.626: Lacrymosa (Mournful Day) - Neville Marriner/Academy Of St Martin-In-The-Fields/Academy Chorus/Laszlo Heltay
Piano Concerto In D Minor, K.466: 2nd Movement (Romanza) - Neville Marriner/Academy Of St Martin-In-The-Fields/Imogen Cooper

Customer Reviews:

A Whitman sampler of Mozart.......2007-05-02

Truth be told, classical music--like most other kinds--is best heard in the program context for which it was written. Yet any time you can get Neville Marriner, the Academy of St Martin-in-the-Fields, and Mozart in the same place at the same time, you can hardly *not* go for it.

Like the famous chocolate sampler, you get a few of each flavor but not all you want of your favorite kind.

How then to decide? Well, viewing the rollicking good movie AMADEUS tips the scales towards buying and enjoying this fabulous, if disordered, compilation of the Mozart greats that went into the making of a movie that forever dissed the composer's rep but also gained him some fans among non-classical-listening movie-goers.

For the price you also receive a superb liner booklet that locates each piece within the film's narrative and says a word or two about the music on its own merits.

A winner for Mozart lovers.

shows some of Mozart's highlight pieces.......2007-04-15

This CD to me pretty much has all of my favoirite songs that he has made, Especially the reqeium. A must listen to Cd that I think any classical music fan will enjoy, I sure did.

Great Price.......2006-03-02

Great price for the product. I am so glad I logged onto Amazon.com for things like this. It arrived faster than expected. I will definitely continue to buy more in the future.

An excellent soundtrack and an excellent film!!.......2005-05-23

Eventhough many kids in school listen to rap and all, I listen to classical. After watching Amadeus, I was moved by the pieces selected to be played in the film. I especially liked Symphony No. 29 1st Movement. Also, when Salieri is at the Archbishop of Salzburg's palace and reads Mozart's piece, Serenade for Winds, is among my favorites. In Serenade for Winds, Mozart creates a very emotional and almost night music feel to it. I was surprised that the director/conductor did not put in a few more famous pieces into the album . . . ex. Symphony No. 40, The Magic Flute, etc. This is an excellent album and anyone who wants to enjoy the genius of Mozart should purchase this. Take it from me, you will enjoy this album immesensely.

If You've Seen The Movie...........2004-06-13

Wolfgang Amedeus Mozart's nervy youthfullness went far beyond his personal life.His choice of music very much reflects
his own spirit.He chose to set to music Le Nozze Di Figaro (a
play largely blamed for starting the French Revolution) put him
somewhat at odds with Emperor Joseph.His tendency (very much in
attendance here) to compose opera's in German at a time when
Italian opera was at it's post popular also made him a bit of a musical rebel of his day.I don't listen to alot of classical music (but certainly I have favorites,notably by Eric Satie) but Mozart's many concereto's,acts of his opera's and so
on demonstrate the youthful composers gift for melody and yes,
even hints at improvisation that set 18'th century Vienna (and
later the world) on fire!And Peter Shaffer was sure to include
acts from Mozarts errie unfinished reqeuim mass towards the end
of this CD.So to fans of the movie with more then a passing interest in classical music will enjoy this!And I think Mozart's
spirit will always be alive in those who choose to challange themselfs to innovate within music and get the public's ear to
stretch!

Average customer rating:

I hate to be rude, but . . .
Outstanding
Sacred Songs
My favorite of Fleming's CDs so far
Inspiring and beautiful

Sacred Songs

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

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Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

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The Decca Records Store | Specialty Stores | Music

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All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
Haunted Heart
The Inner Voice : The Making of a Singer
Bryn Terfel - Simple Gifts
HOMAGE: The Age of the Diva

ASIN: B000AM6OXK
Release Date: 2005-09-27

Tracks:

Ave Maria
Jesu bleibet meine Freude
Dank sei dir, Herr
Ave Maria, D839
Laudamus te
Panis Angelicus
Air: "He shall feed his Flock"
Simple Song
Pie Jesu
Domine Deus
Laudate Dominum omnes gentes
Air: Rejoice greatly, o daughter of Zion
Abends will ich schlafen gehn
L'Adieu des bergers
Mariiegenlied, Op.76/52
Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.

Average customer rating:

Good compilation- of bits and pieces
Good and inexpensive collection

Best Classics 100 Volume 1

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music
Similar Items:

Best Classics 100 Volume 2
100 Best Piano Classics
100 Best Film Classics
100 Best Opera Classics
100 Best Baroque

ASIN: B000GPIPQA
Release Date: 2006-08-29

Tracks:

The Arrival Of The Queen Of Sheba - Sir Neville Marriner
I. Allegro - Yehudi Menuhin
Toccata In D Minor BWV565 - Wayne Marshall
III. Rondo (Allegro Vivace) - Barry Tuckwell
I. Allegro Con Brio - Philharmonia Orchestra
1812 Overture - Oslo Philharmonic Orchestra
Symphony No.9 In D Minor Choral Op.125 - The Westminster Choir
I. Allegro Molto Moderato - Cecile Ousset
Alla Marcia - Halle Orchestra
Jupiter, The Bringer Of Jollity - Philharmonia Orchestra
I. Allegro Non Troppo E Molto Maestoso - Horacio Gutierrez
Symphonic Poem, Op.26 - Halle Orchestra
Gloria All'egitto - Chorus Of The Royal Opera House, Covent Garden
Montagues And Capulets - The Philadelphia Orchestra
Radetzky March - Willi Boskovsky
Pomp And Circumstance March No.1 - Royal Choral Society
I. Allegro Ma Non Tanto - Mikhail Rudy
Symphony No.3 In C Minor Organ Op.78 - Mathias Eisenberg

Tracks:

Air On The G String - Sir Neville Marriner
Dance Of The Blessed Spirits - New Philharmonia Orchestra
Canon In D - Sir Neville Marriner
II. Adagio - Sabine Meyer
Aria - Julia
Adagio In G Minor - Sir Neville Marriner
I. Adagio Sostenuto - Dame Moura Lympany
II. Andantino - James Galway
II. Andante - Yehudi Menuhin
II. Andante - Stephen Hough
II. Largo - Oslo Philharmonic Orchestra
II. Adagio - Yehudi Menuhin
Nimrod - London Symphony Orchestra
II. Adagio - Julian Bream
The Lark Ascending - Migel Kennedy
IV. Adagietto - New Philharmonia Orchestra
Variation 18 - Cecile Ousset

Tracks:

Au Fond Du Temple Saint - Nicolai Gedda
Song To The Moon - Lucia Popp
Dome Epais - Mady Mesple
La Fleur Que Tu M'avais Jetee - Nicolai Gedda
Che Faro Senza Euridice - Agnes Balsta
Casta Diva - Maria Callas
Che Gelida Manina - Roberto Alagna
O Mio Babbino Caro - Angela Gheorghiu
Bailero: Chants D'Auvergne - Victoria De Los Angeles
Vogliatemi Bene - Carlo Bergonzi
Va, Pensiero - Chorus Of The Royal Opera House, Covent Garden
Es Lebt' Eine Vilja - Elisabeth Schwarzkopf
Ombra Mai Fu - Richard Lewis
Ave Maria - Gerald Moore
Minuit, Chretiens - Roberto Alagna
Nessun Dorma - Jose Carreras

Tracks:

Overture - Royal Philharmonic Orchestra
Jesus Bleibet Meine Freude - Sir Neville Marriner
I. Allegro - Emil Gilels
Trumpet Voluntary - Maurice Andre
Judex - Halle Orchestra
Overture - Polish Chamber Orchestra
Sarabande - Academy Of St. Martin In The Fields
Waltz Of The Flowers - Andre Previn
Troika - London Philharmonic Orchestra
Fantasia On Greensleeves - Sir John Barbirolli
Clair De Lune - Dame Moura Lympany
Scene Act II, No.10 - Andre Previn
Cavatina - Manuel Barrueco
II. Romance (Larghetto) - Garrick Ohlsson
My Heart Will Go On - Orchestra
Time To Say Goodbye - Orchestra
Walzer, Op.314 - Berliner Philharmoniker

Tracks:

Cavaleria Rusticana - Philharmonia Orchestra
II. Adagio Sostenuto (Opening) - Cecile Ousset
Morning - Sir Neville Marriner
Romance - Piers Lane
Adagio For Strings - Philadelphia Orchestra
The Story Of The Kalender Prince - Philadelphia Orchestra
Meditation - Anne-Sophie Mutter
Prince Igor - Beecham Choral Society
Adagio Of Spartacus And Phrygia - Royal Philharmonic Orchestra
Fantasy Overture - Oslo Philharmonic Orchestra
II. Allegretto - Philharmonia Orchestra
II. Largo Ma Non Tanto - Yehudi Menuhin
Schindler's List Theme - Tasmin Little
Dance Of The Reed Flutes - Andre Previn
V. Allegretto - The Philadelphia Orchestra

Tracks:

Zadok The Priest - Royal Choral Society
Zion Hort Die Wachter - Suddeutscher Madrigalchor
Miserere Mei, Deus - Stephen Cleobury
Sanctus - Chor der St. Hedwigs-Kathedrale
Panis Angelicus - Halle Choir
L'Enfance Du Christ - Choeurs Rene Duclos
Sanctus - Heinz Hoppe
In Paradisum - Peter Barley
Laudate Dominum - Edda Moser
Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
Ingemisco - Luciano Pavarotti
Ave Verum Corpus K618 - Choir Of King's College, Cambridge
I Know That My Redeemer Liveth - Elizabeth Harwood
The Heavens Are Telling - John Shirley-Quirk
Pie Jesu - Victoria De Los Angeles
Lacrimosa - David Bell
Hallelujah Chorus - Ambrosian Singers

Customer Reviews:

Good compilation- of bits and pieces.......2007-07-02

I was excited to see such a great collection of classics, but I was really disappointed to listen and discover that many tracks are shortened dramatically. A fraction of Rhapsody in Blue- a ridiculously short fragment of Bethoveen Ninth Symphony- "Ode to Joy" a tiny part of the first movement of Rachmoninov's Piano Concerto no.3.

I'd rather have fewer tracks and the complete movements.

Good and inexpensive collection.......2007-03-17

EMI's Best Classics 100 provides six CDs with seven hours of selected classical music. The cover does a poor job of portraying who does the selecting and who performs the piece -- information inside however does detail the symphonies being recorded. Recordings from the Polish Chamber, Berlin Symphonies, Royal Philharmonic etc are mentioned. The recording quality is good and the price is low, representing a good purchase for a general collection.

Brahms: Ein deutsches Requiem [A German Requiem]

Average customer rating:

Real Brahms
Glorious Music
A "Regular People" Review
Brahms: Ein Deutsches Requiem
Very good

Brahms: Ein deutsches Requiem [A German Requiem]

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Great Recordings Of The Century - Beethoven: Symphony no 9 / Furtwangler, Schwarzkopf
Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
Mahler: Das Lied von der Erde
Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich,
Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter

ASIN: B00000GCA3
Release Date: 1999-01-12

Tracks:

A German Requiem Op.45: Selig sind, die da Leid tragen
A German Requiem Op.45: Denn alles Fleisch es ist wie Gras
A German Requiem Op.45: Herr, lehre doch mich
A German Requiem Op.45: Wie lieblich sind deine Wohnungen
A German Requiem Op.45: Ihr habt nun Traurigkeit
A German Requiem Op.45: Denn wir haben hie keine bleibende Stadt
A German Requiem Op.45: Selig sind die Toten

Amazon.com essential recording

This account of the German Requiem really is one of the great recordings of the century. Even today, Otto Klemperer's monumental interpretation with the Philharmonia Orchestra and Chorus, recorded in 1961, remains unmatched among readings that emphasize the spirituality of the score. Sober and sustained, but not unduly slow, it places Brahms on the continuum of German sacred music going back through Beethoven to Handel, Bach, and Schütz. Drawing committed playing and singing from his forces, Klemperer opens the door to the beauties of the music without fuss or fanfare. Both soloists are exemplary: Schwarzkopf's expressive portamento now sounds a bit dated in style, but her singing is characterful, while Fischer-Dieskau is a paragon of restrained expressiveness. The singing of the Philharmonia Chorus is especially beautiful. EMI has done a superior job of remastering the original recording. Balances and tone quality are quite fine, and the spacious Kingsway Hall ambience conveys with lifelike immediacy. Compared with previous CD incarnations, there is new depth to the image and better resolution of detail--the weight of the organ can really be felt, as can the timpani strokes in "Denn alles fleisch es ist wie gras," and one finds greater presence and definition in the chorus and considerably more richness of tone in the orchestra. There is still some distortion in the climactic moments; for example, what sounds like tape saturation frizzes a couple of the big Beethovenian choral proclamations at the end of "Denn alles fleisch es ist wie gras." Such things are but a small blemish on what is an absolutely ravishing restoration of one of the most valuable recordings of the stereo era. --Ted Libbey

Customer Reviews:

Real Brahms.......2007-06-24

He understand Brahms and the performances are superb. Buy this recording and you will be very happy.

Glorious Music.......2007-03-29

I purchased this CD for practicing the Requiem for a concert that will be performed this weekend. I am a soprano. It is wonderful for any of you who need to choose from other CDs of this piece for this purpose. For any who do not either play or sing, you will still be transported by the beautiful sound! While most requiems point to sorrow. This one by Brahms shows us the joy of life.

A "Regular People" Review.......2007-01-31

Brahms German Requiem is a great piece of music, this isn't nearly as intense as Verdi or Mozart's Requiems and not as tame at Faure's. It fits nicely in between. I can't say anything about the recording because this is the only one I've ever heard, but there are no complaints here. If you like semi dramatic choral music, (if you want super dramatic go for Verdi's Requiem!) give it a try....and keep me updated!

Brahms: Ein Deutsches Requiem.......2006-08-23

Brahms was a fabulous composer. I think his Requiem is a very musical piece including the beautiful voices.

I would recommend to anyone who loves good classical music.

Very good.......2006-08-03

First of all, it bothers me when people say Brahms "looks good on the page, but...". What does that mean, "looks good on the page"? Who are these people that own the scores to his music and are capable of instantaneously transposing several instruments in different clefs as well as different key signatures, know the timbres of each instrument at different volumes and marked styles of playing, and have the knowledge of harmony to know what these combinations of notes will sound like? Why aren't they conducting orchestras? Or do the notes somehow form the shape of a pretty little bird or something, and that's what they mean by the notes looking good on the page?
Anyway, the slower movements are great on this recording. 1st movement, 2nd, 4th, 7th. I would include the 5th, but something about Schwarzkopf's enunciation bothers me in this performance, although at times she hits a high note very subtly and perfectly. As for the more epic 3rd and 6th movements, they are impressive except for a few annoying problems. The fugue in the 3rd movement drag in the choral department, possibly because of the hall, and also sometimes I would like to hear the strings brought out a little more. The 6th movement is both wonderful and disappointing: the brass sounds amazing, and Klemperer really uses them to build tension with those high clustered dissonant notes. However, for some reason he builds up to these intense sections, and then cuts the tempo right as the sections begin. I can't think of any reason why he would have done this, but it sounds very strange and anti-climactic and it's a shame because otherwise it is amazing.
I would purchase this and Abbado's. I also have Karajan- ridiculously slow and lacking in emotion (strange, because I consider him to be the best interpreter of Brahms' symphonies), Walter- ludicrously fast, and Gardiner- pretty good. I would like to hear Shaw's but right now I'm torn between Abbado and this recording, neither of which are perfect. The woodwinds and brass are very much overpowered by the strings in Abbado's and, although it sounds great, you realize which sonorities are missing when you listen to this Klemperer recording.
As for the requiem itself, it really is beautiful. Brahms had an immense harmonic palette and he knew exactly how to use it, and that is very evident in this work. He was as harmonically audacious as Wagner, but he used his powers more prudently. The first movement is a perfect example of this: interesting resolutions, delayed resolutions, dissonant suspensions. Listen to the way the chorus and orchestra play off of one another, surprise each other, and then work together. This is what really makes music sound beautiful to me. And the texts Brahms chose to set to this piece are very touching.
One reviewer claims that Brahms didn't have a penchant for melodies. I don't see how he could be one of the most revered writers of lieder if this were the case. Maybe the reviewer's mother didn't sing him Brahms' lullaby when he was a baby, as the rest of ours did. His violin concerto adagio has been called the greatest melody ever written, the clarinet quintet is a favorite among chamber works, and he wrote 21 Hungarian dances that are immensely popular. Some movements in this piece are not meant to be sweepingly melodic; I would consider the first movement to be attractive mostly because of the harmony, which usually carries most of the emotion in music anyway. But the melodies of the 4th, 5th, and 7th movement are incredibly sweet and beautiful, and the 2nd movement's melodies are very memorable. For some reason people find it fashionable to call Brahms' music dry and academic, but these people must not be listening to the same music as the rest of us, or else they themselves are too academic and dry. This is lush, romantic music. Appropriately heavy and pensive at times, but those are the most powerful moments of the piece. It's about struggling with mortality, and comforting those who are left behind after a death. The full text that he chose for his 5th movement:
"And ye now therefore have sorrow: but I will see you again, and your heart shall rejoice, and your joy no man taketh from you.
Ye see how for a little while I labor and toil, yet have I found much rest.
As one whom his mother comforteth, so will I comfort you. . ."
This isn't really a requiem, more of an existential dilemma set to music. So much more interesting and personal than "Kyrie Eleison," "Dona Eis Requiem," and "Pie Jesu Domine," I think. There are reasons why this work is so popular; that it is very beautiful and affecting, and that it touches a universal concern of all humanity are not the least of these reasons. I think people's perceptions of Brahms as being so academic and unemotional have been influenced by extreme political reviews by influential Wagnerites. George Bernard Shaw, for example, who attacked the requiem in particular, and thought that Brahms represented a musical regression. People seem to be unaware of how these reviews tainted Brahms' name, and also that Shaw later admitted that he was very wrong.

Average customer rating:

STILL THE BEST OF HER ALBUMS
We are reviewing his talent, not his toughts
Charlotte's Debut
The Best from Charlotte Church that You Will Ever Hear!
Charlotte church is the best

Voice of an Angel

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Charlotte Church
Enchantment
Dream a Dream
Prelude: The Best of Charlotte Church
Our Favorite Things

ASIN: B00000I9CF
Release Date: 1999-03-16

Tracks:

Pie Jesu
Panis Angelicus
In Trutina
The Lord's Prayer
Jerusalem
Ave Maria
Psalm 23
I Vow To Thee, My Country
Danny Boy
My Lagan Love
Suo-Gan
A Lullaby
Amazing Grace
Three Welsh Bird Songs: Y Gylfinir/The Curlew
Three Welsh Bird Songs: Tylluanod/Owls
Three Welsh Bird Songs: Mae Hiraeth Yn Y Mor/There's Longing In The Sea
When At Night I Go To Sleep

Amazon.com

Those leery and weary of tasteless crossover need not shudder at the sight of this disc, which has sold over half a million copies in Europe. There's none of the softcore kiddie porn that came with Vanessa-Mae or the heavily packaged faux romanticism of Andrea Bocelli. (That of course doesn't necessarily mean that you'll want Voice of an Angel.) This 12-year-old Welsh soprano is so uncloyingly cute and has such an appealing personality (with just enough touch of cheek) that you'd almost rather have her as a dinner guest than on your CD player. Her small, attractive, sometimes unstable but always sincere soprano perhaps went to the top of the British charts because it clicks into the boy-soprano choir tradition so prevalent there, especially since many of the selections are sacred items such as "The Lord's Prayer" and "Ave Maria." And Church may pick up some fans thanks to the tail end of Celtic chic, with the Welsh folk songs and the rendition of "Danny Boy." But this promises to be yet another short-lived media phenomenon, rather than the beginning of a lengthy career. --David Patrick Stearns

Customer Reviews:

STILL THE BEST OF HER ALBUMS.......2007-05-03

This is the first of Charlotte Church's recordings, recorded back when she was still a normal, unspoiled 12-year-old Welsh girl. I first fell in love with her voice when I heard her singing "I Vow Thee My Country" on the radio about 8 years ago, and was blown away to find out that she was only 12 years of age!

I bought the CD shortly after that and have listened to it a bazillion times. Just recently, I decided to pull it out again and found myself enjoying it just as much now as I did then. She was probably in her best vocal form in this CD, before her voice became "overtrained," and eventually, ruined by her "Crazy Chick" habits.

Among the standouts -- besides "I Vow Thee My Country" -- are "Amazing Grace," "Ave Maria," "3 Welsh Bird Songs," "My Lagan Love," "Suo-Gan," "A Lullaby" and, of course, her signature song, "Pie Jesu." At the time, I thought she had the potential of becoming one of the greatest sopranos of all time once she reached adulthood. Sadly, this has not been the case, and her latest album, "Tissues and Issues," is a reflection of how far she has fallen both vocally and in her personal life.

If you buy only one Charlotte Church album, this would definitely be it.

We are reviewing his talent, not his toughts.......2007-04-25

This CD is excellent, I can't believe N Arey put one star because of this issue.
What a shame.

Charlotte's Debut.......2007-04-03

This is just a beautiful album -- beautiful, beautiful music. The first time I listened to it, I didn't like it very much. I was coming off a coffee rush with a splitting headache and it made me wince every time she hit a high note, but over the past few days it's really grown on me, and I like most of the songs on the CD. I was suprised by which songs really touched me the most. I'm a Christian, so I expected to like sacred songs such as The Lord's Prayer and Amazing Grace the best, but I find that I Vow To Thee My Country and Jerusalem stand out to me the most. (I'm moved to all but tears by the former). Danny Boy and Panis Angelicus are also remarkably well done. The Welsh Bird Songs are boring -- but at least the album has a strong finish with "When at Night I Go to Sleep". Charlotte did a great job. Beautiful music from a gifted little girl.

The Best from Charlotte Church that You Will Ever Hear!.......2006-11-28

This CD is simply amazing! I can honestly tell you that this is the best from Charlotte Church that you will ever hear! Her voice in this stage in her career is so mezmerizing and well-trained! Soon after her second album, which was self-titled, her voice began to deteriorate, probably because of her constant smoking and drinking. Now, we've reached a low point in Charlotte's career, in which she has now been donned the "Crazy Chick", and her latest CD, entitled TISSUES and ISSUES, is a major flop. More recently, Charlote mocked the Catholic Church, calling the Pope a "Nazi". She currently has her own television show, and in one episode, Church pretended to be a nun, and got "high" on Communion Waffers that were stamped with a smiley face, which resembles the drug ecstacy. She also broke open a statue to find Communion Wine, and placed her gum on a model of the baby Jesus. Honestly, you cannot find blame with the 12-year old Charlotte, for I'm sure that she never would do such an offensive thing! (My best advice for getting back at her is not buying her new album).

Anyways, back to the album. Charlotte's first four tracks are amazing! "Pie Jesu" was written by Andrew Lloyd Webber, originally for his wife, Sarah Brightman. I prefer Charlotte's version of Sarah's because Charlotte's voice does not show too much vibrato. If you listen to Sarah's version with Paul Miles Kingston, the boy soprano, from THE ANDREW LLOYD WEBBER COLLECTION VOL.1, you'll hear the difference! "Panis Angelicus" is amazing, and Church even sang it to the Pope! (Not the recent Pope, but the Late Pope John Paul the II). The third track, "In Trutina" - which means "In Balance", is from Bizet's Carmen, which is beautiful. Compared to Brightman's version, Charlotte has much less vibrato. "The Lord's Prayer" is simply beautiful! Jerusalem is also a magnificent work. "Ave Maria" is amazing, with soaring vocals. I don't prefer this version of "Ave Maria" because it's "Ave Maria, Ave Maria, Ave Maria" over and over again. I much prefer the "Ave Maria" by Schubert, which Brightman sings very well. However, this version is still in my favorites. "Psalm 23" is beautiful! "I Vow to Thee, My Country" is a sort of dragged-out piece, but I still enjoy listening to it. I don't prefer it because the song stays in the same key and the same notes are sung all the time! The next piece is "Danny Boy", which is OK. To me, it seems as though Charlotte and the orchestra are always out of sync, but I'm not sure. Plus, this piece is in minor! I'm not too happy about that. "My Lagan Love" is a beautiful piece, with clear vocals and lyrics. "Suo-Gan" is an awesome piece. In fact, a choir that I was once enrolled in sang this song, although it was in English. "Amazing Grace" speeks its title, which is AMAZING! The next three tracks are from "Three Welsh Bird Songs". They're in a foreign language, and I have no clue what they say, but they are wonderful all the same. The last piece, "When At Night I Go to Sleep" is beautiful, but I find it too short!

Overall, this album is great. Besides a few tracks that aren't my favorite, I'm sure that any loyal Charlotte Church fan will buy this CD and will stick it in his/her collection. Please - boycott against TISSUES and ISSUES - It isn't the greatest album anyways, with drawn-out yuckie ballads and too-hyped up pop tunes.

Charlotte, I hope you can read this! I loved you when you were a Classical singer, but now, I can't stand to look at your music! God gave you a gift, Charlotte, and you kicked Him in the face! Just remember this when your record sales for TISSUES and ISSUES flop!

Charlotte church is the best.......2006-08-14

This is the beginning of Charlotte Church. It came out like in '99. I was so amazed by her voice that I had to go and get the cd. Wow, her voice is amazing and always will be in my opinion. Even, though she has a pop album out I still like it. Also plan on buying it too. There are so many good songs on the cd. It's hard to choose because her voice is angelic. For some people who think she has a kind of boy/girl voice- don't know what their talking about. Listen closely the next time you play it. I'm starting out in singing opera and Charlotte is my role model. There is no voice like her yet, even Hayley Westerna, who also has a beautiful voice...can't be in Charlotte Church's shoes. Hopefully, she'll go back to her classical music or just do both.

Average customer rating:

great choice
Brilliant offering
Easy Listening
Very Relaxing Music
What more can you expect?

The Opera Band
Amici Forever
Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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Defined
Beyond Imagination
Il Divo
Ancora
The East Village Opera Company

ASIN: B0000V0DE2
Release Date: 2004-01-13

Tracks:

Prayer in the Night
Senza Catene (Unchained Melody)
Canto Alla Vita
Vita Mia
Requiem for a Soldier (Band of Brothers)
Whisper of Angels
The Pearl Fishers
Soave sia il vento
Nimrod: Lux Aeterna
Song to the Moon
Zadok the Priest
Nessun Dorma

Amazon.com

The debut of the young, classically trained international quintet of sopranos Jo Appleby and Tsakane Valentine, tenors David Habbin and Geoff Swell, and basso Nick Garret offers up a familiar take on the crossover formula that has enriched everyone from genre pioneers The Three Tenors to Russell Watson and beyond. While their occasionally electro-pumped rhythms and youth-angled marketing shtick ("The world's first opera band!") may borrow a page from Opera Babes and Bond, it still manages to evoke the spirit (if not the letter) of its eclectic classical sources. And if the world hasn't exactly been burning for yet another dramatized update of Turandot's melodic "Nessun Dorma," The Pearl Fishers, or--for that matter--"Unchained Melody," Amici Forever's takes on the pop side of the crossover equation are indeed promising, recasting Alex North's "Unchained.." ("Senza Catene") and their reworked theme to the miniseries Band of Brothers("Requiem for a Soldier") in a successful, neo-classical light. If Neopolitan-shaded originals like "Canto Alla Vita" and "Vita Mia" sound like Josh Groban clones, their glorious harmonic vocal reworkings of Faure's "Pavane" ("Whisper of Angels") and Elgar's "Enigma Variations" ("Nimrod: Lux Aeterna") bristle with an ambitious sense of adventure that's missing from much of their crossover competition. Serious opera buffs may still quarrel with the daring "impurity" of it all, but if Amici Forever prod a few more pimply punters to peruse Puccini, won't it all have been worth it? --Jerry McCulley

Customer Reviews:

great choice.......2007-01-11

this was a gift for family. family member loves album quality and selections.

Brilliant offering.......2007-01-10

Amici Forever is suberb in every way. Their arrangements are exceptional and the original lyrics are perfect poetry.

Easy Listening.......2006-09-21

Bought the album after hearing someone talk about the group. Thought the voices were okay (baritone was the best) but in some songs didn't blend properly. Selection of pieces was interesting . . . pop, classical, opera. Good album for "background" music.

Very Relaxing Music.......2006-09-11

I first heard it at a shop that sells English products. I thought it was interesting to hear and decided to get the CD for myself. I find the chorus very relaxing especially the last song which nearly put me to sleep as I am doing my homework. Amici Forever is a good CD to listen to when you have nothing to do or to soothe your wracked nerves.

What more can you expect?.......2006-08-04

CD was delivered quickly, in excellent shape, and for a great price. What more can you say? George

Lotte Lenya sings Kurt Weill's The Seven Deadly Sins & Berlin Theatre Songs

Average customer rating:

One of the greats
I cannot live without this album.
Lenya and Weill at their best! Buy It.
"An important landmark in dancing history"
"An important landmark in dancing history"

Lotte Lenya sings Kurt Weill's The Seven Deadly Sins & Berlin Theatre Songs

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Lotte Lenya Sings Kurt Weill / Levine, Lenya, Armstrong, Gilford, et al
The Threepenny Opera (1954 New York Cast) (Blitzstein Adaptation)
September Songs: The Music of Kurt Weill
Ute Lemper Sings Kurt Weill
Weill - The Threepenny Opera / Kollo · Adorf · Dernesch · Lemper · Milva · Reichmann · Tremper · Boysen · RIAS · Mauceri

ASIN: B0000029YI
Release Date: 1997-12-09

Tracks:

The Seven Deadly Sins: Prologue: Andante sostenuto
The Seven Deadly Sins: Idleness: Allegro vivace
The Seven Deadly Sins: Pride: Allegretto, quasi andantino - Schneller Walzer
The Seven Deadly Sins: Anger: Molto agitato
The Seven Deadly Sins: Gluttony: Largo
The Seven Deadly Sins: Lust: Moderato
The Seven Deadly Sins: Avarice: Allegro giusto
The Seven Deadly Sins: Envy: Allegro non troppo - Alla marcia, un poco tenuto
The Seven Deadly Sins: Epilogue: Andante sostenuto
The Threepenny Opera: 'Moritat vom Mackie Messer'
The Threepenny Opera: 'Barbara-Song'
The Threepenny Opera: 'Seerauberjenny'
Aufstief und Fall der Stadt mahogany: 'Havanna-Lied'
Aufstief und Fall der Stadt mahogany: 'Alabama-Song'
Aufstief und Fall der Stadt mahogany: 'Denn Wie Man Sich Bettet'
Happy End: 'Bilbao-Song'
Happy End: 'Surabaya-Johnny'
Happy End: 'Was die Herren Matrosen sagen'
Das Berliner Requiem: 'Ballade vom ertrunkenen Madchen'
Der Silbersee, Ein Wintermarchen: 'Lied der Fennimore'
Der Silbersee, Ein Wintermarchen: 'Casar Tod'

Amazon.com essential recording

Whether playing Anna in The Seven Deadly Sins or singing "Moritat vom Mackie Messer" ("Mack the Knife"), Lotte Lenya helped define the music of her husband, Kurt Weill. The duo literally created the soundtrack for the prewar Berlin of our fantasies--an exotic land of nicotine and nightlights--where cabaret, jazz, and the odd American instrumental influence all coexist happily. Now remastered, this collection gathers Lenya's legendary 1957 recordings of Sins and her 1955 recording Sings Berlin Theatre Songs. Forget subtlety--Lenya is all about emotion. On cuts like "Pirate Jenny," Lenya's voice sounds fluttery and frantic, and on "Surabaya-Johnny," her German sounds fragile and sweet, but mostly she's just herself--bittersweet, raw, and (most of all) human. In spirit, Marianne Faithfull, PJ Harvey, and a host of others all kept the torch of Lenya's style going. But after listening to these Berlin theater songs in classic form (and in their original tongue), you'll never hear them the same way again. --Jason Verlinde

Customer Reviews:

One of the greats.......2007-04-17

When I was a student in 1965, the turntable in my college apartment was kept busy spinning The Beatles, Bob Dylan, Broadway show cast albums, Nina Simone and Lotte Lenya. Lotte Lenya? Yes, the widow of German composer Kurt Weill and the star of the legendary 1950s off-Broadway revival of THE THREEPENNY OPERA, who also played James Bond's adversary Rosa Kleb in the movie FROM RUSSIA WITH LOVE. (Rosa Kleb was a martial arts expert with poison knives in the toes of her shoes.) But my theory is that Lotte Lenya enjoyed great cachet with the baby-boomers primarily because of the cover of Bob Dylan's 1965 "Bringing It All Back Home" album. That cover shows Dylan and a brunette woman in a rather elegant setting crammed with books and phonograph records. Prominent among the stack of recordings is Lenya's "Berlin Theatre Songs of Kurt Weill" album. Even though this was the age of "Don't trust anyone over thirty," if Bob Dylan liked Lotte Lenya, then she was okay. I loved everything about her Berlin Theatre Songs album, from the expressionistic cover portrait to all the unfamiliar songs sung in quavery German.

Now that CDs have made phonograph records obsolete, I've wanted to replace my LP version of the Berlin Theatre Songs for some time. Well, I feel that I've hit the jackpot with this Masterworks Heritage CD reissue which is packaged with the Brecht-Weill THE SEVEN DEADLY SINS, an experimental dance-drama that Brecht and Weill created in Paris after fleeing Nazi Germany. I had never heard THE SEVEN DEADLY SINS. It is a revelation. It could have been written by no one else. The haunting melodies, the offbeat orchestrations and the unorthodox subject matter combine to form a Brecht-Weill classic. I love this music and have played it repeatedly for weeks. Lenya's voice during this period had not yet become raspy and her saucy personality shines through. My German is much better now than it was as a college student and I can at last appreciate Lenya's perfectly enunciated German. I find this recording mesmerizing. The CD is packaged as a foldout album/book, rather than a jewel box. It includes a brief essay by Teresa Stratas and helpful notes by Mario R. Mercado. Also included are more than a dozen sepia-toned photos of the recording session and four beautiful color photographs of Lenya in Hamburg in 1956. And of course, that wonderful Saul Bolasni portrait that graced the original LP is included on the inside cover of the jacket.

I think this CD is essential. For me, it conjures up a whole era, maybe a whole century. Five stars.

I cannot live without this album. .......2006-06-09

The Weill/Brecht "Seven Sins" may not be as famous as the Threepenny, and it's certainly not as long. The songs aren't "catchy"-- no Doors or Darin or David Bowie or Dresden Dolls are going to cover any of the ballet's nine pieces. But, in all its operatic beauty, it's one of my favourite musical works on this planet.

In short: the Seven Sins is unbelievable. It's Brecht/Weill at their very best. It will latch itself onto your brain, stick its claws into your skull, surpass anything you've ever heard before. From the very start -- just three notes that will, I promise, make you shiver -- to the beautiful, melancholy ending; it's what opera should be like, and it's beyond perfect.

Miss Lotte Lenya, who was the smartest woman in the world for marrying Kurt Weill TWICE, sings what's probably the definitive version of Anna-Anna. Yes, it's two octaves lower than what was intended (but if it's high-pitched warbling you're after, I can highly recommend the lovely Anne Sofie von Otter version), and some people seem to be slightly allergic to Lotte's voice. Which I still fail to understand. She embodies everything Weill writes -- every word out of her mouth feels just right, just exactly the way it was intended.

One other version I'm particularly fond of is the one starring Marianne Faithfull. The differences are easy to spot: Marianne sings in English. Marianne sounds more stoic. Marianne's choir is more overwhelming, but smoother, though the pieces don't fit together quite as well. Marianne is just slightly faster, less emotional, slightly sweeter. Lotte, on the other hand, gives it everything she's got -- never holds back -- and fills the part with emotion. Lotte's choir is tinny, Berlin-y cabaret-y. Lotte's orchestra is much more solid. And Lotte toys more with the lyrics. Both versions are perfect, and I would VERY highly recommend buying both if you can afford it, if just to compare.

Just like Marianne's CD, this album is filled up with as much other Brecht/Weill stuff as would still fit on the disc. The final notes of the Seven Sins epilogue are quickly followed with a gorgeous full Mack The Knife (yes, uncensored), an unbelievable (and definitive) Pirate Jenny, an Alabama Song... pretty much everything these people are famous for, and even some rather obsure songs. The orchestra and background singers mix perfectly with Lotte's vocals on every track. There's not a single flaw -- not in the music, not in the recording quality, nothing -- every bit of it is as perfect as these songs get.

Whether you're just starting out collecting Berlin cabaret, or finally look to complete your collection, this album is simply something you can't NOT buy. So buy it. Buy it. Yes. Excellent. And, if you're searching for more excellent related stuff, here's some other CDs I can recommend:

- Die Dreigroschenoper: 1999 version, starring Nina Hagen, Max Raabe, HK Gruber
- The Threepenny Opera: 1954 Blitzstein adaptation (English softened version)
- Jasperina de Jong - Sieben Rosen hat der Strach (Brecht tribute)
- Cathy Berberian - The Unforgettable
- The Tiger Lillies - Twopenny Opera (It's One Cheaper)

And a final note: avoid the Ute Lemper version at all costs. She's a great singer, absolutely, but will never be Anna-Anna.

Lenya and Weill at their best! Buy It........2005-11-04

'Lotte Lenya sings Kurt Weill's The Seven Deadly Sins and Berlin Theatre Songs' is a single CD combining two separate 1955 LPs recorded in Germany, five years after the death of husband and composer, Kurt Weill.

As a lifelong Weill fan who has heard many different interpretations of these songs most notably from Ute Lemper and Maria Stratas, I was struck by how dramaticly better was Lenya's performance of the lyrics. I think this goes far beyond the fact that many of these works were written specifically to be performed by Lenya in Berlin between 1927 and 1933. It is obvious to my ear that even though Lemper is a great cabaret singer, Lenya trumps this with years of performing on the live stage without the aid of electronic amplification.

Lenya does 'Die Sieben Todsunden' with the version done for a lower voice (same as Lemper) rewritten for her by Weill. As other reviewers have noted, this was originally a combination ballet / song cycle commissioned in Germany by George Balanchine where the singer and the ballerina perform two sisters, both named Anna.

None of the individual songs are nearly as popular on their own as the following collection of songs from the German works, 'The Threepenny Opera', 'Mahagonny', and 'Happy End'.

My first encounter with Lotty Lenya's singing was on a Columbia collection done on vinyl in the 1960s, done, probably following on her appearance in the second James Bond movie, 'From Russia, With Love' as the Russian Colonel Klebb. I think this recording is far superior to that issue or to any other recent recording where Lenya does songs she never performed on the stage.

"An important landmark in dancing history".......2001-06-16

The seven Deadly Sins was commissioned as a dance piece for Les Ballets 1933 with choreography by George Balanchine, Balanchine re-staged it at the New York City Ballet with Lenya at 1958. Anna Sokolow who has difficulties to work with Bertold Brecht to close (Galileo), gave her own independent interpretation to this play as a director with Netherland Dance Theatre in 1967 and at Detroit in 1967 (Cleo Laine).

"An important landmark in dancing history".......2001-06-16

The seven Deadly Sins was commissioned as a dance piece for Les Ballets in 1933 with choreography by George Balanchine. Balanchine restaged it at the New York City Ballet with Lenya in 1958. Anna Sokolow who had difficulties working with Bertold Brecht closely (Galileo), gave her own interpretation to this play as a director with Netherlands Dance Theatre in 1967 and in Detroit in 1976 (Cleo Laine, Mary Hinkson), and in Boston in 1990.

Track Listings:

Track Listings

track listings

Track Listings

Freakbeat Scene [Import]

Organs of Mexico 2

Live: Omaha to Osaka [Live]

Dream Weaver

Anthem for New Sonic Warfare [Enhanced]

Metamorphosis

Mack & Mabel (1974 Original Broadway Cast) [Cast Recording]

Karajan Intermezzo

Never Forget-Very Best of the 90's [Import]

Lutoslawski: Orchestral Works Vol. 2

Mind at Play

Intocable IV

Latin Music: 15 Exitos

Still I Rise

Last of the Whorehouse Piano Players

1. Chorus - Blessed are they that mourn
2. Chorus - Behold, all flesh is as the grass
3. Baritone & Chorus - Lord, make me to know the measure of my days on earth
4. Chorus - How lovely is Thy dwelling place
5. Soprano & Chorus - Ye now are sorrowful
6. Baritone & Chorus - Here on earth have we no continuing place
7. Chorus - Blessed are the dead which die in the Lord