Joseph Haydn: Piano Trios

Editorial Reviews
Amazon.com essential recording
This is full-blooded, 19th century Haydn, with a lot of power and a wide range of dynamics. This ensemble doesn't keep Haydn in a polite 18th century style, and the round sound of its modern instruments is conveyed in a lively recording made at the great Troy Savings Bank Music Hall. If you want your Haydn wearing a powdered wig, this is not the disc for you. If you want to let the old boy rip, though, these excellent musicians give us the best single-disc introduction to Haydn's Trios available. The famous Gipsy Rondo Trio is here, the last piece on the program. --Leslie Gerber

Tracks:

Hob. XV:30 In E Flat: Allegro moderato
Hob. XV:30 In E Flat: Andante con moto
Hob. XV:30 In E Flat: Presto
Hob. XV:27 In C: Allegro
Hob. XV:27 In C: Andante
Hob. XV:27 In C: Finale (Presto)
Hob. XV:28 In E: Allegro moderato
Hob. XV:28 In E: Allegretto
Hob. XV:28 In E: Finale (Allegro)
Hob. XV:29 In E Flat: Poco allegretto
Hob. XV:29 In E Flat: Andantino ed innocentemente
Hob. XV:29 In E Flat: Finale: Allemande (Presto assai)

Tracks:

Hob. XV:24 In D: Allegro
Hob. XV:24 In D: Andante
Hob. XV:24 In D: Allegro, ma dolce
Hob. XV:25 In G: Andante
Hob. XV:25 In G: Poco adagio. Cantabile
Hob. XV:25 In G: Rondo all'Ongarese (Presto)
Hob. XV:26 In F Sharp Minor: Allegro
Hob. XV:26 In F Sharp Minor: Adagio cantabile
Hob. XV:26 In F Sharp Minor: Tempo di menuetto
Hob. XV:31 In E Flat: Andante cantabile
Hob. XV:31 In E Flat: Allegro

Tracks:

Hob. XV:20 In B Flat: Allegro
Hob. XV:20 In B Flat: Andante cantabile
Hob. XV:20 In B Flat: Finale (Allegro)
Hob. XV:21 In C: Adagio pastorale - Vivace assai
Hob. XV:21 In C: Molto andante
Hob. XV:21 In C: Finale (Presto)
Hob. XV:22 In E Flat: Allegro moderato
Hob. XV:22 In E Flat: Poco adagio
Hob. XV:22 In E Flat: Finale (Allegro)
Hob. XV:23 In D Minor: Molto andante
Hob. XV:23 In D Minor: Adagio ma non troppo
Hob. XV:23 In D Minor: Finale (Vivace)

Tracks:

Hob. XV:15 In G: Allegro
Hob. XV:15 In G: Andante
Hob. XV:15 In G: Finale (Allegro moderato)
Hob. XV:17 In F: Allegro
Hob. XV:17 In F: Finale (Tempo di menuetto)
Hob. XV:32 In G: Andante
Hob. XV:32 In G: Allegro
Hob.XV:18 In A: Allegro moderato
Hob.XV:18 In A: Andante
Hob.XV:18 In A: Allegro
Hob. XV:19 In G Minor: Andante - Presto
Hob. XV:19 In G Minor: Adagio, ma non troppo
Hob. XV:19 In G Minor: Presto

Tracks:

Hob. XV:12 In E Minor: Allegro moderato
Hob. XV:12 In E Minor: Andante
Hob. XV:12 In E Minor: Rondo (Presto)
Hob. XV:13 In C Minor: Andante
Hob. XV:13 In C Minor: Allegro spiritoso
Hob. XV:14 In A Flat: Allegro moderato
Hob. XV:14 In A Flat: Adagio
Hob. XV:14 In A Flat: Rondo (Vivace)
Hob.XV:16 In D: Allegro
Hob.XV:16 In D: Andantino pito allegretto
Hob.XV:16 In D: Vivace assai

Tracks:

Hob. XV:7 In D: Andante con variazioni
Hob. XV:7 In D: Andante
Hob. XV:7 In D: Allegro assai
Hob. XV:8 In B Flat: Allegro moderato
Hob. XV:8 In B Flat: Tempo di menuetto
Hob. XV:9 In A: Adagio
Hob. XV:9 In A: Vivace
Hob. XV:10 In E Flat: Allegro moderato
Hob. XV:10 In E Flat: Presto
Hob. XV:10 In E Flat: Allegro moderato
Hob. XV:10 In E Flat: Tempo di menuetto

Tracks:

Hob. XV:f1 In F Minor: Allegro moderato
Hob. XV:f1 In F Minor: Menuet
Hob. XV:f1 In F Minor: Finale (Allegro)
Hob. deest in D: Allegro molto - Andante
Hob. XIV:C1 In C: Adagio - Presto
Hob. XIV:C1 In C: Menuet
Hob. XIV:C1 In C: Hob. XIV:C1 in C: Finale
Hob. XV:2 In F: Allegro moderato
Hob. XV:2 In F: Menuetto. Allegretto
Hob. XV:2 In F: Finale (Adagio con variazioni)
Hob. XV:5 In G: Adagio non tanto
Hob. XV:5 In G: Allegro
Hob. XV:5 In G: Allegro
Hob. XV:6 In F: Vivace
Hob. XV:6 In F: Tempo di menuetto

Tracks:

Hob. XV:40 in F: Moderato
Hob. XV:40 in F: Menuet
Hob. XV:40 in F: Finale (Allegro molto)
Hob. XV:41 in G: Allegro
Hob. XV:41 in G: Menuet
Hob. XV:41 in G: Adagio
Hob. XV:41 in G: Finale (Presto)
Hob. XV:35 in A: Capriccio (Allegretto)
Hob. XV:35 in A: Menuet
Hob. XV:35 in A: Finale (Allegro)
Hob. XV:34 in E: Allegro moderato
Hob. XV:34 in E: Menuet
Hob. XV:34 in E: Finale (Presto)
Hob. XV:36 In E Flat: Allegro moderato
Hob. XV:36 In E Flat: Polones
Hob. XV:36 In E Flat: Finale (Allegro molto)
Hob. XV:38 In B Flat: Allegro moderato
Hob. XV:38 In B Flat: Menuet
Hob. XV:38 In B Flat: Finale (Presto)

Tracks:

Hob. XV37 in F: Adagio
Hob. XV37 in F: Allegro molto
Hob. XV37 in F: Menuet
Hob XV:C1 in C: Allegro Moderato
Hob XV:C1 in C: Menuet
Hob XV:C1 in C: Andante con variazioni
Hob. XIV:6-XVI:6 in G: Allegro
Hob. XIV:6-XVI:6 in G: Adagio
Hob. XIV:6-XVI:6 in G: Menuetto
Hob.XV:39 in F: Allegro
Hob.XV:39 in F: Andante
Hob.XV:39 in F: Allegro
Hob.XV:39 in F: Menuetto
Hob.XV:39 in F: Scherzo
Hob. XV:1 in G minor: Moderato
Hob. XV:1 in G minor: Menuet
Hob. XV:1 in G minor: Presto

Amazon.com

Haydn's piano trios deserve far more attention than they receive. As music lovers know, they are every bit as rewarding as his symphonies and string quartets, and also very numerous. They are not, however, true trios as we understand the term now. Essentially, Haydn took the sonata for violin and piano and added a cello part to strengthen the weak bass of contemporary pianos. This doesn't inhibit the quality of the music in any way, but it has prevented modern piano trios from taking them up since the cellist usually wants something more exciting to do. All praise, then, to the Beaux Arts Trio for understanding that musical quality is more important than instrumental display. --David Hurwitz

Amazon.com

This set, recorded during the 1970s, is still the only complete recording of Haydn's trios. (Imagine if there were only one recording of Mozart's or Beethoven's trios!) In this low-priced, space-saving format, it is one of the greatest chamber music bargains of all time. The great Beaux Arts Trio took its time recording the music, so every piece was thoroughly studied and absorbed before it was recorded. Some period instrument groups might be more stylish or authentic in a given trio, but this is still a splendid series of performances and your only chance to hear all of the music. Take the box on vacation; it doesn't use up much space! --Leslie Gerber

Customer Reviews:

Little Gems........2007-07-19

I have come to the view that Haydn is for the more musically mature; this is after fifty five years of avoiding him! I have wasted a lot of time.

Like many people, I have thought of Haydn principally in terms of his "thousands" of symphonies and felt the title "Papa" well deserved. However, having spent an increasing amount of time over the last five years in getting to know his chamber works, I have altered my opinions dramatically and long since have ceased to think of him as "Papa".

Given that for a few years at least, he shared the middle of the 18th. century with Bach, his works were highly innovative following so close upon the heels of the Barok. I think Haydn receives far too little credit for the pioneering work he did. His string quartets are truly of the highest order and given that he "invented" the genre, astonishingly forward and musically developed. Mozart did nothing to advance the form which Haydn left as a wonderful foundation upon which Beethoven, Schubert and Mendelssohn could build.

Whilst the quartets are of a comparatively cerebral character, these piano trios are not so. Not because of any inventive shortcomings of on the part of the composer but due to their being intended for a different and much larger audience along with groups of amateur players to whom his publishers could sell lots of sheet music; it should be remembered that Haydn's reputation extended from Italy to Sweden and he was enormously popular at the end of the century. These trios, whilst very occasionally sounding just a little "commercial", make very satisfying listening and I enjoy them immensely.

The Beaux Arts' readings are characteristically "safe" and I have no quibble with this. Another reviewer has found them "bland" but with this I disagree. Frankly, I think it difficult to make a proper judgment because, as has been pointed out elsewhere, the strings are not at all well recorded and for much of the time the pieces sound like a piano sonata with occasional string accompaniment. I find this irritation present on other Beaux Arts/Philips recordings but in this case less annoyingly so as the piano really is a stand-alone part with the overall nature of the works being surprisingly undiminished - particularly the 'cello whose principal function is to bolster the rather fragile bass of the early Viennese fortepiano - don't have a lot to say that is of much musical consequence. Fortunately, Menahem Pressler, being a superb pianist, carries the burden masterfully. In other respects the standard of recording is good.

I would like to have awarded five stars; generally, this set deserves them but I feel some penalty has to be imposed in respect of the poor microphone balance. Musically, this collection is a well-performed joy and I'm sure others will delight in it.

Delightful Music.......2006-03-04

The Beaux Arts Trio, as always, performs well enough to win an award with these trios. The works are so tuneful that I frequently found myself walking around the house humming the tunes after hearing a quartet for the first time.

This music is also wonderful to listen to while doing desk work or reading. You'll not be disappointed.

Too Bland for Haydn!!!.......2006-01-17

No doubt that Haydn is one of the greatest composers of all times both in terms of quality and quantity of his diverse compositions.I have always found his piano sonatas very witty and enjoyable having listened to Jando and Richter.I was completely floored by one of the Haydn's Piano trios featured in the Stern,Rose and Istomin recording of the Schubert Piano Trios-Perky,springy,Bouncy playing keeping the listener constantly guessing.It is with great expectation that I bought this complete set of Haydn Piano Trios by the REPUTED Beaux Arts Trio.Listening to the First 2 CDs of this set was a bit of a let down.I find their playing totally bland and Lifeless-Yes,they are pretty but lacking in perky,quirky humour that Haydn is justly known for.They sound like Rameau's compositions!I find that the individuality and personality of Haydn is totally absent.
I know that the Beaux Arts Trio has a Big Reputation but I need to say this.I found their Beethoven Trios a Trifle Bland as well.The Stern Rose Istomin Excel in that recording as well!Ditto for their Schubert Piano Trios.Just what is the Difference?I find the Stern Rose Istomin Trio play with Fresh Abandon whereas the Beaux Arts Trio seem to be too Studious,a little too serious!This robs a little bit of spontaneity and LIVING IN THE MOMENT vitality.(More so for Franz Joseph Haydn!)
Yes,This may be the only complete recording of the wonderful Haydn Piano Trios,but I would strongly advise that you collect the individual performances by different groups after due listening.

Haydn: Complete Piano Trios.......2005-09-06

Bad recording - all one can hear is the piano part...too loud and is sounded liked the piano was set right next to the microphone... Wish I could return this set of CD's. Very disappointed.

Gramophone "Top 100 " Recording .......2005-04-25

There are times - even for the most engaged classical fan - when the denser textures or sudden changes in dynamics of a symphony, concerto or even string quartet cannot quite be processed, but still the musical-person-within desires to hear great music. Well, for those times - such as a cozy Sunday afternoon reading on the couch - Haydn's piano trios are the perfect prescription for musical bliss and contentment. And while these trios are lighter in character and texture, they are definately not monotonous, run-of-the-mill divertimenti but rather quite musically intelligent compositions which are exceedingly pleasant, full of exuberance, rich in invention and always in good Haydn taste.

Haydn's Piano Trios is an abundant, marvelous cache of chamber music to explore. Many are similar in mood and interplay to Mozart's sprightly Piano Trios, while some movements of the late works forshadow Beethoven's expressivity. Haydn's piano trios never cease to delight with their classical balance, lightness-of-heart, bubbly joy and smooth textures. One reason for such a proliferation of works in the piano-trio genre in Haydn's time is that the home market for such compositions was exploding in mid-18th century with seemingly every middle to upper class household now owning this new, must-have musical instrument - the clavier.

The Beaux Arts Trio do great justice to this works and show they really care and enjoy Haydn's music. The artistry, performance and sound quality of these recordings are superb on all levels which is probably why this set won the impressive awards of "Top CD of the Year" and a "Top 100 Recording" from Gramophone - the latter being a supreme compliment. The crisp, dancing piano tempos from pianist Menahem Pressler in these trios are energetic, sure-footed and delightful, while the two strings bring a rich tonality and elegant mannerism that is most fitting for this genre and period. As a whole, the Beaux Arts Trio exhibits the kind of natural, seamless musicianship that comes through years of playing together. Their playing and this CD show classical-era chamber music at its finest, and "legendary" would not be an out-of-place description of this fine trio. As of 2005, the trio is now in its 50th year with original member pianist Menahem Pressler still going strong. All of their recordings still decades later are among the top positions in the ratings in spite of much fine competition (Mozart, Beethoven, Schubert, Brahms piano trios). I would say the Haydn Piano Trios are just as enjoyable and musically rich than their Mozart and Beethoven recordings. I would not be without one set.

For all these reasons, these most-admirable recordings are some of my most frquently played discs in all my collection (I play music all day while studying or working). Others note this "ever-fresh" appeal that allows lots of play before any weariness sets in. So, the quality of recordings, beautiful slim packaging, decent liner notes and exceptional value all combine to make this set a compelling investment for the chamber-music lover. And if you think 9 CD's of piano trios are a lot, consider it a lifetime investment and exploration.

Average customer rating:

Extremely enjoyable late Haydn
Infectiously fun Haydn
Haydn--wild, passionate, sometimes downright strange
once, there was a very lucky hungarian count...

Haydn: Last 4 Piano Trios

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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ASIN: B0000028UD
Release Date: 1993-06-01

Tracks:

Trio No. 43 In C Major, Hob. XV: 27: I. Allegro
Trio No. 43 In C Major, Hob. XV: 27: II. Andante
Trio No. 43 In C Major, Hob. XV: 27: III. Finale. Presto
Trio No. 44 In E Major, Hob. XV: 28: I. Allegro moderato
Trio No. 44 In E Major, Hob. XV: 28: II. Allegretto
Trio No. 44 In E Major, Hob. XV: 28: III. Finale. Allegro
Trio No. 45 In E-Flat Major, Hob. XV: 29: I. Poco Allegretto
Trio No. 45 In E-Flat Major, Hob. XV: 29: II. Andantino ed innocentement
Trio No. 45 In E-Flat Major, Hob. XV: 29: III. Finale. Allemande. Presto assai
Trio No. 42 In E-Flat Major, Hob. XV: 30: I. Allegro moderato
Trio No. 42 In E-Flat Major, Hob. XV: 30: II. Andante con moto
Trio No. 42 In E-Flat Major, Hob. XV: 30: III. Presto

Amazon.com

Noted musical scholar Charles Rosen calls Haydn's piano trios the most technically difficult piano works before Beethoven's sonatas, and that includes Mozart, who was a pianist. These are indeed extraordinary pieces, and the only thing that has prevented their being far more frequently played is the fact that the cello is used almost exclusively to reinforce the bass of the piano--a combination that sounds wonderful, but isn't much fun for a professional cellist. In fact, Haydn wrote these piece for gifted amateurs, and they have an easy tunefulness and sense of fun that is virtually unmatched by any other composer. These performances have just the right relaxed, genial quality, and the sound is excellent. --David Hurwitz

Customer Reviews:

Extremely enjoyable late Haydn.......2007-07-12

This is some of Haydn's greatest music. All of the piano trios belong next to the symphonies and string quartets as the cornerstones of Haydn's prolific output. However, what Haydn achieved in these last four trios is truly remarkable (each one far and away surpass anything Mozart had to say in the genre; not that Mozart's are bad by any means, but these are truly intimate masterpieces.). Listening to the very first notes of the C major, you'll know you made the correct decision in this purchase.

Robert Levin, Anner Bylsma, and Vera Beths are unparalleled in these last four trios. This record was given a Rosette by the Penguin Guide, and rightly so. Also, if you have never heard these played on fortepiano, then you especially are in for a treat. Its truly hard for me to go back to the modern grand after listing to Levin's upbeat and crisp articulation. So, even if you have the Beaux Arts Trio's seminal interpretations of these works, this is still an essential purchase for the avid listener. It will give you a new perspective on what late Haydn is all about.

Infectiously fun Haydn.......2005-12-31

I'm not usually a fan of period-instrument recordings, but there are some isolated ones that I can't imagine being played any other way, and this is one of them. The more incisive sound of these instruments helps delineate and clarify some of Haydn's best work. This is ferociously inventive music, even for Haydn, with not a bar of filler to be found. Other reviewers have commented on the whirling German dance that closes the E Flat trio (No. 45), or the guitar-like effect that opens the E Major (a resemblance made particularly uncanny by the period instrument sound). Note also the darkly shadowed middle movement of that E Major trio, which is so creepy as to be almost macabre - even by today's standards. This music was obviously meant for entertainment, and its inventiveness and breathless exuberance held my rapt attention from the first bar to the last... but the real genius here is how Haydn uses the "fun" surface of this music as a cover for his awesome depth of musical skill. Entertainment this music may be, but the lasting value comes from the seemingly effortless way this master composer wields every compositional technique in the book, without once making it obvious that's what he's doing. These trios are an unparalleled synthesis of intellect and emotion - the "meat and potatoes" and the fluffy pastries all in one. Levin, Beths and Bylsma see both those sides in this music, playing with an intensity and sense of delighted enjoyment that makes this music irresistible without ever straying outside Haydn's idiom. Highly recommended for any Haydn fan - and if you're new to Haydn, this is a great way to learn more.

Haydn--wild, passionate, sometimes downright strange.......2002-09-28

Not only are these superb period performances--Levin's improvised ornaments add to the fun--but these extraordinary pieces should put the lie to the "Papa Haydn" tag. The most intimate and playful of his major works, the trios explore emotional depths the more public works only touch on. The bizarre, neo-Baroque Allegretto from No. 44 (Hob. 28) is one of the strangest pieces of the Classical period, with a stunning outburst of fury at the end--this in a trio that begins with an uncanny imitation of a guitar. (Thought a piano couldn't play pizzicato? Listen to Haydn's scoring.) And the whirligig German dance that closes the next trio, complete with village band sounds and joke after joke, might be the giddiest piece ever. Haydn's trio layout, with the 'cello usually doubling the piano's bass line, is often criticized; with the weaker sustaining power of the fortepiano, though, it makes perfect sense, and many balance problems disappear. This is great music, performed with love and delight.

once, there was a very lucky hungarian count..........2000-07-11

Does period instrument performance conjure up memories of anemic tone and poor intonation? Tired of sloppy vibrato and obvious phrasing? Try this disk for incisive playing with rich, warm sonorities that resonate inside your mind's ear. The absolute abandon these stellar musicians bring to these interpretations is infectious and convincing. At times one feels like the music is sheer telepathic group improvisation, not a meticulously notated opus number whatever. Having played some of Haydn's earlier piano trios where form is stricly adhered to and melodies stay within the constraints of the decorous, the eye-opening range of emotions expressed by these late works is clearly ground-breaking. The debt that Mozart and even L.v.B. owe to Papa H is once again in evidence here, particularly in the slow movements. Vera Beths has to be one of the most lyrical players of this age. Any doubters should refer to L'Archibudelli's recording of Beethoven's opus 9 trios, still my all-time favorite chamber music recording.

Average customer rating:

best available version
outstanding
DO WE UNDERSTAND HAYDN EVEN YET?

Haydn: Piano Trios (Complete) [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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ASIN: B000DZV8C6
Release Date: 2006-01-24

Customer Reviews:

best available version .......2007-02-10

I normally prefer modern instruments in most recordings,even in Haydn's piano sonatas. But when it comes to Haydn's trios, I prefer the period instruments by far. They just seem to blend better, and the musicians seem to be able to play with more passion and energy; by contrast, the performances by the Beaux Arts Trio sound cold and restrained. Great recordings, and the price is amazing!

outstanding.......2007-01-30

I can't add much to David Bryson's excellent review below.

I've owned the Beaux Arts modern instrument set of these works for years, and I have to say I greatly prefer this set, which was performed on period instruments. I enjoy modern instrument performances of music from this period (for instance Mozart's piano concertos, where a period fortepiano is frequently overwhelmed by the orchestra, even a period insturment orchestra. However, I think period fortepianos are preferable in chamber music.

The balance and clarity of these recordings is superb. Three different period fortepianos are used, adding to the sense of progression not just in Haydn's compositions, but also the color and texture of the music as influenced by the choice of instrument.

As usual, Brilliant Classics offers a great value for the money as well. Informative liner notes, sturdy cardboard sleeves for each of the ten discs, and the set takes up less than two inches of shelf space.

Highest of recommendations.

DO WE UNDERSTAND HAYDN EVEN YET?.......2006-10-09

In a letter Brahms says something to the effect `Nobody seems to understand Haydn nowadays. For years he gave us all our music'. Whatever precisely Brahms meant, it seems to me that the complete transformation in the idiom of music that made the music of Mozart and everyone since so astoundingly different from the music of Bach was Haydn's achievement, and his alone. Relics of the baroque manner are absent from Haydn's own style virtually from the outset. Any that remain relate to his treatment of the bass in ensembles, and that matter has a particular bearing on Haydn's piano trios, not so much in themselves as in the way they are perceived.

Assuming for the moment what I shall try to explain in that respect, the set under review will be hard to surpass as `record of the decade' whatever marvels await us between now and the end of 2010. For comprehension of Haydn's style and its development, for loving, inspired and meticulous musicianship, for the ability to recognise and convey greatness when they find it, these artists deserve the most extravagant praise. For quality in the recorded sound, for thought and imagination in the production, for helpful and illuminating comment, and for sheer brilliant value, this set deserves hardly less. It comes compactly packaged in ten numbered envelopes averaging an hour's music apiece. Box and envelopes are of strong cardboard, but the discs can be difficult to extract when new, so be careful with them. There are 40 trios plus (on disc 5) a selection of individual movements where the music is probably by Haydn but the arrangements for trio not. Attribution to Haydn is probably not completely certain in some of the earliest trios either, but he becomes unmistakable before long, and none of the music is less than attractive. The 3 trios on disc 6 have flute rather than violin according to Haydn's expressed preference, and Marion Moonen uses a wooden flute. There are two violinists and two cellists sharing the work, but the fortepianos (several are used) are played throughout the entire 10 hours of music by the formidable Bart van Oort, who contributes one of the admirable liner-notes into the bargain. The level of musical insight shown by the entire ensemble I have already alluded to, but van Oort is a player to hear just for his playing, turning out trills to rival Gould himself.

Serkin said that that Haydn's trios are a musical corpus to rival Mozart's piano concertos, and that a life devoted to their study alone would be well spent. He might have recorded some of them in that case, mightn't he? The statement is not much of an exaggeration in my opinion. Broadly speaking, one senses Haydn's style developing as the 10 discs progress, the adagio of the F# minor trio on disc 9 is better known as the sublime slow movement of the wonderful symphony 102, and the 4 trios occupying the last disc, particularly the C major, are absolute belters worthy to stand with the greatest of his piano sonatas. One can probably enjoy them best without reading too much about them, as enlightenment is in short supply in what one reads. Tovey finds `strange inability to refrain from writing down in the piano part everything that the other instruments have to say.' This I quote to illustrate the pitfalls of dealing in generalisation. There is more doubling between the violin and the piano's right hand than in later styles, but as a general characterisation of what you can hear with your own ears it is nonsense. The really interesting issue concerns the cello. Genuine emancipation of the cello in ensembles with piano came only with Mozart, although Haydn had got there in his quartets and symphonies. We may therefore choose to believe, as Tovey seems to, that this composer, the most thoroughgoing revolutionary, in his civilised way, that music has yet seen, was incapable of advancing in his trios to the treatment of the cello that he had achieved elsewhere; or we can believe something more probable. Cellists of the calibre necessary for Haydn's symphonies and quartets were probably still thin on the ground. The instrument never had music worthy of it until Bach, inspired by the playing of Linike, wrote his cello suites. In Haydn's time, as in Bach's, it was probably still embraced by players of little attainment or promise, and simple cello parts in piano `trios' were a way of giving such performers an opportunity to participate with their more gifted colleagues. It would take little to arrange Haydn's trios as `violin sonatas', but it seems to me that Haydn - or you or I come to that - can perceive the benefit of cello sound to the overall effect, even if Professor Tovey does not.

The one thing I miss from this wonderful set is a clear account of the dates of the trios. I am not conversant with the Hoboken numbering-system, but it is not followed strictly here. Roughly, I would guess that the sequence of the works over these 10 discs follows the sequence of their composition. However there may be producer's or presentational reasons for departing from such rigid ordering, although I can't imagine any such reason for presenting the 3 flute trios, all on the same disc, in the (Hoboken) sequence 16/15/17.

You may be aware that Haydn also wrote trios for baryton viola and cello, of which I own a marvellous complete set on vinyl, not now available on cd so far as I know, but there seem to be others of comparable quality. Those could well be another treat if you are unfamiliar with this side of the master's output. In the short term, there are these trios to get acquainted with if we thought we knew Haydn but were actually missing something important.

Brilliant Classics indeed.

Haydn: Piano Trios Hob. XV: 18, 24, 29 & 25 'Gypsy'

Average customer rating:

Haydn: Piano Trios Hob. XV: 18, 24, 29 & 25 'Gypsy'

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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ASIN: B0000037HV
Release Date: 1997-10-07

Tracks:

Pno Trio in C Hob.XV: 25 Gypsy-Zigeunertrio: I. Andante
Pno Trio in C Hob.XV: 25 Gypsy-Zigeunertrio: II. Poco Adagio
Pno Trio in C Hob.XV: 25 Gypsy-Zigeunertrio: III. Finale. Rodo All' Ongarese: Presto
Pno Trio in E Flat Hob.XV: 29: I. Poco Allegretto
Pno Trio in E Flat Hob.XV: 29: II. Andantino Ed Innocentemente
Pno Trio in E Flat Hob.XV: 29: III. Finale. Allemande: Presto Assai
Pno Trio in A Hob.XV: 18: I. Allegro Moderato
Pno Trio in A Hob.XV: 18: II. Andante
Pno Trio in A Hob.XV: 18: III. Allegro
Pno Trio in D Hob. XV: 24: I. Allegro
Pno Trio in D Hob. XV: 24: II. Andante
Pno Trio in D Hob. XV: 24: III. Allegro, Ma Dolce

Haydn: Complete Piano Trios, Vol 6 (Hob XV:27-30) /Trio 1790

Average customer rating:

Brisk refreshing renditions of well-worn repertoire

Haydn: Complete Piano Trios, Vol 6 (Hob XV:27-30) /Trio 1790

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B0002ONAGA
Release Date: 2004-09-21

Album Description

It is not known exactly when Haydn composed three of these trios (27-29), but they doubtless belong to the greatest keyboard challenges among his piano trios. In 1796 Haydn composed his last trio, Hob. XV:30, which was also his last piano composition. It is considerably more concentrated in its motivic work than all its predecessors and the cantabile quality of the material is remarkable. On historical instruments, the Trio 1790 again presents the four compositions affectionately and with attention to the smallest detail.

Customer Reviews:

Brisk refreshing renditions of well-worn repertoire.......2005-07-01

These works by Haydn are among the composers finest, in my opinion, although they seem to get much less attention his other major efforts in the area of chamber music, notably the string quartets. The most widely recommended recordings of these works are by the Beaux Arts Trio, who perform them using a modern piano string instruments. These performances recorded by CPO employ a forte piano and period string instuments. The more transparent texture produced by the old instruments gives these performances a more percussive, transparent texture which serves the music well, in my opinion. I recommend these recordings highly.

Average customer rating:

Fine Haydn from Schiff

Haydn: Piano Trios, Vol. 1 [Australia]
Schiff , Pergamenschikow , and Shiokawa
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music

Classical | Imports | Stores | Music
Similar Items:

Haydn: Piano Trios, Vol. 2 [Australia]
Haydn: Piano Sonatas
Schubert: Piano Trios
Bach: Cantatas Vol. 15
Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy

ASIN: B0007MR2CU
Release Date: 2005-05-16

Tracks:

Piano Trio In E Minor, H.12
Piano Trio In F Sharp Minor, H. 26
Piano Trio In F Major, H. 28
Piano Trio In E Flat Major, H. 30

Album Details

Cellist Boris Pergamenschikow, Pianist Andreas Schiff, and Violinist Yuuko Shiokawa Unite Here Offering an Engaging, Highly Animated Program of Four of Haydn's Most Beloved Piano Trios. In the Outer Movements Tempos Tend to Be Quicker Than the Norm Giving Schiff Especially Many Chances to Display his Remarkable Virtuosity. These Pro's also Take Great Pleasure Elaborating on Haydn's Wealth of Potential Inner Detail, Toying with Dynamics and Tastefully Wreaking Havoc with the Rhythmic Scheme Now and Again that Allows the Wit and Humor Throughout to Shine. Decca's Remarkably Clear and Well Balanced Sound Compliments the Performances Famously.

Customer Reviews:

Fine Haydn from Schiff.......2007-04-10

When I think piano trios I usualy think Beau Arts Trio, but their complete set of Haydn comprises about 7 cds, I did not think that I was quite ready for that many, so I looked about for a sample and found these Eloquence CDs. In the mid 1990s Andras Schiff recorded 8 of Haydns late trio sonatas for Decca, they are now re-released on the Eloquence label.
Haydn's trio sonatas are an extension to the piano sonata with violin accompaniment, a cello is added to enhance the piano's part for left hand, so the piano is clearly the senior partner. It is Schiff's excellent performance on piano, crisp and clear, authoritative, that makes these, ( this is vol 1 of a 2 volume set), such a success. This is not to suggest that his partners, Shiokawa on violin and Peramenschikow on cello are anything but first class. In general the faster outer movements are particularly enjoyable.
I urge you to concider these excellent, bargain priced recordings if you are concidering the Haydn piano trios.

Haydn: Complete Piano Trios, Vol 4 (Hob XV: 21-23) /Trio 1790

Average customer rating:

Fine Recording, But Get The Beaux Arts

Haydn: Complete Piano Trios, Vol 4 (Hob XV: 21-23) /Trio 1790
Franz Joseph Haydn , Trio 1790 , and Susanne von Bausznern
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B0000646FP
Release Date: 2002-05-21

Customer Reviews:

Fine Recording, But Get The Beaux Arts.......2003-07-16

The five volumes (thus far) of Haydn's Complete Piano Trios by Trio 1790 are perfectly fine recordings of these great works. However, for less than the combined price of these five volumes, you can purchase the Beaux Arts Trio's 9-CD set of these works in a lovely, space saving, slim paper box. Those performances that have been without peer since their initial release in the 1970s. CPO usually concentrates its efforts on issuing digital recordings of lesser-known works outside of the standard repertoire, and they do a commendable job of it. In many cases, this provides CPO with a unique product and something that's an easy sale -- which is clearly not the case here.

Average customer rating:

Some of the Finest of the Beaux Arts complete set!

Haydn: Piano Trios Nos. 24 - 27

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B00000411S
Release Date: 1989-09-26

Tracks:

Pno Trio in D, H. XV No.24: 1. Allegro
Pno Trio in D, H. XV No.24: 2. Andante
Pno Trio in D, H. XV No.24: 3. Allegro, ma dolce
Pno Trio in G, H. XV No.25: 1. Andante
Pno Trio in G, H. XV No.25: 2. Poco adagio, cantabile
Pno Trio in G, H. XV No.25: 3. Rondo all'Ongarese (Presto)
Pno Trio in f sharp, H. XV No.26: 1. Allegro
Pno Trio in f sharp, H. XV No.26: 2. Adagio cantabile
Pno Trio in f sharp, H. XV No.26: 3. Tempo di menuetto
Pno Trio in C, H. XV No.27: 1. Allegro
Pno Trio in C, H. XV No.27: 2. Andante
Pno Trio in C, H. XV No.27: 3. Finale (Presto)

Customer Reviews:

Some of the Finest of the Beaux Arts complete set!.......1998-09-11

Haydn was particularly unfettered in his amazing imagination in his piano trios, and these one this disc are among the finest -- the famous "Gypsy" Rondo never sounding better, the dark F# Minor (with repeats of both exposition AND development-recapitualtion making the argument even clearer) -- ending with the C Major (no. 27). The writing is strikingly Beethovenian and the development of the finale is breathtaking. If you're wary of buying the 10-disc set, get this without question: but sooner or later you'll get the complete set as well. Absolutely luscious performances, recording standards, everything!

Average customer rating:

Haydn: Piano Trios, Vol. 2 [Australia]
Schiff , Pergamenschikow , and Shiokawa
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music

Classical | Imports | Stores | Music
Similar Items:

Haydn: Piano Trios, Vol. 1 [Australia]
Haydn: Piano Sonatas
Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy

ASIN: B0007MR2DO
Release Date: 2005-05-16

Tracks:

Piano Trio In C Major H. 27
Piano Trio In E Flat Minor, H. 31
Piano Trio In A Flat Major, H. 14
Piano Trio In E Flat Major, H. 29

Album Details

Cellist Pergamenschikow, Pianist Schiff, and Violinist Shiokawa Return to Haydn Offering a Second Volume of Piano Trios with Performances as Equally Distinguished and Colorful as on their First. Few Performers have this Much Fun with Haydn and If You're Looking for Joyfully Inspired, Impeccably Played, and Beautifully Recorded Performances of These Chamber Gems it Simply Doesn't Get Any Better Than This. Warmly Recommended.

Average customer rating:

Minor Early Works by Haydn

Haydn: Piano Concertinos; String Trios

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
ASIN: B000H4VZ9Y
Release Date: 2006-09-26

Tracks:

Allegro
Adagio
Finale: Allegro
Adagio
Menuett
Presto
Moderato
Adagio
Allegro Assai
Allegro Moderato
Adagio
Finale: Presto
Allegro
Menuett
Presto
Moderato
Adagio
Allegro

Customer Reviews:

Minor Early Works by Haydn.......2006-11-02

Neither the included Piano Concerti (or Concertinos as they are called here) nor the String Trios are major Haydn works. The composer did not seem particularly interested in the forms, nor did he pursue developing them as he did with the symphony, the string quartet, or the piano trio. The works presented on this disc (comprised of Piano Concertino in C, Hob.XIV:12; in F, Hob.XVIII.F2; in G, Hob.XIV:13; and in C, Hob.XIV:11; and String Trios in D, Hob.XI:11; and in C, HOB.V:16) are from relatively early in his career, some of them written even before he took up his lifelong position at the court of the Eszterhazys, the rest written early in his Eszterhazy tenure.

The concertinos are scored for keyboard (in this case played on an Erard fortepiano from 1893), two violins and cello, with the fortepiano much to the fore. They are all in three movements -- fast, slow, fast -- and none makes particularly difficult demands on the players. Perhaps they were primarily intended for domestic use, initially in the Eszterhazy family circle and, after they were published, in other similarly music-loving households.

The D Major string trio was written to include the baryton, a fretted bass-viol-like string instrument played by, or at least favored by, Haydn's patron, Nicolaus Eszterhazy. The Trio is probably more familiar in its guise as a flute, violin and cello trio as arranged by Johann Nepomuk Hummel. It has a modestly interesting contrapuntal finale. The C Major trio was written for two violins and cello, almost never heard now, and was probably composed before Haydn's Eszterhazy employment. It spirited outer movements framing a rather stodgy minuet.

The playing on this disc is acceptable without being outstanding. The late nineteenth-century Erard fortepiano frankly sounds like an unconfidently regulated modern piano. Sabine Vatin, the fortepianist, is competent, as are her string-playing colleagues, the Ensemble d'arco, all of them members of the Luxemburg Philharmonic.

This is, as far as I know, the only CD that includes these particular works. They can be recommended for Haydn completists but I suspect their appeal will not go much beyond that niche group.

Scott Morrison

Track Listings:

Track Listings

track listings

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