Emma Kirkby - Handel Opera Arias and Overtures · 2 / Brandenburg Consort · Goodman

Track Listings

1. Lotario: Ov - The Brandenburg Consort/Roy Goodman

2. Lotario: Act I: Scherza In Mar

3. Partenope: Act I: Io Ti Levo

4. Ezio: Act I: Caro Padre

5. Sosarme, Re Di Media: Act I: Ditte Pace

6. Sosarme, Re Di Media: Act III: Vorrei, Ne Pur Saprei

7. Atalanta: Ov - The Brandenburg Consort/Roy Goodman

8. Arianna In Creta: Act II: Son Qual Stanco

9. Alcina: Act III: Ah! Ruggiero

10. Berenice, Regina D'Egitto: Act III: Chi T'intende?

11. Deidamia: Ov - The Brandenburg Consort/Roy Goodman

12. Deidamia: Act III: M'hai Resa Infelice

Editorial Reviews
Amazon.com
Yes indeed, the Divine Miss Em has still got it. It was the late 1970s when Emma Kirkby first became the leading diva of the early-music revival. More than 20 years on, as this disc of mostly lesser-known Handel treats demonstrates--a follow-up to volume I--Kirkby remains a spectacular Handel singer. The pure tone, control over vibrato, astonishing agility, and immaculate delivery that made her world famous are all still in place; if anything, two decades of experience have made her even more brave and imaginative in the way she embellishes a da capo aria. It must be said that Kirkby also retains a somewhat restricted palette of vocal color. As Ted Perry of Hyperion Records has put it, "She sounds like a nice person, and she is." This means, of course, that she has never sounded entirely convincing in portraying intense grief, fear, or fury. So her big soliloquy-aria from Alcina, "Ah, Ruggiero! / Ombre pallide," in which the eponymous sorceress tries desperately to conjure spirits, isn't entirely persuasive dramatically, however skillfully Kirkby sings it. The other arias are much better suited to her gifts, however: the melancholy in "Son qual stanco" from Arianna in Creta, the tender pleas of "Caro padre" from Ezio, and the dialogue with solo oboe from Berenice are all beautifully rendered. The beginning and end of the disc are the real treats, though. Kirkby's virtuosity in "Scherza in mar" from Lotario is positively dizzying, and her aria from Deidamia is both thrilling and emotionally affecting. --Matthew Westphal

Tracks:

Lotario: Ov - The Brandenburg Consort/Roy Goodman
Lotario: Act I: Scherza In Mar
Partenope: Act I: Io Ti Levo
Ezio: Act I: Caro Padre
Sosarme, Re Di Media: Act I: Ditte Pace
Sosarme, Re Di Media: Act III: Vorrei, Ne Pur Saprei
Atalanta: Ov - The Brandenburg Consort/Roy Goodman
Arianna In Creta: Act II: Son Qual Stanco
Alcina: Act III: Ah! Ruggiero
Berenice, Regina D'Egitto: Act III: Chi T'intende?
Deidamia: Ov - The Brandenburg Consort/Roy Goodman
Deidamia: Act III: M'hai Resa Infelice

Amazon.com

Yes indeed, the Divine Miss Em has still got it. It was the late 1970s when Emma Kirkby first became the leading diva of the early-music revival. More than 20 years on, as this disc of mostly lesser-known Handel treats demonstrates--a follow-up to volume I--Kirkby remains a spectacular Handel singer. The pure tone, control over vibrato, astonishing agility, and immaculate delivery that made her world famous are all still in place; if anything, two decades of experience have made her even more brave and imaginative in the way she embellishes a da capo aria. It must be said that Kirkby also retains a somewhat restricted palette of vocal color. As Ted Perry of Hyperion Records has put it, "She sounds like a nice person, and she is." This means, of course, that she has never sounded entirely convincing in portraying intense grief, fear, or fury. So her big soliloquy-aria from Alcina, "Ah, Ruggiero! / Ombre pallide," in which the eponymous sorceress tries desperately to conjure spirits, isn't entirely persuasive dramatically, however skillfully Kirkby sings it. The other arias are much better suited to her gifts, however: the melancholy in "Son qual stanco" from Arianna in Creta, the tender pleas of "Caro padre" from Ezio, and the dialogue with solo oboe from Berenice are all beautifully rendered. The beginning and end of the disc are the real treats, though. Kirkby's virtuosity in "Scherza in mar" from Lotario is positively dizzying, and her aria from Deidamia is both thrilling and emotionally affecting. --Matthew Westphal

Customer Reviews:

Handel at the Opera House.......2005-09-05

This is a marvellous introduction to the world of Handel operas. Emma Kirkby is in superb form and the playing by the Brandenburg Consort is also first-class. The well selected program includes a nice variety of absolutely fabulous music. This is a CD that you will listen to over and over again and never get tired of. Give a copy to your friends. - Dale Higbee

Track Listings:

Track Listings

track listings

Track Listings

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Lake Entertainment Presents: The 41st Side

1. Lotario: Ov - The Brandenburg Consort/Roy Goodman
2. Lotario: Act I: Scherza In Mar
3. Partenope: Act I: Io Ti Levo
4. Ezio: Act I: Caro Padre
5. Sosarme, Re Di Media: Act I: Ditte Pace
6. Sosarme, Re Di Media: Act III: Vorrei, Ne Pur Saprei
7. Atalanta: Ov - The Brandenburg Consort/Roy Goodman
8. Arianna In Creta: Act II: Son Qual Stanco
9. Alcina: Act III: Ah! Ruggiero
10. Berenice, Regina D'Egitto: Act III: Chi T'intende?
11. Deidamia: Ov - The Brandenburg Consort/Roy Goodman
12. Deidamia: Act III: M'hai Resa Infelice