Dances for Two Pianos

Editorial Reviews
ARG, Sept./Oct. 1998
Messrs Wild and Steiner play with an easy, imperturbable assurance. This is virile, no-nonsense Rachmaninoff.

The Los Angeles Times, June 1998
Wild and Steiner create elegant, probing, poetic and beauteous music. Transparent musicality.

Album Description
Rare artistic collaboration... Ravel’s La Valse and Rachmaninov’s Symphonic Dances, Op.45 and Waltz, Op.17 in their original two-piano versions harmoniously interpreted by the legendary Earl Wild and celebrated photographer, Christian Steiner! (ADD) Mastered using 20-Bit State-of-the-Art Technology — HDCD Encoded

Dances for Two Pianos

Dances for Two Pianos, Music, Sergey Rachmaninov, Maurice Ravel, Christian Steiner, Earl Wild, 20th/21st Century Orchestral Music, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Keyboard, Music for Two Keyboards, Orchestral, Waltz for Keyboard
Itzhak Perlman's Greatest Hits
Average customer rating: 4 out of 5 stars
  • Selection of Songs?
  • If you are a violin lover, buy it
  • This is "THE" Greatest Hits alum by Perlman
  • This is a relaxing, however, somewhat disjointed collection.
Itzhak Perlman's Greatest Hits

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Itzhak Perlman's Greatest Hits, Vol. 2
  2. Cinema Serenade
  3. Concertos From My Childhood / Perlman, Foster
  4. Masters of the Bow
  5. Itzhak Perlman - A la carte / Lawrence Foster

ASIN: B000002RZO
Release Date: 1998-02-17

Tracks:

  1. Salut D'amour, Op.12
  2. Songs Without Words, Op.19: Sweet Remembrance
  3. Humoresque
  4. Berceuse, Op.16
  5. Flight Of The Bumble-Bee
  6. The Girl With The Flaxen Hair
  7. The Swan
  8. Cavatina, Op.85, No.3
  9. The Old Folks At Home
  10. Liebesfreud
  11. Moto perpetuo, Op.11
  12. Vocalise, Op.34, No.14
  13. String Quartet Op.11, No.1: Andante cantabile
  14. Songs My Mother Taught Me, Op.55, No.4
  15. Guitarre, Op.45, No.2
  16. Romance In A Major, Op.94, No.2
  17. Nocturne In E Flat, Op.55, No.2
  18. Zapateado, Op.23

Customer Reviews:

4 out of 5 stars Selection of Songs?.......2006-07-02

Perlman is a man of extraordinary clarity and tonality also one of my favorite violinists. After I finish practicing a piece I usually find a recording to listen to different interpretations. Most of them are by Perlman and Heifetz. Unfortunately this album has some obscure songs and the songs itself do not do justice to Perlman what some other songs may have done. Still it is important to broaden the scope, so I would recommend this to all music connoisseurs :). btw i'm only 16 so...don't take this review too literal huh?

5 out of 5 stars If you are a violin lover, buy it.......2003-01-19

It's beautiful. Simply put.

5 out of 5 stars This is "THE" Greatest Hits alum by Perlman.......2000-12-03

Perlam is already a great player like the whole world knows. But the music selection couldn't better! I espacily like the piano accomplimant. Perlman pays the pieces with true style. The working realtionship between Perlman and the Pianist is truly incredible. Before geting any of Perlman's other greatest hits albums, get this one!

3 out of 5 stars This is a relaxing, however, somewhat disjointed collection........1998-11-12

This collection of familiar tunes will provide a relaxing hour with one of the world's premier violinists. However, the combination of "The Old Folks at Home" and "Motto perpetuo" is somewhat difficult to assimilate. At any rate, Perlman is a listener's joy!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Classical Masterpieces of the Millennium [20 CD Set]
Average customer rating: 4.5 out of 5 stars
  • Mill. Classical review
  • classical music for the unitiated
  • Some little gems there that I had forgotten!
  • A very helpful collection
  • Excellent!
Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
MinuetsMinuets | Ballets & Dances | Classical | Styles | Music
PolkasPolkas | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
QuintetsQuintets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
EtudesEtudes | Forms & Genres | Classical | Styles | Music
FantasiesFantasies | Forms & Genres | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
RondosRondos | Forms & Genres | Classical | Styles | Music
Serenades & DivertimentosSerenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Sinfonia ConcertanteSinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
IntermezzosIntermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
French HornFrench Horn | Brass | Instruments | Classical | Styles | Music
TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
OboeOboe | Reeds & Winds | Instruments | Classical | Styles | Music
CelloCello | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Strings | Instruments | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
RussianRussian | Languages | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
AirsAirs | Vocal Non-Opera | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
ClassicalClassical | Box Sets | Stores | Music
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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

  1. Brandenbutg Concerto No.3 In G First Movement
  2. Overture No.3 In D Second Movement
  3. Violin Concerto In E First Movement
  4. Prelude In C minor
  5. Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
  6. Overture No.2 In B minor Minuet And Badinerie
  7. Oboe Concerto In D minor Second Movement
  8. Brandenburg Concerto No.4 In G Third Movement
  9. Musical Offering - Fuga canonica
  10. Easter Oratorio - Overture
  11. Minuet In D minor
  12. Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
  13. Brandenburg Concerto No.1 In F Second Movement
  14. Art Of The Fugue - Contrapunctus 9
  15. Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
  16. Overture No.4 In D - Réjouissance
  17. Concerto No. 1 in E: Spring
  18. Concerto No. 1 in E: Spring
  19. Concerto No. 1 in E: Spring
  20. Concerto No. 2 in G minor: Summer
  21. Concerto No. 2 in G minor: Summer
  22. Concerto No. 2 in G minor: Summer
  23. Concerto No. 3 in F: Autumn
  24. Concerto No. 3 in F: Autumn
  25. Concerto No. 3 in F: Autumn
  26. Concerto No. 4 in F minor: Winter
  27. Concerto No. 4 in F minor: Winter
  28. Concerto No. 4 in F minor: Winter
  29. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  30. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  31. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  32. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  33. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  34. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  35. Concerto Grosso in A minor, Op. 3, no. 8
  36. Concerto Grosso in A minor, Op. 3, no. 8
  37. Concerto Grosso in A minor, Op. 3, no. 8
  38. Water Music - Alla Hornpipe
  39. Xerxes - Ombra Mai Fu (Largo)
  40. Messiah - And The Glory Of The Lord
  41. Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
  42. Organ Concerto In F, Op. 4, No. 4 Allegro
  43. Water Music - Air
  44. Messiah - For Unto Us A Child Is Born
  45. Concerto Grosso In B flat, Op. 3, No. 2 - Largo
  46. Salomon - Sinfonia, Act 3
  47. The Choice Of Hercules - While For Thy Arms
  48. Water Music - Allegro (Suite No. 1)
  49. Suite No. 5 In E - Air With Variations
  50. Jephtha - How Dark, O Lord
  51. Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
  52. Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
  53. Water Music - Andante Allegro Da Capo
  54. Concerto for Trumpet & Orchestra in E-flat: First Movement
  55. Symphony No. 94 in G: Surprise Symphony-second movement
  56. Concerto for Violin No. 2 in D: Third Movement
  57. Flute Trio No. 31 in G: Second Movement
  58. Symphony No. 31 in D: Hornsignal-First Movement
  59. String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
  60. Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
  61. Concerto for 2 Horns & Orchestra in E-flat: Second Movement
  62. Symphony No. 88 in G: Fourth Movement
  63. String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
  64. Notturno No. 1 in C: Second Movement
  65. Symphony No. 98 in B: Londoner No. 4-Fourth Movement
  66. Eine Kleine Nachtmusik - first movement
  67. Piano Concerto in A - second movement
  68. Flute Concerto in D - Rondeau
  69. Serenade - Minuet
  70. Violin Concerto - first movement
  71. Symphony No. 40 in G minor - first movement
  72. Clarinet Concerto - second movement
  73. Turkish March
  74. Divertimento - Minuet
  75. Horn Concerto No. 3 in E-flat - first movement
  76. Symphony No. 5 in C minor, Op. 67-First Movement
  77. Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
  78. Overture
  79. O welche Lust (Prisoners' Chorus)
  80. Ha, welch ein Augenblick (Pizarros's Aria)
  81. Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
  82. Concerto for Violin and Orchestra in D, Op. 61: Third Movement
  83. Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
  84. Sympony No. 6 in F, Op. 68: Pastorale-First Movement
  85. Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
  86. German Dance No. 1 In C
  87. Impromptu Op. 90, No. 3 In G-Flat
  88. Heidenroslein
  89. Ave Maria
  90. Der Lindenbaum
  91. Quintet In A 'Trout Quintet' - Andante
  92. Mass No. 6 In E-Flat - Kyrie
  93. Die Schone Mullerin Des Mullers Blumen
  94. German Dance No. 2 In G
  95. Piano Sonata In B-Flat
  96. Nachtgesang Im Walde
  97. Winterreise - No. 15: Die Krahe
  98. German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
  99. Symphony No. 8 In B Minor 'Unfinished' - Second Movement
  100. Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
  101. Nocturne in E-flat, Op. 9, no. 2
  102. Etude in G-flat, Op. 10, no. 5
  103. Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
  104. Mazurka in D minor, Op. 33, no. 2
  105. Prelude in D-flat, Op. 28, no. 15 Raindrop
  106. Etude in C, Op. 10, no. 1
  107. Nocturne in D-flat, Op. 27, no. 2
  108. Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
  109. Scherzo in B minor, Op. 20
  110. Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
  111. Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
  112. Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
  113. Violin Concerto - second movement
  114. The Sleeping Beauty - Waltz
  115. Capriccio Italien, Op. 45
  116. Swan Lake - Waltz
  117. Eugene Onegin - Polonaise
  118. The Nutcracker - Waltz of the Flowers
  119. Orchestral Suite No. 4 - Mozartiana - Third Movement
  120. Swan Lake - Dance of the Swans
  121. Symphony No. 6 in B minor - Pathétique - Third Movement
  122. Hungarian Dance No.5
  123. Lullaby
  124. Symphony No.1 in C minor, Op. 68 - Third Movement
  125. Intermezzo in E-flat, Op.117, no. 1
  126. Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
  127. Waltz, Op. 39, no. 15
  128. Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
  129. String Quintet in G, Op. 111 - Second Movement
  130. Symphony No.4 in E minor, Op. 98 - Third Movement
  131. Intermezzo in A minor, Op. 76, no. 7
  132. Hungarian Dance No.1 in G minor
  133. German Requiem Selig sind die Toten (Final Chorus)
  134. Die Fledermaus - Overture
  135. Kaiser Waltz, Op.437
  136. Thunder And Lightning Polka, Op. 324
  137. Roses From The South Waltz, Op. 388
  138. AnnenPolka, Op. 117
  139. Vienna Blood Waltz, Op. 354
  140. Eljen A Magyar Polka, Op. 332
  141. Wine, Women and Song Waltz, Op. 333
  142. On The Beautiful Blue Danube Waltz, Op. 134
  143. Die Meistersinger Von Nurnberg - Overture
  144. Tannhauser - Die Pilger sind's (Pilgims' Chorus)
  145. Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
  146. Lohengrin - Act 3 Prelude and Bridal Chorus
  147. The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
  148. The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
  149. Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
  150. Die Walkure - Ride of the Valkyries
  151. Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
  152. Tristan und Isolde - Liebestod
  153. Thus sprach Zarathustra, Op. 30 (excerpt)
  154. Don Juan, Op. 20
  155. Eine Alpensinfonie, Op. 64, I.Nacht
  156. Don Quixote, Op.35, first movement: Introduction
  157. Salome, Op. 54, Dance Of The Seven Veils
  158. Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
  159. Piano Concerto 2 In C minor, Op. 18 - First Movement
  160. Vocalise, Op.34, No. 14
  161. Prelude In G Sharp minor, Op. 32, No. 12
  162. Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
  163. Symphony No. 2 In E minor, Op. 27 - Third Movement
  164. Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
  165. Rhapsody, Op. 43 On A Theme By Paganini
  166. Hungarian Rhapsody No.2
  167. Liebestraum No.3 in A-flat
  168. Piano Concerto No.1 in E-flat - third movement
  169. Angelus
  170. Mephisto Waltz No.1 (Dance in a Village Tavern)
  171. Prelude and Fugue on B-A-C-H
  172. Dante Symphony - Finale. - Purgatorio - Magnificat
  173. Les Préludes
  174. Boléro
  175. Daphnis et Chloé first movement: Nocturne
  176. Rhapsodie Espagnole
  177. Shéhérazade - first movement: Asie
  178. Ma Mère l'Oye - fourth movement: La Belle et la Bête
  179. Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
  180. La Valse
  181. Slavic Dance No. 1 in C, Op. 46, no.1
  182. Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
  183. Humoresque, Op. 101
  184. Slavic Dance No. 8 in G minor, Op. 46, no. 8
  185. Serenade for String Orchestra, Op. 22 - second movement
  186. Romance for Violin and Orchestra In F minor, Op. 11
  187. Symphony No. 7 in D minor - third movement
  188. Melodie (Songs My Mother Taught Me)
  189. Carneval Overture, Op. 92
  190. Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
  191. Symphony No.4 In A, Op. 90. Italian - First Movement
  192. Frühlingslied In A, Op. 62, No. 6
  193. Wedding March (From A Midsummer Night's Dream, Op.61)
  194. Duetto In F, Op.30, No.6 (From Songs Without Words)
  195. String Symphony No.9 In C. Schweitzer Symphony - Third Movement
  196. Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
  197. Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
  198. Notturno (From A Midsumment Night's Dream, Op. 61)
  199. Rondo Capriccioso, Op.14
  200. String Symphony No. 12 In G minor - First Movement
  201. Venetian Gondola Song In F Sharp minor, Op.30, No.6
  202. Scherzo (From A Midsumment Night's Dream, Op. 61)
  203. Violin Concerto In E minor, Op.64 - Third Movement
  204. Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
  205. Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
  206. Holberg Suite, Op. 40 - IV. Air. Andante religioso
  207. Arietta, Op. 12, no. 1
  208. Homage March from Sigurd Jorsalfar, Op. 56
  209. Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
  210. Wedding Day at Troldhauen, Op. 65, no. 6
  211. The Last Spring, Op. 34, no. 2
  212. Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
  213. Nordic Melody Op. 63
  214. Notturno, Op. 54, no. 4
  215. Elegie, Op. 47, no. 5
  216. Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
  217. Piano Concerto in A minor, Op. 16 - Allegro
  218. Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
  219. Traumerai (from Kinderszenen, Op. 15)
  220. Mondnacht (from Eichendorff-Liederkreis, Op. 39)
  221. Aufschwung (from Fantasietucke, Op. 12)
  222. Triolett, Op. 114, no. 2
  223. Tanzlied (No. 1 from Duets, Op. 78)
  224. Symphony No. 4 in D minor, Op. 120 - second movement
  225. Frühlingsgruss
  226. Abschied (from Waldszenen Op. 82)
  227. Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
  228. Manfred Overture, Op. 115
  229. Romance in F sharp, Op. 28, no. 2
  230. Die Rose stand im Tau
  231. Liebesgarten (from Four Duets, Op. 34)
  232. Warum? (from Fantasiestucke, Op. 12)
  233. Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
  234. Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

4 out of 5 stars Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

4 out of 5 stars classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

4 out of 5 stars Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

5 out of 5 stars A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

5 out of 5 stars Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Amadeus: The Complete Original Soundtrack Recording
Average customer rating: 5 out of 5 stars
  • Mozart for everyone!
  • "Genius"
  • A true celebration of Mozart's music
  • This needs to have a 10 star rating!
  • Top-Chart Album of the 80's That Made Classical Music Sell !!
Amadeus: The Complete Original Soundtrack Recording

Manufacturer: Fantasy
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Amadeus - Director's Cut (Two-Disc Special Edition)
  2. Immortal Beloved / Sir Georg Solti (film 1994)
  3. Amadeus: More Music From The Original Soundtrack Of The Film Amadeus
  4. Mozart: Requiem / McNair, Watkinson, Araiza, Lloyd; Marriner
  5. Immortal Beloved

ASIN: B000000XBV
Release Date: 1991-07-01

Tracks:

  1. Symphony No. 25 In G Minor, (1st Movement)
  2. Stabat Mater; Quando Corpus Morietur And Amen
  3. Bubak And Hungaricus
  4. Serenade For Winds, (3rd Movment)
  5. The Abduction From The Seraglio, (Turkish...)
  6. The Abduction From The Seraglio (Chorus Of...)
  7. Caro Mio Bene
  8. Mass In C Minor
  9. Concerto For Flute And Harp, (2nd Movement)
  10. Concerto For Two Pianos, (3rd Movement)

Tracks:

  1. Symphony No. 29 In A, (1st Movemnet, Allegro Mod.)
  2. Piano Concerto In E Flat, (3rd Movement)
  3. The Marriage Of Figaro, Act III, Ecco La Marcia
  4. The Marriage Of Figaro, Act IV, Ah Tutti Contenti
  5. Axur, Finale
  6. Piano Concerto In D Minor, (1st Movement)
  7. Zaide; Aria, Rhue Sanft
  8. Don Giovanni, Act II, Commendatore Scene
  9. Eine Kleine Nachtmusik, Serenade, (1st Movement)

Tracks:

  1. Symphonie Concertante, (1st Movement)
  2. Masonic Funeral Music
  3. The Magic Flute, Overture
  4. The Magic Flute, Aria (No. 14), Queen Of The Night
  5. Six German Dances
  6. Introitus, (Orchestral Introduction)
  7. Dies Irae
  8. Rex Tremendae Majestatis
  9. Confutatis
  10. Lacrymosa
  11. Piano Concerto In D Minor, (2nd Movement) Romanza

Amazon.com

Director Milos Forman's rewarding 1984 film adaptation of playwright Peter Shaffer's Tony-winning play won no fewer than 10 Academy Awards (including Best Film, Best Actor, and Best Director); only Wolfgang himself (and his filmic counterpart, Tom Hulce) seemed to get overlooked by the Academy. This expanded three-disc set contains all of Sir Neville Marriner's crisp, accurate readings of the excerpted Mozart symphonies, concertos, serenades, and operas (including marvelous portions of The Abduction of Seraglio, Don Giovanni, and The Magic Flute) used in the film. The success of Amadeus spurred a long-overdue renaissance of interest in classical music, and one would be hard-pressed to find a richer, more concise introduction to the intoxicating music and frustrating bundle of moral contradictions that was Wolfgang Amadeus Mozart. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Mozart for everyone!.......2007-07-20

Unlike an in depth study of his genius, this is a very well put together sampler of Mozart. Performance and sound quality are both excellent. The non Mozart selections included in the set are also very enjoyable. My only wish is that the 3 disc set were a 10 disc set. Enjoy

5 out of 5 stars "Genius".......2007-02-02

This is a GREAT CD! It has wonderful music from the movie "Amadaeus" which is the BEST movie ever! This music is so fine that it lifts your heart into happiness when you listen to it. You can just tell immediately that this is "the voice of God". And for one man to make such wonderful music in a flash, its just pure genius.

Thanks to the wonderful music that a talented man has brought to us.

5 out of 5 stars A true celebration of Mozart's music.......2006-10-22

I think it was at age 12 when I first saw Amadeus, and I remember immediately asking for a recording of the Requiem (a bit of sombre for a 12-year old I know, but just to demonstrate the impact of the piece..), but I think it wasn't until the third time that I saw the film (at age 30, if you were wondering) that something hit me; It's hard to say why only now (maturity?), since I've always loved Mozart's music and have already owned several recordings of the Requiem, Bohm's 35-41 symphonies and Arthur Grumiaux's wonderful violin concertos with the Sinfonia Concertante. But appreciating the movie as an adult was a different experience, recognizing what a fabulous work Marriner and his Academy have done by delivering so successfully what Mozart was all about. I think that the brilliance of this recording is that it succeeds in providing Mozart's essence through emphasis on the hidden gems of his music, while avoiding being another banal "Greatest Hits" compilation; and sewing together such a diverse array of pieces so gracefully into one recording is not a trivial task, but in Marriner's case it seems completely flawless - because what holds all the pieces here together is what this music is all about - grace, beauty, humor and love.

5 out of 5 stars This needs to have a 10 star rating!.......2006-01-20

There are many great composers, but Wolfie's music is just incredible. There are a few of his operas that I don't care for but most of it is pure bliss to listen to. Do yourself a huge favor and purchase this CD or the gold extended version. You won't be sorry-unless you don't have any taste. In which case, there is nothing the rest of us can do to help you. But the local pharmacist might. . .

5 out of 5 stars Top-Chart Album of the 80's That Made Classical Music Sell !!.......2005-07-31

In 1984, Milos Forman's film Amadeus, based on the hit Broadway play by Peter Schaffer, made it to the big screen with resounding success nationwide. When the soundtrack was released, it was a top seller and even found itself selling as much as such popular 80's artists as Madonna. The music from this well-made film, mostly Mozart but used some Classical-Era works by Salieri, Pergolesi and Salieri- hooked young people into classical music when they might have otherwise never given it a chance.

In the film, Mozart's music is used for dramatic effect and for ambiance. Vienna in the 1780's was the home of a blooming musical scene that would later see the likes of Beethoven. This musical kingdom is well captured in the soundtrack, which features tantalizing excerpts from Mozart's most illustrious works. The film opens to the frenzied, dark strains of the 1st movement of the 25th Symphony, as a crazed Salieri is taken from his home to a mental asylum after an attempted suicide. It goes on to use the religious music of Pergolesi Ave Verum and Amen - boys chorus as Salieri contemplates a life of chastity and dedication to music if God grants him talent. Then we leave Salieri's world of spirituality and desire for fame when we are introduced to the young Mozart. The Serenade for Winds "Gran Partita" is heard - an oboe, clarinets, "like a rusty squeezebox" and fills the air with sublime serenity. This coming from a composer who began his career at the age of 4 who was already trained in piano and violin, and who in his teens composed symphonies and operas. Salieri's works are no longer heard as Mozart's brilliant music takes over the score. We hear breathaking slices of his famous operas in chronologically composed order- the German opera Abduction From The Seraglio which was composed for the soprano Katerina Cavalieri (who has a fling wit Mozart and whom Salieri desired for himself), Figaro's Wedding and Finale from Le Nozze Di Figaro and the dramatic Commandatore Dinner Scene from Don Giovanni, and lastly the Queen of the Night Aria and Papageno's Aria from his enchanting and spiritual work The Magic Flute. Further to these famous works, which also include the Piano Concerto in D No. 20- which prefigured Romantic piano concertos of Beethoven flair, and the Eine Kleine Nachtmusiz which is Mozart's most famous tune and signature theme, we are treated to rare works in Mozart's ouevre. This includes the Masonic Funeral March, a funeral piece Mozart wrote for his fellow Masons. Divertimenti is heard in a latter scene in which Mozart's wife Constanza escapes her woes with Mozart and indulges in a spa. Chamber works, the heartwarming Flute concerto and even the rare Salieri opera Axur (then considered the greatest opera ever made, according to Emperor Joseph) all make up for a great recording album. This album now exists in extended form for the Bicentennial. The movie is a perfect companion to this album.
Rachmaninov: The Piano Concertos
Average customer rating: 5 out of 5 stars
  • Ashkenazy - one of the best musicians of our time
  • Illustrious Dark
  • Ashkenazy's fluidity: a very good fit with Rachmaninov
  • My Favorite Rachmaninov Interpreter
  • Superb set of Rachmaninov's complete Piano works
Rachmaninov: The Piano Concertos

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
EtudesEtudes | Forms & Genres | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
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Similar Items:
  1. Rachmaninov: The Symphonies
  2. Liszt: Piano Works
  3. Chopin: The Piano Works
  4. Brahms: Works for Solo Piano
  5. Mozart: The Piano Concertos

ASIN: B0000041ML
Release Date: 1997-08-12

Tracks:

  1. Piano Concerto No. 1 In F Sharp Minor, Op. 1: I. Vivace - S. Rachmaninoff
  2. Piano Concerto No. 1 In F Sharp Minor, Op. 1: II. Andante - S. Rachmaninoff
  3. Piano Concerto No. 1 In F Sharp Minor, Op. 1: III. Allegro vivace - S. Rachmaninoff
  4. Piano Concerto No. 2 In C Minor, Op. 18: I. Moderato - S. Rachmaninoff
  5. Piano Concerto No. 2 In C Minor, Op. 18: II. Adagio sostenuto - S. Rachmaninoff
  6. Piano Concerto No. 2 In C Minor, Op. 18: III. Allegro scherzando - S. Rachmaninoff

Tracks:

  1. Piano Concerto No. 3 In D Minor, Op. 30: Allegro ma non tanto - S. Rachmaninoff
  2. Piano Concerto No. 3 In D Minor, Op. 30: Intermezzo: Adagio - S. Rachmaninoff
  3. Piano Concerto No. 3 In D Minor, Op. 30: Finale (Alla breve) - S. Rachmaninoff
  4. Piano Concerto No. 4 In G Minor, Op. 40: Allegro vivace (Alla breve) - S. Rachmaninoff
  5. Piano Concerto No. 4 In G Minor, Op. 40: Largo - S. Rachmaninoff
  6. Piano Concerto No. 4 In G Minor, Op. 40: Allegro vivace - S. Rachmaninoff

Tracks:

  1. Rhapsody On A Theme Of Paganini: Op. 43 - Rachmaninov
  2. Piano Sonato No. 2 in B Flat Minor, Op. 36: I. Allegro agitato - Rachmaninov
  3. Piano Sonato No. 2 in B Flat Minor, Op. 36: II. Non allegro - Rachmaninov
  4. Piano Sonato No. 2 in B Flat Minor, Op. 36: III. Allegro molto - Rachmaninov
  5. 8 Etudes-tableaux, Op. 33: No. 1 in F minor - Rachmaninov
  6. 8 Etudes-tableaux, Op. 33: No. 2 in C major - Rachmaninov
  7. 8 Etudes-tableaux, Op. 33: No. 3 in C minor - Rachmaninov
  8. 8 Etudes-tableaux, Op. 33: No. 4 in D minor - Rachmaninov
  9. 8 Etudes-tableaux, Op. 33: No. 5 in E flat minor - Rachmaninov
  10. 8 Etudes-tableaux, Op. 33: No. 6 in E flat major - Rachmaninov
  11. 8 Etudes-tableaux, Op. 33: No. 7 in G minor - Rachmaninov
  12. 8 Etudes-tableaux, Op. 33: No. 8 in C sharp minor - Rachmaninov
  13. Prelude in C sharp minor, Op. 3, No. 2 - Rachmaninov

Tracks:

  1. 10 Preludes, Op. 23: No. 1 In F Sharp Minor - Rachmaninov
  2. 10 Preludes, Op. 23: No. 2 In B Flat Major - Rachmaninov
  3. 10 Preludes, Op. 23: No. 3 in D minor - Rachmaninov
  4. 10 Preludes, Op. 23: No. 4 In D Major - Rachmaninov
  5. 10 Preludes, Op. 23: No. 5 In G Minor - Rachmaninov
  6. 10 Preludes, Op. 23: No. 6 In E Flat Major - Rachmaninov
  7. 10 Preludes, Op. 23: No. 7 In C Minor - Rachmaninov
  8. 10 Preludes, Op. 23: No. 8 In A Flat Major - Rachmaninov
  9. 10 Preludes, Op. 23: No. 9 In E Flat Minor - Rachmaninov
  10. 10 Preludes, Op. 23: No. 10 In G Flat Major - Rachmaninov
  11. 13 Preludes, Op. 32: No. 1 In C Major - Rachmaninov
  12. 13 Preludes, Op. 32: No. 2 In B Flat Minor - Rachmaninov
  13. 13 Preludes, Op. 32: No. 3 In E Major - Rachmaninov
  14. 13 Preludes, Op. 32: No. 4 In E Minor - Rachmaninov
  15. 13 Preludes, Op. 32: No. 5 In G Major - Rachmaninov
  16. 13 Preludes, Op. 32: No. 6 In F Minor - Rachmaninov
  17. 13 Preludes, Op. 32: No. 7 In F Major - Rachmaninov
  18. 13 Preludes, Op. 32: No. 8 In A Minor - Rachmaninov
  19. 13 Preludes, Op. 32: No. 9 In A Major - Rachmaninov
  20. 13 Preludes, Op. 32: No. 10 In B Minor - Rachmaninov
  21. 13 Preludes, Op. 32: No. 11 In B Major - Rachmaninov
  22. 13 Preludes, Op. 32: No. 12 In G Sharp Minor - Rachmaninov
  23. 13 Preludes, Op. 32: No. 13 In D Flat Major - Rachmaninov

Tracks:

  1. Suite No. 1 for 2 pianos, Op. 5: I. Barcarolle: Allegretto - Rachmaninov
  2. Suite No. 1 for 2 pianos, Op. 5: II. La Nuit, l'Amour: Adagio sostenuto - Rachmaninov
  3. Suite No. 1 for 2 pianos, Op. 5: III. Les Larmes: Largo di molto - Rachmaninov
  4. Suite No. 1 for 2 pianos, Op. 5: IV. Paques: Allegro maestoso - Rachmaninov
  5. Suite No. 2, for 2 pianos, Op. 17: I. Introduction: Alla marcia - Rachmaninov
  6. Suite No. 2, for 2 pianos, Op. 17: II. Valse: Presto - Rachmaninov
  7. Suite No. 2, for 2 pianos, Op. 17: III. Romance: Andantino - Rachmaninov
  8. Suite No. 2, for 2 pianos, Op. 17: IV. Tarantelle - Rachmaninov
  9. Russian Rhapsody for 2 pianos in E minor: Moderato - Vivace - Andante - Rachmaninov
  10. Variations on a theme by Corelli, Op. 42 - Rachmaninov

Tracks:

  1. 9 Etudes-tableaux, Op. 39: No 1 In C minor - S. Rachmaninoff
  2. 9 Etudes-tableaux, Op. 39: No 2 In A minor - S. Rachmaninoff
  3. 9 Etudes-tableaux, Op. 39: No 3 In F Sharp Minor - S. Rachmaninoff
  4. 9 Etudes-tableaux, Op. 39: No 4 In B Minor - S. Rachmaninoff
  5. 9 Etudes-tableaux, Op. 39: No 5 In E Flat Minor - S. Rachmaninoff
  6. 9 Etudes-tableaux, Op. 39: No 6 In A Minor - S. Rachmaninoff
  7. 9 Etudes-tableaux, Op. 39: No 7 In C Minor - S. Rachmaninoff
  8. 9 Etudes-tableaux, Op. 39: No 8 In D Minor - S. Rachmaninoff
  9. 9 Etudes-tableaux, Op. 39: No 9 In D Major - S. Rachmaninoff
  10. Symphonic Dances for 2 pianos, Op. 45: I. Non allegro - Lento - Tempo I - S. Rachmaninoff
  11. Symphonic Dances for 2 pianos, Op. 45: II. Andante con moto (Tempo di valse) - S. Rachmaninoff
  12. Symphonic Dances for 2 pianos, Op. 45: III. Lento assai - Allegro vivace - S. Rachmaninoff

Customer Reviews:

5 out of 5 stars Ashkenazy - one of the best musicians of our time.......2005-11-21

I consider Ashkenazy to be one of the most underrated pianists. Since he has this unmarketable father figure image in the piano world many people put him in the backburner of their recollections. First of all, anyone with such a prolific repertoire as Ashkenazy falls under the category of "genius" (Richter was also strong in this area). A pianist, in general, has much more credibility if he/she can tackle a variety of different pieces and styles. Many people assume by default that because he splits his time conducting and plays so much different music... that he is a jack of all trades but master of none.
One of the distinct attributes that Ashkenazy has is his amazing intelligence (this links him to Richter). Unlike Gould and Poglerelich who seem eccentric in a childish way at times, Ashkenazy has a very deep understanding of music and its foundations. He understand the composers styles and dynamics. This really sets him aside from many other pianists. I was pleasantly surprised by this Rachmaninoff. It is very flowing and the orchestra is great (better than in the Richter CD in my opinion). There is a feeling that this music is always going in the right direction. Ashkenazy also doesn't fall in the trap of playing Rach Chopin-style. I like the Richter CD better because I like Richter's temperament... but this is an excellent set for those that might find Richter overwhelming.

5 out of 5 stars Illustrious Dark.......2005-03-19

The pianistic genius of Rachmaninov and his spirit incarnate: Vladimir Ashkenazy. If you have ever heard Rachmaninov play his own music, you probably pondered the impressive talent. But where his personal strengths lay in composition, his performances were a little too eccentric for me. For example, his renditions of militaristic Prelude No. 5 in G minor is a soft, cautious approach; his piano concerto no. 2 played so quickly, there is no time to enjoy each note.

Enter Ashkenazy. He plays that prelude with solid force and quick, snapping fingers, and thunderous chords, climaxing into those beautiful rolling hills...it is played beautifully. And of course, the piano concerto is slowed down to the proper tempo. (Incidentally, I find this concerto has some parts that are played too quickly, thereby losing a sense of largeness to some themes. In later recordings, Jean-Yves Thibaudet performed the concerto exactly to my tastes, and the orchestra was conducted, impressively, by Mr. Ashkenazy himself!)

For the piano enthusiast, this collection is nearly complete. The first three piano concertos are amazing. I grew up with Nos. 3 and then 2, and after a decade of waiting, finally listened to No. 1, which I hold in as high esteem as the later concertos. No. 4 is extremely modern, and I listen to it to let it grow on me, but I will always have a difficult time with this one. It's simply too influenced by his short Hollywood career, I feel. While it stands on its own, compared to the previous three, I tend to skip it.

I've heard Ashkenazy's recordings of the preludes before, but it was nice to finally own them. What can one say? Rachmaninov's forte was the prelude. Nowhere else can you hear chimes and bells with dark Russian themes underlying complex chord structures that scintillate or thunder.

New to me were the two Suites for 2 pianos. While much of it is a bit modern and avant-garde for my tastes, I enjoy them all the same.

For the price, you're getting quite a bargain, though. And if you don't care about the solo piano tracks, London has another release with only the four piano concertos.

5 out of 5 stars Ashkenazy's fluidity: a very good fit with Rachmaninov.......2004-12-09

This boxed set contains the four piano concertos, along with the entire library of pieces for two pianos, and a good selection of Rachmaninov's major works for solo piano.

Packaged in an elegant Decca slimbox, the 6 CDs are simply a pure joy to listen to. Ashkenazy does not delivery the wildest version of the concertos, or the most passionate or energetic. What he delivers is an incredible legato and incomparable touch, with just the right amount of power when necessary. Previn's conducting is a very good fit with Ashkenazy's sobre and elegant interpretation.

Listen to "Les Larmes" - French for "The Tears" - and appreciate Ashkenazy and Previn's rendering of one of Rachmaninov's most emotional pieces.

This boxed set is, in my opinion, the best Rachmaninov package currently available. The sound quality is very good, and it contains a large selection of piano works by one of the world's finest interpreters.

5 out of 5 stars My Favorite Rachmaninov Interpreter.......2003-04-06

while i dont have this particular set, i have most of ashkanazy's recordings via other the sets hes made, im assuming these are the same recordings. these are some of my favorite piano works ive ever heard in large part due to his interpretations of this music. i beleive there isnt an interpretation that i was unhappy with, so if you want all of ashkanasy's piano recordings and piano concertos in one set this is a great buy especially for the price and ammount of music.

5 out of 5 stars Superb set of Rachmaninov's complete Piano works.......2001-02-04

Ashkenazy shows that he is as much at home here as he is playing Beethoven, Chopin, or Mozart. Although these performances may lack the drama of Argerich's tempestuous playing, they are very credible interpretations of the Russian composer's piano music. His performances of the concerti with Previn conducting the London Symphony Orchestra are regarded as among the finest of the entire Rachmaninov cycle. And his performances with Previn on the piano are fine, even if Previn's technique takes a back seat to Ashkenazy's. Aside from the concerti, the real gems have to be Ashkenazy's brilliant performances of the etudes. They are just as refined and as soulful as his excellent recordings of the entire Beethoven piano sonata cycle. This cheap set not only is a splendid introduction to Rachmaninov, but shows Ashkenazy at his finest, playing with technical elegance and lyricism.
Stories Of Schumann And Grieg
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    Stories Of Schumann And Grieg

    Manufacturer: Vox (Classical)
    ProductGroup: Music
    Binding: Audio CD

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    5. The Story of Mozart

    ASIN: B000001KCV
    Release Date: 1995-04-16

    Tracks:

    1. Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft
    2. Andante And Variations In B-Flat Major
    3. Symphonic Etudes, Op. 13
    4. Toccata In C Major, Op. 7
    5. Kreisleriana, Op. 16
    6. Piano Concerto In A Minor, Op. 54: Allegro Vivace
    7. Carnaval, Op. 9
    8. 'Dedication', Op. 25/1
    9. Symphony No. 4 in D Minor, Op. 120: Introduction - Vivace
    10. Papilons, Op. 2
    11. Op. 25-3: 'The Nut Tree'
    12. Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft-Schneller
    13. Piano Quintet In E-flat Major, Op. 44: Allegro ma non troppo
    14. Piano Concerto In A Minor, Op. 54: Allegro affettuoso
    15. Carnaval, Op. 9: Waltz
    16. Album For The Young, Op. 68: The Merry Farmer
    17. Scenes From Childhood, Op. 15: Dreams
    18. Cello Concerto In A Minor, Op. 129: Nicht au schnell
    19. Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Feierlich
    20. Peer Gynt Suite No. 1, Op. 46, No 1
    21. Lyric Suite, Op. 54-2: Norwegian Rustic Dance
    22. Op. 12 No. 4: Elf Dance
    23. Op. 35, No. 1: Norwegian Dances
    24. Elegiac Melodies
    25. Op. 64, No. 4: Symphonic Dances
    26. Op. 35, No. 2: Norwegian Dances
    27. Op. 5-3: 'I Love Thee'
    28. Op. 43, No. 1: Butterfly
    29. Op. 65, No. 6: Wedding Day At Troldhaugen
    30. Peer Gynt Suite No. 1, Op. 46, No. 3: Anitra's Dance
    31. Peer Gynt Suite No. 2, Op. 55, No. 4: Solveig's Song
    32. Peer Gynt Suite No. 1, Op. 46, No. 4: In The Hall Of The Mountain King
    33. Piano Concerto In A Minor, Op. 16: Allegro moderato; Allegro marcato
    34. Holberg Suite, Op. 40: Prelude: Allegro vivace
    35. Lyric Suite, Op. 54, No. 3: Dance Of The Dwarfs
    36. Homage To Chopin
    37. Sigurd Jorsalfar Suite, Op. 56, No. 3: Homage March
    38. Peer Gynt Suite No. 1, Op. 46: Morning Mood
    39. Peer Gynt Suite No. 1, Op. 46: The Death Of Aase
    40. Peer Gynt Suite No. 1, Op. 46: Anitra's Dance
    41. Peer Gynt Suite No. 1, Op. 46: In The Hall Of The Mountain King
    42. Peer Gynt Suite No. 2, Op. 55: III The Return Of Peer Gynt
    43. Peer Gynt Suite No. 2, Op. 55: IV Solveig's Song
    György Ligeti Edition 6: Keyboard Works (Piano, Harpsichord, Organ) - Irina Kataeva / Pierre-Laurent Aimard / Elisabeth Chojnacka / Zsigmond Szathmáry
    Average customer rating: 4 out of 5 stars
    • More 'sci-fi' inspired music
    • Piano pieces are lesser works, but the rest is fantastic
    • Some gems in this uneven keyboard music collection
    • brilliant music
    • Delightful
    György Ligeti Edition 6: Keyboard Works (Piano, Harpsichord, Organ) - Irina Kataeva / Pierre-Laurent Aimard / Elisabeth Chojnacka / Zsigmond Szathmáry

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Ligeti, György | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    EtudesEtudes | Forms & Genres | Classical | Styles | Music
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    ASIN: B0000029OZ
    Release Date: 1997-05-20

    Tracks:

    1. Indulo - March - Allegro
    2. Polyphonic Etude - Allegro comodo
    3. Three Wedding Dances: The Cart Is At The Gate - Allegro
    4. Thre