Mahler: Symphonie No. 10
Editorial Reviews
Amazon.com essential recording
This was one of Simon Rattle's first major recordings, made before he became music director of the City of Birmingham Symphony Orchestra, and it remains one of his best interpretively. He leads a viscerally exciting performance of Mahler's 10th Symphony, which incorporates some changes made to Deryck Cooke's final performing version of the unfinished score. Some of these (the cymbal crash at the end of the second movement) are successful, and others (the extra percussion at the climax of the finale) are less so. What's abundantly clear is that the Bournemouth string players are having a hell of time coping with Mahler's and Cooke's merciless demands, but the sense of strain is, arguably, part of the musical message. Rattle is a musician who has consistently failed to live up to his promise, on disc, at least, and it's salutary to recall just how refreshing a conductor he was before a mindlessly adoring English press immunized him against constructive self-criticism and stunted his artistic growth. --David Hurwitz
Mahler: Symphonie No. 10, Music, Gustav Mahler, Simon Rattle, Bournemouth Sinfonietta, Classical, Classical Composers, Classical Music, Romantic Symphony, Symphonic
Average customer rating:
- Good selection
- thunderous applause
- Good Music at a Great Price
- You will like this!
- Good for the novice
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Manufacturer: Vox (Classical)
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ASIN: B00004Y6SQ
Release Date: 2000-09-05 |
Tracks:
- Also Sprach Zarathustra (Sunrise) - R. Strauss
- Mars (The Planets) - Holst
- Overture 1812 - Tchaikovsky
- Entry Of The Gladiadtors - Fucik
- Sabre Dance - Khachaturian
- Procession Of The Sardar - Ippolitov Ivanov
- Night On Bald Mountain - Mussorgsky
- Anvil Chor (II Trovatore) - Verdi
- The Thunderer March - Sousa
- Thunder & Lightening Polka - J. Strauss
- Prelude To Act III : Lohengrin - Wagner
- The Ride Of The Valkryies - Wagner
- Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
- The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
- Rondeau - Edward Carroll
- Overture: Fireworks Music - Handel
- March To The Scaffold: Symphonie Fantastique - Berlioz
- LesToreadors - Bizet
- William Tell Overture: Finale - Rossini
- Revolutionary Study - Abbey Simon
- Fanfare For The Common Man - Copland
- Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
- Augurs Of Spring From Rite Of Spring - Stravinsky
- Russian Dance From Petrouchka - Stravinsky
- The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky
Customer Reviews:
Good selection.......2005-10-02
I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.
thunderous applause.......2005-08-31
This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!
Good Music at a Great Price.......2004-03-06
I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.
You will like this!.......2004-02-19
I had purchased an abundance of the "Favorites" collection and some were better than others.
This CD is at the top of them all. They may be short, but not that short. Wondrous music.
I can almost guarantee that you will like this music.
Well worth the price!
Good for the novice.......2002-06-08
The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Various Artists
Manufacturer: Naxos
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Classical Music Start-Up Kit, Vol. 2: 1825-1945
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Classical Music Start-Up Kit, Vol. 1 (1500-1825)
- Prehistoric Art (Art in History)
- Ancient Roman Art (Hodge, Susie, Art in History.)
- Ancient Egyptian Art (Hodge, Susie, Art in History.)
- The Instruments of Classical Music, Vol. 6: The Cello
ASIN: B00005YCX6
Release Date: 1996-01-04 |
Tracks:
- Scherzo - Jeno Jando
- Waltz In C# Minor - Peter Nagy
- Song Without Words, Op.102, No.5 - Peter Nagy
- 'The Fountains Of The Villa D'Este' - Jeno Jando
- Scherzo - Jeno Jando
- 'March To The Scaffold' - Pinchas Steinberg
- Finale - Adrian Leaper
- Pomp and Circumstance March No. 1 (Excerpt) - Adrian Leaper
- The Moldau (exc) - Slovak PO/Barry Wordsworth
- Final Movement Of Symphony No.9 'From The New World' - Stephen Gunzenhauser
- 'Bydlo' - Jeno Jando
- 'Flight Of The Bumblebee' - Balazs Szokolay
- 'Polovtsian Dances' - Slovak Philharmonic Orchestra
- Finale - Adrian Leaper
- Finale - Takako Nishizaki
- 'Liebestod' - Johannes Wildner
- Finale - Slovak Philharmonic Orchestra
- Intro To Also Sprach Zarathustra - Slovak Philharmonic Orchestra
- Uranus, The Magician - Adrian Leaper
- 'Jeux De Vagues' - Alexander Rahbari
- 'Sunrise' - Czecho-Slovak Radio Symphony Chorus
- Adoration Of The Earth (Finale) - Alexander Rahbari
- March From Love For Three Oranges Suite, Op.33: March - Andrew Mogrelia
- Scherzo - Alexander Rahbari
- Finale - Alexander Rahbari
Average customer rating:
- Out of print and showing its age
- Beware of conductors who make major changes in works.
- Disregard Debate and Buy It
- This WAS the recording to own
- Make no mistake, this is a complete Mahler symphony...
|
Mahler: Symphonie No. 10
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mahler - Symphony 10 / Berliner Philharmoniker · Rattle
ASIN: B000002RSN
Release Date: 1992-04-14 |
Tracks:
- Symphony No. 10 In F Sharp: I. Adagio
- Symphony No. 10 In F Sharp: II. Scherzo
- Symphony No. 10 In F Sharp: III. Purgatorio (Allegro Moderato)
- Symphony No. 10 In F Sharp: IV. (Scherzo)
- Symphony No. 10 In F Sharp: V. Finale
Amazon.com essential recording
This was one of Simon Rattle's first major recordings, made before he became music director of the City of Birmingham Symphony Orchestra, and it remains one of his best interpretively. He leads a viscerally exciting performance of Mahler's 10th Symphony, which incorporates some changes made to Deryck Cooke's final performing version of the unfinished score. Some of these (the cymbal crash at the end of the second movement) are successful, and others (the extra percussion at the climax of the finale) are less so. What's abundantly clear is that the Bournemouth string players are having a hell of time coping with Mahler's and Cooke's merciless demands, but the sense of strain is, arguably, part of the musical message. Rattle is a musician who has consistently failed to live up to his promise, on disc, at least, and it's salutary to recall just how refreshing a conductor he was before a mindlessly adoring English press immunized him against constructive self-criticism and stunted his artistic growth. --David Hurwitz
Customer Reviews:
Out of print and showing its age.......2005-11-27
Almost 20 years separate Rattle's first recording of the Mahler Tenth (1980) and the celebrated one from Berlin (live, 1999) that was one of his first with his new orchestra. I went back to this earlier performance, which has ranked high for a long time, to see if the conductor had any early insights. Actually, he didn't. Contrary to the poisoned barb let loose by David Hurwitz in the Amazon review, the younger Rattle sounds callow compared to the older. Twenty years has brought noticeable growth.
This 1980 release is lightweight and performed only adequately by the Bournemouth Sym. It's certainly the least tragic, most optimistic Tenth I've ever heard. Since the CD is out of print (until EMI finds a way to repackage it) there's no loss in skip;ing directly to the later recording.
Beware of conductors who make major changes in works........2001-11-21
This might be a beautiful performance, in fact I suppose it was. I bought this recording many years ago and when I heard it, I got the shock of my life. The fourth movement ends with a frightening timpani chord. The fifth and last movement begins with another timpani stroke (the first of many). Not so in this (and Rattle's newer recording, which I have not heard). Sir Simon (not Derycke Cooke) believes the last two movements should be linked. He therefore eliminates one of the chords and links the movements. Mahler's actual effect gave me the shock of my life. At the end of the next to last movement I settled down to hear the final movement. I was shocked to hear the movement start off with the same outburst of anger that closed the previous movement. Sir Simon, in linking the movements, killed that effect. Other renditions (Ormandy - unfortunately out of print, Levine, Inbal) don't do this. Cooke's final version (and preliminary versions) did not do that. This is the most important thing to know before purchasing this album. For me, what Rattle did killed the performance.
Disregard Debate and Buy It.......2001-11-17
Yes, yes, there is no doubt this is strictly a "performing version" of an uncompleted work. This is most apparent in the third and fourth movements, easily the weakest of the bunch. You can argue that certain passages of orchestration don't sound authentically Mahlerian, etc., etc. However, there is no doubt that this IS the voice of Mahler. The sheer quality of the first and final movements outweighs all other reservations. Yes, yes, imperfect, but as the final utterance of Mahler's life and consciously intended to act as the conclusive chapter of the symphonic cycle, this is in many ways his most powerful and important work. If you are a lover of Mahler and haven't heard then Tenth, then disregard all debate and buy THIS recording, not the latter one Rattle did. Decide for yourself where this work ranks in the musical canon.
This WAS the recording to own.......2001-06-21
until Rattle completely outdid himself with the new BPO recording of this work. The orchestra is better, the sound is better, and the interpretation is deeper and more understanding. I owned this one for years and always enjoyed it. It's now in the trade-in pile.
Make no mistake, this is a complete Mahler symphony..........2000-12-06
This recording of Mahler's Tenth (performing ed. by Deryck Cooke) makes it perfectly clear that the symphony must be considered a completely realized and polished masterpiece. It is Mahler through and through. Those in doubt must simply listen to the opening Adagio. Rattle and the Bournemouth SO are at their superb best, fully aware of the emotional impact their performance will have on the listener--this is some of Mahler's most beautiful music. The wonderful tension culminates in those dreadful, bone chilling discords--my God! Anyone who has been reluctant to listen to the symphony need not tarry any longer. You will NOT be disappointed. You will be drawn to the ultimate conclusion that this is a perfect fulfillment of Mahler's vision for the Tenth.
Average customer rating:
- At Work with Power Clasics
|
Power Classics! Volumes 1-10
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
Ballets
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| Bach, Johann Sebastian
| ( B )
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| Beethoven, Ludwig van
| ( B )
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| Berlioz, Hector
| ( B )
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ASIN: B000001VUZ
Release Date: 1994-08-30 |
Tracks:
- Carmen: Les Toreadors - POWER CLASSICS!
- Slavonic Dance No.8 In G Minor, Op.46 - POWER CLASSICS!
- L'Arlesienne: Farandole - POWER CLASSICS!
- Symphony No.3: 3rd Movement, Ziemlich schnell - POWER CLASSICS!
- Gotterdammerung: Siegfried's Death And Funeral Music - POWER CLASSICS!
- Symphony No.3 In E Flat, Op.97: Rhenish: 1st Movement - POWER CLASSICS!
- Piano Concerto No.1 In B Flat Minor, Op.23: 3rd Movement: Allegro con fuoco - POWER CLASSICS!
- Symphony No.1: Titan: 2nd Movement - Kraftig bewegt - POWER CLASSICS!
- The Prophet: Coronation March - POWER CLASSICS!
- Hungarian Rhapsody No.1 - POWER CLASSICS!
Tracks:
- Toccata In D Minor
- Symphony No.5 In C Minor: 1st Movement: Allegro con brio
- Swan Lake: Mazurka
- Mastersingers Of Nuremburg: Overture
- Coppelia: Czardas
- Faust: Allegro vivo
- Symphony No.4 In A Major: 1st Movement: Allegro vivace
- Piano Concerto In A Minor, Op.16: 1st Movement: Allegro molto e marcato
- The Damnation of Faust: Rakozy March
- The Rhine Gold: Entry Of The Gods Into Walhalla
Tracks:
- Ride Of The Valkyries
- Hungarian Dance No.5 In G Minor
- Sylvia: Cortege de Bacchus
- The Nutcracker: Trepak - Russian Dance
- Bartered Bride: Overture
- William Tell: Soldiers' Dance
- Symphony No.1: 3rd Movement: Scherzo
- The Flying Dutchman: Overture
- Espana
- Totentanz
Tracks:
- Lohengrin: Prelude To Act 3 - POWER CLASSICS!
- A Midsummer Night's Dream: Wedding March - POWER CLASSICS!
- Marche Slave, Op.31 - POWER CLASSICS!
- Hungarian Rhapsody No.2 - POWER CLASSICS!
- Swan Lake: Danze hongroise Czardas - POWER CLASSICS!
- Flight Of The Bumble Bee - POWER CLASSICS!
- Eugene Onegin: Polonaise - POWER CLASSICS!
- Symphony No.9 In E Minor 'New World': Third Movement, Scherzo - POWER CLASSICS!
- Tannhauser: Arrival Of The Guests At Wartburg - POWER CLASSICS!
- Symphony No.5 In E Minor: Finale. Andante Maestoso - POWER CLASSICS!
Tracks:
- Ruslan And Ludmilla - Overture
- The Bartered Bride: Polka
- Symphony NO.4 In E Minor: 3rd Movement: Allegro giocoso
- Coriolan Overture, Op.62
- Symphony No.4 In A Major: Italian: 4th Movement - Saltarello presto
- Bocklin Suite: Bacchannal
- The Valkyries: Magic Fire Music
- Piano Concerto No.1 In E Flat Major: 3rd Movement: Allegro marziale animato - Presto
- Symphony No.2: 3rd Movement: Scherzo. Allegro molto vivace
- Symphony No.9: From The New World: Finale - Allegro con fuoco
Tracks:
- The Sleeping Beauty: Introduction
- Snegurochka: Dance Of The Tumblers
- Piano Concerto No.2 In F Minor, Op.21, No.3: Allegro vivace
- Symphony In G Major, No.4: Allegro ma non troppo
- Chowanschtschina: Dance Of The Persian Slaves
- Coppelia: Slavonic Folk Melody
- Die Meistersinger von Nurnberg: Dance Of The Apprentices & Entrance Of The Masters
- The Bartered Bride: Furiant
- Symphony No.6: Tragic: II. Scherzo. Wuchtig
- The Nutcracker: Waltz - Finale & Apothese
Tracks:
- Mlada: Cortege
- Piano Concerto No.1 In E Flat Major: I. Allegro maestoso
- The Sleeping Beauty: Waltz
- Soroshintsy Fair: Gopak
- Symphony No.0 In D Minor: Ill. Scherzo. Presto
- Organ Concerto Op.137: Ill. Finale. Con moto
- Symphony No.7 In D Minor: Ill. Scherzo. Vivace
- L'Arlesienne: Pastorale
- Nocturnes: Fetes
- Symphony No.1 In C Minor: IV. Allegro non troppo, ma con brio
Tracks:
- Slavonic Dance No. 1 In C Major
- Symphony No. 3 'Scottish': III. Vivace non troppo - Mendelssohn
- Homage March
- Swan Lake: Dance Espagnole - Tchaikovsky
- Symphony No. 4 In E Minor, Op. 98: Ill. Allegro giocoso
- Coppelia: Festive Dance And Waltz Of The Hours
- A Night On Bald Mountain
- A Life For The Tsar: Krakoviak
- Slavonic Dance No. 3 In A Flat Major
- Symphony No. 4: Finale: Allegro con fuoco
Tracks:
- The Marriage Of Figaro: Overture
- Symphony No.3 in D Minor: IV. Presto vivace
- Sylvia: Prelude - Les Chaseresses
- Prelude On 'B - A - C - H'
- Symphony No.8 In C Minor: II. Scherzo. Allegro moderato (excerpt)
- Sheherazade: I. Lento - Allegro non troppo
- Euryanthe: Overture
- Swan Lake: Waltz
- Symphony No.2 In C Major: II. Scherzo. Allegro vivace
- Piano Concerto No.2 In A Major: Allegro deciso - Marziale - Allegro animato
Tracks:
- Piano Concerto No.1 In G Minor: I. Allegro non troppo - POWER CLASSICS!
- Hungarian Dance No.1 In G Minor - POWER CLASSICS!
- Carmen: Bohemian Dance - POWER CLASSICS!
- Chowanschtschina: Intermezzo - POWER CLASSICS!
- Symphony No.3 'Rhenish':: IV. Lebhaft - POWER CLASSICS!
- Piano Concerto No.2 In B Major Op.83: II. Allegro Appassionato - POWER CLASSICS!
- L'Arlesienne: Carillon - POWER CLASSICS!
- Symphonie Fantastique: IV. Allegretto non troppo - POWER CLASSICS!
- Eugen Onegin: Waltz - POWER CLASSICS!
- Husitska: Overture, Op.67 - POWER CLASSICS!
Customer Reviews:
At Work with Power Clasics.......2000-01-20
Using the 10 CD set of Power Classics over the past five years while "working" daily on Nordic Trak has been a great help. The relatively short segments break up the workout and provide a welcome support for my efforts. The variety of selections available relieve boredom although, I must admit, when one selection finishes I can now mentally hum the next intro. I recommend this set highly for any strenuous workout program.
Average customer rating:
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Power Classics! Volumes 6-10
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
Ballets
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| Berlioz, Hector
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| Brahms, Johannes
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| Chopin, Frédéric
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| ( D )
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| ( D )
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| Debussy, Claude
| ( D )
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| Glinka, Mikhail
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| ( G )
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| ( L )
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| Mussorgsky, Modest
| ( M )
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| Mendelssohn, Felix
| ( M )
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Rheinberger, Joseph
| ( R )
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| Schubert, Franz
| ( S )
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| Schumann, Robert
| ( S )
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| Smetana, Bedrich
| ( S )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Wagner, Richard
| ( W )
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| Historical Periods
| Classical
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| Romantic (c.1820-1910)
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| Classical
| Styles
| Music
Theatrical, Incidental & Program Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Organ
| Keyboard
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| Classical
| Styles
| Music
Piano
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| Classical
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| Symphonies
| Classical
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| Classical
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ASIN: B000001VWZ
Release Date: 1994-08-30 |
Average customer rating:
|
Simon Rattle
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
Ballets
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| Bernstein, Leonard
| ( B )
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| Britten, Sir Benjamin
| ( B )
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| Elgar, Sir Edward
| ( E )
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| Gershwin, George
| ( G )
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| ( J )
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| ( M )
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| Messiaen, Olivier
| ( M )
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| Nielsen, Carl
| ( N )
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| Schoenberg, Arnold
| ( S )
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| Sibelius, Jean
| ( S )
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| Stravinsky, Igor
| ( S )
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| Shostakovich, Dmitri
| ( S )
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ASIN: B00008ETYL
Release Date: 1990-05-01 |
Average customer rating:
|
Monumental Classics
Manufacturer: Michelle Records
ProductGroup: Music
Binding: Audio CD
Pavanes
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| Chopin, Frédéric
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| MacDowell, Edward
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| Mahler, Gustav
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| Mozart, Wolfgang Amadeus
| ( M )
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| Mendelssohn, Felix
| ( M )
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| ( P )
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| ( R )
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| Schubert, Franz
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| Schumann, Robert
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| ( S )
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| Tchaikovsky, Peter Ilyich
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| Vivaldi, Antonio
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| Wagner, Richard
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ASIN: B00005YRF4
Release Date: 1997-06-24 |
Average customer rating:
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Symphonies: The Greatest Hits, Vol. 1-10
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
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ASIN: B00000JR0S
Release Date: 1999-08-10 |
Average customer rating:
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100 Classical Highlights: Symphonie/Romantic Piano
Manufacturer: St. Clair Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000AGWHP
Release Date: 2003-06-27 |
Tracks:
- Symphony No. 5 in C Minor: Allegro Con Brio
- Symphony No. 5 in C Minor: Andante Con Moto
- Symphony No. 5 in C Minor: Allegro
- Symphony No. 41 in C Major "Jupiter": Allegro Vivace
- Symphony No. 41 in C Major "Jupiter": Molto Allegro
- Symphony No. 6 in F Major "Pastoral": Allegro Ma Non Troppo
- Symphony No. 6 in F Major "Pastoral": Andante Molto Mosso
- Symphony No. 6 in F Major "Pastoral": Allegretto
- Symphony No. 9 in E Minor "From the New World": Molto Vivace
- Symphony No. 9 in E Minor "From the New World": Allegro Con Fuoco
- Symphony No. 4 in a Major "Italian": Allegro Vivace
- Symphony No. 4 in a Major "Italian": Andate Con Moro
- Symphony No. 8 in G Major: Allegro Con Brio
- Symphony No. 8 in G Major: Adagio
- Symphony No. 8 in G Major: Allegretto Grazioso
- Symphony No. 3 in E Flat Major "Rhenish": Allegro
- Symphony No. 94 in G Major "Surprise": Andante
- Symphony No. 40 in G Minor" Molto Allegro
- Symphony No. 40 in G Minor: Andante
- Symphony No. 40 in G Minor Minuetto: Allegretto
- Symphony No. 40 in G Minor Finale: Allegro Assai
- Symphony No. 3 in a Minor "Scottish": Adagio Cantabile
- Symphony No. 5 in E Minor Valse: Allegro Moderato
- Symphony No. 7 in a Major: Allegretto
- Symphony No. 4 in C Minor "Tragic": Andante
Tracks:
- Symphony No. 36 in C Major "Linz": Poco Adagio
- Symphony No. 36 in C Major "Linz": Minuetto
- Symphony No. 8 in F Major: Allegro Vivace E Con Brio
- Symphony No. 3 in a Minor: Adagio Ma Non Troppo
- Symphony No. 4 in G Major: Ruhevoll
- Excerpt from Symphony No. 9 in D Minor Including the Choir Finale ...
- Excerpt from Symphony No. 9 in D Minor Including the Choir Finale ...
- Symphony No. 8 in B Minor "Unfinished": Andante Con Moto
- Symphony No. 1 in C Minor: Un Poco Allegretto E Grazioso
- Symphony No. 39 in E Flat Major: Andante Con Moto
- Symphony No. 3 in E Flat Major "Eroica": Allegro Con Brio
- Symphony No. 101 in D Major "Clock": Andante
- Symphony No. 103 "Drumroll": Adagio
- From My Fatherland (Symphonic Poems): The Moldau
- Symphony No. 5 in C Sharp Minor: Adagietto
- Symphony Fantastique un Bal: Valse
- Symphony No. 6 in B Minor "Pathque": Adagio Lamentoso-Andante
- Symphony No. 2 in C Minor "Resurrection": Andante Moderato
- Symphony No. 4 in F Minor: Andantino in Modo Di Canzone
- Sinfonia No. 1 in G Major: Allegro
- Sinfonia No. 1 in G Major: Rondo Grazioso
- Sinfonia No. 1 in G Major: Adagio
- Sinfonia Nr. 10 in E Minor: Adagio E Spicco
- Sinfonia Nr. 10 in E Minor: Non Tanto Largo
- Sinfonia Nr. 10 in E Minor: Tanto Largo
Tracks:
- Sonata for Piano No. 14 in C Sharp Minor "Moonlight Sonata": ...
- Bagatelle No. 25 in a Minor "Fse"
- Waltz No. 7 in C Sharp Minor
- Waltz No. 9 in a Flat Major
- Waltz No. 10 in B Minor
- Waltz No. 11 in G Flat Major
- Waltz No. 12 in F Minor
- Waltz No. 13 in D Flat Major
- Mazurka in a Minor
- Prelude in E Minor
- Prelude in B Minor
- Sonata in F Minor
- Sonata in C Minor
- Sonata in F Minor
- Sonata for Piano No. 11 in a Major: Andante Grazioso
- Fantasia in D Minor
- Concerto for Piano and Orchestra No. 21 in C Major "Elvira ..."
- Liebstraum No. 3 in a Flat Major
- Consolation in E Major
- Consolation No. 3 in D Flat Major
- Concerto for Piano and Orchestra No. 1 in B Flat Minor: Andantino ...
- From: Polonaise in C Sharp Minor: Meno Mosso
- Waltz in a Flat Major
- Moment Musical in F Minor
- Sonata No. 11 in a Major: Rondo Alla Turca
- Waltz No. 6 in D Flat Major "Minute Waltz"
Tracks:
- Kinderszenen (Scenes from Childhood) No. 1: Von Fremden Lern ...
- Kinderszenen (Scenes from Childhood) No. 7: Treri
- Kinderszenen (Scenes from Childhood) No. 10: Fast Zu Ernst
- Kinderszenen (Scenes from Childhood) No. 12: Kind Im Einschlummern
- Kinderszenen (Scenes from Childhood) No. 13: Der Dichter Spricht
- Concert Study No. 1: Waldesrauschen
- October from "The Seasons"
- Berceuse
- Suite Bergamasque: Clair de Lune
- Rrie
- Fille aux Cheveux de Lin
- Piano Concerto No. 3 in a Minor: Allegro Ma Non Tanto
- Nocturne No. 2 in E Flat Major "Thoughts at Night"
- Nocturne No. 4 in F Major
- Nocturne No. 5 in F Sharp Major
- Nocturne No. 6 in G Minor
- Prelude in D Sharp Major "Raindrop Prelude"
- Prelude in a Flat Major
- Lyric Piece Erotic
- Concerto for Piano in a Minor: Adagio
- Concerto for Piano No. 1 in E Minor: Romance (Larghetto)
- Concerto for Piano No. 2 in F Minor: Larghetto
- Waltz No. 5 in a Flat Major
- Waltz No. 14 in E Minor
Track Listings:
- Missa Solemnis
- Monteverdi: Vespers of the Blessed Virgin
- Mozart: Concerto for clarinet in A; Concerto for bassoon in Bf
- Mozart: Serenata Notturna / Maag, London Symphony Orchestra
- Mozart: Violin Concertos Nos. 1-5; Haffner Serenade
- Music for Maundy Thursday
- Ockeghem: Missa Mi-Mi
- Offenbach - Les Contes d'Hoffmann / Alagna, van Dam, Dessay, Vaduva, Jo, Lascarro, Dubosc, Ragon, Sénéchal, Bacquier, Lamprecht, Nagano
- Paul Dukas: Symphony In C Major/Polyeucte Overture
- Per Amore [Import]
Track Listings
track listings
Track Listings
Z [Import]
Brahms: Piano for Four Hands
Fairy Tales from Saint Etienne [Import]
What's New [Import]
Committee of Vigilance
Disco 9000
Carousel [Cast Recording]
Debussy: La Mer/Ravel: Boléro/Pavane
Diabolical [Explicit Lyrics]
Chopin: Etudes Op. 10 & 25/Trois Nouvelles Etudes; Claudio Arrau
Body and Soul
Cabala [Import]
Banda Mix
Doing My Own Thing
Untitled