Works for Brass Instruments

Track Listings

1. J.S. Bach: Fantasia in g minor

2. J.S. Bach: Ach Herr, lass dein lieb Engelein

3. R. Schumann: Fugue No. 1 on B-A-C-H

4. F. Guilmant: Morceau Symphonique

5. A. Bruckner: Prayer and Hallelujia

6. T. Albinoni: Concerto in d minor

7. J.S. Bach: Nun bitten wir den Heiligen Geist

8. G. Raabe: Psalm 88

9. M. Reger: Wunderbarer Kienig

10. G. Raabe: The Temptation of Saint Anthony

Tracks:

Tuning Up
Amques (Original Version)
Po ectronique
Arcana
Nocturnal
Un Grand Sommeil Noir (Orchestral Version)

Tracks:

Un Grand Sommeil Noir (Original Version)
Offrandes: Chanson de laut
Offrandes: La Croix du Sud
Hyperprism
Octandre: Assez lent
Octandre: Trvif et nerveux
Octandre: Grave - Animt jubilatoire
Intales
Ecuatorial
Ionisation
Density 21.5
Drts: 1st Episode
Drts: 1st interpolation of organized sound
Drts: 2nd episode
Drts: 2nd interpolation
Drts: 3rd episode
Drts: 3rd interpolation
Drts: 4th episode
Dance for Burgess

Amazon.com essential recording

For a composer who is (now) recognizably part of the 20th-century classical canon, the French émigré Edgard Varèse's output was astoundingly meager. Just 15 compositions from his entire life (he destroyed the compositions from his early years, and was a merciless editor of his own material in general) made it out to the listening world. Varèse was caught in the chasm between the music of yesterday and the music of tomorrow: scoring music for modified theremin, steamboat whistles, or air sirens, all balanced with the force of a large orchestra; writing pieces based on the flows of water and wind because that's what shapes the earth; using the concepts of chemical reactions and specific gravity as a basis for his music. Using extremes of contrast, dissonance, and variety in sound, Varèse's pieces had power in the way he attacked and shaped the sound he imagined. From Ionisation (1929), scored almost entirely for unpitched percussion, to the electronic-only, three-dimensionally produced Poeme Electronique (1958), he's provided a foundation that many genres, musicians, and composers were to build from not only for the next 40 years, but inevitably beyond. --Robin Edgerton

Customer Reviews:

Superb with just one reservation.......2006-11-10

This complete works of Varèse, superbly performed and recorded, is a fine accomplishment. My only disappointment was its version of Poème Elèctronique being the sole representation of that ground-breaking work that still holds up for me today as one of the finest pieces of electronic music yet created. It is interesting to be able to hear the version in this collection, which appears to be a loving restoration of what must have been primarily the raw, performing version, to be further enhanced during its performances in a very large space? What I miss in the present version is the more clearly heard textures of its huge sound palette; the resonant and often humerous interplay between them, and its dramatic sweep as it was presented on a sparcely documented stereo mix that first appeared on a Columbia Records LP, later reissued on a CD, now out of print. That one is surely more like an actual performance, presumably mixed to re-create as well as possible then what it might have sounded like over its four hundred loudspeakers in the Philips Pavillion. I hope there will be further reissues. To me the CBS version's drama and energy are more like that of the performances of the other pieces in this wonderful Complete Works set. -Curt Wittig

Go ahead, test your intelligence..........2006-06-18

Frank Zappa used to play Varese to test the intelligence of his friends, and most of them used to look at him like he was "out of his f---ing mind" as he put it. As a major Zappa fan, I bought this compliation, and I love every minute of it. This 2 CD set contains all of Varese's work (needless to say, Edgar wasn't very prolific). You really hear Varese's influence in Zappa's work. Some favorite pieces are Deserts, Poem Electronique, and Un Grand Sommeil Noir (Original Version). Varese's music reminds me of universes being created, in all their violence, beauty, and glory. Instruments crashing down upon one another. This music is reminiscent of Zappa's Weasels Ripped My Flesh and his orchestral work especially. Varese is one of the great American composers, like Aaron Copland, John Cage, and Conlon Nancarrow. Superb....

The definitive recordings........2005-11-09

Riccardo Chailly once said Varèse was going to be the Brahms of the XXI Century. I really don't know if he will be right or wrong, specially because of the very conservative auditoriums we have all around the world, but it should be this way, as the french composer has died too many years ago and his music should be understood but most of the public. It's sad to know that composers, like the own Mahler said, use to be years, decades, even centuries in advance to the general public .

Anyway, it's very important for the popular knowledge of this composers to have recordings like this, in which everything works perfectly as if it was a clock. After many years having some good recordings conducted by Boulez (Sony) and Nagano (Erato) mainly, we have now the possibility of listening one of the most musical and technical orchestra & baton of this time: The Concertgebouworkest and Riccado Chailly.

Most of the versions in this 2CDs set are the best I know, specially the orchestral works, played with conviction and precision by the Concertgebouworkest, an orchestra that had some problems with Mr.Chailly when they begin to play this, for them, `rare' music. The way Arcana sounds its incredible, full of power, mistery and perfection, the performing of Ameriques is breathtaking and I can only compare it with the truly outstanding version by Pierre Boulez with the CSO for DG. Deserts is a new dimension in Chailly's hands, really terrible and full of dark emotions.

Of course, there are little things that could be a bit better, like the Spanish sung in Ecuatorial, better sung in Nagano's version, but generally the performing is marvellous and the instrumental and ondes Martenot's playing in this piece is perfect in Chailly's version.

The ASKO Ensemble versions are outstanding too, showing a very modern Varèse. The performing of Ionisation, that great jewel, listened with a good Hi-Fi system is a experience not to be lost.

The recordings are very good, not outstanding, as it sounds like distant sometimes, but clear and with good definition, of course better with good electronics.

Booklet and presentation of the box is marvellous too; as it has to be in real event in recorded music in the last decades.

Sound Splitting Music.......2002-06-25

First, let me state that I am a long-time Varese fanatic. I first heard Ionisation live at a contemporary music concert in my town when I was 12, and I was hooked. I immediately bought the old Robert Craft double album on Columbia and played it until there were scratches on the scratches. So I was overjoyed to see a modern "complete" recording with up to date sonics. For the most part, I haven't been too disappointed with the performances either.

Chailly is great on much of this music. Ameriques and Arcana are sonic extravagazas. And this is the best recording I've heard of Nocturnal and Ecuatorial. Chailly does a good job with the chamber pieces of the 20s and 30s, though I agree with other reviewers, Boulez is much clearer on Ionisation. Chailly misses some of my favorite parts, and I find it hard to hear the first snare drum theme. (I'm also quite partial to Craft's version, but I don't think it's available anymore.)

I also must add to the chorus of exceptions on the questionable material. The orhestrated version of the solo song has no place on this CD. It doesn't sound like Varese, more like Debussy, and though the song is quite impressionistic, I think we presume too much to orchestrate it and pass it off as "complete" Varese. And neither Tune Up nor Dance for Burgess really add much to our understanding of Varese, and are of questionable value. I suspect that Varese would have destroyed them completely had he been able. Much better to have a recording of the revised version of Ameriques. The revision is so extensive, that a side by side comparison would be illuminating.

All in all, I like this CD. Chailly's take on Varese is big and passionate, something that I think both Boulez and Craft miss. Abravanel comes close to this passion, but Chailly wins because of the gorgeous sonics. I highly recommend this CD to those interested in exploring the unique sound world of Varese.

An aural knockout.......2002-02-01

Here are two discs with some of the most exciting 20th-century music around. Chailly and the Concertgebouw give definitive readings of Varèse's complex pieces, some written for a huge orchestra, and recorded in typically opulent London sound.

My favorites are, without a doubt, "Ameriques" and "Arcana," two explosive showpieces that will give your sound system quite a workout. But far from being merely loud, the scores have many beautiful textures (including quiet ones) scattered throughout the orchestra, and Chailly captures much of the glittering detail.

I even like "Tuning Up," which may seem like a less substantial work to most ears. To be fair, if the piece is not the last word in Varèse's imagination, it is clever enough for its short duration, and as with everything on this disc, the orchestra sounds superb and totally undaunted. Their virtuosity is both satisfying and thrilling, especially in such seldom-performed music.

Make sure your neighbors are away before turning up the performance of "Ameriques," though - the last few pages will blow your roof off.

Tracks:

El Salon Mexico
An Outdoor Overture
Billy The Kid: Introduction: The Open Prairie
Billy The Kid: Street In A Frontier Town
Billy The Kid: Prairie Night (Card Game At Night)
Billy The Kid: Gun Battle
Billy The Kid: Celebration (After Billy's Capture)
Billy The Kid: Billy's Death
Billy The Kid: The Open Prairie Again
Quiet City
John Henry
Our Town
Las Agachadas
Fanfare For The Common Man

Tracks:

Rodeo (Four Dance Episodes): I. Buckaroo Holiday
Rodeo (Four Dance Episodes): II. Corral Nocturne
Rodeo (Four Dance Episodes): III. Saturday Night Waltz
Rodeo (Four Dance Episodes): IV. Hoedown
The City: New England Countryside
Of Mice And Men: Barley Wagons
The City: Sunday Traffic
Our Town: Grovers Corners
Of Mice And Men: Threshing Machines
Appalachian Spring (Suite From The Ballet): Very Slow
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Moderato
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Still Faster
Appalachian Spring (Suite From The Ballet): As At First (Slowly)
Appalachian Spring (Suite From The Ballet): Calm And flowing
Appalachian Spring (Suite From The Ballet): Moderato; Coda
Letter From Home
Danzon Cubano

Tracks:

Lincoln Portrait: Lento
Lincoln Portrait: Subito Allegro
Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
Symphony No. 3: I. Molto Moderato-With Simple Expression
Symphony No. 3: II. Allegro Molto
Symphony No. 3: III. Andantino Quasi Allegretto
Symphony No. 3: IV. Molto Deliberato
Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

Bought this for Concerto for Clarinet.......2007-07-14

The sum is greater than the parts. This is a great Copland collection and shows his diversity. Yet as divers and the three CD are they are all distinctively Copland. Benny Goodman is usually associated with jazz yet he was also diverse in his career. "Concerto for Clarinet, Strings, and Harp & Piano" is a mantra that will carry you to a timeless place.

An added plus is the many other popular pieces that you know you heard but did not realize it was Copland especially the music from movies.

You may have to play the set a few times before being able to recognize the different tracks by name. The down side is many of Copland's works are outside of the date range of this collection.

Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.

Average customer rating:

Technically Excellent, but Uninspiring
Hurford plays organ "pops" pieces
Exellent organ playing!
GREAT FOR NEW CONVERTS TO ORGAN MUSIC!
Excellent

Organ Spectacular

Manufacturer: London
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Bach: Great Organ Works
An Organ Blaster Sampler
Organ of the Mormon Tabernacle
Michael Murray At The Cathedral Of St. John The Divine: Works By Franck, Widor, Dupré, Bach and Others
Ceremonial Music for Trumpet & Symphonic Organ

ASIN: B0000041YP
Release Date: 1991-10-11

Customer Reviews:

Technically Excellent, but Uninspiring.......2006-08-22

Hurford is clearly a very capable technical organist. His nimble feet and fingers do an excellent job with fast passages. Musically, however, most of the pieces felt uninspired and I was a bit disappointed.

Hurford plays organ "pops" pieces.......2006-06-02

On this particular album, organist peter hurford shows off what the organ can do with a pair of nimble hands (and feet). The recording herein contains all of the more familiar "pops" pieces(i.e., you would expect to hear one of these pieces played on nearly every organ recital), and also a rarity or two. The reason I initially purchased this recording was because of the complete Suite Gothique (the only recording available?). Besides the famous toccata, this suite contains some wonderful momemts, such as the sirene priere to the jolly yet sometimes macabre-sounding minuet gothique. The Widor Allegro from Symphonie VI is OK (I still recommend David M. Patrick's album over all others) and the mendelssohn is a nice finishing touch (use this to show off your stereo!) All in all, another well done recording by the scholarly virtuoso Hurford, pleasingly light yet sonically thrilling.

Exellent organ playing!.......2001-11-21

"Organ Spectacular" is truly spectacular. Peter Hurford has combined the finest organ pieces along with absolutely superb playing. All of the pieces are as if the composer himself is playing them. This recording is very rewarding and worth every penny.

GREAT FOR NEW CONVERTS TO ORGAN MUSIC!.......2001-01-14

This CD got me started as an organ lover years ago. Something for everyone here, this recording covers the biggest hits of the organ rather well. Frank's Chorale No. 3 will impress you with the sheer range and power of the organ, and is very moving. And be sure to listen to the Wedding March as it was meant to be played and heard! A great compilation. Enjoy!

Excellent.......1999-01-20

Hurford delivers an exciting compilation of these high-powered organ favorites. For people who love the organ for its ability to rattle the fillings in your teeth, this album is a must! If you are looking for soft, mellow, soothing music, well...you're going to have your fillings rattled. His rendition of Widor's allegro from the sixth symphony is the best piece on the album, but I found the tocotta from the fifth to be rather bland. The Boellmann suite gothique (why I bought the album) is also great. Overall, money well spent

Average customer rating:

A tuba fan's heaven
Incredible!
Most wonderful sounds ever heard out of a bunch of Tubas....

Tuba! a Six Tuba Musical Romp

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Sextets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Tracks:

Divertimento #2 In B Flat: Allegro
Divertimento #2 In B Flat: Menuetto
Divertimento #2 In B Flat: Larghetto
Divertimento #2 In B Flat: Rondo
Fugue In G Minor
Les Baricades Misterieuses
Ola, O che bon Eccho!
Canzona per Sonare #4
Partita - Polacca
Praeludium
Bruckner Etude
Three Milongas: Milogna
Three Milognas: Campera
Three Milognas: Condombe
Three Folksongs For Four Brass
Meltdown (1991)
Melton Marsch
Bayrische Zell
Bayrische Polka

Customer Reviews:

A tuba fan's heaven.......2000-07-27

This recording is by some of the best to ever play the tuba. They make the most tuba ensemble that you will ever hear. I have listened to my copy so many times I'm going to have to buy another copy soon.

Incredible!.......2000-03-21

The tracks on this CD are some of the finest recordings I have heard in my life. The Fugue in G inspired me to search out a copy of the music, which I am attempting to play with half the mastery of these guys. If you play tuba and don't buy this, you are missing out on an awesome CD!

Most wonderful sounds ever heard out of a bunch of Tubas...........1999-12-04

For players of any skill level, this album will make any musician understand, contrary to popular belief, just how versatile an instrument the Tuba is!

Paul Hindemith: Complete Orchestral Works [Box Set]

Average customer rating:

Great performances of a great composer
Hindemith, Hindemith, Hindemith!!!!!
DIDN'T THINK THAT THEY MADE THEM LIKE THIS ANYMORE

Paul Hindemith: Complete Orchestral Works [Box Set]

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Hindemith: Complete Orchestral Works, Vol. 2 (Box Set)
Hindemith: Complete Orchestral Works, Vol. 3 (Box Set)
Hindemith: Complete String Quartets
Milhaud: The Complete Symphonies (Box Set)
Alban Berg Collection / Various (Coll)

ASIN: B000001RXO
Release Date: 1995-01-25

Amazon.com

Hindemith was the greatest German composer of the post-War period, and the last in that great line that began with Bach and extended through the Classical and Romantic periods. His orchestral music is varied and generally extremely approachable, and the percentage of major works is very high. Nobilissima visione, Symphonic Metamorphoses, Mathis der Maler, Symphony in E-flat, and Concert Music for Strings and Brass are all popular masterpieces, while works such as the Symphonic Dances, Symphonia Serena, and Harmony of the World Symphony deserve the same accolades. This set, excellently performed and recorded by a selection of fine Australian orchestras, really deserves the widest circulation among fans of listenable contemporary classical music. --David Hurwitz

Customer Reviews:

Great performances of a great composer.......2006-08-23

While Hindemith will never be known for changing the way the world hears music, he will always be recognized as composing well-crafted minor masterpieces, even if they can be a little formulaic and his sense of melody was a little warped. All six discs in this set have gems that should be heard more often in the concert halls and recorded more. In particular, the Concerto for Orchestra on Disc 6 is fantastic -- with its addictive and fun themes and transparent structure, it was the only work I listened to for about a month. Of the rarer works recorded here, his Symphony Serena on Disc 5 is a little tougher to like, but is really quite good, while his Symphony in E flat on Disc 4 is nothing short of amazing. The Philharmonic Concerto, a set of variations on a strange but catchy theme that only Hindemith could write, also really shines in this set.

Of his more well known -- if you can call any Hindemith "well known" -- works, the recordings are a mixed bag. His Concert Music for Strings and Brass on Disc 3 have a wonderful fullness in the lower brass that I haven't heard in other performances. But the Mathis der Maler Symphony and Nobilissima Visione are both so-so and a little dull. And the performance of Symphonic Metamorphosis here is just outright terrible and a big disappointment, full of mistakes and uneven tempos.

But that's ok. Because you can get good recordings of his better-known works elsewhere. But because his lesser works are presented here in such convincing performances, this set is a must buy for anyone exploring Hindemith! The other 2 box sets on CPO that round out his complete orchestral works are just as good, if not even better. All are highly recommended.

Hindemith, Hindemith, Hindemith!!!!!.......2005-05-15

Wow, this box set is phenomenal. First off, HIndemith is one of the most underappreciated and underrated composers of the 20th century. In my opinion he is definetly in the top 5 along with Stravinsky, Schoenberg, etc. This box set is simply amazing. Whether it is the sound quality, or the works themselves, they will provide you with hours and hours of great music. Although Hindemith was a 20th century composer, his works are EXTREMELY ACCESSIBLE and have a chromatic-romantic feeling to them. I am a music teacher and I have a huge classical collection and this box set is played more than most else. Also, I would recommend the other two volumes by CPO, they are just as good as this set.

DIDN'T THINK THAT THEY MADE THEM LIKE THIS ANYMORE.......2002-12-08

I listened upstairs in bed, on the couch watching football with the sound off, while typing my uncle William E. Crawford's WWII journals. It doesn't get any better than Paul Hindemith, whether it is band music, symphony, ragtime, or overture.
I confess I sometimes have a love-hate feeling about the role of the Jewish Diaspora musicians and composers. But they do the time to the beat and more. I always go to them for performance. They should teach other Americans to compose and perform.

Melbourne Symphony Orchestra under Werner Andreas Albert just goes to show the universality of good music. Notice I didn't say classical music.
This is a real buy. Das Merienleben by Christophorus-Verlag GmbhI bought up in Regina Canada in June of 1995. I don't see it listed but would recommend it for parts like the suspicions of Joseph. CPO has many German composers I don't have like Reicha. Sancta Susanna from 1998 conducted by Yam Pascal Tortelier is by Chandos ASIN:B00005Z6V. I am eagerly awaiting it from Amazon.

Grainger: Works For Wind Orchestra,Vol.4
Average customer rating:

The Master of the Wind Orchestra

Simply Nice

They were born to play Grainger.

Grainger: Works For Wind Orchestra,Vol.4

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

All Works by Grainger | Grainger, Percy Aldridge | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B000000B1C
Release Date: 1997-05-20

Tracks:

Hill Song No. 2
Ye Banks and Braes O' Bonnie Doon
Faeroe Island Dance
The Lads of Wamphray March
Irish Tune from County Derry
Shepherd's Hey
The Merry King
Molly on the Shore
Country Gardens
Colonial Song
The `Gum Suckers' March
Lincolnshire Posy: Lincolnshire Posey: Dublin Boy (Lisbon)
Lincolnshire Posy: Harkstow Grange
Lincolnshire Posy: Rufford Park Poachers
Lincolnshire Posy: The Brisk Young Sailor
Lincolnshire Posy: Lord Melbourne
Lincolnshire Posy: The Lost Lady Found

Customer Reviews:

The Master of the Wind Orchestra.......2001-02-20

I know of no composer or arranger who writes more beautifully for wind orchestra than Percy Grainger. It is a difficult medium, much harder than an orchestra to make sound terrific. This is probably due to the lack of a single homogenous sound equivalent to the orchestra's strings. The woodwinds are too diverse in timbre, and the brass generally can't sustain (physically) the constant playing such a role demands. But Grainger consistently rises above these problems and gets the most gorgeous sounds from the group. Furthermore, he writes fascinating counterpoints and the whole is constantly filled with eccentric touches of harmony, orchestration, rhythm, and the like.

This recording, with the Royal Northern College of Music Wind Orchestra, is superbly played. Although one may quibble at times with such things as an occasionally too-wide saxophone vibrato, those are minor indeed. In particular, the classics of the wind orchestra literature, Irish Tune from County Derry and Linconshire Posy (the movements Harkstow Grange and Rufford Park Poachers stand out even in this august company), are magnificent in every respect. Also worthy of note is the Colonial Song, with its beautiful sonorities; and the vibrant percussion of The 'Gum-Suckers' March. This CD is a must-have for anyone interested in wind music, in the art of arranging, or simply in imaginative and fascinating music.

Simply Nice.......2000-04-07

This ensemble really does a good job playing on this CD--The Lads of Wamphray, Irish Tune from County Derry and Molly on the Shore in particular. Personally, I don't care for their interpretation of Lincolnshire Posy. However, it's still some great playing. Wonderful job!

They were born to play Grainger........1999-05-24

I have been playing Grainger since my freshman year in high school and never have I heard Grainger played with so much passion as when I listened to this recording of the Royal Northern College of Music. Lincolnshire Posy shines brighter than even the Eastman Wind Ensemble's greatest rendition. Bravo!

Hindemith: Complete Orchestral Works, Vol. 2 (Box Set)

Average customer rating:

Hindemith: Complete Orchestral Works, Vol. 2 (Box Set)

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music
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Hindemith: Complete Orchestral Works, Vol. 3 (Box Set)
Paul Hindemith: Complete Orchestral Works [Box Set]
Hindemith: Complete String Quartets
Hindemith Conducts Hindemith: The Complete Recordings on Deutsche Grammophon
Rochberg: String Quartets Nos. 3-6

ASIN: B000058TDA
Release Date: 2001-02-20

Amazon.com

For the last decade or so, CPO has been the only label of note to advocate the music of Paul Hindemith (1885-1963). Not only have they gone about this advocacy with great enthusiasm, they've also sought out some of Hindemith's lesser-known works. And while Volume I contains Hindemith's clear masterpieces, Volume II shines with its own gems. Most notable among the major works in this set are The Four Temperaments (1940) and the Piano Concerto (1945), both clear Romantic masterpieces and both excellently performed. Of the lesser-known works, the best are the suites from the ballets, Der Damon (1922) and Herodiade (1944). Also in Volume II are the complete cello concertos, which contain some of Hindemith's moodiest writing. The sound quality in all five discs is warm and focused with the exception of disc two, which contains somewhat muted recordings of Kammermusik No. 2 and Konzertmusik. This is a minor complaint, however. Hindemith fans will want this collection if they don't already have any of these five previously released discs. --Paul Cook

Average customer rating:

Heinrich Schütz: Secular Works

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B000001S2X
Release Date: 2000-10-06

Tracks:

Freue Dich Des Weibes Deiner Jugend
Liebster, Sagt In Sussem Schmerzen
Nachdem Ich Lag In Meinem Oden Bette
Gluck Zu Dem Helikon
Haus Und Guter Erbet Man Von Eltern
Tugend Ist Der Beste Freund
Teutoniam Dudum Belli Atra Pericla Molestant
Wie Wenn Der Adler
Siehe, Wie Fein Und Lieblich Ists
Vier Hirtinnen, Gleich Jung, Gleich Schon
Lasst Salomon sein Bette Nicht Umgeben
Die Erde Trinkt Fur Sich
Wohl Dem, Der Ein Tugendsam Weib Hat
Itzt Blicken Durch Des Himmels Saal
Syncharma Musicum

Average customer rating:

The Ultimate Wedding Album

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
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25 Wedding Favorites
Classical Wedding
The Wedding Album
Bride's Guide to Wedding Music, Vol. II
Classical Wedding Traditions

ASIN: B000009MIE
Release Date: 1997-10-24

Average customer rating:

Cornucopia for Copland Completists
Best Fanfare out there
A good selection of Copland pieces.
Buy the Dorati on its own, elsewhere
Very emotional

Copland: Orchestral Works

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Horne, Marilyn | Divas | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Copland conducts Copland
Mendelssohn: 5 Symphonies; 7 Overtures
Dvorák: The Symphonies
Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO

ASIN: B000004284
Release Date: 1996-04-09

Tracks:

Fanfare For The Common Man
Appalachian Spring: Very Slowly
Appalachian Spring: Allegro
Appalachian Spring: Moderato: The Bride And Her Intended
Appalachian Spring: Fast: The Revivalist And His Flock
Appalachian Spring: Allegro: Solo Dance Of The Bride
Appalachian Spring: Meno mosso
Appalachian Spring: Doppio movimento: Variations An A Shaker Hymn
Appalachian Spring: Moderato: Coda
Lincoln Portrait
Quiet City
Music For Movies: New England Countryside
Music For Movies: Barley Wagons
Music For Movies: Sunday Traffic
Music For Movies: Grovers Corners
Music For Movies: Threshing Machines

Tracks:

Ceremonial Fanfare
Old American Songs: I. Simple Gifts
Old American Songs: II. Ching-A-Ring-Chaw
Old American Songs: III. Long Time Ago
Old American Songs: IV. I Bought Me A Cat
Old American Songs: V. At The River
El salon Mexico
Dance Symphony: I. Lento -- Molto allegro -- Adagio molto
Dance Symphony: II. Adante moderato
Dance Symphony: III. Allegro vivo
Rodeo: I. Buckaroo Holiday
Rodeo: II. Corral Nocturne
Rodeo: III. Saturday Night Waltz
Rodeo: IV. Hoe-Down

Customer Reviews:

Cornucopia for Copland Completists.......2005-02-09

This is a collection for the true Copland fan. Because you don't buy this one for the serviceable but undistinguished renditions of the famous pieces - Fanfare, Appalachian Spring, Rodeo and El Salon Mexico. For those, look no further than Bernstein's seminal recordings with the NY Phil plus his second version of Appalachian Spring with the LA Phil, as well as Slatkin's with St. Louis. What a die-hard Copland-phile cannot live without, though, are the superb renditions of many of Copland's lesser-known but terrific compositions here that are rare or would otherwise take several purchases to cover: Mehta's Lincoln Portrait that is taut, brassy, dramatic and perfectly patriotic - with Gregory Peck fittingly authoritative and sounding close to what we would imagine when Abe Lincoln speaks; possibly the best version out there of Copland's underperformed masterpiece Quiet City from Marriner - just listen to the exquisite trumpet playing!; a charming Marilyn Horne singing excerpts from Old American Songs - poignantly evoking colonial Americana; Dorati's perceptive and atmospheric Dance Symphony; and a colorful Music for Movies from the London Sinfonietta playing highly American music with European flair. Furthermore, the Decca engineers provide demonstration-quality sound. Subtract one star for the casual Copland listener, but for the enthusiast: ****

Other references: Recommended by Gramophone, Penguin Guide and Classical Music: Third Ear.

Best Fanfare out there.......2003-05-19

The Fanfare for a Common Man could arguably be the best recording out there. Despite it's faster tempo, the LA Phil brass play it almost flawlessly(there are two notes of the entire song that the trumpets don't quite lock in). The trombones and percussion are phenomenol as well as the horns. The Appalachian Spring is done superbly also. The lesser known songs were a fresh introduction to less familiar Copland. The entire set(with the exception of the Lincoln portrait and Rodeo) is great. Definately recommended.

A good selection of Copland pieces........2001-12-09

I bought this 2-CD set because I needed a good selection of Copland pieces. It has served that purpose well. It features several less familiar pieces as well the popular Copland works. The CD contains Fanfare, Rodeo, Quiet City, El Salon Mexico and I Bought Me a Cat (to name just a few). The performance of Appalachian Spring (by Zubin Mehta and the LA Philharmonic Orchestra) is alright but not as good as the one where Copland himself conducts the Boston Symphony (check out that one on the RCA Victor Gold Seal Label -- it's marvelous). This CD does have a very beautiful performance of Portrait of Lincoln, narrated by Gregory Peck. He narrates with great dignity. I've heard at least one version where the Lincoln quotes are delivered in shouts as if from a pulpit. This one is more subtle.

Buy the Dorati on its own, elsewhere.......2000-06-24

The only redeeming value this grabbag has are the excellent Dorati presentations. The rest is middlin' to start and it tapers off from there. It tapers very far with the raw sound of Horne and the at-sea concepts of a young Zubin Mehta who obviously recorded this material before he was ready. His LA Phil isn't anything to write home about, either, which makes you wonder how just a few years earlier it was so superb for Leinsdorf and Wallenstein.

The manufacturer is just trying to make hay on some old recordings here. Dorati's are fairly recent, though, and you can buy his things elsewhere, so WHY would anyone want this?

Very emotional.......1998-10-05

i totally love this Aaron Copeland classic.

Track Listings:

Track Listings

track listings

Track Listings

Instant Live: Darien Lake Performing Arts Center, Darien Center, NY 8/2/03 [Box set] [Live]

Mirror of Nostalgia

Painful

Jazz Music: Army Air Force Band [Box set] [Original recording remastered]

Crazy Peoples Right to Speak [Original recording remastered] [Import]

Love Over-Due

"Out On A Whim"

Music for Meditation, Vol. 2

Piano Man: the Very Best of [Import]

Mozart: Requiem Kv626 [Import]

Moonlight and Love Songs

Lo Mas Ranchero de...

Let's Get Down to the Real Nitty Gritty [Import]

Locomotion

Everything Must Go

1. J.S. Bach: Fantasia in g minor
2. J.S. Bach: Ach Herr, lass dein lieb Engelein
3. R. Schumann: Fugue No. 1 on B-A-C-H
4. F. Guilmant: Morceau Symphonique
5. A. Bruckner: Prayer and Hallelujia
6. T. Albinoni: Concerto in d minor
7. J.S. Bach: Nun bitten wir den Heiligen Geist
8. G. Raabe: Psalm 88
9. M. Reger: Wunderbarer Kienig
10. G. Raabe: The Temptation of Saint Anthony