Arthur Berger: The Complete Orchestral Music
Editorial Reviews
Album Description
There may come a day when Arthur Berger (b. 1912), with his twin talents as composer and critic, will be regarded as his generations Robert Schumann, who likewise excelled at both. Their impact on the music and thought of their respective eras is similar. Both composed works of great beauty, while maintaining a keen ear for the musical achievements of othersSchumann instrumental in Brahms success, Berger championing the work of Ives, Copland and many others.Berger freely acknowledges beginning his mature career as a neo-classicisttaking the lead from Copland and mid-century Stravinskythen shifting his methods to twelve-tone processes in the mid-fifties, influenced by Schoenberg and Webern. But ferreting out supposed mentors proves nothing more than intellectual name-dropping with a composer like Berger, whose own voice is so distinctive. Bergers synthesis of neo-classical and dodecaphonic approaches marks him as the foremost arbitrator between the two camps. Bergers compositional output is small. These five short works, none longer than fifteen minutesIdeas of Order (1952) Perspectives II (1985) Serenade Concertante (1944, rev. 1951), Prelude, Aria and Waltz (1982), and Polyphony (1956)comprise his entire orchestral effort, and several of these pieces are themselves re-workings of previous settings. These compositions span five decades, yet Bergers language has an unmistakable underlying consistency. Two identifiable ingredients characterize these symphonic works: beautiful surface textures juxtaposed with adventurous rhythmic and harmonic experimentation. The former make each work compelling from the first listen; the latter reward careful study and reveal the depth of Bergers craft.
Of related interest:
80308 Arthur BergerFive Pieces for Piano, Septet
80360 Arthur BergerDuo for Cello and Piano, Quartet for Winds, Trio for Guitar, Violin, and Piano, and other works
80536 Arthur BergerComposition for Piano Four-Hands, Perspectives III, Suite for Piano Four-Hands
Arthur Berger: The Complete Orchestral Music, Music, Ron Haroutunian, Ian Greitzer, Arthur Berger, Gil Rose, Ann Bobo, Peggy Pearson, Boston Modern Orchestra Project, Joanna Kurkowicz, 20th/21st Century Occasional Music, Classical, Classical Composers, Classical Music, Orchestral, Orchestral & Symphonic, Orchestral Music
Average customer rating:
- A long overdue collection by one of the English masters of the clarinet.
- Great Collection
|
The Complete American Decca Recordings
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B0009ONYPA
Release Date: 2005-09-13 |
Tracks:
- I. Allegro
- II. Adagio
- III. Rondo. Allegro
- I. Allegro
- II. Larghetto
- III. Menuetto-Trio I/II
- IV. Allegretto Con Variazioni I-IV/Adagio-Allegro
- I. Allegro
- II. Andante
- III. Minuetto In Canone-Trio In Canone Al Rovescio
- IV. Allegro
Tracks:
- I. Allegro Maestoso
- II. Menuetto I-Trio
- III. Adagio
- IV. Menuetto II-Trio
- V. Finale. Allegro
- I. Allegro Con Brio - Mieczyslaw Horszowski
- II. Adagio - Mieczyslaw Horszowski
- III. Tema. 'Pria Ch'Io L'Impegno'. Allegretto-Allegro - Mieczyslaw Horszowski
- I. Andante - Mieczyslaw Horszowski
- II. Menuetto - Mieczyslaw Horszowski
- III. Rondeaux. Allegretto - Mieczyslaw Horszowski
- I. Zart Und Mit Ausdruck
- II. Lebhaft, Leicht-Coda: Nach Und Nach Ruhiger
- III. Rasch Und Mit Feuer-Coda-Schneller
Tracks:
- I. Allegro Con Fuoco
- II. Andante Con Moto
- III. Rondo. Allegro
- I. Allegro
- II. Adagio
- III. Andantino-Presto Non Assai, Ma Con Sentimento
- IV. Con Moto-Un Poco Meno Mosso
- I. Allegro - Mieczyslaw Horszowski
- II. Adagio - Mieczyslaw Horszowski
- III. Andantino Grazioso - Mieczyslaw Horszowski
- IV. Allegro - Mieczyslaw Horszowski
Tracks:
- I. Allegro Appassionato
- II. Andante, Un Poco Adagio
- III. Allegretto Grazioso
- IV. Vivace
- I. Allegro Amiabile
- II. Allegro Appassionato
- III. Andante Con Moto-Allegro
- I. Allegretto - Brooks Smith
- II. Allegro Animato - Brooks Smith
- III. Lento - Brooks Smith
- IV. Molto Allegro - Brooks Smith
- I. Improvisation: Tempo Rubato-Espressivo - Brooks Smith
- II. Modal Blues: Tempo Di Blues - Brooks Smith
- III. In Rhythm: Moderato - Brooks Smith
- I. Allegro Non Troppo - Brooks Smith
- II. Larghetto - Brooks Smith
- III. Allegro - Brooks Smith
Tracks:
- Premiere Rhapsodie For Clarinet And Piano
- I. Massig Bewegt
- II. Lebhaft
- III. Sehr Langsam
- V. Kleines Rondo, Gemachlich
- I. Sempre Piano E Molto Tranquillo
- II. MM=168
- III. MM=160
- I. Verbunkos (Recruiting Dance). Moderato, Ben Ritmato
- II. Piheno (Relaxation). Lento
- III. Sebes (Fast Dance). Allegro
- La Plus Que Lente
- La Fille Aux Cheveux De Lin
- Reverie
- Le Petit Berger
- Ecstasy
- The Pied Piper
- Blue Haze
- Dance Of The Three Old Maids
Tracks:
- I. Ouverture. Vif Et Gai
- II. Divertissement. Anime
- III. Jeu. Vif
- IV. Introduction Et Final. Modere-Vif
- I. Adagio 'Lovely On The Water - Brooks Smith
- II. Andante Sostenuto 'Spurn Point' - Brooks Smith
- III. Larghetto 'Van Dieman's Land' - Brooks Smith
- IV. Lento 'She Borrowed Some Of Her Mother's Gold' - Brooks Smith
- V. Andante Tranquillo 'The Lady And The Dragon' - Brooks Smith
- VI. Allegro Vivace 'As I Walked Over London Bridge' - Brooks Smith
- Siciliana And Gigue
- Adagio
- Allegro
- Giga
- Rondino Uber Ein Thema Von Beethoven
- Piece En Forme De Habanera
- Petite Piece
- Roundelay
- Berceuse
- Jamaican Rumba - Brooks Smith
- Caprice Viennoois Op.2
- Liebesleid
- Liebesfreud
- Stars In My Eyes
- Schon Rosmarin
Customer Reviews:
A long overdue collection by one of the English masters of the clarinet........2007-01-05
The Yorkshireman Reg Kell became famous for using vibrato in the classical world when it was unfashionable. He used it tastefully, and other artists such as Jack Brymer and Emma Johnson have continued to use it. He also had a series of tutorials with Benny Goodman (for Goodman's benefit) which led to Goodman changing his embouchure from the upper teeth on mouthpiece to the upper lip - as well as lower, -on mouthpiece, which perhaps in Goodmans's case was not a good move, as he had it right the first time!.
However these recordings originally came out a very long time ago in the early days of vinyl, and a re-issue is long overdue. Kell's excursion in to light music is interesting, though he stops well short of anything resembling jazz, although he had earlier recorded one record with Bert Ambrose's band in the 1940 which was the nearest he got, - but that is not included here. His main forte is in the works of Mozart, Weber, Beethoven and Brahms, but he also plays Bartok and Templeton. It shows what an accomplished performer he was. All were recorded after he left the UK to live and play in America.
This set shows his rightful place as a performer in the history of clarinet playing. He had raised the standard of the time, and had the benefits of improved recording techniques and length of play boudaries were removed with the LP record.
Great Collection.......2006-07-30
My only negative comment is that he rushes some of the runs; everything else is great!
Average customer rating:
- Arthur Berger should be better known
|
Music by Arthur Berger
Manufacturer: Composers Recordings
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
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General
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General Modern
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Similar Items:
- An Arthur Berger Retrospective
ASIN: B000005TVB
Release Date: 1994-03-29 |
Tracks:
- Three Pieces For Two Pianos: I. ca. 80
- Three Pieces For Two Pianos: II. ca. 56
- Three Pieces For Two Pianos: III. ca. 80
- Serenade Concertante
- String Quartet: I. Toccata
- String Quartet: II. Cantabile
- String Quartet: III. Leggiero e sotto voce
- String Quartet: IV. Tranquillo
- String Quartet: V. Intermezzo
- String Quartet: VI. Coda
- Two Episodes: I. Poco adagio
- Two Episodes: II. Allegro molto moderato
- Chamber Music for 13 Players: I. Variations
- Chamber Music for 13 Players: II. Allegro moderato, leggiero
Customer Reviews:
Arthur Berger should be better known.......2000-03-21
This is one of the major recordings of the music of the unusually fine composer Arthur Berger. Being one of CRI's American Masters series it is a rerelease of music from many performers over a long period. Despite some of the accoustical drawbacks of the recording of the Serenade (it is however a very good performance) this is a very fine recording. The Chamber music for 13 Players is conducted magnificantly by Gunther Schuler.
Along with "An Arthur Berger Retrospective" on New World this is a very good introduction to a warm, generous and fasatinating composer.
Average customer rating:
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Arthur Berger: The Complete Orchestral Music
Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
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Classical
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ASIN: B0000DI4SP
Release Date: 2003-10-28 |
Tracks:
- Ideas of Order (1952)
- Perspectives II (1985)
- Serenade Concertante (1944, rev. 1951)
- Prelude, Aria and Waltz (1982) Prelude
- Prelude, Aria and Waltz (1982) Aria
- Prelude, Aria and Waltz (1982) Waltz
- Polyphony (1956)
Album Description
There may come a day when Arthur Berger (b. 1912), with his twin talents as composer and critic, will be regarded as his generation's Robert Schumann, who likewise excelled at both. Their impact on the music and thought of their respective eras is similar. Both composed works of great beauty, while maintaining a keen ear for the musical achievements of othersSchumann instrumental in Brahms' success, Berger championing the work of Ives, Copland and many others.
Berger freely acknowledges beginning his mature career as a neo-classicisttaking the lead from Copland and mid-century Stravinskythen shifting his methods to twelve-tone processes in the mid-fifties, influenced by Schoenberg and Webern. But ferreting out supposed mentors proves nothing more than intellectual name-dropping with a composer like Berger, whose own voice is so distinctive. Berger's synthesis of neo-classical and dodecaphonic approaches marks him as the foremost arbitrator between the two camps. Berger's compositional output is small. These five short works, none longer than fifteen minutesIdeas of Order (1952) Perspectives II (1985) Serenade Concertante (1944, rev. 1951), Prelude, Aria and Waltz (1982), and Polyphony (1956)comprise his entire orchestral effort, and several of these pieces are themselves re-workings of previous settings. These compositions span five decades, yet Berger's language has an unmistakable underlying consistency. Two identifiable ingredients characterize these symphonic works: beautiful surface textures juxtaposed with adventurous rhythmic and harmonic experimentation. The former make each work compelling from the first listen; the latter reward careful study and reveal the depth of Berger's craft.
Of related interest:
80308 Arthur BergerFive Pieces for Piano, Septet
80360 Arthur BergerDuo for Cello and Piano, Quartet for Winds, Trio for Guitar, Violin, and Piano, and other works
80536 Arthur BergerComposition for Piano Four-Hands, Perspectives III, Suite for Piano Four-Hands
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- Artur Rubinstein
- Bach: 4 Orchestral Suites
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- Bach: The Works for Organ, Vol. 9
- Bartok: Bluebeard's Castle
- Beethoven: Piano Concertos Nos. 1-5
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- Berlioz: Overtures; Queen Mab Scherzo
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Track Listings
track listings
Track Listings
Murder Of Tides
Sibelius: Symphony in D No2; Symphony in Ef No5
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Great Sax
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Only Broadway CD You'll Ever Need [Cast Recording]
The Best Symphonies
Profiles
Mozart: Symphonies No.35 "Haffner", No.40 & No.41 "Jupiter"
Ratamacue
Reconstruction [Import]
Otra Vez Con Amor [Import]
I'll Always Love You
Bassics: Best of Ray Brown Trio 1977-2000