Bartok: Concerto for orchestra
Editorial Reviews
Amazon.com
The 1959 Concerto for Orchestra was one of Bernstein's first recordings as music director of the New York Philharmonic. It's still worthy of comparison with the classic 1954 Reiner recording considered standard by most critics. Bernstein gets the orchestra inside the music, expressing the range of Bartók's emotional world from the spookily mysterious opening to the hilarity of the intermezzo to the joyous finale. This performance makes the piece sound less conservative than it sometimes does--a decided plus. The orchestra plays extremely well, with fine work from its legendary first-chair players. Music for Strings, Percussion, and Cello, recorded two years later, is similarly effective. This coupling was previously available in a "Royal Edition," and if you have that, you don't need to replace it. But this latest mastering sounds fine for its age. --Leslie Gerber
Bartok: Concerto for orchestra, Music, Bela Bartok, Leonard Bernstein, New York Philharmonic, 20th/21st Century Orchestral Music, Classical, Classical Composers, Classical Music, Concerto, Concerto for Orchestra, Orchestral, Orchestral & Symphonic
Average customer rating:
- 5 stars if it weren't for Solti
- Essential Recordings
- Only Boulez/Chicago gets 5 Stars
- Reiner Is Great In The Music Of Bela Bartok, RCA Deserves Praise For The Sound
- Too much hissing
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Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
- Shostakovich: Symphonies no 5 and 9 / Haitink
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ASIN: B000003FEJ
Release Date: 1993-08-10 |
Tracks:
- Concerto For Orchestra: Introduzione: Andante non troppo; Allegra vivace
- Concerto For Orchestra: Giuoco delle coppie: Allegretto scherzando
- Concerto For Orchestra: Elegia: Andante non troppo
- Concerto For Orchestra: Intermezzo interrotto: Allegretto
- Concerto For Orchestra: Finale: Pesante; Presto
- Music For Strings, Percussion And Celesta: Andante tranquillo
- Music For Strings, Percussion And Celesta: Allegro
- Music For Strings, Percussion And Celesta: Adagio
- Music For Strings, Percussion And Celesta: Allegro molto
- Hungarian Sketches: An Evening In The Village
- Hungarian Sketches: Bear Dance
- Hungarian Sketches: Melody
- Hungarian Sketches: Slighty Tipsy
- Hungarian Sketches: Swineherd's Dance
Amazon.com essential recording
Since its release on LP in the mid-1950s, Fritz Reiner's rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Even after all these years, the recording remains just as convincing and authoritative. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction. This umpteenth reissue, in RCA's Living Stereo series, promises to be the one to have, its sonics noticeably improved over the earlier CD release in 1989. --David Vernier
Customer Reviews:
5 stars if it weren't for Solti.......2007-06-06
First of all let me say that if you are unfamiliar with Concerto for Orchestra you will not be dissapointed with this recording. The interpretation is lively and dynamic with the understanding and pathos that is needed for a well rounded interpretation. The only reason I give it 4 stars is because I am familiar with the recording of the Chicago Symphony under Solti. The Solti recording of the next generation Chicago Symphony has the same dynamism and drama but has much greater nuance. Solti simply makes music come to life in certain phrases that is seemingly overlooked by Reiner. However this recording is usually available at cheaper prices (especially used).
Essential Recordings.......2007-03-27
Fritz Reiner was the driving force behind Bela Bartok's Concerto for Orchestra. Reiner and Bartok had been friends for over 40 years having met as piano students at the Budapest Academy. The composer had been in the United States since 1940 and the separation from his beloved Hungary combined with his ill health made the transition unhappy and he had no will to compose. Agatha Fassett's book Bela Bartok: The American Years recounts the composer's life during this time and, since Ms. Fassett knew Bartok's wife, her portrait of the composer is first hand. Maestro Reiner convinced Serge Koussevitsky in 1943 to commission the work and conducted the premiere in December of that year. The Concerto for Orchestra became Bartok's most popular work.
This recording with the Chicago Symphony Orchestra was made in 1955 and I do not think that a finer one has been recorded. The details of Bartok's score come through and the balance is perfect, allowing us a true live performance and the quality of the recording really comes through during quieter moments. Reiner's intimate knowledge of the score and his control are apparent in this recording. This is also true for the recording of Music for Strings, Percussion and Celesta and Hungarian Sketches from 1958. Both works are beautifully played with great precision that lacks nothing for the feel of the music. The Hungarian Sketches are marvelously stylish, bringing out the nature of the music.
These recordings are essential and have certainly lost nothing since they were made in the 1950's. Rather than have any distortions the transfer to CD has been carried out with great success so the original sound is even better.
Only Boulez/Chicago gets 5 Stars.......2006-09-17
Sorry Reiner fans.
3 things I do not like about this recording that keeps it at a 4 star level.
First i do not like "iron rod" style conducting. Musicality is thrown out to justify percision and disipline. I do not like Reiner's style
Secondly is the record quality is poor, especially compared to Boulez/DG
Third is the screechy instruments tonality in some of Reiner's band winds.
For Bartok I look to Boulez/Chicaho, Skrowaczewski/Minnesota and Dorati/Detroit. Ivan Fischer has also done some nice recordings on Philips, but NOT his CfO, which is a dud. I also have issues with Boulez's CfO with the New York.
Reiner Is Great In The Music Of Bela Bartok, RCA Deserves Praise For The Sound.......2006-09-09
Just a mention that this is a review of the RCA 'Living Stereo' release, not the later SACD compatible version. RCA was famous for it's ground-breaking work in the mid-to-late fifties when it came to vivid, immersive stereo sound and it's reputation lives to this day. I'm not sure if the reviewer below is experienced in vintage classical recordings predating the digital era. Yes, they contain some tape hiss but it's really insignificant to what value the performances themselves have and the soundstage is very vibrant. I have personally listened to recordings from Solti on DECCA, Jansons on EMI and Fischer on Philips in these fine works by Bartok and none have come close to the passionate intensity of the interpretations or the wonderful recorded sound that these Reiner versions capture.
Reiner's account of the Concerto for Orchestra, one of the most famous 20th-century orchestral works, is on everyone's list as truly exceptional. The Music for Strings, Percussion and Celesta receives just the kind of wicked, eerie, powerhouse performance that will make you a fan of Bartok for life and this piece in particular.
If you're going to own one Bela Bartok CD, this is one of the best choices on the market today. After you've ingrained this music into your mind, time for the Miraculous Mandarin, the Piano Concertos and the String Quartets to follow.
Too much hissing.......2006-08-24
After reading so many positive reviews, I was very exited when I recieved this cd in the mail. I popped it in my bose wave radio, turned it up to 85, and listened to the most annoying hissing sound I've ever heard coming from my system. I regret purchasing this cd.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
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- Excellent Intro for Those Not Familiar with the Orchestra
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Manufacturer: Naxos
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Similar Items:
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Which Solti to choose in Bartok?
|
Béla Bartók: Concerto for Orchestra; Dance Suite; Music for Strings, Percussion and Celeste
Manufacturer: Decca
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Binding: Audio CD
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Similar Items:
- Beethoven: Complete Violin Sonatas
- Saint-Saëns: Symphony No. 3; Poulenc: Organ Concerto; Barber: Toccata Festiva
- Bach: The Goldberg Variations 1955 Performance: Zenph Re-performance
- Carl Nielsen, Orchestral Music
- Stravinsky Conducts Stravinsky: Firebird-Complete/Scherzo/Firework
ASIN: B000GUJZSM
Release Date: 2007-01-09 |
Tracks:
- I. Introduzione: Andante Non Troppo-Allegro Vivace
- II. Giuoco Delle Copie: Allegretto Scherzando
- III. Elegia: Andante, Non Troppo
- IV. Intermezzo Interrotto: Allegretto
- V. Finale: Pesante-Presto
- I. Moderato
- II. Allegro Molto
- III. Allegro Vivace
- IV. Molto Tranquillo
- V. Comodo
- VI. Finale: Allegro
- I. Andante Tranquillo
- II. Allegro
- III. Adagio
- IV. Allegro Molto
Customer Reviews:
Which Solti to choose in Bartok?.......2007-04-27
This remastered digital collection from Chicago features two works that Solti recorded decades before in London, the Bartok Concerto for Orchestra and the Dance Suite. Both CDs contain a third work, the Music for Strings, Percussion and Celestra from Chicago and the Miraculous Mandarin Suite from London. Since these are all acclaimed recordings and Solti's Bartok was one of his strongest composers, I thought a side-by-side listen would be helpful.
Sound: Decca set out to produce sonic spectaculars in both cases, and in both cases succeeded. The earlier analog sound from London is miked closer and is free of digital edginess. The new remastering of the Chicago recordings has successfully removed the sting form the original CD issue, and though the CSO sits farther back, the sound has great visceral impact. Let's give a slight edge to Chicago.
Execution: You might assume, especially after reading the reviews at Amazon, that the CSO plays so spectacularly that there is no comparison with the London Sym. But Solti was both a powerhouse and a technician. I can't hear that much difference, except that the LSO's wonderful precision of attack isn't quite the super-precision of the CSO, especially in the violins. On the other hand, the LSO soloists play with more personalaity. Call it a draw.
Interprettion: Solti's Bartok was always fast, fierce, precise, and a tad clinical. Not for him the looser phrasing and warmer tone of Ivan Fischer. Having set his interpretation in place, Solti didn't change his timing or phrasing except by indignificant degrees. These two Concertos for Orchestra have an identical approach. However, the Dance Suite form London is hair-raisingly exciting, which isn't true of the Chicago version. And the Miraculous Mandarin Suite from London is even more thrillingly brutal; Solti gives this music the shock treatment, to great effect. By comparison, his MFSP&C from chicago is decidely lackluster.
In the end, it's the couplings that sell me on the London collection. For sheer excitment, Solti's earlier Dance Suite and Miraculous Mandarin qualify as two of his best recordings. As for the main attraction, both versions of the Concerto for Orchestra come out essentially equal.
Average customer rating:
- The Real Stuff
- My Cup of Tea
- Get it for the Copland
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Collector's Edition
Manufacturer: Sony
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Similar Items:
- Mozart at Tanglewood
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ASIN: B0000026F3
Release Date: 1990-10-25 |
Tracks:
- Prelude, Fugue And Riffs
- Con
- Ebony Con: I. Allegro Moderato
- Ebony Con: II. Andante
- Ebony Con: III. Moderato; Con Moto
- Derivations: I. Warm-Up
- Derivations: II. Contrapuntal Blues
- Derivations: III. Rag
- Derivations: IV. Ride Out
- Contrast Mono: I. Verbunkos (Recruiting Dance)
- Contrast Mono: II. Piheno (Relaxation)
- Contrast Mono: III. Sebes (Fast Dance)
Customer Reviews:
The Real Stuff.......2007-03-25
This disk collects Benny Goodman performances with the composers conducting, so it is historic and probably authoritative as to performance, but great to have Copland, Stravinsky, etc. themselves and Goodman in your collection. Nice performances, although sound varies with these vintage sessions.
My Cup of Tea.......2002-05-22
Goodman's performances of all the music on this disc are superb. He (along with violinist Joseph Szigeti) commissioned the Bartok score and, notwithstanding its age (mono/1940) there has never been a better recording than this one. The other performances are first-rate stereo recordings that appeared on a 1966 CBS/Columbia Lp titled "Meeting at the Summit." Morton Gould's music often sounds like watered-down Copland to my ears, but "Derivations" is a really strong piece and quite memorable. The Stravinsky is a true masterpiece that has never sounded better, and the same goes for Bernstein's powerfully imagined, joyous "Prelude, Fugue and Riffs." Having the composers conduct was an inspired idea (in the case of the Bartok, the composer accompanies at the piano); not at all gimmicky. It's amazing how well Goodman still played in the middle '60s. Although he gave solid performances well into the '70s, he was still at or near his peak when these recordings were made and the dead-on intonation and range of color in his playing is simply breathtaking. The other reviewer mostly likes the Copland score. It's nice, but the real show-stopper here is the Bernstein: 7 1/2 minutes of sheer big-band bravado. Not to be missed!
Get it for the Copland.......2001-10-10
Aaron Copland's Clarinet Concerto is one of the most magical pieces of music ever to come out of North America, and for me, this is *the* recording. Fifty years old, but as is so often the case, the original is the best - Mr Goodman's finest twenty minutes. Great value, too! The other pieces (by Bernstein, Stravinsky and Bartok) I can take or leave, but who knows, they might be your cup of tea.
Average customer rating:
- A+
- Even for a trained jazz musician who thinks classical artists are overhyped, this stands out as one of the best albums.
- Fantastic
- Enjoyable listening
- very interesting
|
Midori ~ Encore!
Fritz Kreisler , Niccolo Paganini , Christoph Willibald Gluck , Cesar Cui , Grazyna Bacewicz , Edward Elgar , Dmitry Shostakovich , Antonin Dvorak , Sergey Prokofiev , Pyotr Il'yich Tchaikovsky , Karol Szymanowski , Pablo de Sarasate , Gabriel Faure , Alexander Nikolayevich Skryabin , Bela Bartok , Eugène Ysaye , Midori (Goto) , and Robert McDonald
Manufacturer: Sony
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ASIN: B0000028N1
Release Date: 1992-12-08 |
Tracks:
- Praeludium and Allegro (in the style of Pugnani)
- Habanera, Op. 21, No. 2
- Cantabile
- Kaleidoscope: Orientale, Op. 50, No. 9
- Oberek, No. 2
- Salut d'Amour
- Miniature Viennese March
- 24 Preludes, Op. 34: No. 10 - Moderator non tropp
- 24 Preludes, Op. 34: No. 15 - Allegretto
- 24 Preludes, Op. 34: No. 16 - Andantino
- 24 Preludes, Op. 34: No. 24 - Allegretto
- Chanson de matin, Op. 15, No. 2
- Introduction et Tarentelle
- Slavonic Dance in E minor, Op. 46, No. 2 (B 170)
- The Love For Three Oranges: March
- Souvenir d'un lieu cher: Melodie, Op. 42, No. 3
- Mythes, Op. 30: La FOntaine d'Arethuse
- Syncopation
- Orfeo ed Euridice: Melodie ('Dance Of The Blessed Spirits')
- Berceuse, Op. 16
- Etude in Thirds, Op. 8, No. 10
- Romanian Folk Dances, Sz 56: Dance With Sticks - Allegro moderato
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- Romanian Folk Dances, Sz 56: Romanian Polka - Allegro
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Customer Reviews:
A+.......2007-05-10
To say that I love this disc would be an understatement. I have probably listened to it 500 times. To comment on just a few of the tracks...
The "Praeludium and Allegro" is definitely the best recording anyone (except maybe Kreisler!) has ever done. The praeludium, which is almost all quarter notes, is often just blindly sawed out. Midori treats each note individually. The allegro is also nice - not rushed at all. The staggeringly difficult Skryabin-Szigeti "Etude in Thirds" tossed off with impeccable technique and spotless intonation. Sarasate's "Habanera" sparkles with a decisive 'Spanish' flavor. Elgar's "Chanson de Matin" is just plain beautiful. Also nice are inclusions of some numbers not heard hardly ever, including Bacewicz's "Oberek #2" mazurka and the Shostakovich preludes. Robert McDonald, definitely one of the best, is the able pianist for all the numbers.
Even for a trained jazz musician who thinks classical artists are overhyped, this stands out as one of the best albums........2007-04-11
Let's be honest--any kid with a violin who ever set foot in a conservatory thinks (s)he's a prodigy, the next Mehta or Yo Yo Ma, while they play the same old tired music everyone else plays, exactly as the greats play it, with hardly a shred of originality that doesn't arise out of an inability to replicate the 'masters' as well as their CD players (and that goes for jazz musicians too, but they don't get as snobby about it). The musicians who are truly great don't have any sort of attitude about their playing or their music--they just play, and they play anything, and it's great.
Midori has been one such great artist from early on. She simply had the knack. You would still want to listen to her if she was half as skilled. Every decent musician practices assiduously, seeks out the best people to learn from, makes sacrifices in life just for the chance to play for a living (even weddings and strip clubs if need be), but few have 'the knack.'
I don't know if Midori has a similar story, nor does it really matter in terms of actually making music. I know her parents moved from Osaka to the States with her when she was about ten just so she could pursue her potential--as all great students have great parents. I'm sure she didn't just pop out of the womb playing violin. But, like I wrote above, she's got the knack that you can't get through practice or training. She's just plain great.
Yes, I'm bored by classical music in general. I like 'good' music regardless of style though, and this album is so far beyond good that it belongs in whatever collection of immortal artist you may have--say: Miles Davis, Joe Henderson, Johnny Cash, Billy Joel, Ella Fitzgerald, Aretha Franklin, Shaka Khan, Luther Vandross, and--even if you have no other classical music in your collection--Midori.
Fantastic.......2006-08-11
Midori produces some amazing sounds out of her violin!
You cant go wrong with Encore! Shes brilliant.
Enjoyable listening.......2005-09-24
I enjoyed this cd especially the first three pieces. Midori played Sarasate and Paganini pretty well.
very interesting.......2005-09-13
I as watching (and listening!) her play live in Dubrovnik this summer. In this record she is equally brilliant as she is when playing live!
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Masters of the Bow
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- Romance of the Violin
- Masters of the Bow: Cello
- Violin Adagios
- Itzhak Perlman's Greatest Hits
- The Art of Violin
ASIN: B000060O2V
Release Date: 2002-03-19 |
Tracks:
- Introduction And Rondo Capriccioso For Violin And Orchestra - Itzhak Perlman
- Violin Concerto No.2 In D Minor, Op.22: Romance (Andante) - Gil Shaham
- Zigeunerweisen, Op.20 - Ruggiero Ricci
- Violin Concerto No.2 In B Minor, Op.7: Rondo A La Clochete 'La Campanella' - Salvatore Accardo
- Thais: Meditation - Joshua Bell
- Partita No.3 In E, BWV 1006: Preludio - Nathan Milstein
- Partita No.3 In E, BWV 1006: Gavote And Rondo - Gidon Kremer
- The Four Seasons: Concerto No.2 In G Minor, RV 269 'Summer': Presto - Pinchas Zukerman
- Sonata No.4 In G Minor, Op.1 'The Devil's Trill' - Gil Shaham
- Violin Sonata No.3 In D, Op.9 No.3: Tambourin (Presto) - Henryk Szeryng
- Minuet In G, WoO 10 No.2 - Arthur Grumiaux
- Songs Without Words: Spring Song, Op.62 No.6 - Christian Ferras
- 24 Caprices For Solo Violin: Caprice No.9 In E Major - Shlomo Mintz
- 24 Caprices For Solo Violin: Caprice No.17 In E-Flat Major - Ruggiero Ricci
- 24 Caprices For Solo Violin: Caprice No.24 In A Minor 'Tema Quas' - Salvatore Accardo
Tracks:
- Violin Concerto In D, Op.35: Canzonetta (Andante) - Nathan Milstein
- Polonaise No.1 In D, Op.4 - Leila Josefowicz
- Ave Maria, D 839 - Christian Ferras
- Hungarian Dance No.1 In G Minor - Samuel Sanders
- Humoresque, Op.101 No.7 - Arthur Grumiaux
- The Legend Of Tsar Saltan: Flight Of The Bumblebee - Henryk Szeryng
- Hebrew Melody, Op.33 - Ruggiero Ricci
- Salut D'amour, Op.12 - Phillip Moll
- Waltz 'La Plus Que Lente' - Henryk Szeryng
- Three Old Viennese Dances: Liebesfreud - Joshua Bell
- Three Old Viennese Dances: Liebesleid - Phillip Moll
- Baal Shem: Nigun - Arthur Grumiaux
- Berceuse, Op.16 - Anne-Sophie Mutter
- Tzigane - Concert Rhapsody For Violin And Piano - Gerhard Oppitz
- Danzas Espanola, Op.37: Andaluza (Dance No.5) - Arthur Grumiaux
- Hora Staccato - Christian Ferras
- Six Romanian Folk Dances, Op.Sz 56 - Henryk Szeryng
Customer Reviews:
Perfect.......2005-02-15
I love classical music but I dont own very much of it, so I thought I would start my collection with Masters of the Bow. What a beautiful selection it was. I just love the sound of a Violin, Joshua Bell is my favorite,I would love to hear more from him. This collection really helps you get to know the masters. Lovely Lovely!
Outstanding.......2004-08-17
I love the violin and this collection is one of my favorites. A great choice for someone like me who doesn't know enough about music and never knows what to buy. It has introduced me to some artists and pieces that I knew nothing about and will help me know what to look for in violin music in the future. This is my favorite but I would also recommend The Cello and Voice CDs in the "Masters of" series. I can't wait for more in this series.
Average customer rating:
- Everybody is fascinated by a "posthumous work"
- Polished performance of a Bartok masterpiece
- Magnificent!
- Great Performances
- 2 versions of unfinished concerto performed together.
|
Bartok: Viola Concertos
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Six Cello Suites performed on viola
- A Portrait of the Viola
- Hindemith: Viola Concertos
- William Primrose: Viola Transcriptions
- English Music for Viola
ASIN: B00000AEMH
Release Date: 1998-08-25 |
Tracks:
- Concerto For Viola And Orchestra: Allegro moderato
- Concerto For Viola And Orchestra: Lento
- Concerto For Viola And Orchestra: (Finale) Allegretto
- Two Pictures Sz 46: In Full Flower: Poco adagio
- Two Pictures Sz 46: Village Dance: Allegro
- Concerto For Viola And Orchestra, Sz 120: Moderato
- Concerto For Viola And Orchestra, Sz 120: Adagio religioso
- Concerto For Viola And Orchestra, Sz 120: Allegro vivace
- Rhapsody For Viola And Orchestra
Amazon.com
Bartók did not live to finish his Viola Concerto, and Tibor Serly's completion from Bartók's sketches hasn't satisfied anyone except violists hungry for repertoire. This disc offers the Serly version and a new completion by the composer's son Peter and violist Paul Neubauer. Neither edition ranks among Bartók's masterpieces, although the new version seems a bit more convincing. The most striking element about this disc is the thrillingly dark tone and passionate playing of Xiao, a superb Chinese musician who now teaches in Michigan. Janós Kovacs and the orchestra also sound splendid. The Serly piece is just a brief suite of transcriptions from Bartók's For Children, but Bartók's Two Pictures is marvellous music. --Leslie Gerber
Customer Reviews:
Everybody is fascinated by a "posthumous work".......2007-06-30
If you compare the Bartok Viola Concerto with other candidates in the same league such as Schubert No 8 , Bruckner No 9 or most famous of all, the Mozart Requiem, then it clearly doesn't quite make it. The Concerto for Orchestra and even the third Piano Concerto are better pieces. This is well played, however, and I will let the musicologists argue about which version is better.
Polished performance of a Bartok masterpiece.......2004-06-26
I am really not concerned about the controversy surrounding the Bartok viola concerto. It is simply a splendid work, with many passages marked undeniably with Bartok's stamp. (Don't listen to the editorial reviewer; it's a great piece!) It is wonderful to have both the Serly and the Peter Bartok/Paul Neubauer versions together for comparison. If anything, I like the newer version better: it has many felicitous examples of orchestration and adds fewer embellishments to the original Bartok sketches. Of course, had Bartok lived, he might have added more to his concerto (for instance, the slow movement as it stands seems rather brief - though I think it works just fine). But perhaps it is better simply to stick with what Bartok wrote and leave it at that. The performances are ideal: the violist's tone is firm and rich throughout, and the orchestra provides supple dialogue with the soloist. My only complaint is that the last movement could have gone a bit faster (when I played it in my college orchestra, the soloist really went like a whirlwind). Were they perhaps worried that this movement too would sound too short? But no matter. Naxos continues to astound with its fine issues at extraordinarily low prices. I encourage music lovers to grab the best Naxos CD's (including this one) with avidity.
Magnificent!.......2004-06-26
I am really not concerned about the controversy surrounding the Bartok viola concerto. It is simply a splendid work, with many passages marked undeniably with Bartok's stamp. (Don't listen to the editorial reviewer; it's a great piece!) It is wonderful to have both the Serly and the Peter Bartok/Paul Neubauer versions together for comparison. If anything, I like the newer version better: it has many felicitous examples of orchestration and adds fewer embellishments to the original Bartok sketches. Of course, had Bartok lived, he might have added more to his concerto (for instance, the slow movement as it stands seems rather brief - though I think it works just fine). But perhaps it is better simply to stick with what he wrote and leave it at that. The performances are ideal: the violist's tone is firm and rich throughout, and the orchestra provides supple dialogue with the soloist. My only complaint is that the last movement could have gone a bit faster (when I played it in my college orchestra, the soloist really went like a whirlwind). Were they perhaps worried that this movement too would sound too short? But no matter. Naxos continues to astound with its fine issues at extraordinarily low prices. I advise music lovers to grab the best Naxos CD's (including this one) with avidity.
Great Performances.......2004-03-06
This disc contains excellent recordings of
"Two Pictures" and the "Viola Concerto".
I definitely prefer the version with Tibor Serly's orchestration.
Though this concerto is not in the same league as Bartok's two brilliant violin concertos, I'd say the finale qualifies as a masterpiece.
Bartok was dying when he composed the "Viola Concerto". It sounds as if his spirit were being called home to Transylvania.
2 versions of unfinished concerto performed together........1998-10-04
The viola concerto, unfinished at Bartók's death, was completed by violist/composer/conductor Tibor Serly in the version familiar to listeners. Critics and musicologists have frequently criticized Serly's version, and Bartók's son supervised a new completion of the concerto, published in 1995. The casual listener will hear little difference in the 2 versions performed together here by Hong-Mei Xiao, though aficionados will enjoy the chance to compare them (Bartók's final version surely would have been better than either). Her tone is bright and violin-like, lacking some of the mellow darkness of Lars Anders Tomter's performance of the Walton "Viola Concerto" on Naxos 8.553402. She performs with virtuosity, and the Hungarian orchestra is steeped in Bartók's idiom. His "Two Pictures" are early works, showing promise, but not up to the standards of his mature orchestral masterpieces. Serly's own "Rhapsody," composed while he was revising the concerto, is a harmless virtuoso showpiece, reminiscent of Georges Enescu. As always, Naxos provides a full disc of well-recorded, polished performances by lesser-known musicians at an bargain price.
Average customer rating:
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Bartok: Violin Concertos, Viola Concerto, 6 Duo for 2 Violins, Violin Rhapsodies; Yehudi Menuhin
Yehudi Menuhin , Bela Bartok , Pierre Boulez , Antal Dorati , New Philharmonia Orchestra , and BBC Symphony Orchestra
Manufacturer: EMI Classics
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Similar Items:
- Bartok: Viola Concertos
- Beethoven: Piano Trios, Vol. 2; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell
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ASIN: B0000CE7FG
Release Date: 2004-06-01 |
Tracks:
- I: Andante Sostenuto
- II: Allegro Giocoso
- I: Moderato
- II: Adagio Religioso
- III: Allegro Vivace
- I: Lassu: Moderato/II: Friss: Allegretto Moderato
- I: Lassu: Moderato/II: Friss: Allegretto Moderato
Tracks:
- I: Allegro Non Troppo
- II: Andante Tranquillo
- III: Allegro Molto
- 28. Sorrow
- 31. New Year's Greeting 4
- 33. Harvest Song
- 36. Bagpipes
- 41. Scherzo
- 42. Arabian Song
- I: Tempo Di Ciaccona
- II: Fuga: Risoluto, Non Troppo Vivo
- III: Melodia: Adagio
- IV: Presto
Customer Reviews:
As good as it gets.......2007-02-07
First you have to like Bartok. Not everyone enjoys the 20th century extention of classical music. If you do like Bartok and want to hear his violin compositions - then buy this CD and hear a true master at work.
Average customer rating:
- agreed. agreed.
- A Breath of Fresh Air!
- Knock Your Socks Off Interpretations at a Cheap Price!
- Please don't delete this item!
- Maybe the best deal in Classical music!
|
The Art of Ivry Gitlis
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
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- Vlado Perlemuter Plays Ravel
ASIN: B000001KC1
Release Date: 1992-11-04 |
Tracks:
- Violin Concerto In D Major, Op. 35: Allegro moderato
- Violin Concerto In D Major, Op. 35: Canzonetta
- Violin Concerto In D Major, Op. 35: Finale: Allegro; Vivacissimo
- Violin Concerto In G Minor, Op. 26: Allegro moderato
- Violin Concerto In G Minor, Op. 26: Adagio
- Violin Concerto In G Minor, Op. 26: Finale: Allegro energico
- Violin Concerto In D Minor, Op. 47: Allegro moderato
- Violin Concerto In D Minor, Op. 47: Adagio di molto
- Violin Concerto In D Minor, Op. 47: Allegro ma non tanto
Tracks:
- Violin Concerto In E Minor, Op. 64: Allegro molto appassionato
- Violin Concerto In E Minor, Op. 64: Andante
- Violin Concerto In E Minor, Op. 64: Allegretto non troppo
- Violin Concerto No. 2 (1938): Allegro non troppo
- Violin Concerto No. 2 (1938): Andante tranquillo
- Violin Concerto No. 2 (1938): Allegro molto
- Sonata For Solo violin (1944)
Customer Reviews:
agreed. agreed. .......2007-05-18
adding my voice to the accolades. this is super playing at an unbelievable bargin. strongly recommended.
A Breath of Fresh Air!.......2007-01-20
If you love the violin, you've probably heard the Tchaikovsky and Mendelssohn concertos more times that you could even count. You probably think there's no interpretation that could surprise you. You might even be getting bored with these old "war horses." Well, what you need is Ivry Gitlis. Somehow he manages to take pieces that everyone plays and make them his very own. This collection is an absolute treasure. It made me remember why I love this music, and why I love the violin.
Knock Your Socks Off Interpretations at a Cheap Price!.......2006-08-17
OK, so Ivry Gitlis isn't exactly a household name! No matter. Listen to them all, smoldering interpretations of the highest virtuosity, doing some old warhorse concertos quite proud. No need to be a musician to appreciate the explosive talent. Unhesitatingly recommended.
Please don't delete this item!.......2006-02-26
It is such a shame that more isn't available from this artist. There exists somewhere (only on LP?) an amazing Paganini 1 of Gitlis for example, that hasn't been on CD for years, or ever?
The violin playing on this collection is from Gitlis' earlier years (a good thing) and his virtuosity is simply astonishing.
Just listen to the Tchaikovsky and be amazed. Worth the (reasonable) price of the set alone. Who else could get away with that tempo!!!
Truth is, Mr Gitlis is a bit of a nutter! But in a very good way. So refreshing to hear one 'not following the trend'. This could of course be a disaster recipe, but the playing on this disk is just so outrageous and fantastic, you emerge a fan of the man.
His comments on 'The Art of Violin' DVD are by far the most informative and astute, so the guy is the real deal.
Makes Perlman seem a bit naive.......
No trouble finding his recordings though!
Long Live Ivry.
Maybe the best deal in Classical music!.......2005-07-11
Up until I bought this CD I barley knew who Ivry Gitlis was. I bought it because it was such a great deal and had pieces included that I liked very much all in one package. My plan was to leave it in my car and put my favorites back in the house where they couldn't get damaged. Man, was I surprised byt the quality of these performances and the recording in general. Mr. Gitlis is about as good as you can get and all the performnces are of a very high quality. Much better than I expected. Even the sound is pretty good. I just wish I had more CD's that I was this happy with.
Average customer rating:
- Jacobs was overrated
- The Great Arnold Jacobs Captured on C.D.
- arnold jacobs
- inspiring technician musician artist
- Arnold Jacobs - Icon of education and performance
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Portrait of an Artist: Arnold Jacobs
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD
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- Orchestral Excerpts for Tuba
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- The Chicago Principal: First Chair Soloist Play Famous Concertos
- Tuba Tracks
ASIN: B00004UDEY
Release Date: 2000-08-15 |
Tracks:
- Buxtehude: Fanfare - Adolph Herseth/Vincent Cichowicz/William Scarlett/Charles Geyer/Dale Clevenger/Jay Friedman...
- We Are Enormously Complex
- Hn Con No.1 in E flat: 1st Movt: Allegro
- Hn Con No.1 in E flat: 2nd Movt: Andante
- Hn Con No.1 in E flat: 3rd Movt: Allegro
- The Musician Plays The Instrument
- Playing For The Audience
- Programming The Brain
- Czardas
- Carnival Of Venice
- Con: 1st Movt
- Etude No.24
- 'Czardas' With The Metronome
- This Is An Art Form
- We Play By Song And Wind
- Canzon Per Sonare No.2 - Adolph Herseth/Vincent Cichowicz/Dale Clevenger/Jay Friedman/Arnold Jacobs
- Lohengrin: King Heinrich's Call (Exc) - Jay Friedman/Arnold Jacobs
- Sym Fantastique: Dies Irae
- Become A Singer In Your Brain
- There Must Be A Source Of Vibration
- Breath As A Motor Force
- Sonatine: 1st Movt: Allegro Vivo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
- Sonatine: 2nd Movt: Andante Ma Non Troppo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
- Sonatine: 3rd Movt: Allegro Vivo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
- Sonatine: 4th Movt: Largo; Allegro - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
- Keeping Music As An Art Form
- Breathe To Expand
- F Tuba Demonstration With Berlioz
- Romeo And Juliet (Exc) - Chicago SO/Carlo Maria Giulini
- Con: 2nd Movt (Exc) - Chicago SO/Fritz Reiner
- Petrouchka (Exc) - Chicago SO/James Levine
- Sym No.4: 1st Movt (Exc) - Chicago SO/Jean Martinon
- Sym No.4: 1st Movt (Exc) - Chicago SO/Daniel Barenboim
- The Key For Communicating In Music
- Pictures At An Exhibition: The Great Gate Of Kiev (Exc) - Chicago SO/Fritz Reiner
Customer Reviews:
Jacobs was overrated.......2005-09-28
Arnold Jacobs was a brilliant man who could have succeeded in practically any profession. He was also a fine musical pedagogue, judging from his verbal insights on this CD with respect to the human body as a musical instrument. Yet, I am amazed that he rose to the rank of tubist in a world-class orchestra such as the Chicago Symphony. Frankly, I found his tone quality uninspiring, although he had fine techinque. I have heard at least half a dozen tubists whose tone is far more pleasing musically. Among the bassmen/women of the world, Jacobs has become a semi-divine entity. I believe that he has been somewhat overrated as a result. I felt that his verbal commentaries were highly educational; I was disappointed by his playing overall.
The Great Arnold Jacobs Captured on C.D........2005-04-02
This is a prolific set of audio that captures the historical sound of Arnold Jacobs' playing and teaching. I bought this C.D. because I wanted to explore the limits and capabilities of a tuba player so that I could see if playing music on the tuba was for me. This C.D. banished any doubt that I had about the ability of a tuba player to achieve at the utmost musical level. I have never meet Mr. Jacobs in real life, but this C.D. made me feel as if I was in a master class or recital hall listening to him myself. I would recommend this C.D. to anyone who loves music. As Arnold Jacbos said " It's not about the tuba, it's about music".
arnold jacobs.......2001-05-16
This cd tries to capture arnold jacobs: a prolific teacher, player and above all a great man. while listening, you'll discover the ideals, the methods and ideas that made arnold jacobs the best tuba player that there'll probably ever be. The more complex issues and artistry of brass playing are explained in simple words and sayings. a great deal of jacobs' lectures is also given, and you can also see the importance of understanding the functioning of other body units that help us trough our playing (the brain). a great disc, highly recommended, not only for tuba players, but for all brass players.
inspiring technician musician artist.......2000-09-01
Cannot agree more,this is a wonderful exposition of Jacobs the teacher,for he had developed working concepts any wind player could adopt.His studio in the Fine Arts Building in Chicago was like a mecca for all wind players coming to Jacobs to resolve some deep-rooted performing problem. As he says( my paraphrasing) " they get tied up in knots,worrying about all the motions of the lip. . .you can't think about all those motions for they are thousands of motions from the brain to engage in performing a brass instrument "
As a brass player myself,(trombone & tuba) I have always sensed we have little repertoire to play of any interest,but Jacobs in a lecture here reveals this problem and one way to solve it, is to consciously search for things to play,like an aria from Puccini,or a particular non-tuba passage,to duplicate it,a piano or violin solo. What this approach implies is then for the brass player to develop skills as a consummate musician/ virtuoso,for you are forever challenged then to expand your repertoire endlessly,as much as the instrument or your technique will allow. I now find myself playing Chopin Preludes(Eb-minor,B-minor melodies only) on the trombone,and contrabass orchestral excerpts or trumpet etudes on the tuba,and Jacobs encourages tuba players to learn to read treble clef to be able to read any melody.
There are wonderful examples here from all genres in music from solo etudes in his studio to Berlioz and Wagner excerpts, solo and within the context of the orchestra. It all reveals the seemless consistent sound Jacobs was able to summon from his York tuba. Every attach was uniform,every tone even and pure,at least that is what he heard in his ear. That's another Jacobs credo,you have to have the sound in your head,what do you want your listener to hear. You command that.
The Bozza Sonatine(brass quintet) is also a wonderful performance of great brass music,great use of colours and entrances,breaking down the quintet into smaller duets and trios.This all with Chicago Symphony players makes it all the more interesting,a vintage performance from 1966.I recall those days where solo brass was considered an oddity,and unaccompanied solos even more so.
Jacob's sound should remain in your mind's hearing to duplicate it. Eugene Pokorny (Jacob's Chicago Symphony successor) also provides insightful interesting notes here.
Arnold Jacobs - Icon of education and performance.......2000-08-23
Amazing! For the students who studied directly with Arnold Jacobs, "Protrait of an Artist" will take you back to his studio, sitting right next to him. This excellent collection of lectures (lessons) and demonstrations are a fantastic embodiment of Arnold Jacobs' concepts and teachings. It is certainly a must for any music performer or educator. From the samples of CSO performances at the end of this CD to the practice tapes, the music on this CD is truely inspirational.
Track Listings:
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- Campra: Europe Galante/Lully: Ballet [Import]
- Carl Nielsen: Complete Symphonies 1-6 - London Symphony Orchestra / Ole Schmidt [Box set]
- Dance Of The Periwinkle - Music For Preballet Class #9953C
- Daniel Barenboim Live From the Teatro Colon 2000
- Debussy: La Mer; Ibéria [Import]
Track Listings
track listings
Track Listings
Nagoya, JPN 04-18-04: On The Road [Live]
Rachmaninoff: Preludes, Opp. 23 & 32
New York City
Miles Davis and Milt Jackson Quintet/Sextet
Fastest Gun Alive/House of Numbers [Soundtrack]
Soft 'N' Warm/Mr. Rock and Soul
The 25th Day of December
Ravel: Bolero/Rhapsodie Espagnole/Daphnis et Chloe
Rose [Original recording remastered] [Import]
Prokofiev:Piano Sonatas Nos. 7 & 8
Ross-Levine Band
Saludo Carino
No Condolences [Enhanced] [Explicit Lyrics] [Extra tracks]
About a Cake
Round 3