Bird Songs at Eventide

Track Listings

1. Bird Song at Eventide

2. Duna

3. At Dawning (I Love You)

4. Little Silver Ring

5. Song to the Seals

6. Fairy Tree

7. Lost Chord

8. Kashmiri Song (Pale Hands I Loved)

9. Till I Wake

10. Now Sleeps the Crimson Petal

11. Drink to Me Only With Thine Eyes

12. O Dry Those Tears!

13. Sylvia

14. Ah, Moon of My Delight

15. Allah

16. Bless This House

17. Thanks Be to God

18. Roses of Picardy

19. God Be With Our Boys Tonight

20. Smilin' Through

See all 25 tracks on this disc

Tracks:

The Last Rose Of Summer - Landon Ronald
For You Alone - Enrico Caruso
By The Waters Of Minnetonka (An Indian Love Song) - Landon Ronald
The Green Hills O' Somerset - Peter Dawson
She Wandered Down The Mountainside - Rosina Buckman
The World Is Waiting For The Sunrise - Charles Hackett
By The Bend Of The River - Grace Moore
I Know Of Two Bright Eyes (Myrrha) - Walter Widdop
A Fairy Went A-Marketing - Clara Butt
Myself When Young (In A Persian Garden) - Norman Allin
Love's Old Sweet Song - Amelita Galli-Curci
Bird Songs At Eventide - John McCormack
Ciribiribin - Lucrezia Bori
The Song Of Songs - Richard Crooks
Homing - Percy B. Kahn
The Blind Ploughman - Fyodor Chaliapin
The Fairytales Of Ireland - Florence Austral/Hils Nelson
Ich Liebe Dich, My Dear - Armand Crabbe
I Love You Truly - Dusolina Giannini
Love Sends A Little Gift Of Roses - Gerald Moore
Danny Boy (Londonderry Air) - Dora Labette
Kashmiri Song (Pale Hands I Loved) - Richard Tauber
Deep River - Marian Anderson
Leanin' - Harold Williams
A Perfect Day - Rosa Ponselle

Customer Reviews:

Remember-Mckinley was president when these tunes were new.......2007-03-10

In the 1890s and the early years of the 20th century sound recordings were very new and very fascinating to the population at large..Being able to hear a recording of a popular song,or listen to a piano roll transcription was,at the time,considered something of a miracle...Alas,since the technology was new the recording process was primitive...VERY primitive...often entire orchestras played into a recording horn,and the resulting sound reminds one of listening to something in a tunnel...very little could be done to make the sound pristine,and because of it the recordings from that period all have an antique and primitive atmosphere to them...recordings that old,and not saved upon tape,or disc,often poorly kept and poorly maintained,tend to deteriorate ,and,in many cases with regard to the items presented upon this album,the original"master"recording is lost,and only a copy remains,often a badly deteriorated,commercial copy..scratches,recording anaolomies,as well as warpage and general age have taken thier toll..Some would think,rather foolishly as it turns out,that such modern restorative processes such as"Cedar" might erase the imperfections,the scratches,the warpage,the cracks and hisses,but this is just not so...
For those of you old enough to have had long-playing records,45s,or 78s,just imagine that the ONLY copy of a particular album or song title is your old,scratched,worn disc...not some master tape or disc held in a vault somewhere,but your old beat up copy...Imagine further that you submit this old beat up copy for restoration...Sure,it may sound better afterwards than it did before,but,all in all,it still sounds pretty bad,at least by modern standards...
This is the sort of sound reproduction one gets on this album...Efforts were made to restore these sides(contrary to the opinion of another review found here about this album)but when one is dealing with recordings 100 or so years old,made when recording tecniques were primitive,and ,in some cases,having to attempt restoration on a used COPY sold to and played by someone like you and I way back when,restoration to a"perfect" sense is just not possible..Indeed,even if "perfection"could be achieved,the original sound of some of these old sides never was too good to begin with..
Be this as it may,the sides presented here are historic,to say the very least,and representative of what the public of the 1890s liked to hear...Listening to these sides,imperfections and all,gives one a sense of that time,a sense of the enormous technological gulf between these recordings and the ones available today,and,perhaps most importantly,gives us an overview of the sort of entertainment that drove our great great grandparents wild...
If you can get over the primitive sound of these recordings,or get yourself used to it,then give this album a try...

Loves Old Sweet Song Leaves a Bitter Taste.......2003-04-27

While the performances on this CD are great the transfers from the original recordings are about the worst i have ever heard. No care whatever was spent in dubbing these records to Cd. The originals in my collection sound many times better than these. I bought this for convenience but find it too terrible to listen

Average customer rating:

Songs My Father Taught Me
Paul Dresser , Frank Lambert , Graham Peel , J. Airlie Dix , Ivor Novello , Oscar Rasbach , Sir Frederick O'Connor , Eric Coates , Alan Murray , and Malcolm Martineau
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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More Songs My Father Taught Me
A Treasury of English Song
Songs We Forgot to Remember
Great Operatic Arias
Favorite English Songs

ASIN: B00005Y0N9
Release Date: 2002-03-12

Amazon.com

Sir Thomas Allen makes the point in a note with this delightful collection of 25 ballads that he rates it beside his many recordings of music heavyweights like Wagner and Verdi. There is no need to justify his enthusiasm, for it is clear from the outset that he treats the music with the sort of complete respect that has made him one of our most-loved singers. It is too easy to be dismissive of this repertoire, but when it is taken at its own value and sung and played with honesty, as it is here, the results are heartwarming. Allen recalls hearing the songs in the family home following the two world wars, "a time when there seemed a need for reassurance." Perhaps that time is with us again, and these performances strike a chord. There are many old friends here and perhaps some new discoveries. Who can resist the beautifully constructed "Love, could I only tell thee" or that old potboiler "The Lost Chord", especially when given with such warmth? A picture shows Allen and family in full vocal spate. At the piano is his father, to whose memory he dedicates the disc. --Keith Clarke

Average customer rating:

The Art Deco Café

Manufacturer: Meridian
ProductGroup: Music
Binding: Audio CD

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Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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ASIN: B00000F1RW
Release Date: 1998-11-17

Tracks:

Scandinavian Express
Toulouse
Valse Triste
Snow-Flakes
Roumanian Gypsy Dance
Illusion
Bird Songs at Eventide
Da Capo
Sunshine over Capri
Piccadilly Prld
Phantom of Salome
Reconciliation
To Wander Around the World
Kashmiri Boat Song
Geigen Polka
Errinerung
Ready-Steady-Go!

My Secret Heart - Songs of Parlour, Stage and Screen

Average customer rating:

Almost too much lavender and roses, but a delight anyway
Mr. Heppner Must Have A Large Parlour!
He can keep his secret to himslef
What a 'crossover' album should be!
This cd has left me speechless, wow!

My Secret Heart - Songs of Parlour, Stage and Screen
Ben Heppner , Vittorio Giannini , Ernest Charles , Ivor Novello , Sir Noel Coward , Eric Coates , Teresa Clotilde del Riego , Mana-Zucca , Ernst Seitz , and Haydn Wood
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Ben Heppner - Great Tenor Arias
Ideale: Songs of Paolo Tosti
Heppner Sings Wagner
Ben Heppner - German Romantic Opera
San Francisco and Other Jeanette MacDonald Favorites

ASIN: B00002JXEC
Release Date: 1999-11-09

Tracks:

Let All My Life Be Music
Sing To My Heart A Song
Let My Song Fill Your Heart
Love Is My Reason For Living
Someday My Heart Will Awake
I'll See You Again
We'll Gather Lilacs
Bird Songs At Eventide
Homing
I Love Life
The World Is Waiting For The Sunrise
Roses Of Picardy
I'll Be Seeing You
Serenade
Love Me Tonight
Be My Love
The Desert Song
I'll Follow My Secret Heart

Amazon.com

With his 1999 Met triumph as Tristan--the most taxing of all Wagner's tenor roles--Canadian singer Ben Heppner has fully earned his heralded position as the great new Heldentenor of our time. His Lohengrin is a signature role, while his album German Romantic Opera has been nominated for a Grammy. Yet Heppner also commands tremendous versatility--and of a much more engaging character than that of the typical crossover effort--using his powerful, bronze-tinged tenor to tender and charming effect in My Secret Heart. This is a collection of songs roughly from the period between the two world wars, when music began to reach mass audiences via radio and screen. Many of these are almost forgotten gems--emblems of a vanished era--but once had wide cultural currency: the World War II hit "We'll Gather Lilacs," the radio show Family Hour's theme tune "Let My Song Fill Your Heart," and the oft-recorded 1919 ballad "The World Is Waiting for the Sunrise." Heppner, with his sturdy beauty of tone and sweet, natural-sounding vibrato, breathes new life into this genre. He handles the idiom's unabashed schmaltz with charm and brings a lilting urbanity to two Noël Coward tunes, with especially bittersweet refinement in "I'll Follow My Secret Heart." --Thomas May

Customer Reviews:

Almost too much lavender and roses, but a delight anyway.......2006-08-29

These are beloved popular songs from our grandparents' generation that are redolent of lavender an tears. Their sentimentality couldn't be more out of fashion, but Ben Heppner steps forward, like Mario Lanza before him, to offer thrills amidst the honeyed scents. He's totally sincere, and you'd have to be Alberich or Don Pizarro to react with anything but a melting heart. God, I'm falling into the same vocabulary as these songs. No need to blush, though, with such a great singer at hand.

Mr. Heppner Must Have A Large Parlour!.......2005-02-22

I purchased this CD after hearing Mr. Heppner in recital singing "Homing" for an encore. This small gem written by Teresa Del Riego is a haunting song about loneliness. We learn from the notes-- they are very informative with bios on the composers included here as well as the words to the lyrics-- that she composed this ballad in 1917, the year her husband was killed in France just before the ending of World War I. There are other lovelies here as well: "I Love Life", "We'll Gather Lilacs", "The World Is Waiting For The Sunrise" as well as music by Noel Coward, Sigmund Romberg and Rudolf Friml. Heppner also sings "I'll Be Seeing You." It's such a relief to hear someone other than Liberace do that number since it was the song that he always used to close his television show in the 50's and unfortunately made into a syrupy cliche.

Mr. Heppner says these are songs of the parlour, stage and silver screen. His glorious voice which appears to be a combination of steel and gold fills a recital hall easily. He would need a huge parlour to sing in as well.

This CD is quite wonderful. There are no dull cuts. Since the songs are all about love, this would make a great February 14 gift.

He can keep his secret to himslef.......2003-12-13

This is OBNOXIOUS, this dude should be in operas. i am speechless, he is one loud mouthed dude!

What a 'crossover' album should be!.......2001-09-01

In general, I hate it when classical singers make 'crossover' recordings. Usually the singer has no idea how to sing 'pop' material in anything like the proper style - even someone who is singing it because he or she genuinely likes the music and not just to milk cash from the unsuspecting masses. But there are always exceptions to a rule, and this CD is one of them. Ben Heppner here scales down his huge operatic voice and shows his 'secret heart', a more intimate side of his musical personality.

There is no question that Heppner is one of the greatest tenors of our age. He is often compared with his fellow Canadian Jon Vickers (with whom he shares much of his repertory) but especially here, he is beginning to remind me more and more of Jussi Bjorling, and I can think of no higher compliment. Part of this is because Bjorling actually sang quite a bit of repertory similar to what Heppner sings here, but more importantly, both voices have an ideal combination of power and sweetness. Heppner's is essentially a very lyric voice despite its large size, and he is capable of great tonal beauty and sensitivity. This not only makes his Wagner, Giordano, and Berlioz very special, but makes him equally adept with the gentle little gems he sings on this disc. He is helped somewhat by the fact that these songs, most of which were written in the very early part of the 20th century, are a lot closer to the 'classical' style than more modern pop. But what really makes Heppner perfect for this material is his total identification with the texts, his tenderness, and his utter sincerity. Also, his diction is superb - you won't need the printed texts to understand what he is singing. In the hands of a lesser singer, some of these old fashioned songs would be absolute treacle. But an artist like Heppner can raise up even 'substandard' compositions and give them the aura of greatness.

In the more upbeat songs, Heppner sings with the thrilling, heroic tone that has made him in demand in every opera house in the world. He makes 'Let All My Life Be Music' into his personal mission statement. 'Homing' was also a favorite of another great Wagnerian tenor, namely Lauritz Melchior. 'I Love Life!', complete with splendid high C, is sung with enough cheer and vigor to bring anybody out of a depression. But this repertory is often gentle and introspective, and Heppner can also easily fine down his voice to a splendid pianissimo, drawing you in and enticing you to pay attention as opposed to banging you over your head like many other tenors do. Ivor Novello's 'Love is My Reason For Living' and Ernest Charles' 'Let My Song Fill Your Heart' are light, gracious Viennese waltzes. The familiar 'Roses of Picardy', 'Bird Songs at Eventide' and 'I'll Be Seeing You' are also sung sweetly and caressingly. Two more Novello songs are among the best tracks on the album. 'Someday My Heart Will Awake', is soft, gentle, and nostalgic, rising to a passionate conclusion. 'We'll Gather Lilacs' is obviously a love song from Heppner to his wife Karen (to whom the entire album is dedicated), full of yearning and deeply moving.

The operetta selections are even more special. In the Serenade from 'The Student Prince', which is alone worth the price of the CD, Heppner makes something truly thrilling of the declaration 'Oh, hear my longing cry!/Oh, love me or I die!', and ends with not one but two spectacular high Cs. What a pity that the chances of him ever recording the entire operetta are so slim! The cajolingly sung title song from 'The Desert Song' is almost as fine, as is 'Love Me Tonight' from 'The Vagabond King'. Finally, the title song 'I'll Follow My Secret Heart', with yet another brilliant high C, makes a splendid finish to this very enjoyable album.

I should also give credit to noted composer and orchestrator Jonathan Tunick for his warm, rich, and perfectly scaled arrangements of these songs. Like Heppner, he finds the perfect mood for each piece and never engages in schmaltz that one might expect from some of this material. The only complaint I have about this disc is the one I have about many contemporary CDs - why is there only 54 minutes of music on a medium that can hold almost 80 minutes? There are assuredly more than 18 songs Heppner could have recorded in this vein. I would have liked to have seen more operetta items in particular. Although I suppose they couldn't have recorded the Drinking Song from 'The Student Prince' as well as the Serenade without a chorus, it would have been nice if 'Deep In My Heart, Dear' had been included. Still, the quality of what is there far outweighs the quantity. The excellent documentation, in German and French as well as English, includes a personal note from Heppner, biographies of all the composers as well as Heppner and Tunick, and complete song texts. The cover shows Heppner surrounded by red velvet, designed, amusingly enough, by Red Herring Productions!

Whether you're an opera lover who wants to hear a great tenor in a lighter mood, or a fan of early 20th century popular music who is curious to see what it sounds like sung by a genuinely great voice, this disc is essential. It is an excellent introduction to Heppner's artistry if you haven't experienced it before, and after listening to it you might want to try some of his opera CDs, both solo recitals and complete recordings. There are few voices that could serve as a better introduction for a neophyte to the wonderful world of opera. If only more 'crossover' singers (both classical and pop) had Heppner's musical integrity...

This cd has left me speechless, wow!.......2001-02-18

Air give me air, I need lots of air, air, air.......This cd has caused me a lot of adverse breathing.

The things that I have read about Ben have been very true. He really is a lot more than I ever bargained for. He is THAT GOOD.

I need to go out on a limb and say that he is the best tenor I have ever heard. In my wildest dreams I never thought anyone could be that good.

For this cd Ben choose to sing a lot of standards. Bravo! This is my kind of music. Ben did an excellent job crooning us with his golden voice. He knew when to hold back and when to sing at full strength. This is marvelous how he worked each song to get the full meaning out of it.

The only complaint I have is there was not enough of the good olde songs that I wanted to hear Ben sing. I know it's hard to please all the people all the time and I understand where Ben was coming from.

Tracks:

Bird Songs At Eventide
Duna
At Downing ('I Love You')
The Little Silver Ring
Song To The Seals
The Fairy Tree
The Lost Chord
Kashimiri Song ('Pale Hand I Loved')
Till I Wake
Now Sleeps The Crimson Petal, Op.3 No.2
Drink To Me Only With Thine Eyes
O Dry Those Tears!
Sylvia
Ah, Moon Of My Delight
Allah
Bless This House
Thanks Be To God
Roses Of Picardy
God Be With Our Boys Tonight
Smilin' Through
Little Grey Home In The West
Bonnie Wee Thing
The Lord Is My Light
Somewhere A Voice Is Calling
A Brown Bird Singing

Average customer rating:

Bird Songs at Eventide

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000BX5L6
Release Date: 2003-12-09

Tracks:

Bird Song at Eventide
Duna
At Dawning (I Love You)
Little Silver Ring
Song to the Seals
Fairy Tree
Lost Chord
Kashmiri Song (Pale Hands I Loved)
Till I Wake
Now Sleeps the Crimson Petal
Drink to Me Only With Thine Eyes
O Dry Those Tears
Sylvia
Ah, Moon of My Delight
Allah
Bless This House
Thanks Be to God
Roses of Picardy
God Be With Our Boys Tonight
Smilin' Through
Little Grey Home in the West
Bonnie Wee Thing
Lord Is My Light
Somewhere a Voice Is Calling
Brown Bird Singing - Robert White

Average customer rating:

Voice of Romance
Richard Tauber
Manufacturer: Prism (UK)
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Tracks:

Lover Come Back To Me
One Night Of Love
Roses Of Picardy
Bird Songs At Eventide
One Day When We Were Young
'The Student Prince: Ser
Waltz Of My Heart
All The Things You Are
Ah! Sweet Mystery Of Life
Trees
Sylvia
Begin The Beguine
Love's Old Sweet Song
Sweethearts
Kiss Me Again
Will You Remember
Marcheta-A Love Song Of Old Mexico
You Are My Heart's Delight
Only A Rose
Waltz Song: The Merry Widow: Lippen Schweigen
A Sleepy Lagoon
One Alone
Because
Smilin' Through
Ich Liebe Dich

Coates: By the Sleepy Lagoon; Summer Days; London Suite

Average customer rating:

Charming Coates Recordings
Ah, Nostalgia!
Eric Coates Conducts His Own Music.

Coates: By the Sleepy Lagoon; Summer Days; London Suite

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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General | Classical | Styles | Music

Eirc Coates: 10 Orchestral Pieces; The Enchanted Garden
Eric Coates: London Calling
The Symphonic Eric Coates
Elizabethan Serenade: The Best of British Light Music

ASIN: B00005MAPN
Release Date: 2001-08-21

Tracks:

By The Sleepy Lagoon
Summer Days-Ste: In A Country Lane - The New Queen's Hall Light Orch/Eric Coates
Summer Days-Ste: On The Edge Of The Lake - The New Queen's Hall Light Orch/Eric Coates
Summer Days-Ste: At The Dance - The New Queen's Hall Light Orch/Eric Coates
Wood Nymphs - Valsette - The Queen's Hall Light Orch/Eric Coates
The Jester At The Wedding: March
The Jester At The Wedding: Valse
Symphonic Rhap On 'I Pitch My Lonely Caravan' - Hon. W. Brownlow
Symphonic Rhap On 'I Heard You Singing' And 'Bird Songs At Eventide'
London Ste: Tarantelle 'Covent Garden'
London Ste: Meditation 'Westminister'
London Ste: March 'Knightsbridge'
Summer Afternoon - Idyll
Cinderella - A Phantasy
London Bridge - March

Customer Reviews:

Charming Coates Recordings.......2007-02-16

The best of British light classical music in the first half of the century, represented particularly by Eric Coates and Alfred Ketelbey, is a glimpse of a vanished era. Coates' music is largely forgotten in the U.S. today. Record-collectors, however, quickly discovered Coates' wonderful recordings via the numerous 78-rpm discs he made for Columbia and Decca/London, released in both the U.K. and the U.S. Fortunately, Naxos has digitally remastered some of the best of these delightful performances.

Coates was a gifted melodist and orchestrator. He was also a very competent conductor, as these recordings demonstrate. It is a real treat to hear him conducting his own music, some of which was recorded in stereo by Frederick Fennell for Mercury Records. These are truly light classical gems, much in the "pops" vein, and can be enjoyed both classical music lovers and those who prefer the lighter classics.

Ah, Nostalgia!.......2001-11-20

Although I'm sure there are those that would disagree with me, I consider this the Mecca of all Eric Coates CDs. To be able to hear the works not only written by the composer but conducted as well...What can I say? The fact that during the reengineering of the original recordings not all of the hisses, cracks and pops were removed only adds to the charm and enjoyment of these fabulous and historic recordings. Best on the disc: bands 10, 11 and 12, "London Suite," recorded in March of 1933.

Eric Coates Conducts His Own Music........2001-10-05

Eric Coates wrote light music that was very good music. A very experienced practitioner, he was highly regarded by his public, his publishers, his colleagues, and by record companies. He recorded his own works extensively, and inimitably.

Peter Dempsey, working from original 78s issued between 1926 and 1940, has produced and annotated this welcome addition to the Naxos catalogue devoted to Eric Coates conducting his own music. The orchestra, usually named "Symphony Orchestra" on the original labels and in this Naxos issue also, was frequently the London Philharmonic Orchestra - no less. This was the case with Tracks 2 - 5, 9 - 12, and 14.

Tracks:

I Hear You Calling Me
If I Could Tell You
Trees
Until
Passing By
Green-Eyed Dragon
Lost Chord
My Lovely Celia
Serenade (Rimpianto)
Calm as the Night
Do Not Go, My Love
Bird Songs at Eventide
Love's Philosophy
Love, Could I Only Tell Thee
Annabelle Lee
Little Boy Blue
World Is Waiting for the Sunrise
I Love, And the World Is Mine
Kashmiri Song
Evening Song
Cloths of Heaven
Perfect Day
I Love Life
Homing
When I Have Sung My Songs

Customer Reviews:

Sung Like This, They Should Stay Remembered.......2005-09-30

Commenting last June on CDs featuring the tenor, Kenny Baker, I wrote that his might be the most beautiful recorded tenor voice of the 20th century. My comparison included a lot of fine tenors, but I hadn't heard John Aler. Recently, I have been listening to him as Jupiter in Handel's SEMELE, then as Nadir in Bizet's PEARL FISHERS, and more recently as the soloist for this album. Kenny Baker's voice is pure, limpid, naturally musical throughout his range. The lower part of Aler's range has less music, but the upper part is richer than Baker's, and the whole is tremendously exciting. Nowhere is his voice lovelier than in the first song on this CD, "I Hear You Calling Me." Composed circa 1903, overflowing with love and longing, it became the immensely popular signature-piece in the 1920s and '30s of the Irish tenor, John McCormack. (Who, with less primitive technology, might well have provided the most beautiful recorded tenor voice of the century.)

I found some of the Aler collection quite familiar, others new and highly attractive (where have they been all my life?), and others that are lifted above the ordinary more by the singer's voice and art than by intrinsic merit. The songs are predominantly art or concert songs, composed mostly in the late 19th or early 20th century. Elegant, highly romantic, often ambitious, sometimes sentimental, popular in their time with lovers of semi-classical music, and often performed in concerts by leading singers of the day. Their lyrics include the poetry of Joyce Kilmer, Robert Herrick, Rabindranath Tagore, Shelley, Poe, Yeats, Eugene Field, and Sydney Lanier.

Did Aler get the idea for this CD from the fine baritone Thomas Hampson's CD, "An Old Song Resung"? Hampson's CD (unfortunately out of print), came out in 1990; Aler's, in 1995. The songs in both collections might well have been sung to similar audiences at similar concerts by similar singers. Still, the two CDs have only two works in common: - "Do Not Go, My Love," composed by Richard Hageman in 1917, and "When I Have Sung My Songs," by Ernest Charles in 1934. Both songs are superb, and both singers do them beautifully. I would give Aler a slight edge on the first; Hampson, on the second.

Average customer rating:

The Artistry of Richard Crooks Vol.I

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Tracks:

Floridante: Alma mia
Comus: Preach not me
Serenade
Parthenope: Se mia gioia
Dedication, Op. 14-1
L'Adieu du matin
A dream, Op. 48-6
Serenade
I Love Thee, Op. 5-3
The Whyte Lillie
Hark, How Still, Op. 10-2
Passing By
Aida: Celeste Aida
Carmen: Flower Song
TOSCA: Recondita armonia
The Lost Chord
Macushla
Bird songs at eventide
Oh, Susanna!
Jeanie With The Light Brown Hair
The Desert Song: One Alone
The Vagabond King: Only A Rose
Beautiful Dreamer
The Rosary
Love Everlasting
The Student Prince: Serenade
Naughty Marietta: Ah, Sweet Mystery Of Life!

Track Listings:

Track Listings

track listings

Track Listings

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1. Bird Song at Eventide
2. Duna
3. At Dawning (I Love You)
4. Little Silver Ring
5. Song to the Seals
6. Fairy Tree
7. Lost Chord
8. Kashmiri Song (Pale Hands I Loved)
9. Till I Wake
10. Now Sleeps the Crimson Petal
11. Drink to Me Only With Thine Eyes
12. O Dry Those Tears!
13. Sylvia
14. Ah, Moon of My Delight
15. Allah
16. Bless This House
17. Thanks Be to God
18. Roses of Picardy
19. God Be With Our Boys Tonight
20. Smilin' Through