Epitaphs & Portraits

Editorial Reviews
FREDDIE BLUE FOX,WDST-FM, Woodstock, NY
"... a visionary pianist."

KAZUKO AMANO, Concert pianist, Tokyo
" ...it is beautiful, deep and beautiful... and sometimes like a prayer."

Album Description
A musical AIDS quilt of deep emotion and power honoring people who died of AID and their caretakers. Tonal beauty that is not sad but loving and gentle.

Epitaphs & Portraits

Tracks:

Virgillo
Cancion
Danza No. 1
Fantasia
Black Is The Color Of My True Love's Hair
Darling Cora
Putney Hymn
Finale
Londonderry Air
Agua E Vinho
Romanza
Brisas Del Torbes
Canto Siboney
Preludio No. 6: Dolor
Recuerdos De La Alhambra
Four Songs: Of Sting And Honey - Tomorrow - Jerusalem Of Gold - Spy Girl
One Day In May
You Have Set My Star
Varre Vento
Dedicatoria

Amazon.com

This disc is obviously aimed at the world-music audience, if one judges from its title and the subtitle, "Folk-Inspired Music for Guitar." But that shouldn't dissuade listeners interested in more serious music. Isbin has collected original pieces and arrangements from Spain, Latin America, Appalachia, Ireland, Israel, and Greece--all of them quite lovely. It's really amazing to hear, for example, the "Londonderry Air," better known as "Danny Boy," in such a sympathetic arrangement by the late Japanese composer Toru Takemitsu. She plays with such technical mastery that you wind up taking it for granted, while appreciating her songful delivery of this highly varied program of music, which was mostly first intended for the human voice. The uncommonly attractive booklet, including photos of Isbin as a world traveler, is another asset to this fine program, as is Teldec's realistic recorded sound. --Leslie Gerber

Customer Reviews:

"Dreams of a World": A Dialogue..........2005-03-28

I was introduced to Ms. Isbin's music this winter during a trip when a friend had "Dreams of a World" on for 3 days straight, dawn to dusk. Typically, after listening to the same CD twice, one gets bored or annoyed. Yet, this was not the case; on the contrary "Dreams of a World" warmed us up --it was delicately beautiful. Ms. Isbin employs an astonishing pallet of colors, which she blends with unprecedented technical mastery and imaginative nuances throughout her oeuvre.

Cancion y danza for guitar, Agua E Vinho Mahar and Yerushala'im shel zahav are pieces which can easily be overly sentimental and languorous. Ms. Isbin keeps a pleasant balance between the melancholy in her phrasing, the underlying dynamism of her voice
and the warm character of the pieces. I can only recommend Dreams of a World to anyone in search of high quality music played by an artist, not merely a technician.

Dreams with raw emotions. .......2005-01-24

This is one of my all time favorite CD. When critics call Sharon Isbin the "Monet of the guitar" or the "preeminent guitarist of our time" they only begin do justice to her mastery of the instrument. On this CD my favorite pieces are Agua E Vinho, Cancíon y danza for guitar, Recuerdos de la Alhambra. They are superbly played; they are flawless, passionate ,very moving. I cannot help feeling transcend when listening to Dreams of a World. Ms. Isbin does more than play nice music from all over the world; in this CD she shares her heartfelt dreams of a world.

I highly recommend Dreams of a World.

Still a dream ..........2004-12-26

This has long been my favorite classical guitar recording, and I just put it on again after hearing another recent favorite recording ("Reflections of Spain") played by David Russell, who is perhaps the most gifted contemporary guitarist on record. I was inspired to do so by Russell's performance of the "Cancion y Danza No. 1" by Antonio Ruiz-Pipo, which though quite excellent, I knew right away was quite different from Isbin's take on the same piece.

First, let me say, I hope that they are good friends, because they are both landmark musicians and worthy "competitors." Both clearly play with absolute love for both the music and the instrument. In short, I prefer Isbin's recording of the Pipo "Danza," even though, overall, Russell's playing is technically cleaner and more facile (but not by much). (Across his entire CD, I recall barely any string noise from Russell, where as Isbin manages a mere dozen or so clear such imperfections across her entire and ample CD; big deal).

I think the thing that draws me to Isbin in this piece (and her CD, in general) is her incredible variety of rhythm, attack, and tone color, all of which combine to give an impression of near perfect balance between spontaneity and precision. She has a way of taking time without the slightest sense of delay or heaviness. This is probably because her tempo never changes, only the rhythm around it, which is a classic hallmark of rhythmic mastery. This means that she hears and feels, both deeply and objectively, every moment of "sound and space" (notes and rest) from beginning to end, like an unbroken line painted across a master's canvas. Combined with this, she uses the space between her bridge and finger board to elicit the most amazing contrasts in tone color (one of the great contributions of Segovia to the art).

Russell plays with equal mastery of rhythm and attack, perhaps aided by the remarkable sonic depth built into his guitar. While he makes maximum use of that wonderful guitar sound, he is somewhat less dramatic in his changes of volume and tone color between phrases, aiming for a more consistent and lyrical quality, certainly another aim of mastery in itself, but there in lies the difference. Still, his sharp shaping of phrases, especially in his choice of Spanish music on his entire CD, with that impeccable technique behind it, weaves a spell all its own.

So, even though Russell's is among the finest pure Spanish musical CDs available, and one of my favorite in that genre (musical realm), I still have to give my nod to Isbin's multi-national effort for its unmatched ability to conjure, especially today, the most sublime dreams of a better world.

An Elegant Journey Around The World.......2004-07-09

From the moment I put this CD on my player to the time the CD ended, I was transfixed. This CD is such a delight to the ears, that it is difficult to put into words the emotions experienced while listening. I attended a NY Philharmonic performance several weeks ago with guest soloist Sharon Isbin. Her live performance was mesmerizing. She did an encore performance of "Recuerdos de la Alhambra" which took my breath away. The NY Times reviewer called it a "...virtuoso encore...". How wonderful that this piece appears on Dreams of a World. A CD that will transport you around the world with the flavors of outstanding compositions interpreted by a musician who is one of the greatest living classical guitarists today. Do yourself a favor and experience the magic.

Simply Superb.......2004-07-07

You don't have to be a classical music expert to love this CD. It is accessible to both the novice as well as the sophisticated listener.

Dreams of a World is the type of CD you come back to over and over again. Each listening reveals a new layer of complexity and mastery. To master an instrument requires a unique blend of disciplined technique and creative emotion. One may aspire to being a perfect technician and yet lack in emotive nuance. One may aspire to evoke emotion and yet lack proper technique. In either case the listener is left wanting. Isbin however, inspires by combining flawless technique with passionate creativity. For example, the works by Neomi Shemer shimmer. Isbin's technique, her emotion, and her versatility shine forth on this CD. This is a beautiful work, and should be in every music lovers collection.

Gould: West Point Symphony; Hovhaness: Symphony No. 4 & Giannini: Symphony No. 3
Average customer rating:

Very good performances of middling repertoire

One Word: Contrabassoon!

Great Performances, Great Music

Gould: West Point Symphony; Hovhaness: Symphony No. 4 & Giannini: Symphony No. 3

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Morton Gould | Gould, Morton | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Hovhaness, Alan | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General | Symphonies | Classical | Styles | Music
Modern & 20th Century | Symphonies | Classical | Styles | Music
General | Classical | Styles | Music
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Frederick Fennell & the Eastman Wind Ensemble: Grainger; Persichetti...

British and American Band Classics

Frederick Fennell & the Eastman Wind Ensemble: Sullivan; Rossini-Respighi...

Eastman Wind Ensemble Plays Husa, Copland, Vaughan Williams, Hindemith

Fennell: Suites 1 & 2 / Folk Song Suite / Toccata Marziale

ASIN: B0000057LS
Release Date: 1992-08-11

Tracks:

West Point Symphony - Epitaphs
West Point Symphony - Marches
Symphony No. 3: Allegro energico
Symphony No. 3: Adagio
Symphony No. 3: Allegretto
Symphony No. 3: Allegro con brio
Symphony No. 4, Op. 165: Andante
Symphony No. 4, Op. 165: Allegro
Symphony No. 4, Op. 165: Andante espressivo

Customer Reviews:

Very good performances of middling repertoire.......2005-04-13

The Eastman Wind Ensemble's recordings of Giannini's Symphony No. 3 and Hovhaness' Symphony No. 4 came at the end of the Frederick Fennell era, when he handed off the baton to A. Clyde Roller in 1962. The sound of the group is perhaps never as close to perfection as in these three works (including Gould's West Point Symphony). As a French horn player, I appreciate the slightly more important emphasis given to the horn section in these recordings, which is merited by the music -- especially the long chorale sections in the Hovhaness.

While I purchased this CD for the West Point, I find it hard to agree with the reviewers that either the Gould or the Giannini are classic works of the wind ensemble repertoire. In particular, the Giannini seems very pedestrian to me; there is not much to distinguish it from several other band works by lesser composers during the 50s and 60s, except for a technically challenging and engaging fourth movement. The Hovhaness is a foot closer to classic music, and those who are already fans of this foreshadowing American conundrum will not be disappointed by this performance.

One Word: Contrabassoon!.......2003-12-20

What a strange and wonderful collection of band music. I especially like the solos for piccolo, bass clarinet, and CONTRABASSOON. The brass harmonies in Hohvaness are a perfect example of erethreal beauty. The ominous CONTRABASSOON solo is very different to hear in a band work. The marimba solos are in 19/8 and 20/8 meter. The other works are also wonderful to listen to.

Great Performances, Great Music.......1999-12-05

We lovers of music for symphonic band owe a lot to the pioneering recordings of Frederick Fennell and the Eastman Wind Ensemble. Here are three wonderful performances of three classic band works. Gould's West Point Symphony is full of martial spirit, but is tender and expressive as well. Giannini's Symphony is bold and exuberant, with a wistful slow movement. Hovhannes work is full of Eastern atmosphere, with it's long melismic solos and evocative brass chorales. Together, under the expert direction of Fennell and his associate, A. Clyde Roller, they make for a richly varied and thoroughly enjoyable program.

Beloved That Pilgrimage / Sanford Sylvan, David Breitman

Average customer rating:

A great album
Spellbinding
Sanford Sylvan

Beloved That Pilgrimage / Sanford Sylvan, David Breitman

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
ASIN: B000006E4B
Release Date: 1991-06-25

Tracks:

Eight Epitaphs: Alice Rodd
Eight Epitaphs: Susannah Fry
Eight Epitaphs: Three Sisters
Eight Epitaphs: Thomas Logge
Eight Epitaphs: A Midget
Eight Epitaphs: No Voice To Scold
Eight Epitaphs: Ann Poverty
Eight Epitaphs: Be Very Quiet Now
Hermit Songs: At St. Patrick's Purgatory
Hermit Songs: Church Bell at Night
Hermit Songs: St. Ita's Vision
Hermit Songs: The Heavenly Banquet
Hermit Songs: The Crucifixion
Hermit Songs: Sea-Snatch
Hermit Songs: Promiscuity
Hermit Songs: The Monk and His Cat
Hermit Songs: The Praises of God
Hermit Songs: The Desire for Hermitage
Nature, the gentlest mother
There came a wind like a bugle
Why do they shut me out of Heaven-
This world feels dusty
Heart, we will forget him
Dear March, come in!
Sleep is supposed to be
When they come back
I felt a funeral in my brain
I've heard an organ talk sometimes
Going to Heaven!
12 - The Chariot

Customer Reviews:

A great album.......2001-12-30

This is an album of art songs composed by Samuel Barber, Aaron Copland and Theodore Chanler and sung by Sanford Sylvan. Until I listened to this album, I'd never really enjoyed vocal performances of Barber's Hermit Songs. Sylvan's performances are thoroughly enjoyable. He's always on key, his voice is gorgeous and his interpretations are subtle and understated. This guy can really sing! His performance of Copland's "Heart, We Will Forget Him" is particularly moving.

If you enjoy Sylvan's singing on this album, check out his "Walt Whitman in l989" on the AIDS Quilt Songbook CD. The song is unforgetable and Sylvan's performance is one of the highlights of the CD.

Spellbinding.......2000-07-16

I have lived with this disc for nearly two years now and am still blown away by it. It is simply breathtaking.

For those unaware, Sanford Sylvan is an American baritone best known for roles in John Adams' operas "Nixon in China" and "The Death of Klinghoffer." But where Sylvan really excels is in the world of the art song. These three song cycles showcase his considerable interpretive talents. He has a truly lovely lyric voice full of expressive capabilities and myriad colors, and he knows how to use the text intelligently without becoming blatant or arch.

The first song cycle, by Theodore Chanler, is a little-known gem consisting of epitaphs by Walter de la Mare. Each selection is so simple and direct that one can easily imagine oneself reading these epitaphs carved on tombstones in a New England cemetary. The simplicity is so affecting and Sylvan's performance so understated that after the cycle has ended the listener feels emotionally drained.

The two more famous selections are Barber's Hermit Songs and Copland's Emily Dickinson poems. The Barber interpretations rank with the best, if not perhaps topping any of them (Eleanor Steber's comes readily to mind). The Copland, on the other hand, is my favorite rendition of these pieces ever. This is a personal preference, for normally these songs are sung by a woman. But to hear Sylvan, an openly gay man, sing "Heart, we will forget him," is an experience not to be missed for its added dimension of loss and loneliness.

Not to slight the accompanist's contribution, Mr. Breitman plays exceptionally well, coloring the piano tone almost as expertly as Sylvan does his voice. These two make up an extraordinarily attuned duo.

Do yourself a favor and pick up this disc -- I guarantee you a listening experience you won't soon forget.

Sanford Sylvan.......2000-06-19

Sanford Sylvan is one of the best lyric baritones in America. This recording shows his clean tone and sensitivity in music. He's beautiful voice is filled with great emotion and he handles the text with good intelligence. I truly recommend this wonderful recording.

Average customer rating:

Gentle on the psyche

Transformations [Hybrid SACD]

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Estella: Kaori Muraji Self Best
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Stardust
Dancing in the Dark (Multichannel Hybrid SACD)
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ASIN: B0007D09GU
Release Date: 2005-05-10

Tracks:

Hey Jude
Michelle
Here, There And Everywhere
Yesterday
Hiroshima To Lu Na No Shonen - Dominic Miller
Bad Boy - Dominic Miller
No.7: If Only I Had The Water Of Life
No.4: You Have Set, My Star!
No.3: A Day In May
No.6: At The Window
Variaciones Sobre El Carnaval De Venecia
Farewell To Stromness
I
II
III
IV
Over The Rainbow
Londonderry Air
The Last Waltz
La Belle Dame Sans Regrets - Dominic Miller
Fragile - Dominic Miller

Customer Reviews:

Gentle on the psyche.......2007-05-17

I keep this CD at work, and my office-mates request it more than any other CD on my desk. The amount of familiar tunes in this collection makes it accessible to everybody. Each piece is performed with grace; it will compliment the more esoteric guitar music in anyone's collection. Kaori Muraji lets each piece unfold like a soft summer night. This album is paced throughout so that it plays gently, and quietly maintains momentum. It makes for very enjoyable listening. Muraji can be a dynamic player. Live, she is very in the moment; typically you can see the music moving through her body and the mood of the music on her face. Always there is a serenity to her. You'll feel it on this CD as well. There are some beautiful treatments of Theodorakis and Takemitsu, but it was also nice to hear a pop tune like "The Last Waltz."
Even though my tastes tend towards more dramatic performances (works by The Assad Brothers or Yang Xue Fei), I've really enjoyed this collection. It would make a good gift item both for the serious guitarist (Muraji's technique and interpretations are impeccable) or the casual listener. Your mother would love to get this CD, especially if she's a guitarist. Show her you love her and give her a copy.

Mediterraneo: Hellenic Music for Classical Guitar

Average customer rating:

Mediterraneo: Hellenic Music for Classical Guitar

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B000000WWN
Release Date: 1994-03-22

Tracks:

Kefallinian Suite: Delinatiko
Kefallinian Suite: Divaratiko
Kefallinian Suite: Sartisto
Kefallinian Suite: Eliatiko
Kefallinian Suite: Thiniatikos Ballos
Kefallinian Suite: Variations On Tsakonikos
Two Summaries: No. 6 Agitato
Two Summaries: Summary No. 4 Animato
Mediterraneo
Musikones Op. 107: Terpsichore I (Epirotikos)
Musikones Op. 107: Erato (Love Song)
Musikones Op. 107: Terpsichore II (Tsamikos)
Musikones Op. 107: Euterpe (Epitaph)
Musikones Op. 107: Terpsichore III (Kalamatianos)
Three Attic Dances: I. Poco Vivace
Three Attic Dances: II. Lento: Sempre Sostenuto
Three Attic Dances: III. Con Brio
Four Epitaphs: I. Locks Of Hair
Four Epitaphs: II. One Day In May
Four Epitaphs: III. You Have Set My Star
Four Epitaphs: IV. You Were Standing In Front Of The Window
Chant

Average customer rating:

Preludes to Passion

Manufacturer: Music for a G'day Pro
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | New Age | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Bolero | Latin Music | Styles | Music

A Cappella | Folk | Styles | Music

Classical | Indie Music | Stores | Music

Tracks:

Peter Schickele: Michael Praetorius
Steven Rosenhaus: The Kiss
Bohuslav Martinu: The Fifth Day of the Fifth Moon
Francis Poulenc: Sicilienne from 'Suite Francaise'
Eric Ewazen: The Resplendent Quetzel
Sting: The Secret Marriage
Bela Bartok: Wedding Song from Poniky
Leo Kraft: Arietta from Partita for Piano
Aaron Copland: In Evening Air
J.S. Bach: Allemande from French Suite No. IV
Paul Hindemith: The Swan from 'Six Chansons'
Steven Rosenhaus: The Kiss-Reprise

Album Description

"Preludes to Passion:" is an invitation to beautiful and intimate piano works. Each composition--though brief and evanescent--resonates with emotion, enveloping the listener.

Several works are vocal in origin and evolved into stunning keyboard works. Bartok's "Wedding Song" was composed for mixed chorus and accompaniment. The choral parts "sing" beautifully from the piano and joined with the original accompaniment, transform the song into a dramatic two-piano expression of love and regret. Hindemith's "The Swan," written for four-part a cappella chorus is passionately re-expressed at the keyboard, with Rilke's poem recited alongside. And, the heartbeat and emotion of Sting's "The Secret Marriage" joined with cello, touches the listener.

Tracks:

Two Chinese Epitaphs, Op.25: I. Twelve Peasants - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney/Benjamin Ramirez/Thomas Kolor
Two Chinese Epitaphs, Op.25: II. By A Handful Of Rice - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney/Benjamin Ramirez/Thomas Kolor
Christian Wolff In Cambridge - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney
Chor Instrs II - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney/Benjamin Ramirez/Thomas Kolor...
Four Pieces For Mixed Chor: I. Psalm 122: I Was Glad When They Said To Me - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney
Four Pieces For Mixed Chor: II. Piece By Gershon Shofman: Remove Your Shoes From Your Feet - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney
Four Pieces For Mixed Chor: III. Isaiah 43: 18-21: Remember Ye Not The Former Things - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney
Four Pieces For Mixed Chor: IV. Jeremiah 31: 6-12: Sing Aloud With Gladness For Jacob - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney
For Stefan Wolpe - Chor Of Saint Ignatius Of Antioch, New York City/Harold Chaney/Benjamin Ramirez/Thomas Kolor

Customer Reviews:

A useful, varied mix of Wolpe and Feldman.......2004-01-16

This disc collects together choral works by the German-American composer Stefan Wolpe and his most prominent pupil, the utterly different Morton Feldman. Despite their completely separate styles, the two had great respect for each other, a fact that is perhaps borne out by the final work on this disc being by Feldman and entitled For Stefan Wolpe.

Wolpe's 1937 work Two Chinese Epitaphs is from his period of politically-committed socialist art. These two pieces, for chorus and drums, set protest poems decrying the atrocities committed against the powerless (the inlay writer makes the all-too-predictable comparison to Picasso's Guernica). The first piece is full of driving rhythms, dissonant and vigorous; the second is more consonant and subdued.

The two short pieces by Morton Feldman make a dramatic contrast to the vigour and anger of the Wolpe. Christian Wolff in Cambridge, for a capella chorus and written in 1963, is nothing more than a three-minute sequence of chords. Chorus and Instruments II was written four years later, and adds tuba and chimes. It floats along in much the same way, though less consonantly.

Returning to Wolpe, we hear his Four Pieces for Mixed Chorus. The tonal harmony of these pieces was related to the occasion for which it was written--a competition to write a work for an amateur Israeli choir--but the complexity of the writing meant it did not win the competition. This work strikes me as rather dry; despite some of its passing beauties I don't find it to represent Wolpe at his best.

Feldman's For Stefan Wolpe was written in 1986, a year before the younger composer's death. At half an hour in duration, this work, for chorus and vibraphones, is one of the shorter of Feldman's late works. As with almost all late Feldman, the music is slow and quiet, and based on a number of short, gradually varying motifs that are repeated several times before moving onto the next. The work largely takes the form of a call-and-response structure between the chorus and vibraphones; though at the beginning of the work the choral parts are dominant, in the later stages of the work the vibraphone parts become gradually more extended.

This is a good disc with an enjoyable variety of music--most of which is hard to come by on compact disc--on it. The Choir of Saint Ignatius of Antioch acquit themselves well under Harold Chaney, though I feel that Wolpe's Four Pieces needs the dynamism and technical assurance that a more big-name choir might bring. Nonetheless, this disc is well worth investigating if you're a fan of either composer.

Bretan: Sacred Songs
Average customer rating:
Bretan: Sacred Songs

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music
General | Classical | Styles | Music
ASIN: B00000K089
Release Date: 1999-08-17

Tracks:

Requiem: I. Introitus
Requiem: II. Graduale
Requiem: III. Dies Irae
Requiem: IV. Offertorium
Requiem: V. Sanctus
Requiem: VI. Pie Jesu
Requiem: VII. Agnus Dei
Ave Maria
The Lord's Prayer
Small Christmas Song
Close By The Graveyard
God's Bankrupting Loan
Christ-Cross In The Forest
God's Arrival
Prayer After War
Death's Kinsman I
Under Mount Zion
Amen
Futurum Imperfectum
Mors Imperator
Dust And Flower
You Hours Slipping Into Night
Wanderings' End
The Garden Of Csucsa
Epitaphs

Average customer rating:

Live in Bern

Manufacturer: Classic Concert Records / Balcon Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
ASIN: B000B2WJZQ
Release Date: 2005-08-23

Tracks:

Phantasia a-moll
Phantasia A-Dur
Introducion y Rondo Nr. 2, op.2
Allegro
Lento
Alla Cubana
No. IV
con slancio
En los trigales
Sevillana-Fantasia
No.5
No.3
No.2
No.4
Una limosna por el amor del dios

Product Description

"Nora Buschmann live is ""Brilliant and contentful"" (Lahrer Zeitung) ""Profound and sensitively"" (Fränkische Landeszeitung) ""... artist personality together with virtuous control of the instrument and the whole range of sound of a concert guitar... "" (Mitteldeutsche Zeitung) "

Average customer rating:

Peter Maxwell Davies: Works for Organ

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

Fantasies | Forms & Genres | Classical | Styles | Music

Voluntaries | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
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György Ligeti Edition 6: Keyboard Works (Piano, Harpsichord, Organ) - Irina Kataeva / Pierre-Laurent Aimard / Elisabeth Chojnacka / Zsigmond Szathmáry

ASIN: B0000037HE
Release Date: 1997-07-29

Tracks: