Bruckner: Symphonie No. 4 "Romantische"

Track Listings

1. Bewegt, Nicht Zu Schnell

2. Andante Quasi Allegretto

3. Scherzo.Bewegt-Trio. Nicht Zu Schnell

4. Finale. Bewegt, Doch Zu Nicht Zu Schnell

Tracks:

Buxtehude: Fanfare - Adolph Herseth/Vincent Cichowicz/William Scarlett/Charles Geyer/Dale Clevenger/Jay Friedman...
We Are Enormously Complex
Hn Con No.1 in E flat: 1st Movt: Allegro
Hn Con No.1 in E flat: 2nd Movt: Andante
Hn Con No.1 in E flat: 3rd Movt: Allegro
The Musician Plays The Instrument
Playing For The Audience
Programming The Brain
Czardas
Carnival Of Venice
Con: 1st Movt
Etude No.24
'Czardas' With The Metronome
This Is An Art Form
We Play By Song And Wind
Canzon Per Sonare No.2 - Adolph Herseth/Vincent Cichowicz/Dale Clevenger/Jay Friedman/Arnold Jacobs
Lohengrin: King Heinrich's Call (Exc) - Jay Friedman/Arnold Jacobs
Sym Fantastique: Dies Irae
Become A Singer In Your Brain
There Must Be A Source Of Vibration
Breath As A Motor Force
Sonatine: 1st Movt: Allegro Vivo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 2nd Movt: Andante Ma Non Troppo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 3rd Movt: Allegro Vivo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 4th Movt: Largo; Allegro - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Keeping Music As An Art Form
Breathe To Expand
F Tuba Demonstration With Berlioz
Romeo And Juliet (Exc) - Chicago SO/Carlo Maria Giulini
Con: 2nd Movt (Exc) - Chicago SO/Fritz Reiner
Petrouchka (Exc) - Chicago SO/James Levine
Sym No.4: 1st Movt (Exc) - Chicago SO/Jean Martinon
Sym No.4: 1st Movt (Exc) - Chicago SO/Daniel Barenboim
The Key For Communicating In Music
Pictures At An Exhibition: The Great Gate Of Kiev (Exc) - Chicago SO/Fritz Reiner

Customer Reviews:

Jacobs was overrated.......2005-09-28

Arnold Jacobs was a brilliant man who could have succeeded in practically any profession. He was also a fine musical pedagogue, judging from his verbal insights on this CD with respect to the human body as a musical instrument. Yet, I am amazed that he rose to the rank of tubist in a world-class orchestra such as the Chicago Symphony. Frankly, I found his tone quality uninspiring, although he had fine techinque. I have heard at least half a dozen tubists whose tone is far more pleasing musically. Among the bassmen/women of the world, Jacobs has become a semi-divine entity. I believe that he has been somewhat overrated as a result. I felt that his verbal commentaries were highly educational; I was disappointed by his playing overall.

The Great Arnold Jacobs Captured on C.D........2005-04-02

This is a prolific set of audio that captures the historical sound of Arnold Jacobs' playing and teaching. I bought this C.D. because I wanted to explore the limits and capabilities of a tuba player so that I could see if playing music on the tuba was for me. This C.D. banished any doubt that I had about the ability of a tuba player to achieve at the utmost musical level. I have never meet Mr. Jacobs in real life, but this C.D. made me feel as if I was in a master class or recital hall listening to him myself. I would recommend this C.D. to anyone who loves music. As Arnold Jacbos said " It's not about the tuba, it's about music".

arnold jacobs.......2001-05-16

This cd tries to capture arnold jacobs: a prolific teacher, player and above all a great man. while listening, you'll discover the ideals, the methods and ideas that made arnold jacobs the best tuba player that there'll probably ever be. The more complex issues and artistry of brass playing are explained in simple words and sayings. a great deal of jacobs' lectures is also given, and you can also see the importance of understanding the functioning of other body units that help us trough our playing (the brain). a great disc, highly recommended, not only for tuba players, but for all brass players.

inspiring technician musician artist.......2000-09-01

Cannot agree more,this is a wonderful exposition of Jacobs the teacher,for he had developed working concepts any wind player could adopt.His studio in the Fine Arts Building in Chicago was like a mecca for all wind players coming to Jacobs to resolve some deep-rooted performing problem. As he says( my paraphrasing) " they get tied up in knots,worrying about all the motions of the lip. . .you can't think about all those motions for they are thousands of motions from the brain to engage in performing a brass instrument "

As a brass player myself,(trombone & tuba) I have always sensed we have little repertoire to play of any interest,but Jacobs in a lecture here reveals this problem and one way to solve it, is to consciously search for things to play,like an aria from Puccini,or a particular non-tuba passage,to duplicate it,a piano or violin solo. What this approach implies is then for the brass player to develop skills as a consummate musician/ virtuoso,for you are forever challenged then to expand your repertoire endlessly,as much as the instrument or your technique will allow. I now find myself playing Chopin Preludes(Eb-minor,B-minor melodies only) on the trombone,and contrabass orchestral excerpts or trumpet etudes on the tuba,and Jacobs encourages tuba players to learn to read treble clef to be able to read any melody.

There are wonderful examples here from all genres in music from solo etudes in his studio to Berlioz and Wagner excerpts, solo and within the context of the orchestra. It all reveals the seemless consistent sound Jacobs was able to summon from his York tuba. Every attach was uniform,every tone even and pure,at least that is what he heard in his ear. That's another Jacobs credo,you have to have the sound in your head,what do you want your listener to hear. You command that.

The Bozza Sonatine(brass quintet) is also a wonderful performance of great brass music,great use of colours and entrances,breaking down the quintet into smaller duets and trios.This all with Chicago Symphony players makes it all the more interesting,a vintage performance from 1966.I recall those days where solo brass was considered an oddity,and unaccompanied solos even more so.

Jacob's sound should remain in your mind's hearing to duplicate it. Eugene Pokorny (Jacob's Chicago Symphony successor) also provides insightful interesting notes here.

Arnold Jacobs - Icon of education and performance.......2000-08-23

Amazing! For the students who studied directly with Arnold Jacobs, "Protrait of an Artist" will take you back to his studio, sitting right next to him. This excellent collection of lectures (lessons) and demonstrations are a fantastic embodiment of Arnold Jacobs' concepts and teachings. It is certainly a must for any music performer or educator. From the samples of CSO performances at the end of this CD to the practice tapes, the music on this CD is truely inspirational.

Average customer rating:

Discover the Symphony

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
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Discover the Classics, Vol. 2
The Best of Opera, Vol. 1
Discover the Classics
Discover Music of the Baroque Era

ASIN: B00000G2P7
Release Date: 1998-09-29

Tracks:

Allegro - City Of London Sinfonia
Allegro Di Molto - Yoon K. Lee
Allegro - New Zealand Chamber Orchestra
Menuetto: Allegretto - Capella Istropolitana
Molto Allegro - Capella Istropolitana
Finale: Allegro Assai Vivace: Alla Marcia - Claudio Otelli
Allegretto - Michael Halasz
Saltarello: Presto - National Symphony Orchestra Of Ireland
Poco Allegretto - Alexander Rahbari
March To The Scaffold - Czecho-Slovak Radio Symphony Orchestra
Scherzo: Bewegt - Royal Flanders Philharmonic Orchestra
Allegro Con Grazia - Polish National Radio Symphony Orchestra

Tracks:

Allegretto Grazioso - Molto Vivace - Stephen Gunzenhauser
Presto - Imrich Szabo
Kraftig Bewegt, Doch Nicht Zu Schnell - Michael Halasz
Allegro Molto - BBC Philharmonic Orchestra
Epilogue - Bournemouth Symphony Orchestra
Scherzo - Adrian Leaper
Adagio - Czecho-Slovak Radio Symphony Orchestra
Allegro Sanguinoso - National Symphony Orchestra Of Ireland
Molto Vivace - Stephen Gunzenhauser
Allegretto - New Zealand Symphony Orchestra
Allegro - Czecho-Slovak Radio Symphony Orchestra

Average customer rating:

A mixed bag from Giulini
Thanks to EMI ; Thanks to Amazon.
A nostalgic return to an outstanding period for Giulini
Splendid EMI Commemorative of Giulini and CSO
Genius Well Served

The Chicago Recordings

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

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Similar Items:

Mahler: Symphony No. 9 / Schubert: Symphony No. 8
Beethoven: Symphonies 6, 8 & 9; Carlo Maria Giulini; London Symphony Orchestra
Beethoven: Missa Solemnis & Mass in C Major
Bruckner: Symphony No. 2
Schumann: Symphonies Nos. 2 & 4 (The Mahler Arrangements)

ASIN: B0001ZMBV0
Release Date: 2004-06-15

Tracks:

I. Langsam, Schleppend, Wie Ein Naturlaut
II. Kraftig Bewegt, Doch Nicht Zu Schnell
III. Feierlich Und Gemessen, Ohne Zu Schleppen
IV. Sturmisch Bewegt
Combat And Tumult - Interview Of The Prince
Romeo Alone - Melancholy - Distant Noises Of Music And Dancing - Festivities At The Capulets'

Tracks:

Scherzo: Queen Mab, Or The Dream Fairy
Love Scene - Night - The Capulets' Garden
Romeo At The Tomb Of The Capulets - Invocation - Juliet's Reawakening - Frenzied Joy, Despair - Last Agonies And Death Of The Two Lovers
I. Poco Sostenuto - Vivace
II. Allegretto
III. Presto - Assai Meno Presto - Presto - Assai Meno Presto - Presto
IV. Allegro Con Brio

Tracks:

I. Felerlich, Misterioso
II. Scherzo (Bewegt, Lebhaft) - Trio (Schnell) - Scherzo (Da Capo)
III. Adagio (Langsam, Felerlich)
I. Allegro Non Troppo

Tracks:

II. Andante Moderato
III. Allegro Giocoso
IV. Allegro Energico E Passionato
Introduction
Dance Of The Firebird
Round Dance Of The Princess
Dance Of King Kastchel
Berceuse
Finale
Russian Dance
Petrushka's Room
The Moor's Room
The Shrovetide Fair

Amazon.com

The recordings that Giulini made with the Chicago Symphony between 1969 and 1976 document an extraordinary partnership and remain among the finest of the conductor's career. Giulini's Mahler First is more lyric than most, yet with enough energy to satisfy Mahlerians; the last movement a tribute to the conductor's unerring sense of orchestral balances even in crushing climaxes. His rendition of the orchestral movements of Berlioz's "dramatic symphony" Romeo and Juliet excels in its poetry, the warmly caressing Chicago strings in the Love Scene irresistible. The Beethoven Seventh is an eloquent blend of the Dionysian and Apollonian approaches to this "dance symphony," with glowing horns, driving rhythms and lovely solo turns. Giulini's later remakes of the Beethoven and other works in the set often were soporific; here, he's on target. This Bruckner Ninth, for example, is grandly rhetorical but full of passion. The Brahms Fourth is a highly personal account, with a ravishing slow movement, while the Stravinsky ballet suites reveal the Chicagoans at their most refined; the Firebird exquisitely colored, Petrushka, amazingly precise. Classic recordings, well transferred; a bargain that shouldn't be missed. --Dan Davis

Customer Reviews:

A mixed bag from Giulini.......2006-12-14

I have always been a fan of Giulini's conducting since I began listening to Classical. In this case, I bought this disk for four reasons 1. You can never have too many recordings of Bruckner or Mahler. 2. It's Giulini for God's Sake. 3. I was curious to hear a remastering of his sensational Brahms 4. 4. I could finally get his fantastic Firebird Suite on CD. Mission accomplished...however the Brahms and Stravinsky are the highlights on this disk and I already had those recordings (although it was nice to get an upgrade to CD). The Mahler is clearly outclassed by competition from Kubelik and Horenstein. The Bruckner bested by Jochum or Tintner on Naxos. I don't regret buying the disk, however, while I have multiple recordings of the Brahms and Stravinskky...Giulini's readings will always have a special place for me.

Thanks to EMI ; Thanks to Amazon. .......2005-10-14

Giulini is always among my favorite conductors and this set includes some of his great recordings with CSO(1969-1976,studio,stereo) that you can not find their another editions: Beethoven 7 and Bruckner 9 ( + Mahler 1, Brahms 4, Berlioz-Romeo&Juliet, Stravinsky-Petroushka&Firebird Suites.)
CSO on its top form under the baton of Giulini...Very well recorded sounds by EMI...Wonderfull edition(not cardboard!)...Incredible price for 4 CD... Highly,highly,highly recommended...

A nostalgic return to an outstanding period for Giulini.......2005-10-09

The reviewer who says that these are among the most celebrated of classical recordings is exaggerating. Giulini's Chicago recordings for EMI were mostly commercial failures and quickly vanished from sight after a brief life on LP. After a spectacular early stretch with Don Giovanni, the Marriage of Figaro, and the Verdi Requiem, Giulini should have shot to the top tier of recording artists.

But as one hears on this excellent but not great collection, Giulini's Mahler is not as exciting as Bernstein's, his Berlioz not as gripping as Colin Davis's, his Brahms not as full of integrity as Klemperer's or Karajan's. He stood well below those great condcutors for much of his career, and yet Giulini was undoubtedly special. He just continued throughout his career to be spotty. His Bruckner Seventh on a live BBC recording is spectacular, even better than his inward, mystical recordings of the Burckner Eighth and Ninth for DG. I greatly admire his DG Schumann Rhenish Sym., his Erocia and Beethoven Fifth, and a live War Requiem and Schubert Ninth, both on BBC--while also acknowledging that he made many other recordings that didn't touch greatness.

I think Giulini had greatness in him, but there was some inner chemistry that had to fire, and even he didn't know when that would happen. In this regard he was like Klaus Tennstedt, who was even more erratic.

Giulini should have given us a great Mahelr Ninth and Das Lied von der Erde, but he didn't. HIs Missa Solemnis and Beethoven Ninth should have been towering spiritual achievements, but they are actually almost routine by great conductor standards. Sadly, he had no sublime autumn to his career; the late recordings on Sony and DG are distressingly slack and ponderous, often parodying his famous spirituality on the podium.

I think eveyrthing in this bargain set is of a high standard, not Giulini at his very peak but close.

Splendid EMI Commemorative of Giulini and CSO.......2005-02-22

During the period from 1969 to 1976, distinguished conductor Carlo Maria Giulini made magnificient recordings for both EMI and Deutsche Grammophon with the Chicago Symphony Orchestra, while serving as the orchestra's Principal Guest Conductor. These recordings remain among the most celebrated classical music recordings ever made, most notably his Mahler symphony recordings. In honor of the retired conductor's 90th birthday, EMI has issued most of his finest Chicago Symphony Orchestra recordings; most notably a very intensely lyrical Mahler 1st Symphony that earned a 1971 Grammy Award for best orchestral recording and a fine Brahms 4th Symphony. Often underrated as among the 20th Century's greatest conductors, I am delighted that EMI has recognized Giulini's legacy by issuing this fine 4 CD set.

Genius Well Served.......2004-10-07

Carlo Maria Giulini's long collaboration with the musicians of the Chicago Symphony Orchestra yielded some of the most magnificent performances of the twentieth century. But while the CSO's brilliance was widely known, Giulini's success in focusing attention on the music rather than himself kept his own prodigious talents hidden from portions of the art-music world. This remarkable four-CD set helps to correct that oversight. Included in the collection is the long-overdue reissue of the Giulini-CSO Mahler Symphony #1, which won a Grammy for best orchestral LP in 1971, and a ravishing account of the Brahms Symphony #4, which Giulini first conducted at a concert celebrating the liberation of Rome in 1944.

Giulini performances mesmerized listeners from the opening downbeat, and the spell was rarely broken. Every phrase was shaped, yet sounded entirely natural. The music breathed as if driven by the human soul, rather than by the inanimate metronome. No detail was too small, yet the whole was not lost. The sound had an inner glow, with the viola and cello parts bathing the top and bottom lines with color and warmth. Lyrical passages flowed with a transcendent beauty; fiery sections cut the air with knife-edged precision and power. Climaxes accomplished their purpose without skewing orchestral balances. Through it all, players eagerly and lovingly responded to Giulini's overarching request: "Touch the heart."

Because of his sensitivity to the music's architecture, Giulini preferred to record entire movements in a single take. As such, his performances should be experienced in context, i.e., from beginning to end. Also, Giulini's extraordinary attention to detail is best appreciated in a suitably quiet setting, and on excellent sound equipment.

Giulini sought to make every moment of every performance meaningful and memorable. He loathed the mundane in music-making, and saw his role as "serving genius." Giulini interpretations often left listeners with the sense that they had just heard a great masterpiece for the first time.

"There was never any show about him," longtime Philharmonia Orchestra violinist Gillian Eastwood told WFMT Radio and EMI Classics as part of a four-hour documentary celebrating the now-retired conductor's ninetieth birthday in May 2004. "He was genuine, he was sincere in his music, he worried about everyone individually. The likes of him we shall never, ever see again."

Which is all the more reason to treasure these performances for the ages.

Average customer rating:

tubadude
Gene Pokorny=Pimp
A must for the serious orchestral tuba player!!!

Orchestral Excerpts for Tuba

Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
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ASIN: B0000038JE
Release Date: 1996-03-12

Tracks:

Intro
Con for Orch
Hungarian March
Romeo et Juliet
Symphonic Fantastique
Symphony No. 7
An American in Paris
Symphonic Metamorphosis
The Planets
SympNo. 1
Sym No. 5
SymNo. 6
Pictures at an Exhibition
Romeo and Juliet
Sym No. 5
Fountains of Rome
Also Sprach Zarathustra
Ein Heldenleben
Til Eulenspiegel
Petrouchka
Ein Faust Ov
Prelude Act III, Lohengrin
Die Meistersinger
Ride of the Valkyries

Customer Reviews:

tubadude.......2004-12-29

AMAZING
i did not purchase this from amazon, but rather on a recent trip to new york city, to see the new york philharmonic, after which i got
inspired to be better and then saw this cd, and bought it.
Wow, this is worth every cent! hearing how it "should" sound is immensely helpfull, and the advice with each track is outstanding.
A must-have for anyone considering a serious career in tuba!

Gene Pokorny=Pimp.......2000-03-31

This man is an awesome musician. The spoken commentary is a bit bland, but still informative. Plus he totally tears these excerpts apart and it is fun to try to play along.

A must for the serious orchestral tuba player!!!.......1999-01-10

Mr. Pokorny has created a superior CD of orchestral tuba parts. His spoken comments are insightful and his playing is top notch. As a prospective orchestral tuba player, I have found this CD extremely helpful in my preparation for orchestral auditions. This is a must for the serious tuba player!!!

Tracks:

Requiem
Hungarian March/Sym Fantastique
Con
Sym No.9
Prld Act III, Lohengrin/Ride Of The Valkyries/Tannhauser Ov
Bolero
Sym No.3
Sym No.3
Sym No.1 & 2
Sym No.5
William Tell/La Gazza Ladra
Sym No.3
Sym No.6
Firebird Ste/Petrouchka
Russian Easter/Scheherazade
Till Eulenspiegel/Ein Heldenleben/Sprach Zarathustra
Sym No.4 & 7
Mathis Der Maler/Symphonic Metamorphosis

Average customer rating:

A Good Introduction to Opera

The Yellow Guide-Classical Music

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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The Yellow Guide: Opera
The #1 Opera Album

ASIN: B00000613R
Release Date: 1998-03-17

Tracks:

Missa Papae Marcelli: Kyrie
L'Orfeo: 'In questo lieto e fortunato giorno' (Act 1)
The Four Seasons: 'Winter' RV 297 (Allegro non molto)
Messiah: 'Hallelujah Chorus'
Suite No. 3 In D Major BWV 1068: Air
String Quartet In C Major Op. 76 no. 3 ('Emperor'): Pocoadagio cantabile
Requiem K 626: 'Lacrimosa'
Symphony No.5 In C Minor Op. 67: 1st movement (Allegro con brio)
Caprice No. 24 In A Minor
William Tell: Overture (Excerpt)
Piano Quintet ('The Trout') D 667: 4th Movement (Adantino)
Symphonie Fantastique Op. 14: 2nd movement ('A Ball')
A Midsummer Night's Dream Op. 61: 'Wedding March'
ude en G Sharp Minor Op. 25 No. 6
Kinderszenen Op. 15: 'Traumerei'

Tracks:

Hungarian Rhapsody No. 6 In D Flat Major S 244
Die Walkure: 'Ride Of The Valkyries' (Act 3)
Nabucco: 'Va pensiero, su'II ali dorate' (Act 3)
The Bartered Bride: Overture - Bedrich Smetana
Te Deum: 1st Movement 'Te Deum' - Anton Bruckner
The Blue Danube Op. 314
Symphony No. 3 In F Major Op. 90: 3rd Movement (Poco allegretto)
Carnival Of The Animals: 'The Swan'
Carmen: 'Habanera'
Pictures At An Exhibition: 'The Great Gate Of Kiev'
Symphony N. 5 In E Minor Op. 64: 3rd Movement (Valse)
Symphony No. 9 In E Minor Op. 95 ('From The New World'): 2nd Movement (Largo) (Exerpts)
Peer Gynt Op. 23: 'In The Hall Of The Mountain King'

Tracks:

Madama Butterfly: Act II: Un bel di vedremo
Symphony No. 5: Fourth Movement: (Adagietto)
Preludes Book II: Feux d'artifice
Also Sprach Zarathoustra Op. 30: Introduction
Valse triste Op. 44: 1
Gymnopedie No. 1
Rhapsody On A Theme Of Paganini Op. 43: Variation No. 18
Pavane pour une Infante defunte
Concerto For Orchestra: Second Movement
The Firebird: Infernal Dance
Lulu Suite: Lied der Lulu
Romeo And Juliet Op. 64: Dance Of The Knights
Cuban Overture
Violin Concerto: First Movement

Amazon.com

This latest compilation release from Deutsche Grammophon, hot on the heels of The Yellow Guide to Opera, consists of not only three CDs, but also a 144-page booklet that provides biographies of 100 composers, a glossary explaining 100 musical terms, and notes on each of the 42 tracks on the discs. Aimed, clearly, at newcomers to classical music, the three discs cover almost five centuries of music, arranged chronologically from the Kyrie of Palestrina's Missa Papae Marcelli to Philip Glass's Violin Concerto. Orchestral, chamber, and vocal are all represented, performed by a roster of celebrated names: the Amadeus Quartet, Martha Argerich, the Vienna Philharmonic, and Herbert von Karajan, to name but a few. All in all, a value-for-your-money way to either become more familiar with classical music or glimpse some of the treasures of the DG archive. --Rebecca Agnew

Customer Reviews:

A Good Introduction to Opera.......2002-01-09

For those persons looking for an introduction to Opera this compilation is an excellent beginning. The recording quality is pretty good overall, and the performances are both interesting and satisfying.

I keep listening to these CD's, and they always sound fresh and fun.

Tracks:

I. Bewegt, Nicht Zu Schnell
Ii. Andante Quasi Allegretto
Iii. Scherzo.Bewegt-Trio. Nicht Zu Schnell
Iv. Finale. Bewegt, Doch Zu Nicht Zu Schnell

Customer Reviews:

This is the best if not one of the best recordings of Bruckner's Symphony No. 4.......2007-01-21

This performance of Bruckner's "Romantic" Symphony is as prestigious and golden as the cover itself; the Vienna Philharmonic Orchestra - inarguably one of the greatest orchestras with a rich heritage and close association with several composers including Bruckner - plays with plenty of emotional warmth and power.

The brass section in particular sounds excellent in this recording. Detractors may say it's not as powerful as... let's say the Berlin Philharmonic, or the Chicago Symphony Orchestra. I actually prefer this more balanced "Viennese" sound.

This can be best demonstrated within the development of the first movement; after a stormy section, there is a chorale-like passage. In a remarkable fashion, the warm (and never overpowering) sound of brass and the shimmering sound of the strings results in an organ-like effect. Talk about "Cathedrals of Sound". A truly moving moment, which can only be achieved in certain recordings. The brass-heavy "German" sound given by the Berlin Philharmonic under Karajan, or the Chicago Symphony Orchestra under Barenboim, doesn't give that very sound which continues to fascinate me. Neither the vibrato-filled "American" sound given by Ormandy and the Philadelphia Orchestra. The only other recording I cherish for the balanced sound is... probably to many people's surprise... Esa-Pekka Salonen leading the Los Angeles Philharmonic.

While the first, second, and the last movements are played around average length, Maestro Abbado and his orchestra decided to take the Scherzo one step faster. This picturesque movement of buglers on a hunting game is played with speed and excitement, faster than most other performances (Tintner in particular, which sounds as if the hunters are riding on elephants than on horses), but with just enough brass power you need. It's simply the most exhilerating performance of the Scherzo. I also love how the timpani exaggeratingly play the accents in the end of the "A" sections.

Dont' forget the superb acoustics, done inside the world-class Musikverein concert hall.

Simply, a Bruckner 4 recording one must own!

Musik.... Sprache der Welt (Music.... The Universal Language): Works by Haydn / Mozart / Beethoven / Schubert / Berlioz / Schumann / Brahms / Bruckner Conducted by Fricsay / Jochum / Sanderling / Böhm / Markevitch / Lehmann / Furtwängler

Average customer rating:

Ten CDs of Magical "Musik"

Musik.... Sprache der Welt (Music.... The Universal Language): Works by Haydn / Mozart / Beethoven / Schubert / Berlioz / Schumann / Brahms / Bruckner Conducted by Fricsay / Jochum / Sanderling / Böhm / Markevitch / Lehmann / Furtwängler
Ludwig van Beethoven , Hector Berlioz , Georges Bizet , Johannes Brahms , Anton Bruckner , Franz Joseph Haydn , Wolfgang Amadeus Mozart , Max Reger , Franz Schubert , Robert Schumann , Eugen Jochum , Ferenc Fricsay , Fritz Lehmann , Igor Markevitch , Karl Böhm , Kurt Sanderling , Wilhelm Furtwängler , Bayerischen Rundfunks Sinfonie-orchester , Berliner Philharmoniker , Lamoureux Concert Association Orchestra , Leningrader Philharmonie , RIAS Symphonie-Orchester , Sinfonie-Orchester des Bayersichen Rundfunks , and Wiener Symphoniker
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Musik...Sprache der Welt: Selected Orchestral Recordings II [Box Set]
Tchaikovsky Violin Concerto (Hybr)

ASIN: B0002HACMW
Release Date: 2004-10-12

Customer Reviews:

Ten CDs of Magical "Musik".......2005-12-23

This ten CD boxed set contains the first batch of releases in DG's "Musik...Sprache der Welt" series. Aside from a flimsy paperboard box/container and a booklet featuring an essay on DG's post-WWII recording activities, the packaging is identical to the single disc releases. I have reviewed eight of the ten individual titles included in this collection:

Bohm - Beethoven Syms 5 & 7
Bohm - Brahms Sym 2 / Reger
Furtwangler - Schumann / Haydn
Jochum - Bruckner Sym 9
Jochum - Mozart Syms 33, 36 & 39
Markevitch - Berlioz / Bizet
Markevitch - Schubert Syms 3 & 4
Sanderling - Beethoven Sym 2, Piano Cto 3

Instead of repeating those reviews, please consult the individual Amazon listings. No matter which way you purchase these value-priced classic mono and stereo performances, this is great music not to be missed.

Average customer rating:

500 Classic Masterpieces

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Inventions | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music
ASIN: B00008FZWM
Release Date: 1992-11-04

Track Listings:

Track Listings

track listings

Track Listings

Roll

Symphony 5 / Zero Points

The Original Peacock Recordings

One Night,One Guitar [Live]

From the Pond

Tuck [Explicit Lyrics]

This Is New

The Hyperion Haydn Edition: Symphonies 17 - 21

The Ragged Curtain

Souvenirs: Sublime Music for the Oboe [Import]

The Trio [Live]

Rompiendo Esquemas

Querer Es... 22 Poderosos Exitos

Three Men with the Power of Ten

Reflections of Rosemary

1. Bewegt, Nicht Zu Schnell
2. Andante Quasi Allegretto
3. Scherzo.Bewegt-Trio. Nicht Zu Schnell
4. Finale. Bewegt, Doch Zu Nicht Zu Schnell