Mozart: Symphony Nos. 29 & 41 "Jupiter"; Serenade No. 13
Editorial Reviews
Amazon.com
Otto Klemperer rerecorded these symphonies (and Eine kleine Nachtmusik) in stereo, but many music lovers have fond memories of these marvelous mono recordings, which have been superbly transferred to CD. All of the patented Klemperer virtues are here: solid rhythms, steady tempos, a forward balance for the all-important wind parts, along with a slightly livelier overall approach than in the stereo remakes. No one who loves this music will want to miss this recording. --David Hurwitz
Mozart: Symphony Nos. 29 & 41 "Jupiter"; Serenade No. 13, Music, Wolfgang Amadeus Mozart, Otto Klemperer, Classical, Classical Music, Classical Period Serenade/Cassation/Divertimento, Classical Period Symphony, Orchestral, Symphonic
Average customer rating:
- A good bargain
- Great compilation of Mozart!
- Good collection
- Retrograde Mozart with undeniable heart
- Mozart: The Great Late Symphonies
|
Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
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Similar Items:
- Mozart: The Great Piano Concertos, Vol. 1
- Beethoven: The 9 Symphonies (Collectors Edition)
- Mozart: The Six String Quintets
- Mozart: The Great Piano Concertos, Vol. 2
- Mozart: Violin Concertos
ASIN: B0000942LO
Release Date: 2003-07-01 |
Tracks:
- I. Allegro Con Brio
- II. Andante
- III. Menuetto-Trio
- IV. Allegro
- I. Allegro Moderato
- II. Andante
- III. Menuetto-Trio
- IV. Allegro Con Spirito
- I. Adagio-Allegro
- II. Andante
- III. Presto
Tracks:
- I. Allegro Con Spirito
- II. Andante
- III. Menuetto-Trio
- IV. Presto
- I. Molto Allegro
- II. Andante
- III. Menuetto-Trio
- IV. Presto
- I. Molto Allegro
- II. Andante
- III. Menuetto: Allegretto-Trio
- IV. Allegro Assai
Tracks:
- I. Adagio-Allegro
- II. Andante Cantabile
- III. Menuetto: Allegretto-Trio
- IV. Finale: Allegro
- I. Allegro Vivace
- II. Andnate Cantabile
- III. Menuetto: Allegretto-Trio
- IV. Molto Allegro
Customer Reviews:
A good bargain.......2007-07-11
A bargain set, which whilst quirkily performed (in places), is a never-the-less continually entertaining to re-visit.
Great compilation of Mozart!.......2007-01-12
If you want to get the best of Mozart with a fabulous composer than this cd is the one for you. I am not a music critic, just a biology major who studies well listening to these classics -- they really help keep me focused!! Awsome symphonies at a great price -- what could be better?!?!
Good collection.......2006-12-21
I particularly found Symphonies 25 and 40 to be very nice to listen to. The the rest of them I found to be ok, maybe since I am not a big fan of classical music. I bought this cd because I went to a symphony that played Mozart no. 25 which I enjoyed very much. Hence I decided to try out his other compositions.
Retrograde Mozart with undeniable heart.......2005-12-04
Leonard Bernstein thought that every composer was a romantic because he was. These big, heart-on-sleeve performances of Mozart's great late symphonies use the Vienna Phil. at almost full force--they could slip into the Brahms First without adding personnel. Bernstein lived long enough to theoretically be influenced by the period-instrument movement, but his allegiance never shifted. He belongs with Karajan and Bohm as the last conductors for whom Mozart should sound "important."
At its best, this approach yields romantic depth, perhaps not what Mozart intended but valid in its way. I would rather listen to Bernstein's Mozart symphonies than Karajan's (tending to be slick and glossy, although better than reputed) or Bohm's (brisk and faceless). A new listener should know in advance that the slow movements will be expressively drawn out and the minuets often slow and heavy-footed (these dancers are wearing boots). But Bernstein believes in this music, and he is always genuine. That ocunts for a lot with a composer who used to be played as if he were a porcelain doll and is now too often played as if his divine music were written by a Roccoco computer. Four stars.
Mozart: The Great Late Symphonies.......2004-06-16
What a great album we have here. Leonard Bernstein conducts the later symphonies of Mozart, which are considered to be his most mature and his greatest works for full orchestra. This album is worth the price and a treasure to own for your extensive classical music collection. If you appreciate classical music, you'll truly enjoy this album. Everyone knows that Leonar Bernstein ranks among one of the best conductors of the 20th century, right up there with the great names of Herbert Von Karajan, Bruno Walter, Sir Neville Marriner, all who have held their own when it comes to Mozart's music. Karajan I feel is not quite as good when it comes to Mozart's symphonic works. Bruno Walter and Sir Neville Marriner have long surpassed Karajan in the area of Mozart symphonies. Indeed, if you get the chance be sure to check out symphonies conducted by either Bruno Walter or Sir Neville Marriner. Marriner and the Acadamy Of Saint Martin In The Fields did mostly Mozart and provided the music of the 1984 Milos Forman film Amadeus.
The reason this album is so good is Leonard Bernstein conducting. As a conductor and a musically atuned soul, he seems to really interpret these symphonies perfectly. He gets Mozart. He has captured every note, every vibrato, roulade, flowing lines and bouncy but balanced joy in every allegro movement, such as the first movement of the Prague Symphony No. 38. For contrast, he understood the substance and darkness that seems to be written into the Allegro of the Symphony No. 25. The first movement is meant to sound furious, anguished and complex, and fast in a darker sort of mood. It's one of those rare moments in which Mozart foreshadows the Romantic Era that would begin with Beethoven. Mozart would also do this with the andante of his 21st piano concerto and the opening movement of the Piano Concerto No. 20. The last symphonies 40 and 41, "Haffner" and "Jupiter" are regarded as Mozart's most mature works for the symphony. The orchestra is more panoramic and produces a less lighter texture. The music is a fully developed Mozart in his later years. The Jupiter is his grandest. Its name conjures up the vastness of the planet Jupiter or the majesty of the Roman god Jupiter. Get this album if you're a fan of Mozart and a fan of the conductor Leonard Bernstein who aptly conducted the New York Philharmonic for many years and the Berlin Philharmonic towards the end of his life.
Average customer rating:
- Special performances
- Essential Mozart - crisp, lively and perfect
- With Mozart, Marriner Is First--There Is No Second or Third
- Essential Mozart
- Best Bargin Classicial CD
|
Mozart: Symphony Nos.25, 26, 27, 29 & 32
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
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Similar Items:
- Mozart: The Great Piano Concertos, Vol. 1
- Mozart: The Great Piano Concertos, Vol. 2
- Mozart: Symphonies Nos. 35-41
- Mozart: Violin Concertos
- Mozart: Requiem / McNair, Watkinson, Araiza, Lloyd; Marriner
ASIN: B0000041XL
Release Date: 1991-04-05 |
Tracks:
- Symphony No.25 in G Minor, k183 - 173dB: Allegro con brio
- Symphony No.25 in G Minor, k183 - 173dB: Andante
- Symphony No.25 in G Minor, k183 - 173dB: Menuetto - Trio
- Symphony No.25 in G Minor, k183 - 173dB: Allegro
- Symphony No.26 in E Flat Major, k184 - 161a: Molto presto - Andante - Allegro
- Symphony No.27 In G Major, k199 - 161b: Allegro
- Symphony No.27 In G Major, k199 - 161b: Andantino grazioso
- Symphony No.27 In G Major, k199 - 161b: Presto
- Symphony No.29 In A Major, k201 - 186a: Allegro moderato
- Symphony No.29 In A Major, k201 - 186a: Andante
- Symphony No.29 In A Major, k201 - 186a: Menuetto - Trio
- Symphony No.29 In A Major, k201 - 186a: Allegro con spirito
- Symphony No. 32 In G Major, k318: Allegro spiritoso - Andante - 'Primo tempo'
Customer Reviews:
Special performances.......2007-07-11
I never tire of listening to these beautifully balanced and exciting performances. They ooze musicality and are so satisfying. 29 in A is simply fabulous - amongst the best I've ever heard.
Essential Mozart - crisp, lively and perfect.......2006-03-05
I was lucky to find this CD - the local independent book and music store helped me look up the best recording using The Penguin Companion to Classical Music. This CD was rated highly and so I bought it. Its one of the best classical music CDs that I own. The violins are crisp and clean, the pace is lively and never drags, and there are no errant noises (like coughing) in the background. The music puts a zip in your step and a smile on your face. Its the kind of CD that will make people ask who is that? Because they like it and haven't heard it. A lot of wonderful music for the money, and not a bad song in the bunch.
With Mozart, Marriner Is First--There Is No Second or Third.......2003-11-15
Other than works by Vivaldi (of course), the first movement of Mozart's Symphony No. 25 in G Minor, titled Allegro con brio, is the most joyful piece of orchestral music I've ever heard. Thanks largely to the film AMADEUS, it is familiar to many who otherwise might not listen to or buy classical music. I have compared Neville Marriner's tempo and phrasing with those of at least a dozen other conductors, and the first nine notes tell it all: only Marriner's conducting of it gets a perfect "brio rating" of TEN! In fact, his conducting of ALL of Mozart's symphonies (some of them rather oddly constructed) is consistently excellent. If you ever have the chance to purchase Marriner's CD sets of the complete symphonies of Mozart, by all means do so. In the mean time, this collection of five will give you hundreds of hours of intense enjoyment.
Essential Mozart.......2001-08-04
This is one of my favorite recordings of some of my favorite Mozart symphonies. These symphonies are from the middle period of his life, and they show Mozart's attainment of a new level of skill and sophistication in his orchestral works. They also show the classical symphony taking it's final form(the final form of the classical symphony was actually Haydn's creation, but Mozart was a follower of Haydn's works) of four movements with the first and the fourth being fast, the second being slow and the third being a dancing minuet. (It is also of minor interst that Symphony 25 is in a minor key, because an intersting fact is that Mozart was the only composer of the classical era to consistantly write works in both major and MINOR keys. Most composers stuck to major keys, thus producing mostly cheery and uplifting, often comical works). The performance of The Academy of St. Martin in the Fields is superb, under the conduction of Marriner, one of the century's great Mozart conductors. The playing is superb and in classical style(not romanticized like so many other conductors tend to do to Mozart). The sound is also great. The recording is clear and loud thanks to the church's acoustics (I believe these are recorded in St Martin's church) and the amazing analog to digital transfer. This disc is a must have for anybody, Mozart fans and non-fans alike.
Best Bargin Classicial CD.......2001-06-05
This CD is outstanding. From the thrill of the opening of Symphony 23 to the playing of # 32, this CD provides a superb listening experience.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- Mozart for everyone!
- "Genius"
- A true celebration of Mozart's music
- This needs to have a 10 star rating!
- Top-Chart Album of the 80's That Made Classical Music Sell !!
|
Amadeus: The Complete Original Soundtrack Recording
Manufacturer: Fantasy
ProductGroup: Music
Binding: Audio CD
Dances
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All Works by Wolfgang Amadeus Mozart
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Similar Items:
- Amadeus - Director's Cut (Two-Disc Special Edition)
- Immortal Beloved / Sir Georg Solti (film 1994)
- Amadeus: More Music From The Original Soundtrack Of The Film Amadeus
- Mozart: Requiem / McNair, Watkinson, Araiza, Lloyd; Marriner
- Immortal Beloved
ASIN: B000000XBV
Release Date: 1991-07-01 |
Tracks:
- Symphony No. 25 In G Minor, (1st Movement)
- Stabat Mater; Quando Corpus Morietur And Amen
- Bubak And Hungaricus
- Serenade For Winds, (3rd Movment)
- The Abduction From The Seraglio, (Turkish...)
- The Abduction From The Seraglio (Chorus Of...)
- Caro Mio Bene
- Mass In C Minor
- Concerto For Flute And Harp, (2nd Movement)
- Concerto For Two Pianos, (3rd Movement)
Tracks:
- Symphony No. 29 In A, (1st Movemnet, Allegro Mod.)
- Piano Concerto In E Flat, (3rd Movement)
- The Marriage Of Figaro, Act III, Ecco La Marcia
- The Marriage Of Figaro, Act IV, Ah Tutti Contenti
- Axur, Finale
- Piano Concerto In D Minor, (1st Movement)
- Zaide; Aria, Rhue Sanft
- Don Giovanni, Act II, Commendatore Scene
- Eine Kleine Nachtmusik, Serenade, (1st Movement)
Tracks:
- Symphonie Concertante, (1st Movement)
- Masonic Funeral Music
- The Magic Flute, Overture
- The Magic Flute, Aria (No. 14), Queen Of The Night
- Six German Dances
- Introitus, (Orchestral Introduction)
- Dies Irae
- Rex Tremendae Majestatis
- Confutatis
- Lacrymosa
- Piano Concerto In D Minor, (2nd Movement) Romanza
Amazon.com
Director Milos Forman's rewarding 1984 film adaptation of playwright Peter Shaffer's Tony-winning play won no fewer than 10 Academy Awards (including Best Film, Best Actor, and Best Director); only Wolfgang himself (and his filmic counterpart, Tom Hulce) seemed to get overlooked by the Academy. This expanded three-disc set contains all of Sir Neville Marriner's crisp, accurate readings of the excerpted Mozart symphonies, concertos, serenades, and operas (including marvelous portions of The Abduction of Seraglio, Don Giovanni, and The Magic Flute) used in the film. The success of Amadeus spurred a long-overdue renaissance of interest in classical music, and one would be hard-pressed to find a richer, more concise introduction to the intoxicating music and frustrating bundle of moral contradictions that was Wolfgang Amadeus Mozart. --Jerry McCulley
Customer Reviews:
Mozart for everyone!.......2007-07-20
Unlike an in depth study of his genius, this is a very well put together sampler of Mozart. Performance and sound quality are both excellent. The non Mozart selections included in the set are also very enjoyable. My only wish is that the 3 disc set were a 10 disc set. Enjoy
"Genius".......2007-02-02
This is a GREAT CD! It has wonderful music from the movie "Amadaeus" which is the BEST movie ever! This music is so fine that it lifts your heart into happiness when you listen to it. You can just tell immediately that this is "the voice of God". And for one man to make such wonderful music in a flash, its just pure genius.
Thanks to the wonderful music that a talented man has brought to us.
A true celebration of Mozart's music.......2006-10-22
I think it was at age 12 when I first saw Amadeus, and I remember immediately asking for a recording of the Requiem (a bit of sombre for a 12-year old I know, but just to demonstrate the impact of the piece..), but I think it wasn't until the third time that I saw the film (at age 30, if you were wondering) that something hit me; It's hard to say why only now (maturity?), since I've always loved Mozart's music and have already owned several recordings of the Requiem, Bohm's 35-41 symphonies and Arthur Grumiaux's wonderful violin concertos with the Sinfonia Concertante. But appreciating the movie as an adult was a different experience, recognizing what a fabulous work Marriner and his Academy have done by delivering so successfully what Mozart was all about. I think that the brilliance of this recording is that it succeeds in providing Mozart's essence through emphasis on the hidden gems of his music, while avoiding being another banal "Greatest Hits" compilation; and sewing together such a diverse array of pieces so gracefully into one recording is not a trivial task, but in Marriner's case it seems completely flawless - because what holds all the pieces here together is what this music is all about - grace, beauty, humor and love.
This needs to have a 10 star rating!.......2006-01-20
There are many great composers, but Wolfie's music is just incredible. There are a few of his operas that I don't care for but most of it is pure bliss to listen to. Do yourself a huge favor and purchase this CD or the gold extended version. You won't be sorry-unless you don't have any taste. In which case, there is nothing the rest of us can do to help you. But the local pharmacist might. . .
Top-Chart Album of the 80's That Made Classical Music Sell !!.......2005-07-31
In 1984, Milos Forman's film Amadeus, based on the hit Broadway play by Peter Schaffer, made it to the big screen with resounding success nationwide. When the soundtrack was released, it was a top seller and even found itself selling as much as such popular 80's artists as Madonna. The music from this well-made film, mostly Mozart but used some Classical-Era works by Salieri, Pergolesi and Salieri- hooked young people into classical music when they might have otherwise never given it a chance.
In the film, Mozart's music is used for dramatic effect and for ambiance. Vienna in the 1780's was the home of a blooming musical scene that would later see the likes of Beethoven. This musical kingdom is well captured in the soundtrack, which features tantalizing excerpts from Mozart's most illustrious works. The film opens to the frenzied, dark strains of the 1st movement of the 25th Symphony, as a crazed Salieri is taken from his home to a mental asylum after an attempted suicide. It goes on to use the religious music of Pergolesi Ave Verum and Amen - boys chorus as Salieri contemplates a life of chastity and dedication to music if God grants him talent. Then we leave Salieri's world of spirituality and desire for fame when we are introduced to the young Mozart. The Serenade for Winds "Gran Partita" is heard - an oboe, clarinets, "like a rusty squeezebox" and fills the air with sublime serenity. This coming from a composer who began his career at the age of 4 who was already trained in piano and violin, and who in his teens composed symphonies and operas. Salieri's works are no longer heard as Mozart's brilliant music takes over the score. We hear breathaking slices of his famous operas in chronologically composed order- the German opera Abduction From The Seraglio which was composed for the soprano Katerina Cavalieri (who has a fling wit Mozart and whom Salieri desired for himself), Figaro's Wedding and Finale from Le Nozze Di Figaro and the dramatic Commandatore Dinner Scene from Don Giovanni, and lastly the Queen of the Night Aria and Papageno's Aria from his enchanting and spiritual work The Magic Flute. Further to these famous works, which also include the Piano Concerto in D No. 20- which prefigured Romantic piano concertos of Beethoven flair, and the Eine Kleine Nachtmusiz which is Mozart's most famous tune and signature theme, we are treated to rare works in Mozart's ouevre. This includes the Masonic Funeral March, a funeral piece Mozart wrote for his fellow Masons. Divertimenti is heard in a latter scene in which Mozart's wife Constanza escapes her woes with Mozart and indulges in a spa. Chamber works, the heartwarming Flute concerto and even the rare Salieri opera Axur (then considered the greatest opera ever made, according to Emperor Joseph) all make up for a great recording album. This album now exists in extended form for the Bicentennial. The movie is a perfect companion to this album.
Average customer rating:
- The original, original instrument take
- The most complete set of Mozart symphonies ever recorded
- Indispensable
- Ok, but....
- A milestone set, and worthy of all praise
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Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood
Wolfgang Amadeus Mozart , The Academy of Ancient Music , Christopher Hogwood , and Jaap Schroder
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
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Similar Items:
- Beethoven - The Symphonies / Augér, Robbin, Rolfe Johnson, Reinhart, AAM, Hogwood
- Mozart - Requiem / Kirkby · Watkinson · Rolfe Johnson · D. Thomas · AAM · Hogwood
- Mozart: The Piano Concertos
- Mozart - Clarinet Concerto & Oboe Concerto / Pay, Piguet, AAM, Hogwood
- Complete Mozart Symphonies / Pinnock, English Concert
ASIN: B000004CYS
Release Date: 1997-06-24 |
Tracks:
- Symphony No. 1 In E Flat Major, K.16: I. Allegro molto
- Symphony No. 1 In E Flat Major, K.16: II. Andante
- Symphony No. 1 In E Flat Major, K.16: III. Presto
- Symphony No. 4 In D Major, K.19: I. Allegro
- Symphony No. 4 In D Major, K.19: II. Andante
- Symphony No. 4 In D Major, K.19: III. Presto
- Symphony In F Major, K.19a-Anh.223: I. Allegro assai
- Symphony In F Major, K.19a-Anh.223: II. Andante
- Symphony In F Major, K.19a-Anh.223: III. Presto
- Symphony No. 5 In B Flat Major, K.22: I. Allegro
- Symphony No. 5 In B Flat Major, K.22: II. Andante
- Symphony No. 5 In B Flat Major, K.22: III. Allegro molto
- Symphony In D Major, K.32: I. Molto allegro
- Symphony In D Major, K.32: II. Andante
- Symphony In D Major, K.32: III. Menuetto & Trio
- Symphony In D Major, K.32: IV. Finale
- Symphony In D Major, K.81-K.783l: I. Allegro
- Symphony In D Major, K.81-K.783l: II. Andante
- Symphony In D Major, K.81-K.783l: III. Allegro molto
- Symphony In D Major, K.97-K73m: I. Allegro
- Symphony In D Major, K.97-K73m: II. Andante
- Symphony In D Major, K.97-K73m: III. Menuetto & Trio
- Symphony In D Major, K.97-K73m: IV. Presto
Tracks:
- Symphony In D Major, K.95-K73n: I. Allegro
- Symphony In D Major, K.95-K73n: II. Andante
- Symphony In D Major, K.95-K73n: III. Menuetto & Trio
- IV. Presto
- Symphony No. 11 In D Major, K.84-K73q: I. Allegro
- Symphony No. 11 In D Major, K.84-K73q: II. Andante
- III. Allegro
- Symphony No. 10 In G Major, K.74: I. Allegro - Andante
- Symphony No. 10 In G Major, K.74: II. Rondo (Allegro)
- Symphony In D Major, K.87-K74a: I. Allegro
- Symphony In D Major, K.87-K74a: II. Andante grazioso
- Symphony In D Major, K.87-K74a: III. Presto
- Symphony In D Major, K.120-K.111-111a: I. Allegro assai
- Symphony In D Major, K.120-K.111-111a: II. Andante grazioso
- Symphony In D Major, K.120-K.111-111a: III. Presto
- Symphony In C Major, K.96-K.111b: I. Allegro
- Symphony In C Major, K.96-K.111b: II. Andante
- Symphony In C Major, K.96-K.111b: III. Menuetto & Trio
- Symphony In C Major, K.96-K.111b: IV. Allegro molto
- Symphony No. 13 In F Major, K.112: I. Allegro
- Symphony No. 13 In F Major, K.112: II. Andante
- Symphony No. 13 In F Major, K.112: III. Menuetto & Trio
- Symphony No. 13 In F Major, K.112: IV. Allegro molto
Tracks:
- Symphony In C Major, K.35: Sinfonia: Allegro
- Symphony In D Major, K.38: Intrada: Allegro
- Symphony In D Major, K.200-K62a: I. Serenata: Allegro
- Symphony In D Major, K.200-K62a: II. Menuetto &Trio
- Symphony In D Major, K.200-K62a: III. Andante
- Symphony In D Major, K.200-K62a: IV. Menuetto & Trio
- Symphony In D Major, K.200-K62a: V. Allegro
- Symphony No. 9 In C Major, K.73: I. Allegro
- Symphony No. 9 In C Major, K.73: II. Andante
- Symphony No. 9 In C Major, K.73: III. Menuetto & Trio
- Symphony No. 9 In C Major, K.73: IV. Allegro molto
- Symphony In D Minor, K.118-K74c: Overture: Allegro - Andante - Presto
- Symphony In F Major, K.75: I. Allegro
- Symphony In F Major, K.75: II. Menuetto & Trio
- Symphony In F Major, K.75: III. Andantino
- Symphony In F Major, K.75: IV. Allegro
- Symphony No. 12 In G Major, K.110-K75b: I. Allegro
- Symphony No. 12 In G Major, K.110-K75b: II. Andante
- Symphony No. 12 In G Major, K.110-K75b: III. Menueto & Trio
- Symphony No. 12 In G Major, K.110-K75b: IV. Allegro
Tracks:
- Symphony No. 14 In A Major, K.114: I. Allegro moderato
- Symphony No. 14 In A Major, K.114: II. Andante
- Symphony No. 14 In A Major, K.114: III. Menuetto & Trio
- Symphony No. 14 In A Major, K.114: IV. Molto allegro
- Symphony No. 14 In A Major, K.114: V. Anhang: Menuett K.61g
- Symphony No. 15 In G Major, K.124: I. Allegro
- Symphony No. 15 In G Major, K.124: II. Andante
- Symphony No. 15 In G Major, K.124: III. Menuetto & Trio
- Symphony No. 15 In G Major, K.124: IV. Presto
- Symphony No. 16 In C Major, K.128: I. Allegro maestoso
- Symphony No. 16 In C Major, K.128: II. Andante grazioso
- Symphony No. 16 In C Major, K.128: III. Allegro
- Symphony No. 17 In G Major, K.129: I. Allegro
- Symphony No. 17 In G Major, K.129: II. Andante
- Symphony No. 17 In G Major, K.129: III. Allegro
Tracks:
- Symphony No. 18 In F Major, K.130: I. Allegro
- Symphony No. 18 In F Major, K.130: II. Andantino grazioso
- Symphony No. 18 In F Major, K.130: III. Menuetto & Trio
- Symphony No. 18 In F Major, K.130: IV. Molto allegro
- Symphony No. 19 In E Flat Major, K.132: I. Allegro
- Symphony No. 19 In E Flat Major, K.132: II. Andante
- Symphony No. 19 In E Flat Major, K.132: III. Menuetto & Trio
- Symphony No. 19 In E Flat Major, K.132: IV. Allegro
- Symphony No. 19 In E Flat Major, K.132: Anhang: Andantino grazioso (substitute slow movement)
- Symphony In D Major, K.185-K167a: I. Allegro assai
- Symphony In D Major, K.185-K167a: II. Andante grazioso
- Symphony In D Major, K.185-K.167a: III. Menuetto & Trio
- Symphony In D Major, K.185-K167a: IV. Adagio - Allegro assai
Tracks:
- Symphony No. 20 In D Major, K 133: I. Allegro
- Symphony No. 20 In D Major, K 133: II. Andante
- Symphony No. 20 In D Major, K 133: III. Menuetto And Trio
- Symphony No. 20 In D Major, K 133: IV. Allegro
- Symphony No. 21 In A Major, K 134: I. Allegro
- Symphony No. 21 In A Major, K 134: II. Andante
- Symphony No. 21 In A Major, K 134: III. Menuetto And Trio
- Symphony No. 21 In A Major, K 134: IV. Allegro
- Symphony In D Major, K 135: I. Molto allegro
- Symphony In D Major, K 135: II. Andante
- Symphony In D Major, K 135: III. Molto allegro
- Symphony In D Major, K 161 - K 163 - K 141a: I. Allegro moderato
- Symphony In D Major, K 161 - K 163 - K 141a: II. Andante
- Symphony In D Major, K 161 - K 163 - K141a: III. Presto
Tracks:
- Symphony No. 26 In E Flat Major, K 184 , K 161a: Molto presto - Andante - Allegro
- Symphony No. 27 In G Major, K 199 , K 161b: I. Allegro
- Symphony No. 27 In G Major, K 199 , K 161b: II. Andantino grazioso
- Symphony No. 27 In G Major, K 199 , K 161b: III. Presto
- Symphony No. 22 In C Major, K 162: I. Allegro assai
- Symphony No. 22 In C Major, K 162: II. Andantino grazioso
- Presto assai
- Symphony In D Major, K 181, K 162b: I. Allegro spiritoso
- Symphony In D Major, K 181, K 162b: II. Andantino grazioso
- Symphony No. 24 In B Flat Major, K 181, K 162b: III. Presto assai
- Symphony No. 24 In B Flat Major, K 182, K 173dA: I. Allegro spiritoso
- Symphony No. 24 In B Flat Major, K 182, K 173dA: II. Andantino grazioso
- Symphony No. 24 In B Flat Major, K 182, K 173dA: III. Allegro
Tracks:
- Symphony No. 25 In G Minor, K 183, K 173dB: I. Allegro con brio
- Symphony No. 25 In G Minor, K 183, K 173dB: II. Andante
- Symphony No. 25 In G Minor, K 183, K 173dB: III. Menuetto And Trio
- Symphony No. 25 In G Minor, K 183, K 173 dB: IV. Allegro
- Symphony No. 29 In A Major, K 201, K 186a: I. Allegro moderato
- Symphony No. 29 In A Major, K 201, K 186a: II. Andante
- Symphony No. 29 In A Major, K 201, K 186a: III. Menuetto And Trio
- Symphony No. 29 In A Major, K 201, K 186a: IV. Allegro con spirito
Tracks:
- Symphony No. 30 In D Major, K 202 , K 186b: I. Molto allegro
- Symphony No. 30 In D Major, K 202, K 186b: II. Andantino con moto
- Symphony No. 30 In D Major, K 202, K 186b: III. Menuetto And Trio
- Symphony No. 30 In D Major, K 202, K 186b: IV. Presto
- Symphony In D Major, K 203, K 189b: I. Andante maetoso - Allegro assai
- Symphony In D Major, K 203, K 189b: II. Andante
- Symphony In D Major, K 203, K 189b: III. Menuetto And Trio
- Symphony In D Major, K 203, K 189b: IV. Prestissimo
Tracks:
- Symphony No. 28 In C Major, K 200, K 189k: I. Allegro spriritoso
- Symphony No. 28 In C Major, K 200, K 189k: II. Andante
- Symphony No. 29 In C Major, K 200, K 189k: III. Menuetto (Allegretto) And Trio
- Symphony No. 28 In C Major, K 200, K 189k: IV. Presto
- Symphony In D Major, K 121, K 207a: I. Allego molto
- Symphony In D Major,K 121, K 207a: II. Andante grazioso
- Symphony In D Major, K 121, K 207a: III. Allegro
- Symphony In D Majr, K 204,K 213a: I. Allegro assai
- Symphony In D Major, K 204, K 213a: II. Andante
- Symphony In D Major, K 204, K 213a: III. Menuetto And Trio
- Symphony In D Major, K 204, K 213a: IV. Andantino grazioso - Allegro
Tracks:
- Symphony In C Major, K 208, K 213c: I. Molto allegro
- Symphony In C Major, K 208, K 213c: II. Andantino
- Symphony In C Major, K 208, K 213c: III. Presto assai
- Symphony In D Jaor, K 250, K 249b (Haffner Serernade): I. Allegro maestoso - Allegro molto
- Symphony In D Major, K 250, K 248b (Haffner Serenade): II. Menuetto galante And Trio
- Symphony In D Major, K 250, K 248b (Haffner Serenade): III. Andante
- Symphony In D Major, K 250, K 248b (Haffner Serenade): IV. Menuetto And 2 Trios
- Symphony In D Major, K 250, K 248b (Haffner Serenade): V. Adagio - Allegro assai
- Symphony No. 32 In G Major, K 318: I. Allegro spiritoso
- Symphony No. 32 In G Major, K 318: II. Andante
- Symphony No. 32 In G Majaor, K 318: III. Tempo primo
Tracks:
- Symphony No. 33 In B Flat Major, K 319: I. Allegro assai
- Symphony No. 33 In B Flat Major, K 319: II. Andante moderato
- Symphony No. 33 In B Flat Major, K 319: III. Menuetto And Trio
- Symphony No. 33 In B Flat Major, K 319: IV. Allegro assai
- Symphony In D Major, K 320 (Posthorn Serenade): I. Adagio maestoso - Allegro con spirito
- Symphony In D Major, K 320 (Posthorn Serenade): II. Andantino
- Symphony In D Major, K 320 (Posthorn Serenade): III. Presto
- Symphony No. 34 In C Major, K 338: I. Allegro vivace
- Symphony No. 34 In C Major, K 338: II. Andante di molto piu tosto allegretto
- Symphony No. 34 In C Major, K 338: III. Allegro vivace
Tracks:
- March In D Major, K 408, No. 2, K 385a
- Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: I. Allegro con spirito
- Symphony No. 25 In D Major, 'Haffner' (First Version), K 385: II. Andante
- Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: III. Menuetto And Trio
- Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: IV. Presto
- Symphony No. 36 In Major, 'Linz', K 425: I. Adagio - Allegro spiritoso
- Symphony No. 36 In C Major, 'Linz', K 425: II. Andante
- Symphony No. 36 In C Major, 'Linz', K425: III. Menuetto And Trio
- Symphony No. 36 In C Major, 'Linz', K 425: IV. Presto
Tracks:
- Symphony No. 31In D Major, 'Paris' (First Version), K 297, K 300a: I. Allegro vivace
- Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: II. Andante
- Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: III. Allegro
- Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: I. Allegro con spirito
- Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: II. (Andante)
- Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: III. Menuetto And Trio
- Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: IV. Finale (Presto)
- Symphony No. 38 In D Major, 'Prague', K 504: I. Adagio - Allegro
- Symphony No. 38 In D Major, 'Prague', K 504: II. Andante
- Symphony No. 38 In D Major, 'Prague', K504: III. Presto
Tracks:
- Symphony No. 39 In E Flat Major, K 543: I. Adagio - Allegro
- Symphony No. 39 In E Flat Major, K 543: II. Andante con moto
- Symphony No. 39 In E Flat Major, K 543: III. Menuetto And Trio (Allegretto)
- Symphony No. 39 In E Flat Major, K 543: IV. Finale (Allegro)
- Symphony No. 40 In G Minor (First Version), K 550: I. Molto allegro
- Symphony No. 40 In G Minor (First Version), K 550: II. Andante
- Symphony No. 40 In G Minor (First Version), K 550: III. Menuetto And Trio (Allegretto)
- Symphony No. 40 In G Minor (First Version), K 550: IV. Allegro assai
Tracks:
- Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: I. Allegro assai
- Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: II. Andante
- Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: III. Allegro
- Symphony No. 41 In C Major, 'Jupiter', K 551: I. Allegro vivace
- Symphony No. 41 In C Major, 'Jupiter', K 551: II. Andante cantabile
- Symphony No. 41 In C Major, 'Jupiter', K 551: III. Menuetto And Trio (Allegretto)
- Symphony No. 41 In C Major, 'Jupiter', K 551: IV. Molto allegro
Tracks:
- Symphony In A Minor, 'Odense', K 16a, Anh. 220: I. Allegro moderato
- Symphony In A Minor, 'Odense', K 16a, Anh. 220: II. Andantino
- Symphony In A Minor, 'Odense', K 16a, Anh. 220: III. Rondo: Allegro moderato
- Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: I. Allegro maestoso
- Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: II. Andante
- Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: III. Molto allegro
- Symphony In F Major, K 76, K 42a: I. Allegro maestoso
- Symphony In F Major, K 76, K 42a: II. Andante
- Symphony In F Major, K 76, K 42a: III. Menuetto And Trio
- Symphony In F Major, K 76, K 42a: IV. Allegro
- Symphony No. 6 In F Major, K 43: I. Allegro
- Symphony No. 6 In F Major, K 43: II. Andante
- Symphony No. 6 In F Major, K 43: III. Menuetto And Trio
- Symphony No. 6 In F Major, K 43: IV. Allegro
Tracks:
- Symphony In G Major, 'Neue Lambach': I. Allegro
- Symphony In G Major, 'Neue Lambach': II. Andante un poco allegretto
- Symphony In G Major, 'Neue Lambach': III. Menuetto And Trio
- Symphony In G Major, 'Neue Lambach': IV. Allegro
- Symphony No. 7 In D Major, K 45: I. Allegro
- Symphony No. 7 In D Major, K 45: II. Andante
- Symphony No. 7 In D Major, K 45: III. Menuetto And Trio
- Symphony No. 7 In D Major, K 45: IV. Finale
- Symphony In B Flat Major, K 45b, Anh. 214: I. Allegro
- Symphony In B Flat Major, K 45b, Anh. 214: II. Andante
- Symphony In B Flat Major, K 45b, Anh. 214: III. Menuetto And Trio
- Symphony In B Flat Major, K 45b, Anh. 214: IV. Allegro
- Symphony In D Major, K 51, K 46a: I. Molto allegro
- Symphony In D Major, K 51, K 46a: II. Andante
- Symphony In D Major, K 51, K 46a: III. Molto allegro
- Symphony No. 8 In D Major, K 48: I. Allegro
- Symphony No. 8 In D Major, K 48: II. Andante
- Symphony No. 8 In D Major, K 48: III. Menuetto And Trio
- Symphony No. 8 In D Major, K 48: IV. Allegro
Tracks:
- Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: I. Allegro
- Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: II. Andante
- Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: III. Menuetto And Trio
- Symphony In B Flat Major, Anh. C11.03, Anh. 215, K 3 - 74g: IV. Allegro molto
- Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: I. Adagio maestoso - Allegro con spirito
- Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: II. Andante sostenuto
- Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: III. Finale (Allegro molto)
- Symphony No. 40 In G Minor (Second Version), K 550: I. Molto allegro
- Symphony No. 40 In G Minor (Second Version), K 550: II. Andante
- Symphony No. 40 In G Minor (Second Version), K 550: III. Menuetto And Trio (Allegretto)
- Symphony No. 40 In G Minor (Second Version), K 550: IV. Allegro assai
Amazon.com essential recording
This was the set that really got the "authentic instrument" craze going. It was a big, ambitious project that promised a fresh look at familiar music, as well as lots of exciting new discoveries. Christopher Hogwood tailored his forces to match what we know of the actual size and constitution of the orchestras of the period, and since Mozart wrote symphonies in every country in Europe, including England, France, Italy, Germany, Austria and Czechoslovakia, the result is practically a blueprint of 18th-century orchestral practice. Then everyone else got into the act, and these performances sort of fell off the musical map. Listening to them again, one finds they hold up rather well. There's still the sense of discovery, and of course the music itself is glorious. At budget price, this is history in sound. --David Hurwitz
Customer Reviews:
The original, original instrument take.......2007-05-03
A few months ago I bought the Trevor Pinnock Mozart Complete Symphonies (11 cds) and the 250th Anniversary Edition Mozart Symphonies (8 cds) that is not quite a complete symphony cycle. The Anniversary Edition features Harnoncourt on about 5 of the 8 discs. I also have his two CD twofers that cover the early symphonies. So, I more or less ended up with two complete renditions of Mozart's symphonies. I first bought the Harnoncourt early symphony 2fer and enjoyed it enough to buy volume two. This led me to buy the 250 Anniversay 8 cd set. I have not in the least regretted these purchases!
Harnoncourt is the most radical of these three original instrument takes on Mozart, especially in the late symphonies. For example, listen to symphony 29 by each of these three sets and compare them to the Karl Bohm benchmark 29th. Harnoncourt is Ricky Racer and Bohm is Mr. Serene and Majestic.
Obviously, price is only one of the factors in buying. The AAM costs more but has almost twice the music. The AAM set is probably the more collectable since they got there first. This set was issued in multiple lp boxes way back when and I recently watched just one of these boxes, unopened, go for over 80 bucks at EBAY.
There really is quite a sound difference between modern and original instruments. Rhapsody has the Mozart Horn Concertos posted by the AAM using an apparently valveless horn. Listen to this very squeaky rendition and compare it to Brain's to get a feel for the difference. They also have the Philips Complete Mozart Piano Concerto box that features a pianoforte on disc one of concertos 1 to 4. This instrument sounds more like a harpsichord than a piano and took some adjusting to get used to. The Smithsonian put out on vinyl (circa 1980) The Six Brandenburg Concerti by Bach on original instruments. The booklet gives quite a bit of info on the differences in instruments between modern and original. Here are a few snippets: "The brass instruments were, until the 19th century, valveless." This reduced the number of notes available. "The wind instruments of Bach's time had few keys--the transverse flute had one, the oboe two or three, and the bassoon three--calling for contrived fingerings to cover the full chromatic scale." "The music produced by a Baroque bow is characteristically tapered in shape, with great potential for a lively distinction between notes."
The bottom line for me is that Mozart, when well played, conducted, and recorded, sounds great--be it original instruments or modern. Having both modern and original choices is great. Life is wonderful with changes in flavor. I have only listened once to the AAM Mozart symphonies and have not done a compare and contrast between these and Pinnock's, etc. I was impressed by the consistency in performance and that being very good. It is really quite a feat to put out 19 cds and have them sound great from stem to stern. As an ADD recording, these give the DDDs a run for the money. The AAM Mozart Symphony cycle is posted at Rhapsody so you can look before you leap if you are in the market.
The most complete set of Mozart symphonies ever recorded.......2006-08-10
This massive 19 CD collection contains 71 symphonies!
Yes, all 41 of the usual symphonies are here, but another 27 symphonic works are presented, as well as alternative versions of symphonies Nos. 31, 35 & 40. The works are all recorded on period instruments (or modern copies of 18th century instruments) and the orchestra is accompanied throughout by harpsichord continuo. The sounds of the various sections of the orchestra are full of colour and character - the wind and brass players, in particular, make this set such a delightful one.
I also have the Pinnock recording, which contains only the standard 41 symphonies and it is every bit as good. I can really make up my mind which I prefer, although Pinnock's reading of symphony No. 40 is sublime - particularly in the beautiful slow movement. However, Hogwood and his Academy of Ancient Music play almost all these symphonies with great gusto and style. As another reviewer said, Hogwood allows his musicians to simply play the music and let Mozart's music live in a natural and "organic" way, with minimal interference from the conductor.
Each work tells a story and the recordings of these works remind us of the fact that Mozart wasn't some sort of proto-Beethoven, rather, his music was more like the culmination of many 18th century currents, trends and ideas - "Baroque music on steroids", even! ;-))
This is a set which is very close to my heart and I consider it one of the treasures in my home. I return to it often - at any time of the day or night.
Indispensable .......2004-11-13
This set is indispensable for anyone who seriously wants to have a complete Mozart collection. It contains every symphonic work written by Mozart, including second versions of certain late symphonies.
The playing is "alive" and fresh, the sound is full, warm and clear. What you get is not Hogwood's "interpretation"...but music and just the music, this guy understands Mozart and just lets these musicians play with joy, spontaneity, meaning and feeling. I didn't think they would be so good! There are times when you don't even notice that they're playing on period instruments.
This set is completely satisfying and I'm glad I own it. It's a pricy box set, but totally worth it...try to find it used and bask in the glory of Mozart.
Ok, but...........2004-06-30
I will qualify this review by saying that I have not by any means listened to every single symphony on this recording. I listened to several of the symphonies from this set for a conducting class, and spent a considerable amount of time comparing them with other recordings for phrase structure, dynamics, etc. My conclusion:
Overall, I am personally just not impressed by Hogwood. His handling of the phrases is rough, and the music just doesn't seem polished. Occasionally the balance is questionable (for example, several clarinet passages in the first movement of the 39th stick out), and at other points I get the impression that he put little planning into the organization of strong and weak bars. Perhaps it is mostly personal preference, but other conductors really do sound better.
I think that this recording has its place, as there are few boxed sets of all of Mozart's symphonies available, and certainly there was some groundbreaking period instrument work here. I would, however, strongly recommend that anyone considering purchasing this set actually obtain a copy first from a library to decide if this is really what they want.
A milestone set, and worthy of all praise.......2004-04-29
In the 1970s, the Hungarian conductor Antal Dorati recorded all of the 104 symphonies of Franz Joseph Haydn (Amazon asin # B0000042DP). The era of "epic" integral collections was ignited. Many thought the vast majority of Haydn's symphonies would be boring, cookie-cutter works rolled out in almost assembly-line fashion. But Dorati, with excellent help from the Haydn scholar H. C. Robbins Landon, would disprove all of that, and show that there is not a dud in the whole collection. And Dorati's readings have stood the test of time.
Dorati's achievement marked the beginning of an ea that in the next 2 decades would see complete integral sets of the works of every major composer, culminating ultimately in the 1980s with Phiips complete Mozart Edition.
Shortly after Dorati finished his massive project, the Academy of Ancient Music embarked on a complete traversal of all of the "symphonies" of Mozart on period instruments, the currently reviewed item. Not just the traditional 41, but also many lesser know works. More fascinating music was unearthed. But, the milestone of this set is not the discovery of forgotten masterpieces. That had become a common daily occurence. It was the period instrument movement instead that was set free by Hogwood's achievement. With this project, Hogwood did for period instruments what Dorati did for integral cycles of lesser known works. The period instrument movement had been around for a long time. But it never quite could hit "mainstream" until Hogwood made these recordings. And ever since, period instruments have flourished.
There are better recordings of many of the works in this set, both on period instruments and conventional instruments. But the consistency that runs through the set brings an appreciation for Mozart's Symphonies that is unparallelled.
The set is competitively priced, the sound is very good throughout, there is decent documentation.
Average customer rating:
- Well-played and polished...maybe a little *too* polished
- Great music interpreted well
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Mozart: Symphony Nos.25, 29, 38 & 40/Serenata Notturna In D Major
Wolfgang Amadeus Mozart , English Chamber Orchestra , Cecil Aronowitz , Adrian Beers , Emanuel Hurwitz , Raymond Keenlyside , and Benjamin Britten
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mozart: Symphonies Nos. 36 & 38
- Mozart: Symphonies No.25, No.28 & No.29
- Tschaikovsky: Ballet Suites / Rostropovich, Berlin Philharmonic Orchestra
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ASIN: B00000426O
Release Date: 1995-04-11 |
Tracks:
- Symphony No.25 In G Minor, K183: I. Allegro con brio
- Symphony No.25 In G Minor, K183: II. Andante
- Symphony No.25 In G Minor, K183: III. Menuetto e Trio
- Symphony No.25 In G Minor, K183: IV. Allegro
- Serenata Notturna In D Major, K239: I. Marcia: Maestoso
- Serenata Notturna In D Major, K239: II. Menuetto e Trio
- Serenata Notturna In D Major, K239: III. Rondo: Allegretto
- Symphony No.29 In A Major, K201: I. Allegro moderato
- Symphony No.29 In A Major, K201: II. Andante
- Symphony No.29 In A Major, K201: III. Menuetto e Trio
- Symphony No.29 In A Major, K201: IV. Allegro con spirito
Tracks:
- Symphony No. 40 In G Minor, K550: I. Molto allegro
- Symphony No. 40 In G Minor, K550: II. Andante
- Symphony No. 40 In G Minor, K550: III. Menuetto: Allegretto
- Symphony No. 40 In G Minor, K550: IV. Allegro assai
- Symphony No.38 In D Major, K504 'Prague': I. Adagio - Allegro
- Symphony No.38 In D Major, K504 'Prague': II. Andante
- Symphony No.38 In D Major, K504 'Prague': III. Finale - Presto
Amazon.com
Britten's recordings of Mozart are among the treasures of the catalog, rare examples of an almost mystical bond between one composer-performer and another. These exquisitely beautiful accounts of four of Mozart's most remarkable symphonies date from the years 1968 to 1971 and were recorded in the cooperative acoustic of the Maltings, Snape. The playing of the ECO is wonderfully robust and animated, impeccably polished, and alive to every expressive nuance in this extraordinary music. With superb sound, the 1995 mid-price reissue belongs on the shelf of every Mozart lover. --Ted Libbey
Customer Reviews:
Well-played and polished...maybe a little *too* polished.......2004-07-18
This is an excellent all-around set, even if these aren't quite the definitive performances I'd hoped for. There's no doubt that Britten is a stylish conductor who gets the ECO to produce a gorgeous tone in some of Mozart's most pleasing symphonies--but sometimes it's all just a little too polished and prettified. Particularly in the "Great" G minor, I miss the tragedy, the drama. If you want to hear what I mean, listen to Furtwangler in this same work (if you can find it; a quick check seems to indicate it's out of print--pity). Plus there's something the Viennese sound--less "bright and smooth" and more introspective--that seems right for much of his music. In the slow movements of both G minor works, for example, there's just not the infusion of tragedy I look for. Vienna under Furtwangler is far less pretty, yet that os just what this music cries out for. Too much perfume and Mozart can be in danger of being a MUZAKy composer.
Not that these recordings aren't worth a listen, especially at the price. And it's nice to have some of Mozart's best symphonic works on one "double-decker" CD. But you definitely should supplement this set with many other conductors' interpretations: Furtwangler, Horenstein, Bernstein, Marriner, Szell (with the Concertgebouw more than Cleveland if you can find these rare recordings) and Blomstedt. And surely others I'm forgetting off the top of my head.
One sonic complaint: Symphony No. 40 is recorded so loud that the master tape appears to be satured, resulting in some static and distortion in the work's loudest passages. It's relatively minor, however.
Great music interpreted well.......2003-03-18
Britten has to be one of the most underrated interpreters of Mozart ever. Listen to this CD and enjoy the greatest music by one of the greatest composers interpreted by someone who really 'saw' the point in these works.
Average customer rating:
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Mozart: Symphonies Nos. 5 "The Hague" & 29; Serenata notturna; Eine kleine Nachtmusik [DSD Recorded]
Manufacturer: Pentatone
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
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ASIN: B00008XS1V
Release Date: 2003-04-22 |
Average customer rating:
- Newly discovered rarity here
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Mozart: Symphonies Nos 29, 35 (Haffner), 38 (Prague), 39, 40, and 41 (Jupiter)
Wolfgang Amadeus Mozart , Otto Klemperer , and Philharmonia Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- EMI Great Recordings of Century - Brahms: Symphonies Nos. 1-4/Klemperer
- Brahms: Violin Concerto; Mozart: Sinfonia
- Beethoven: Symphonies Nos. 4 & 6 "Pastorale"
- Beethoven, Sibelius: Violin Concertos
- Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
ASIN: B000EF5MHM
Release Date: 2006-03-07 |
Tracks:
- I. Allegro Moderato
- II. Andante
- III. Menuetto & Trio
- IV. Allegro Con Spirito
- I. Adagio - Allegro
- II. Andante
- III. Finale (Presto)
- I. Adagio - Allegro
- II. Andante Con Moto
- III. Menuetto (Allegretto) & Trio
- IV. Finale (Allegro)
Tracks:
- I. Allegro Con Spirito
- II. Andante
- III. Menuetto & Trio
- IV. Finale (Presto)
- I. Molto Allegro
- II. Andante
- III. Menuetto (Allegretto ) & Trio
- IV. Finale (Allegro Assai)
- I. Allegro Vivace
- II. Andante Cantabile
- III. Minuetto (Allegretto) & Trio
- IV. Finale (Molto Allegro)
Amazon.com
Klemperer's Mozart recordings have been available almost without a break since their original LP releases. It's not hard to see why, since he conducted Mozart with authority, never lapsing into either heavy-handed Romanticism or its opposite, treating the music like a fragile piece of porcelain. Klemperer's sturdy rhythms make even some of his slow dance-based movements seem faster than they actually are. Period performance buffs will still feel this big-band Mozart is too heavy but the more open-minded will appreciate the way Klemperer brings the winds forward to create appropriate balances with the strings. The conductor's late recordings could be variable affairs, but for the most part these glow with the ardor of his love for the composer and his music. The Philharmonia (and its successor, the New Philharmonia) are in top form, with the winds - in solo turns or as a section--particularly outstanding. Klemperer's muscular directness yields a set that will never be out of fashion, especially in this Great Recordings of the Century remastering in which the original recordings don't sound their age. --Dan Davis
Customer Reviews:
Newly discovered rarity here.......2006-12-27
At first I thought this Great Performances reissue of Otto Klemperer's Mozart symphony recordings was just another repackaging by EMI of music that was already in my collection. But then a few words on the track listing told me otherwise.
In 1956, Klemperer and the Philharmonia Orchestra recorded the second album in what was planned to be a major collection of Mozart symphony records, the Symphonies #38 "Prague" and #39. This monaural recording was issued to critical acclaim and Klemperer's Mozart sessions continued, but beginning with the next, the Symphonies 25 and 40, the master tapes were done in stereo. Commercially in that era, having the #38 and #39 in mono just would not do, so in 1962, EMI and Klemperer redid the #38 and #39 in stereo.
The original performance was then deleted from the catalogues and forgotten by EMI, but not by many who admired Klemperer's music-making, preferred the earlier performances, and who cherished their now rarely-found LPs of the original 1956 recordings.
The current Great Performances reissue resurrects half of that original issue. To my great surprise, the Symphony #39 turns out to have been originally master-taped in STEREO, the stereo tape apparently recently rediscovered by EMI in its vaults; this seems to be EMI's justification for including it in this new reissue. It was done in fine stereo sound; I'm glad to hear it this way for the first time, and happy to have it in my collection, though Klemperer "completists" may well balk at having to buy the entire set to get a "new" version of this one performance. Perhaps, as in the case of Klemperer's first (and famous) 1955 EMI record of the Beethoven Symphony #7, EMI will issue the 1956 stereo Mozart #39 separately some day. But I decided not to take the chance, in case they don't!
I do regret that the 1956 recording of the Symphony #38 isn't included; apparently EMI didn't turn up a stereo master tape of that one. Also I regret that EMI could not find space for Klemperer's recording of Mozart's #36 "Linz", which was originally in stereo and an integral part of the collected view of Mozart by a great (perhaps THE greatest) conductor of the twentieth century.
Average customer rating:
- I think more highly of Walter's New York Mozart than some...
- Breathtaking Mozart from Walter in New York
- Magnificent Mozart that helps set Walter's reputation straight
- Vintage Mozart!
- Definitive Reading. Some reservations though.
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Mozart: Symphonies Nos. 25, 28, 29 & 35
Manufacturer: Sony
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Similar Items:
- Bruno Walter The Edition ~ Mozart - Symphonies Nos. 39, 40 & 41 "Jupiter"
- Brahms: Symphony No. 4; Tragic Overture; Schicksalslied
- Beethoven: Symphonies Nos. 4 & 6 "Pastorale"
- Brahms: Symphonies Nos. 2 & 3
- Dvorák: Symphonies Nos. 8 & 9
ASIN: B000002A81
Release Date: 1995-10-31 |
Tracks:
- Symphony No. 25 In G Minor, K. 183 (173dB): I. Allegro con brio
- Symphony No. 25 In G Minor, K. 183 (173dB): II. Andante
- Symphony No. 25 In G Minor, K. 183 (173dB): III. Menuetto-Trio
- Symphony No. 25 In G Minor, K. 183 (173dB): IV. Allegro
- Symphony No. 28 In C Major, K. 200 (189K): I. Allegro spiritoso
- Symphony No. 28 In C Major, K. 200 (189K): II. Andante
- Symphony No. 28 In C Major, K. 200 (189K): III. Menuetto. Allegretto-Trio
- Symphony No. 28 In C Major, K. 200 (189K): IV. Presto
- Symphony No. 29 In A Major, K. 201 (186a): I. Allegro moderato
- Symphony No. 29 In A Major, K. 201 (186a): II. Andante
- Symphony No. 29 In A Major, K. 201 (186a): III. Menuetto-Trio
- Symphony No. 29 In A Major, K. 201 (186a): IV. Allegro con spirito
- Symphony No. 35 In D Major, K. 385 'Haffner': I. Allegro con spirito
- Symphony No. 35 In D Major, K. 385 'Haffner': II. Andante
- Symphony No. 35 In D Major, K. 385 'Haffner': III. Menuetto-Trio
- Symphony No. 35 In D Major, K. 385 'Haffner': IV. Finale. Presto
Amazon.com
For an entire generation of Mozart lovers, Walter's interpretations were the ultimate in sophistication and elegance, and so they remain. They still sound totally natural and inevitable, with a breadth of phrasing and very human warmth that points up the vocal nature of Mozart's melodic inspiration. Although the mono sound has dated, these performances are like old friends, and you'll welcome them in your collection. --David Hurwitz
Customer Reviews:
I think more highly of Walter's New York Mozart than some..........2007-06-30
I think more highly of Bruno Walter's New York Philharmonic Mozart Symphonies than some, and I bought these discs when they came on the US market in 1996. True, they are MONO, and sometimes the sound is a little fierce and cramped, but generally the sound is very good, there is no tape wow or flutter to create an unpleasant sound, and the New York Philharmonic play with great precision under Walter's leadership. These were recorded in 1953-54, just before stereo recordings were being widely made and marketed. If you want to hear Walter conducting Mozart 25, 28, or 29, this is the only game in existence. Sony's engineers have done an excellent remastering job.
Walter also recorded Mozart Symphonies 35, 36