Caldara: The Card Game

Track Listings
1. The Card Game    

Editorial Reviews
Album Description
Antonio Caldera composed during the most flourishing period of the Baroque. While his contemporaries - Handel, Bach, Scarlatti and Vivaldi - are today held in higher esteem, in his own day, Caldera's vocal output was much celebrated. 18th century music critic Charles Burney called him "one of the greatest professors both for the Church and the stage that Italy can boast," and rated Caldera second only to Handel for his vocal writing. He was born in Venice to musical parents. He was a working musician from an early age as both contralto chorister and cellist at St. Mark's in Venice, at the same time composing vocal music. He continued to draw a salary (with pay raises) until nearly the age of 30 as a contralto at the basilica. It was the custom of the 18th century for wealthy patrons to subsidize composers. The pragmatic Caldera always played his cards wisely and always had work. For the final twenty years of his life, Caldera maintained a comfortable position at! the Viennese court where he produced an immense operatic and oratorio output. The court feats included operatic productions commemorating the birthdays and name days of the royal family. The Emperor himself studied keyboard and conducting with Caldera, and his two daughters sang on these occasions as well. In the summer of 1734, Caldera celebrated the Empress' birthday with a charming operatic gem Il giuoco del Quadriglio (The Card Game), for which the composer provided roles for the young archduchess and for his own wife Caterina. This work offers each of the four female vocalists her own da capo solo turn. It is scored for strings and continuo with the delightful and unexpected appearance of flute and lute and then a final happy ending quartet for everyone.

Caldara: The Card Game, Music, Arthur J. Jr. Fiacco, Antonio Caldara, Stephen Alltop, Queen's Chamber Band, Karla Moe, Elaine Comparone, Jerry Willard, Judith Pannill, Julianne Baird, Laura Heimes, Patrice Djerejian, Cantata, Chamber, Choral, Classical, Miscellaneous Vocal Music, Opera / Operetta / Oratorio, Opera/Operetta, Trio Sonata, Vocal, Vocal Music
Caldara: The Card Game
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    Caldara: The Card Game

    Manufacturer: Albany Records
    ProductGroup: Music
    Binding: Audio CD

    TriosTrios | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    Caldara, AntonioCaldara, Antonio | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
    Trio SonatasTrio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    OperettasOperettas | Opera & Vocal | Styles | Music
    CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
    ClassicalClassical | Indie Music | Stores | Music
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    2. Caldara - Christmas Cantata (Vaticini di Pace) · Simfonias Nos. 5 & 6 / Aradia Baroque Ensemble · Mallon

    ASIN: B0002W4TGW
    Release Date: 2004-09-28

    Tracks:

    1. The Card Game

    Album Description

    Antonio Caldera composed during the most flourishing period of the Baroque. While his contemporaries - Handel, Bach, Scarlatti and Vivaldi - are today held in higher esteem, in his own day, Caldera's vocal output was much celebrated. 18th century music critic Charles Burney called him "one of the greatest professors both for the Church and the stage that Italy can boast," and rated Caldera second only to Handel for his vocal writing. He was born in Venice to musical parents. He was a working musician from an early age as both contralto chorister and cellist at St. Mark's in Venice, at the same time composing vocal music. He continued to draw a salary (with pay raises) until nearly the age of 30 as a contralto at the basilica. It was the custom of the 18th century for wealthy patrons to subsidize composers. The pragmatic Caldera always played his cards wisely and always had work. For the final twenty years of his life, Caldera maintained a comfortable position at! the Viennese court where he produced an immense operatic and oratorio output. The court feats included operatic productions commemorating the birthdays and name days of the royal family. The Emperor himself studied keyboard and conducting with Caldera, and his two daughters sang on these occasions as well. In the summer of 1734, Caldera celebrated the Empress' birthday with a charming operatic gem Il giuoco del Quadriglio (The Card Game), for which the composer provided roles for the young archduchess and for his own wife Caterina. This work offers each of the four female vocalists her own da capo solo turn. It is scored for strings and continuo with the delightful and unexpected appearance of flute and lute and then a final happy ending quartet for everyone.

    Track Listings:

    1. Canto Gregoriano [Import]
    2. Carols For a Blue Christmas
    3. Cello Sonata
    4. Charles Ives: The Sonatas For Violin And Piano
    5. Christmas Dinner
    6. Classical Guitar Christmas
    7. Copland and Bernstein-The Composer as Performer
    8. Electrotherapy
    9. Elliott Carter: Quintets and Voices
    10. Ernst Levy Plays Beethoven, Liszt and Levy

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