The Genesis Suite
Editorial Reviews
Amazon.com
This Hollywood project was the brainchild of Nathaniel Shilkret, a conductor and very minor composer who was a friend of Gershwin and conducted the first recording of An American in Paris. Shilkret got the idea of telling the story of Genesis by assembling a group of famous composers (and himself) to write music accompanying passages from the Bible. He got the cream of the crop: Schoenberg, Tansman, Milhaud, Castelnuovo-Tedesco, Stravinsky, and Toch. But most of them didn't provide the cream of their crops, and the experienced movie-music writers turned out things that sound like pretty good movie music, which fits well behind the narration, but doesn't hold the attention by itself. Schoenberg and Stravinsky are the exceptions, and their contributions ("Genesis Prelude" and "Babel," respectively) have had some independent life. Edward Arnold, who played Nero Wolfe and Daniel Webster among his 150 film roles, does a decent but unremarkable job with the narration; he is recorded so close-up that he is very easy to understand. The orchestra, Hollywood film musicians getting a chance to play "real" music, sounds extremely good, and the small chorus sings its minor parts well. The recording, from 1946, holds up surprisingly well. Overall, this is more a curiosity than a major artistic experience. But if you're interested in hearing it, grab it now. Things like this don't last long in the catalogs, and the old Capitol LP incarnation was selling for $100 and up before this CD came out. --Leslie Gerber
The Genesis Suite, Music, Mario Castelnuovo-Tedesco, Darius Milhaud, Arnold Schoenberg, Nathaniel Shilkret, Igor Stravinsky, Alexandre Tansman, Ernst Toch, Hans-Werner Janssen [AKA Werner Janssen], The Jannsen Symphony Orchestra of Los Angeles, Cantata, Choral, Choral Music, Classical, Classical Artists, Classical Music, Miscellaneous, Music with Spoken Words, Orchestral & Symphonic
Average customer rating:
- Stravinsky the Composer, not Stravinsky the Conductor
- Staggering! All the Stravinsky I'll ever need!
- Magnificent!
- Where's my Petrushka?
- legendary
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Stravinsky Conducts Stravinsky
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- Original Jacket Collection: Vladimir Horowitz
- Memories and Commentaries: New One-Volume Edition
ASIN: B000031X11
Release Date: 1999-12-07 |
Customer Reviews:
Stravinsky the Composer, not Stravinsky the Conductor.......2006-09-18
It is a pretty good collection, lots of music from Stravinsky's entire carreer, but one must keep in mind that Stravinsky was a brilliant composer, and not a commanding maestro. You will not necessarily be getting the best recordings of these works. For example, something like the Boulez/Cleveland Rite of Spring is far superior to those in this collection. He is a vastly better conductor, and is much more capable of making the orchestra perform Stravinsky's intentions than Stravinsky is. All in all, however, I am more than glad I own this set.
Staggering! All the Stravinsky I'll ever need!.......2006-05-20
While I had heard some Stravinsky compositions prior to my purchase, this was the first (and only) Stravinsky material I have ever owned. As a young music enthusiast, the draw to me was to hear these pieces as Stravinsky conducted them and to get so many of them at such a great price, not to have the original jackets for the purpose of reminiscing. So, as someone who needed a good jump start into the works of Stravinsky (by Stravinsky), this set has proven totally invaluable. And while more information could have been packed onto these cds, I do appreciate how closely these discs have stuck to the original releases. I don't know about the portion of Petroushka which some reviewers claim is missing (as I don't know any other version), but I was totally blown away at hearing this version of Petroushka anyhow. In all, for whatever faults some sticklers may find here or there with this set, the value of this material collected in such a way (and at such a price) by far outweighs any possible faults.
Magnificent!.......2006-03-02
A great collection. There is simply no substitute for hearing Stravinsky as the great composer wanted to have his music played. Here is so much and also so varied a collection. I have been enjoying this set a great deal. One of the 20th century's greatest composers conducting his own compositions.
Where's my Petrushka?.......2003-08-01
The main reason I bought this box is because I was introduced to Stravinsky's Petrushka in the spring of 2003, and I loved it.
Along with Rite of Spring I think it's the most brilliant music Mr. Stravinsky ever wrote...so, I've been listening to the 34-minute long 1960 CSO recording of it at least once a day since I first heard it, naturally sort of memorizing it, but it didn't fit when I made this CD spin. The recording of Petrushka in this box is the VERY SAME RECORDING (1960) that I'd listened to, but it's cut to a suite! It's only 24 minutes long. You can tell it's obviously cut at certain points if you're familiar with the uncut version. 10 WHOLE MINUTES ARE MISSING FROM "PETRUSHKA!" I was (and still am) very disappointed by this.
Familiarizing myself with the rest of the discs was very fulfilling, though; I love the Ebony Concerto with the Columbia Jazz Combo featuring Benny Goodman...but the "suite-cut" of Petrushka made me paranoid...I can't be sure if anything else is edited or not...
There are 75 pages of notes in the booklet about the recordings but only 1/3 is in English.
The special multimedia feature disc is nothing much. With awful graphics it features the same notes as in the booklet, and there are lyrics for those who want to use the box for karaoke.
These 400 minutes of music (an average of 45 minutes per disc) could fit on only 5 CD's instead of 9, but it seems that this collection is made for nostaligs who will love watching and touching these tiny LP-jackets - after all, it is called the "Original Jacket Collection."
Incidentally, all of Stravinsky's recorded work which he conducted himself is not in this box. It is not at all complete; aside from the missing part of "Petrushka," his own reading of "Symphony in Three Movements" is missing (but available on CBS.)
Hats off to the man himself anyway. The music is brilliant, and considering that these recordings are 40+ years old, the sound quality is very good. Excellent stereophony on Rite of Spring!
It's a good thing that his music is still available and that people are offering refurbished products thereof. But if you love Petrushka like I do...buy the real thing...this just might disappoint you...
The 3 stars is a compromise of the music and the package; (5 stars for the music & its quality - 1 star for the package, choice of discs and--considering the price--somewhat weak linear notes.)
legendary.......2002-06-30
This 9 cd set is an historical one...more than half of Stravinsky's works are collected in this set. i clearly can say that there isn't any better recording for Stravinsky's works. especcialy first released USA's national anthem and a 12 tone work "Fanfare for two Trumpets" are remarkable.and we can also mention that some noises during the recording procces (i.e: Stravinsky's turning the page of the partition) gives a different taste to the listener. This is a real golden box of music.
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Genesis Suite
Manufacturer: Milken Archive
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ASIN: B0002TNI80
Release Date: 2004-09-21 |
Tracks:
- Prelude
- Creation
- Adam And Eve
- Cain And Abel
- The Flood
- The Covenant (The Rainbow)
- Babel
Amazon.com
This work might well have been the first "crossover," long before the term was invented. Seven composers living in America---all but one European emigrés, all but one Jewish---each contributed one movement to a composition for chorus, orchestra, and narrator, based on excerpts from several chapters of Genesis. The project was initiated and commissioned by the group's only American-born member, Nathaniel Shilkret, in response to a poll indicating that there was much public interest in the musical representation of the Bible. The result is a heady mixture of styles, further accentuated by the introduction of yet another participant, Patrick Russ, who was called in to reconstruct the orchestrations of three movements, the original material having been partially lost in a fire. To his great credit, his work melts indistinguishably into the style and quality of the music. The Suite's bookends are by two composers so diametrically opposed musically and personally that finding them collaborating on the same project is quite surprising. They are also the most famous and the only ones untouched by the influence of film music: Schoenberg, whose "Prelude" uses the 12-tone technique to set the mood of the primeval chaos, but ends in clear C major, and Stravinsky, who, determined to preserve the Bible's mystery, depicts the construction and destruction of the Tower of Babel in purely musical, highly contrapuntal terms, culminating in a return to chaos. The other composers, all active in Hollywood and surrounded by jazz and popular music, produce a kaleidoscope of soaring melodies, surging harmonies, and dynamic instrumental contrasts, colors and effects suitable to accompany a Biblical epic on screen. The music provides preludes, interludes, background and support for the narration, which, divided between two male and two female voices, weaves over, under and through it. The speaking, singing, and playing are excellent, but one of the female voices is seriously underbalanced. --Edith Eisler
Album Description
A MAJOR 20th-CENTURY WORK REDISCOVERED! The Genesis Suite depicts the earliest Bible stories, including the Creation, Adam and Eve, the Flood, and the Tower of Babel, narrated by distinguished actors accompanied by full orchestra and chorus. This unique collaboration of seven famous composers, most of them European exiles living in Hollywood during World War II, was performed only once, in 1945, before much of the music was lost in a fire. FULLY RESTORED from recently discovered original manuscripts, the Genesis Suite is now presented in its first modern recording.
Average customer rating:
- Wonderful introduction to a distinguished new series
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Introducing World of American Jewish Music [Milken Archive of American Jewish Music]
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ASIN: B0000C508H
Release Date: 2003-09-23 |
Tracks:
- Open The Gates (Excerpt) - Cantor Alberto Mizrahi
- Hashkiveinu - Hans Peter Blochwitz
- Hudi Mitn Shtrudl - David Krakauer
- III. Modere - Juilliard String Quartet
- Old Jerusalem - Ana Maria Martinez
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- Sheyibbaneh Beit Hamikdash - Cantor Benzion Miller
- IV. Dance Of The Phantom Spirits - Gerard Schwarz
- VII. Hinei Ma Tov - Vienna Boys Choir
- VII. Psalm 126 - Prague Philharmonic Chorus
- El Melekh Yoshev - New London Children's Choir
- I. Demon's Welcome - Richard Stoltzman
- Service Sacre L'Kha Dodi - Prague Philharmonic Chorus
- The Flood, Part I - Fritz Weaver
- Adon Olam - Academy Of St. Martin-In-The-Fields
- IV. Camini Por Altas Torres - Lucy Shelton
- Sheva B'Rakhot (Excerpt) - Cantor Simon Spiro
- Mayn Goldele - Nell Snaidas
- The Heavenly Host Delivers The Commandments To Moses/The People Dance Around The Golden Calf - Ian Denolfo
Album Description
The Milken Archive of American Jewish Music is a vast recorded panorama of the rich body of Jewish music, both sacred and secular, that has developed over the course of American history. This recording features nineteen tracks representing the broad scope of the Archive recordings.
Customer Reviews:
Wonderful introduction to a distinguished new series.......2003-09-29
I can't express how excited I am about this new series from Naxos and the Milken Archive! There is some absolutely stunning music on this sampler, and I can't wait until the full recordings are released. Especially notable are Ernst Toch's "Cantata of the Bitter Herbs" (what gorgeous choral & orchestral writing), Paul Schoenfield's Viola Concerto (utterly fantastic excerpt "King David Dancing Before the Ark"), the excerpt from Joseph Achron's suite from The Golem, "Open the Gates" from Dave Brubeck's Gates of Justice, and the lovely duet from Joseph Rumshinsky's Yiddish operetta "Di goldene kale." Also, if you're not familiar with Jewish liturgical music or with klezmer, there are wonderful examples on this disc. My only disappointment is that, because of economic reasons, most of the recordings had to be made with European ensembles. Although the performances are excellent (under directors Gerard Schwarz, Neville Marriner, Yoel Levi and others), it's just a shame that this music, which, in addition to being Jewish, is also very AMERICAN, cannot be preserved on CD by American ensembles. At any rate, I'm pretty certain that within the next couple of years, I'll have collected all the 50 discs in this project. You don't have to be Jewish to appreciate this great music. And at around $7.00 a disc, they're an incredible value. This marvelous sampler will get you hooked on some fabulous music.
Average customer rating:
- A must if you are a lover of Schoenberg's music
- Bible Narration Set to Music By Distinguished Composers
- A curiosity
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The Genesis Suite
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
All Works by Milhaud
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ASIN: B00005R60J
Release Date: 2001-11-06 |
Tracks:
- Schoenberg: Prelude "The Earth was without form"
- Shilkret: Creation
- Tansman: Adam And Eve
- Milhaud: Cain And Abel
- Tedesco: Noah's Ark
- Stravinsky: Babel
- Toch: The Covenant
Amazon.com
This Hollywood project was the brainchild of Nathaniel Shilkret, a conductor and very minor composer who was a friend of Gershwin and conducted the first recording of An American in Paris. Shilkret got the idea of telling the story of Genesis by assembling a group of famous composers (and himself) to write music accompanying passages from the Bible. He got the cream of the crop: Schoenberg, Tansman, Milhaud, Castelnuovo-Tedesco, Stravinsky, and Toch. But most of them didn't provide the cream of their crops, and the experienced movie-music writers turned out things that sound like pretty good movie music, which fits well behind the narration, but doesn't hold the attention by itself. Schoenberg and Stravinsky are the exceptions, and their contributions ("Genesis Prelude" and "Babel," respectively) have had some independent life.
Edward Arnold, who played Nero Wolfe and Daniel Webster among his 150 film roles, does a decent but unremarkable job with the narration; he is recorded so close-up that he is very easy to understand. The orchestra, Hollywood film musicians getting a chance to play "real" music, sounds extremely good, and the small chorus sings its minor parts well. The recording, from 1946, holds up surprisingly well. Overall, this is more a curiosity than a major artistic experience. But if you're interested in hearing it, grab it now. Things like this don't last long in the catalogs, and the old Capitol LP incarnation was selling for $100 and up before this CD came out. --Leslie Gerber
Customer Reviews:
A must if you are a lover of Schoenberg's music.......2004-12-23
The sound is vintage mono but more than acceptable. The music, contributed by several composers, is a uneven. The concept (a soundtrack to The Book of Genesis) is a corny, BUT if you admire Schoenberg, one of the most revolutionary and truly great composers of ths 20th century, then you have to have this CD, even if the Schoenberg section, the Prelude, only lasts about five minutes. This is the only place you are going to find a recorded version of this obscure work, although Schoenberg's Preslude did receive an opus number. I have heard reports that DG is coming out with a new recording of the suite, but this recording is special because of its historical-document nature. The Prelude is good solid Schoenberg.
Bible Narration Set to Music By Distinguished Composers.......2001-11-27
It is a delight to see a reissue of this unusual piece whose contribution by Schoenberg was described privately by Shilkret, who commissioned the work, as "too futuristic to be appreciated." Hopefully, in the 56 years since this evaluation was made, the future has arrived. The music was so much out of the ordinary that reviews differed widely. Schoenberg's contribution was praised in MUSICAL REVIEWS as creating "an intense emotional response, delineated with brilliant clarity,'' and in the LOS ANGELES TIMES it was described as "starkly simple." Slonimsky, in MUSIC SINCE 1900, expressed a strong preference for "Creation," "one of the engaging sections of the work. . . by Nathaniel Shilkret."
The instrumental track was recorded by Werner Janssen on December 11, 1945. Janssen was one of the leading conductors of his time. He was an academy award nominee for a best musical score and the first native-born New Yorker to conduct the New York Philharmonic.
Edward Arnold recorded an accompanying narration in 1946, and Artist Records issued the combined tracks as album JS10. Due to problems with Artist, the album was to be reissued, and Janssen conceived of having Franklin Roosevelt or Winston Churchill do the narration; both declined. Capitol Records chose a clergyman, Ted Osborne, and, in December 1950, he recorded a new narration. Capitol combined the new narration with the original instrumental track, changed the order of the pieces (Schoenberg's contribution was placed last by Artist and restored to its original number one position by Capitol), and issued the new combination as album P8125, reissued with excellent sound restoration as CD 67729.
All of the composers were the finest of the day. Shilkret, mistakenly described in a review by Leslie Gerber as a "very minor composer," composed hundreds of pieces (over ten thousand if incidental motion picture music and radio arrangements are counted), including "Jeannine, I Dream of Lilac Time," which sold almost two million copies of sheet music, the academy-award-nominated score to the movie "Winterset," and his most popular song, "Lonesome Road," recorded by over a hundred top artists, including Frank Sinatra, Louis Armstrong, Bing Crosby, Tommy Dorsey, Al Hirt, Chet Atkins, Trini Lopez, the Four Seasons, and Paul Robeson. The 1927 song has survived well enough than more than ten CD's have included a "Lonesome Road" track, with more soon to be released.
This album should have appeal to two audiences: first, those interested in a biblical narrative, which is enhanced here by pleasant music, and, second, those interested in hearing the work of top composers of the era performed by a top conductor of the era.
A curiosity.......2001-11-21
I had heard of the Genesis Suite years ago when first exploring the music of Schoenberg and Stravinsky and heard their contributions. Not ever seeing a copy of the LP and knowing it is quite rare, I snapped up this recording. I can see why it has languished in obscurity since the '40s. The Schoenberg is excellent as is the Stravinsky. A rank below that is the Toch,Tansman and Milhaud. The rest is pretty bottom drawer with the contribution of "Creation" by the "arranger" Shilkret almost intolerable. Get it if you want your curiosity satisfied. Surprisingly good sound with some surface noise.
Average customer rating:
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Stravinsky: Symphony of Psalms; Abraham and Isaac
Manufacturer: Orfeo
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ASIN: B00000596O
Release Date: 1993-07-07 |
Tracks:
- Prologue
- Introducing Creon
- Introducing Tiresias
- Introducing Jocasta
- Introducing The Messenger
- Epilogue
- Babel: Cantata For Narrator, Male Chorus, And Orchestra
- A Sermon - David Wilson-Johnson
- A Narrative - David Wilson-Johnson
- A Prayer - David Wilson-Johnson
- Zvezdolikiy - The Simon Joly Male Chorus
Customer Reviews:
Robert Craft is "The (Stravinsky) Man"........2006-03-09
If one is going to absorb Stravinsky, it's best to go with the winner, Robert Craft, who was his close associate and even his biographer. Craft has conducted Stravinsky all over the planet and with various orchestras. No doubt, he received close instruction from the Old Master as to exactly how to render the numerous tricky note and meter passages. In any case, on this recording, Craft keeps it nice and tight and one is treated to the great pleasure of hearing not-often heard Stravinsky compositions: "Oedipus Rex" (which Stravinsky insisted be pronounced "Eee'-di-pyss"); "Babel"; "A Sermon, A Narrative, and A Prayer," and; "Zvezdolikiy." The singer-performers on this recording are, to a person, masters of the first water and The Philharmonia seems to achieve near-perfection under Craft's astute baton. There are a couple of spots where the listener will come out of his or her chair if unprepared for the work --- but then, that is pure Stravinsky, shock and awe. Perhaps that is even the best feature of this CD -- one has the impression of being at the actual performance, the sound quality is so bright and clear. The two narrators are equally well-polished. For the collector of Stravinsky, this CD is surely a must and a bargain to boot. You won't get hurt on this one.
Average customer rating:
- A SAUER "SAMPLER" THAT'S SWEET, INDEED!
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Emil von Sauer: Piano Works
Manufacturer: Genesis Records
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B000054027
Release Date: 1998-08-18 |
Tracks:
- Ste Moderne: I. Prld Passionne
- Ste Moderne: II. Air Lugubre
- Ste Moderne: III. Scherzo Grotesque
- Ste Moderne: IV. Gavotte
- Ste Moderne: V. Theme Varie
- Dialogo (Impromptu)
- Le Retour (Caprice)
- Barcarolle
- Boite A Musique (Spieluhr)
- Conc Etude No.5: Pres Du Ruisseau (Am Bache)
- Conc Etude No.6: Frisson De Feuilles (Espenlaub)
- Conc Etude No.3: Murmure De Vent (Windesflustern)
- Conc Etude No.7: Flammes De Mer (Meeresleuchten)
Customer Reviews:
A SAUER "SAMPLER" THAT'S SWEET, INDEED!.......2001-08-23
Of Emil von Sauer (1862-1942), most of us know, primarily, that he was one of the leading piano virtuosi of his day (right up there with Hofmann, Lhevinne and Siloti), with a career that spanned sixty years. Some of us may recognize Sauer as the person whose rigorous efforts produced so many performing editions of works by Liszt, Chopin, Brahms, amongst numerous others. But how many of us know that amidst his frenetic world tours, his teaching, his editing and his voracious appetite for learning, that the man actually composed music, as well? Such energy! Piano concertos, piano suites, concert etudes, sonatas, etc. (Where and when did he ever find the time?)
The sampling of von Sauer piano works on this CD is refreshing, melodic and exceedingly easy on the ear. The music never outstays its welcome; on the contrary, the playing of pianist Maria Eugenia Tapia is so contagiously soothing that her affection for the composer and his work spills over in the most nurturing way. Amazingly enough, there is not one composition on this entire CD that falls short... or flat; each has a lyricism to convey, a mood or reflection, and each is well-wrought.
It's a rare pleasure having this altogether delightful disc, newly recorded by pianist Tapia, and released by one of the original trailblazer companies, Genesis Records. Kudos are in order! Not only for such endearing performances by Maria Eugenia Tapia, but for superb sound quality and presence, and, not least of all, to Genesis for bringing Emil von Sauer back to life.
[Running time: 62:02]
Product Description
Music based on Genesis 1 - 2:4. Day One tracks are: 1. Nothingness, 2. God Speaks "Light", 3. The Light Dance, 4. And It Was Evening, 5. And It Was Morning. Day Two tracks are: 1. Waters In The Firmament, 2. God Speaks "Sky", 3. Theme For The Sky. Day Three tracks are: 1. Gathering The Waters, 2. Earth's Theme, 3. Plants Come Forth, 4. Earth's Theme (recap). Day Four Tracks are: 1. Lights In The Heavens. 2. The Evening's Star, 3. Fanfare For The Sun. Day Five tracks are: 1. Prelude, 2. Music For Sea Life, 3. And Birds Of The Sky. Day Six tracks are: 1. The Animal Creatures, 2. The Creation Of Man, 3. Reflection - It Was Good. The Day Seven track is : Rest.
Product Description
Track list: 1 Prelude
2 Allemande
3 Courente
3 Sarabande
4 Menuets I and II
5 Gigue Patita 3 for Violin Solo in E Major
6 Prelude
7 Loure
8 Gavotte en Rondeau
9 Menuets I and II
10 Bourree
11 Gigue Orchestral Suite 3 in D Major
12 Ouverture
13 Air
14 Gavottes I and II
15 Bouree
16 Gigue Jesu, Joy of Man's Desiring
17 Chorale from Cantata 147
Average customer rating:
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Channel 1 Suite: A Tribute to Buddy Rich
Genesis '98
Manufacturer: Mt. Hood Vocal Jazz
ProductGroup: Music
Binding: Audio CD
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
ASIN: B000OXGWGO |
Product Description
1. The Start Of Something Big 2. Beyond The Sea 3. A Night In Tunisia 4. I Didn't Mean To Love You 5. Channel One Suite 6. I Mean You 7. Hey John 8. Velas Icadas 9. The Key To Your Ferrari 10. Farmer's Market 11. I Knew You When 12. Groovin' Hard 13. I Know What I've Got 14. When I Look In Your Eyes
Track Listings:
- Threads: Music of Carson P. Cooman
- Toch: Piano Concerto No. 1, Peter Pan
- Trilogie de la Mort
- Vasks: Distant Light / Voices
- Vaughan Williams: Symphony No. 2; The Lark Ascending
- Violin Super Hits
- Vivaldi: Sacred Music, Vol. 1
- Vladimir Horowitz, Piano: Early Recordings 1928 Through 1947
- Voices from Spoon River: Music and Story Narration
- Wagner - Parsifal / Kollo, Frick, Fischer-Dieskau, Ludwig, Kélémen, Hotter, Wiener Phil., Solti
Track Listings
track listings
Track Listings
Great Ladies of Rock & Roll: The '70s
Lyapunov: 12 Études d'Exécution Transcendante, Op. 11
Let Me Play With Your Poodle
Darkness Darkness [Original recording remastered] [Import]
Guitar Hero [Import]
Off the Wall
Lettermen Soft Rock Collection [Import]
Liszt/Schubert: Piano Transcriptions
Insight
In The Shadow Of World War II: Cello Sonatas Composed In The Aftermath Of WWII
Just Before Dawn [Import]
La Coloreteada
Gata Loca [Import]
EP Collection...Plus
Transformation