Gavin Bryars: Vita Nova

Editorial Reviews
Amazon.com essential recording
Gavin Bryars writes for specific instrumentalists and singers rather than for performers in general--a powerful motivating force that--as Handel, Mozart, Britten, and others, including Bryars, have shown--often inspires great music. Bryars is a mature, thoughtful composer whose versatility--he writes for several different instrumental and vocal combinations here--never inhibits his originality. And his originality never comes at the expense of accessibility. The music is tonal yet unpredictable, intelligent yet unpretentious. "Incipit Vita Nova," for male alto and string trio, is a response to the birth of a friend's child. Its simple beauty and sensitive instrumental scoring sets the tone for the entire album. "Glorious Hill," commissioned by the Hilliard Ensemble, is a triumph of text, texture, timbre, and of the unique expressive power of the human voice. There are many rewards on this album, from the stirring, sometimes disturbing, always enticing music, to the all-around, top-of-form performances. --David Vernier

Tracks:

Incipit Vita Nova - David James/Annemarie Dreyer/Ulrike Lachner/Rebecca Firth
Glorious Hill - The Hilliard Ens
Four Elements - Large Chm Ens/Roger Heaton
Sub Rosa - Gavin Bryars Ens

Customer Reviews:

The New Life.......2004-03-04

Worth buying solely for the first two pieces, Incipit Vita Nova, a lovingly unfolded song - half tribute, half lullaby - for string trio and David James's exceptional voice, and Glorious Hill, for a quartet of voices, which showcases Bryars' ability to write vocal music which changes constantly but maintains an essential succinctness of expression. Bryars manages to personalise his source material and create music of depth, imagination and cunning.

ACHINGLY BEAUTIFUL.......2001-12-09

This would be a great album to give someone who thinks they don't like modern, contemporary composers. Gavin Bryars work is always fresh and challenging, but he never 'rubs it in the listener's face'. His compositions have form, structure, intelligence, emotion, and -- gasp! -- melody. This is not a study in dissonance challenging us to listen to it all the way through -- when it's over, we want more.

The Hilliard Ensemble is, of course, at the pinnacle of their field. Their voices inhabit that razor's edge between 'perfect' and 'human', with taste, ease and without pretention. They have reached the status that their name being attached to a recording is the musical eqivalent of the Good Housekeeping Seal -- there is quality to be found within. They are featured on only one track here as a group, 'Glorious hill' -- it was commissioned by them, and you can tell it was written with their talents in mind. This is one of the most singularly beautiful pieces of music I've ever heard.

David James, the Ensemble's countertenor, is also heard on the cd's opening track, 'Incipit vita nova', written by Bryars to celebrate the birth of a daughter to a couple of his friends. His voice is heard alongside violin, viola and cello here. Bryars' text -- rendered into Latin -- is one of the most eloquent expressions of the wonder -- and the promise -- of birth I've ever read.

'Four elements' also features the voice of David James, although it is largely instrumental. The composition is built in movements to represent water, earth, air and fire -- it was originally written as a dance piece. Bryars places this in the hands of his 'large chamber ensemble' -- 10 players (alto sax, bass clarinet, fluegelhorn, French horn, trombone, piano, electric keyboard, two percussionists, double-bass), plus James and a conductor -- but the arrangement and performance gives a real feeling of intimacy.

The album's final track, 'Sub Rosa', was written by Bryars as a tribute to Bill Frisell. He explains in the notes that he was particularly impressed with a track from Frisell's IN LINE album (also on ECM) -- in 'Sub Rosa', Bryars paraphrases and expands upon line from Frisell's composition 'Throughout', from IN LINE. This piece is performed by Bryars' smaller ensemble (6 players: recorder, clarinet, violin, vibraphone, piano, double-bass).

Tracks:

Incipit Vita Nova - David James/Annemarie Dreyer/Ulrike Lachner/Rebecca Firth
Glorious Hill - The Hilliard Ens
Four Elements - Large Chm Ens/Roger Heaton
Sub Rosa - Gavin Bryars Ens

Amazon.com essential recording

Gavin Bryars writes for specific instrumentalists and singers rather than for performers in general--a powerful motivating force that--as Handel, Mozart, Britten, and others, including Bryars, have shown--often inspires great music. Bryars is a mature, thoughtful composer whose versatility--he writes for several different instrumental and vocal combinations here--never inhibits his originality. And his originality never comes at the expense of accessibility. The music is tonal yet unpredictable, intelligent yet unpretentious. "Incipit Vita Nova," for male alto and string trio, is a response to the birth of a friend's child. Its simple beauty and sensitive instrumental scoring sets the tone for the entire album. "Glorious Hill," commissioned by the Hilliard Ensemble, is a triumph of text, texture, timbre, and of the unique expressive power of the human voice. There are many rewards on this album, from the stirring, sometimes disturbing, always enticing music, to the all-around, top-of-form performances. --David Vernier

Customer Reviews:

Stick with the vocal music.......1999-07-13

The two vocal works, "Incipit Vita Nova" and "Glorious Hill", are captivating and beautiful, and I give them 5 stars. However, the two "jazz"-oriented instrumentals, "Four Elements" and "Sub Rosa", drone on excruciatingly (and I'm a Morton Feldman fan, not in principle opposed to slowly evolving patterns).

Track Listings:

Track Listings

track listings

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