Richard Strauss: Ophelia-Lieder, Op. 67; Enoch Arden, Op. 38; Piano Sonata, Op. 5; 5 Piano Pieces, Op. 3
Editorial Reviews
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This pairing of Glenn Gould and Elisabeth Schwarzkopf is an essential asset to the collection of any lover of the vocal repertoire. Strauss's "Ophelia" suggests that the last word on German lied had not yet been sounded by the 20th century. Gould's interpretation is not, of course, lushly romantic; it's endowed with his unmistakable, brilliant clarity, and casts a new light. As always, to hear Gould tackle any repertoire remains astonishing. --Joshua Cody
Richard Strauss: Ophelia-Lieder, Op. 67; Enoch Arden, Op. 38; Piano Sonata, Op. 5; 5 Piano Pieces, Op. 3, Music, Richard Strauss, Glenn Gould, Elisabeth Schwarzkopf, Claude Rains, Classical, Classical Composers, Classical Music, Coll. of Character/Single-Movement/Misc. Works for Keyb., Keyboard, Miscellaneous, Music with Spoken Words, Romantic Music for Voice and Keyboard, Romantic Sonata/Sonatina for Keyboard, Vocal
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Richard Strauss: Ophelia-Lieder, Op. 67; Enoch Arden, Op. 38; Piano Sonata, Op. 5; 5 Piano Pieces, Op. 3
Manufacturer: Sony
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ASIN: B0000028O4
Release Date: 1992-11-10 |
Tracks:
- Ophelia - Lieder, Op. 67: No. 1: Wie erkenn ich mein Treulieb?
- Ophelia - Lieder, Op. 67: No. 2: Guten Morgen, 's ist Sankt Valentinstag
- Ophelia - Lieder, Op. 67: No. 3 Sie trugen ihn auf der Bahre bloss
- Enoch Arden, Op. 38: Part One: Prelude. Andante
- Enoch Arden, Op. 38: Part One: 'So these were wed'
- Enoch Arden, Op. 38: Part One: Allegro appassionato
- Enoch Arden, Op. 38: Part One: Tranquillo
- Enoch Arden, Op. 38: Part One: Annie's dream. Langsam
- Enoch Arden, Op. 38: Part Two: Prelude. Allegro moderato
- Enoch Arden, Op. 38: Part Two: 'Thus over Enoch's early - silvering head'
- Enoch Arden, Op. 38: Part Two: Allegro agitato
- Enoch Arden, Op. 38: Part Two: Langsam
Tracks:
- Piano Sonata In B Minor, Op. 5: Allegro molto appassionato
- Piano Sonata In B Minor, Op. 5: Adagio cantabile
- Piano Sonata In B Minor, Op. 5: Scherzo. Presto - Trio: Un poco piu lento
- Piano Sonata In B Minor, Op. 5: Finale: Allegretto vivo
- Five Piano Pieces, Op. 3: No. 1: Andante
- Five Piano Pieces, Op. 3: No. 2: Allegro vivace scherzando
- Five Piano Pieces, Op. 3: No. 3: Largo
- Five Piano Pieces, Op. 3: No. 4: Allegro molto
- Five Piano Pieces, Op. 3: No. 5: Allegro marcatissimo
Amazon.com
This pairing of Glenn Gould and Elisabeth Schwarzkopf is an essential asset to the collection of any lover of the vocal repertoire. Strauss's "Ophelia" suggests that the last word on German lied had not yet been sounded by the 20th century. Gould's interpretation is not, of course, lushly romantic; it's endowed with his unmistakable, brilliant clarity, and casts a new light. As always, to hear Gould tackle any repertoire remains astonishing. --Joshua Cody
Customer Reviews:
An Interesting GG Set..........2004-05-11
Tennyson's Enoch Arden, edited and set for recital with musical interludes. I've always liked Claude Rains; and, needless to say, GG is superb here: my only complaint is rather in the form of a wish or suggestion: I wish GG (or Sony) had simply released GG playing Strauss' music without recitation. Why? While Rains is great, and the poem is nice--a few times around--it later wears thin: its dated Victorian sentimentality. We end up hearing more Rains and Tennyson than GG and Strauss. Still, this is a unique and interesting performance; and GG's realization of Strauss' piano music is scintillating. The earlier Piano Sonata is great, as well as the Klavierstucke.
GG's collaboration with Elisabeth Schwarzkopf is infamous. GG always admired Dame Liz; and he wanted to record many lieder with her (viz., Schoenberg's, Hindemith's, etc.). The problem was this: Gould wanted to lead in the aesthetic realization of any collaboration. He was able to do so with Menuin, Laredo, and some lesser vocalists, etc.; however, Schwarzkopf was not to be outdone: she was already a great and respected soloist, and she found GG's eccentric vision for realization too unusual. Indeed, she took offense at GG's playing of the songs. So, after a few cuts, the session was called off short--and that was that. Well, what can one say? Sometimes great minds don't always work well together.
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R. Strauss: Complete Chamber Music (Box Set)
Manufacturer: Arts Music
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ASIN: B00001XDO6
Release Date: 1999-10-12 |
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Strauss: Complete Chamber Music
Manufacturer: Arts Music
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ASIN: B000005AR0
Release Date: 1997-03-18 |
Tracks:
- 2 Stucke: Standchen in G, AV 168 - Wolfgang Sawallisch
- 2 Stucke: Festmarsch in D, AV 178 - Wolfgang Sawallisch
- 2 Stucke: Arabischer Tanz in d, AV 182,1 - Wolfgang Sawallisch
- 2 Stucke: Liebesliedchen in G, AV 182,2 - Wolfgang Sawallisch
- Qt in c, Op.13: I. Allegro - Wolfgang Sawallisch
- Qt in c, Op.13: II. Scherzo: Presto-Molto Meno Mosso - Wolfgang Sawallisch
- Qt in c, Op.13: III. Andante - Wolfgang Sawallisch
- Qt in c, Op.13: IV. Finale: Vivace - Wolfgang Sawallisch
Tracks:
- Das Schloss Am Meere, AV 92 - Elisabeth Woska/Karl-Hermann Mrongovius
- Hochzeitpraludium in B flat, AV 108 - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
- Enoch Arden, Op.38 - Elisabeth Woska/Begonia-Uriarte Mrongovius
Tracks:
- Con No.1 in E flat, Op.11: I. Allegro - Johannes Ritzkowsky/Wolfgang Sawallisch
- Con No.1 in E flat, Op.11: II. Andante - Johannes Ritzkowsky/Wolfgang Sawallisch
- Con No.1 in E flat, Op.11: III. Rondo: Allegro - Johannes Ritzkowsky/Wolfgang Sawallisch
- Second Con: I. Allegro - Johannes Ritzkowsky/Wolfgang Sawallisch/Barton Weber
- Second Con: II. Andante - Johannes Ritzkowsky/Wolfgang Sawallisch/Barton Weber
- Second Con: III. Allegro Molto - Johannes Ritzkowsky/Wolfgang Sawallisch/Barton Weber
- Andante, AV 86A - Johannes Ritzkowsky/Wolfgang Sawallisch
- Ser in E flat, Op.7 - Johannes Ritzkowsky/Wolfgang Sawallisch
- Fuge - Gitti Pirner
- Gavotte, AV 57 'Aus Alter Zeit' - Wolfgang Sawallisch
Tracks:
- Ste, Op.4: Allegretto - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
- Ste, Op.4: Romanze - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
- Ste, Op.4: Gavotte - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
- Intro Und Fuge - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
- Symphonic Fant in G, Op.16: I. In The Country - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
- Symphonic Fant in G, Op.16: II. In Rome Ruins - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
- Symphonic Fant in G, Op.16: III. On The Beach At Sorrento - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
- Symphonic Fant in G, Op.16: IV. Popular Life In Naples - Begonia-Uriarte Mrongovius/Karl-Hermann Mrongovius
Tracks:
- Vn Con in d, Op.8: I. Allegro - Erno Sebestyen/Wolfgang Sawallisch
- Vn Con in d, Op.8: II. Lento Ma Non Troppo - Erno Sebestyen/Wolfgang Sawallisch
- Vn Con in d, Op.8: III. Rondo: Prestissimo - Erno Sebestyen/Wolfgang Sawallisch
- Allegretto in E, AV 149 - Erno Sebestyen/Wolfgang Sawallisch
- 'Daphne'-Etude in G, AV 141 - Erno Sebestyen/Wolfgang Sawallisch
- Son in E flat, Op.18: I. Allegro Ma Non Troppo - Erno Sebestyen/Wolfgang Sawallisch
- Son in E flat, Op.18: II. Improvisation: Andante Cantabile - Erno Sebestyen/Wolfgang Sawallisch
- Son in E flat, Op.18: III. Finale: Andante-Allegro - Erno Sebestyen/Wolfgang Sawallisch
Tracks:
- Vc Son in F, Op.6: I. Allegro Con Brio - Peter Wopke/Wolfgang Sawallisch
- Vc Son in F, Op.6: II. Andante Ma Non Troppo - Peter Wopke/Wolfgang Sawallisch
- Vc Son in F, Op.6: III. Finale: Allegro Vivo - Peter Wopke/Wolfgang Sawallisch
- Romanze in F, AV 75 - Peter Wopke/Wolfgang Sawallisch
- Var On A Bavarian Folksong - Wiener Streichtrio
- Quartettsatz in E flat, AV 211 - Sinnhoffer-Qt
- Str Qt in A, Op.2: I. Allegro - Sinnhoffer-Qt
- Str Qt in A, Op.2: II. Scherzo: Allegro Molto - Sinnhoffer-Qt
- Str Qt in A, Op.2: III. Andante Cantabile, Molto Espressivo - Sinnhoffer-Qt
- Str Qt in A, Op.2: IV. Finale - Sinnhoffer-Qt
Tracks:
- Klavierstucke, Op.3: 1. Andante in B - Gitti Pirner
- Klavierstucke, Op.3: 2. Allegro Vivace Scherzando in e flat - Gitti Pirner
- Klavierstucke, Op.3: 3. Largo in c - Gitti Pirner
- Klavierstucke, Op.3: 4. Allegro Molto in A flat - Gitti Pirner
- Klavierstucke, Op.3: 5. Allegro Marcatissimo in D flat - Gitti Pirner
- Stimmungsbilder, Op.9: 1. Auf Stillem Waldpfad - Gitti Pirner
- Stimmungsbilder, Op.9: 2. An Einsamer Quelle - Gitti Pirner
- Stimmungsbilder, Op.9: 3. Intermezzo - Gitti Pirner
- Stimmungsbilder, Op.9: 4. Traumerei - Gitti Pirner
- Stimmungsbilder, Op.9: 5. Heidebild - Gitti Pirner
- Son in b, Op.5: I. Allegro Molto Appassionato - Gitti Pirner
- Son in b, Op.5: II. Adagio Cantabile - Gitti Pirner
- Son in b, Op.5: III. Scherzo: Presto - Gitti Pirner
- Son in b, Op.5: IV. Allegretto Vivo - Gitti Pirner
Tracks:
- Sym No.2 in f, Op.12: I. Allegro Ma Non Troppo - Begonia-Uriarte Mrongovius/Karl Hermann Mrongovius
- Sym No.2 in f, Op.12: II. Scherzo: Presto - Begonia-Uriarte Mrongovius/Karl Hermann Mrongovius
- Sym No.2 in f, Op.12: III. Andante Cantabile - Begonia-Uriarte Mrongovius/Karl Hermann Mrongovius
- Sym No.2 in f, Op.12: IV. Finale: Allegro Assai, Molto Appassionato - Begonia-Uriarte Mrongovius/Karl Hermann Mrongovius
- Ser in E flat, Op.7: Andante - Begonia-Uriarte Mrongovius/Karl Hermann Mrongovius
- 4 Marsche: Parade-Marsch No.1 in E flat - Gitti Pirner
- 4 Marsche: Parade-Marsch No.2 in D, AV 98 - Gitti Pirner
- 4 Marsche: Prasentiermarsch in D, AV 99 - Gitti Pirner
- 4 Marsche: Militar Festmarsch in E flat, AV 100 - Gitti Pirner
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- Richard Wilson: Persuasions; Lord Chesterfield to his Son; Fixations; Sonata for Viola & Piano
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- Schumann: Piano Concerto in Am Op54; Brahms: Piano Concerto in Dm No1, Op15
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- Shostakovich: Piano Concertos Nos. 1 & 2/Poulenc: Concerto for Two Pianos
- Sir Arnold Bax: Spring Fire,Symphony/Symphonic Scherzo/Northern Ballad No.2
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