Verdi: La Traviata; Rigoletto

Editorial Reviews
Amazon.com essential recording
Early in his career, Karajan was an outstanding Verdi conductor, and his first recordings of Falstaff, Aida, and Otello, as well (later) as his Don Carlo, remain testaments to his Verdian credentials. As so often happens in the classical-music biz, however, the remakes were not nearly so convincing. Karajan quickly developed a preference for a smoothed-over, blended orchestral sonority that is really antithetical to Verdi's orchestral habits. This collection, however, was recorded before Karajan had eliminated all of the music's rough edges, and while there's lovely playing aplenty, he's also not afraid to make some noise when Verdi requires it. A fine collection, then, of the 19th century's most important Italian operatic/orchestral music. --David Hurwitz

Verdi: La Traviata; Rigoletto, Music, Giuseppe Verdi, Berliner Philharmoniker, Classical, Classical Composers, Classical Music, Italian Romantic Opera, Opera
The Very Best of Beverly Sills
Average customer rating: 5 out of 5 stars
  • Here's what the fuss was all about!
  • Beverly Sills - The Best
  • Beverly Sills' highs are breathtaking!
  • THE 2005 OPERA CD OF THE YEAR
  • EMI Does It Again: Beverly Sills - A Tribute
 The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
Sills, BeverlySills, Beverly | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
New York Philharmonic OrchestraNew York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
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  1. The Great Recordings
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ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

  1. Una Voce Poco Fa - Sherrill Milnes
  2. Dunque Io Son - Sherrill Milnes
  3. Contro Un Cor - Sherrill Milnes
  4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
  5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
  6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
  7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
  8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
  9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
  10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
  11. Via, Caro Sposino - Ambrosian Opera Chorus
  12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
  13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

  1. Vilia - Beverly Sills
  2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
  3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
  4. Libiamo Ne' Lieti Calici - John Alldis Choir
  5. Un Di Felice, Eterea - John Alldis Choir
  6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
  7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
  8. Che Fai? - John Alldis Choir
  9. Addio Del Passato - John Alldis Choir
  10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

5 out of 5 stars Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

5 out of 5 stars Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

5 out of 5 stars THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

5 out of 5 stars EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
The #1 Opera Album
Average customer rating: 4.5 out of 5 stars
  • The beautiful gift of opera...
  • Pretty darn good
  • The Opera #1 Opera Album
  • Excellent assortment
  • Great Selections
 The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LeoncavalloAll Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
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  5. Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

  1. Carmen: Act 1: Prld - LPO/Sir Georg Solti
  2. La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  3. La Boheme: Che Gelida Manina - Luciano Pavarotti
  4. Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
  5. Fedora: Amor Ti Vieta - Jussi Bjorling
  6. Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
  7. Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
  8. Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
  9. Rigoletto: La Donna E Mobile - Luciano Pavarotti
  10. Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
  11. Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
  12. Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
  13. La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
  14. Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
  15. Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
  16. Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
  17. Tosca: E Lucevan Le Stelle - Placido Domingo
  18. Madama Butterfly: Un Bel Di - Mirella Freni
  19. Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

  1. Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
  2. Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
  3. Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
  4. La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
  5. Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
  6. Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
  7. Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
  8. Mattinata - Andrea Bocelli
  9. Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
  10. L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
  11. Turandot: Signore, Ascolta! - Montserrat Caballe
  12. Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
  13. Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
  14. Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
  15. Tosca: Vissi D'arte - Kiri Te Kanawa
  16. Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
  17. Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
  18. Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
  19. Rusalka: O Silver Moon - Renee Fleming
  20. La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
  21. Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

5 out of 5 stars The beautiful gift of opera..........2007-07-17

This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.

4 out of 5 stars Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

2 out of 5 stars The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

4 out of 5 stars Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

5 out of 5 stars Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
The Best of Italian Opera
Average customer rating: 4.5 out of 5 stars
  • Great Stuff
  • A Great Introduction to Italian Opera
  • Best of the best!
  • Fabulous bargain for anyone
  • Great songs for a low price.
 The Best of Italian Opera

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
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Similar Items:
  1. The Most Famous Opera Arias
  2. The Most Famous Opera Duets
  3. The #1 Opera Album
  4. Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
  5. The Best Opera Album in the World...Ever!

ASIN: B000000UXN
Release Date: 1997-01-21

Tracks:

  1. La Traviata: 'Libiamo, Libiamo'
  2. Rigoletto: 'La donna e' Mobile'
  3. The Barber Of Seville: 'Una voce poco fa'
  4. La Boheme: 'Che gelida manina'
  5. Rigoletto: 'Gualtier Malde!' Caro nome'
  6. Il Trovatore: 'Vedi! le fosche'
  7. Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
  8. TOSCA: 'Vissi d'arte'
  9. La Traviata: 'Di Provenza il mar, il suol'
  10. The Marriage Of Figaro: 'Voi che sapete'
  11. Aida: 'Se quel guerrier io fossi...Celeste Aida'
  12. Madama Butterfly: 'Un bel di vedremo'
  13. La Gioconda: 'Cielo e mar'
  14. Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

5 out of 5 stars Great Stuff.......2007-07-22

The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.

4 out of 5 stars A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

5 out of 5 stars Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

5 out of 5 stars Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

4 out of 5 stars Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.
The Most Famous Opera Duets
Average customer rating: 4.5 out of 5 stars
  • Can't go wrong
  • Most Famous???
  • Only one song knew well
  • The Most Famous Opera Duets
  • Good selection of opera highlights
 The Most Famous Opera Duets

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. Rapture: Opera's Most Heavenly Moments

ASIN: B000002SCA
Release Date: 1994-04-12

Tracks:

  1. Les Peurs des perles Act 1 - Au fond du temple saint
  2. Madama Butterfly Act 1- Vogliatemi bene, un bene piccolino
  3. Le Nozze di Figaro Act III - Sull'aria - Le Nozze di Figaro
  4. La Traviata Act I - Un di, felice, eterea
  5. Lucia Di Lammermoor Act I - Ah! Verranna a te sull'aure
  6. Tristan und Isolde Act II - O sink hernieder, Nacht der Liebe
  7. Carmen Act I - Parle-moi de m
  8. Die ZauberflAct I - Bei Mern, welche Liebe F
  9. Lakmct I - Viens, Mallika
  10. Rigoletto Act I - il sol dell'anima
  11. Der Rosenkavalier Act II - Mir ist die Ehre wilderfahren
  12. Don Giovanni Act I - Li darem la mano
  13. La Boh Act IV - O Mimi, tu pi torni
  14. Il Trovatore Act IV - Miserere...Quel suon, quelle preci

Amazon.com

This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine

Customer Reviews:

5 out of 5 stars Can't go wrong.......2007-07-14

This is a really great CD for the price. It has many of the famous Arias on it and although the singers may not be the best out there they are certainly very good. This is cheaper than the price of a take away lunch; you can't go wrong with this CD.

3 out of 5 stars Most Famous???.......2007-05-14

The title of this cd is misleading and I found myself wondering whose list did they use. That is not to say that there aren't some real treasures included here. The duet from Lakme is lovely in every way, Mady Mesple in particular, very beautful and very french, and far superior to Sutherlands hooty approach. Scotto and Bergonzi are superb, the Tristan and Isolde of Vickers and Dernesch truly other worldly, and the presentation of the rose duet with the young Ludwig and the astonishing Teresa Stich- Randell had me playing it over and over and I still can't believe it, but the most famous??? This cd is definitly worth buying, and I hated giving it only 3 stars but if you're talking most famous you could fill a couple of cd's with Puccini, not to mention Verdi, Mozart, etc. before Bizet's Les Pecheurs des perles, beautiful as it is, made the most famous list.

3 out of 5 stars Only one song knew well.......2007-05-14

I should have done more research. The last song is the only one I could easily recognize. Live and learn.

5 out of 5 stars The Most Famous Opera Duets.......2007-01-05

This seller truly makes a purchaser confident in the product as well the time in which is promised.

Thanks again!!!!!

5 out of 5 stars Good selection of opera highlights.......2006-11-04

Super performances by famous opera artists of the 20th century, most of them no longer performing and some of them deceased. I enjoy having their voices available at home.
Luciano Pavrotti: The Best (Farewell Tour)
Average customer rating: 5 out of 5 stars
  • Luciano Pavrotti: The Best (Farewell Tour)
  • Luciano Pavorotti
  • Luciano is the best!
 Luciano Pavrotti: The Best (Farewell Tour)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007V5WB4
Release Date: 2005-09-13

Tracks:

  1. La donna obile
  2. Una furtiva lagrima
  3. "Libiamo ne'lieti calici (Brindisi)
  4. Donna non vidi mai
  5. Che gelida manina
  6. O soave fanciulla
  7. Mi batte il cor...O Paradiso!
  8. M'appari
  9. Quando le sere al placido chiaror d'un ciel stellato
  10. Se quel guerrier io fossi!..Celeste Aida
  11. Forse la soglia attinse
  12. Recitar! - "Vesti la giubba"
  13. Come un bel di maggio
  14. Ah mes amis - Pour mon
  15. Di quella pira
  16. Nessun dorma!

Tracks:

  1. Torna a Surriento
  2. Santa Lucia luntana
  3. La Danza
  4. L'ultima canzone
  5. Non t'amo pi
  6. Mattinata
  7. 'O sole mio
  8. 'A vucchella
  9. Core 'ngrato
  10. Nel blu, dipinto di blu
  11. Vivere
  12. Il Canto
  13. Caruso
  14. Buongiorno a te
  15. Ti adoro
  16. E lucevan le stelle
  17. Questa o quella (Ballata)
  18. Parmi veder le lagrime

Customer Reviews:

5 out of 5 stars Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27

Wonderful Pavarotti sings the best of the best. His voice never ceases to amaze me. Listening pleasure at it's finest.

5 out of 5 stars Luciano Pavorotti.......2007-02-17

All the songs are wonderful, can never become tired of listening to his songs. Excellent.

5 out of 5 stars Luciano is the best!.......2007-01-20

I can't speak more highly of this collection of Pavrotti's songs. I keep this two CD pack in my car so I can enjoy it on my way to and from work. Even after I have arrived, I find myself sitting in my car waiting for a song to end. Walking out on a song seems sacriligious. While I grew up listening to Caruso and Lanza, there is no question that Pavrotti is the Master! Although, I do have to admit Pavrotti has the greater advantage of modern recording technology to better present his talent than Caruso and Lanza had. However, Lanza definitely didn't have the power that Pavrotti has. With Caruso, we will never know... I highly recommend this collection of Pavrotti's, if you are a Pavrotti fan. If you aren't, buy it anyway and become one:)


















Dinner Classics: The Italian Album
Average customer rating: 5 out of 5 stars
  • Bravo!
  • Outstanding compilation of the Italian classics,
 Dinner Classics: The Italian Album

Manufacturer: Sony
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ASIN: B0000026XP
Release Date: 1990-05-17

Tracks:

  1. Canzon Septimi Toni No.2
  2. Concerto in E Major, Op. 8, No. 1: I-Allegro From Spring (La primavera)
  3. Overture (Allegro)
  4. from Concerto in G Major for 2 Guitars: I-Allegro
  5. from String Quartet in E Major Op. 13, No. 5: Minuetto
  6. from Sonata for Violin & Guitar: III-Menuetto: Allgretto
  7. from Sonata Concertata in A Major: III-Rondeau
  8. Cantabile for Violin & Guitar
  9. from Concerto for Guitar and Strings Orchestra, Op. 30: II-Andantino Siciliano
  10. Nocturne: Moderato from the ballet La Boutique Fantasque (after Rossini)
  11. from the Sebastian Suite: Barcarolle
  12. Dance for Six (from William Tell)
  13. La Donna E Mobile (from Rigoletto)
  14. Musetta's Waltz (from La Boheme)
  15. O Soave Fanciulla (Love Duet) from La Boheme
  16. Vissi D'Arte (from Tosca)
  17. Intermezzo: Andante Cantabile ( from Fedora)
  18. Introduction to Act I (from La traviata)
  19. Intermezzo (from Cavalleria rusticana)
  20. Celeste Aida (from Aida)
  21. O Mio Babbino Caro (from Gianni Schicchi)

Customer Reviews:

5 out of 5 stars Bravo!.......2000-07-22

I heard this album for the first time at a restuarant in Florence during my trip to Italy. I was surprised it was from the US beacause it has captured the very soul of Italy. After 7 years it has remained my favorite of all Puccini cds I own. I especially like the fact that it is instumental and can be played for many occassions. It never fails to stir the wanderlust for a trip back to Italy! A must for every romantic!

5 out of 5 stars Outstanding compilation of the Italian classics,.......1999-05-01

I have been a music lover for years. This CD introduced some Italian music to me that I was not familiar with. I listen to this music very often...it is almost theraputic in effect. I have never heard more beautiful music together on one CD. You won't regret getting this one!
The Best of Luciano Pavarotti: 20th Century Masters/The Millennium Collection
Average customer rating: 5 out of 5 stars
  • uplifting
 The Best of Luciano Pavarotti: 20th Century Masters/The Millennium Collection

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Luciano Pavrotti: The Best (Farewell Tour)
  2. Luciano Pavarotti - Passione - Neapolitan Songs
  3. Luciano Pavarotti - Nessun dorma (Arias & Duets)
  4. Romantica: The Very Best Of Luciano Pavarotti
  5. 20th Century Masters: The Best of the Three Tenors (Millenium Collection)

ASIN: B0002KQOB2
Release Date: 2004-08-03

Tracks:

  1. Santa Lucia
  2. Vieni Sul Mar'
  3. La Danza
  4. La Donna E Mobile
  5. M'appari
  6. Libiamo Ne'lieti Calici
  7. Caro Mio Ben
  8. Lunge De Lei - De' Miei Bollenti Spiriti
  9. Mattinata
  10. Torna A Surriento
  11. Funiculi, Funicula
  12. O Paradiso
  13. Amor Ti Vieta
  14. Una Furtiva Lagrima
  15. Core 'Ngrato
  16. Ave Maria
  17. Nessun Dorma!

Customer Reviews:

5 out of 5 stars uplifting.......2007-02-15

Pavarotti's voice will lift your spirit and fill your home with rich sound. He is the best.
Tuscany: A Romantic Journey
Average customer rating: 4.5 out of 5 stars
  • Favorites of the past
  • Seventh heaven
  • Excellent CD
  • Monica
  • Tuscany: A Romantic Journey is beautiful!!
 Tuscany: A Romantic Journey

Manufacturer: Somerset Entertainment
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bella Tuscany: Music Inspired by Tuscany
  2. Provence: A Romantic Journey
  3. Under the Tuscan Sun
  4. Mediterranean Nights
  5. A Trip Through Tuscany

ASIN: B0007R8FC6
Release Date: 2005-03-01

Tracks:

  1. O Mio Babbino from Gianni Schicchi - Puccini (4:09)
  2. Con Te Partiro - Sartori (4:05)
  3. Intermezzo from Cavalleria Rusticana - Mascagni (4:22)
  4. La Donna E Mobile from Rigoletto - Verdi (2:24)
  5. Un Bel Di Vedremo from Madama Butterfly - Puccini (3:54)
  6. Nessun Dorma from Turandot - Puccini (3:26)
  7. Intermezzo from La Traviata - Verdi (3:55)
  8. Musetta's Waltz from La Boheme - Puccini (2:57)
  9. Caruso - Dalla (3:25)
  10. Ebben? Ne Andro Lontana from La Wally - Catalani (3:49)
  11. O Sole Mio - Di Capua (4:19)
  12. Va'Pensiero from Nabucco - Verdi (4:17)
  13. Vesti La Giubba from Pagliacci - Leoncavallo (3:38)
  14. Una Furtiva Lagrima from L'Elisir D'Amore - Donizetti (4:24)
  15. Vissi D'Arte from Tosca - Puccini (3:21)
  16. Winter from The Four Seasons (Largo) - Vivaldi (4:22)

Product Description

Take a romantic journey across the fabled landscape of Tuscany with these beautiful, orchestral recordings of Italian classics. Instrumentation includes an orchestra.

Customer Reviews:

2 out of 5 stars Favorites of the past.......2007-07-19

All the famous favorites are here and done exactly as you remember them. I was hoping for something that put a new feel to the oldies and this was not it. If you are looking for great European relaxing music check out Mediterranean Nights by various artist and Azucar by Luciani.

5 out of 5 stars Seventh heaven.......2007-06-15

Lovely collection of music! Many pieces I already knew but would not have been able to play them all together; this CD has done that for me. I would have liked even more of the mandolin pieces playing some Italian favorites. This instrument is particularly beautiful (the mandolin) and is so Italian and mediterranean. Lovely vocalists for the arias of some of the nicest operas, too! It was all very beautiful and relaxing to listen to and I felt my self reminiscing the few times I spent in Tuscany and other parts of Italy. Thank you!

5 out of 5 stars Excellent CD.......2007-05-13

Have heard the songs before , however, this CD presents them in a very beautiful way. Loved it.

5 out of 5 stars Monica.......2007-01-25

We took a chance on this cd while in the Smoky Mountains. The best money ever spent. Each time we return to the Smoky's we make sure this cd travels with us. What beautiful music.

5 out of 5 stars Tuscany: A Romantic Journey is beautiful!!.......2006-02-24

This selection is by far the best in my collection.
Maria Callas, the Voice of the Century
Average customer rating: 5 out of 5 stars
  • Beautiful Collection of Songs
  • A Legend in all.....La Callas.
  • Excellent compilation of La Divina's arias
  • Some people have no business reviewing this
  • BELLA BELLA BELLA!
 Maria Callas, the Voice of the Century

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. The Very Best Of Maria Callas
  2. Maria Callas - At Covent Garden 1962 and 1964
  3. Maria Callas: The Legend
  4. Puccini: Arias
  5. The Most Famous Opera Duets

ASIN: B00000631B
Release Date: 1998-03-17

Tracks:

  1. Norma: Casta Diva (Atto I): Norma
  2. La Sonnambula: Compagne, teneri amici...Come per me sereno (Atto I): La Sonnambula
  3. Il Barbieri Di Siviglia: Una Voce poco fa (Atto I): Il barbiere di Siviglia
  4. Lucia di Lammermoor: Regnava nel silenzio...Quando, rapito in estasi (Atto I): Lucia di Siviglia
  5. Rigoletto: Gualtier Mald...Caro Nome (Atto I): Rigoletto
  6. La Traviata: E Strano!...Ah, Fors'e lui...Sempre libera (Atto I): La traviata
  7. La Boheme: Si, Mi chiamo Mimi (Atto I): La boheme
  8. La Boheme: Donde Lieta Usci (Atto III) (Mimi's Farewell): La boheme
  9. Madama Butterfly: Un Bel di Vedremo (Atto II): Madama Butterfly
  10. TOSCA: Vissi D'arte (Atto II): tosca
  11. Turandot: In questa reggia (Atto II): Turandot
  12. La Wally: Ebben? ne andro lontana (Atto I): La Wally
  13. Andrea Chenier: La mamma morta (Atto III): Andrea Chenier

Tracks:

  1. Orphee et Eurydice: J'ai perdu mon Eurydice (Acte V)
  2. Alceste: Divinites du Styx (Acte I)
  3. Dinorah: Ombra leggiera (Atto II) (Shadow Song)
  4. Romeo et Juliette: Ah! Je veux vivre (Acte I) (Waltz Song)
  5. Faust: Les grand seigneurs...Ah! je ris (Acte III)
  6. Lakme: Dov'e l'indiana bruna? (Atto II) (Bell Song)
  7. Samson et Dalila: Printemps qui commence (Acte I)
  8. Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte II)
  9. Les Pecheurs De Perles: Me voila seule...Comme autrefois (Acte II)
  10. Carmen: L'amour est un oiseau rebelle (Habanera)(Acte I)
  11. Carmen: Les tringles des sistre tintaient (Acte II)
  12. Le Cid: De cet affreux combat...Pleurez mes yeux! (Acte III)
  13. Manon: Je ne suis que faiblesse...Adieu, notre petite table (Acte II)
  14. Louise: Depuis le jour (Acte III)

Customer Reviews:

5 out of 5 stars Beautiful Collection of Songs.......2006-07-15

I have listened samples of 5 Callas CDs before buying this one. This one has a very beautiful collection of songs on just 2 CDs. he sings with so much expression. Most the recordings are from the fifties and early sixties when her voice was very young and lovely. I'll try to get her on DVD so I can see her sing.

5 out of 5 stars A Legend in all.....La Callas........2005-04-24

I would just like to refer to an article that was published by a German Newspaper in 1959, mentioned on the Callas Edition (CED:100342)
'...her voice is of unparalleled beauty, having an inimitable, completely own timbre of sopranos and altos...a performance of superior musical quality..a phenomenon amongst contemporary singers'
' ...One of the most spectacular Verdi arias, of Elizabeth from Don Carlo, and one, In Germany tottaly unknown, terrific scene from Bellini's opera Il Pirata were enough to enchant huge numers of television viewers, who can say at her next performance: 'we have seen La Callas''(Hamburg concert 1959)
'- from the contra-alt-f to the f - thats Callas' voice range, spanning over 37 half-tones. Callas herself has drawn the range of her voice. In her concert repertoire the contra-alt-f can be found in e.g. the aria from I Vespri Siciliani. In an aria from Rossini's opera Armida she reaches the 'F'. five half-tones above the high C. Normal voices couldnt possibly even whistle this high F. Though there are other singers, whose voices contain these three octaves - Erna Sack with her coloratura soprano, the lyrical singer Ema Berger and the dramatical singer Zinka Milanov from the New York Metropolitan Opera - simple fact is that the phenomenon Meneghini-Callas lies in her fabulous vocal versatility. She is a coloratura singer, drama-player and lyrist in one person - and an exceptionally talented ac-tress at that.'
Excuse from a journalist of the German Newspaper for the Diva :

Article Title : 'I am sorry!'

'I owe Maria Callas an apology. She is a unique vocal talent, a great artist. She is a primadonna. And she has her moods. Moods for which i ask her to forgive me. Because i misunderstood them - and many others too. That much i gathered from her latest television concert. Even in the flickering of the screen this woman's nervousness and enormous effort were visible.
La Callas is a fragile, rather shy person. Her moods are fear of failure. The moloch audience expects her to always go to any lenght, show the brilliance others just dont have. She is not allowed to get weak. Decent country singers are not decapitated for a false note. La Callas, on the other hand, is the identifying mark of the extraordinary. Even the slightest hint of a mistake would cost her her uniqueness, her stardom....a perverse triumph for all bathtube singers.
That explains her inhibitation to perform when she isnt well, her cancellations when she is not in the right mood. I understand them now. If she werent moody, she wouldnt be a primadonna, would not be La Callas.
Stars like her do not fit in our world of standards and programmed data. They pay dearly for their moods, have to put up fights and, undoubtedly, shed many a tear. So one more, my apologies, Maria Callas'
(Hans im Bild)
That's all folks!:D

5 out of 5 stars Excellent compilation of La Divina's arias.......2005-03-21

This is one of the best compilations EMI has ever made for Maria Callas' arias. Each and every aria lets us listen to the best of her voice from each period of her career. An excellent collection!

Holly Mathews doesn't know how to appreciate art. Kathleen Battle and Renee Fleming themselves have admitted to the supremacy of Callas' singing over theirs, even if their voices seem more beautiful than La Divina. Why else would Callas be a legend and they wouldn't? They are equally good in their own right, but none of them would surpass the accuracy of La Divina's singing and phrasing. Holly Mathews' left side of the brain must be made of clay or foam, dead material that couldn't absorb any beauty.

5 out of 5 stars Some people have no business reviewing this.......2005-01-25

My goodness, what is a non-musical person like Holly Mathews doing in this board? Do you know what other album she has reviewed? Hayley Westenra! And she's not even an opera singer! She obviously doesn't know her business! Disgraceful review! Ignore it! It obviously was not based on good judgement. I'm sure she is a pop fan who just likes tender music. Oh, her insulting language! What an ignorant Maria basher!

Anyway, this is an excellent compilation of SOME of Maria Callas' greatest arias. Although I do wish some arias like Pace Pace Mio Dio were included here, I do think it is a very good compilation all in all. Although she has many detractors, they still have to admit that Callas is the sheer embodiment of singing and drama. She was an actress...a panther on the stage. Listen to her La Mamma Morta and her Suicidio...those brought chills to my spine when I listened to them. Maria is the only singer in the history of opera besides the great Caruso-tenor Franco Corelli who touched me, moved me even. This is probably the reason why I love Maria Callas' music so much. If you want to hear Medea's anger and Norma's anguish and Butterfly's hopeful blindness, listen to Maria Callas. If you just want a golden voice, then go to Renata Tebaldi or Joan Sutherland. And don't even compare her with Charlotte Church or Hayley Westenra! The distaste of some people!

5 out of 5 stars BELLA BELLA BELLA!.......2004-11-23

THIS WAS THE FIRST ALBUM I EVER BOUGHT FEATURING ANY OPERATIC SOPRANO. I WAS 15 AND WAS GIVEN MY VERY FIRST CLASSICAL PIECE "CARO MIO BEN" WHICH WAS NOT AN OPERA ARIA BUT DUE TOTHIS SONG I WAS SUDDENLY IN LOVE WITH OPERA. I HAD HEAR OF HER A FEW TIMES IN THE PAST BUT MY IDEA OF A GOOD SOPRANO AT THE TIME WAS SARAH BIRGHTMAN (YES I KNOW I KNOW!!!BUT I WAS YOUNG!)BUT IT DIDN'T TAKE LONG TO REALIZE HOW WRONG I WAS!! THIS CALLAS RECORDING HAD THE MOST PROFOUND EFFECT ON ME WHICH LED TO MY OBSESSION WITH MY OWN OPERATIC ASPIRATIONS. IT WAS STRANGE AS SHE DID NOT SOUND LIKE A FAT WOMAN SCREAMING HER HEAD OFF IN FULL BODY ARMOR. YES YES...I AND MANY MANY SAD AMERICANS HAVE THOUGH OF THIS WHEN GIVEN THE WORD OPERA. (NOW NOW, WE ALL FELT LIKE THAT AT SOME POINT) I NEVER REALIZED THAT THERE COULD BE SUCH PASSION. HER NORMA WAS IS SO BEAUTIFUL IN IT'S SIMPLICITY AND UNDERLINING STRENGTH. HER TAKE ON "COME OER ME SERENO" AND "UNA VOCE POCO FA" WERE SWEET AND APPROPRIATELY INNOCENT. HER BEL CANTO ROLES WHICH INCLUDED HER FANTASTIC LUCIA (ALTHOUGH LATER I WOULD PREFER SUTHERLAND) AND GILDA JUST THRILLED ME. I HAD NO IDEA SOMEONE COULD ACTUALLY SING THOSE PIECES! OF COURSE UP UNTIL THIS POINT I DIDN'T EVEN KNOW OPERA COULD SOUND LIKE THAT!! (SILLY ME!) I WAS SURPRISED TO REALIZED I KNEW THE ARIAS SHE SUNG FROM LA BOHEME, LA TRAVIATA, AND MADAME BUTTERFLY. THEY DIDN'T MAKE A HUGE IMPRESSION BECAUSE THEY DID NOT HAVE THE FIREWORKS I WAS LOOKING FOR BUT I STILL FOUND THEM TO BE BEAUTIFUL. AFTER ALL OF THIS I LANDED ON CALLAS' TAKE OF TOSCA'S "VISSI D'ARTE". IT WAS AND HAS BEEN THE ONLY TIME I'VE BEEN SO MOVED BY A PERFORMER THAT I CRIED. IT WAS SO PURE BUT THE PAIN WAS SO EVIDENT THAT IT JUST CHILLED ME. I MUST HAVE LISTENED TO IT THOUSANDS OF TIMES OVER THE YEARS AND STILL HAVE YET TO HEAR A MORE STIRRING RENDITION. DUE TO THE OVERWHELMING FIRST CD I MUST ADMIT I KIND OF IGNORED THE SECOND HALF. EVENTUALLY I DID GET TO IT AND FOUND WHAT I FELT WAS THE GREATEST SONG EVER WRITTEN. MY WHOLE BEING LIVED FOR LAKME'S BELL SONG. AFTER LISTENING TO HER I WAS CONVINCED THIS WOMAN WAS MAGICAL BECAUSE I COULDN'T FIGURE OUT HOW SHE OR ANY HUMAN COULD SING LIKE THAT! HER SECOND DISC WAS INTERESTING BECAUSE IT WENT FROM WHITE HOT COLORATURA TO MEZZO? AAHHH BUT YES SHE WENT THERE. INTO THE INTENSITY OF SAMSON ET DELILA. I THOUGHT THEY WERE BEAUTIFUL!!! OF COURSE I KNOW PREFER MARILYN HORNE TO CALLAS ON THOSE SONGS....BUT IT SHOWED ME THAT NOT EVERY SONG HAS TO BE HIGH TO BE BEAUTIFUL. I LOVED AND STILL DUE LOVE THIS COLLECTION....IN FACT I HAVE BOUGHT IT THREE TIMES AS MINE DETERIORATED QUICKLY 'CAS I PLAYED THEM SO MUCH! AND I'VE GIVEN THIS COLLECTION TO COUNTLESS FRIENDS AND FAMILY. THIS IS THE BEST COLLECTION OF CALLAS' WORK AND I WOULD RECOMMEND IT TO EVERYONE AND ANYONE! VIVA LA DIVA!
Opera without Words
Average customer rating: 4.5 out of 5 stars
  • Very Good Opera Mix CD
  • A real treat
  • Wonderful orchestral rendering of opera classics!
  • nice music incorrect tempi
  • Song list incorrect, though !
 Opera without Words

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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