From Early Dawn... Until Late at Night / Maulbronn Chamber Choir

Editorial Reviews
From the Artist
The programme implies particular suspense by posing 19th century compositions vis-à-vis stylistically contrary 20th century compositions and monophonic orthodox cantos. Whereby Arvo Pärt has limited himself to few harmonies in Magnificat and is very frugal with musical sources (minimal music) while assuming a vertically definitive harmonic and sensitive tone altogether, a strict contrapuntal linearity dominates Rolf Schweizer’s composition, which is primarily disposed to the consequent perfection of every individual voice, and in such, is subordinate to the vertical, harmonic aspect. Rolf Schweizer is of particular rigour in the imitative-rhythmic area in his composition "O lux mentium", but keeps the piece in tonal balance with the rather homophonic insertions ("O Lux"). The composition "Hear my prayer, O Lord" by the contemporary Swedish composer Sven David Sandström is a different type completely, and is based on a piece by the English composer Henry Purcell of the baroque era. Sandström adopts Purcell’s composition literally and in the middle of the piece, transports it very sensitively to his own modern tonal prose. Sandström is concerned with a very expressive interpretation of the text "Hear my prayer, O Lord, and give ear to my cry". After an initial reserved, lamenting tone, the piece gradually mounts until it ultimately climaxes in an outmost dramatic, existentially affected outcry in which the praying man calls out his desperation (soprano to C’’). Fierce dissonances and extreme dynamic make his emotional condition clear, but after a while, the piece is gradually restored and finally ends with the most delicate pianissimo and a pure C-major triad (bass to low C). The praying man gradually calms down and surrenders to the Lord’s guidance with hope and trust.

About the Artist
The Maulbronn Chamber Choir was founded by its director Jürgen Budday in 1983 and is one of the best choirs in Germany today. The ensemble compiles a clerical and secular a-cappella programme every year, its focal point on 19th and 20th century literature. First prize at the Baden Wuerttemberg Choir Competition in 1989 and 1997, second prize at the Third German Choir Competition in Stuttgart in 1990, and a victory at the Fifth German Choir Competition in Regensburg in 1998 document the... read more

Album Description
A daily musical routine according to the tradition of horary prayers, recorded at the UNESCO monument Monastery Maulbronn. The tradition of horary prayers (particularly Complet) is still cultivated for certain occasions today at the Evangelical Seminary, supporter of the cloister concerts and the Maulbronn Chamber Choir. It therefore stands to reason that the liturgical form of the horary prayers be transfused to a musical, clerical programme. Of course, it is not possible to feature the complete horary prayer texts as choir compositions. In such, the programme’s concept is based on the adoption of integral liturgy components from every horary prayer by textually identical or paraphrased choir compositions. Each horary prayer contains an hourly text, a psalm prayer, and a canticle from the New Testament. Thus, Zacharia’s Benedictus or the Te Deum is the designated canticle in the morning prayer; the vesper includes the Magnificat (Maria’s canticle), and the canticle in Complet is Simeon’s canticle (Nunc dimittis).

From Early Dawn... Until Late at Night / Maulbronn Chamber Choir

From Early Dawn... Until Late at Night / Maulbronn Chamber Choir, Music, Maulbronn Chamber Choir, Juergen Budday (conductor), Chamber Music & Recitals, Classical, Classical Composers, Classical Music
From Early Dawn... Until Late at Night / Maulbronn Chamber Choir
Average customer rating: 5 out of 5 stars
  • One of the best German choirs...
From Early Dawn... Until Late at Night / Maulbronn Chamber Choir

Manufacturer: The Orchard
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
ASIN: B00004TSHM
Release Date: 2000-05-02

Tracks:

  1. Von morgens frotette for 4-voices choir (Orlando di Lasso, 15321594)
  2. Morning prayers (Laudes) I: Laudate omnes gentes (from Taiz
  3. Morning prayers (Laudes) II: Morgenlied - for 6-voices choir (Joseph G. Rheinberger, 18391901)
  4. Morning prayers (Laudes) III: Psalmgebet - Jauchzet dem Herrn, alle Welt (Psalm 100) op. 69,2 - Motette for 4- and 8-voices choir (F. Mendelssohn Bartholdy, 18091847)
  5. Morning prayers (Laudes) IV: Canticum - Benedictus - Lobgesang des Zacharias (anonymus)
  6. Noon prayers (Sexte) I: O lux mentium - Motette for 4-8 voices choir (Rolf Schweizer, born 1935)
  7. Noon prayers (Sexte) II: Psalmgebet - Hoffe auf den Herrn - Motette for 5-voices choir (Johann H. Schein, 15861630)
  8. Noon prayers (Sexte) III: Verleih uns Frieden gnglich - for 4-voices choir (F. Mendelssohn Bartholdy, 18091847)
  9. Evening prayers (Vesper) I: Bleib bei uns, denn es will Abend werden - op. 69,3 Motette for 6-voices choir (Joseph G. Rheinberger, 18391901)
  10. Evening prayers (Vesper) II: Cantus gloriosus - for 47 voices choir (Jozef Swider, born 1930)
  11. Evening prayers (Vesper) III: Canticum - Magnificat
  12. Night prayers (Complet) I: Hear my prayer, o Lord - for 8-voices choir (H. Purcell/Sven D. Sandstrborn 1938)
  13. Night prayers (Complet) II: Canticum - Nunc dimittis (anonymus)
  14. Night prayers (Complet) III: Der Mensch lebt - Motette for 8-voices choir (Max Reger, 18731916)

Album Description

A daily musical routine according to the tradition of horary prayers, recorded at the UNESCO monument Monastery Maulbronn. The tradition of horary prayers (particularly Complet) is still cultivated for certain occasions today at the Evangelical Seminary, supporter of the cloister concerts and the Maulbronn Chamber Choir. It therefore stands to reason that the liturgical form of the horary prayers be transfused to a musical, clerical programme. Of course, it is not possible to feature the complete horary prayer texts as choir compositions. In such, the programme's concept is based on the adoption of integral liturgy components from every horary prayer by textually identical or paraphrased choir compositions. Each horary prayer contains an hourly text, a psalm prayer, and a canticle from the New Testament. Thus, Zacharia's Benedictus or the Te Deum is the designated canticle in the morning prayer; the vesper includes the Magnificat (Maria's canticle), and the canticle in Complet is Simeon's canticle (Nunc dimittis).

Customer Reviews:

5 out of 5 stars One of the best German choirs..........2000-08-13

The Maulbronner Kammerchor, conducted by Juergen Budday, can serve as a model example of the best that there is in the German style of this art: roundly shaped clear phrases, deliberately designed shadings of dynamics, precise articulation an a homogeneous balance of well-cultured voices. These caracteristics are symptomatic, regardless of whether they are singing a motet or a modern psalm, light in presentation but studded with thoroughly rehearsed effects...

Track Listings:

  1. Gomalan Brass Quintet
  2. Handel: Judas Maccabaeus
  3. Henri IV & Marie de Médicis Messe de Mariage
  4. Houston Symphony Glad Tidings
  5. In Nova Cantica, A Celebration of Christmas
  6. Jane Eyre/Streetcar Named Desire [Import] [Soundtrack]
  7. Joseph Haydn: Paris Symphonies, Nos. 85, 86, 87
  8. JS Bach: Violin Concertos - Fabrio Biondi/Europa Galante
  9. Jussi Bjoerling at Carnegie Hall
  10. Kurt Weill - Rise and Fall of the City of Mahagonny / Lenya ˇ Brückner-Rüggeberg

Track Listings

track listings

Track Listings

Undertow/Clouds Across the Sun

Christmas Waltzes

Blue Blazes

Thats Right

Key West [Import]

Crystal Ball Records 20th Anniversary, Vol. 1

CD2525 An Ol' Christmas Card

Cage: 4'33; Music

Clear as a Dream

Bird at the Hi-Hat [Live]

Blondie - Greatest Hits

A Ti Madre

Alondra

Be Bop Story: 1944-1945

Sunday Sax