Mahler: Symphony No. 3; Schubert: "Rosamunde;" Webern: Six Pieces for Orchestra / Gielen, SWR Sinfonieorchester
Editorial Reviews
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Michael Gielen's ongoing Mahler cycle may not be getting the publicity of some others, but it may go down as one of the great Mahler contributions of the decade. The Third Symphony is done with obvious personal involvement, despite Gielen's reputation as a Boulez-like "objective" conductor who eschews excess. In fact, for all its surface literalism and broad tempos, his performance stands out for its refusal to smooth over the wild unruliness of Mahler's music. We get squawking woodwinds and vulgar trombone glissandos of the sort better-mannered conductors refuse to give us, notwithstanding Mahler's very specific instructions. Gielen's radio orchestra is as good as its rivals; Cornelia Kallisch's alto solo touches the heart; and superior, detailed sound lets us hear subtleties missing elsewhere. No matter how many Mahler Thirds you have, you'll find something new and interesting in Gielen's. The substantial filler is an odd-couple pairing of Schubert's Rosamunde music provocatively interspersed with Webern's Six Pieces. Gielen says this "montage concept" illuminates kindred works. Maybe. To me, it just sounds like Schubert pieces alternating with Webern's. But that's why your CD player has a programming function. --Dan Davis
Mahler: Symphony No. 3; Schubert: "Rosamunde;" Webern: Six Pieces for Orchestra / Gielen, SWR Sinfonieorchester, Music, Cornelia Kallisch, Gustav Mahler, Franz Schubert, Anton Webern, Michael Gielen, 20th/21st Century Orchestral Music, Classical, Classical Composers, Classical Music, Orchestral, Orchestral & Symphonic, Romantic Incidental Music for Orchestra, Romantic Symphony, Symphonic
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Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Classical Music Start-Up Kit, Vol. 2: 1825-1945
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Waltzes
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Similar Items:
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- The Instruments of Classical Music, Vol. 6: The Cello
ASIN: B00005YCX6
Release Date: 1996-01-04 |
Tracks:
- Scherzo - Jeno Jando
- Waltz In C# Minor - Peter Nagy
- Song Without Words, Op.102, No.5 - Peter Nagy
- 'The Fountains Of The Villa D'Este' - Jeno Jando
- Scherzo - Jeno Jando
- 'March To The Scaffold' - Pinchas Steinberg
- Finale - Adrian Leaper
- Pomp and Circumstance March No. 1 (Excerpt) - Adrian Leaper
- The Moldau (exc) - Slovak PO/Barry Wordsworth
- Final Movement Of Symphony No.9 'From The New World' - Stephen Gunzenhauser
- 'Bydlo' - Jeno Jando
- 'Flight Of The Bumblebee' - Balazs Szokolay
- 'Polovtsian Dances' - Slovak Philharmonic Orchestra
- Finale - Adrian Leaper
- Finale - Takako Nishizaki
- 'Liebestod' - Johannes Wildner
- Finale - Slovak Philharmonic Orchestra
- Intro To Also Sprach Zarathustra - Slovak Philharmonic Orchestra
- Uranus, The Magician - Adrian Leaper
- 'Jeux De Vagues' - Alexander Rahbari
- 'Sunrise' - Czecho-Slovak Radio Symphony Chorus
- Adoration Of The Earth (Finale) - Alexander Rahbari
- March From Love For Three Oranges Suite, Op.33: March - Andrew Mogrelia
- Scherzo - Alexander Rahbari
- Finale - Alexander Rahbari
Average customer rating:
|
Marches: The Greatest Hits
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD
Ballets
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| Beethoven, Ludwig van
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Similar Items:
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- Fiedler's Favorite Marches
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ASIN: B000003QWZ
Release Date: 1994-04-13 |
Tracks:
- Ride Of The Valkyries
- Pictures At An Exhibition - Promenade
- Aida - Triumphal March
- The Nutcracker - March
- Pomp And Circumstance
- Symphonie Fantastique - March To The Scaffold
- A Midsummer Night's Dream - Wedding March
- Symphony No. 9, Choral - Alta Marcia
- March Militaire No. 1
- Entry Of The Gladiators
- Love For Three Oranges - March
- March Joyeuse
- Symphony No. 1, Titan - Funeral March
- Radetsky March
- National Emblem March
- The Washington Post
Tracks:
- Coronation March
- The Ruins Of Athens - Turkish March
- Les Troyes - Marche Troyenne
- Marche Slav
- Swan Lake - Wedding March
- Symphony No 3, Eroica - Funeral March
- Babes in Toyland - March
- West Side Story - America
- The Carnival Of The Animals - Introduction And Royal March Of The Lion
- Carmen - March Of The Toreadors
- Carmen - March of the Smugglers
- Colonel Bogey March
- American Salute
- Semper Fidelis
- El Capitan
- Seventy-Six Trombones
- Americans We
- Lassus Trombone
- The Stars And Stripes
Customer Reviews:
Marches - CD 1.......2006-03-12
Fabulous pieces. It all started with hearing Pomp and Circumstance by Elgar ont he radio...
Average customer rating:
- SImply Untrue
- an extra star for all the guest artists
- An Homage to a Great Artist
- superb vocals
|
The Very Best of Thomas Hampson
Marc Barrard , Thomas Hampson , Csaba Airizer , Georges Bizet , Charles Wakefield Cadman , Stephen Foster , Charles Gounod , Edvard Grieg , Charles Tomlinson Griffes , Imre (Emmerich) Kalman , Erich Wolfgang Korngold , Franz Lehar , Gustav Mahler , Jules Massenet , Giacomo Meyerbeer , Gioachino Rossini , Franz Schubert , Robert Schumann , Johann II Strauss , Ambroise Thomas , Giuseppe Verdi , Richard Wagner , Carl Maria von Weber , Antonio de Almeida , Antonio Pappano , Eugene Kohn , and Fabio Luisi
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Foster, Stephen
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| ( H )
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ASIN: B0006VYEI2
Release Date: 2005-04-26 |
Tracks:
- La Ran La Lera...Largo Al Factotum
- O Sainte Medaille...Avant De Quitter Ces Lieux
- Ce Breuvage...Vision Fugitive
- C'est Toi...Au Fond Du Temple Saint - Placido Domingo
- La Fatigue Alourdit Mes Pas...Comme Une Pale Fleur
- Ecoute!...Dieu, Tu Semas Dans Nos Ames
- C'est Mon Jour Supreme
- Tout Est Desert...Son Regard
- Ove Son Io?...Vada In Fiamme
- Perfidi! All'Anglo Contro Me...Pieta, Rispetto Amore
- Di Provenza Il Mar, Il Suol
- E Sogno? O Realta?
- Komm!
- Der Garten Des Herzens
- Lied Des Venezianischen Gondoliers
- Le Lazzarone
- L'Ultimo Ricordo
Tracks:
- Mein Sehnen, Mein Wahnen
- Wo Berg' Ich Mich?...So Weih' Ich Mich Den Rachgewalten
- Wie Todesahnung...O Du Mein Holder Abendstern
- Gruss Op.48 No.1
- Im Wunderschonen Monat Mai
- Aus Meinen Tranen Spriessen
- Die Rose, Die Lilie
- Ich Will Meine Seele Tauchen
- Ich Grolle Nicht
- Gute Nacht
- Die Post
- Blicke Mir Nicht In Die Lieder
- Ich Atmet' Einen Linden Duft
- Ich Bin Der Welt Abhanden Gekommen
- Von Der Schonheit
- O Vaterland, Du Machst Bei Tag
- Als Flotter Geist
- Komm, Zigany
- An Old Song Re-Sung
- At Dawning (I Love You) Op.29 No.1 - Armen Guzelimian
- Jeanie With The Light Brown Hair
- Beautiful Dreamer
Album Description
Details TBA. EMI. 2005.
Customer Reviews:
SImply Untrue.......2006-08-16
The previous review is simply a gross falsification. I have been an obsessed opera fan for a long time, and Thomas Hampson is a truly special singer. He is not the possesor of the largest or most interesting voice, which he will tell you and indeed says so all the time. His commitment to text, his willingness to search out parts to fit his voice, and his dedication to art song make im invaluable to Americans as a ture Troubador. His light Baritone was ideally suited to Figaro and to Valentin and the art song he loves. He must stretch to sing Verdi, where his voice sounds dry and small but many singers have chanced Verdi at their peril, and his innate ablity to inhabit a song, here evidenced in Di Provenza overcomes fact that it is out of his fach. You misinformed opinion of Hampson is mean and strangly bitter. I love Opera, but I do not love every singer, which doesn't mean I debase their very artistic existance. I have seen Hampson live, and have loved him (in Thias) and somewhat disliked him (in Simon Boccanegra) As for him being pretentious, somwetimes I find him mannered, but always charming. SOmetimes Intellectualism can appear pretentious, but surely you wont hold an opera singer to the charge that he must be unintellectual. what a vitriolic review, please buy this Cd, it merits repeated listening to a true American SINGER,
an extra star for all the guest artists.......2006-05-08
The title of this album is an oxymoron. Or a sick joke. I can't decide. Sure he has made millions by luring the uninitiated listener into his web of deceit and conceit, but don't be fooled any longer. How fortunate Hampson has been to sing for and with great artists to shoulder his heavy load.
An Homage to a Great Artist.......2005-10-30
EMI is wisely creating a series of recordings to gather the moments of artists that showcase the very reasons they become so highly regarded. Usually these collections are produced late in careers or even posthumously, but in the case of THE VERY BEST OF THOMAS HAMPSON the artist is still one of the more active and premiere singers of our day. Yet while he doesn't still perform all of these inclusions, it is wonderful to have excerpts from various successful recordings to remind us of the artistry that Hampson represents.
The two disc set includes arias from operas: Rossini's 'Il barbière di Siviglia', von Weber's 'Euryanthe', Gounod's 'Faust', Massenet's 'Hérodiade', Bizet's 'Les Pêcheurs de perles' (in duet with Placido Domingo), Thomas' 'Hamlet', Verdi's 'Don Carlo', 'Il Travatore', 'Macbeth', 'La Traviata', and 'Falstaff', Korngold's 'Die Tote Stadt', and Wagner's 'Tannhäuser'.
But the rewards of a Hampson recording must include his impeccable career as a lieder stylist and on this recording are excerpts from Schumann's 'Dichterliebe', Schubert's 'Winterreise', Mahler's 'Rückert Lieder' and 'Das Lied von der Erde', as well as songs by Meyerbeer, Rossini, Grieg, Kalman, and Lehar. And very importantly there are examples of American songs that Hampson has always emphasized in his recitals. Works by Stephen Foster, and two extraordinary works with the brilliant accompanist Armen Guzelimian - 'An Old Song Re-sung' by Griffes and 'At Dawning' by Charles Wakefield Cadman - round out this fine survey.
Not usually a collector of such 'recombinations', for this listener this album is so very fine that it deserves the attention of all those who appreciate the artistry of Thomas Hampson - then and now. Highly recommended. Grady Harp, October 05
superb vocals.......2005-08-07
Mr.Hampson really gets the chance to showcase his wonderful baritone voice in this "Best of" collection which includes excellent selections from his various other CDs. I like the diversity of the selections featuring operatic arias,works from classical composers, and folk songs. For Thomas hampson fans, as well as fans of the baritone voice, this CD is for them.
Average customer rating:
|
Nocturne: Music for Dreaming
Manufacturer: Virgin Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B0002W1208
Release Date: 2005-09-27 |
Tracks:
- Pavane - Paul Tortelier
- Clair De Lune - Kun Woo Paik
- II. Adagio - Sharon Isbin
- II. Andante - Borodin String Quartet
- Gnossienne No.1 - Anne Queffelec
- Il Vecchio Castello - Charles Mackerras
- Pavane Pour Une Infante Defunte - Libor Pesek
- II. Andante - Sinfonia Varsovia
- Meditation - Renaud Capucon
- IV. Adagietto - Jukka-Pekka Saraste
Average customer rating:
- One Who Loved Sir Robert; eager to see him again
- I may be musically challanged but....
- Good selection of pieces, uniformly flat performances
- Standard Shaw
|
Absolute Heaven
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003D2K
Release Date: 1997-04-29 |
Tracks:
- Prologue (Excerpt)
- Agnus Dei - Donna Carter
- Kyrie - Edith Wiens
- Hallelujah
- Bless The Lord, O My Soul
- Sanctus
- Te Deum Laudamus (Excerpt)
- Et In Terra Pax
- Suscepit Israel
- Pie Jesu - Judith Blegen
- Libera Me (Excerpt) - Susan Dunn
- Regina Coeli - Christine Brewer
- Benedictus - David Gordon
- Rex Tremendae
- Finale - Heidi Grant Murphy
Amazon.com
This sampler, which appeared in 1997, features Robert Shaw, the Atlanta Symphony Orchestra, and its associated choruses in selections from some of the choral-orchestral blockbusters they recorded for Telarc between 1979 and 1993, in consistently excellent sound. Shaw's unrivalled mastery of this repertory shines through in every selection on the disc, not least in the excerpts that frame the program: the final pages of the "Prologue in Heaven" from Boito's Mefistofele, and the towering conclusion of Mahler's Symphony No. 8, both magnificently done. Just one warning: after listening to this, you're likely to find yourself hurrying back to buy the recordings of the complete works. --Ted Libbey
Customer Reviews:
One Who Loved Sir Robert; eager to see him again .......2006-06-30
If anyone goes back into that memory of nostalgia...It is easy to create good reminders of seeing, hearing and singing with Sir Robert Conducting JS Bach, Berlioz, Brahms, Mozart, Poulenc, Schubert and Vivaldi!
When anyone hears once again Donna Carter, Edith Wiens, Judith Blegen, Susan Dunn, Christine Brewer, Dawn Upshaw and William Stone it is a totally unforgetable Moment! Upon more keenly intense listening I found similarities in the voices of Edith Wiens...Judith Blegen and Donna Carter. In fact, I can exchange the songs of Donna, Edith and Judith without being sure of which is the right soprano. That is almost equal to the voice of Susan Dunn! The last two Sopranos, Christine Brewer and Dawn Upshaw are different qualities with a bit more variety of color and depth! Shaw had a masterful taste in choosing the right soprano for each demand and challenge!
When one dwells upon Shaw Favorites with CD's of "Deep River & other SPIRITUALS, Christmas with Robert Shaw, surely, CHORAL MASTERPIECES and Johannes Brahms GERMAN REQUIEM...what else is THERE?
No other Choral Inflence has been seen greater than upon Donald Neuen, Craig Jessop or Norman MacKenzie! SING-Cerely, "Revi" Fred W Hood
I may be musically challanged but...........2002-10-23
This is one of those recordings that would have a hole worn in it from overuse if CD's were capable of getting holes from being used. This is the most used CD in my entire collection. I love it! It picks me up when I am down and it quiets me when I am high. It send shivers down my spine and sets my heart pounding. In short, it does everything a good CD is supposed to do. I don't want to listen to an hour of the same piece. I am entirely content listening to the highlights. As I said before, I may be musically challanged, but this CD is my favorite.
Good selection of pieces, uniformly flat performances.......2000-07-27
This is a collection of choral selection from previous Telarc recordings featuring the Robert Shaw Chorale and the Atlanta Symphony. Recording dates range from 1979 to 1993.
It's a great cross-sampling of (mostly) Romantic-era choral pieces, the choral singing is as usual impeccable, and it's a great group of soloists.
As these excerpts are from some of my very favorite pieces of music, I kept wondering why I wasn't more enthusiastic about this compilation.
Part of the problem is hearing the music in excerpts (a movement here, an aria there) is pretty frustrating. Entering smack in the middle of the last movement of Mahler 8, it can take you a while to get your musical bearings.
I'm also not wild about most of the interpretations, many of which struck me as kind of flat and uninspired (the Verdi Requiem and the Mahler 8 stick out in my mind). Suffice to say I didn't learn anything new about any of the pieces on the album, and in every case there is a recording of the work I like much better. (Except the Cavalleria rusticana excerpt, which I really liked, go figure.)
Bottom line: if you're not familiar with these works, and want a good (and very well-performed) cross-section of Romantic choral pieces, give it a listen. But then do yourself a favor and buy complete and more inspired versions of the pieces you really like.
Standard Shaw.......2000-05-29
Like all of Shaw's recordings, this one is once again up to standards. A great assortment of selections from the religous works of many artists.
Average customer rating:
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The Essential Symphonies
Manufacturer: Retro Music
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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| Classical
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All Works by Brahms
| Brahms, Johannes
| ( B )
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General
| Dvorák, Antonín
| ( D )
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All Works by Mahler
| Mahler, Gustav
| ( M )
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| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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| Classical
| Styles
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All Works by Schubert
| Schubert, Franz
| ( S )
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| Classical
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All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
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ASIN: B000059LFV
Release Date: 2000-01-01 |
Album Details
An Authoritative Anthology of the Music of Sardina, Both 'ancient' and 'modern'. This is the Definitive Collection of Music from Sardinia. Double CD Deluxe Edition Includes a 20 Page Booklet with Rare Photographs.
Average customer rating:
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The Very Best of Christa Ludwig
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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| Classical
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| Beethoven, Ludwig van
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| Brahms, Johannes
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| Mahler, Gustav
| ( M )
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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All Works by Schubert
| Schubert, Franz
| ( S )
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All Works by Robert Schumann
| Schumann, Robert
| ( S )
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All Works by Strauss
| Strauss, Richard
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Ludwig, Christa
| ( L )
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London Philharmonic Orchestra
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ASIN: B0000AHEAX
Release Date: 2003-09-02 |
Tracks:
- Ah, Scostatil... Smanie Implacabili
- Prendero Quel Brunettino
- E Amore Un Ladroncello
- Mira, O Norma... Si, Fino All'ore Estreme
- Liber Scriptus... Dies Irae
- Elsa! Wer Ruft?... Entweihte Gotter!
- Mir Ist Die Ehre Widerfahren
- Fischerweise
- An Die Musik
- Der Musensohn
- Ave Maria
- Die Forelle
- Fruhlingsglaube
- Erikonig
- Er, Der Herrlichste Von Allen
- Du Ring An Meinem Finger
- An Meinem Herzen
- Och Mod'r, Ich Well En Ding Han!
- We Kumm Ich Dann De Pooz Erenn?
- Dein Blaues Auge, Op. 59/8
- Standchen Op. 106/1
- Vergebliches Standchen Op.84/4
Tracks:
- Du Lieber Heiland Du... Bub' Und Reu'
- Erbarme Dich, Mein Gott
- Ach, Golgatha...Sehet, Jesus Hat Die Hand
- Abscheulicher!...Komm, Hoffnung
- In Quali Eccessi...Mi Tradi Quell'alma Ingrata
- Das Irdische Leben
- Ich Atmet' Einen Linden Duft
- Wo Die Schonen Trompeten Blasen
- Von Der Schonheit
- Im Treibhaus
- Schmerzen
- Traume
- Mild Und Leise
Average customer rating:
|
Discover the Symphony
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
All Works by Carl Philipp Emman. Bach
| Bach, Carl Philipp Emman.
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
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| Berlioz, Hector
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Similar Items:
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ASIN: B00000G2P7
Release Date: 1998-09-29 |
Tracks:
- Allegro - City Of London Sinfonia
- Allegro Di Molto - Yoon K. Lee
- Allegro - New Zealand Chamber Orchestra
- Menuetto: Allegretto - Capella Istropolitana
- Molto Allegro - Capella Istropolitana
- Finale: Allegro Assai Vivace: Alla Marcia - Claudio Otelli
- Allegretto - Michael Halasz
- Saltarello: Presto - National Symphony Orchestra Of Ireland
- Poco Allegretto - Alexander Rahbari
- March To The Scaffold - Czecho-Slovak Radio Symphony Orchestra
- Scherzo: Bewegt - Royal Flanders Philharmonic Orchestra
- Allegro Con Grazia - Polish National Radio Symphony Orchestra
Tracks:
- Allegretto Grazioso - Molto Vivace - Stephen Gunzenhauser
- Presto - Imrich Szabo
- Kraftig Bewegt, Doch Nicht Zu Schnell - Michael Halasz
- Allegro Molto - BBC Philharmonic Orchestra
- Epilogue - Bournemouth Symphony Orchestra
- Scherzo - Adrian Leaper
- Adagio - Czecho-Slovak Radio Symphony Orchestra
- Allegro Sanguinoso - National Symphony Orchestra Of Ireland
- Molto Vivace - Stephen Gunzenhauser
- Allegretto - New Zealand Symphony Orchestra
- Allegro - Czecho-Slovak Radio Symphony Orchestra
Average customer rating:
- what's new: early 21st century
|
Monk to Bach
Manufacturer: Winter & Winter
ProductGroup: Music
Binding: Audio CD
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ASIN: B000007RYO
Release Date: 1998-06-09 |
Tracks:
- Blue Room - Paul Motian And The Electric Bebop Band
- Oblivion - Ensemble Of The Gran Caffe Lavena, Plazza San Marco
- Description Du Tunnel - Big Satan
- Sym No.2 'Resurrection', Primal Light - Uri Caine And Urlight
- Misterioso - The Paul Motian Trio
- Violoncello Solo Ste lll in C: Prld - Paolo Beschi
- Songs OF The Death Of Children: I Often Think They Have Merely Gone Out! - Uri Caine And Urlight
- Trio in E flat, Op.100 - La Gaia Scienza
- Ma Plus Belle Histoire D'amour - Marc Ducret
- The Eternal Present - Gary Thomas And Exile's Gate
Customer Reviews:
what's new: early 21st century.......2005-10-12
this is an anthology, a sampler, of what's current in jazz and classical music played by jazz artists. it serves the purpose of familiarizing. however, nothing leaped out and pushed me to want to listen to any of the cd's these selections were first recorded.
Track Listings:
- Mahler: Symphony No. 9; Wagner: Siegfried-Idyll; Strauss: Metamorphosen
- Maurice Jarre at the Royal Festival Hall [Live] [Soundtrack]
- Mendelssohn: The Piano Trios
- Monteverdi - Madrigali guerrieri ed amorosi / Concerto Köln, Jacobs
- Mozart: Piano Concertos Nos. 21 & 23
- Mozart Piano Concertos Nos. 23 and 25
- Mozart: Piano Sonata K. 283, Rachmaninov: Etudes-tableaux, Scriabin, etc.
- Mozart: Violin Concertos Nos. 4 & 2, Sinfonia Concertante in E Flat Major [Import]
- Oeuvres pour Accordéon
- Offenbach - La Belle Hélène / Lott, Beuron, Sénéchal, Naouri, Le Roux, Todorovitch, Les Musiciens du Louvre, Minkowski
Track Listings
track listings
Track Listings
Chronicles [Import]
King of Gypsy Violins
Devil in a Woodpile
Black Forrest
Kite [Import]
Heartbeats-Greatest Hits [Import]
From Gershwin's Time: The Original Sounds Of George Gershwin 1920-1945
germanbooks88.com Music: A Handful of Pleasant Delites
Gypsy Music From Bulgaria
In & Out
Garbage
De Reventon
Gran Reventon Gran, Vol. 7
Extra Strength
Yellowjackets