Scott [Import]

Track Listings

1. Two Pieces Op. 47 -Lotus Land

2. Two Pieces Op. 47 Columbine

3. Two Pieces Op. 35 Peirrot Triste

4. Two Pieces Op. 35 Pierrot Gai

5. Pierrette

6. Poems - Poppies

7. Poems - The Garden Of Soul Sympathy

8. Poems - Bells

9. Poems - The Twiglight Of The Year

10. Poems - Paradise Birds

11. Trois Danses Triste, Op. 74 - Danse Elegiaque

12. Trois Danses Triste, Op. 74 - Danse Orientale

13. Trois Danses Triste, Op. 74 - Danse Langoureuse

14. Over The Prairie: Two Impressions - Over The Prairie I

15. Over The Prairie: Two Impressions - Over The Prairie Ii

16. Piano Sonata No. 1 Op. 66 - Allegro Con Spirito

17. Piano Sonata No. 1 Op. 66 - Adagio

18. Piano Sonata No. 1 Op. 66 - (Without Tempo Indication)

19. Piano Sonata No. 1 Op. 66 - Fugue Allegro

Scott, Music, Dennis Hennig, Cyril Scott, Classical

Grey Gardens - A New Musical (2006 Original Broadway Cast)
Average customer rating:

The Broadway musical lives on

Sensational Musical at a time when Musicals are suffering

Savoring the cake I had

I want to take my ears off now

Isn't she amazing!

Grey Gardens - A New Musical (2006 Original Broadway Cast)

Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music
General | Soundtracks | Styles | Music
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[title of show] (2006 Original Off-Broadway Cast)

ASIN: B000G75A9I
Release Date: 2006-08-22

Tracks:

The Girl Who Has Everything
The Five-Fifteen
Mother Darling
Goin' Places
Marry Well
Hominy Grits
Peas in a Pod
Drift Away
The Five-Fifteen (reprise)
Daddy's Girl
The Telegram
Will You?
The Revolutionary Costume for Today
The Cake I Had
Entering Grey Gardens
The House We Live In
Jerry Likes My Corn
Around the World
Choose to Be Happy
Around the World (reprise)
Another Winter in a Summer Town
The Girl Who Has Everything (reprise)

Product Description

GREY GARDENS proclaimed the #1 Show of the Year by Time Magazine is preserved here in its Original Broadway Cast Recording. The show had been previously recorded following its off-Broadway premiere in the spring of 2006 (and its cast album released by PS Classics in August of 2006), but this new recording features the new songs and new cast members that were added for its Broadway transfer last fall. The new GREY GARDENS opened on Broadway on November 2, 2006, to rave reviews, led by Ben Brantley in The New York Times, who called it an experience no passionate theatergoer should miss! Starring Tony Award winner Christine Ebersole and Tony Award nominee Mary Louise Wilson, it subsequently appeared on over 25 Best of 2006 lists, including #1 Show of the Year (Time), Best Musical of the Year (USA Today, Entertainment Weekly) and Performance of the Year (The New York Times, New York) for Ms. Ebersole. In addition to the new songs and new performances, this Original Broadway Cast Recording also features an all-new 32-page full-color booklet complete with lyrics and Broadway production photos.

Amazon.com

Based on the Maysles brothers' cult 1975 documentary of the same name, this musical is an endearing—-and sometimes genuinely heartwrenching—-oddity propelled by Christine Ebersole's exceptional, for-the-history-books performance. The movie followed the kooky duo of Edith Bouvier Beale and her daughter, Little Edie Beale, as they lived with their 52 cats in a derelict East Hampton mansion. The show's first act, set in 1941, is a prologue of sorts, while the second act, set in 1973, follows the movie closely. Ebersole plays Edith in Act I (which she concludes in dazzling manner with "Will You?") and Little Edie in Act II (when Mary Louise Wilson comes in to play the mother). And while Wilson is superb, this is Ebersole's show. Technically, she is flawless—-just listen to the way she changes her voice between the acts—-but she also makes Little Edie a poignant eccentric, a lost soul stuck in a world of deluded, decaying grandeur. It all peaks in the poignant "Around the World," the show's best song and an Ebersole tour de force. Note that this recording documents the Off-Broadway production; the show transferred to Broadway in the fall of 2006 with a slightly altered first act. --Elisabeth Vincentelli

Customer Reviews:

The Broadway musical lives on.......2007-07-17

The soundtrack of Grey Gardens is modern, yet echoes of a Broadway heritage are present. Some parts reminded me of Sondheim and the lyrics were very clever. For one who has no chance of seeing the show, this is the next best thing and after a few playings, I can already recall the tunes and lyrics. I haven't seen the documentary upon which it is based but am an avid Kennedy-Bouvier fan. I was expecting a dark almost despairing collection of songs but was pleasantly surprised at how much light and shade is in it. What a shame it is closing so soon. I guess it doesn't have enough helicopters on stage to sustain it but I am sure it will be revived when people become aware of what an important addition it is. The characters come alive on this recording and you can almost hear them acting. A very authentic and haunting soundtrack, highly recommended to any lover of Broadway musicals.

Sensational Musical at a time when Musicals are suffering.......2007-07-14

I saw Grey Gardens in New York last month without knowing much about it and the Documentary it is based on. By the end of the show with the audience on their feet screeming and cheering the cast lead by Christine Ebersole who plays 2 roles in the show, I became an instant fan.
The recording is one you all need to hear as it has a booklet with great pictures and all the words but the songs are the type you remember as soon as you hear them. Unfortunately I heard that the show comes to an end at the end of July so the only way you can hear this amazing cast will be by buying this CD.

Savoring the cake I had .......2007-07-14

What a wonder! This cast recording of "Grey Gardens" makes each listening a recollection in tranquillity of the theater experience which becomes deeper and more enlightening. Christine Ebersole's dual roles as mother Edith Beale and Little Edie,daughter, together with Mary Louise Wilson's as the older Edith Beale spiral harmonically between love, competitiveness, shared loneliness and tragic interdependency. The cast recording immortalizes so many nuances of the musical characterizations with lyics and music that put one in mind of the flint and spirit and loneliness of Emily Dickinson's poetry. If you loved and admired the performances, you will treasure this cast recording. ( Grey Gardens - A New Musical (2006 Original Broadway Cast)

I want to take my ears off now.......2007-06-29

Grey Gardens got good reviews? I honestly don't know why everyone is raving. I have listened to it a few times now and I don't get it. Well I get it, what it's about and what is going on but I don't get why people like it. The music kind of reminds me of Annie, but worse. Don't get me wrong, I like Annie, but it's...Annie.

You might tell me its one of those shows you have to see on stage, but if I don't even like the music why would I even want to sit through it? Please. I can't stand this cast recording the only good thing about it is Christine Ebersole.

They could have done SO much better. I get what they tried to do and I see where they could have improved. I've turned off the music now and have left it for another day, maybe on a day when I can't hear properly.

Isn't she amazing!.......2007-06-28

I mean, can you believe her? I mean, Christine, not Edie. Well, Edie, too. And her mom. But then Christine is both of them, isn't she. I mean...

Average customer rating:

I CAN HEAR THE BELLS
My New Obsession
Hairspray CD
You Can't Stop the Beat!
My #1 Fave show!

Hairspray (2002 Original Broadway Cast)
Marc Shaiman , Scott Wittman , Marissa Jaret Winokur , Harvey Fierstein , and Kerry Butler
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Lion King (1997 Original Broadway Cast)

ASIN: B00006AALQ
Release Date: 2002-08-13

Tracks:

Good Morning Baltimore
The Nicest Kids In Town
Mama, I'm A Big Girl Now
I Can Hear The Bells
(The Legend of) Miss Baltimore Crabs
It Takes Two
Welcome To The 60's
Run And Tell That!
Big, Blonde And Beautiful
The Big Dollhouse
Good Morning Baltimore Reprise
(You're) Timeless To Me
Without Love
I Know Where I've Been
(It's) Hairspray
Cooties
You Can't Stop The Beat

Amazon.com

The cast recording for the Broadway musical of John Waters's 1988 paean to dance, music, big beautiful women, and integration is a sheer delight. It's wonderfully upbeat all the way through, with a classic feel that's in keeping with the story's setting in the early 1960s. The characters come alive in these songs, from Marissa Jaret Winokur's (Tracy Turnblad) opening lines in "Good Morning Baltimore" to the stunningly upbeat finale, "You Can't Stop the Beat." The music is by Marc Shaiman, whose recent projects include South Park: Bigger, Longer & Uncut, as well as a number of film soundtracks, and his compositions are simultaneously solid and exuberant. Shaiman and Scott Wittman's lyrics brim over with the unreserved passions and primary-color emotions that made the film so successful. Regardless of one's familiarity with the story or the stage production, it's hard to avoid the appeal of this recording; even the less cheerful songs are awash in bright colors, without disrespect for their subjects. --Genevieve Williams

Customer Reviews:

I CAN HEAR THE BELLS .......2007-05-18

YOU SHOULD BUY THIS CD WHEN YOU WANT THAT LIITLE PICK ME UP. ALSO VERY GOOD THING TO LISEN TO ON THAT TRIP TO WORK OR SCHOOL OR EVEN CLASS IF YOUR IN COLLEGE.

My New Obsession.......2007-02-07

I've been lingering over this CD for the past few weeks and finally decided to buy it and so happy I did so. This is all I've been listening to for the past few days.

From the great opener 'Good Morning Baltimore' to the best closing song I've ever heard, 'You Can't Stop the Beat', this recording is a gem.

One of my favorite songs on this soundtrack is 'The Nicest Kids in Town'. It has that kind of beat that's hard to not dance to. Another favorite is 'Mama, I'm A Big Girl Now'. It reminds me of the songs of Leslie Gore. My favorite line comes from Amber von Tussle "Once upon a time I used to dress up Ken/but now that I'm a woman I like bigger men/And I don't need a Barbie doll to show me how".

'(The Legend of)Miss Baltimore Crabs' is a glorious song for the villain. With wonderful drumming and violins in the background, Velma von Tussel has a great solo song.

'It Takes Two' is such a great slow song. I can just imagine a 1960's prom. Everyone slow dancing and the lights low. A band set up on the stage. I can't help sing along.

'Welcome to the 60's' is another wonderful song. It seems to be everyone's favorite. It's one of mine too. Harvey Fierstein is great as Edna.

'Big, Blonde, & Beautiful' is another good song. A good message to all big girls to be proud of yourself. Ignore what everyone says about you and strut. "Bring on that pecan pie/pour some sugar on it/Sugar don't be shy"

'(You're) Timeless to Me' is such a cute song between Wilbur and Edna.

'Without Love' is my number one favorite on this recording. Link proclaiming his love to Tracy who's locked up in solitary confinement and Seaweed proclaiming his love to Penny who's tied up on her bed. "Darling I'll be yours forever/'cause I never wanna be/Without love/so darling throw away the key"

'I Know Where I've Been' is a glorious gospel song. Sung by Motormouth Maybelle about her experiences and having learned from them.

'Cooties' is such a childish sounding song but it's the kind of song that should have it's own dance. It's too much fun.

The little song that follows 'You Can't Stop the Beat' is so funny and dark. I don't know the name, I just refer to as 'Blood on the Pavement'. "Don't drink and drive/please keep your head/Or come graduation day/you'll be dead".

I recommend this soundtrack to everyone. It's the kind of soundtrack that doesn't sound like a musical soundtrack.

Hairspray CD.......2007-01-14

If you loved the Broadway, you'll love this cd. A friend heard me playing the cd and asked what radio station I was listening to so he could tune in.

You Can't Stop the Beat!.......2006-11-30

I could try to come up with a more clever title for this review, but the title of the last track says it all about the soundtrack from the Broadway show Hairspray. I went reluctantly ($110 per ticket) on my last trip to NYC, and found to my surprise that I enjoyed the show and then adored the soundtrack--every number is performed with great gusto and excitement. "Good Morning Baltimore", sung by Marissa Winokur as Tracy Turnblad, the portly dance-crazed teen from 1963 Baltimore, gets the show off to a great start. "The Nicest Kids in Town" takes you back to the days of American Bandstand and its local knockoffs. "The Bells" was one I knew before seeing the show as my daughter and her friends sang (or at least lip synched) it at a drama camp talent show. "It Takes Two", a teen idol number sung by the character Link, sounds much better to me that the real Frankie Avalon/Ricky Nelson tunes of the early '60s that are its models. Other great songs, many with a civil rights theme following from the story of the film, follow, topped off by "Cooties"--an insult song sung by Tracy's rival Amber Von Tussle, and the showstopping (literally) finale "You Can't Stop the Beat", which sounds more urgent with every listen. Along the way the songwriters include some clever and slightly subversive lyrics--Tracy sings about the "rats on the street" who "all dance round my feet"; Linc croons that "Liz, she has her Dick"; and Penny Pingleton is ready to "call the NAACP" if anyone challenges her love for her African-American boyfriend Seaweed. Some have said that Hairspray is the Grease of the 21st century, but to me it's much better-more human; and also significantly better than the '80s comedy film on which the musical was based. We await with excitement and trepidation the film musical, which could hardly improve on the stage show, but in any event we'll get to hear those great songs again.

My #1 Fave show!.......2006-10-23

I heard this show is closing in 2007, while a movie's coming out Independence Day 2007!

My fave Hairspray songs are:

1. You Can't Stop The Beat
2. Good Morning Baltimore
3. Without Love
4. I Can Hear The Bells
5. Mama I'm a Big Girl Now
6. Run and Tell That
7. The Nicest Kids in Town
8. Big Blonde and Beautiful
9. Welcome To The 60's
10. The Big Dollhouse

Average customer rating:

Absolutely fantastic singles
Really like it
Great band!
Another one for the heartbreak can[n]on
Under the Iron Sea is Golden

Under the Iron Sea
Keane
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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ASIN: B000FBHT1C
Release Date: 2006-06-20

Tracks:

Atlantic
Is It Any Wonder?
Nothing In My Way
Leaving So Soon?
A Bad Dream
Hamburg Song
Put It Behind You
Crystal Ball
Try Again
Broken Toy
The Frog Prince

Amazon.com

If U2 hadn't already released a pair of career retrospective discs, this British trio's second album would neatly do the trick in one. Not much of a surprise since Keane spent a good deal of time supporting Bono and company following the release their breakthrough debut, Hopes and Fears. From the melancholic "Crystal Ball" to the sinisterly beautiful "Is It Any Wonder?" (a blatant homage to "Zoo Station"), Keane have perfected their forebear's dark stadium-rock formula on their second album, all the more miraculous considering it was once again done without guitars. If Under the Iron Sea sounds considerably edgier than its predecessor, that's because it was recorded while the band was on the verge of splitting. But the friction has also given Keane a renewed sense of purpose, breaking the mid-tempo monotony with vibrant material such as "Nothing in My Way" and "Try Again": soaring songs that make the band sound unsinkable. --Aidin Vaziri

Album Description

"Under The Iron Sea" was recorded at The Magic Shop in Soho, New York, and back at Helioscentric Studios, near Battle.

In making this record we tried to confront all our worst fears, to ruthlessly scrutinise ourselves, our relationship with each other, with other people, and with the world at large, and to make a journey into the darkest places we could find.

It made for an incredibly intense atmosphere during the writing and recording of the album, and the resultant songs and sounds very much reflect that. In the songs we created a kind of sinister fairytale-world-gone-wrong, a feeling of confusion and numbness represented by a dark place under an impenetrable iron sea. To express all this we created entirely new sounds by putting an old electric piano and various analogue synths through many different combinations of vintage guitar effects pedals, creating soundscapes that range from the percussive to vast oppressive walls of distortion.

We were writing, singing and performing with a drive, intensity and fury that is almost unrecognisable from our previous music.

It was important that this album had a strong visual presence too, and the start of that was the collaboration with Irvine Welsh on ¡®Atlantic¡¯ offered somebody who both inspired us, and found his own inspiration in our music.

His resulting film echoes the importance of that visual identity we strove for.

We wrote Under The Iron Sea because we needed a record that was going to make us feel alive again.

Customer Reviews:

Absolutely fantastic singles.......2007-06-27

While the album does have a few forgettable tracks, the singles are amazing and worth the cost of the CD. Fans of Coldplay will be drawn to this band and should definitely give Keane a chance.

Really like it.......2007-06-25

Got it after hearing Blake Lewis sing one of their songs, Somewhere Only We Know. I love listening to this in my jeep..fun, carefree cd.

Great band!.......2007-06-20

I love the singer's voice. The lyrics are pretty good too. Great sound for a 3 man band.

Another one for the heartbreak can[n]on.......2007-06-04

Not for nothing did HOPES AND FEARS' breakout "Somewhere Only We Know" include the line "This could be the end of everything". And not for nothing did the b&w simplicity of that record's graphics give way to an icy blue Siberian landscape, inscrutable feminine faces, broken soldiers lying in the snow.

With their propulsive, shifting rhythms and mesmerizing, serpentine melodies, the best songs on IRON SEA are shoutouts to the heartbroken -- tumbling mixes of incredulity, anguish and rage -- and this is one of those discs you will play 5000 times in a row the next time it happens to you. Hey, you did it with "Every Breath You Take" -- but the stalker self-pity that was thrilling when you were a kid and everything was crystal clear no longer seems so useful at an age where things are a leeeeeeeeeeeeeeeeeeeeeeeeeeeeeetle more complicated.

Musically, Keane has mastered the art of baroque-pop in a way that only a few have: their songs have the standout quality of being consistently surprising and perfectly inevitable at the same time.

So it isn't perfect and it won't change the world, but IRON SEA is a minor masterpiece -- a swirling, complex companion to Basho's great, stark haiku, just as true and just as uncomforting:

I think of the day before I met her
When it seemed
I had no troubles at all

Under the Iron Sea is Golden.......2007-05-22

I am not a fan of Keane. In fact, I hated their first album and did not notice when the second album released. However, after hearing "Is It Any Wonder?" on the radio (about 200 times) I thought I would check it out. The sound seemed to have more edge; it captured more of a rock feel, and I liked that. Not to mention, I don't know who can't relate to the lyrics of "Is It Any Wonder?" these days.

I ordered the album and when it came I popped it into my stereo and sat down. I listened to the whole CD. Then I listened to it again. I was dazzled by the intersecting rhythm lines, key changes, the poor lyric scansion that seems to rhyme even though it shouldn't, and the tenor of Tom Chaplain's voice. This album has depth. It encompasses a sound that has been established by the Beatles and has evolved up through bands like Cold Play and Radio Head; Yet it has a little irreverence, giving it a feeling of angst that makes it more interesting to listen to. It's industrial enough to sit in the "Rock" section of your local record store, yet it's still technically a "Pop" album.

I highly recommend this album. It truly is a fresh sound and feel. It will appeal to rock folks, as well as pop people. If I were on the panel for album of the year I certainly would've voted for this one!

Average customer rating:

Osvaldo Golijov: Oceana

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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ASIN: B000PDZQS8
Release Date: 2007-07-10

Tracks:

Call
First Wave: 'Oceana Nupical, Cadera De Las Islas' - Rain Train Interlude
Second Wave: 'Quiero Oir Lo Invisible'
Second Call
Third Wave: 'Oceana, Reclina Tu Noche En El Castillo'
Aria: 'Tengo Hambre De No Ser Sino Piedra Marina'
Chorale Of the Reef: 'Oceana, Dame Las Conchas Del Arrecife'
I
II
Night Of the Flying Horses: Close Your Eyes - Doina - Gallop
Lua Descolorida
How Slow the Wind

Album Description

Oceana is the key work of this album, a composition for orchestra, three guitars, harp and voice, filled with Latin and jazz sounds. It is performed by the acclaimed Los Angeles Guitar Quartet, the Atlanta Symphony Orchestra under conductor Robert Spano (also on Ainadamar), and the multiple GrammyÂ® nominated Brazilian jazz singer Luciana Souza. This piece was Golijov's first commission of a choral work in the spirit of J.S. Bach and became a source of inspiration for La PasiÃ³n segÃºn San Marcos (St. Mark Passion), a future release on DG.

Tracks:

Love Rain (Head Nod Remix) - featuring Mos Def
Daydreamin' - featuring Lupe Fiasco
Good Morning Heartache - featuring Chris Botti
Said Enough - featuring The Isley Brothers
One Time - featuring Eric Roberson
Let Me - featuring Sergio Mendes & Will.I.Am
8 Minutes To Sunrise - featuring Common
Funky For You - featuring Common & Bilal
Sometime I Wonder - featuring Darius Rucker
Slide - featuring Jeff Bradshaw
The Rain - featuring Will Smith
God Bless The Child - featuing Al Jarreau & George Benson
Kingdom Come - featuring Kirk Franklin
Love Rain (Coffee Shop Mix) - featuring Mos Def

Amazon.com

At the time of its release, internet rumor had it that Collaborations was a "taster" project--that is, a sampler to whet listeners' appetites for Scott's long-awaited third solo album, due in summer of 2007. But Collaborations doesn't play like something you'd listen to once before throwing your napkin (or, more accurately, your earbuds) down. Not only does it genre-jump with the kind of precision you don't normally find in an artist pinned to a certain musical movement (in Scott's case, neo-soul), it throws the weight of its bold names around without straining or slacking under the pressure. The hit here is "Daydreamin'," a fuzz-encrusted slice of alternative hip-hop off Lupe Fiasco's Food & Liquor, but there's so many other full-bodied contenders for mass adoration it could easily be eclipsed as the favorite. They include the soul-soaked "Said Enough," with the unmistakable Isley Brothers; the noirish thumper "8 Minutes to Sunrise," with Common (who also gets "Funky for You" together with Bilal); and "Slide," maybe the sexiest jazz-and-R&B hybrid ever to heat up a mainstream diva's disc. On that track, credit goes to Jeff Bradshaw for brilliance with his brass. But consider it: how many other singers could pull off sultriness alongside a trombone? Scott is a shape-shifting vocal wonder; Collaborations is the latest evidence. --Tammy La Gorce

Album Description

Talent, Innovation, Style, Charisma, Passion and Versatility are just a few of the words that come to mind when people talk about the true artistry that has become Jill Scott's trademark.

Jill's chameleon-like ability to passionately perform in an eclectic array of genres, from hip hop, to jazz, to urban alternative, to spoken word, to latin jazz and gospel, has led many of her fans and peers to call her "The Real Thing."

Jill Scott Collaborations is arguably the most unique set of collaborations by one artist ever assembled. The Jill Scott Collaborations CD has something for music fans of all types as it features many of Jill's collaborative efforts over the past six years including her incredible work with WILL SMITH, SERGIO MENDES AND WILL.I.AM of the Black Eyed Peas, MOS DEF, CHRIS BOTTI, AL JARREAU AND GEORGE BENSON, KIRK FRANKLIN, MOS DEF, LUPE FIASCO, and others.

Customer Reviews:

Awesome creative project.......2007-07-17

What can I say, she is such an incredible artist. Just when you think you've heard everything she's capable of Jill Scott emerges with more variety and new sounds. Every selection is like a unique work of art. Jill shows that she can lead or be the accompaniment and is comfortable doing hip-hop, jazz, and R&B. I love this woman!!

On Point Always.......2007-07-13

I have one word to describe this CD: Excellent. As always Jill delivered & did not disappoint me.

Love this Lady.......2007-07-05

I have a few of these songs on other albums already but love the production design of this double disc. The bonus tracks are super keen too, and Jill Scott's voice is like buttery, syrupy pancakes on a Sunday morning. Love it.

another GREAT Jill Scott offering.......2007-07-05

As a fan of Jill's, I have been waiting so patiently since the release of her last album Beautifully Human in 2004.

This music is fantastic! Disc one is very strong with great collaborations. Especially like: "good morning heartache", "let me", "eight minutes to sunrise" and "the rain feat Will Smith" - oh and "daydreamin" - too hard to choose! Disc two has samples of other artists, so I enjoyed listening to snippets of their styles as well.

Keep it going, Jill! You are a voice for these times! Do you forsee a tour on the West Coast? you have alot of fans here!!!

Jill Scott is a Winner, Wonderful Voice.......2007-06-25

Jill is sounding great, love her Philly sounding voice. Enjoyed the colloraborations with other singers.
Thanks for the bonus CD.

Who Is Jill Scott? Words and Sounds, Vol. 1

Average customer rating:

Who Is Jill Scott? Words & Sounds, Vol. 1
If you didnt know....
jill scott
Jill Scott is Neo-Soul
OVER 500 PEOPLE TOOK TIME TO REVIEW THIS CD....

Who Is Jill Scott? Words and Sounds, Vol. 1
Jill Scott
Manufacturer: Hidden Beach
ProductGroup: Music
Binding: Audio CD

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Beautifully Human: Words and Sounds, Vol. 2
Experience: Jill Scott
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ASIN: B00004UARR
Release Date: 2001-01-03

Tracks:

Jilltro
Do You Remember
Exclusively
Gettin' In The Way
A Long Walk
I Think It's Better
He Loves Me (Lyzel In E Flat)
It's Love
The Way
Honey Molasses
Love Rain
The Roots (Interlude)
Slowly Surely
One Is The Magic #
Watching Me
Brotha
Show Me
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
Silent
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Amazon.com's Best of 2000

Jill Scott's debut, Who Is Jill Scott?, is a luscious portrait of the artist as a grown woman. In R&B, black femininity has often been reduced to two dimensions: sex and materialism. But Scott lives in 3-D, and it shows in her voluptuous songwriting. She combines a beautiful voice with an extreme generosity of spirit, making her music a dreamy, soulful delight. Lizz Mendez Berry

Amazon.com

Jill Scott is the singer-songwriter who wrote the unforgettable hook on the Roots' "You Got Me." Jill Scott is a better singer than the garble-mouthed Erykah Badu, who mangled those lines (albeit prettily) on the Roots' single. If Scott had sung them (which she does, and marvelously so, on the group's live album, The Roots Come Alive), we would have known what the hell the words were. Thankfully, Jill Scott has put out her own album, which exceeds all hook-derived expectations. She is, in fact, a wonder--a magically soulful tunesmith who writes tunes like "The Way" and "Watching Me" that feel as comfortable, warm, and sexy as Al Green on a cold day. And then she rips into the songs' haunting melodies with a gorgeous honey-crisp alto that'll leave you wanting more. --Sylvia W. Chan

Customer Reviews:

Who Is Jill Scott? Words & Sounds, Vol. 1.......2007-07-21

I agree with previous posters that it's hard to expound further on this cd when others have so eloquently written their reviews of it but I love the artist and the cd so much that I'm going to add my two cents...

This is a disc that still gets constant play in my house, in the car & at work! There was such a huge buzz on Jill Scott prior to the release of her debut that I could not wait to get my hands on it. Every song & interlude just flows so magically into the track making this not only one of the best debuts by any artist but also one of the best "neo-soul" albums ever produced so those who still don't know who Jill Scott is but enjoy good music will not be sorry in adding this disc to their collection.

My fave tracks to this day are: THE WAY, I THINK IT'S BETTER, WATCHING ME, ONE IS THE MAGIC #, HE LOVES ME, IT'S LOVE & HONEY MOLASSES. Another honorable mention goes to LOVE RAIN (although I like this version very much, I adore how she switched it up on her live cd).

If you didnt know...........2007-07-09

Jill Scott is a genius.Her voice is earthy, soft, powerful, flawless....mixed in with her poetic flair...this album is sexy, inspirational, and just somthing to sit back and groove to. Its mainly for mature listeners, but few young fans like myself can appreciate Jill Scott's many talents. Her music inspires your mind and turns you on, with her romantic and sexy poetry. She's the first of ther kind, with many artists following her pathway. Im not sure if she won grammy's for one but its Grammy worthy. I have all her albums and this is by far my favorite one.

jill scott.......2007-06-30

her album is a story. each song takes you on a journey. not a lot of artist can do that.

Jill Scott is Neo-Soul.......2007-06-27

I LOVE HER! LOVE HER! LOVE HER! This is the first cd that I played so much it started to skip. I enjoy how her similies for love, being a poet her melodic tunes and metaphorical stanzas profoundly inspire me. Buy "Jill Scott" cds and any cd she collaborates.

OVER 500 PEOPLE TOOK TIME TO REVIEW THIS CD.... .......2007-05-18

So what more can I say except, I wish she could do it again.
If you are looking for more good music check out Chrisette Michele's.. I Am.

Average customer rating:

If you like CREED, then this is a nice compilation (plus there is a bonus!)
Creed's Greatist Hits was a pleasant surprise.
Despite the band's multiple faults, their music works
I love it
One of the worst bands ever!!!!!!!!

Greatest Hits (w/ Bonus DVD)
Creed
Manufacturer: Wind-Up
ProductGroup: Music
Binding: Audio CD

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The Great Divide
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rearviewmirror (Greatest Hits 1991-2003)
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Away From The Sun

ASIN: B00065DH0O
Release Date: 2004-11-23

Tracks:

Torn
My Own Prison
What's This Life For
One
Are You Ready
Higher
With Arms Wide Open
What If
One Last Breath
Don't Stop Dancing
Bullets
My Sacrifice
Weathered

Amazon.com

If Nirvana's Nevermind heralded alternative's ascendancy into the mainstream, Creed's mega-successful 1997 debut showed just how quickly--and craftily--alt.rock's musical hallmarks could be utterly co-opted by it. Fueled by vocalist Scott Stapp's Weiland-inspired growl, Creed rode the Seattle pop-suffused string of hits included here to become one of the 90's most successful rock acts--if one whose level of critical revile nearly matched its multi-million sales. This CD/DVD combo features 13 of the band's signature performances (including all eight of its number one singles), songs that often turn on a Christianity-inspired message that could be as opaque (the anthemic "Higher") as it was overt ("My Own Prison," "What's This Life For"). The accompanying DVD completes the career retrospective, anthologizing nine of the band's videos along with previously unreleased live performances of "Torn," "Higher" and "Weathered." --Jerry McCulley

Customer Reviews:

If you like CREED, then this is a nice compilation (plus there is a bonus!).......2007-07-03

As my title said: "If you like CREED, then this is a nice compilation (plus there is a bonus!)" ...It's worth the money!

The bonus I'm referring to, is a DVD that comes with this CREED Greatest Hits CD.

The songs are very crisp and well arranged. They will not disappoint.

Creed's Greatist Hits was a pleasant surprise........2007-06-15

My friend intruduced me to Creed a few months ago when he played his Creed Greatist Hits on his X-Box. At first, I just thought it was just "sissy rock" as I put it, but as I listened to it more and more, I found that it was actually pretty good. Now I view Creed as a pretty good band. I burned his Greatist Hits to my iTunes so I could listen to it more. After listening to it, I decided I liked it, but not enough to buy all their previous cds. Anyway, if you've heard a couple of Creed songs but don't know where to go, this is a good place to start. If you like it, you can decide for yourself whether to actually buy the rest of their cds.

Best Tracks (in my opinion)-One, With Arms Wide Open, and Bullets.

Despite the band's multiple faults, their music works.......2007-05-21

When criticizing Creed given all the choices it's hard to know where to start:

- Their music certainly borrows "heavily" from others. For example, "My Sacrifice" contains a repetitive guitar riff straight out of Zep's "Kashmir" and "Bullets" sounds like a bad out-take from a track that didn't make the cut for Soundgarden's debut album;
- No matter how much the band tries to emulate Seattle grunge, Stapp's voice couldn't even compete with Chris Cornell's of Soundgarden on Cornell's worst day;
- Stapp's faith seems less than sincere and more of a commercial angle.

But with all that oddly the music still works and is of high enough quality to more than compensate for the glaring weaknesses. Highlights like "Higher", "My Sacrifice", "My Own Prison", "One Last Breath", "Arms Wide Open" and "What's This Life For" get a listen whenever they're played. And the lesser knowns like "What If", "One" and "Weathered" are adequate fillers.

It's not hard to figure out why Creed only made a couple albums before packing it in; they simply ran out of material when there was nothing left to be "heavily influenced" by and Stapp's questionable faith marked by backstage XXX videos and public drunkenness wasn't sufficient to see them through. But for all their faults, they're about the most digestable of all the grunge/post-grunge copy bands out there. If you've avoided Creed thus far but like grunge, I'd strongly suggest you give this Greatest Hits a chance.

I love it.......2007-05-16

If you are a Creed fan, this is a great item to have.

One of the worst bands ever!!!!!!!!.......2007-04-28

Creed an extremely overrated band. This guys just ripped off the Seattle style, like a lot of poeple already said but there is something more. The style of songs such as "With Arms Wide Open" and "One Last Breath", that is with those atmospheric arpeggios for the intro/verses and then switch into power chords for the chorus is so old actually!!!! It was done exactly like that in the 70's already! It's not only the Saettle bands that these guys ripped of!!
Just listen to the 70's band Scorpions on songs such as "In Trance" from the album of the same name ('75), "Always Somewhere" from the album Lovedrive ('79), "When the Smoke is Going Down" from Blackout ('82), "Lady Starlight" from Animal Magnetism ('80), or even try Lynyrd Skynyrd's song "Simple Man" from their self-titled debut ('73)!!!!!!!! You'll notice that those songs have a very simialr style.
So original or groundbreaking are not words you can use when talking about this band. Just remember: for Creed when it's a heavy song they are ripping off Seattle, when it's a melodic one they are ripping of either still Seattle or Scorpions. So what's so great about these guys? Nothing!!! Creed SUCKS!!!!!!!
Now go get Seattle bands Pear Jam, Soundgarden, Nirvana, Alice In chains, Mudhoney, Melvins, or try the older bands Scorpions, Lynyrd Skynyrd, UFO, Thin Lizzy, Nazareth, Buzzcocks, Ramones, Iron Maiden ,Judas Priest, Megadeth..... I could go on and on!!! Now those are great bands!!!!!!!!
Forget about Creed!!!!!!!!!!!!!!!

Beautifully Human: Words and Sounds, Vol. 2

Average customer rating:

a little let-down
jill scott
Just TRY to Justify Your Hatred For This Album
It's Jill Scott... of course it's hot
Just Beautiful

Beautifully Human: Words and Sounds, Vol. 2
Jill Scott
Manufacturer: Hidden Beach
ProductGroup: Music
Binding: Audio CD

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Who Is Jill Scott? Words and Sounds, Vol. 1
Experience: Jill Scott
Album II
Collaborations
Baduizm

ASIN: B0002S94RK
Release Date: 2004-08-31

Tracks:

Warm Up
I'm Not Afraid
Golden
The Fact Is (I Need You)
Spring Summer Feeling
Cross My Mind
Bedda At Home
Talk To Me
Family Reunion
Can't Explain (42nd Street Happenstance)
Whatever
Not Like Crazy
Nothing (Interlude)
Rasool
My Petition
I Keep

Amazon.com

While most neo-soulsters crank out albums like their hip-hop counterparts, Jill Scott takes a more traditional approach to her craft. Four years after the release of her debut, Who Is Jill Scott, Words & Sounds Vol. 1, Scott returns with the masterful Beautifully Human: Words & Sounds Vol. 2. The album features a collection of lush and hypnotic songs that will make you want to fall in love, live life, and be a better person all at the same time. Lead single "Golden" is a prime example of this. Set to a midtempo groove made for the dance floor, "Golden" is a shiny, beautifully-written narrative about living life to its fullest. The old-school R&B ballad vibe of "Petition" is reminiscent of Minnie Ripperton or early Chaka Khan. However, "Bedda at Home" is anything but laid back. Combining elements of jazz, soul, and old-school hip-hop breakbeats, Scott extols the greatness of her man with a swagger that can only be described as cool. Other highlights include "Family Reunion" and the socially conscious "Rasool."

The album's only flaw may be that it ends too soon, but then again it's always better to leave a listener wanting more. For Scott, being "Beautifully Human" means just that--finding the allure in all that life has to offer and that's well worth the wait. --Rashaun Hall

Customer Reviews:

a little let-down.......2007-06-30

her first album really raised the bar, a bar she herself couldn't leap, climb, or crawl over with her next. there's a few good songs on this one yet the pace as a whole is slumpy and slower...not as upbeat and uplifting.

jill scott.......2007-06-30

she is an amazing talent. really enjoyed this album. she has a way with words

Just TRY to Justify Your Hatred For This Album.......2007-06-30

Because it will always be unfounded. No matter what, you can't say that this entire album is horrible. From our hauting intro to the continuing positivity throughout it, this album is just wonderful. I got started on Jill way too late into the game, but it's never to late to love this girl. Can't find a track that I don't want to play here, especially since, like her first album, they relate to humans! All of us feel certain ways, and need messages promoted here: Golden-Life is good, and we should live it. (The Fact Is) I Need You-Many people don't like to admit it, but sometimes, we do need that other being in our lives for love. Spring Summer Feeling-Thank you for denouncing that materialistic mentality that plagues present day urban music. You can go on and on with this, from the funky "Bedda At Home" & the huge Jazz Band in "Talk to Me", to the reality of "Family Reunion", and the sensuality of "Whatever", "Not Like Crazy", and the interlude. And, then you have your socially conscious music with "Rasool", and "My Petition". What a wonder! But, many say that this album is not good ONLY because they are comparing it to Vol. 1. Nah, they are in two different catagories. Vol. 1 & Experience, then Vol. 2, and probably whatever is coming next. Keep living, Jill Scott! You've made many see that there is still room for true music in this world. Get the album, then head over to Experience for her live set. Matter of fact, get everything. At least we can know that we can keep playing her 4-6 years from now.

It's Jill Scott... of course it's hot.......2007-05-18

some cuts resonated with me the first time I heard them... a few of the songs are more personalized and less universal, so they took a little longer to grow on me (but they do grow on you)... it's Jill Scott... you have to add this to your collection

Just Beautiful.......2007-05-09

I have never heard anything that can put me in such a relaxed state of mind.It brought back memories of things I haven't thought of in years. Good memories!! It is by far my favorite album. I lost my first cd and I purchased it again

Average customer rating:

Marvelous
Pretty Good
the music
Good incidental music but not great listening music - except the classical pieces
Great classical music accompanies bland original score

Master and Commander
Christopher Gordon , and Richard Tognetti
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Musical Evenings With The Captain
Musical Evenings With The Captain, Vol. 2
Master and Commander - The Far Side of the World (Widescreen Edition)
Musical Evenings in the Captain's Cabin
A Sea of Words, Third Edition: A Lexicon and Companion to the Complete Seafaring Tales of Patrick O'Brian

ASIN: B0000DG07D
Release Date: 2003-11-11

Tracks:

The Far Side Of The World
Into The Fog
Violin Concerto No. 3 'Straussburg' K.215, 3rd Movement
The Cuckold Came Out Of The Amery (Traditional) 5. Smoke N' Oakum
Fantasia On A Theme - Barry Wordsworth 7. Adagio From Concerto Grosso Op. 6. No. 8 In G Minor Christmas Concerto - Arcangelo Corelli Listen Listen Listen
The Doldrums
Prelude (From The Unaccompanied Cello Suite No. 1 In G Major, BWV 1007 - Yo-Yo Ma
The Galapagos Listen Listen Listen
Folk Medley: O'Sullivan's March/Cuckold Came Out Of The Amery/Mother Hen/Mary Scott/Nancy Dawson - Jim Walker
The Phasmid
The Battle
Boccherini La Musica Notturna Delle Strade Di Madrid No. 6, Op. 30
Full Circle

Product Description

A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on "The Ghost of Time," a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves "Old World" and "New World" music, reflecting the talents and backgrounds of its composers. Iva Davies hails from both pop and classical traditions; Richard Tognetti, one of the world's great violin virtuosos, taught Russell Crowe the ins and outs of the instrument; and film/television composer Christopher Gordon brought orchestral texture to the project. Given the period, it comes as no surprise that the score is infused with source music from Bach (Cello Suite) and Mozart, among other great classical composers. Percussion dominates portions of the score. "Drums signal the forward movement of the ship," says Davies, "that it's on a mission. It brings you back into the action." The score's biggest surprise comes with its use of synthesizers. "Peter doesn't make films in the expected way," says Davies, "and for that reason we wanted the score to be not what everyone expected. Peter wanted some scenes to have what I call a kind of 'futuristic' sense"--conveying the idea that these 19th century sailors were cutting-edge explorers.

Customer Reviews:

Marvelous.......2007-02-12

A marvelous collection of compositions which greatly enhanced this fantastic film. This CD is marvelous on its own. It did not leave my CD player for weeks.

Pretty Good.......2006-12-14

I purchased this soundtrack because I really enjoyed this music while watching the movie. But I was a little disappointed at the CD. Some soundtracks allow you to follow the entire plot like through the music (such as the Pirates of the Caribbean soundtrack). But this CD doesn't provide that. Several of the songs are recurring in the film but are only played once in the soundtrack. I would have liked the soundtrack to reflect the music for the whole film rather than just excerpts.

I give the music 5 stars and the CD 2-1/2 stars.

the music .......2006-11-10

The music is excellent . Flows well Better than the movie score

Good incidental music but not great listening music - except the classical pieces.......2006-11-09

The soundtrack for Master and Commander contains two distinct types of music. First there is the incidental music for the film. These pieces are heavy on the bass side of the orchestra and are often emphasized with bass drums and tympani. This music is very effective and appropriate for the scenes in the film, and I commend the composers for making a soundtrack that so seemlessly and effortlessly invokes the moods and excitement of the visuals. Unfortunately, these pieces are quite moody and slow moving - great as incidental music but not so interesting to listen to as straight orchestral music.

The second type of music is much more enjoyable to listen to. Those that have seen the film know there are several scenes in which people are playing music - for example, Aubrey and Maturin in the captain's cabin performing a cello-violin duet, or the sailors on deck playing sea shanties on tin whistles. The pieces chosen for the film range from Bach to traditional folk music, and are a welcome addition to the soundtrack. The performances are very good (including a cello solo by Yo Yo Ma), and the recording quality is excellent. Deserving special mention is the Boccherini piece (La Musica Notturna Delle Strada di Madrid), which serves as a second unofficial theme song for the movie. The piece itself is presented in its entirety, and there is a callback to the piece in the incidental music as well, which is a welcome ray of levity in an otherwise oppressive piece.

People purchasing this disc run the real risk of being disappointed - the incidental music works so well in the context of the film that you are likely to think (as I did) that the music is itself worth listening to alone. Unfortunately, I don't find this is the case, but the classical music that is included makes this a soundtrack worth having, especially for the Boccherini piece.

Great classical music accompanies bland original score.......2006-09-27

The original music to this film is dull, repetitive, and only offers the hint of good music at certain points during it's lengthy tracks. But what about all the good music you heard in the film? That was all classical music, which was used in the film incredibly well. There are three tracks in particular that save this album. The piece by Corelli is used as something the captain and doctor play together. It is one of the most beautiful pieces of baroque music of which I am aware. A second piece, Vaughn Williams "Fantasia" is the piece heard when the crewmen have to cut the line that might save their friend who fell overboard. It's a tragic scene and accompanied perfectly by the heart-breakingly glorious piece. The original piece of music is quite a bit longer than the version on the CD, but the original version also tends to drag a little in places. All the best parts are on the version of the piece in the film. The third classical piece from the album that saves it is the cello solo by Bach that plays as a theme for the galapagos islands. This solo is performed perfectly by Yo Yo Ma. These tracks make the album worth purchasing. If you already have them, avoid the album because the rest is not very enjoyable. If you wonder about this one, watch the film and listen for the music. It speaks well for itself in the film.

The Last 5 Years (2002 Off-Broadway Cast)

Average customer rating:

Best work by the new Sondheim
second time buying this
Jason Robert Brown's newest, not best.
If You Didn't Believe In Jason Robert Brown, You Should Now
The Last 5 Years

The Last 5 Years (2002 Off-Broadway Cast)
Jason Robert Brown , Norbert Leo Butz , and Sherie Rene Scott
Manufacturer: Ghostlight
ProductGroup: Music
Binding: Audio CD

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Songs for a New World (1996 Original New York Cast)
The Last Five Years - Vocal Selections
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The Wild Party (Lippa) (2000 Off-Broadway Cast)
Tick, Tick... Boom! (2001 Original Off-Broadway Cast)

ASIN: B000065CXP
Release Date: 2002-04-16

Tracks:

Still Hurting
Shiksa Goddess
See I'm Smiling
Moving Too Fast
A Part of That
The Schmuel Song
A Summer in Ohio
The Next Ten Minutes
A Miracle Would Happen/When You Come Home to Me
Climbing Uphill
If I Didn't Believe in You
I Can Do Better Than That
Nobody Needs to Know
Goodbye Until Tomorrow/I Could Never Rescue You

Amazon.com

Jason Robert Brown burst on the musical-theater scene with a bang when his first Broadway show, Parade, won the Tony for original score in 1999. This new offering is more modest in scale than Parade, but it allows Brown to refine his skills. A two-character, one-act play, The Last 5 Years retraces a relationship through a complex structure that involves varying viewpoints and a chronology that unfurls backward and forward. Brown himself plays the piano and leads a small ensemble, while Norbert Leo Butz (Thou Shalt Not) and Sherie René Scott (Aida) sing the composer's heartbreaking melodies. Brown's lyrics need a bit of work (he can be oddly crass at unexpected moments), but he knows how to write songs that incorporate a pop sensibility and a distinctly theatrical narrative drive. That in itself is quite an achievement. --Elisabeth Vincentelli

Description

A fresh and contemporary musical from Tony Award-winning composer Jason Robert Brown (Parade), "The Last 5 Years" chronicles a young couple's romance in a new and exciting way: Her story starts at the end of their relationship, his begins on the day they met. Funny and uplifting, the show captures some of the most heartbreaking and universally-felt moments of modern romance. Co-star Norbert Leo Butz was last seen on Broadway in Harry Connick Jr.'s "Thou Shalt Not," appeared in the hit musical "Rent," and portrayed the emcee in the touring production of "Cabaret." Sherie Rene Scott, last seen on Broadway in Elton John and Tim Rice's "Aida," also starred in "Rent" and "The Who's Tommy." Songs: Still Hurting, Shiksa Goddess, See I'm Smiling, Moving Too Fast, A Part of That, The Schmuel Song, A Summer in Ohio, The Next Ten Minutes, A Miracle Would Happen/When You Come Home to Me, Climbing Uphill, If I Didn't Believe in You, I Can Do Better Than That, Nobody Needs to Know, Goodbye Until Tomorrow/I Could Never Rescue You.

Customer Reviews:

Best work by the new Sondheim.......2007-06-08

If you like Sondheim, you will like Jason Robert Brown. His music is more sophisticated than Jonathan Larson, and yet still akin to popular music for our generation! I feel this musical is his best-to-date, but I can't wait to see the new pieces in store. If you liked "Songs for a New World", you will not be disappointed in this work. It is a little more like a traditional musical with a plot that weaves between two parts of a couple, and how they move through their relationship together (the trick is, he is going backwards in time, she forwards--they meet at the wedding.)

second time buying this.......2007-03-28

i have bought this cd twice now. the first time it got stolen and i put off buying as long as i could, but it's just too good. jrb is a wonderful composer and w/ nlb and srs singing his stuff; it's just too good to pass up if you dig show tunes.

Jason Robert Brown's newest, not best........2007-01-19

Parade is fantastic in every way shape or form, its deep, emotional, full of everything, great lyrics and singers. The Last Five Years is good in every way shape or form. The concept is amazing (although it doesn't really come through unless you read the synopsis). The Lyrics really capture the internal monologues of relationships. The orchestrations are simple, which is fine for a show like this. The singers... I was surprised by. Norbert Leo Butz, has been stellar in the other shows I've heard him in, but this one has moments that make him sound amateurish. Sherie Rene Scott has an interesting voice, that sometimes sounds like it isn't being treated healthy. That really comes through in this CD, sometimes she doesn't sound very good. But overall, this is a great CD. Brown is wonderful, the singers are broadways hottest, the topics are very close to home. I would suggest this for almost everyone. Its new and edgy, but borrows some mechanics of the classics. Definitely one for collectors, and people who just started listening to musicals. Favorite Song: "Climbing Uphill"

If You Didn't Believe In Jason Robert Brown, You Should Now.......2007-01-10

Jason Robert Brown wrote a splendidly beautiful musical, semi-autobiographical, chronicling the 5 year span of a relationship. The first five minutes had me hooked. In these first five minutes, Kathy is "Still Hurting" after the torential breakup of her marriage due to many particulars including adultery. With this tender introduction to Kathy, I was immediately sucked into her world of pain, loss, and failure. "What about lies Jamie? What about things that you swore to be true?" It is a question we've all asked time and time again. The music here is outstanding as well. Brown has decided to use a piano, drum kit and a string quartet in lieu of full orchestrations. And this works very well for the cast of two characters. Brown's previous musical, the large-scale "Parade" won him accollades of acclaim from critics everywhere on his music and orchestrations. He knows how to write. After Kathy, sung to perfection Sherie Renee Scott (she has such a conversational way of singing, and not to mention seamless voice), Jamie enters the stage with samba beat singing about this "Shiksa Goddess" he's just met...and her name is Kathy! "WAIT!" I said. Didn't he just lie to her, hurt her, and isn't she still pushing through all of the aftermath of their divorce? And isn't he fine with it? It was then that I knew this was no ordinary musical. Brown has done something revolutionary on the Musical Theatre Stage. Throughout the course of the show, the characters are moving in different directions; not only in their relationship, but in time. Kathy starts at the end of the 5 year relationship and regresses to the beginning, whereas Jamie starts at the beginning of the relationship and progresses to the end. They rarely interact until their marriage, where they sing finally sing together. This is of course another beautiful duet ballad Brown has written a la "All The Wasted Time" in "Parade." In this song, they sing their vows which focus on how much they love one another despite what their fault may imply. During one of Kathy's earlier songs "See I'm Smiling," we really get a sense of how hard it can be when you can see the end of a relationship falling upon you. It's a hard song to get through, though mostly quiet as she smiles through her tears and tries to see everything as "fine." But it is not. When she finally breaks, it is because Jamie decided to go to a party celebrating his book, than take her out for her birthday. When this happens, it is some of the best writing musically and lyrically in musical theatre. The way in which the lyrics seamlessly blend into the melody making it sound as though she were really just talking; the ups and downs through the anger; the breaking point where she finally realizes it is no use. And Scott sings her heart out of it. It raised the hair on my arms.
Further into the show, we have some more beautiful melodies arise and wonderful lyrics. You never think that Brown is trying to hard to rhyme. Norbert Leo Butz has the pleasure to sing Jamie, and in "Nobody Needs to Know" we get an sense of the sadness that came with all of Jamie's fortune. He is not happy. He did love Kathy. Fame, however, tainted that and hurt him in the end. As he lies in bed with another woman, we see the regret of his loss of innocense. With his rock-belter voice, Butz pulls this off with just the right amount of self-pity, without over-indulging. The Last 5 Years is definitely one of the bright shining moments of musical theatre in the new millenium. Brown should have received much more acclaim for this, as it is not as widely known as it should.

The Last 5 Years.......2007-01-03

One of the best musicals I have ever heard. It's amazing.

Track Listings:

Track Listings

track listings

Track Listings

Heath Vs. Ros: Swing Vs. Latin

Joyful Classics, Vol. 1

King of the 12-String Guitar

Dull Bang, Gushing Sound, Human Shriek

Maximum Evanescense

Land of the Strange [Explicit Lyrics]

Michael Ball [Import]

Mantra of the Light for Female Chorus & Orchestra

Mystery Girl

In the World From Natchez [Extra tracks] [Import]

My Own Prison

Latin Music: 10 Anos

Gozando, Siempre Gozando [Import]

Spirit of the Boogie

Live at the Royal Festival Hall 2004

1. Two Pieces Op. 47 -Lotus Land
2. Two Pieces Op. 47 Columbine
3. Two Pieces Op. 35 Peirrot Triste
4. Two Pieces Op. 35 Pierrot Gai
5. Pierrette
6. Poems - Poppies
7. Poems - The Garden Of Soul Sympathy
8. Poems - Bells
9. Poems - The Twiglight Of The Year
10. Poems - Paradise Birds
11. Trois Danses Triste, Op. 74 - Danse Elegiaque
12. Trois Danses Triste, Op. 74 - Danse Orientale
13. Trois Danses Triste, Op. 74 - Danse Langoureuse
14. Over The Prairie: Two Impressions - Over The Prairie I
15. Over The Prairie: Two Impressions - Over The Prairie Ii
16. Piano Sonata No. 1 Op. 66 - Allegro Con Spirito
17. Piano Sonata No. 1 Op. 66 - Adagio
18. Piano Sonata No. 1 Op. 66 - (Without Tempo Indication)
19. Piano Sonata No. 1 Op. 66 - Fugue Allegro