Tchaikovsky: Symphony No.5/Romeo and Juliet Overture Fantasy

Editorial Reviews
Amazon.com
Like so many conductors who enjoyed long and successful careers, Eugene Ormandy recorded and rerecorded this music over and over. And yet his earliest recordings, for Sony (formerly CBS), are far and away the best. There's nothing particularly wrong with this later version, but there's more warmth, freedom, and excitement on the Sony disc--for less money too! Enough said. --David Hurwitz

Tchaikovsky: Symphony No.5/Romeo and Juliet Overture Fantasy, Music, Pyotr Il'yich Tchaikovsky, Eugene Ormandy, Philadelphia Orchestra, Classical, Classical Music, Orchestral, Romantic Overture for Orchestra, Romantic Symphony, Symphonic
25 Tchaikovsky Favorites
Average customer rating: 3 out of 5 stars
  • hmmmm
  • Good Introduction but poor quality
  • Tchaikovsky's Greatest Pieces of Music
  • great music poorely performed.
  • Great!
25 Tchaikovsky Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000058HZ
Release Date: 1996-08-20

Tracks:

  1. Overture
  2. Dance Of The Sugar Plum Fairy
  3. Dance Of The Flutes
  4. Scene
  5. Waltz
  6. Dance of the Swans
  7. Scene 2
  8. Hungarian Dance
  9. III. Scherzo
  10. I. Adagio; Allegro Non Troppo
  11. II. Allegro Con Grazia
  12. III. Allegro Molto Vivace
  13. II. Andante Cantabile
  14. Capriccio Italien In A Major, Op. 45
  15. Marche Slave In B Flat, Op. 31
  16. June - Michael Ponti
  17. II. Andantino Simplice - Felicja Blumental
  18. Coronation March
  19. Eugen Onegin: Waltz
  20. Romeo & Juliet: Fantasy-Overture
  21. Serenade For Strings: II. Waltz
  22. Sleeping Beauty: Tempo Di Valse
  23. String Quartet In D Major, Op. 11: Andante Cantabile
  24. Violin Concerto In D Major, Op. 35: III. Allegro Vivacissimo - Aaron Rosand
  25. 1812 Overture, Op. 49: Excerpt

Customer Reviews:

2 out of 5 stars hmmmm.......2005-09-14

definitely not the best rendition of the popular suite.on the other hand,try finding another one.
stuff is edited,bludgeoned,rather.
tempos verge on comical.
rather disapointing,I really needed a nice version of the sugar plum faerie dance.
will probably stick to Wendy Carlos's,cheesy,runningly cheesy,blue cheese smelly,even,as it might be,still holds the original pace and campy pomp.

...not nuch of a cheese shop is it?
-it's fairly clean.
certainly not contaminated by Cleese!

2 out of 5 stars Good Introduction but poor quality.......2005-09-12

This is a good introduction to Tchaikovsky for the beginner that gives a broad sampling of his work. Considering the price, it's a good value if someone is just wanting to begin exploring classical music or Tchaikovsky in particular.
However, the sound quality on this albumn is quite poor and there are much higher quality Tchaikovsky recordings available.

5 out of 5 stars Tchaikovsky's Greatest Pieces of Music.......2000-09-04

Here are some of Peter Ilych Tchaikovsky's greatest works. His Nutcraker, Swan Lake and Sleeping Beauty ballets are the most famous in the repoirtaire. The Symphony No. 5 and 6 are very excellent symphonic orchestrations. However, despite all the good stuff in here from the Russian master, the performers and conductors cannot surpass the beauty and artistry that such Tchaikovsky music masters as Dorati, Markevitch and Ormandy are. So if you want quality Tchaikovsky, get those conductor renditions. However, for a Tchaikovsky beginner, these pieces will get you hooked. This is a good cd to begin with for a Tchaikovsky listener. I am a Tchaikovsky listener ever since a friend recommended his glorious works to me. I am a Mozart fan but Tchaikovsky is undoubtedly the greatest Romantic composer of all time. He combines Russian melodies (Russian dances, mazurkas, waltzes) and gives them a definite Western romantic feel. He was friends with such noted Romantic composers as Camille Saint Saens, known to create such marvelous music of the era- Carnival of the Animals (now popular through Dysney) and Danse Macabre, to name only a small portion. Tchaikovsky also adored Mozart and although he is not exactly a Classical composer, he greatly admires the beauty of Mozart's works. Three cheers for Tchaikovsky !

1 out of 5 stars great music poorely performed........1999-09-18

T. is my favourite composer but the interpretation on this CD is rather like a good effort in high shool

5 out of 5 stars Great!.......1999-04-18

I think that Peter Tchaikovsky is one of the greatest composers ever. His Nutcracker suite and Capriccio Italien are wonderful pieces of music, as well as the rest of his pieces! This CD is definetly worth owning if you like classical music.
The Story of Tchaikovsky
Average customer rating: Not rated
    The Story of Tchaikovsky
    Pyotr Il'yich Tchaikovsky , Edouard van Remoortel , and Arthur Hannes
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    ASIN: B000001KD9
    Release Date: 1995-04-16

    Tracks:

    1. Finale
    2. Overture
    3. June (Barcarolle)
    4. Andante Cantabile
    5. Waltz
    6. Romeo and Juliet (Overture-Fantasy)
    7. None But The Lonely Heart, Op. 6 No. 6
    8. Allegro Non Troppo
    9. Waltz
    10. Andante cantabile
    11. Chanson Triste, Op. 40 No. 2
    12. 'Pathetique' Allegro Con Grazia
    13. Andante Sostenuto
    14. Capriccio Italien, Op. 45
    15. Finale
    16. Marche Slave, Op. 31
    17. Excerpts
    18. 1812 Overture, Op. 49
    19. 'Pathetique' Excerpts
    20. Scene
    21. Valse
    22. Dance Of The Swans
    23. Scene
    24. Hungarian Dance
    25. Panorama Andantino
    26. Tempo Di Valse
    Instruments of the Orchestra
    Average customer rating: 4.5 out of 5 stars
    • Instruments of the Orchestra - Great Reference Material!
    • Beginner or Expert
    • Very Informative and Enjoyable
    • Frank's view
    • Excellent Intro for Those Not Familiar with the Orchestra
    Instruments of the Orchestra
    Various Artists
    Manufacturer: Naxos
    ProductGroup: Music
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    Similar Items:
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    ASIN: B00006O0NT
    Release Date: 2002-12-03

    Tracks:

    1. Overture To 'Tannhauser'
    2. Domna, Pos Vos Ay Chausida
    3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
    4. Hungarian Dance No.7
    5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
    6. Violin Concerto In D Major (Adagio)
    7. But For A Long Time It Was Seen As The Instrument Of The Devil.
    8. The Soldier's Tale: Triumphal March Of The Devil
    9. The Manipulative Seductiveness Of The Gypsy Violin.
    10. Csardas Music
    11. The Violin And The Initiation Of Nature
    12. The Four Seasons (Spring, Mvt 1)
    13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
    14. The Four Seasons (Summer, Mvt 1)
    15. Like The Devil, The Violin Is A Master Of Disguise.
    16. Old Viennese Dance No.3 'Schon Rosmarin'
    17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
    18. Tzigane
    19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
    20. Caprice No.24
    21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
    22. Variations On A Theme Of Frank Bridge (No.7)
    23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
    24. Romeo And Juliet: Act IV
    25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
    26. The Four Seasons (Winter, Mvt 1)
    27. The Violin Muted
    28. Clair De Lune
    29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
    30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
    31. The Pizzicato Violin
    32. Pizzicato Polka
    33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
    34. Violin Concerto No.2 In G Minor (Slow Mvt)
    35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
    36. The Planets (Mars - The Bringer Of War)
    37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
    38. Hungarian Dance No.4
    39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
    40. The Four Seasons (Autumn, Mvt 1)
    41. Now The Same Technique, But The Sound Might Have Come From Another World.
    42. Bolero
    43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
    44. Cadenza To The Violin Concerto By Brahms
    45. Now Compare That With A Real Violin Duet.
    46. Forty-Four Duos (No. 1: Teasing Song)
    47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
    48. Forty-Four Duos (No.2: Maypole Dance)
    49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
    50. Concerto In D Minor For Two Violins (Largo)
    51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
    52. Violin Concerto No.1 In D Major (Mvt 2)
    53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
    54. Symphony No.1 'Titan' (Mvt 1, Opening)
    55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
    56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
    57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
    58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
    60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
    61. Also Sprach Zarathustra (Of The Afterworldsmen)
    62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
    63. Variations On A Theme Of Frank Bridge (No. 4)
    64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
    65. Four Sea Interludes (Dawn) From 'Peter Grimes'
    66. To End This Outing With The Violins, A Charming Little Elfin Dance
    67. Elfenreigen

    Tracks:

    1. Introduction To The Viola
    2. Viola Concerto (Mvt 1)
    3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
    4. Gayane Suite No.1 (Armen's Solo)
    5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
    6. Passacaglia, Op.33b From 'Peter Grimes'
    7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
    8. Harold In Italy (Mvt 4)
    9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
    10. Cypresses (No.9)
    11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
    12. Symphony No.4 (Mvt 3)
    13. The 'Period' Viola In Bach
    14. Brandenburg Concerto No.6 (Last Mvt)
    15. The Cello: A Voice Of Unique Nobility
    16. Suite No.1 For Unaccompanied Cello (Prelude)
    17. Brahms And The 'Soul' Of The Cello
    18. Piano Concerto No.2 In B Flat Major (Mvt 3)
    19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
    20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
    21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
    22. Symphony No.3 'Eroica' (Finale)
    23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
    24. Elfentanz, Op.39
    25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
    26. The Protecting Veil (Opening)
    27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
    28. Flamenco
    29. Double-Stopping In The Lower Reaches Of The Cello's Range
    30. Solo Suiet For Cello And Piano (Sardana)
    31. It's In The Middle Register That The Cello Really Comes Into Its Own.
    32. Oriental Dance, Op.2 No.2
    33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
    34. Symphony No.9 (Finale)
    35. Introduction To The Double-Bass
    36. The Carnival Of The Animals (The Elephant)
    37. But The Double-Bass Can Be Intensely Expressive And Graceful.
    38. Elegy No.1 In D Major
    39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
    40. Capriccio Di Bravura
    41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
    42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
    43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

    Tracks:

    1. The Antiquity And Magic Of The Flute
    2. Prelude A L'Apres-Midi D'Un Faune
    3. The Versatility And Agility Of The Flute
    4. Orchestral Suite No.2 In B Minor (Badinerie)
    5. The Flute In Fifteenth-Century Spain
    6. Sa'Dawi
    7. Other Flutes: The Bass And Alto
    8. Chamber Music No.II
    9. The Piccolo - Aptly Named
    10. La Naissance D'Osiris (Mvt 6)
    11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
    12. Suite No.1 For Small Orchestra (Valse)
    13. A Variety Of Techniques
    14. Chamber Music No.II
    15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
    16. The Nutcracker (Act II, No.2: Scene)
    17. From The Transverse To The Vertical: The Baroque Recorder
    18. Recorded Suite In A Minor (Menuet II)
    19. An Unfamiliar, Early Vision Of The Instrument
    20. Naelden, Naelden
    21. The Bachian Oboe
    22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
    23. Introduction To The Cor Anglais Or 'English Born'
    24. Symphony No.9 'From The New World' (Mvt 2)
    25. The Loneliness Of The Cor Anglais
    26. The Swan Of Tuonela
    27. The Cor Anglais Joins The French Horn In Haydn.
    28. Symphony No.22 'The Philosopher' (Opening)
    29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
    30. Bolero
    31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
    32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
    33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
    34. Gayane Suite No. 1 (Mvt 5)
    35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
    36. The Range Of The Normal Clarinet Parts Goes Quite High...
    37. The Snow Maiden (Scene 5: Melodrama)
    38. ...And Quite Low.
    39. Peter And The Wolf (The Cat)
    40. The Clarinet As Concerto Soloist
    41. Clarinet Concerto In A Major (Rondo)
    42. But That's Not The Instrument Mozart Wrote It For; This Is:
    43. Clarinet Concerto In A Major (Rondo)
    44. Introduction To The Saxophone
    45. Hary Janos Suite (Mvt 4)
    46. The Soprano Saxophone Has Quite A Different Feel To It.
    47. L'Arlesienne Suite No.1 (Minuet)
    48. The Little Sopranino Sax Goes Even Higher.
    49. Bolero
    50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
    51. Pictures At An Exhibition (The Old Castle)
    52. The Saxophone Can Be Quite Contagiously Good-Humoured.
    53. Sax-O-Phun
    54. The Puffa-Puffa Image Of The Bassoon
    55. Peter And The Wolf (Grandfather)
    56. The Bachian Bassoon, In Accompanimental Mode
    57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
    58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
    59. And Ravel, Also In Spanish Mode, Does Likewise.
    60. Bolero
    61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
    62. Symphony No.3 (Opening)
    63. The Eerie Bassoon In Its Highest Register
    64. The Rite Of Spring (Opening)
    65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
    66. The Firebird Suite (1919, Berceuse)
    67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
    68. Bassoon Concerto In G Minor (Finale)
    69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
    70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    71. The French Horn Under Its Woodwind Hat
    72. Wind Quintet, Op.43 (Last Mvt)
    73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
    74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
    75. The Horn In Harmonious Blend With Strings In Another Quintet
    76. Horn Quintet, K.407 (Finale)

    Tracks:

    1. The Trumpet As Virtuoso Soloist
    2. Brandenburg Concerto No.2 (Last Mvt)
    3. The Special Brillance Of Paired Trumpets
    4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
    5. The Ceremonial Trumpet
    6. Fanfare For The Common Man
    7. Trumpets And Drums - An Incomparable Alliance
    8. Messiah (The Trumpet Shall Sound)
    9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
    10. Piano Concerto In F (Slow Mvt)
    11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
    12. Carmen Suite No.2 (Habanera)
    13. The Trumpet As The Voice Of Strength And Courage
    14. Carmet Suite No.2 (Toreador's Song)
    15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
    16. Billy The Kid
    17. The Trumpet As Character Actor
    18. Pictures At An Exhibition (No.6)
    19. The Trumpet As The Voice Of God
    20. Mass In B Minor ('Et Exspecto')
    21. The Birth Of The Trombone
    22. Aenmerckt Nu Hier
    23. The Birth Of The Brass As A Family
    24. Canzon 12 In Double Echo
    25. The Trombone In The Eighteenth Century
    26. Trombone Concerto In B Flat Major (Finale)
    27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
    28. Hosannah
    29. The Trombones Become Part Of The Orchestra.
    30. Symphony No.5 (Finale)
    31. The Wagnerian Trombone:/Overture To 'Tannhauser'
    32. The Trombone As Caricaturist
    33. Pulcinella (No.19: Vivo)
    34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
    35. The Horn And The Hunt
    36. Horn Concerto No.4 In E Flat, K.495 (Finale)
    37. The Challenging Horn Of The Baroque
    38. Abaris Ou Les Boreades (Menuet)
    39. The Scarcity Of First-Rate Players In Handel's Time
    40. Walter Music (Minuet 1)
    41. The Horn As Magician/The Firebird Suite (1919, Finale)
    42. Horns And The Sound Of Nobility
    43. Overture To 'Tannhauser' (Opening)
    44. The Special Sound Of The Horn In Its Higher Register
    45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
    46. The Trumpet-Like Sound Of Massed Horns
    47. Symphony No.3 (Mvt 1, Opening)
    48. The Tuba - Unfairly Maligned?
    49. Symphony No.6 (Mvt 3)
    50. The Tuba Perfectly Cast By Ravel
    51. Pictures At An Exhibition (Bydlo)

    Tracks:

    1. Introduction. And We Begin With A Bang.
    2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
    3. At The Opposite Extreme Is The Triangle.
    4. Piano Concerto No.1 In E Flat (Scherzo)
    5. Categories Of Percussion: Tuned And Untuned. The Side Drum
    6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
    7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
    8. The Tambourine. One Of The Oldest Instruments In The World
    9. Den Hoboecken Dans
    10. Even Older Is The Originally Oriental Gong.
    11. Ma Mere L'Oye - Mother Goose (Laideronette)
    12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
    13. Gymnopedie No.2
    14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
    15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
    16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
    17. Rodeo (Hoe-Down)
    18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
    19. Scherzi Musicali (Damigella Tutta Belle)
    20. A Still Earlier Example From Fifteenth-Century Spain
    21. Yo M'Enamori D'Un Aire
    22. The Birth Of The Bongo
    23. Symphonic Dances From 'West Side Story'
    24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
    25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
    26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
    27. Onwards To The Tuned Percussion. First, The Timpani
    28. Also Sprach Zarathustra (Introduction)
    29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
    30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
    31. Taking Advantage Of Tunability
    32. Music For Strings, Percussion And Celeste (Mvt 2)
    33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
    34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
    35. Saint-Saens And The Xylophone
    36. The Carnival Of The Animals (Fossils)
    37. Ravel And The Xylophone
    38. Ma Mere L'Oye - Mother Goose (Laideronette)
    39. Introducing The Marimba/Carmen Suite (First Intermezzo)
    40. Introducing The Vibraphone
    41. The Treasure Of The Sierra Madre (Narange Dolce)
    42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
    43. Introducing The Hungarian Cimbalom
    44. Folk Dances
    45. The Cimbalom And The Symphony Orchestra
    46. Hary Janos Suite (Mvt 3)
    47. Introducing The Tubular Bells
    48. Hary Janos Suite (Viennese Musical Clock)
    49. A More 'Up-Front' Approach From Rodion Shchedrin
    50. Carmen Suite (Introduction)
    51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    52. Introducing The Celeste
    53. The Nutcracker (Dance Of The Sugar Plum Fairy)
    54. Magic, In The Use Of Collective Percussion
    55. Miroirs (La Vallee Des Cloches)
    56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
    57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
    58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
    59. Brandenburg Concerto No.2 (Slow Mvt)
    60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
    61. Petrushka (Russian Dance)
    62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
    63. Music For Strings, Percussion And Celeste (Last Mvt)

    Tracks:

    1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
    2. Symphony No.3 'Organ' (Finale)
    3. But Things In Handel's Day Were Very Different.
    4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
    5. The Organ Is Difficult To Classify.
    6. An Unexpected, Organ-related Guest
    7. Concerto Pour Zampogna (Last Mvt)
    8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
    9. Les Miserables (Drink With Me)
    10. Outside Artefacts And The Power Of Association
    11. Mahler's Sleighbells
    12. Symphony No.4 (Opening)
    13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
    14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
    15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
    16. Don Quixote (Variation VIII)
    17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
    18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
    19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
    20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
    21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
    22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
    23. The Sitar Of India/Evening Raga: Bhapoli
    24. The Accordion For France (Especially Paris)/Paris Canaille
    25. The Zither For Vienna/The Third Man (Theme)
    26. The Cimbalom For Hungary/Folk Dances
    27. The Guitar As An Integral Part Of The Orchestra/Rondena
    28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
    29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    30. Nocturnes
    31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
    32. The Carnival Of The Animals (The Cuckoo)
    33. The Flute As An All-purpose Aviary
    34. The Carnival Of The Animals (The Aviary)
    35. The Oboe As Duck
    36. Peter And The Wolf (The Duck)
    37. The Recording Of Reality. Does It Work As Well?
    38. The Pines Of Rome (The Pines Of The Janiculum)
    39. The Recording Of Reality Electronically Reborn In New Guises
    40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
    41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
    42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
    43. Some Improbable Casting: The Violin As Braying Donkey
    44. The Carnival Of The Animals (Persons With Long Ears)
    45. A Truly Orchestral Hee-haw To Be Reckoned With
    46. Overture To 'A Midsummer Night's Dream'
    47. A Thunderstorm In A Million
    48. Symphony No.6 'Pastoral (Allegro-Allegretto)
    49. the Instrumental Depiction Of A Silent World
    50. The Carnival Of The Animals (The Aquarium)
    51. Saint-Saens' Menagerie Takes A Curtain Call.
    52. The Carnival Of The Animals (Finale)

    Tracks:

    1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
    2. Forty-Four Duos (No.4)
    3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
    4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
    5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
    6. String Trio In B Flat (Menuetto)
    7. The String Quartet: Two Violins, Viola, And Cello
    8. String Quartet In F, Op.18 No.1 (Mvt 3)
    9. The String Quintet - When The Extra Instrument Is A Second Viola
    10. String Quartet No.5 In D, K.593 (Adagio)
    11. The String Quintet - When The Extra Instrument Is A Second Cello
    12. String Quintet In C (Mvt 3)
    13. The String Sextet: Two Violins, Two Violas, And Two Cellos
    14. String Sextet In B Flat (Mvt 2)
    15. The String Octet: The Standard String Quaret Times Two
    16. Octet In E Flat, Op.20 (Mvt 1)
    17. Double The String Octet: A Fully Fledged String Orchestra
    18. String Symphony No.2 (Finale)
    19. The Massed Strings Of A Symphony Orchestra
    20. Fantasia On A Theme Of Thomas Tallis
    21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
    22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
    23. In The First Variation It's The Horn That Gets The Lion's Share.
    24. Wind Quintet In A Minor, Variation 1
    25. In Variation Two The Torch Is Handed To The Bassoon.
    26. Wind Quintet In A Minor, Variation 2
    27. In Variation Three The Oboe Leads.
    28. Wind Quintet In A Minor, Variation 3
    29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
    30. Wind Quintet In A Minor, Variation 4
    31. And Variation Five is Dominated By The Clarinet.
    32. Wind Quintet In A Minor, Variation 5
    33. The Next To Be Featured Is The Virtuoso Flute.
    34. Wind Quintet In A Minor, Variation 6
    35. Individual Farewells And A Closing Chorus
    36. Wind Quintet In A Minor, Variation 7
    37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
    38. Octet In F (Mvt 3)
    39. The Early Classical Symphony Orchestra Of Haydn And Mozart
    40. Symphony No.29 In A, K.201 (Finale)
    41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
    42. Canzon 28
    43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
    44. Symphony No.5 (Finale)
    45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
    46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
    47. Symphoy No.6 'Tragic' (Mvt 1)
    48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
    49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
    50. When Large Doesn't Necessarily Mean Loud: Debussy
    51. Images (Gigues)
    52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
    53. Turangalila Symphony (Chant D'amour 1)
    54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
    55. Balle De Xerxes (Gavotte En Rondeau)
    56. Computer And Synthesiser: Friends Or Foes?
    57. Concerto In D Minor For Two Violins (Largo)
    58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

    Customer Reviews:

    5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

    This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

    5 out of 5 stars Beginner or Expert.......2007-03-12

    This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

    5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

    Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

    3 out of 5 stars Frank's view.......2006-08-19

    This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

    5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

    I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

    The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

    I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

    The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
    Essential Tchaikovsky
    Average customer rating: 5 out of 5 stars
    • Best of the best
    Essential Tchaikovsky

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    1. Essential Mozart: 32 Of His Greatest Masterpieces
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    3. Essential Bach
    4. Essential Vivaldi: 20 Greatest Masterpieces
    5. Essential Rachmaninov

    ASIN: B000060O5I
    Release Date: 2002-03-12

    Tracks:

    1. Piano Concerto No.1 In B Flat Minor, Op.23: I Allegro Non Troppo E Molto Maestoso (Excerpt) - Vladimir Ashkenazy
    2. Romeo And Juliet: Love Theme - Wiener Philharmoniker
    3. Symphony No.6 In B Minor, Op.74 'Pathetique': I Adagio - Allegro Non Troppo (Excerpt) - Philharmonia Orchestra
    4. Swan Lake: Scene (Act III) - Herbert Von Karajan
    5. Swan Lake: Waltz (Act I) - Herbert Von Karajan
    6. Swan Lake: Dance Of The Little Swans - Herbert Von Karajan
    7. Il Adagio Cantabile E Con Moto Souvenir De Florence, Op.70: II Adagio Cantabile E Con Moto - Academy Of St. Martin In The Fields
    8. Melodie Souvenir D'un Lieu Cher, Op.42: Melodie - Philip Moll
    9. June: Barcarolle The Seasons, Op.37b: June: Barcarolle - Vladimir Ashkenazy
    10. Eugene Onegin: Waltz - Valery Gergiev
    11. Piano Concerto No.1 In B Flat Minor, Op.23: II Andantino Semplice - Vladimir Ashkenazy
    12. Sleeping Beauty: Pas D'action (Adagio) - Wiener Philharmoniker
    13. Sleeping Beauty: Waltz - Wiener Philharmoniker
    14. Marche Slave, Op.31 - Zubin Mehta

    Tracks:

    1. Violin Concerto In D Major, Op.35: I Allegro Moderato (Excerpt) - Kyung Wha Chung
    2. Symphony No.5 In E Minor, Op.64: II Andante Cantabile, Con Alcuna Licenza - London Symphony Orchestra
    3. The Nutcracker: Overture - Charles Dutoit
    4. The Nutcracker: Dance Of The Sugar-Plum Fairy - Charles Dutoit
    5. Serenade For Strings In C Major, Op.48: II Waltz - St. Petersburg Philharmonic Orchestra
    6. String Quartet No.1 In D Major, Op.11: II Andante Cantabile - Gabrieli String Quartet
    7. Eugene Onegin: Polonaise - Valery Gergiev
    8. Capriccio Italien, Op.45 (Excerpt) - Valery Gergiev
    9. Symphony No.4 In F Minor, Op.36: III Scherzo: Pizzicato Ostinato, Allegro - London Symphony Orchestra
    10. Elegie For Strings - Royal Philharmonic Orchestra
    11. None But The Lonely Heart, Op.6 No.6 - Dmitri Hvorostovsky
    12. The Divine Liturgy Of St. John Chrysostom, Op.41: Otche Nash (The Lord's Prayer) - St. Petersburg Chamber Choir
    13. Valse Sentimentale, Op.51 No.6 - Arthur Grumiaux
    14. The Nutcracker: Dance Of The Reed Pipes (Mirlitons) - Wiener Philharmoniker
    15. The Nutcracker: Waltz Of The Flowers - Wiener Philharmoniker
    16. 1812 Overture, Op.49 (Conclusion) - Zubin Mehta

    Customer Reviews:

    5 out of 5 stars Best of the best.......2004-03-14

    There's something for every Tchaikovsky lover on this disc. From Swan Lake to Onegin, many of Tchaikovsky's most-known melodies are on this disc. I'd have preferred more than an excerpt of the first movement of Piano Concerto No. 1, but this disc is a great introduction to Tchaikovsky's works.
    Tchaikovsky: Symphonies Nos. 1-6
    Average customer rating: 5 out of 5 stars
    • EXCITING PERFORMANCES VINTAGE STEREO SOUND BUT NOT SACD
    • Dorati's MLP Tchaikovsky Gems Are Back!
    Tchaikovsky: Symphonies Nos. 1-6

    Manufacturer: Philips
    ProductGroup: Music
    Binding: Audio CD

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    2. Tchaikovsky: Swan Lake
    3. Bartok: Orchestral Works; Bluebeard's Castle
    4. Paul Paray Conducts French Orchestral Music
    5. Beethoven: The Complete Symphonies and Piano Concertos

    ASIN: B00035VV7I
    Release Date: 2004-11-09

    Customer Reviews:

    5 out of 5 stars EXCITING PERFORMANCES VINTAGE STEREO SOUND BUT NOT SACD.......2005-09-27

    Despite whar Mr Richman says in his review below this five disc box set does NOT consist of hybrid SACD discs. They are all CDs - generously filled but still basic 16 bit discs. It may be that Mercury's parent company plans to release these discs singly as three channel SACDs but here you get the two channel mixes that originally appeared on LP and on the 1990s CD releases. It would have been great to hear them in three channel - Dorati's "Firebird" sounds magnificent on SACD - but this box is still a bargain. There's some low level hiss and the occasional tape clunk but these are small blemishes on some exciting late 50s and early 60s recordings that make most of today's offerings sound sterile and cautious. Dorati's Tchaikovsky is never winsome or self-pitying. As a masterly ballet conductor Dorati never ignores the lilt and sway of the composer's waltz-inspired lighter moments - but he and the orchestra (London Symphony and Minneapolis) really let rip for the exciting brass perorations. Try the finale of the "Little Russian" symphony, or "Francesca di Rimini", for some real sock-blowing sound! Even if you own other recordings of these popular works try to find a space on your shelf for Dorati and the inimitable Mercury sound.

    5 out of 5 stars Dorati's MLP Tchaikovsky Gems Are Back!.......2005-05-25

    Those familiar with my reviews on Amazon know my great love for the Mercury Living Presence series. Equally great is my disgust that so many of these brilliant recordings have been deleted in the last few years! Thankfully, some of these legendary performances are resurfacing as SACD hybrids. Unfortunately, they are now being sold at full-price, despite a competing hybrid series on RCA/BMG being available at midline. In spite of the added expense, I hope this MLP reissue trend will continue, and maybe we'll even see a few items getting their CD debut.

    This Tchaikovsky Symphony Cycle by the great Antal Dorati has always been one of my favorite MLP offerings. While a two-disc set of Symphonies 1-3 and a single title of the 4th continue to be available in their original CD incarnations, the CDs of Symphonies 5 & 6 have gone out-of-print recently. However, with this box set they are now deservedly restored to the catalog. Even better is the fact that the four 5CD box sets being reissued have been so reasonably priced. This Tchaikovsky set, and the ones of Dorati conducting Bartok, Paray conducting French music, and Hanson conducting a variety of American music, including his own compositions, have a total cost cheaper than the original single issue CDs! Once again, Mercury Living Presence lives!
    Panorama: Peter Tchaikowsky
    Average customer rating: 5 out of 5 stars
    • At the end...
    • Nothing Beats Lenny's Performance on Tchaikovsky!
    Panorama: Peter Tchaikowsky

    Manufacturer: Deutsche Grammophon
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Panorama: Frederic Chopin
    2. Panorama: Joseph Haydn
    3. Tchaikovsky: Symphony No6, Op74; Skryabin: Symphony No4
    4. Panorama: Sergei Rachmaninov
    5. Mendelssohn: 5 Symphonies; 7 Overtures

    ASIN: B00004W3J3
    Release Date: 2000-09-26

    Tracks:

    1. The Nutcracker - Suite, Op. 71a: 1. Ouverture miniature. Allegro giusto - 2. Danses caracteristiques
    2. The Nutcracker - Suite, Op. 71a: A. Marche. Tempo di marcia viva
    3. The Nutcracker - Suite, Op. 71a: B. Danse de la fee dragee. Andante non troppo
    4. The Nutcracker - Suite, Op. 71a: C. Danse russe (trepak). Tempo di trepak, molto vivace
    5. The Nutcracker - Suite, Op. 71a: D. Danse arabe. Allegretto
    6. The Nutcracker - Suite, Op. 71a: E. Danse chinoise. Allegro moderato
    7. The Nutcracker - Suite, Op. 71a: F. Danse des mirlitons. Moderato assai
    8. The Nutcracker - Suite, Op. 71a: 3. Danse des fleurs. Tempo di valse
    9. Symphony No. 5 In E Minor, Op. 64: 1. Andante - Allegro con anima
    10. Symphony No. 5 In E Minor, Op. 64: 2. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I
    11. Symphony No. 5 In E Minor, Op. 64: 3. Valse. Allegro moderato
    12. Symphony No. 5 In E Minor, Op. 64: 4. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto

    Tracks:

    1. Romeo And Juliet Fantasy Overture After Shakespeare: Andante non tanto quasi Moderato - Allegro - Molto meno mosso - Allegro giusto - Moderato assai
    2. Symphony No. 6 In B Minor, Op. 74 'Pathetique': 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
    3. Symphony No. 6 In B Minor, Op. 74 'Pathetique': 2. Allegro con grazia
    4. Symphony No. 6 In B Minor, Op. 74 'Pathetique': 3. Allegro molto vivace
    5. Symphony No. 6 In B Minor, Op. 74 'Pathetique': 4. Finale. Adagio lamentoso - Andante

    Customer Reviews:

    5 out of 5 stars At the end..........2005-04-12

    What makes this recording particular worthwile is the sixt symphony of Tchaikovsky. The 6th is-among other reasons-important as a human document.
    The symphony was the last music he composed before he died. Tchaikowsky was never a very happy man. According to some he was homosexual ( inadmissible in the 19th century ), according to others he searched in vain for Platonic love. His music is not really happy or frolicsome either. Even The Nutcracker and Capriccio Italiano have an undertone of tragedy played by cello and contrabass.Only at the end of his compositions, there is always an outburst of energy and optimism.

    Not so in his 6th and last symphony. At the end of the fourth mouvement-the Adagio Lamentoso-the music gradually becomes pianissimo (as if Tchaikowsky meant to say: this time I give up) until the music is only a faint whisper of grief. A few weeks later Tchaikowsky commits suicide.

    5 out of 5 stars Nothing Beats Lenny's Performance on Tchaikovsky!.......2001-08-18

    I simply love this double-decker!!! Nothing beats Lenny's performance on Tchaikovsky! Bernstein's unique and expressive performance provides very profound emotion, so audible that you can almost feel it. Lenny's performance on Tchaikovsky's 6th Symphony is DEFINITELY the best Tchaikovsky I ever heard, as well as his 5th Symphony and Romeo an Juliet! It's TRULY worth it for Tchaikovsky lovers, especially the 6th Symphony! You should listen to Lenny's performance on the music once!
    The Very Best of Tchaikovsky
    Average customer rating: Not rated
      The Very Best of Tchaikovsky

      Manufacturer: Naxos
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000B6N65Y
      Release Date: 2005-10-18

      Tracks:

      1. Love Theme
      2. Pezzon In Forma Di Sonatina
      3. Waltz Of The Flowers
      4. Cherubikon
      5. Allegro Con Fuoco
      6. Scene (Swan Theme)
      7. Andante Cantabile
      8. Valse
      9. Adagio: Pas D'action
      10. Chanson Triste
      11. Finale

      Tracks:

      1. Allegro Non Troppo E Molto Maetoso/Allegro Con Spirito
      2. Danse De La Fee
      3. Danse Des Mirlitons
      4. None But The Lonely Heart Op.6, No.6
      5. Allegro Con Grazia
      6. Nocturne Op.19, No.4
      7. Lensky's Aria
      8. Waltz
      9. June/Barcarolle
      10. 1812 Overture
      Karajan Conducts Tchaikovsky
      Average customer rating: 4 out of 5 stars
      • Karajan is below par, with a few exceptions
      • Karajan (not) at his finest
      • Fair value, but Karajan can be heard better elsewhere
      • Fantastic!
      • von karajan truly conducts the master
      Karajan Conducts Tchaikovsky

      Manufacturer: Deutsche Grammophon
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Schubert: 8 Symphonies
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      ASIN: B00004SA8B
      Release Date: 2001-03-13

      Tracks:

      1. Symphony No.1 in G minor, Op.13 'Winter Dreams': Dreams Of A Winter Journey
      2. Symphony No.1 in G minor, Op.13 'Winter Dreams': Land Of Desolation, Land Of Mists
      3. Symphony No.1 in G minor, Op.13 'Winter Dreams': Scherzo, Allegro scherzando giocoso
      4. Symphony No.1 in G minor, Op.13 'Winter Dreams': Finale. Andante lugubre - Allegro moderato - Allegro maestoso
      5. Eugene Onegin: Polonaise
      6. Eugene Onegin: Waltz
      7. Slavic March, Op.31: Moderato in modo di marcia funebre

      Tracks:

      1. Symphony No.2 In C Minor, Op.17 'Little Russian': Andante sostenuto - Allegro vivo
      2. Symphony No.2 In C Minor, Op.17 'Little Russian': Andantino marziale, quasi moderato
      3. Symphony No.2 In C Minor, Op.17 'Little Russian': Scherzo, Allegro molto vivace - Trio. L'istesso tempo
      4. Symphony No.2 In C Minor, Op.17 'Little Russian': Moderato assai - Allegro vivo - Presto
      5. Ouverture solennelle '1812', Op.49: Largo - Andante - Allegro giusto - Largo - Allegro vivace

      Tracks:

      1. Symphony No.3 in D major, Op.29 'Polish': Introduzione e Allegro. Moderato assai (Tempo di marcia funebre)
      2. Symphony No.3 in D major, Op.29 'Polish': Alla tadesca. Allegro moderato e semplice
      3. Symphony No.3 in D major, Op.29 'Polish': Andante elegiaco
      4. Symphony No.3 in D major, Op.29 'Polish': Scherzo. Allegro vivo
      5. Symphony No.3 in D major, Op.29 'Polish': Finale. Allegro con fuoco (Tempo di Polacca)
      6. Capriccio italien, Op.45: Andante un poco rubato - Allegro moderato - Andante - Allegro moderato - Presto - Piu presto - Prestissimo

      Tracks:

      1. Symphony No.4 in F minor, Op.36: Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo
      2. Symphony No.4 in F minor, Op.36: Andantino in modo di canzone
      3. Symphony No.4 in F minor, Op.36: Scherzo. Pizzacato ostinato - Allegro
      4. Symphony No.4 in F minor, Op.36: Finale. Allegro con fuoco
      5. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Moderato quasi Andante - Mstislav Rostropovich
      6. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Tema. Moderato semplice - Mstislav Rostropovich
      7. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Variazione I. Tempo del Tema - Mstislav Rostropovich
      8. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Variazione II. Tempo del Tema - Mstislav Rostropovich
      9. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Variazione III. Andante sostenuto - Mstislav Rostropovich
      10. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Variazione IV. Andante grazioso - Mstislav Rostropovich
      11. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Variazione V. Allegro moderato - Mstislav Rostropovich
      12. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Variazione VI. Andante - Mstislav Rostropovich
      13. Variations On A Rococo Theme For Cello And Orchestra, Op.33: Variazione VII. Allegro vivo - Mstislav Rostropovich

      Tracks:

      1. Symphony No.5 in E minor, Op.64: Andante - Allegro con anima
      2. Symphony No.5 in E minor, Op.64: Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I
      3. Symphony No.5 in E minor, Op.64: Valse. Allegro moderato
      4. Symphony No.5 in E minor, Op.64: Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
      5. Serenade for String Orchestra in C major, Op.48: Pezzo in forma di sonatina
      6. Serenade for String Orchestra in C major, Op.48: Valse. Moderato. Tempo di Valse
      7. Serenade for String Orchestra in C major, Op.48: Elegia. Larghetto elegiaco
      8. Serenade for String Orchestra in C major, Op.48: Finale. Tema russo. Andante - Allegro con spirito

      Tracks:

      1. Symphony No.6 in B minor, Op.74 'Pathetique': Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
      2. Symphony No.6 in B minor, Op.74 'Pathetique': Allegro con grazia
      3. Symphony No.6 in B minor, Op.74 'Pathetique': Allegro molto vivace
      4. Symphony No.6 in B minor, Op.74 'Pathetique': Finale. Adagio lamentoso - Andante
      5. Romeo And Juliet: Andante non tanto quasi Moderato - Allegro - Molto meno mosso - Allegro giusto - Moderato assai

      Tracks:

      1. The Sleeping Beauty, Op.66a (Suite): 1. Introduction. La Fee des lilas. Allegro vivo - Andantino - Andante sostenuto
      2. The Sleeping Beauty, Op.66a (Suite): 2. Adagio. Pas d'action. Andante - Adagio maestoso - Tempo I - Molto sostenuto, quasi piu Andante - Tempo I
      3. The Sleeping Beauty, Op.66a (Suite): 3. Pas de caractere. Le Chat botte et la Chatte blanche. Allegro moderatoK
      4. The Sleeping Beauty, Op.66a (Suite): 4. Panorama. Andantino
      5. The Sleeping Beauty, Op.66a (Suite): 5. Valse Allegro (Tempo di Valse)
      6. Swan Lake (Suite): 1. Scene. Moderato - Michel Schwalbe
      7. Swan Lake (Suite): 2. Valse. Tempo di Valse - Michel Schwalbe
      8. Swan Lake (Suite): 3. Danse des cygnes. Allegro moderato - Michel Schwalbe
      9. Swan Lake (Suite): 4. Scene. Andante - Andante non troppo - Tempo I - Michel Schwalbe
      10. Swan Lake (Suite): 5. Danse hongroise (Czardas). Moderato assai - Allegro moderato - Vivace - Michel Schwalbe
      11. Swan Lake (Suite): 6. Scene finale. Allegro agitato - Alla breve. Moderato e maestoso - Michel Schwalbe
      12. The Nutcracker, Op.71 (Suite): 1. Ouverture miniature. Allegro giusto
      13. The Nutcracker, Op.71 (Suite): 2a. Danses caracteristiques: Marche. Temppo di marcia viva
      14. The Nutcracker, Op.71 (Suite): 2b. Danses caracteristiques: Danse de la Fee Dragee. Andante non troppo
      15. The Nutcracker, Op.71 (Suite): 2c. Danses caracteristiques: Danse russe Trepak. Tempo di Trepak, molto vivace
      16. The Nutcracker, Op.71 (Suite): 2d. Danses caracteristiques: Danse arabe. Allegretto
      17. The Nutcracker, Op.71 (Suite): 2e. Danses caracteristiques: Danse chinoise. Allegro moderato
      18. The Nutcracker, Op.71 (Suite): 2f. Danses caracteristiques: Danse des mirlitons. Moderato assai
      19. The Nutcracker, Op.71 (Suite): 3. Valse des fleurs. Tempo di Valse

      Tracks:

      1. Concerto for Piano and Orchestra No.1 in B flat minor, Op.23: Allegro non troppo e molto maestoso - Allegro con spirito - Sviatoslav Richter
      2. Concerto for Piano and Orchestra No.1 in B flat minor, Op.23: Andantino semplice - Prestissimo - Tempo I - Sviatoslav Richter
      3. Concerto for Piano and Orchestra No.1 in B flat minor, Op.23: Allegro con fuoco - Sviatoslav Richter
      4. Concerto for Violin and Orchestra in D major, Op.35: Allegro moderato - Christian Ferras
      5. Concerto for Violin and Orchestra in D major, Op.35: Canzonetta. Andante - attacca: - Christian Ferras
      6. Concerto for Violin and Orchestra in D major, Op.35: Finale. Allegro vivacissimo - Christian Ferras

      Customer Reviews:

      3 out of 5 stars Karajan is below par, with a few exceptions.......2007-05-12

      It's a mystery why Karajan, a masterful conductor in so many areas, should miss the mark with an easy composer like Tchaikovsky. Mr. Leach spots the weakest recordings, such as Ferra' Violin Concerto, which is in overlit, thin sound to boot. Richter and Rostropovich give great performances, and the last three symphonies are certainly good by any standard, although the 60s analog sound definitely shows its age. Almost the only thing I would call outstanding are the ballet suites, at which Karajan was superb in both his DG and EMI sets.

      Where I part with Mr. Leach is in praising the Romeo and Juliet, a mushy reading that brings out Karajan's worst tendency--he polishes every phrase to a fault and drains the work of all passion and drama. The first three symphonies are quite dull and unconvincing, but I am not so sure that the EMI cycle is any better, and it, too, suffers form problematic sound. Like Mr. Leach, I like the Fifth Sym. best form that set. So all in all, I have done little more than agree with someone else's review, but perhaps seconding the motion will be of help to some readers.

      4 out of 5 stars Karajan (not) at his finest.......2004-04-22

      One of the greatest conductors of the 20th century, Karajan's recordings are some of the best pieces in the entire Deutsche Grammophon repertoire. This collection of Karajan Conducts Tchaikovsky is an excellent bargain - eight CDs for approximately $60 - and serves as an excellent sampling of Karajan's interpretation of Tchaikovsky's work. Unfortunately, this collection does not necessarily show Karajan at his finest.

      While much of the collection is top-notch, some of the symphonies are a tad lack-luster in their execution. Indeed for Karajan fans, there are other recordings of Karajan conducting these symphonies, such as recordings of the 2nd and 5th, that you may want to try instead of the ones included in this set.

      On the other hand, the ballet suites are well done, Rostropovich is excellent in the Cello Variations, and Ferras offers an interesting interpretation of the Violin Concerto. As a whole, this is a fairly solid collection that is certainly recommended for anyone whose collections have deficiencies in either Tchaikovsky or Karajan. If, however, you do already have some recordings of Karajan conducting Tchaikovsky, I would recommend skipping this set and buying individual albums where Karajan displays more of his trademark excellence.

      My greatest criticism for this collection concerns its packaging. Though listed as a collectors edition, this box set is simply presented as a collection of eight discs in paper sleeves and a set of liner notes in English, German, and French inside a cardboard box.

      3 out of 5 stars Fair value, but Karajan can be heard better elsewhere.......2003-08-24

      This is not a bad package for the price, but buyers should be aware that Karajan did some of these works better at other times. We can safely dispense with Karajan's last slackly-played VPO set, of course.

      For example note that these are the 1960s recordings of the last three symphonies (unlike the DG Double set which are the 1970s recordings). For the Pathetique this means you get by common consent the best of Karajan's many recordings of this works - fine playing, with spontaneity and freshness and excellent recording for 1964.

      However in the case of the Fifth, the later BPO DG recording, or even better the wonderfully spontaneous 1971 EMI Berlin recording are preferable (the latter quite superb in phenomenal sound, rivalling George Szell's 1959 version in sweep and power). This 1960s Fifth does sound rather studied in comparison.

      Other caveats should include a warning about the rather brightly lit CD of the three ballet suites, and Christian Ferras' terribly schmaltzy account of the violin concerto.

      All that said, this set does include Richter's aristocratic First Concerto with the Vienna SO, although why DG chose to include it rather than Lazar Berman's version is a mystery, as the latter is with the BPO to match the rest of the set and doesn't seem to be otherwise unavailable. It's also a finer account to many ears.

      Other worthwhile inclusions are Karajan's Winter Daydreams symphony (No 1), although enthusiasts for this work should also sample Michael Tilson Thomas' CD with the Boston SO, also on DG. Similarly Rostropovich's account of the Rococo Variations is a classic, and the Romeo and Juliet included here (never before on CD as far as I can tell) is very fine, with many imaginative touches. This Marche Slave is also one of the finest ever, full of power and brooding intensity.

      All in all a decent box, but true Karafans may need to pick up other CDs to complete the full Tchaikovskian picture.

      5 out of 5 stars Fantastic!.......2001-10-18

      Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic! Fantastic!
      BUY IT NOW!

      4 out of 5 stars von karajan truly conducts the master.......2001-08-04

      I'd been a fan of "the maestro's" style of conducting the B.P.O. since high school when I stumbled upon Time/Life's Beethoven Bi-centennial collection. The power & majesty brought to Beethoven's complete works were unforgetable. When I happened upon a collection of Tchaikovsky symphonies,concertos,&suites I was compelled to take the plunge. It may be pricey to some who may already have some of these in one version or another. But it truly couldn't be a more complete collection of melody,romance,grace,&total understanding of Tchaikovsky's work. I can't call this eight disc collection any thing if not priceless. A must for anyone who understands the sensual pleasure derived from properly executed classical orchestration.
      Dvorák: Symphony No. 9 ("New World"); Tchaikovsky: Romeo and Juliet Overture (Hybrid SACD)
      Average customer rating: 5 out of 5 stars
      • Superb example of the SACD format
      Dvorák: Symphony No. 9 ("New World"); Tchaikovsky: Romeo and Juliet Overture (Hybrid SACD)

      Manufacturer: Pentatone
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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      5. Johann Strauss: Waltzes [Hybrid SACD]

      ASIN: B0000CDLE3
      Release Date: 2003-10-28

      Customer Reviews:

      5 out of 5 stars Superb example of the SACD format.......2004-02-13

      I had to have a copy of Dvorak's New World on SACD, so I decided on this Pentatone release. I couldn't be happier. The recording process really brings out the strong dynamics of the symphony. I view the inclusion of Tchaikovsky's Romeo and Juliet Overture as a welcome bonus, as it is treated with the same respect. The Netherlands Philharmonic Orchestra is fantastic and shows off its incredible talent. If I had to choose one thing I didn't like, it would be that Kreizberg's interpretation can be almost too dramatic at times, but he does manage to get the listener involved in the piece, and comes through when it matters.
      If you enjoy Dvorak's 9th Symphony grab this recording, and grab a SACD player if you haven't yet. This is my first experience with Pentatone's SACD line and I am very impressed.
      Monteux Conducts Tchaikovsky at the Vienna Festival
      Average customer rating: 5 out of 5 stars
      • Passionate, paced Tchaikovsky by LSO, Monteux, Ogdon
      • great performances and superb sound
      • What Monteux & Tchaikovsky REALLY sound like.
      Monteux Conducts Tchaikovsky at the Vienna Festival

      Manufacturer: Vanguard Classics
      ProductGroup: Music
      Binding: Audio CD

      All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
      OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      PianoPiano | Keyboard | Instruments | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ASIN: B0000023F0
      Release Date: 1993-05-05

      Tracks:

      1. Romeo And Juliet
      2. Piano Concerto No. 1 In B-Flat Minor, Op. 23: Andante non troppo e molto maestoso - Allegro con spirito
      3. Piano Concerto No. 1 In B-Flat Minor, Op. 23: Andantino semplice
      4. Piano Concerto No. 1 In B-Flat Minor, Op. 23: Allegro con fuoco

      Tracks:

      1. Symphony No. 5 In E Minor, Op. 64: Andante - Allegro con anima
      2. Symphony No. 5 In E Minor, Op. 64: Andante cantabile, con alcuna licenza
      3. Symphony No. 5 In E Minor, Op. 64: Valse, Allegro moderato
      4. Symphony No. 5 In E Minor, Op. 64: Andante maestoso - Allegro vivace

      Customer Reviews:

      5 out of 5 stars Passionate, paced Tchaikovsky by LSO, Monteux, Ogdon.......2004-04-18

      The late and great Pierre Monteux was a superb representative of a very gifted generation of musicians. He steadied the helms of several USA orchestras, including San Francisco, and Boston; before he took the podium with the LSO in his later years. You would never know there was an old man at the helm in these performances, except that perhaps you will sense the unusual wisdoms evidenced by his leadership as the concert proceeds.
      And, this recording is very much a performance.

      It was recorded live at the Vienna Festival during an LSO appearance. The audience is preternaturally quiet and well behaved. You only realize you have been surrounded by occupied seats when everybody breaks into applause at the end of a work. The stereo 16-bit CD set ... now available from Artemis, which is re-releasing masters drawn from the old Vanguard Recording Society archives .... well the regular CD is good. The DVD-audio ... now available in a new release from Silverline Classics (who have earlier been not too good at releasing actual classics) is just that much better. For starters, the DVD will give you the choice of sonic formats, allowing you to adjust for the sake of bringing out the best in your own particular set-up. You can play the higher resolution DVD on any system. You can choose among stereo Dolby Digital or 24-bit stereo; or go for multichannel surround sound in either Dolby Digital or pure 24-bit uncompressed reproduction. A quick comparison in my own system reveals that all the different versions available actually sound good; and the wonders of the multichannel versions are quite subtle at first as your ears and brain adjust to the added recreation of the music and the hall in which it is being played. Also, to get the best out of the pure 24-bit medium I needed to keep the volume up pretty well, otherwise soft passages are too soft and the larger sound staging possible via multichannel presentation loses its marvelous, compelling presence.

      As regards these performances, you can hardly go wrong. The opener, the tone poem Romeo and Juliet, has long been a classic hit from Tchaikovsky's oeuvre. While many critics still like to indulge their false superiority by damning the composer with faint praise, I dare anybody to sit down and dash off a living, breathing, pulsing melody like the theme which characterizes the two young lovers. Yes, Tchaikovsky's music often suffers the most appalling abuses: tempos are too slow or too fast in many instances, leaving you with a sense of neurotic-dramatic contrast that is not balanced with a corresponding sense of the larger shape of the musical whole. On the other hand, just playing Tchaikovsky real straight, while it cleans up a lot of hysterical grandstanding on the conductor's part, fails at times to show the living, breathing pulse at which Tchaikovsky is past master.

      So do Maestro Monteux and the LSO show their mettle. The phrasing is alive and breathing, and the music always has a pulse, dramatic or lyrical. There is narrative: a larger sense of musical structure within which things unfold. ABA is simple, but it is not meaningless. Monteux embodies this insight to perfection. Conducting/music students would do well to study this. They may remind themselves how to keep music alive and in balance, even when playing Tchaikovsky.

      After the rousing-tender tone poem, John Ogdon joins in a quite profoundly musical first piano concerto. Like all the Tchaikovsky hits, this concerto is deservedly famous and often malignantly abused by pianists who are desperately trying to get a new angle on a thrice-familiar work. Ogdon and Monteux, helped by committed playing in all LSO departments, show that you can just approach the music, musically. Extremes are not needed. Ogdon's technique is quite up to the virtuoso demands, first on display in the USA in Boston in the premiere by none other than Liszt's ex-son-in-law, Hans von Bulow. (He lost Cosima to Herr Wagner.) But the points that Ogdon et al. make are not primarily virtuoso points. You cannot help being charmed, all over again, as you listen to this concerto. It is silvery and bright when needed, but above all it has incredible warmth and quite a few touches of fun.

      Finally, the evening concludes with Symphony 5. The choice of this symphony in itself shows Monteux's distinctive showmanship that aimed primarily at musical ends. An easy mistake would have been to use the sixth symphony, instead. As it stands, this reading of the fifth exhibits all the generosity, brilliance, and tenderness that were revealed, previously. The balletic graces attend the symphony in Monteux's hands, although not to the exclusion of other graces invited also to be present. The scoring of the symphony reminds us that Tchaikovsky was also the composer of the indelible Nutcracker; and the genius of the scoring is something wonderful, especially in this recording in 24-bit sound. The LSO woodwinds are star players. The brass make good points without having to steal the show or upstage everybody else in the orchestra. And the strings can languish and sigh, as well as sing wholeheartedly, as well as dance.

      The Silverline Classics DVD version is not easily found on this website; but it is available, just check around. AMAZON is dropping the ball on high resolution. If the Silverline Classics remasterings of these gems are representative, we are in for quite a high resolution treat. Future releases may include the Brahms and Sibelius symphonies by Maurice Abravanel/ Utah. These master tapes are treasures, and the stunning 24-bit versions are refreshing droplets from the golden grail of sound, and of music performances. Pricing will be moderate, apparently.

      Five stars, going on a hundred, then. Play the CD. Otherwise play the DVD. You will probably Interrupt whatever else you are doing, for a while. Highly recommended: sound, and great music.

      5 out of 5 stars great performances and superb sound.......2002-05-16

      This is a wonderful collection, all taken from a single concert from Vienna in May of 1963. In particular, I find that Monteux's readings of Romeo and Juliet and the 5th symphony combine dramatic force and intensity, romantic warmth, flexibility of phrasing (there are tempo fluctuations, but they are discretely and judiciously applied, not splattered all over the place) and clarity of detail (enhanced by Monteux's use of divided violins) more effectively than in any others I have heard, and I have listened to quite a few. These so called warhorses sound newly minted in these freshly thought out and vital interpretations.
      Furthermore, the sound quality (the recording is in stereo) is among the best I have heard for symphony orchestra in terms of naturalness of timbre, clarity and dynamics. In particular, drum rolls and cymbal crashes come through without any blurring or overhang.
      ...

      5 out of 5 stars What Monteux & Tchaikovsky REALLY sound like........1999-02-13

      In the epoch of great conductors who have left behind a vast legacy of commercial studio recordings--from Furtwängler through Richard Strauss, Koussevitzky, Klemperer, Munch, Reiner, Karajan, Bernstein and Solti--Pierre Monteux has contributed his fair share of excellent performances. What all these conductors have in common is that their "studio" performances were always a tad less dramatic than their "live" performances. Many hated the studio. Indeed, both Bernstein and Karajan started issuing live performances instead of studio recordings towards the end of their careers. We can easily hear the differences thanks to the many broadcast recordings that are now available on CD. But to have an actual live performance of someone of the stature of Monteux properly miked and stereophonically balanced is a rare treat indeed. Compare these performances of this live recording from the Vienna Festival of May 31, 1963 with Monteux's various studio recordings of both Romeo and Juliet and the Fifth Symphony and the difference in intensity is abundantly clear. Face it, a perfomance, any performance, needs audience "kinetic energy" feedback. The drama, pacing and excitement of these performances are spine-tingling. Add to this an incredible performance of the First Piano Concerto by the talented (and tragic) genious John Ogdon--the only documented recording so far known of the work by Monteux--and you have a 2 CD set that is priceless. It is one that I return to time and time again.

      Track Listings:

      1. Tenor Arias [Hybrid SACD] [Hybrid SACD] [SACD]
      2. The Catacombs of Yucatan
      3. The Chants of Sarum
      4. The Great Voices of Christmas
      5. The Hyperion Schubert Edition 25 - Die schöne Müllerin / Bostridge, Fischer-Dieskau, Johnson
      6. The Nuzerov Quartets #3, 4 & 5
      7. Triology Plays Ennio Morricone
      8. Vintage America: A Musical Meritage
      9. Waltzes & Marches
      10. West Side Story: The Original Score

      Track Listings

      track listings

      Track Listings

      Live at Montreux 1999 [Live]

      Mozart Masterpieces, Vol. 2: Piano Concertos

      Love Comin' Down

      Guide Me Home [Import]

      Me and Amy and the Two French Boys

      Marvin Gaye - Greatest Hits Live [Live]

      Saints in Praise, Vol. 2

      Music of

      Smarty Pants

      Luna Surface

      Raw Power [Original recording remastered]

      Latin Dance Party [Import]

      La Banda el Recodo y Otras Bandas

      The Peter Green Collection

      Power of Touch