Mahler: Symphony No. 9; No. 10 Adagio

Editorial Reviews
Amazon.com
Mahler is the composer of the hour. I can't think of another composer who is so frequently played and recorded, and so well. It's not surprising really. His symphonies are the most gratifying to play--difficult but not impossible, and everyone gets something rewarding to do-- while audiences can't seem to get enough of them. Eliahu Inbal's is another fine Mahler cycle, of which this performance is fully characteristic. Most impressive, perhaps, is the clarity of the string playing in the thickest passages of the first movement. Inbal has a very definite idea of where this music is going; he encourages his players to phrase Mahler's seemingly endless melodies in long, coherent arches of sound. The result is extremely compelling, particularly given excellent sound. --David Hurwitz

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

I. Langsam, Schleppend, Wie Ein Naturlaut - Im Anfang Sehr Gemachlich - Kolner Rundfunk-Sinfonieorchester
II. Kraftig Bewegt, Doch NIcht Zu Schnell - Kolner Rundfunk-Sinfonieorchester
III. Feirlich Und Gemessen, Ohne Zu Schleppen - Kolner Rundfunk-Sinfonieorchester
IV. Sturmisch Bewegt - Kolner Rundfunk-Sinfonieorchester
I. Allegro Maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck - Krisztina Laki

Tracks:

II. Andante Moderato. Sehr Gemachlich - Krisztina Laki
II. In Ruhig Fliessender Bewegung - Krisztina Laki
IV. Urlicht: Sehr Feierlich, Aber Schlicht - Krisztina Laki
V. Im Tempo Des Scherzo. Wild Herausfahrend - Krisztina Laki
Wieder Sehr Breit - Krisztina Laki
Ritardando...Maestoso. Sehr Zuruckhaltend - Krisztina Laki
Wieder Zuruckhaltend - Krisztina Laki
Langsam, Misterioso - Krisztina Laki
Etwas Bewegter - Krisztina Laki
Mit Aufschwung, Aber Nicht Eilen - Krisztina Laki

Tracks:

I. Kraftig. Entschieden - Gwendolyn Killebrew
II. Tempo Di Menuetto - Gwendolyn Killebrew
III. Comodo. Scherzando - Gwendolyn Killebrew
IV. Sehr Langsam - Gwendolyn Killebrew

Tracks:

V. Lustig IM Tempo UNd Keck Im Ausdruck - Gwendolyn Killebrew
VI. Sehr Langsam - Ruhevoll - Empfunden - Gwendolyn Killebrew
I. Bed Achtig. Nicht Eilen - Lucia Popp
II. In Gemachlicher Bewegung. Ohne Hast - Lucia Popp
III. Ruhevoll - Lucia Popp

Tracks:

IV. Sehr Behaglich - Lucia Popp
I. Trauermarsch (Im Gemessenem Schritt - Streng - Wie Ein Kondukt) - Kolner Rundfunk-Sinfonieorchester
II. Sturmisch Bewegt, Mit Grosster Vehemenz - Kolner Rundfunk-Sinfonieorchester
III. Scherzo (Kraftig, Nicht Zu Schnell) - Kolner Rundfunk-Sinfonieorchester
IV. Adagietto (Sehr Langsam) - Kolner Rundfunk-Sinfonieorchester
V. Rondo - Finale (Allegro) - Kolner Rundfunk-Sinfonieorchester

Tracks:

I. Langsam - Allegro - Kolner Rundfunk-Sinfonieorchester
II. Nachtmusik I - Kolner Rundfunk-Sinfonieorchester
III. Scherzo: Schattenhaft - Kolner Rundfunk-Sinfonieorchester
IV. Nachtmusik II. Andante Amoroso - Kolner Rundfunk-Sinfonieorchester
V. Rondo - Finale - Kolner Rundfunk-Sinfonieorchester

Tracks:

I. Allegro Energico, Ma Non Troppo - Kolner Rundfunk-Sinfonieorchester
II. Scherzo. Wuchtig - Kolner Rundfunk-Sinfonieorchester
III. Andante Moderato - Kolner Rundfunk-Sinfonieorchester

Tracks:

IV. Finale: Sostenuto - Allegro Moderato - Kolner Rundfunk-Sinfonieorchester
I. Andante Comodo - Kolner Rundfunk-Sinfonieorchester
II. Im Tempo Eines Gemachlichen Landlers - Etwas Tappisch Und Sehr Derb - Kolner Rundfunk-Sinfonieorchester

Tracks:

III. Rondo Burleske: Allegro Assai. Sehr Trotzig - Kolner Rundfunk-Sinfonieorchester
IV. Adagio: Sehr Langsam Und Noch Zuruckhaltend - Kolner Rundfunk-Sinfonieorchester
I. Adagio - Kolner Rundfunk-Sinfonieorchester

Tracks:

Veni, Creator Spiritus - Maria Venuti
Imple Superna Gratia - Maria Venuti
Infirma Nostri Corporis - Maria Venuti
Accende Lumen Sensibus - Maria Venuti
Veni, Creator Spiritus - Maria Venuti
Gloria Patri Domino - Maria Venuti
Poco Adagio: Waldung, Sie Schwankt Heran - Maria Venuti
Ewiger Wonnebrand - Maria Venuti
Wie Felsenabgrund Mir Zu Fussen - Maria Venuti
Gerettet Ist Das Edle Glied - Maria Venuti
Uns Bleibt Ein Erdenrest - Maria Venuti
Hier Ist Die Aussicht Frei - Maria Venuti
Hochste Herrscherin Der Welt - Maria Venuti
Dir, Der Unberuhrbaren - Maria Venuti
Bei Der Liebe, Die Den Fussen - Maria Venuti
Neige, Neige, Du Ohnegleiche - Maria Venuti
Blicket Suf Zum Retterblick - Maria Venuti
Alles Vergangliche - Maria Venuti

Tracks:

I. Das Trinklied Vom Jammer Der Erde - Marjana Lipovsek
II. Der Einsame Im Herbst - Marjana Lipovsek
III. Von Der Jugend - Marjana Lipovsek
IV. Von Der Schonheit - Marjana Lipovsek
V. Der Trunkene Im Fruhling - Marjana Lipovsek
VI. Der Abschied - Marjana Lipovsek

Customer Reviews:

Good -- but not great.......2007-07-07

Having listened intently to this set two times now, once with scores in hand, once without, I have to give this set less than a 5 star rating. The sound is adequate, compressed at times, muddy at others. The later symphonies fare better than 1 & 2. Conducting is fine: very straightfoward and unfussy. Plays it straight. And maybe that's a problem. The sixth in particular never really scales the heights or depths. Same story with 8. Layout is weird, but economical. My biggest beef is the orchestral execution. There are a LOT of bloopers that should have been fixed. In a live concert you can accept, even expect, some error in music this difficult. But on recordings they become very irritating. I grant that most people would never notice any, but if you have a good ear and really know this music there are some problems. The worst is an abundance of wrong notes in the 4th movement of the 7th, which otherwise is a superb version -- one of the best. Another easy to spot example occurs at the end of the 6th: why did the cellos leave the bass clarinet to fend for itself just a few bars before the end? Why didn't someone fix this?
I'm glad I heard this set, but there are better, albeit more expensive. As a complete set there isn't any that is altogether perfect, but Solti/Decca, Haitink/Philips, Kubelik/DG and deWaart/RCA come closer.

Outstanding, yet Affordable Mahler Set.......2007-06-10

If you are looking for a great Mahler set that doesn't give you the Walletdämmerung syndrome, yet you also want excellent musicians and soloists and a conductor with a most refreshing and philosophically true understanding of Mahler's music, I would recommend that you purchase this box set of Mahler symphonies with Gary Bertini. Although Gary Bertini was not a big name in the recording industry, he was deemed as a highly esteemable conductor in Europe. His Mahler offers a completely different sound from what you would hear from Bernstein, Abbado, Walter, and Klemperer, much closer to what Rafael Kubelik did with his Mahler, but Bertini offers a degree of transparency in his music that you cannot hear in any other conductor. Despite the transparency, his Mahler does not lack passion. If you want to know what I mean, you must listen to his Symphonies no. 1,2,4,5,6,7,8, and 9. These renditions are ranked with the very best Mahlerians in a very competitive field. Bertini is also supported by an ensemble of an extremely high calibre--the WDR or the Kölner Rundfunks Orchester. They play with a finesse and a grace that rivals the very best Mahler orchestras, including the Vienna Philharmonic, the Bavarian Radio Symphony, and the Concertgebouw. In terms of virtuosity and beauty, the orchestra offers some of the most glorious playing and a crystalline sound balance that you would want in a world-class German orchestra.

The soloists are all excellent too. You have Florence Quivar, Paul Frey, Lucia Popp, Julia Varady, Julia Hamari, and Alan Titus, among others. You must simply hear the alto part that Quivar sings in the Resurrection Symphony!

Included in this already sparkling box set is a Das Lied von der Erde with Marjana Lipovsek and Ben Heppner. While I will always love Klemperer, Ludwig, and Wunderlich, I think this Das Lied von der Erde comes close to being one of the very best recordings of the work. Heppner sings with his usual golden tone and security, and sings the tenor's songs with an abandon and an elan that makes his interpretation very attractive. Lipovsek sings the mezzo parts with a tragically imbued tone that improved over her recording with Solti years earlier. You must listen to what she does in the Abschied. I have never heard a more resentful and reflective understanding of this very complex movement other than Christa Ludwig, Janet Baker, and Kathleen Ferrier.

All in all, a Mahler box set that everyone should get along with Haitink, Chailly, and Kubelik.

Ignore the name(s): Listen to the Music!.......2007-05-07

Gary Bertini and the Cologne Radio Symphony? The Mahler symphonies have been recorded in toto by many of the "biggest" names in music Leonard Bernstein (three times), Solti, Kubelik, Haitink and so on with the best known orchestras in the world ---- Vienna Philharmonic, Concertgebouw, New York Philharmonic, Chicago Symphony, Berlin Philharmonic, and so on and so on. I've given away my bias by those I've chosen to list and the sequence I've put them in.
And along comes a little known conductor, now deceased, with an orchestra I would not rank with those above; and by virtue of their sheer musicianship they belong alongside all the above. Mr. Bertini's performances hew closer to Mr. Kubelik and Mr. Haitink in being moderate in both tempo and phrasing. At the same time, Mr. Bertini still beings a far greater feeling of intensity and passion than either. Mr. Bertini's performances have a sweep and a grandeur that places them on the same plane as Mr. Bernstein's performances without entirely going "over the top" as Mr. B. was inclined to do.
No: Bertini's recording of the Sixth Symphony does not take us emotionally to the depth of Mr. Bernstein's last recording (DG digital). Nor has Mr. Solti's magnificent performance of the Eighth been surpassed. But I were asked to choose one cycle to live with for the rest of my life, it would be this one.

An exceptionally fine bargain.......2007-03-26

Gary Bertini's EMI Mahler cycle is more or less contemporary with Tennstedt's Mahler cycle on the same label. But, according to the gossip, the company decided to keep Bertini in the vaults since the former and LPO where more publicly known. In my view, however, Bertini's set is clearly superior. The orchestra - Kölner Rundfunk Sinfonieorchester - is outstanding, far better than LPO, and so are most of Bertini's interpretations as well.

Considering that Bertini and the orchestra are not among the obvious "stars", it is an exceptional sleeper. In fact, Bertini was virtually unknown before this cycle made him famous, post mortem.

The cycle combines both live and studio recordings. The live ones were recorded in Japan where the audience knows how to behave. Excellent stereo sound adds to the pleasure.

But one could note that some of Bertini's tempi are among the slowest on record. The final movement of symphony no. 9 stops at 28:34, which is ten minutes more than Walter's 1939 classic. It's even a few seconds slower than Chailly's very slow account on Decca. The finale of the third is six minutes longer than Tennstedt's on EMI. But the adagietto in the fifth stops at just above 10 minutes, so Bertini is not consistently very slow when Mahler's music may invite sentimental conductors to drag. Unlike such conductors, however, Bertini has the ability to keep tension during a long breath, bringing forth interesting details in contextual balance.

Thus the performances of symphonies 1, 5, 7, 8, 9 and Das Lied von der Erde are outstanding, challenging almost every recording in the current catalogue. The remaining symphonies are also convincingly presented, in perfectly consistent performances.

However, one irritating thing with this set is that the fourth symphony is divided over two discs. That EMI decision was not necessary. The cycle could still fit on 11 CDs with a different editing. The policy for all record companies should be to avoid unnecessary splitting.

At a super-bargain price, this is of course the first choice among boxed sets, especially the contemporary ones. All the recordings in this box have something that attracts repeated listening. This is true of Gielen's outstanding cycle too (Hänssler), but it requires you to pay four times the price. Still, Kubelik (DG) remains my favourite cycle. But Bertini's is better recorded.

Warmly recommended!

best overall cycle.......2006-12-09

There's little that I could add to the testimonials that have already been written here . While none of these performances would be an absolute first choice for me, save Bertini's Mahler 8th (which IS extraordinary), all of them have an amazing consistantcy in style, sound quality, and orchestral execution. The inclusion of a really fine "Das Lied von der Erde", expertly sung by Ben Heppner and Marjana Lipovsek, makes this a clear front runner. While Bertini didn't record a complete Mahler 10th symphony (finished by Deryck Cooke and others), his M10 Adagio is outstanding - giving the feeling of completeness on to itself. In fact, other than Leonard Bernstein, I can think of no other conductor who has been so satisfying in capturing the complete emotional range of Mahler's symphonies; going from the fresh and youthful first symphony (and Bertini is truly fresh and youthful); working on up to the cosmic orgasm that is the 8th symphony (and Bertini is cosmically orgasmic here), and still making the drastic shift to the zen-like, other-worldliness of the so-called farewell trilogy: "DLvdE", 9th symphony, and 10th symphony adagio. He runs the entire gamut, Janet.

Much positive has been written about Gielen's fine Mahler cycle. But his box set doesn't include his recording of the Cooke 10th (Chailly's does!), which is really a very good 10th. It's also more expensive. In addition, getting Gielen's Mahler 6th separately also gives you a really fine performance of Alban Berg's "Three Pieces For Orchestra" - a very natural coupling for that dark work. Better to pick and choose with Gielen, I think. If you want a box, get the Bertini.

Meditation: Classical Relaxation (Box Set)

Average customer rating:

Meditation: Classical Relaxation (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B000001W1A
Release Date: 1991-03-12

Tracks:

Canon
Piano Concerto No. 21 'Elvira Madigan': Andante
Coppelia: Notturno
String Quintet In C: Adagio - Schubert
Orchestral Suite No. 3: Air - Bach
Clarinet Concerto: Adagio
Symphony No. 8 'Unfinished': Andante con moto - Schubert
Concerto, Op. 9, No. 2: Adagio
Orpheus And Eurydice: Dance Of The Blessed Spirits

Tracks:

Thais: Meditation
Romance In G, Op. 26
The Last Spring
Minuet
Serenade, Op. 3, No. 5
Poeme, Op. 41, No. 6
Elegiac Melody No. 1
Serenade For String Orchestra: Elegia
I Love You
La Gioconda: Dance Of The Hours

Tracks:

Adagio
Romance In F Minor, Op. 11
Peer Gynt: Solveig's Song
Romance For Violin No. 2 In F, Op. 50
Rosamunde: Ballet Music In G
Symphony No. 5: Adagietto

Tracks:

Peer Gynt: Morning
Standchen (Serenade)
Mozartiana Suite: Preghiera (Ave Verum)
Moonlight Sonata: Adagio sostenuto
Piano Concerto No. 23 In A,, 2nd Movement
Rosamunde: Intermezzo
Violin Concerto In E Minor, 2nd Movement
Serenade For String Orchestra, 1st Movement
L'Arlesienne, Suite No. 2: Intermezzo
Concierto de Aranjuez, 2nd Movement
Trout Quintet: Theme And Variations

Tracks:

The Tales Of Hoffman: Barcarolle
Valse Triste
Liebestraum No. 3 In A Flat
Minuet
Oboe Concerto In D Minor (Excerpt)
Piano Sonata, No. 8 'Pathetique', 2nd Movement
Cavalleria Rusticana: Intermezzo sinfonico
Christmas Oratorio: Sinfonia
Ave Maria
Horn Concerto No. 3, 2nd Movement
Symphony No. 1, 3rd Movement
Traumerei
Peer Gynt: Ase's Death
Xerxes: Largo
Symphony No. 9, 'From The New World', 2nd Movement

Average customer rating:

Music for Meditation (Box Set)

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

The Top 100 Masterpieces of Classical Music (Box Set)

Average customer rating:

Decent Quality, But a Little Rushed
Decent, but not exciting
Decent, but not exciting
Sounds good to me.
Wonderful Selection

The Top 100 Masterpieces of Classical Music (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music

Classical Masterpieces of the Millennium [20 CD Set]
Planet Earth - The Complete BBC Series

ASIN: B000001VUG
Release Date: 1994-07-14

Tracks:

Toccata In D Minor: Toccata In D Minor (1709) - 100 Masterpieces Vol. 1 (1685-1730)
Canon In D: Canon in D (1698) - 100 Masterpieces Vol. 1 (1685-1730)
Brandenburg Concerto No. 3, 1st Movement: Brandenburg Concerto No. 3, 1st Movement (1721) - 100 Masterpieces Vol. 1 (1685-1730)
Water Music, Suite No. 2 In D: 4.1 1st Movement - 4.2 Alla Hornpipe - 4.3 Minuet - 4.4 Lentement - 4.5 Bourree - 100 Masterpieces Vol. 1 (1685-1730)
Trumpet Tune And Air: Trumpet Tune And Air (1685) - 100 Masterpieces Vol. 1 (1685-1730)
Orchestral Suite No. 3 In D: Air - 100 Masterpieces Vol. 1 (1685-1730)
The Four Seasons - Spring: The Four Seasons - Spring (1725): 7.1 Allegro - 7.2 Largo e painissimo - 7.3 Allegro Bela Banfalvi - 100 Masterpieces Vol. 1 (1685-1730)
Adagio: Adagio (1730) - 100 Masterpieces Vol. 1 (1685-1730)
Mandoline Concerto In C, RV 425: 9.1 Allegro - 9.2 Largo - 9.3 Allegro - 100 Masterpieces Vol. 1 (1685-1730)
Orchestral Suite No. 2 in B Minor: Minuet and Badinerie (1721) : - 10.1 Minuet - 10.2 Badinerie - 100 Masterpieces Vol. 1 (1685-1730)

Tracks:

Messiah: 'Hallelujah' (1742)
'Orpheus and Eurydice': Dance Of The Blessed Spirits (1762)
'Christmas Oratorio': Sinfonia In G (1734)
Violin Concerto No.3 in G: Violin Concerto No.3 In G, 1st Movement (1775)
'Xerxes': Largo (1734)
Flute Concerto In G 'La Notte': VI. Allegro (1731)
'Solomon': Arrival Of The Queen Of Sheba (1749)
Oboe Concerto In D Minor: Oboe Concerto In D Minor, 2nd Movement (1731)
Concerto grosso In A Minor Op.6 No.4: 9.1 Larghetto affettuoso - 9.2 Allegro - 9.3 Largo Piano - 9.4 Allegro
Violin Concerto No.5 In A, 2nd Movement: Violin Concerto No.5 In A, 2nd Movement (1775)

Tracks:

Eine kleine Nachtmusik: 1st movement (1787)
Piano Concerto No. 21 in C: 2nd Movement (Elvira Madigan)
The Marriage Of Figaro: Overture (1786)
Flute Concerto No. 2 In D: 2nd Movement (1778)
Piano Sonata In A (1778): Rondo Alla Turca
Don Giovanni: Overture (1787)
Horn Concerto No. 3 In E Flat: 2nd Movement
Piano Concerto No. 23 in A: 1st Movement (1786)
The Marriage Of Figaro: March (1786)
Serenata Notturna: 10.1 Marcia. Maestoso - 10.2 Menuetto - 10.3 Rondeau. Allegretto

Tracks:

Symphony No. 40: 1st Movement (1788) - 100 Masterpieces Vol. 4 (1788-1810)
'Moonlight' Sonata: 1st Movement (1801) - 100 Masterpieces Vol. 4 (1788-1810)
Symphony No. 94: 'Surprise' ,2nd Movement (1791) - 100 Masterpieces Vol. 4 (1788-1810)
The Magic Flute: Overture (1791) - 100 Masterpieces Vol. 4 (1788-1810)
Fur Elise: Fur Elise (1810) - 100 Masterpieces Vol. 4 (1788-1810)
String Quartet In C: Emporor's Hymn - 100 Masterpieces Vol. 4 (1788-1810)
Symphony No. 5: 1st Movement (1808) - 100 Masterpieces Vol. 4 (1788-1810)
Clarinet Concerto In A: 2nd Movement (1791) - 100 Masterpieces Vol. 4 (1788-1810)
Minuet In G: Minuet in G (1796) - 100 Masterpieces Vol. 4 (1788-1810)
Trumpet Concerto In E Flat: 3rd Movement - 100 Masterpieces Vol. 4 (1788-1810)

Tracks:

The Barber Of Seville: Overture (1821)
Symphiny No.8 In B Minor: 'Unfinished' 2nd Movement (1822)
Spring Song: Spring Song (1841)
Polonaise In A, Op.40 No.3: 'Military'
Rosamunde: Ballet Music In G
Der Freischutz: Overture (1820)
Ave Maria: Ave Maria (1825)
Symphony No.4 In A: 'Italian', 1st Movement (1833)
Traumerei: Traumerei (1838)
German Dance No. 1: German Dance No. 1 (1811)

Tracks:

A Midsummer Night's Dream: Wedding March (1843) - 100 Masterpieces
Liebestraum No. 3 In A flat: Liebestraum No. 3 In A Flat (1847) - 100 Masterpieces
Nabucco: Overture (1842) - 100 Masterpieces
The Merry Peasant: The Merry Peasant (1848) - 100 Masterpieces
Hungarian Rhapsody No. 2: Hungarian Rhapsody No. 2 (1847) - 100 Masterpieces
Lohengin: Prelude to Act 3 (1850) - 100 Masterpieces
La Traviata: Prelude to Act 1(1853) - 100 Masterpieces
Tannhauser: Arrival Of The Guests At Wartburg (1845) - 100 Masterpieces
Violin Concerto In E Minor: Violin Concerto In E Minor, 2nd Movement (1845) - 100 Masterpieces
Poet And Peasant: Overture (1846) - 100 Masterpieces

Tracks:

Orpheus In The Underworld: Overture (1858)
Melody In F: Melody In F (1858)
Les Preludes: Les Preludes (1854)
Waltz In A Flat: Waltz In A Flat (1865)
The Force Of Destiny: Overture (1862)
I Love You: I Love You (1864)
The Bartered Bride: Overture (1866)
The Tales Of Hoffmann: Barcarolle (1864)
Tritsch Tratsch Polka: Tritsch Tratsch Polka (1858)
Light Cavalry: Overture (1866)

Tracks:

Piano Concerto No. 1 In B Flat Minor: 1st Movement (excerpt) (1875) - 100 Masterpieces
Cradle Song: Cradle Song (1868) - 100 Masterpieces
The Moldau: The Moldau (1875) - 100 Masterpieces
The Valkyrie: Ride Of The Valkyries (1870) - 100 Masterpieces
Peer Gynt: Morning (1876) - 100 Masterpieces
Carmen: Les Toreadors (1875) - 100 Masterpieces
Coppelia: Notturno (1870) - 100 Masterpieces
Marche Slave, Op. 31: Marche Slave, Op. 31 (1876) - 100 Masterpieces
L'Arlesienne: Intermezzo (1872) - 100 Masterpieces
The Blue Danube: Waltz (1867) - 100 Masterpieces

Tracks:

Eugene Onegin: Polonaise (1878) - 100 Masterpieces Vol. 9
Symphony No.9 'From The New World': 2nd Movement (1893) - 100 Masterpieces Vol. 9
The Nutcracker: Waltz of the Flowers (1892) - 100 Masterpieces Vol. 9
Capriccio espagnol: Alborado (1887) - 100 Masterpieces Vol. 9
The Last Spring - 100 Masterpieces Vol. 9
Slavonic Dance No. 2: Slavonic Dance No. 2 (1886) - 100 Masterpieces Vol. 9
The Sleeping Beauty: Introduction (1889) - 100 Masterpieces Vol. 9
Twilight Of The Gods: Siegfred's Death And Funeral March (1877) - 100 Masterpieces Vol. 9
Songs My Mother Taught Me: Songs My Mother Taught Me (1880) - 100 Masterpieces Vol. 9
Emperor Waltz - 100 Masterpieces Vol. 9

Tracks:

Also sprach Zarathustra: Fanfare (1896)
Symphony No.5: Adagietto (1902)
Finlandia: Finlandia (1899)
Dance Of The Bumble Bee: Dance Of The Bumble Bee (1900)
'Thais': Meditation
Pomp amd Circumstance: March No.1 (1901)
Humoresque: Humoresque (1894)
Valse Triste: Valse Triste (1903)
Vienna Blood: Vienna Blood - Waltz (1899)
Bolero: Bolero (1928)

Customer Reviews:

Decent Quality, But a Little Rushed.......2002-09-20

I have to agree that this is a good collection of music for the money, especially if you are a novice at the Classics like me. Each disc covers a 40 year period with an hour of music and a little bit of history in the cover slip. However, there were some oddities that made me question the quality of this product. First, a few of the songs seemed like the conductor was hurrying them along so the songs on a disc would add up to exactly one hour -- where's the love? I know I'm a novice, but there are just some songs that are so famous that you can pretty easily tell when they are being butchered or compressed. Second, the quality of the product was suspect. Some of the discs looked like they were manufactured in 1990 and some in 1994. The older ones just had the titles on the discs and the newer ones had a screen-printed color change with no information. They couldn't even use the same type of Jewel Case throughout the collection. In total, it's good for beginners and the money, but not much else.

Decent, but not exciting.......2002-09-01

Not bad, but not a perfect as well. The music selection is very questionable for my taste. The performers are not always very suitable for specific masterpieces. It is inherently, just because such mix of names cannot be bad ;). If I will compose such set a lot of forgotten things should take their place.

Decent, but not exciting.......2002-09-01

Sounds good to me........2002-07-25

Bought this CD to calm and relax myself after a hard days work. CD seems like a great collection to me. It's got a lot of songs that I recognize and some that I don't. It does sooth me a bit after the the many stresses of everyday life.

I'm not really a classical music nut like "Frasier Crane" so I'm not sure how much merit I can bring to the table with this review. But I think it's great..!!!

Wonderful Selection.......2001-05-13

Some of the world's truly finest musicians perform some of the all time greatest and most loved musical masterpieces. The CD makes for easy and peaceful listening of an evening.

Average customer rating:

Classics for Relaxation

Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B0001MZ804
Release Date: 2004-04-06

Tracks:

Prelude a l'AprMidi d'un Faune - Belgrad Philharmonic Orchestra, Igor Markevitch
Agnus Dei - Ricardo Casinelli, ,
Four Seasons -- 2nd Movement: Largo E Pianissimo Sempre - Martin Sieghart, Stuttgart Chamber Orchestra
Orfeo Ed Euridice 2nd Act -- Ballo: Andante (Dance of the Blessed ...) - Wilhelm Keitel,
Liebestraum No. 3 in A flat major, Op. 62 "O Lieb So Lang" du ... - Peter Schmalfuss
Ice Skaters Waltz "Las Patineurs" Excerpt - Gerhard Becker, Berlin Symphony Orchestra
Peer Gynt Suite No. 1, Op. 46 Death of Ase - Libor Pesek, Slovak Philharmonic Orchestra
Air - Artur Faihs, Frida Faihs
Nutcracker Ballet Suite, Op. 71a III: Dance of the Sugar Plum Fairy - Alfred Scholz, South German Philharmonic Orchestra
Goldberg Variations, BWV 988, No. 1: Aria - Christiane Jaccottet
Tales of Hoffman "Barcarolle" - Philharmonic Orchestra, Christian Rainer
Suite Bergamasque III: Clair de Lune - Peter Schmalfuss
Landler, Op. 171, No. 4 - Peter Schmalfuss
Ave Verum Corpus, Motet K. 618 - Rolf Schweizer,
Preludes, Op. 28 No. 15 in D flat major: Sostenuto "Raindrops" - Bianca Sitzius
Canon in D major: Preludes - Bernhard G Stuttgart Chamber Orchestra
Elegies for Piano, Op. 34 I: Wounded Heart - Stefan Jeschko

Tracks:

Preludes, Book 1 No. 8: "La Fille aux Cheveux de Lin" - Peter Schmalfuss
Suite Espa, Op. 47 Sevilla - Irina Kircher
Water Music Suite, Allegro - Oliver VonDohnanyi
Humoresque, Op. 101 - Erich Appel, Oliver Colbentson
Songs Without Words for Piano, Book 2, Op. 30, No. 6 in F sharp minor - Sylvia Capova
Swan Lake, Ballet Suite, Dance of the Swans - Belgrad Philharmonic Orchestra, Igor Markevitch
Divertimento No. 1 in B flat major, 2nd Movement - Chorale Saint Antoni Andante,
Symphony No. 5, 4th Movement: Adagietto - Anton Nanut
Lohengrin, Prelude to Act 3 - Bystrik Rezucha, Slovak Philharmonic Orchestra
Peer Gynt Suite No. 1 Op. 46: Anitra's Dance - Libor Pesek, Slovak Philharmonic Orchestra
Preludes, Op. 3, No. 2 in C sharp minor - Yuri A. Rozum
Tale of the Tsar Saltan -- Flight of the Bumble Bee - Camerata Rhenania, Hanspeter Gmur
Symphony No. 41 in C major, K. 551 "Jupiter," 1st Movement: ... - London Philharmonic Orchestra, Alfred Scholz
Finlandia, Op. 26/7 - Roland Donatte,
Etudes, Op. 10, No. 5 in G flat major "Black Keys" - Peter Schmalfuss
Serenade in E major, Op. 22, 1st Movement: Moderato - Marian Lapsansky, Bystrik Rezucha, Stuttgart Chamber Orchestra

Tracks:

Piano Concerto in A Minor, Op. 54, 2nd Movement: ... - Marian Lapsansky, Bystrik Rezucha,
Nutcracker Ballet Suite, Op. 71a, Arab Dance - Alfred Scholz, South German Philharmonic Orchestra
Divertimento for 2 Horns & Strings in F major "A Musical Joke," ... - Capella Istropolitana
Faust "Margarethe" -- Ballet Music, Allegretto - The London Symphony Orchestra, Alfred Scholz
Gymnopedies No. 3 - Stuttgart Chamber Orchestra
Serenade for Strings in C major, Op. 48, 2nd Movement; Waltz - Kurt Redel
Scenes from Childhood, Op. 15 Traumerei - Peter Schmalfuss
Piano Concerto in A minor, Op. 16, Adagio - Marian Lapsansky, Bystrik Rezucha, Slovak Philharmonic Orchestra
Waltz in A flat major, Op. 69/1 - Peter Schmalfuss
Symphony No. 2 in D major, Op. 73, Adagio Non Troppo - Libor Pesek, Royal Philharmonic Orchestra
Largo from Xerxes - Ernst Riedlinger
Symphony No. 22 in E flat major, "Philosopher," Adagio
Quintet in E minor, G. 451, Allegro Moderato - Karl Heinz Ber, Hans Kalafusz, GKehr, Gunter Lemmen, Siegfried Palm

Mahler: Symphonies Nos. 5, 9, 10 (Adagio)

Average customer rating:

A good Fifth, a disappointing Ninth, a great Tenth

Mahler: Symphonies Nos. 5, 9, 10 (Adagio)

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Tracks:

Sym No.5 in c sharp: I. Trauemarsch
Sym No.5 in c sharp: II. Sturmisch bewegt,mit grobter Vehemenz
Sym No.5 in c sharp: III. Scherzo (Kraftig. Nicht zu schnell)
Sym No.5 in c sharp: IV. Adagietto (Sehr langsam)
Sym No.5 in c sharp: V. rondo - Finale (Allegro)

Tracks:

Sym No.9: I. Andante comodo
Sym No.9: II. Im Tempo eines gemachlichen Lanlers (Etwas tappisch und sehr derb)
Sym No.9: III. Rondo - Burleske

Tracks:

Sym No.9: IV. Adagio
Sym No.10 in F sharp: I. Adagio

Customer Reviews:

A good Fifth, a disappointing Ninth, a great Tenth.......2006-03-21

It's hard to recommend a box set when the best thing in it lasts only 28 min., but Tennstedt's performance of the Adagio from the Mahler Tenth is exceptional by any standard. He gets playing of great intensity from the London Phil, with very close-up miking to add to the intensity. As always in his conducting, Tennstedt is spontaneous about rhythm and phrasing, and here he feels very deeply, bringing out not just the tragedy of this great movement but its inner struggle and excitement. I found it hard to believe that this reading was 4 or 5 min. slower than usual, it made such a dramatic impact.

Unfortunately, there's a disappointing Ninth Sym. here, one of the rare failures in Tennstedt's cycle. The opening movement in particular seems to lack rhythmic vitality, and despite many lovely touches along the way, a good-enough Ninth isn't good enough among all the great ones. The set is filled out with a good Fifth Sym., but it's not as fine as his remake with the Chicago Sym. In all, I hope EMI gives us the Adagio form the Tenth in the cheap two-fer already available in England, but it comes with the Ninth, too.

Mahler: Symphonies Nos. 7, 9, 10 (Adagio)

Average customer rating:

Mahler: Symphonies Nos. 7, 9, 10 (Adagio)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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ASIN: B0000027MU
Release Date: 1992-12-08

Average customer rating:

Silver Screen Classics, Vols. 1-5

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Compilations | Miscellaneous | Styles | Music

General | Broadway & Vocalists | Styles | Music

Soundtracks | Box Sets | Stores | Music

Tracks:

2001-A Space Odyssey: Also Sprach Zarathustra (Opening Fanfare) - Hungarian National Philharmonic Orchestra/Janos Sandor
Platoon: Adagio For Strings, Op. 11 - Philharmonia Orchestra/Geoffrey Simon
Rollerball: The Sleeping Beauty-Waltz - Bavarian Radio Symphony Orchestra/Hans Vonk
Diva: La Wally-Wally's Aria, Act I - Sylvia Sass
Midsummer Night's Dream: Wedding March - Budapest Philharmonic Orchestra/Janos Kovacs
Death In Venice: Sym No. 5: Adagietto - Budapest Festival Orchestra/Ivan Fischer
Amadeus: Piano Concerto K.365, III. Rondo Allegro - Hungarian State Orchestra/Zoltan Kocsis/Dezso Ranki/Janos Ferencsik
Lorenzos Oil: L'Elisir D'Amore: Aria 'Una Furtiva Lagrima' - Hungarian State Orchestra/Denes Gyulos/Janos Ferencsik
Who Framed Roger Rabbit: Hungarian Rhapsody No. 2 - Budapest Symphony Orchestra/ Andras Korodi
The Music Lovers: Symphony No. 6 'Pathetique': Adagio Lamentoso - Prague Festival Orchestra/Pavel Urbanek

Tracks:

The Four Seasons: The Four Seasons-I. Spring (Allegro) - Budapest Strings
Ordinary People: Canon in D - New Leipzig Bach Collegium Musicum/Max Pommer
Carmen Jones: Carmen - Habanera - Budapest Symphony Orchestra/Janos Sandor
E La Nave Va: William Tell - Soldiers' Dance - Budapest Philharmonic Orchestra/Janos Sandor
Our Of Africa: Clarinet Concerto - Adagio - Franz Liszt Chamber Orchestra/Janos Rolla
Love Story: Violin Concerto No.2 - III. Allegro Assai - Christian Altenburger
Ludwig: Lohengrin - Prleude Act I - Budapest Symphony Orchestra/Gyorgy Lehel
Gallipoli: The Pearl Fishers Duet 'Au Fond Du Temple Saint' - Bruno Lazaretti/Roberto Servile
Notturno: Symphony No.8 'Unfinished': II. Andante Con Moto - Budapest Philharmonic Orchestra/Janos Kovacs
10: Bolero - Hungarian State Orchestra/Adam Fischer

Tracks:

Punchline: Sabre Dance (From 'Gayaneh') - Hungarian State Orchestra/Adam Fischer
Raging Bull: Cavalleria Rusticana Intermezzo Sinfonico - Budapest Philharmonic Orchestra/Andras Korodi
Breaking Away: Symphony No.4 'Italian' IV. Saltarello-Presto - Philharmonia Orchestra/Janos Sandor
Mona Lisa: Madama Butterfly Love Duet 'Viene La Sere' - Anna Tomowa-Sintow/Giacomo Aragall
A Clockwork Orange: Pomp & Circumstance-March No.1 - Dresden Philharmonic Orchestra/Herbert Kegel
A Room With A View: Gianni Schicci Aria 'O Mio Babbino Caro' - Ilona Tokody
Excalibur: Twilight Of The Gods-Funeral March - Radio Symphony Orchestra Sofia/Vassil Kazandjiew
Amadeus: Sinfonia Concertante K.364: I. Allegro Maestoso - Christian Altenburger/Wolfrom Christ
E La Nave Va: Moment Musical D.780 No.3 - Budapest Strings
Love Story: Fulte Sonata In F Major K.13-I. Allegro - Eckart Haupt/Arkadi Zenziper
Immortal Beloved: Symphony No.7 in A Major-II. Allegretto - Dresden Philharmonic/Herbert Kegel

Tracks:

Apocalypse Now: Ride Of The Valkyries - Budapest Symphony Orchestra/Gyorgy Lehel
Elvira Madigan: Piano Concerto No.21 - II. Andante - Vilmos Fischer
E La Nave Va: Dance Of The Toy Flutes - Staatskapelle Dresedn/Hans Vonk
A Clockwork Orange: William Tell - Overture - Plovdiv Philharmonic Orchestra/Rouslan Raichev
Fatal Attraction: Madama Butterfly - Finale 'Con Onor Muore' - Anna Tomowa-Sintow
Notturno: String Quartet In C D.956 - II. Adagio - Totrai Quartet
Heat And Dust: 'Aufschwung' - Jeno Jando
Barry Lyndon: Idomeneo - March - Salzburg Mozarteum Orchestra/Hans Graf
E La Nave Va: The Swan (From 'Carnival Of The Animals') - Hungarian State Orchestra/Andras Korodi
The Last Emperor: Emperor Waltz - Strauss Orchestra Vienna/Joseph Francek

Tracks:

Rollerball: Toccata In D minor - Hannes Kostner
Kramer Vs. Kramer: Mandoline Concerto - Lajos Meyer
Amadeus: Symphony No.29 in A Major K.201: I. Allegro Moderato - Salzburg Mozarteum Orchestra/Hans Grof
Notturno: Symphony No.9 in C Major: II. Andante Con Moto - Budapest Philharmonic Orchestra/Ervin Lukacs
E La Nave Va: The Force Of Destiny - Overture - Sofia Philharmonic Orchestra/Vassil Stefanov
Hannah And Her Sisters: Manon Lescaut: Aria 'Sola, Perduta, Abbandonata' - Virginia Zeani
E La Nave Va: Clair De Lune - Evwlyne Dubourg
Carmen: Carmen - Seguedille Of Carmen 'Pres De Remparts' - Bulgarian Radio Symphony Orchestra/Ivan Marionov
Dead Poets Society: Symphony No.9 'Choral': 4th Movement (Excerpts) - Alison Hargan/Ute Walther/Eberhard Buchner/Kolos Kovats
Immortal Beloved: Fur Elise - Evelyne Dubourg

Track Listings:

Track Listings

track listings

Track Listings

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