Music for the Movies [Soundtrack]

Track Listings

1. Importance of Being Earnest

2. Curse of the Werewolf

3. Night of the Lguana: Prelude

4. Night of the Lguana: Mexican Washer Women

5. Night of the Lguana: The Letter

6. Night of the Lguana: Shannon Shanghaies the Couch

7. Night of the Lguana: Hannah and Shannon Theme

8. Night of the Lguana: A Personal View

9. Night of the Lguana: Shannon's Way Out

10. Night of the Lguana: Shannon's Long Swim

11. Night of the Lguana: The Iguana Is Released

12. Night of the Lguana: Maxine and Shannon Theme (Finale)

13. Trottie True: Gaiety Galop

14. Trottie True: The Balloon Toon

15. Trottie True: Trottie's Romance

16. Trottie True: The Life and Times of a Gaiety Girl

17. Trottie True: A Most Attractive Bounder

18. Trottie True: Trottie True Trot

19. Years Between: Lullaby

20. Footsteps in the Fog: Prelufe- The Lily Watkins Theme

See all 23 tracks on this disc

Tracks:

Love Theme - Romeo and Juliet
Lara's Theme / Somewhere My Love - Dr. Zhivago
My Heart Will Go On - Titanic
The Second Waltz - Eyes Wide Shut
Heigh-Ho - Snow White
Moonriver - Breakfast at Tiffany's
Sirtaki / Zorba's Dance - Zorba the Greek
Main Title - The Godfather
Bolero - "10"
John Dunbar's Theme - Dances with Wolves
The Windmills of Your Mind - The Thomas Crown Affair
Edelweiss - The Sound of Music
True Love - High Society
Stranger in Paradise - Kismet
Romance - The Gadfly
Main Title - Once Upon a Time in the West

Customer Reviews:

At The Movies by Andre Rieu.......2007-05-20

Andre Rieu brings a warmth and pop-like aire to his music.Here he plays popular music with a classical orchestra and adds his special ingredients to it ie:humor (musical jokes for the serious listener),fun,light-heartedness.It's a band of very talented musicians having alot of fun as is evident in the playing and especially if you've seen them in concert.I can "hear" the smiles on their not serious faces by their style of playing...less staccato and with more feeling.Andre and company swing and dance through every track climaxing on Ravel's Bolero from the movie "10".

very beautiful.......2007-01-09

This cd is very beautiful. It captures the songs wonderfully. The orchestra does a fine job.

Refreshing Music.......2006-11-03

Andre Rieu presents wonderful songs in a very inspirational way. They are to be enjoyed as "dinner music" or just for times when the TV is off and you need some "quiet time". It is a great grouping of melodies.

from texas--AND FROM A MUSIC LOVER.......2006-08-30

ANDRE RIEU TAKES US ON A WONDERFUL TRIP BACK IN TIME TO THE MOVIES YOU CAN=T FORGET AND THE MUSIC THAT MADE THEM CLASSICS. DO BUY IT. IT IS A TREASURE...

Andre Rieu - Music for the masses.......2006-08-10

Sometimes you just want enjoyable music as a backdrop to the job at hand. I turn to Andre to get me through these events. Probably not a glowing endorsement, but if you know of Mr. Rieu's feelings about music, he would just smile and nod his head. This is music to just enjoy for the sake of music - and that is a good thing.

Average customer rating:

Best of the the popular Copland...
A Great American Album
Must have this one...

Ultimate Copland Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO
Copland: Music for Films
Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man
Bernstein Century - Gershwin: Rhapsody in Blue, etc
Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris

ASIN: B00002S5EW
Release Date: 1999-11-09

Tracks:

Fanfare For The Common Man
From Four Dance Episodes From 'Rodeo': Saturday Night Waltz
From Four Dance Episodes From 'Rodeo': Hoe-Down
From Old American Songs: Simple Gifts
Appalachian Spring: Variations On A Shaker Hymn
From Music For Movies: Grovers Corners (From Our Town)
From Billy The Kid: Introduction - The Open Prairie
From Billy The Kid: Street In A Frontier Town
From Billy The Kid: Mexican Dance
From Billy The Kid: Gun Battle
From Billy The Kid: Celebration (After Billy's Capture)
From Billy The Kid: The Open Prairie Again
From Billy The Kid: El Salon Mexico
Appalachian Spring: Very Slowly
Appalachian Spring: Allegro
Appalachian Spring: Moderato: The Bride And Her Intended
Appalachian Spring: Fast: The Revivalist And His Flock
Appalachian Spring: Allegro: Solo Dance Of The Bride
Appalachian Spring: Meno Mosso
Appalachian Spring: Doppio Movimento: Variations On A Shaker Hymn
Appalachian Spring: Moderato: Coda

Customer Reviews:

Best of the the popular Copland..........2004-12-26

Here's a great introduction to the popular music of Aaron Copland. When "Fanfare for the Common Man" begins, sparks of recognition will fly for most listeners. This song has been everywhere: presidential inaugurations, the olympics, commercials, movies, etc. Some flatten it as hopelessly clichéd, while others find it moving and inspiring. Copland also reprised it in the finale of his Third Symphony. Arguably Copland's most famous piece, "Appalachian Spring" closes the CD. In between, more great Copland: excerpts from 'Rodeo' (apparently the beef lobby has appropriated "Hoe-Down" as one of their themes); a great vocal rendition of "Simple Gifts" and a large chunk of another of Copland's best known works: "Billy the Kid". The only confusing piece is the "Variations on a Shaker Hymn" from Appalachian Spring when the entire Appalachian Spring is already included. Seems slightly redundant.

Though most of the pieces on this CD were written in the 1930s and 1940s, they tend to evoke the old west. With titles such as "Rodeo" and "Billy the Kid" this shouldn't surprise too many people.

Copland went on to compose more dissonant and twelve tone compositions later on in his career. These obviously weren't as popular with the public in general as the pieces on this CD. Nonetheless, if this disc whets the appetite, a foray into Copland's less popular works will yield much. It will help to expose the totality of Copland's output. This disc only represents a small portion of his work. Regardless, this disc is a great starting point for getting to know one of the United States' best known composers of the twentieth century.

A Great American Album.......2004-02-13

This is a great album representing true patriotic American music. Songs like "Hoe-Down" are lively and energetic and give rememberance to what one can imagine as the true American spirit.

Must have this one..........2002-09-17

I like all types of music, I wanted this album because I liked the song "RODEO" that is used on the beef commercials. This CD has made me into a Copland fan. It has many great songs. If you want a CD that says "I am an American." This is it. I am sending copies to a friend in Bombay and Tel Aviv. This is who I am put to music.

Average customer rating:

Wow!
Fun CD
More Soup Please!
BFS Goes to the Movies
One of the best BFS CD's ever.

Bowling for Soup Goes to the Movies
Bowling for Soup
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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The Great Burrito Extortion Case
Drunk Enough to Dance
Let's Do It for Johnny!
Rock On Honorable Ones!!!
A Hangover You Don't Deserve

ASIN: B000BM6ARY
Release Date: 2005-11-15

Tracks:

Jimmy Neutron Theme
(Ready Or Not) Omaha Nebraska
Greatest Day
...Baby One More Time
Here We Go
Undertow
Spanish Harlem
Lil Red Riding Hood
Live It Up
Star Song
I Melt With You
Five O' Clock World
Gilligan's Island Theme
Sometimes
Sick Of Myslef

Customer Reviews:

Wow!.......2007-02-10

Enough of these 4-star reviews. I rate this a 6! I own all the BFS albums and this is absolutely, by far, my favorite. It's rare to find an album with so many great songs that carry you away. OK, I admit, I'm a sucker for remakes, and the ones on this album are great. Yeah, they do a remake of Brittney Spears, but so what? The song is fun. Overall the CD is full of positive, high energy music.

Fun CD .......2007-01-10

This was a fun CD of Songs made for Movies, TV events and games and apparently some B sides or other random stuff that wasn't in previous Bowling for Soup albums.

If you are into Britney Spears bashing its fun to hear someone else doing Baby one more time(altho I admit after hearing it once or twice I just skip this song), oddly enough when I got this CD I also bought the Fountains of Wayne B side Double CD and it contained a cover of the same song.

I liked their version of I'll Melt with you. Anyone who was a Teenager in the 80s will always have an affinity for that song. I heard it at the end of Sky High and at first thought it was Weird Al - but when I saw the credits that it was BFS I was hoping to see it on an album and here it was.

The 2 stand outs of the album would be the Star song and Live it up. I think those songs could make it on Air play but haven't heard any station play them.

Undertow was pretty good as well. Those 3 Undertow, Star Song and Live it up being typical BFS songs vs written or covered for movie or entertainment industry projets.

Bottom line - if you are a BFS fan - this album will be a pretty good buy for you.

More Soup Please!.......2006-01-07

I want to start by saying "I LOVE THIS BLOODY BAND!". Now for this album, it is a compilation album of soundtrack songs and others. It is a hit & miss affair throughout. I have to be honest here when it's bad it's really not that bad. 'Greatest Day' is a typical BFS hit single with the snappy beat & sing-a-long chorus. The absolutely horrid Britney Spears song should be left alone. Nobody cares about the awful song and no one does it justice (plenty have tried). 'Here We Go' is another good song with a great little groove ala the Flaming Groovies. There are many moments on this album which make it a good addition to your collection. The true standout tracks are Sam The Shams 'Little Red Ridinghood' & Mathew Sweets 'Sick Of Myself' and have the ability to become hit songs for the best post Green Day pop punk band so far...

BFS Goes to the Movies.......2006-01-05

This record isn't quite as good as some of the other stuff Bowling for Soup has done, but the fun, playful vibe still shows through. Many songs are covers, and I have to say I prefer their original stuff, but it's not bad. If you're new to BFS, you ought to listen to Hangover You Didn't Deserve or Drunk Enough To Dance first. One complaint I have is that the color of the print on the insert doesn't contrast enough with the background- it's extremely difficult to read.

One of the best BFS CD's ever........2005-11-19

I recently listened to this cd, and I'd have to say it is one of the best ones Bowling For Soup has recorded. Even though I heard a few of the tracks in other places, it is a great compilation, worth buying for even just Star Song and the Gilligan's Island Theme. The songs on here have a habit of just sticking into your head, which I think is a good thing. Overall, I'd say if you are a fan, buy it as soon as possible. If you have never listened to BFS before, buy Drunk Enough To Dance first, or even A Hangover You Don't Deserve.

Average customer rating:

Great Album
Konstantine
no... not really
The first star you've ever heard
Great Band... Great CD

Songs for Silent Movies
Something Corporate
Manufacturer: Japanese Import
ProductGroup: Music
Binding: Audio CD

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Audioboxer
Something Corporate - Live at the Ventura Theater
North
Leaving Through The Window
Something Corporate (DVD Single)

ASIN: B000091KV8
Release Date: 2003-06-02

Tracks:

Punk Rock Princess
Little
Konstantine
Walking By
Forget December
I Want to Save You [Live]
Straw Dog [Live]
Punk Rock Princess/I Woke Up in a Car/Straw Dog/Punk Rock Prince [Live]

Album Description

Japanese exclusive mini-album featuring 11 tracks, 'Punk Rock Princess' (Radio Edit), 'Little', 'Konstantine', 'Walking By', 'Forget December', 'I Want To Save You' (Acoustic), 'Straw Dog' (Live in London), 'I Woke Up In A Car' (Video), 'Punk Rock Princess' (Video), 'Straw Dog' (Live in London Video), & 'Punk Rock Princess' (Live in London Video). MCA. 2003.

Album Details

Japanese exclusive EP.

Customer Reviews:

Great Album.......2005-07-13

Pretty nice album. The live tracks are great. The acoustic version of "I Want To Save You" doesn't quite live up to the original, but is fun to own. The main reason to get this album is if you are a fan of the band and want a copy of Forget December and Konstatine. Whether you think Konstatine is an amazing song or not, the only album that had it was out of print until the release of this EP. I am a fan of the song and happy to finally get a legal copy of it :)

Konstantine.......2005-07-01

im 18, just too lazy to fill out the form for the other review page. i just wanted to say that i agree that konstantine is one of the best songs ever. it is definetly my favorite song i have ever heard. they're are so many songs that are amazing and you wish they never end. well konstantine almost fulfulls these wishes. its nine minutes are just enough to make my heart content. i never get bored listening to it....as for the guy who said it isnt perfect. of course its not, there is not going to be a "perfect" song. people are always going to complain about something. but this is close enough to perfect for me.

no... not really.......2005-06-25

the people below are saying that this EP is worth it just for 'Konstantine', which is their opinion, but still, Konstantine isn't perfect. It's alright, but overlong and uninteresting in part of it. I like SoCo, but still I think Konstantine is not worth 28 bucks for anyone except hardcore fans (inevitably someone's going to come after me trying to say that Konstantine is perfect... don't believe them). The rest of the EP rehashes some of LTTW. My favorite track is the live performance of Straw Dog. Forget December is also pretty good but not great.

The first star you've ever heard.......2005-06-04

The best reason to buy this CD is simple, it's "Konstantine". This song speaks for itself in more ways than I could ever describe. First, would have to be its' incredibly beautiful and inspired piano, courtesy of Andrew McMahon. Second, would be its' timeless and poetic lyrics that couldn't have been supported better by any other band, or any other voice (also courtesy of Andrew McMahon). Finally, would be its' breathtaking melodies that could bring any true musician or fan to their knees. "Konstantine" is perfect in every way, as perfect as each individual's flaws in the inspiring relationship. Any Something Corporate fan would agree. Essentially... only a true fan would feel that not only is it perfect, it is the most gorgeous song ever written.

Great Band... Great CD .......2005-05-18

I have to say Something Corporate is my most favoritest band ever. And this CD proves it. Konstantine is also my favorite song. It's just perfect.
If you love this CD and Something Corporate.. I suggest you check out Jack's Mannequin. They are an awesome band lead by yours truely... Andrew McMahon. And if you like them too come join The Messengers... their street team and let other people know how wonderfull they are too.

;;; Liz
The Messangers- Purplehobbit666

Average customer rating:

Its okay
outstanding!
Aaron Copland: the Norman Rockwell of film scoring
Great recording of definitive American film music
Leonard Slatkin conducts Copland

Copland: Music for Films

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

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Similar Items:

Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches
Copland: Symphony No. 3; Quiet City
Copland: The Music of America
Ultimate Copland Album
The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B000003FHI
Release Date: 1994-04-12

Tracks:

The Red Pony: Morning On The Ranch
The Red Pony: The Gift
The Red Pony: Dream March
The Red Pony: Circus Music
The Red Pony: Walk To The Bunkhouse
The Red Pony: Grandfather's Story
The Red Pony: Happy Ending
Our Town
The Heiress Suite
Music For Movies: New England Countryside
Music For Movies: Barley Wagons
Music For Movies: Sunday Traffic
Music For Movies: Grovers Corner
Music For Movies: Threshing Machines
Prairie Journal (Music For Radio)

Amazon.com essential recording

This is a great series of recordings. Leonard Slatkin has generally chosen the right balance of music for the composers used in the series (with terrific cover art from Thomas Hart Benton). This disc is devoted to Copland's film music. The treat here is a version of The Heiress Suite reconstructed by Arnold Freed. Copland's talent for writing for films rested in his ability to identify and maintain themes, at the same time not slacking on the transitional details. This belongs in any Copland collection. --Paul Cook

Customer Reviews:

Its okay.......2007-05-13

I was disappointed and don't listen to it much. I like certain songs, but not the rest.

outstanding!.......2006-01-21

one of slatkins best recordings.with copland hes on, the sound on this cd is ok,not as good as his telarc recordings witch i think are his better recordings but this one is one of them to.

Aaron Copland: the Norman Rockwell of film scoring.......2004-06-14

When I purchased this collection I was already very familiar with Mr. Copland's more popular fanfaric motifs. I was astounded at how much I enjoyed the wonderful division of both sweeping dramatic themes and friendly, home-grown melodies. His film scores for the 1939 'Of Mice and Men' and the 1940 'Our Town' are a testament to classic films set in simpler times. The 'Red Pony' tracks for which the compilation is named are a magical digression from the listener's pre-conceived notions of Copland western fare. When one expects "Rodeo" (arguably one of Copland's most famous themes) one instead receives a gentler and sometimes powerfully moving score. The crowning jewel of this collection, however; is the beautiful suite from his Academy Award winning score for William Wyler's 1949 film of 'The Heiress.' When listening to this magnificent piece of musical history I am reminded how so many great scores are unavailable to listeners of today, and only through recreation and re-recordings can we re-capture those glimpses of film score artistry. I can only hope that many lost or hard to find works continue to be found or recorded so that film score and music lovers in general can continue to discover and rediscover the joy and beauty of our masters in film composing.

Great recording of definitive American film music.......2004-04-08

In a way, filmgoers have been listening to Copland's film scores nearly every time they go to the cinema, since film composers have been shamelessly ripping off Copland for the last half-century or so. When you listen to the "Our Town" suite, do you get the nagging feeling that you have heard this music somewhere before? No doubt you have, in dozens of derivitave film scores from the 1980's and 1990's, sometimes (shamelessly) right down to the exact chord progressions.

How nice it is then to be able to go back to the source, and have rendered in so superb a fashion as it is by Slatkin & the St. Louis Symphony Orchestra. Slatkin, as usual, upholds his reputation as one of the leading interpreters of American music.

This CD contains the premier recording of "The Heiress Suite," which is a delight to listen to, and of course the fairly well-known "Red Pony" music. Is their a more quintessential piece of "Western" music than the "Walk to the Bunkhouse?" How does a jewish boy from Brooklyn nail it on the head so perfectly, anyway?

Other selections include "Music for Movies," a collection of bits & pieces from an assortment of Copland-scored movies that Copland arranged in 1943, and "Music for Radio," an earlier composition that isn't really "movie music," but fits well with the rest of the compositions on this CD.

Instead of wasting your time on movie soundtracks that are nothing more than just derivitave hack jobs, listen to music by a composer who had truly mastered his craft.

Leonard Slatkin conducts Copland.......2000-11-14

This album is worth it just to get the world premiere recording of "The Heiress Suite" reconstructed by Arnold Freed. Also of note are Walk to the Bunkhouse from "The Red Pony" and New England Countryside. Leonard Slatkin conducts these pieces with great emotional feel that states that this is the same America that Copland wanted to us to embrace.

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Average customer rating:

Bought this for Concerto for Clarinet
Aaron Copland: Populist and Conductor
Tribute to Lincoln
A great way to get your dose of Copland....
Well balanced retrospective, -or- Listen to this!

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

General | Soundtracks | Styles | Music

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Similar Items:

The Copland Collection: Orchestral Works, 1948-1971
Copland: Music for Films
A Copland Celebration Vol. 3
A Copland Celebration Vol. 1
Samuel Barber / Thomas Schippers

ASIN: B0000027BJ
Release Date: 1991-01-18

Tracks:

El Salon Mexico
An Outdoor Overture
Billy The Kid: Introduction: The Open Prairie
Billy The Kid: Street In A Frontier Town
Billy The Kid: Prairie Night (Card Game At Night)
Billy The Kid: Gun Battle
Billy The Kid: Celebration (After Billy's Capture)
Billy The Kid: Billy's Death
Billy The Kid: The Open Prairie Again
Quiet City
John Henry
Our Town
Las Agachadas
Fanfare For The Common Man

Tracks:

Rodeo (Four Dance Episodes): I. Buckaroo Holiday
Rodeo (Four Dance Episodes): II. Corral Nocturne
Rodeo (Four Dance Episodes): III. Saturday Night Waltz
Rodeo (Four Dance Episodes): IV. Hoedown
The City: New England Countryside
Of Mice And Men: Barley Wagons
The City: Sunday Traffic
Our Town: Grovers Corners
Of Mice And Men: Threshing Machines
Appalachian Spring (Suite From The Ballet): Very Slow
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Moderato
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Still Faster
Appalachian Spring (Suite From The Ballet): As At First (Slowly)
Appalachian Spring (Suite From The Ballet): Calm And flowing
Appalachian Spring (Suite From The Ballet): Moderato; Coda
Letter From Home
Danzon Cubano

Tracks:

Lincoln Portrait: Lento
Lincoln Portrait: Subito Allegro
Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
Symphony No. 3: I. Molto Moderato-With Simple Expression
Symphony No. 3: II. Allegro Molto
Symphony No. 3: III. Andantino Quasi Allegretto
Symphony No. 3: IV. Molto Deliberato
Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

Bought this for Concerto for Clarinet.......2007-07-14

The sum is greater than the parts. This is a great Copland collection and shows his diversity. Yet as divers and the three CD are they are all distinctively Copland. Benny Goodman is usually associated with jazz yet he was also diverse in his career. "Concerto for Clarinet, Strings, and Harp & Piano" is a mantra that will carry you to a timeless place.

An added plus is the many other popular pieces that you know you heard but did not realize it was Copland especially the music from movies.

You may have to play the set a few times before being able to recognize the different tracks by name. The down side is many of Copland's works are outside of the date range of this collection.

Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.

Average customer rating:

EASTWOOD IS ALSO A GREAT SONGWRITER
Play Misty For Me
"Go ahead, make your day!"

Music for the Movies of Clint Eastwood

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005NOZ2
Release Date: 2001-09-11

Tracks:

Theme from Rawhide - Frankie Laine
The Good, The Bad And The Ugly - Ennio Morricone
Theme From The Outlaw Josey Wales - Jerry Fielding
Theme From Pale Rider
Claudia's Theme From 'Unforgiven'
Theme From Dirty Harry - Lalo Schifrin
Big Fran's Baby From 'A Perfect World'
Misty From 'Play Misty For Me' - Erroll Garner
Amanda's Theme From 'Tightrope'
Kate's Theme From 'Absolute Power'
Why Should I Care Instrumental Theme From 'True Crime'
Espacio From 'Space Cowboys'
Doe Eyes (Love Theme From The Bridges Of Madison County) - Lennie Niehaus/Michael Lang
Clint Eastwood, An American Filmmaker Suite, Part 1: Out Of The Shadows
Clint Eastwood, An American Filmmaker Suite, Part 2: An American Landscape
Clint Eastwood, An American Filmmaker Suite, Part 3: This I Remember - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 4: The Journey Continues...
Clint Eastwood, An American Filmmaker Suite, Part 5: Battle Royale (It's All There) - Lennie Niehaus/Joshua Redman/Ralph Moore
Clint Eastwood, An American Filmmaker Suite, Part 6: Day Dreams - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 7: The Piano Player
Clint Eastwood, An American Filmmaker Suite, Part 8: Destiny - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 9: At Peace And Play
Clint Eastwood, An American Filmmaker Suite, Part 10: I Love Jazz - Lennie Niehaus/Joshua Redman

Customer Reviews:

EASTWOOD IS ALSO A GREAT SONGWRITER.......2007-06-11

This is a "semi" career spanning CD (and the only decent one in existence) of the movie themes from some great Eastwood movies. The earlier pieces are from his days in TV and transition to movies. The more mature work with Lennie Niehaus displays Clint's artistry, no not only as an actor, award winning director, but great composer. My only complaint is the disc is missing the off-beat and totally original jazzy "Just A Closer Walk With Thee" from THE GAUNTLET.

The disc does contain his wonderful A PERFECT WORLD and THE UNFORGIVEN. Why Eastwood never won an Oscar for some of his original scores is a mystery to me. He is more celebrated as a director than as an actor only because he won more awards in that category and his acting style was known for it's low-keyed and reactionary style. But the Clint Eastwood the musician cannot be dismissed and here is that more than proves his versatility. A known jazz lover, for fans of that genre, give a listen to WHY SHOULD I CARE from "True Crime", another great Eastwood composition.

The remainder of the disc is a salute to Eastwood and his work with a heavy emphasis on the jazz.

First rate. I've been a fan since his directoral debut in PLAY MISTY FOR ME. Little did I realize what a great composer he would turn out to be.

A must for any fans as there are no single soundtacks available from his movies featuring his work.

Play Misty For Me.......2005-12-20

Nearly an hour and 20 minutes of "Music For the Movies of Clint Eastwood". What fan wouldn't be happy with this CD? 23 Tracks, and a great compilation. From the early TV days, the "Theme from Rawhide"(this was about the time I fell in love with Clint, I think I was about 8)performed by Frankie Lane, and Spaghetti Western, the "The, Good, The Bad, and The Ugly"(does anyone REALLY know the words to this one, and does it really matter?)to the romantic Doe Eyes"(the love theme from "Bridges of Madison County", the music will have you reliving the great moments from great films that just say Clint!

The first half of the album features both Clint's own works and the fabulous talented composers he has worked with. Ennio Moricone's oh so recognizable style("The Good, The Bad and the Ugly"), the moving music of Lennie Niehaus("Pale Rider"), the haunting sounds from Lalo Schfrin("Dirty Harry Theme", where you will relive Clint doing the, "Do you feel lucky punk?" speech), and some other wonderful musicians including the great Civil War and Western sounding "Theme from Outlaw Josey Wales", by Jerry Fielding, and Erroll Garner's"Play Misty For Me", a gorgeous piano rendition. Some of Clint's own works, included are "Claudia's Theme" from "Unforgiven" "Kate's Theme" from "Absolute Power", "Big Fran's Baby" from "A Perfect World", and of course the mesmerizing and above mentioned "Doe Eyes".

Second half is a 10 part instrumental suite, "Clint Eastwood, An American Filmmaker Suite". This is music composed and conducted by Lennie Niehaus for the PBS "American Masters" documentary " Eastwood: Out of the Shadows" The music tells Clint's story musically, and it flows beautifully and emotionally.It has a little of everyting, including some great jazzy numbers. The orchestration and the musicians capture the journey wonderfully. For list of all 23 track titles, see buying info. You can also listen to samples from there.

The quality of the CD is excellent. A pamphlet with some production notes, and the tracks is included. There are some great pix of Clint as well. It doesn't have ALL his films included. Hopefully the music form "Kelly's Heroes"("Burning Bridges) and "The Beguiled"(more from Lalo Schifrin) will make the sequel album!

Take it in your car and listen to it when you are stuck in traffic, and it will take you somewhere else for a while.Just say "Play Misty For Me" and hit track 8. Highly recommended for the Eastwood fan. And for those that can't get enough, I would also recommend the soundtrack to "Bridges of Madison County". One of the most romantic albums I ever heard.

"Head 'Em Up, Move 'Em On....Keep Them Doggies Rollin...Rawhide!"

Enjoy....Laurie

"Go ahead, make your day!".......2004-06-21

There's really not too much to say about this, except that any big fan of "Clint Eastwood", or at least the majority of these movies should like this. What I enjoy most are the tracks from his westerns, as they all set a nice mood, but the rest are very good as well. I can't help but think this would have been twice as good had it contained dialogue from each of these films too. Overall a great collection for the fan. After all, if there's one thing "Clint" knows about as much as his acting, it's his music.

Average customer rating:

Silly reviewers! Historical Adams
With all due respect: boring
Response to frisbee95:
A great composer with all his influences showing
Not the best Adams CD

Road Movies

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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On the Transmigration of Souls
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John Adams - Harmonielehre · The Chairman Dances · Tromba lontana · Short Ride in a Fast Machine / Sir Simon Rattle
Century Rolls
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ASIN: B0001XAO66
Release Date: 2004-05-04

Tracks:

I. Relaxed Groove - Leila Josefowicz
II. Meditative - Leila Josefowicz
II. 40% Swing - Leila Josefowicz
Hallelujah Junction
Halleujah Junction
Halleujah Junction
China Gates - Nicolas Hodges
American Berserk - Nicolas Hodges
Part 1
Part 2 (A System Of Weights And Measures)
Part 3

Amazon.com

Here is a CD of chamber works by John Adams: Road Movies is for violin and piano, Hallelujah Junction is for two pianos, and the other three works are for solo piano. China Gates, the shortest piece, is simply beautiful: 4-and-a-half minutes of lyricism. American Berserk, the other miniature, is busy, jazzy and rhythmically rich. Hallelujah Junction, for two pianos, is named for a truck stop on the California-Nevada border, but Adams was thinking more of the area's past, filled with gold prospectors. Its 16 minutes are brawny and energetic; sometimes the pianos finish one-another's phrases, sometimes they form big-boned clusters. It goes through a section of plushness before a jagged last movement---it's as varied, Adams seems to be saying, as America's personality. Road Movies begins with a tempi and attitude evocative of driving down a highway, with billboards and dotted landscapes whizzing by; one might hear in the piano part the road and its turns and in the violin, the changing but much-the-same sights. The second movement is lonelier and more severe and the third is part pure minimalism sped up to a point of mania and part boogie-woogie. The CD's longest piece, Phrygian Gates, is peaceful and moody, with moments which alternately swell and ebb; the second movement goes nowhere and seems to be concerned with a tone cluster at time, and the finale is insistent minmalism, staying close enough to its original key at all times to be comfortable while rhythmically keeping us on out toes. The performances are beyond reproach, with Leila Josefowicz and John Novacek particularly splendid in their difficult Road Moves duos, but with very high praise going to the other pianists as well. This may not be everyone's cup of tea, but Adams always catches the attention. --Robert Levine

Customer Reviews:

Silly reviewers! Historical Adams.......2006-06-14

What we have here is a hodgepodge of old and (one) new material for piano. "China Gates" and "Phrygian Gates" is actually considered to be Adam's Opus 1, so to find out that his very first mature work does not resound with the same punctuation and feeling that previously works have, like "Harmonielehre" or even the recently released "Naive and Sentimental Music," does not mean that Adams is in anyway losing his "touch" or is begin lose his creative spark. Instead, these two pieces should be listened to and enjoyed for what they represent in terms of John Adams' historical work, or the work which has gotten him to where he is today.

Similarly, "Road Movies" was composed in 1995, "Hallelujah Junction" was composed in 1996, and the newest work, "American Berzerk" was composed in 2003. "Road Movies" is actually a very soothing, contemplative work, but (true) does contain the same expressiveness felt in other works of art by Adams. "Hallelujah Junction" may be the most disappointing piece on the album, but I'm not sure that it's supposed to be taken as seriously as some Adams' fans would like to take it - such as on the level with "On The Transmigration of Souls" or "The Death of Klinghoffer." Adams himself acknowledged that "Hallelujah Junction" is the name of a truck stop on US 395 and that "it was a case of a good title needing a piece, so I obliged by composing this work for two pianos."

No, this isn't Adams' best work, but I definitely think that it surely lives up to his other greatest attempts. Plus, as an album containing solely works composed by Adams for the piano and not for orchestra, this is a nice breather and definitely an excellent addition to one's collection of piano music or for fans of Adams himself.

With all due respect: boring.......2005-02-06

I respect John Adams as a composer. He has done wonderful things, which are ultimately moving. But this CD is boring. Once you leave the violin behind, and in spite of the cute titles, all sounds pretty much the same. For those who want it, nothing more than an intellectual exercise.

Response to frisbee95:.......2004-07-09

I agree. His music is getting very stale (I actually found his violin concerto to be boring). Minimalism, which is a silly term anyway, is essentially gone. I've known the music of Reich, Glass, Adams, Riley, Young etc since the late 70's, and have interviewed and met all of them during my college years. A shame, since much of their earlier output is amazing. One of the best concerts I attended was the Chicago premiere of Harmonium, conducted by Felix Slatkin, at an outdoor Grant Park concert. Adams was there, and I had a great chat with him.

For alternatives, there is always the music of Morton Feldman (particularly the works from 1977 on, which is arguably his best), some decent work by Charlemagne Palestine (Strumming Music is still the best, in my opinion) and a few others. Not to be self-promoting, but just to show that there is recent music with repetitive structures that I think, are of value, you may want to look at http://homepage.mac.com/dtoub/dbtmusic.html for some examples. Not putting my works in the same class as any of the others, but I'd like to think there's something new and interesting about it.

A great composer with all his influences showing.......2004-05-22

What I've come to love about John Adams is the way he borrows from everybody and everything. In many ways, he's the epitome of the Post-Modern composer, because he boldly appropriates other styles and idioms and finds a way to make them his own. This new CD is a prime example of how Adams uses the old to make new. "Road Movies" is clearly the work of John Adams, but the second movement resonates so close to the 2nd movement of the Copland violin sonata that it gives me the shakes. This isn't just a quote or rip-off, but a work that honors a powerful precedent: it's almost a love song to its predecessor. "American Berserk" evokes an array of composers that Adams clearly loves, especially Nancarrow and Ives. "Hallelujah Junction" is a genuinely great tune, with inflections of Gospel and Rock piano playing thrown in to make it tasty. And while this makes my third recording of "Phrygian Gates," I can't complain, as I think it's probably the best work for piano written in the last 25 years. None of these works are "easy" to play, and they're given dynamic performances and crisp recordings, making this CD a unique pleasure.

Not the best Adams CD.......2004-05-17

I am a big fan of John Adams, he is my favourite living composer, but I feel that in recent years his work has not been up to the standard of such masterpieces as Harmonielehre, Shaker Loops, El Dorado and Phrygian Gates, one of the works recorded here (again). Phrygian Gates is the main piece on this CD and it is a brilliant piece, one of Adam's best. Rolf Hind's performance is excellent, but do we really need another recording of it? There are many recordings already available for this work, as there are for its smaller companion piece - China Gates. Of the other works on the CD only Hallelujah Junction and American Berserk are premiere recordings. Road Movies was released on a CD a couple of years ago by the California Ear Unit. Again the performance of Road Movies is excellent and the piece is quite good, especially the first movement, but it is a shadow of Adams' great works. Hallelujah Junction is the standout piece of the newer works on the CD. Its sprawling arch recalls the best of Adam's orchestral output and it has a very exciting climax recalling Weill and Lizst. Still, there's something about it that just doesn't move me like his earlier work. American Berserk is the biggest disappointment on the disk, it sounds like a piece that Adams just threw off in a few minutes from a scale formula.
I am very worried about Adam's recent output, is he losing his genius I wonder? Having heard concert performances of some of his more recent, as yet unrecorded orchestral works, such as My Father Knew Charles Ives, Guide To Strange Places and On The Transmigration of Souls, I have been unmoved by them and felt they were only reasonably good at best. All these orchestral pieces and the newer chamber works have their moments, but a work like Harmonielehre is a full 40 minutes of brilliance, something Adam's hasn't achieved in a long time. Naive and Sentimental Music comes close though. I remain optimistic and eagerly await the UK premiere of his new electric violin concerto The Dharma at Big Sur at the Proms this year. Overall though, I'm disappointed with his recent output and disappointed by this CD. I don't think it was really necessary to rerecord the pieces already recorded and there are enough new orchestral pieces that could have merited inclusion on this CD. With Adam's seemingly running out of ideas, and Reich and Glass doing the same kind of music they have done since the 80's, I fear for the future of post-minimalist music. Who can take over from them now that they appear to be stuck in ruts? Michael Torke is interesting but a bit too bland most of the time, Michael Gordon can be very exciting but a bit too weird at times. Where pray is the next great composer in this tradition sprung from minimalism? I think we may have to look to the outskirts of Europe or Africa or Asia to find someone genuinely new and interesting working along the same lines. For now though we'll have to be content with Adam's pastiches, Glass' Hollywood film scores and Reich's uninspiring multimedia work, which although inventive from a multimedia point of view, doesn't actually do anything new or interesting musically. If anyone can point me in the direction of someone new and exciting out there I'd be grateful!

Average customer rating:

The barest glimpse of John Williams
Maybe it'll grow on me
Very Good!!!
disappointing
Williams' Winning Style Captures Film Scores

John Williams Plays the Movies

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000029W8
Release Date: 1997-04-01

Tracks:

Kiss From A Rose (Batman Forever)
Everything I Do (Robin Hood)
Unchained Melody (Ghost)
Love Is All Around (Four Weddings And A Funeral)
The Godfather
Moon River (Breakfast At Tiffany's)
The Wizard Of OZ
The Mission
Cavatina (The Deer Hunter)
As Time Goes By (Casablanca)
I Will Wait For You (Les Parapluies de Cherbourg)
It Had To Be You (When Harry Met Sally)
Calling You (Bagdad Cafe)
The Entertainer (The Sting)
Il Postino
Once Upon A Time In America
Once Upon A Time In The West
Schindler's List

Customer Reviews:

The barest glimpse of John Williams.......2006-08-15

John Williams is one of the world's best guitarists, but you'd never know it by listening to this album. He basically plucks out the melody. I think I hear more complex playing in the background, but if that's what it is, it's mixed so as to be barely audible. On the other hand, it's very nice background music. I hope brisk sales support Williams' more serious efforts.

Maybe it'll grow on me.......2004-07-28

If I were not a guitarist myself, I would find this collection very very charming. Certainly the selections are beautiful, and Williams is renowned for one of them: Stanley Myers' "Cavatina" from THE DEER HUNTER. It's just that for me this recording does virtually nothing for either the guitar or the lovely pieces selected for this rather peculiar alteration. I'm just not sure that this kind of project, where a virtuoso SOLOIST is brought in to ACCOMPANY an orchestra (Perlman and Yo-Yo Ma have done similar recordings) is a winner; not even five percent of Williams' prodigious technique is anywhere to be heard and he just sounds so irrelevant. (I'd usually expect to hear this kind of thing from Liona Boyd.) That being acknowledged though, the melodies ARE perfectly lovely and Mr. Williams HAS throughout his great career done many brilliant recordings of dense and difficult music that leave one's mouth agape. I suppose he's earned this little vacation.

Very Good!!!.......2002-09-15

I like this CD very much, I have looked for it for 5 years since I listened its MP3, I got it now, thanks!

disappointing.......2001-04-24

While this album is pleasant enough, it is more orchestra music than classical guitar. John Williams is a great classical guitarist, but the guitar part on this album could have been played by any competent guitarist. If you want nice background music, this album is ok. If you want classical guitar music, look elsewhere.

Williams' Winning Style Captures Film Scores.......2000-08-25

If you like film music, this CD is for you; if you like guitar music, this CD is for you. John Williams brings his guitar virtuosity to bear masterfully on the scores of a number of popular films, which span a period of 60 years.

Tracks:

A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
Nunsense: I Just Want To Be A Star - Christine Anderson
Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
The Madwoman Of Central Park: Better - Phyllis Newman
Greenwillow: Never Will I Marry - Anthony Perkins
Song Of Singapore: I Can't Remember - Loretta Swit & Company
Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
Tenderloin: Artificial Flowers - Patrick Wilson
State Fair: Driving At Night/Our State Fair - Company
Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
The Green Bird: O Foolish Heart - Company
Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
Snoopy!!!: Poor Sweet Baby - Pamela Myers
SeesawNobody Does It Like Me - Michele Lee
March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
Lunch: Perfectly Alone - Carol Burnett
3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
Godspell: All Good Gifts - Sal Sabella & Company
The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

Track Listings:

Track Listings

track listings

Track Listings

Five Day Week Straw People

Great European Organs 43

Live in Japan [Live]

Complete Recordings [Import]

Motor Like a Mother

Leavin' Won't Be Easy

In London: Arranged & Conducted by Johnny Keating [Import]

Frye: Missa Flos Regalis, Motets, Songs - Hilliard Ensemble

If I Showed You

Jazzmen Detroit [Import] [Original recording remastered]

I Can Hear the Heart Beating as One

Field Recordings: Kingdom of the Sun [Import]

El Telegrama

Long Drink of the Blues

Dragon Fly

1. Importance of Being Earnest
2. Curse of the Werewolf
3. Night of the Lguana: Prelude
4. Night of the Lguana: Mexican Washer Women
5. Night of the Lguana: The Letter
6. Night of the Lguana: Shannon Shanghaies the Couch
7. Night of the Lguana: Hannah and Shannon Theme
8. Night of the Lguana: A Personal View
9. Night of the Lguana: Shannon's Way Out
10. Night of the Lguana: Shannon's Long Swim
11. Night of the Lguana: The Iguana Is Released
12. Night of the Lguana: Maxine and Shannon Theme (Finale)
13. Trottie True: Gaiety Galop
14. Trottie True: The Balloon Toon
15. Trottie True: Trottie's Romance
16. Trottie True: The Life and Times of a Gaiety Girl
17. Trottie True: A Most Attractive Bounder
18. Trottie True: Trottie True Trot
19. Years Between: Lullaby
20. Footsteps in the Fog: Prelufe- The Lily Watkins Theme