Orff: Carmina Burana [Import]
Track Listings
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1. Fortuna Imperatrix Mundi
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Orff: Carmina Burana, Music, Dessay, Hampson, Lessne, Plasson, Orchestre Du Capitole De Toulouse, Carl Orff, Michel Plasson, Classical
Average customer rating:
- Splendid !
- It is the best... but it isn't
- This is what it was supposed to sound like
- Music to my ears...
- Not the Best Version by a Longshot
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Carl Orff: Carmina Burana
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001GQP
Release Date: 1996-05-14 |
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Amazon.com
Yes, here it is folks--that irritatingly catchy chorus you first heard in the film Excalibur, or as the background music to the HBO Boxing Specials, and in zillions of other places. What it's not is the music from The Omen, which it clearly inspired. All pieces of music that feature choruses chanting in Latin are not the same (in fact, Stravinsky's Symphony of Psalms is much closer to The Omen than this). Orff actually wrote a lot more music, but here's a case where his reputation as a "one work" composer really is justified, for nothing else comes close in musical or popular appeal. This performance was authorized by the composer himself, and that's recommendation enough. --David Hurwitz
Customer Reviews:
Splendid !.......2007-06-27
It's definitively the best adaptation of Carl Orff's masterpiece with astonishing vocal parts.Surely a "must have" CD for everyone who loves classical music at his best.
It is the best... but it isn't.......2007-06-08
A confusing review title, I'll grant that. And if it is the best, the why isn't it, and why only 3 stars?
For me, Eugen Jochum's rendition of Carmina Burana is easily the best one. Approved by Orff himself that was invited to assist the premiere. Unlike several other performances, this Carmina Burana was raw, even violent at times. All the energy that Orff had put into it, all the joy and jokes of the text where lived by the performers. There was no worry on softening the sound in order to look more "polite" or classical. It was raw, it was energic, it was Orff's intention live on stage. That's why it is said Orff was so pleased with it.
However, some people criticized it. Said it was too violent, too unprofessional, too raw after all. That it was not a proper classical music interpretation. It lacked detail, politeness and "education". After all, it was just not "proper" to play classical music "like that". It is a stigma this performance has suffered for years, regardlessly of being the composer's approved one.
When I got this new DG release something sounded different. The sound was perhaps cleaner, but surely something was wrong. And it was easy to find out what. The remastering altered the original, by softening it. It was now slightly slower, more polite, there is not so much violence in the voices sometimes, nor in some of the instruments. DG tried to please everybody with this re-release, including the critics of the original 1988 release, the one faithful to the original performance.
So, that explains the title, it is the best performance, but not the best edition, as it has been remastered, and, in my humble opinion, adulterated.
For me, the best one overall: best performance and best edition is still the 1988 release of this same recording also by DG and available here at amazon called Orff: Carmina Burana.
This is what it was supposed to sound like.......2006-10-16
Maybe just like most other people, I heard bits of the first piece of "Carmina Burana" - I think it was as part of a chocolate commercial (back in Germany). When I saw that that was actually the very first piece, I wondered what could possibly come after that, and I did a bit of research into what the music was all about. The result of that search made it all the more interesting: It's medival poems and songs, partly in Latin, partly in old German, set to the music of Carl Orff.
I went through a bunch of other recordings of "Carmina Burana" until I finally found this one. This one is the best. I mean you can complain about aspects of it, but with the composer working with the conductor it's a bit hard to say anything meaninful. If you don't like the way this sounds then maybe you just don't like the full piece. For example, I've seen people praise other recordings because they sounded "less teutonic". That's quite a ridiculous comment - after all, that's what it's supposed to sound like. And it's Latin (or old German) and that's just what Latin sounds like.
So I can only recommend this recording, it's quite impressive, and it's quite heavy in the percussion - make sure to listen to it loud at least once.
Music to my ears..........2006-06-25
Great CD, great price, fast delivery -- what more is there?
Not the Best Version by a Longshot.......2006-05-13
I have six different recordings of this masterpiece, and this particular recording is probably my least favourite of them all. It's jarring to hear sprightly passages played too slowly, making them seem to plod along -- and it's even worse to hear sensuous and languid portions like "Cour D'Amours" and "Uf Dem Anger" played too quickly, as if they were all in a hurry to get home. It ruins the effect completely.
And Dietrich Fischer-Dieskau? I actually winced, hearing him in his solo passages, where he's supposed to sound impassioned and suffering, to hear him warbling away like he thought he was singing lieder. Sorry, no. If you want to hear how it all SHOULD sound, buy the CD with Charles Dutoit conducting the Orchestre Symphonique de Montreal, which is the finest version I've ever heard -- the best use of tempo, the best diction, and the best soloists by far.
And PLEASE, let's get something straight: "Carmina" does NOT rhyme with "Christina", it rhymes with "stamina". "Carmen" is a second-declension neuter noun in Latin, as is "stamen", and in the nominative plural, the stress falls on the first syllable. It's CAR-min-a, not car-MEE-na. It makes my hair stand on end to hear someone pronounce it like they think the "-ina" is an Italian diminutive ending, like in "manina". It is NOT.
[ADDED LATER: How pathetic that so many people have thought my review was "not helpful". Did they expect lies and smiley faces? They probably went right ahead and wasted their money anyway. I tried to warn them. Chances are, though, they have no idea what the lyrics mean, so it won't matter to them that Dietrich F.-D. sings them like he doesn't know what they mean either.
I even hope they will also ignore my correction of the frequent mispronunciation of the title, because it can be quite hilarious to hear pseudo-sophisticates mangling pronunciations and thus announcing to the world that they really don't have a clue.]
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
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Classical Music for People Who Hate Classical Music
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Release Date: 1994-06-09 |
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Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- Sound quality VERY poor
- Great music, poor mixing
- Gotta love the brassy brass...
- Carmina Burana
- Medieval Poetry
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Orff: Carmina Burana
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00001ZSXC
Release Date: 1999-10-19 |
Tracks:
- Carmina Burana: Fortuna Imperatrix Mundi: I. O Fortuna
- Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera
- Carmina Burana: III. Veris leta facies
- Carmina Burana: IV. Omnia Sol temperat
- Carmina Burana: V. Ecce gratum
- Carmina Burana: VI. Tanz
- Carmina Burana: VII. Floret silva nobilis
- Carmina Burana: VIII. Chramer, gip die varwe mir
- Carmina Burana: IX. Reie
- Carmina Burana: X. Were diu werlt alle min
- Carmina Burana: XI. Estuans interius
- Carmina Burana: XII. Olim lacus colueram
- Carmina Burana: XIII. Ego sum abbas
- Carmina Burana: XIV. In taberna quando sumus
- Carmina Burana: XV. Amor volat undique
- Carmina Burana: XVI. Dies, nox et omnia
- Carmina Burana: XVII. Stetit puella
- Carmina Burana: XVIII. Circa mea pectora
- Carmina Burana: XIX. Si puer cum puellula
- Carmina Burana: XX. Veni, Venivenias
- Carmina Burana: XXI. In trutina
- Carmina Burana: XXII. Tempus est iocundum
- Carmina Burana: XXIII. Dulcissime Blanziflor Et Helena
- Carmina Burana: XXIV. Ave formosissima
- Carmina Burana: XXV. O Fortuna
Amazon.com essential recording
At first glance, this doesn't seem like conductor Riccardo Muti's cup of tea. It's a work without many subtleties, one that seems to need a policeman more than an interpreter. But Muti lets it rip--the joyous moments are superb, the mock-sentimental moments charming, changes in rhythm properly jarring, and the energy level very high. Soprano Arleen Auger almost makes her high-flying part seem simple. Warning: The louds are very loud. --Robert Levine
Customer Reviews:
Sound quality VERY poor.......2007-05-22
Like a lot of reviewers I find the difference in sound volume between the tracks and even in the tracks themslves to be extremely annoying and cannot believe that a professional sound engineer actually produced this CD.
We have to put the volume up to ear-bleeding levels just to hear the loud parts - the quiet sections are inaudible.
Full Disclosure: We bought this CD even after reading the other negative reviews because we thought people were being overly picky or were true audiophiles (which we're defintely NOT) but DO NOT BUY this recording if you'd like to actually listen to the music.
Great music, poor mixing.......2007-03-23
I can't complain about the music and the musicians were fine but the sound quality of this recording is terrible. The quiter peices cannot be heard without drastically increasing the volume and then a louder piece, like "O Fortuna" comes on and blasts ones eardrums out.
Gotta love the brassy brass..........2007-03-16
Although the choir really isn't the greatest in this recording, Muti's tempi and the brashness of the orchestra are absolutely enchanting. Auger's soprano was MADE for these solos, and it's just a fun recording and a must-have for any Carmina lover.
Carmina Burana .......2007-01-28
I listen to this CD at least once a day while I am cooking...it's great.
Medieval Poetry.......2007-01-18
I was introduced to this music genre while attending a "Trans Siberian Orchestra" concert a couple years ago, listening to it on home or car stereo pales to having heard it performed live, WOW!. It's an awesome compilation of music from poetry, masterfully done by Carl Orff,
Average customer rating:
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Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00012QLTQ
Release Date: 2003-12-09 |
Album Description
Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.
Customer Reviews:
A good gift for novice.......2007-05-12
This was a good gift for somebody learning about Classical music in Japan.
Average customer rating:
- The best of the best.
- Beautiful and creamy voice
- Renee Fleming;THE BEAUTIFUL VOICE
- The most gorgeous soprano voice I've ever heard
- Wow!!!
|
Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Gustave Charpentier , Charles Gounod , Jules Massenet , Antonin Dvorak , Friedrich von Flotow , Giacomo Puccini , Erich Wolfgang Korngold , Carl Orff , Richard Strauss , Sergey Rachmaninov , Johann II Strauss , Franz Lehar , Jose Maria Cano , Marie-Joseph Canteloube , Jeffrey Tate , Sir Charles Mackerras , Renée Fleming , English Chamber Orchestra , Osian Ellis , London Voices , and Clive Greensmith
Manufacturer: Decca
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Similar Items:
- Renée Fleming
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- Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti
- Sacred Songs
- Handel
ASIN: B0000042I6
Release Date: 1998-02-10 |
Tracks:
- Louise (Acte 3): Depuis le jour ou je me suis donnee
- Faust (Acte 3 - Air des bijoux): O Dieu! que de bijous!... Ah! Je ris de me voir si belle (Air des bijoux - Jewel Song)
- Manon (Acte 3): Je marche sur tous les chemins... Obeissons... Profitons bien de la jeunesse (Gavotte)
- Gypsy Melodies, Op. 55 B104 No. 4: Songs My Mother Taught Me
- Martha (Act 2 - No. 8 The Last Rose): 'Tis The Last Rose Of Summer
- La rondine (Act 1): Chi il bel sogno di Doretta
- Die tote Stadt (Act 1 - Mariettas Lied): Gluck, das mir verblieb
- Carmina Burana (No. 21): In trutina
- Vier Lieder, Op. 27 No. 4: Morgen!
- Vocalise, Op. 34 No. 14: Vocalise
- Die Fiedermaus (Act 2 - Csardas): Klange der Heimat (Csardas)
- Die lustige Witwe (Act 2 - Vilja-Lied): Es lebt' eine Vilja (Vilja-Lied)
- LUNA: Epilogo
- Chants d'Auvergne, Series 1: Bailero
Amazon.com essential recording
This vocal recital certainly lives up to its title, perhaps too well. It's a collection of arias and songs Fleming has sung for years that for some may be too much frosting and not enough cake. Surely, her performances are rich with interpretive nuances, wonder-filled portamentos and word colorings that reflect a long history with this repertoire, which ranges from Charpentier's "Depuis le jour" to Rachmaninoff's "Vocalise." Some may find Fleming a bit much, but agree with her or not, she's far more interesting than singers who keep a safe, discreet distance from the music. --David Patrick Stearns
Customer Reviews:
The best of the best........2007-04-11
I've given away at least a dozen copies of this CD. I'm running low, so I just refilled the stash. For people who haven't discovered Renee Fleming or who think they don't care for opera, this CD is the best possible way to blow down the walls. If you think there's nothing new to be heard in these old arias, you owe it to yourself to find out how wrong you can be.
Beautiful and creamy voice.......2006-02-28
I like so much Ren?e Fleming and this is special cd !
Renee Fleming;THE BEAUTIFUL VOICE.......2006-01-30
IT'S A FINE RECORDING THAT OFFERS A VARIETY OF SELECTIONS FROM OPERA, OPERETTAS AND FOLK SONGS, ALL WITH FLEMING AT HER BEST.
The most gorgeous soprano voice I've ever heard.......2006-01-02
I am a 19-year-old voice student at the University of Central Arkansas and I came across Renee by way of a soprano in my voice studio. She said it was her favorite soprano and that I should give her a listen. I was a little hesistant because I'm a baritone and my voice teacher told me that I should listen to men, but I just want to hear it all. So this past summer I first bought Renee's self-titled album with all of the lolipop arias on it and I was just amazed, not just because of how good she is but how easy she is to listen to. I loved her voice immediately. From the the moment the first tone passed through her throat on Puccini's "O Mio Babbino Caro." So I had to hear more. The Beautiful Voice is even better. It wasn't as easy to listen to at first because some of the songs on this album are not as famous as those on the other one, but these songs are all gems. The Korngold with the pianissimi B flats is my personal favorite. Even my mother who screams at me to turn down that "noise" when I listen to opera cds has grown to be quite fond of Renee Fleming. Sometimes her interpretations can be over the top, but the voice is beyond spectacular. It pours out like melted butter. It's vibrant, rich, expressive, free and always perfectly in tune. There is no hint of strain from any sound emitted from her body. She will undoubtedly be remembered like Callas & Sutherland and all the other great soprano voices before her. Not for the dramatic intensity of Callas or the coloratura & technical ease of Sutherland, but for the sheer unspeakable beauty of her voice. This is a must have for any vocalist seriously dedicated to classical training.
Wow!!!.......2005-09-28
This album is the album that introduced me to Renee Fleming. Every selection on this recording is a gem. Her voice is so gorgeous and her technique is so solid. I love her voice so much, her interpretations of J. Strauss, Jr.'s Csardas is incredible and Puccini's Chi il bel sogno di Doretta makes me cry everytime I listen to it. She is a true American treasure. Brava Renee!!!
Average customer rating:
- Loved "Summon the Heroes"
- Inspirational music during awards
- Rousing but....
- Enjoyable romp through Olympic Themes
- One of the most uplifting and motivating albums!!!
|
Summon the Heroes
Manufacturer: Sony
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Similar Items:
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ASIN: B00004WK4E
Release Date: 2000-08-29 |
Tracks:
- Summon The Heroes - John Williams/Boston Pops Orchestra
- Carmina Burana: O Fortuna - Tanglewood Festival Chorus/John Oliver
- Bugler's Dream/Olympic Fanfare And Theme - John Williams/Boston Pops Orchestra
- Canto Olympico: Ode To Zeus - Tanglewood Festival Chorus/John Oliver
- Javelin - John Williams/Boston Pops Orchestra
- Olympic Hymn - Tanglewood Festival Chorus/John Oliver
- Festive Overture, Op.96 - John Williams/Boston Pops Orchestra
- Conquest Of Paradise (Theme) - Tanglewood Festival Chorus/John Oliver
- Ben Hur: Parade Of Charioteers - John Williams/Boston Pops Orchestra
- Toward A New Life - John Williams/Boston Pops Orchestra
- Chariots of Fire (Theme) - John Williams/Boston Pops Orchestra
- The Olympic Spirit - John Williams/Boston Pops Orchestra
Customer Reviews:
Loved "Summon the Heroes".......2007-03-17
Great soul-stirring music! Highly recommended for anyone who loves Olympics orchestral and similar music.
Inspirational music during awards.......2007-01-22
I use the music on this CD as background when I give awards during track. It's very inspirational & uplifting to the athletes. They love it.
Rousing but...........2006-02-24
This CD, with John Williams at the baton, summons the heroes in a rousing manner with a wide range of Olympic as well as "heroic" (e.g., "Parade of the Charioteers" from "Ben Hur")selections. Three of the twelve tracks were written by Williams himself with his "Olympic Spirit" being recorded for the first time. The electrifying "Ode to Zeus" by Mikis Theodorakis is probably the single greatest selection.
In an amazing oversight, however, this CD does not include the Olympic Theme.
Enjoyable romp through Olympic Themes.......2005-09-01
In the US at least, John Williams is known more for his movie scores (Star Wars and Raiders of the Lost Ark to name a few), but he has put his stamp on the Olympics with his several themes and fanfares for the Olympics. Dating back to 1984, Mr. Williams has composed many well known fanfares to the Olympics, and this compilation contains several of his fanfares in addition to music used in other Olympics. The original release for the disc was 1996, which makes it current through the Atlanta Games; if you're looking for the work that John Williams composed for the Salt Lake City Winter Olympics (2002), you have to go with American Visions (I believe that's the title).
On the whole, the music is well done, but I'm more used to the faster pace of the Parade of the Charioteers found on Eric Kunzel and the Cincinnati Pops' Hollywood's Greatest Hits Vol. 1.
One other quibble (minor, really) is that people tend to think of the 1984 Olympic Fanfare as being always merged with the traditional Olympic Fanfare, but you can find it separately on By Request by John Williams and the Boston Pops. You'll also have to hunt around for the full composition of what people consider the traditional Olympic Fanfare on another disc, but that's a minor issue.
One nice item on the disc is The Olympic Spirit, which was composed for the NBC Broadcast of the 1988 Olympics in Seoul, but never used. My children really like that piece a lot, and usually request it to be replayed when it finishes.
One of the most uplifting and motivating albums!!!.......2005-07-19
When I first listened to this album, I was in awe of the beauty and grandness of the music composed/performed by John Williams. John can make composing music an exalted art. His music is purely genius and captures the ideas of the album in which the score is in. Back to the album . . . it is AWESOME! This includes many well-known songs but also many undiscovered treasures. Of the twelve songs, I especially enjoyed:
Track One-Summon the Heroes
Track Three-Bugler's Dream/Olympic Fanfare and Theme
Track Twelve-The Olympic Spirit
Bottom Line: BUY THIS ALBUM!!!!!!!! A TREASURE!!!!!
Average customer rating:
- Not my cup of tea
- Brilliant
- Medieval and modern bash heads beautifully ...
- The best alternative to Jochum
- Simply the best Carmina
|
Orff: Carmina Burana
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001G5X
Release Date: 1990-10-25 |
Tracks:
- Fortuna Imperatrix Mundi: O Fortuna
- Fortuna Imperatrix Mundi: Fortune plango vulnera
- I Primo Vere: Veris leta facies
- I Primo Vere: Omnia Sol temperat
- I Primo Vere: Ecce gratum
- Uf dem Anger: Tanz
- Uf dem Anger: Floret silva
- Uf dem Anger: Chramer, gip die varwe mir
- Uf dem Anger: Reie Swaz hie gat umbe Chume, chum, geselle min! Swaz hie gat umbe
- Uf dem Anger: Were diu werlt alle min
- II In Taberna: Estuans interius
- II In Taberna: Olim lacus colueram
- II In Taberna: Ego sum abbas
- II In Taberna: In taberna quando sumus
- III Cour d'amours: Amor volat undique
- III Cour d'amours: Dies, nox et omnia
- III Cour d'amours: Stetit puella
- III Cour d'amours: Circa mea pectora
- III Cour d'amours: Si puer cum puellula
- III Cour d'amours: Veni, veni, venias
- III Cour d'amours: In trutina
- III Cour d'amours: Tempus est iocundum
- III Cour d'amours: Dulcissime
- Blanziflor et Helena: Ave formosissima
- Fortuna Imperatrix Mundi: O Fortuna
Customer Reviews:
Not my cup of tea.......2007-02-18
Maybe I am not ready to appreciate this, but for the moment, this cd is just awful to my ears. Sorry for the die hard fans.
Brilliant.......2007-01-12
Joseph's Levine's production of Carmina Burana is brilliant. Although most everyone will recognize O Fortuna from "Excalibur" or other Hollywood fare, there is a tremendous depth and power in all of this masterpiece.
Medieval and modern bash heads beautifully ..........2006-01-09
Carl Orff may not have attained "household name" status, but the dazzling "Carmina Burana" has become a staple in the modern classical music repertory. The work has appeared in so many concert halls, recordings, movies, television spots, rock concerts, and presentations that it may rank as one of the twentieth century's most famous classical pieces. And this CD presents a great recording of Orff's most famous work.
But "Carmina Burana" doesn't always sound like twentieth century music. "O Fortuna", the blaring ominous opener, sounds like a blend of classical, medieval, and modern. And the themes of fortune, Spring, Love (and lust), and drinking sound anything but modern. The latin text doubtless lends a large part of the medieval flavor, but German also appears throughout the song cycle.
The text comes from a now famous 11th-13th century collection of some 1,000 poems and songs. Historians believe that the "goliards" (wandering freethinking poets) composed these poems, which laid undiscovered until 1803. In the 1930s these secular and sometimes bawdy songs caught the attention of the very Roman Catholic Orff. "Carmina Burana" premiered in Nazi Germany in 1937 to great acclaim (though some found it "degenerate"). Initially written as accompaniment for elaborate theater stagings, the work usually gets performed in concert halls without the visuals. The music definitely warrants such a performance. It stands completely on its own; ranging from the inexorably powerful to the delicate and lovely. Orff pulled out all the stops when he composed this incredible music.
"O Fortuna" remains justifiably famous with its riveting rhythms and staccato chorus. This tune bookends the entire song collection, suggesting that the work as a whole deals with the ineffable viscissitudes of life. Next, Spring arrives and brings with it dancing (track 6 will get any feet moving), drinking, and the pursuit of sensual pleasures. Though some gain from this happiness, some wallow in misery. "Olim lacus colueram" ("Once I Lived On Lakes") tells a ghastly story from the point of view of a swan roasting on a spit. The tenor solo sings with the perfect amount of agony as the music provides appropriately horrifying accompaniment. "Floret silva nobilis" ("The Noble Woods are Burgeoning") finds a lover bemoaning the parting of her lover. The music punctuates her woe with horse hoof beats fading into the distance. Woes of Fortune and the changes brought with springtime provide the thematic structure for the songs. In the end, the refrain of "O Fortuna" provides a reminder that our pleasures and our misery remain fleeting and subject to the wiles of fortune. Thematically, the piece is timeless.
James Levine and the Chicago Symphony Chorus and Orchestra pull off quite a performance on this CD. Anyone looking for a solid straight through recording of this famous work will find it here. The CD booklet doesn't give much information on Orff or on the work, but it does contain all of the lyrics in Latin/German and English. Regardless, the music prevails and this recording will not disappoint.
The best alternative to Jochum.......2005-08-08
While Eugen Jochum's definitive recording of Carl Orff's Carmina Burana concentrated on a rustic, unrefined presentation of the miraculous choral hodgepodge, James Levine's modern, Grammy Award-winning 1984 recording gives the hypnotic work a smooth, meticulous treatment. Levine, a notoriously "glossy" conductor, is in excellent form here, taking the twenty-five mini-masterpieces that comprise the work somewhat slower than Jochum with three of the best soloists ever to be recorded.
The Chicago Symphony Orchestra and Chorus are in terrific order. The choral selections (the primitive "Fortune plango vulnera," the jovial "Ecce gratum," the appropriately flowery "Floret silva," and, of course, the calamitous "O Fortuna!") are presented with almost perfect accuracy and calculation. The pacing is only occasionally disappointing; the Tanz, which contains excellently elaborate percussive sections, is taken too quickly and most of the rich subtleties are lost.
Philip Creech's rendition of the song of the roasting swan, "Olim lacus colueram," is a hilarious and slightly disturbing instance of petrified and bizarre caterwauling. Bernd Weikl, a rather rough-hewn baritone-bass, is a somewhat unsteady but altogether satisfying choice for the baritone soloist. "Ego sum abbas" is definitely his best moment; it is presented accusingly and voraciously, easily juxtaposed to the supercilious ravings and fire-and-brimstone-preaching of a Biblical prophet. June Anderson is simply a treasure as the soprano soloist. Gundula Janowitz, the Jochum soprano, has a less dense, more ethereal voice, which was more fitting for the orgiastic "Stetit puella." However, due to one of Levine's more inspired (and slow) moments, Anderson is able to uncover some of the solo's most invigorating and atmospheric subtleties. She also survives "Dulcissime," a brief but extraordinarily tiring piece that causes most sopranos to languish.
Simply the best Carmina .......2005-05-03
When I bought this CD, I expected a beautiful, powerful, austere, haunting, loud piece all rolled into one CD. The CSO, bless their hearts, obliged me here. The brass, as usual are painstakingly precise( as is the chorus when the score calls for staccato passages such as the pianissiomo section on the first track)as seen in tracks such as track 10, the last part of Uf dem Anger. Of course I cannot diminish the other parts of the orchestra but my mind often freezes up when doing these reviews because I have so much I want to say and don't want you to think I'm a babbling idiot. Anyway, really, the only detraction to this recording is the tenor, Creech I believe it is. I find his sqawking irritating( I am speaking specifically of the Roasted Swan Song). I cannot attest to whether that's what Orff actually wanted as another critic here suggests. If that is what Orff wanted, then shame on him. Regardless of that minor flaw, the disc is a proud testament to what happens when Levine meets the CSO.
Average customer rating:
- perfect selection for commencement/ graduation
- Great Starting Point for Classical Music Novices
- **An Exquisite Album**
- Samples
- Great Sampler!
|
Simply the Best Classical Anthems
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ASIN: B00004SUVI
Release Date: 2000-04-25 |
Tracks:
- Requiem: Dies Irae
- Carmina Burana: O Fortuna
- The Planets: Mars
- The Ride Of The Valkyries
- Chorus Of The Hebrew Slaves
- Fanfare For The Common Man
- Pomp And Circumstance March No. 1
- Aida: Grand March
- Summer - Four Seasons: Presto
- Te Deum: Prelude
- The Young Person's Guide To The Orchestra
- Toccata And Fugue In D Minor
- Symphony No. 5: First Movement
- Spartacus: Adagio
- Sabre Dance
- Symphony No. 40: First Movement
- Zadok The Priest
- Turandot: Nessun Dorma
Tracks:
- Also Sprach Zarathoustra
- Romeo And Juliet: Dance Of The Knights
- Requiem: Dies Irae
- 1812 Overture
- Piano Concerto
- Spring - Four Seasons: Allegro
- Messiah: Hallelujah Chorus
- The Royal Fireworks: La Ruissance From Music
- Flight Of The Bumble Bee
- Symphonie Fantastique: March To The Scaffold
- Carmen: Overture
- Eine Kleine Nachtmusik
- Jerusalem
- The Planets: Jupiter
- Symphony No 9, 'Ode To Joy'
- Swan Lake: Scene
- Enigma Variations: Nimrod
- Rhapsody On A Theme Of Paganini [Variation 18]
- Pictures At An Exibitions: Promenade
- Symphony For Organ No 3: Finale, Symphony For Organ No 3
Customer Reviews:
perfect selection for commencement/ graduation.......2007-06-11
We were concerned after reading some other reviews that this version of Pomp and Circumstance wouldn't be the correct movement or the full length version. This selection has the song for graduation AND the extended length, so it gives plenty of time for processionals. If this is what you need, this is the CD to get.
Great Starting Point for Classical Music Novices.......2004-08-13
"Simply the Best Classicial Anthems" is exactly what the title indicates. This is a collection of what the CD says are "36 of the most powerful classics on Earth". My review of this CD comes from someone who is a Classical Music Novice. I'm familiar with some of the composers, musical styles, musical periods, and some of the terminology that is key to understanding Classical Music. By no means am I an expert. I have basically popped in this two CD collection into my player and have enjoyed the sounds it produces. If you are in the same category as I am or maybe just wanting to be introduced to Classical Music - this is going to be a very good CD to have in your collection. For the more seasoned Classical Music fan, this could be either enjoyable or overkill.
The CD contains 36 songs composed by the legends of Classical Music Composers from the past. The bulk of the works come from Composers in the the 19th and 20th century, but there are works from the Romantic and Classical eras of the late 18th and early 19th century (such as Beethoven and Mozart). In general you will find most of the major names of Composers you would expect to find - names such as Tchiakovsky, Handel, Verdi, Strauss, Elgar, and Bach are all there. The only major composer who I would have expected to see on this CD that I don't see is Frederic Chopin. The composers of the late 20th century are not included on this collection - so you won't see Leonard Bernstein or John Williams on this set. While these Composers are excellent, I do think style of the tracks on this collection pre-date their style.
The recordings themselves are done by the great Orchestras around the world. For the most part, European Orchestras were used to deliver the tracks. There are a few exceptions: The Chicago Symphony Orchestra delivers "The Ride of the Valkyries"; The Toronto Symphony Orchestra delivers "Dance of the Knights"; and the Israel Philharmonic Orchestra delivers Tchaikovsky's "1812 Overture". Some of the European Orchestras that are well known include: BBC Symphony Orchestra, London Philharmonic, Bolshoi Symphony Orchestra, Choeur Philhamonique de Strasbourg, and more. Also included are performances by well known names in the Classical space such as Marie-Claire Alain (Bach's "Toccate and Fogue in D Minor" and Saint-Saens' "Symphony for Organ No 3"), Piero Toso (Vivaldi's "Allegro From Spring - Four Seasons"), and Placido Domingo appears on Puccini's "Nessun Dorma".
The 2 Disc collection contains a total of over 2 hours and 6 minutes of music. The selections that are included in the set will sound very familiar to you when you play them. You probably have both heard and seen the names of tracks such as: Oref's "O Fortuna"; Copland's "Fanfare for the Common Man"; Beethoven's "First Movement from Symphony Number 5" and "Ode To Joy"; Elgar's "Pomp and Circumstance", and Tchaikovsky's "1812 Overture". Many of the other tracks will also sound familiar, but maybe not so much by name - such as Wagner's "The Ride of the Valkyries", Strauss' Also Sprach Zarathoustra"; Grieg's "Piano Concerto", and "Dies Irae" (versions included by Mozart and Verdi - you can compare the two and judge for yourself). As for the Discs themselves, I think most of the casual fans will like the selections on Disc Two better, but Disc One is still very good. On a sidebar, the Israel Philharmonic's version of "1812 Overture" is by far the best you will hear - particularly at the end, the booming drums create almost a 3 dimensional vision of fireworks being launched into the air.
There one big negative on this collection is some of the recording quality. The clarity of the recording is there, but some of the recording levels leave a lot to be desired. On some of the softer parts, it is barely audible without significantly turning up your volume. This is very evident on "O Fortuna" where you will hear almost dead silence during from the 30 second to 1:30 mark of the track unless you crank your volume up. Same with the first few seconds of Strauss' "Also Sprach Zarathoustra" and Tchiakovsky's "1812 Overture". When the volume is cranked up you will hear them - but then the other sections will be way too loud. I'm surprised with modern technology that this couldn't be addressed better.
The liner notes are pretty thin. You do get the Composers, Performers/Orchestras, and recording dates. There isn't any more details than that and you won't learn anymore insight on the tracks than this information. Despite some of the shortcomings of the liner notes and recording volume, I still think this is an excellent place to start and do recommend this CD if you are a novice to Classical Music and are looking for a great place to start listening to what the Classics have to offer.
**An Exquisite Album**.......2004-02-21
Simply The Best Classical Anthems
Simply The Best Classical Anthems is a compilation album of `36 of the most powerful Anthems on Earth'. But, it is also said to be something else. It is said to be a gateway. A gateway to another world. A world where our imagination can run free without being shackled down by any borders or boundaries or rules or limits. A world that we have all seen or perhaps more accurately have all heard of but for many of us a world that we have never dared to enter. Never dared to enter because of fear. The fear of being ostracised and shunned by our community.
THE MYTH
`Classical Music!', I can hear some of you cry. `That isn't another world. That's just music for the upperclass, the high-brow, and the pompous.' Surprisingly, I too felt this way for a long time until I accepted the invitation made to me by Simply The Best Classical Anthems. I always felt that Classical Music was nice to listen to as background music for a Levis ad or a Car ad but I would consider people strange if they chose to hear it on its own. However, after having listened to this album I realised how wrong I was in my assumptions.
THE TRUTH
Music as with all forms of amusement helps to take you away from where you are now. It helps to relax you when you are stressed with anger; it helps to give you strength when you are vulnerable; it helps to keep your spirits up when you have faced tragedy or loss. It helps. And, for me the type of music that best conjures up the most passionate emotions (love, hate, courage and anger) at our most testing times is Classical Music.
How? I don't know.
Why? I don't know.
I can only promise you that in my experience it does.
THE CHEST
The album, in visual terms, is very difficult to overlook amongst the plethora of records that may surround it. This is because the album has a very distinct purple sleeve cover. Not any kind of purple mind you but the Cadbury's kind of purple. The kind of purple that carries with it an invitation. An invitation that if accepted promises you a treasure inside.
And since, I have always enjoyed the treasure within the purple Cadbury's Dairy Milk wrapper, I asked myself why would an album carrying the same invitation promise to be anything different? Thus, I parted with my tuppence worth and went back home to open this purple chest of promised treasures.
THE PROMISED TREASURE
As you may have guessed, the contents of the album are somewhat different to the contents of a Cadbury's bar. When I opened the album, I was presented with two compact discs. At first glance, there did not seem to be anything special about them. They were just your average, everyday, run of the mill compact discs. To tell you the truth, I was a bit disappointed because I suppose I had hoped for something more.
However, looks can be deceptive. (Afterall, a Cadbury's Dairy Milk does not seem very appetising until you taste it!) And, also come November each year, I am always bemused and surprised at how the shabby contents of a cardboard box can both light up the sky and light up the faces of the neighbourhood. Thus, I pushed aside my assumptions and I ignited the discs (not literally of course, I just pressed the play button on the CD player). And, I let the fireworks begin.
THE KEY
From the very beginning, you will feel like you have unlocked the doorway to something special. And, after a full two hours of listening to both discs, you will feel like you have been taken out of this world and transported to another. Welcome to the world of Classical Music.
GUIDANCE
In the beginning, continue to listen to both discs in one go (i.e. one after the other). After a while, you will know which tracks you enjoy listening to the most. For those tracks you enjoyed the most make a promise to yourself that you will listen to the whole of the piece from which that track came from.
Good Luck on your quest if you choose to accept it.
Ride amongst the Valkyries, listen to the Flight of the Bumblebees, and use The Planets to keep you on the path.
I am not a good reviewer because as with all of my reviews I refuse to comment too much about what is inside the product but rather more about what effect the product has had on me. (Me, me, me. Vain & Egotistic, I know, so my friends and family keep telling me). But, I just want to cause a raucous about the product, enough not to spoil but enough of a raucous to let you experience it for yourself.
So my final words are:
Simply The Best Classical Anthems is an invitation. An invitation to the world of classical music. A world where you can begin a never-ending quest of curiosity. A curiosity that will always be rewarded with fulfilment.
Do you accept such an invitation?
Hope you found this review helpful.
Samples.......2003-11-23
The samples are too short and the quality leaves a lot to be desired. Having said that the choices are wonderful and the price is great. If you're looking for a overview of the best of classical music then this is for you. However if it's quality you're looking for then spent the extra money and look at other choices.
Great Sampler!.......2002-03-20
This is a good sampler, since it covers what you would want in a classical music CD. Looking at the tracks, it has the classic hits, such as "Ride of the Valkyries," "Toccata and Fugue," "Fanfare for the Common Man," "'Jupiter' from `The Planets,'" "Eine Klein Nachtmusik," and "Hallelujah Chorus."
There are also some new pieces that I have fallen in love with, such as "The Young Person's Guide to the Orchestra," "'Promenade' from Pictures at an Exhibition." The compilers did an interesting double take by including both Verdi's and Mozart's "Dies Ire." I'm not sure which is better.
This music is good for the brain and good for the soul. There is a power and passion that the blaring and glaring music that makes up most of the FM band. I'm reminded of the religious man who said that there is no music in hell. Probably because they wouldn't appreciate it there.
These CDs has a good transfer from the analogue tapes; there is no hiss or fuzziness. The packaging hearkens back to 2001: A Space Odyssey, with the black monolith. And appropriately, "Also Sprach Zarathustra" is the opening track on Disk 2.
Average customer rating:
- Carl Orff: Carmina Burana aduio CD
- Not enough energy
- Definitive Version
- Superb sound
- The Best version ever heard! A melhor versão já ouvida!
|
Carl Orff: Carmina Burana
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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- Orff: Carmina Burana
- Orff - Carmina Burana: Battle, Allen, Lopardo, Ozawa, Berlin / Beethoven - Symphony No. 9: Schwanewilms, Groves, Dever, Hawlata, Ozawa, Saito Kinen Orchestra
- Carmina Burana: Vocal Score
- Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
- Orff: Carmina Burana
ASIN: B000003CSM
Release Date: 1990-10-25 |
Tracks:
- Introduction
- Part I
- Part II
- Part III
Amazon.com
As much as critics--and many musicians--love to hate this work, Carmina Burana is a uniquely entertaining and justly popular theatrical masterpiece. This collection of 13th-century secular poems, originally found in a Bavarian monastery, were selected, set to original music, and arranged for a large modern orchestra, vocal soloists, and choirs by German composer Carl Orff. Orff ingeniously used these large forces to create a work of astonishing and powerful simplicity. The simplest melodies, primal rhythms, and rudimentary orchestration combine for an unforgettably dynamic musical and dramatic experience. This is one of the first digital recordings of the work, and one of the more successful in balancing the large numbers of singers and instrumentalists. Judith Blegen's lovely rendition of "In trutina" is worth many hearings, and the energy and excitement generated in the sections for full choir and orchestra are something you just have to experience. --David Vernier
Customer Reviews:
Carl Orff: Carmina Burana aduio CD.......2007-01-21
A good orchestral rendition of this work. Not spectacular, but definitely good.
Not enough energy.......2005-07-01
I will not repeat the correct observations of others about this recording vis a vis being less than dynamic.
However, the amazon.com review that states this has rudimentary orchestration is completely wrong. This piece is totally inventive in its use of orchestral and choral forces throughout.
Definitive Version.......2005-01-08
I was enjoying Orff's masterpiece, until I reached the Tenor solo. It was at this point that I fell in love with this recording. William Brown performs one of the greatest renditions of the Roasting Swan that I've ever heard. Each of the 3 times that the melody is performed, it gradually becomes more strained. This is a direct result of the pain that the swan is experiencing. My hat also goes off to the Baritone and Soprano. Couldn't ask for better performers.
Shaw's group was once again flawless and the ASO always impresses me.
I study classical voice and choral conducting in a major university, and I would recommend this version of Carmina Burana to anyone.
Superb sound.......2004-12-14
To counter some of the other reviewer's comments here, I have both the Slatkin/St Louis Symphony version and the Robert Shaw version and there's no comparison. The Slatkin version is ponderous and the audio is pure mud. The chorus and orchestra are mixed together in a mess of sound that makes hearing the words impossible. In addition, the orchestral bass notes are just a bunch of mush.
By comparison, the Shaw version is crystal clear with easily distinguished choral voices, bass notes and triangles/cymbols. The bass drum rattles your fillings and adds to the impact. I've sung this piece myself in the Kennedy Center (Wash DC) and find this version to be perfect in every way. The chorus is superb. Buy it.
The Best version ever heard! A melhor versão já ouvida!.......2003-06-07
When I heard the introduction of "O Fortuna" on the vinyl version of Sepultura's Morbid Visions album, dated 1986, I thought: Where to find this record, which orchestra and regent played this opus called Carmina Burana? There are several versions. I have one by Seiji Osawa, other by James Levini (in vinyl, with lyrics) and this by Robert Shaw that I consider the best!!!Through this site I could find it, just hearing the tracks! I must say: This version of Carmina Burana is the heaviest (due the tambour like a Thunder) and awesome of all time I have heard!!! It's simple and wonderful!!! This version have 4 long tracks. On a CD Player which displays the index, you can see the subtitles.
I ordered it in a classical music store.
I recommend it!!!...
Average customer rating:
- the flying dutchman andre rieu
- The Flying Dutchman
- Content Excellent but marred by poor video.
- The Flying Dutchman
- Wonderful Performance
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The Flying Dutchman
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000AYEI2C
Release Date: 2005-09-27 |
Tracks:
- Entry Of The Gladiators - J. Fu
- Vienna, City Of My Dreams - R. Sieczynski
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- O Fortuna (Carmina Burana) - C. Orff
Customer Reviews:
the flying dutchman andre rieu.......2007-06-08
Love the talent and the music of this talented gentleman
The Flying Dutchman .......2006-09-02
A ndres DVDs get better, an excellent show in wonderful surroundings, I have his latest.
Content Excellent but marred by poor video........2006-04-18
I was dissapointed in this video from the viewpoint of very poor video quality. Barely on a par with VHS. I have a 480P front projector with an 80" diagonal picture and it was unwatchable on that system I had to view it on my 36" tv to have an acceptable picture and even then it was not great. I have several Andre Rieu videos and have never run into that before. According to other reviews Denon has put out a very poor product this time.
The show itself is terrific as Andre always is.
The Flying Dutchman.......2006-04-06
Excellent CD to listen to and relax, to listen while I'm working, and at any time of the day. Andre Rieu is good music!
Wonderful Performance.......2006-03-03
Andre's Flying Dutchman was a delight to watch. Filmed in Limberg, this concert is beautifully pieced together with a lovely array of music. The voices of his beautiful soloists add to the atmosphere of this wonderful concert. Something I would highly recommend.
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