Editorial Reviews
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Charlemagne Palestine was a constant presence on the downtown New York City scene in the '70s and was best known for his punishing feats of endurance on the Bösendofer piano. Lately, many of his early recordings have been reissued. A few years back, a 1975 piano marathon, Strumming Music, was reissued, which is Palestine going nuts on the keyboard, banging out a repetitious minimalist pattern for 45 minutes, never missing a beat (Palestine is rumored to have pounded the strings so hard that he would often snap them). Soon thereafter, some of his minimal electronic works were rereleased, which earned him a following in the electronica community. Thankfully, New World Records added this CD, which dates from 1979, to Palestine's growing discography. On it, Palestine simply holds down a single note on a church organ for an hour. So little happens that the monotony makes Steve Reich's Four Organs sound like a Mahler symphony. But it's the extreme act of minimalism that makes for an intriguing exercise in just how much can be squeezed out of a single gesture. It takes extremely concentrated listening to even notice the dozens of small events such as overtones and harmonics slowly and quietly unfold across this seemingly static--yet oddly sensuous--field. --Kenneth Goldsmith
Schlingen-Blängen, Music, Charlemagne Palestine, Charlemagne Palestine, Chamber Music & Recitals, Classical, Classical Artists, Classical Music, Keyboard, Music for Keyboard
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Schlingen-Blängen
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001YVD1 Release Date: 1999-09-21 |
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Amazon.com
Charlemagne Palestine was a constant presence on the downtown New York City scene in the '70s and was best known for his punishing feats of endurance on the Bösendofer piano. Lately, many of his early recordings have been reissued. A few years back, a 1975 piano marathon, Strumming Music, was reissued, which is Palestine going nuts on the keyboard, banging out a repetitious minimalist pattern for 45 minutes, never missing a beat (Palestine is rumored to have pounded the strings so hard that he would often snap them). Soon thereafter, some of his minimal electronic works were rereleased, which earned him a following in the electronica community. Thankfully, New World Records added this CD, which dates from 1979, to Palestine's growing discography. On it, Palestine simply holds down a single note on a church organ for an hour. So little happens that the monotony makes Steve Reich's Four Organs sound like a Mahler symphony. But it's the extreme act of minimalism that makes for an intriguing exercise in just how much can be squeezed out of a single gesture. It takes extremely concentrated listening to even notice the dozens of small events such as overtones and harmonics slowly and quietly unfold across this seemingly static--yet oddly sensuous--field. --Kenneth GoldsmithCustomer Reviews:
where we should all begin.......2005-10-16
Sublime.......2004-11-30
sublime.......2001-03-20
Except that's NOT all, by any means. Palestine is a master in the art of listening. His music is dedicated to an intense act of concentrating on the moiré of overtones in a simple structure and manipulating this in real time. It has transcendental results. Rhythms emerge; soft, Reich-like, out of the play of different wavelengths. Shifts across different tonal metrics cause hallucinatory effects. Now, the music appears to be going backward - or, now, to have been processed through electronic effects. But it hasn't. All there is is the chord, the stops moving, and the listening.
Palestine's music tries to induce the sacred through minimum means. This makes it sound forbiddingly esoteric, but it isn't. There is an almost commercial ear for resolution. Thus, 21 minutes in, Palestine makes manifest the basstone that's been constantly implied - the one that's playing in your head; and the effect is revelatory.
Palestine is a kind of punk minimalist with no pretensions and no interest in selling records. His music, which appears to have been won at the expense of some suffering and poverty, has enormous purity and rigour. At the same time his spirituality, which totally informs his work, is completely grounded, honest, and rooted in the everyday search, found in some religions and spiritual practices (the sensible ones), for a simple, renewing, but elusive transcendental experience; the sort that brings you to a still, transformative point where peace and absolute raptness co-exist. Sure enough, when this music hits its mark (which is often) your heart beats faster, hairs stand up, things make sense - and the white rush of the new passes across you.
Real Minimalism.......2001-02-24
Lost in the increasingly watered-down world of the Glass/Reich/Adams holy trinity of minimalism is the pure, visceral, stripped-down music of Charlemagne Palestine. The few recordings of his works are almost impossible to track down. Luckily, there is this CD release from the realatively well-distributed New World label. Get it before it also ends up on the "out of print" roster.
Listening to the simple eloquence and uncanny spiritual depth of this music is a somewhat sad reminder of what minimalism really was meant to be before becoming the bloated, excessive, sentimental stuff that is is today. Palestine is a true American original whose music needs wider recognition and representation. Hear him.
Track Listings:
Track Listings
Mikko Heinö: The Knight and the Dragon
Music: Breathing of Statues [Import]
On The Grind [Explicit Lyrics]
Many Moods of Ann Richards/Two [Import]
Kancheli: Midday Prayers; Francoeur: Rondeau
Las Flores De La Vida [Import]
La Historia Capitulo Tres Vol. 3