Schumann: Lieder

Track Listings

1. Walzer

2. Das Veilchen

3. Lorelei

4. Der Abendstern

5. Mein Stern

6. Volkslied

7. Die Gute Nacht,Die Ich Dir Sage

8. Am Strande

9. Der Wanderer In Der Sagemuhle

10. O Weh Des Scheidens,Das Er Tat

11. Der Wanderer

12. Beim Abschield

13. Er Ist Gekommen

14. Liebst Du Um Schonheit

15. Warum Willst Du And're Fragen

16. Liebesgarten

17. Die Stille Lotosblume

18. Ich Habe In Deinem Auge

19. Ich Stand In Dunklen Traumen

20. Sie Liebten Sich Beide

See all 27 tracks on this disc

Tracks:

O mio babbino caro (from 'Gianni Schicchi')
The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
Nocturne in C sharp minor (Op Post)
The Swan (from Carnival of the Animals)
Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
Casta Diva (from 'Norma')
Andante from Piano Concerto No. 21 in C Major K. 467
Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
Pur ti Miro (from 'L'incoronazione di Poppea')
Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')

Amazon.com

Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine

Customer Reviews:

Romance of the Violin.......2007-07-16

While it's not my very favorite Joshua Bell CD, this is a pleasure to listen to!

End of the Day.......2007-06-08

I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.

Wonderful!.......2007-05-30

I play this for my grandson to nap by. It is so relaxing and wonderful!

Over and over and over...........2007-05-17

That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.

Non-standard CD format.......2007-04-22

The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.

A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.

The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.

Elly Ameling ~ Schubert · Schumann - Songs

Average customer rating:

One of my favorite recordings ever
wonderful
Truthful & Sincere Singing
Beautiful
More than just a pretty voice ...

Elly Ameling ~ Schubert · Schumann - Songs
Franz Schubert , Robert Schumann , Elly Ameling , Jörg Demus , and Hans Deinzer
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

$7.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Artistry of Elly Ameling (Coll)
Ave Maria--Lieder
Schubert: Quintet in C D. 956; The Shepherd on the Rock
Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
Schubert: 24 Lieder

ASIN: B000001TWU
Release Date: 1991-11-05

Tracks:

Der Hirt Auf Dem Felsen
Seligkeit
Gretchen Am Spinnrad
Du Liebst Mich Nicht
Heimliches Lieben
Im Fruehling
Die Vogel
De Jungling An Der Quelle
Der Musensohn
Widmung
Auftrage
Sehnsucht
Frage
Mein Schonster Stern
Schneeglockchen
Erstes Grun
Er Ist's
Die Sennin
Sehnsucht Nach Der Waldgegend
Jasminenstrauch
Schmetterling
Der Nussbaum
Marienwurmchen
Kauzlein
Waldesesprach
Loreley
Die Meerfee
Der Sandmann

Customer Reviews:

One of my favorite recordings ever.......2007-06-08

Elly Ameling is in glorious voice, and Demus's instrument here is fortepiano, which suits the music exquisitely. Der Hirt auf dem Felsen alone is worth the price, but all the Schubert and Schumann songs are well chosen. I'm so happy that this 1965 performance is available on CD.

wonderful.......2007-03-21

I also owned this on vinyl and have wonderful memories of this perfect blend of voice, clarinet and piano. Truly haunting melodies and the greatest musical integrity. Can't wait to get this one next month!

Truthful & Sincere Singing.......2006-11-25

Ameling's reading of Schumann and Schubert Lieder is sincere and noble, at times even awe-inspiring. There's always something genuinely beautiful, a sense of respect for music itself, when she sings with her etherial yet warm voice.

The sublimity of "Mein schonster Stern" only makes this CD worth purchasing. Her Schumann recordings are so scarce now that it is joy to find 19 Schumann Lieder both well known and obscure gems on this disc. Accompanied by an original master piano of Schubert's days. Recorded in 1965/67.

Beautiful.......2006-11-11

What a gorgeous voice! It's a true delight to listen to this set.

More than just a pretty voice ..........2006-09-17

It is tempting to dismiss Ameling as a "pretty voice" and reach for Elisabeth Schwarzkopf instead, as a previous reviewer suggests. Ameling's interpretations place a premium on simplicity and directness - two traits that are often undervalued. To my ears, however, Ameling's self-effacing approach is ideally suited to lieder performance. Schwarzkopf's recording with Edwin Fischer on EMI, while admirable in its own way, is too fussy for my tastes. Take, for example, the rendition of "Im Fruehling" by each singer: where others find Schwarzkopf to be intense and dramatic, I find her to be mannered and melodramatic. Ameling's version strikes closer to the heart and shows greater insight and intellect, in my view. Note: on this CD, Ameling's ravishing voice is at its peak.

Average customer rating:

Sensuality Personified!

The Very Best of Régine Crespin

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Italian Opera Arias
Very Best of
Berlioz: Les Nuits d'été; et al / Crespin, Ansermet
Legend: Régine Crespin [CD & DVD]
The Very Best of Lucia Popp

ASIN: B0006VYEJQ
Release Date: 2005-04-26

Tracks:

Ils S'Eloignent Enfin...Sombre Foret
D'Amour L'Ardente Flamme
Les Grecs Ont Disparu...Malheureux Roi!
Nous Avons Vu Finir...Chers Tyriens
Je Vais Mourir...Adieu, Fiere Cite
Ah! Salome! Dans Ce Palais...Il Est Doux, Il Est Bon
Je Souffre
Mes Cheres Filles, J'Ai Encore A Vous Dire
Soir
Le Secret
Apres Un Reve
Clair De Lune
Lo Fiolaire
Lou Coucut
Coeur En Peril
Berceuse Creole

Tracks:

Einsam In Truben Tagen
Euch Luften, Die Mein Klagen
Eine Waffe Lass Mich Dir Weisen...Der Manner Sippe
Ich Sah Das Kind
I. Der Engel
II. Stehe Still!
III. Im Treibhaus
IV. Schmerzen
V. Traume
I. In Der Fremde
II. Intermezzo
III. Waldesgesprach
Timor Di Me?...D'Amor Sull'Ali Rosee
Ecco L'Orrido Campo...Ma Dall'Arido Stelo Divulsa
Tu Che Le Vanita
D'Art Et D'Amour

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Sensuality Personified!.......2005-04-27

This is one of the best collections of Regine Crespin. Of course, her Berlioz/Ravel set with Ansermet is definitive, but the beauty and soft womanliness of her voice can be heard in all the selections on this disc. The engineers went for her vocal best and they created a fine collection aptly titled "The Best of..." One would be unduly captious to find Crespin "brittle" of tone here.

It is by now, very difficult to imagine anyone singing "Il est doux" with more apt expression of the line than La Crespin. Wagner's Wesendonk lieder is simply sublime from start to finish and the Faure takes on new meaning. That she is comical, melancholy, fun and happy by turns singles her out. This collection captures all her awesome talent. Underneath it all seems to be a very, if I may, sexual energy.

Crespin must be heard to be believed and the miracle lies in that even her softest tones are really enveloping, never thin. All tones are open and this is why there are enough colors in Regine Crespin's delicious voice to paint the world a thousand times, but it may also be why she infamous for being short and edgy on top but I remind, never here is she such. She is a relaxed singer in superb voice, comfortable in her own olive skin and makes the most out of every word those poets wrote.

The whole collection is unique in pace, style, and voice. It is Regine Crespin...in a nutshell fabulous!

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Airs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
Masters of Classical Music (Box Set)
Little Night Music - Ultimate Mozart Collection [20 CD Set]
Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Rendezvous of Angels - Concert Collection [20 CD Set]

ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

The "Clinker" of the bunch

Brahms: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Sextets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Brilliant Classics | Amazon.com Label Stores | Stores | Music
Similar Items:

Dvorák: The Masterworks [Box Set]
Mendelssohn: The Masterworks [Box Set]
Vivaldi: The Masterworks (Box Set)
Beethoven: The Masterworks (Box Set)
Wolfgang Amadeus Mozart: Complete Works (170 CD Box Set)

ASIN: B00062FLIS
Release Date: 2004-11-30

Customer Reviews:

The "Clinker" of the bunch.......2006-12-19

Having collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.

More of the Most Romantic Classical Music in the Universe

Average customer rating:

review
Romantic Mood Music of High Level

More of the Most Romantic Classical Music in the Universe

Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
Similar Items:

Most Romantic Classical Music in the Universe
More Of The Most Relaxing Classical Music In The Universe
The Most Relaxing Classical Music in the Universe
The Most Relaxing Classical Album in the World...Ever!
The Most Relaxing Violin Music in the Universe

ASIN: B0006SSNH8
Release Date: 2005-01-11

Tracks:

Pachelbel: Canon
Mozart: Eine Klein Nachtmusik
Vieuxtemps: Violin Concerto No. 5, II. Adagio
Vieuxtemps: Violin Concerto No. 5, III. Allegro con fuoco
Debussy: Nocturne
Saint-Saens: Violin Sonata No. 1, II. Adagio
Chopin: Piano Concerto No. 1, Larghetto
Dvorak: Nocturne in G-Flat
J. Strauss: Liebeslieder Waltz
Schumann: Piano Sonata in F-sharp Minor, II. Aria
Dvorak: Symphony No. 8, II. Adagio

Tracks:

Wagner: Prelude to Act 1 of "Lohengrin"
Bach: Air on a G String
Debussy: Ballade
Elgar: Salut d'
Boccherini: Minuetto
Dvorak: Romantic Pieces Op. 75, IV. Larghetto
Yamada: Lullaby from the Chugoku Area
Taki: Moon Over Ruined Castle
Szymanowski: Violin Sonata, Andantino tranquillo e dolce
Debussy: La Plus que lente 4:27
Mendelssohn: String Quartet in F Minor
Schumann: Symphony No. 2, Adagio

Album Description

A lush collection of romantic classical favorites!

Customer Reviews:

review.......2007-03-17

Very good CD. Filled with great classical music. Would recommend to anyone.

Romantic Mood Music of High Level.......2005-11-16

Collections like this are nice as an alternative to Ipod type collections, or multi-CD shuffling, achieving a nice balance and variety of compositions.

Here gathered around "romantic" classical theme, have the likes of Dvorak, Strauss, Mozart, Pachelbel, et al. Acclaimed performances by Denon Classical catalog performers such as Jean-Pierre Rampal, David Oistrakh, etc.

For two disc set of such superb quality at such a reasonable price, this is very much a play often collection.

Ian Bostridge - Liederkreis Op. 24, Dichterliebe Op. 48 & 7 Lieder

Average customer rating:

Delightful Liederkreis & Dichterliebe Schumann
Bostridge Good
Wonderfully dramatic singing. Both artists perform with intelligence and unity.
Not bad, not good.
My least favorite Liederkreis Op. 24

Ian Bostridge - Liederkreis Op. 24, Dichterliebe Op. 48 & 7 Lieder
Robert Schumann , Ian Bostridge , and Julius Drake
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Ian Bostridge - Schubert Lieder, Volume II
Ian Bostridge - Schubert Lieder, Volume I
Ian Bostridge - Songs of Faure, Debussy & Poulenc
Hyperion Edition: The Songs of Robert Schumann, vol. 7
Wolf: Lieder - Ian Bostridge with Antonio Pappano

ASIN: B00000630K
Release Date: 1998-03-17

Tracks:

LiederKreis, Op.24: I. Morgens steh' ich auf und frage
LiederKreis, Op.24: II. Es treibt mich hin
LiederKreis, Op.24: III. Ich wandelte unter den Baeumen
LiederKreis, Op.24: IV. Lieb' Leiben, leg's Haendchen
LiederKreis, Op.24: V. Schoene Wiege meiner Leiden
LiederKreis, Op.24: VI. Warte, warte, wilder Schiffmann
LiederKreis, Op.24: VII. Berg' und Burgen schaum herunter
LiederKreis, Op.24: VIII. Anfangs wollt' ich fast verzagen
LiederKreis, Op.24: IX. Mit Myrten und Rosen
Belsazar, Op.57
Abends am Strand, Op.45, No.3
Die beiden Grenadiere (Op 49, No 1)
Dein Angesicht (Op 127, No 2)
Lehn deine Wang' (Op 142, No 2)
Es leuchtet meine Liebe (Op 127 No 3)
Meine Wagen rollet langsam (Op 142 No 4)
Dichterliebe (Op 48): I. Im wunderschoenen Monat Mai
Dichterliebe (Op 48): II. Aus meinen Traenen spriessen
Dichterliebe (Op 48): III. Die Rose, die Lilie
Dichterliebe (Op 48): IV. Wenn ich in deine Augen seh'
Dichterliebe (Op 48): V. Ich will meine Seele tauchen
Dichterliebe (Op 48): VI. Im Rhein, im heiligen Strome
Dichterliebe (Op 48): VII. Ich grolle nicht
Dichterliebe (Op 48): VIII. Und wuessten's die Blumen
Dichterliebe (Op 48): IX. Das ist ein Floeten und Geigen
Dichterliebe (Op 48): X. Hor' ich das Liedchen klingen
Dichterliebe (Op 48): XI. Ein Juengling liebt ein Maedchen
Dichterliebe (Op 48): XII. Am leuchtenden Sommermorgen
Dichterliebe (Op 48): XIII. Ich hab' im Traum geweinet
Dichterliebe (Op 48): XIV. Allnaechtlich im Traume
Dichterliebe (Op 48): XV. Aus laten Maerchen winkt es
Dichterliebe (Op 48): XVI. Die alten boesen Lieder

Amazon.com

The texts used in these 32 songs are all by Heinrich Heine, a miniaturist poet whose unique, characteristic mixture of wistfulness and irony, often tinged with self-pity, was ideal material for the genius of that wistful, ironic musical miniaturist, Robert Schumann. Every lover of Lieder must regret that Franz Schubert did not discover Heine until he was dying and composed only a few Heine songs in his Schwanengesang. But that regret is mitigated by the fact that Schumann gave so much attention to Heine during the brief, intense period when he was focused on songwriting. Dichterliebe is one of the finest song cycles in the German language--surpassed, if at all, only by Schubert's Schoene Muellerin and Winterreise; and the other songs in this collection are comparable in quality. Bostridge's light, expressive voice captures every musical and emotional nuance, and Drake plays masterfully the virtuoso piano part. --Joe McLellan

Customer Reviews:

Delightful Liederkreis & Dichterliebe Schumann.......2007-07-02

I can't tell you how pleased I am with Mr. Bostridge's recording of Schumann: Liederkreis Op. 24, Dichterliebe
Op. 48 & 7 Lieder, I recently bought. It's such a delight listening to; the lightness, the precision
(and still there is a wonderful and continuous legato), the very selective use of vibrato (and thus
non-vibrato) as a means of expression, the treatment of the text, the perfect bel canto technique... Also my compliments to the excellent pianist, Julius
Drake; again, wonderfully played. Mr. Julias Drake and Mr. Ian Bostridge are a wonderful ensemble. When Mr. Bostridge stops, the singing is seemlessly continued by Mr. Drake.
I did not know Mr. Bostridge as a singer until I started looking for singers who had recorded `Dichterliebe'
and `Liederkreis' (Op. 39 BTW). Listening to a
few samples there conviced me to buy it. I can only say I am very grateful Mr Bostridge made this
recording. It means a great deal to me.

A final note: I firmly disagree with 'not my cup of tea'. I cannot agree with the assertion that
"The interpretation is flat, and does not have the depth that many German singers give to these songs." I own Dichterliebe sung by Quasthoff, Fischer-Dieskau, Fritz Wunderlich and Ian Bostridge (this recording).
By far I like Ian Bostridge's best. The interpretation is very delicate and the opposite of flat I would say. Flat is the interpretation of Quasthoff (although I highly respect him as a singer, but not particularly for his recording of Dichterliebe). The recording of Fischer-Diskau is quite interesting, musically speaking. Technically on the other hand I much prefer Ian Bostridge. Finally, the recordings of F. Wunderlich: I own both his final concert and a studio recording. Although the final concert recording is very bad, musically this one is by far surpassing the studio recording and is worth owning. What goes for the technique of Ian Bostridge goes for Mr. Wunderlich's; just wonderful.

Bostridge Good.......2006-11-10

Gramophone says Bostridge recording of the Schumann is best. He is great, but I prefer a baritone for this music.

Wonderfully dramatic singing. Both artists perform with intelligence and unity........2005-11-16

Robert Schumann was a leader on many fronts of the Romantic movement in music. Not only a composer of genius, he was also a powerful writer and an insightful critic. Born in 1810, he began his music studies at age 8. He was a skilled pianist and began writing music for that instrument along the way. In 1840 he was given an honorary doctorate, wrote the Liederkreis (song cycle) op 24 on poems of Heine, and then married Clara Wieck. Schumann had a work style of focusing on a single form at a time. In 1840 he wrote a flood of songs, more than 150 of them, including the large song cycles included on this disk.

Heinrich Heine, a great German poet who remains highly regarded today, was an inspiration for many Romantic composers. Schubert only set a few of his poems simply because he did not become aware of Heine's work until he was already ill and dying. While Heine was thirteen years older than Schumann, they died the same year. In fact, Heine was born the same year as Schubert, although Schubert was born in January of 1797 and Heine in December.

The songs of opus 24 are about separation and longing. Nothing is ever a straightforward love song. This aching love is what attracted the Romantics. The poems are full of strong, but conflicted emotions and are written in a way that lends them well to musical settings. They tend to be short verses with a declamation that supports a singer's dramatic efforts and allows dramatic additions by the piano.

"Dichterliebe" (Poet's Love) opus 48 is one of the great song cycles ever written, probably after Schubert's masterwork's "Die Schöne Müllerin" and "Winterreise". While Schumann masterfully varies the songs so that it does not have the unremitting chill of Schubert's "Winterreise", it is a song cycle of lost love and ends with a desire for a coffin large enough to contain his love and sorrow.

There are other Schubert songs of Heine poems on this disk other than the two song cycles and they vary about topic, but are all full of drama and story telling of one kind or another. "Belsazar" opus 57 tells a story of the Babylonian king and the writing on the wall. "The Two Grenadiers" tells the story of two French soldiers captured by the Russians, one of whom dreams of fighting for his Emperor from the grave. There are several others.

I am a huge fan of Ian Bostridge. His voice is pure rather than light or colorless. (Colour, I suppose, since he is British.) His singing style is intelligent, very dramatic, and he varies its color depending on his interpretive purposes. He and Mr. Drake put on a wonderful recital of Schubert lieder here in Ann Arbor awhile back. They perform so wonderfully well together and I was surprised at the power, range, and control Mr. Bostridge has with his voice. It was one of the great afternoons of music I have ever experienced.

This is a wonderful CD and I recommend it strongly.

Not bad, not good........2005-10-20

I was pleased to buy a recording so well-received and was anxious to hear not only Dichterliebe, but the op. 24 Liederkreis. (This particular Liederkreis is considered by many to be the most underrated.)

It took me awhile to form an opinion, other than that I was nonplussed. The most famous moment, 'Ich grolle nicht', is a good example of a well-practiced but ultimately boring rendition of music that is simply beyond Bostridge's training or inclination or both. Yes, he hits all the notes with complete security, but there is no thrill, no conviction, no pain. All is very academic, as if grown in a hothouse or nurtured in a cloister. I agree with a previous reviewer that Bostridge's voice is perhaps better-suited to lighter, less passionate material. (I'm not familiar with his other recordings, but I might very much enjoy hearing him sing the music of Harty or Stanford.) His voice is thin, nasal, and with a very narrow color palette. It's a very good voice, but a very studied, calculated one that seems not to have internalized the text. I would prefer a few cracks or idiosyncracies rather than such a bloodless interpretation as this. Drake's accompaniment is a perfect match, and that's not much of a compliment. The recording's engineering is excellent, however.

Those looking for some excellent Schumann would do better to consider Terfel, Fischer-Diskau (despite transposition to lower keys), or the wonderful Wunderlich.

My least favorite Liederkreis Op. 24.......2005-09-29

The winds of fashion are always changing, and they've definitely been blowing in the direction of Ian Bostridge, whose voice is not one I love or even tolerate for more than a few songs. He uses it intensely and artistically, but its native quality is a typcial "white" English tenor, light in tone, mostly projected form the head, and of an irritatingly nasal timbre--one is constantly reminded of an adolescent whose voice has just changed. People do seem to love it, especiallly the English, and Bostridge's fussy way with texts is also admired.

For anyone who isn't thrilled by him, there is an overlapping recital of Schumann's Heine songs--oddly enough, also on EMI--by Thomas Hampson at his very best with Wolfgang Sawallisch as accompanist. For a tenor version sung by someone with a much fuller voice and less mannered approach to the texts, there is Christoph Pregardien on RCA/BMG. Having owned all three, I was happy to toss out this CD.

Complete Recordings on Deutsche Grammophon

Average customer rating:

MUST HAVE THIS IN YOUR COLLECTION OF HOROWITZ
Horowitz: A Digital Legacy

Complete Recordings on Deutsche Grammophon

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Complete Masterworks Recordings, 1962-1973
Beethoven: Piano Sonatas
Original Jacket Collection: Vladimir Horowitz
Rachmaninov: His Complete Recordings
Horowitz Live and Unedited [includes Bonus DVD]

ASIN: B00008RWRI
Release Date: 2003-10-14

Customer Reviews:

MUST HAVE THIS IN YOUR COLLECTION OF HOROWITZ.......2007-07-13

If you have any Horowitz music in your collection. THEN YOU MUST GET THE COMPLETE RECORDINGS ON DEUTSCHE GRAMMOPHON. Quality of recording is superb.

Horowitz: A Digital Legacy.......2004-11-15

This set includes all of the recordings Vladimir Horowitz did for Deutsche Grammophon in the 1980s, including his historical concert in Moscow.

While the context of his return in Moscow is moving, the studio recordings are simply wonderful. The sound quality is impeccable. The Steinway piano sounds warm but yet crisp and sharp. Horowitz still has plenty of power, and if you don't have a good sound system, you will notice that your speakers will literally fail, due to the overwhelming wall of sound that Horowitz creates in the intense parts.

The tender moments are just as exciting, as they are enhanced by the very quiet and clear digital recording process. Liszt's Standchen and Mozart's Piano Concerto No 23 are only two of a myriad of highlights contained on this boxed set. Having these high quality digital recordings of this piano legend is a blessing that you can't afford to miss. And at this price, it's simply irresistible.

Tracks:

L'amour Est Un Oiseau Rebelle (Habanera)
Mon Coeur S'ouvre A Ta Voix
Eccomi Al Fine In Babilonia
Cruda Sorte!
Hence, Iris, Hence Away
Dove Sei, Amato Bene?
Che Disse! Che Ascoltai!
Addio, Addio O Miei Sospiri
O Pretres De Baal... O Toi, Qui M'abandonne
Elle Est La! Pres De Lui!
Mura Felici
Tanti Affetti

Tracks:

Superbo Di Me Stesso
Il Segreto Per Esser Felici - London Symphony Chorus
Mi Chiami, O Norma!
Deh! Con Te, Con Te Li Prendi
Mira, O Norma
Si, Fino All'ore Estreme
Soli Or Siamo... Condotta ell'era In Ceppi - Luciano Pavarotti
Non Son Tuo Figlio? - Luciano Pavarotti
Mal Reggendo - Luciano Pavarotti
E Un Anatema! - Renata Tebaldi
Nacht Und Traume, D 827
Abendlied
Traume
Jesus De Nazareth
Shenandoah
I Bought Me A Cat
The Lord's Prayer
Somewhere
At The River (Lowry)
Jeannie With The Light Brown Hair

Customer Reviews:

Marilyn Horne scintillates.......2007-05-20

This 2-CD set includes 32 separate "cuts." Thus, it provides a perspective on the broad range of works that Marilyn Horne mastered. While some pockets of work may be given somewhat short shrift (e.g., Rossini), overall this shows off her skills nicely. Born in Bradford, Pennsylvania (one of the coldest places in the nation during winter), she made her operatic debut in 1954. In liner notes copyrighted in 2003, she notes that: "Can't believe it's time for a 70th birthday celebration. . . ." And neither can I, since I recall hearing her perform at the Met (via the old Texaco opera show), and it does not seem all that long ago!

Some cuts well depict her artistry across a range of genres and composers.

The "Habanera" from Bizet's "Carmen" is, to be sure, an old chestnut by now, but she sings it with a rich and lustrous voice. She sings a seductive aria seductively.

"Eccomi al fine in Babilonia" is from Rossini's "Semiramide" and shows off her skills nicely. This piece shows off the range of her voice well. Her voice is very agile, as it would need to be to do Rossini justice. There are some nice runs; the cabaletta showcases her agility and allows her to display well sung ornamentation.

From Handel's "Semele," we hear "Hence, Iris, Hence Away." This is a sprightly piece that is characteristically well sung by Horne.

Handel's "Rosalinda" features a nice work for mezzos, "Dove sei amato bene?" If I hear correctly, Horne begins this with a trill in piano; there are a number of nicely executed trills in this work. This cut is smoothly and richly sung throughout.

"Addio, addio o miei sospiri" comes from "Orfeo ed Oridice" by Gluck. A sprightly paced work. Horne shows off excellent ornamentation; her coloratura technique is terrific.

From "Norma" (by Bellini) there are 4 cuts (from a longer scene), featuring collaboration with Joan Sutherland. The two singers worked well together in a number of operas, and this set of works illustrates that synergy beautifully. "Mi chiami, o Norma!" starts things off. The two voices meld extremely well together. "Deh! Con te, con te li prendi" features fine work all around. Both singers display good vocal dexterity. Horne hits one high note with a bit of harshness, but not an issue of any moment. "Mira, o Norma" is ravishing; Sutherland's and Horne's duet is absolutely wonderful. Finally, "Si, fino all'ore estreme." This is a fast paced duet, with both singers manifesting considerable vocal agility and sound coloratura technique. When they sing together, their voices almost sound "twinned."

Finally, "Jeannie with the Light Brown Hair." Horne sings this straight, without the ghastly "opera-tizing" that some singers cannot resist. Sung simply and powerfully. Her rich voice produces a very good vocal effect.

And so on.

Although this CD does not fully represent her repertoire, it does provide a good sense of the art of Marilyn Horne and it suggests the range of her singing. For those wanting to get a sense of Horne's oeuvre, this is one recording that provides entrée to her body of work.

One Of The Greatest Voices of All!.......2006-01-29

I am not the only one who regards Marilyn Horne's voice as exceptional. During the seventies and eighties she was regarded by The New York Times Music Critic as possessing the greatest voice of our time. One only has to sample this "golden" collection to prove how right he was. Her "mezzo" handles Handel and Rossini like no other. Brava all the way (To say nothing about Dalila's famous aria!) And I must even mention her "Jeannie With the Light Brown Hair". This is a two CD that is a MUST for those who appreciate the glories of the human voice (To say nothing about the warmth and spirit than accompany it.)

Not 100% satisfied with the selections, but what artistry!.......2004-11-03

Decca's release of this career-spanning Marilyn Horne recital contains many "golden" nuggets, but isn't the absolute best representation of her artistry, in my opinion.

There was certainly plenty of material to choose from, as Horne was one of the most recorded mezzos in the twentieth century. As advertised, Madame Horne personally approved the final recital list, and the diva undoubtedly has sentimental attachment to certain selections. Furthermore, a conscious attempt was made to represent the different genres explored during her decades-spanning career. This approach, however, leaves out some truly stunning material that would have made an even stronger case on why she was such an operatic institution.

In summary:

The first disc begins with the Habanera from Carmen. Horne was very proud of her Carmen, noting that it surpassed sales of Callas's Tosca at one point. It deserved to be included, but I don't think she was "THE" Carmen, and besides, the whole opera is so warmed-over by now, it's hard to get anyone excited about it!

From then on, we are treated to a bonanza of wonderful arie and scena. The aria from Samson et Delilah is a real gem. Horne was certainly not the most glamorous singer, but My God, the interpretation is heavenly. This is what the aria sounds like in the hands of a world-class contralto. Eccomi in Babilonia follows, and by anyone's measurement, she is the finest Arsace on record. Blessed with an extraordinary range, she is as fulminating in both the top and bottom registers. What's more, her spirited delivery magnifies the pure genius of Rossini's music. As for Cruda Sorte, "ditto," as Marilyn herself might say.

Next, we are treated to two excellent Handel arias. Iris, Hence Away gives me goosebumps everytime I hear it. This was recorded in the early sixties, for inclusion in the Age of Bel Canto recital she shared with Joan Sutherland and Richard Conrad. Now, if she had recorded this a few years later, she might have drove the coloratura harder. However, at this point, the voice had a somewhat lighter quality, thus the aria isn't sung with that all-purpose "Marilyn Horne" voice we are so used to. Speaking of lightness, Dove Sei, Amato Bene will send shivers down your spine. Again, Marilyn wasn't known for her subtlety, but she proves here that she was more than capable. Just listen to the fluttering trills and fil di voce, and dare to disagree with me! One of my major complaints is it there isn't more Handel on the recital. Sure, a whole recital of Handel arias by Horne is still available, but in this best-of disc, there was room at least for Or La Tromba, the trumpet aria from Rinaldo, and a personal favorite. Also, nothing is included from Vivaldi's Orlando Il Furioso, another travesty.

The pinnacle of the first disc is Addio, I Miei Sospiri, from Gluck's Orfeo ed Euridice. This is Horne magified to the nth power. Where to start? A scrumptiously sung recitativo, then the aria itself, with Marilyn pulling out all the stops. The bronzed tone, perfect breath control, spectacular coloratura fireworks, superlative diction, evenness and security from top to bottom, and Marilyn's own way of generating excitement will floor you. This is bravura singing at the highest level.

After a few other selections from the French reperetoire, the disc closes with two Rossini warhorses. Again, the "ultimate" Horne best-of would have saved room for more Rossini, on the second disc. But the evidence here is ample enough to proclaim her honorific as the leading interpreter of Rossini in the last century.

The second disc is less satisfactory. The first selection, Superbo Di Me Stesso sounds like it came from an inferior source, and wasn't remastered properly. Il Segreto Per Esser Felici, from Lucrezia Borgia is fine enough, but Marilyn could have ornamented more, and that snare drum is too loud! Then, we have an extended scene from Il Trovatore. Now, Marilyn herself stated that she wasn't perfect in Verdi. As she put it, she sang Verdi by not taking "both feet" out of the bel canto waters, so that she could go on singing the roles that brought her the most fame. This is understandable, but if that's the case, then we didn't need this long scene. Perhaps she wanted to highlight her collaboration with Luciano Pavarotti, and I'm sure Decca saw this as a way to lure the casual listener. For my money, though, they should have just included Stride La Vampa, and called it a day. This would have freed up lots of room for the stuff for which she's better recognized!

Now, another extended scene, from Norma, is completely justified. Equally important to Marilyn's legacy as an individual artist is her legacy as one-half of the Sutherland/Horne duo. I don't need to write more- the music speaks for itself.

The rest of the second disc throws in a bit of verismo (Horne is unrecognizeable in Ponchielli; Simionato she's not), a bit of German lieder, and some patriotic tunes. Along with Leontyne Price, Marilyn Horne was the most conciously patriotic singer out there, and to have left out her American recordings would have been a disgrace. But, again, we are given an ample serving of it, when it could have been scaled back some to make room for her operatic triumphs.

All in all, there is enough glorious material here for any fan of the legendary Marilyn Horne, and also those who want a taste of how a superlative mezzo/contralto sounds like.

Vive Madame Horne !.......2004-01-09

Je suis soufflée, et tout bonnement reconnaissante à Decca pour avoir sorti cette compil qui rend si bien honneur à une des mes interprètes préférées. Voix de velours, aisance dans le grave et médium unique au Monde, Marilyn a été, dans toutes ses incarnations, un pur produit américain, certes, mais quel produit ! Bien évidemment son timbre si particulier, que d'aucuns ont défini androgyne, peut plaire ou non... Ce qui compte c'est l'apport émotionnel qu'elle donne à tout ce qu'elle chante, et sans que cela n'enlève rien à la pure beauté de sa voix à la technique sans faille. Merci Mme Horne, pour nous avoir livré une des plus mémorables leçons de chant de l'histoire, et joyeux 70ème anniversaire (car il n'est pas déplacé que de dire votre âge, étant donné la vitalité qui vous caractérise depuis toujours).

Average customer rating:

Brava Bonney!
A Beautiful Blend of Passion and Poetry

Songs by Robert & Clara Schumann

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Bonney, Barbara | Divas | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Mendelssohn: Lieder
Barbara Bonney - Fairest Isle
Exultate, Jubilate
The Radiant Voice of Barbara Bonney
Mozart: Lieder

ASIN: B0000042G4
Release Date: 1997-05-13

Tracks:

Myrthen, op.25: Widmung
Myrthen, op.25: Der Nussbaum
Myrthen, op.25: Die Lotosblume
Myrthen, op.25: Lied der Suleika
Er ist gekommen in Sturm und Regen
Liebst du um Schonheit
Das Veilchen
Lorelei
Mein Stern
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen, nicht glauben
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, iht Schwestern
Frauenliebe und -leben, op.42: SFreund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
6 Lieder, op.13: Ich stand in dunklen Traumen
6 Lieder, op.13: Sie liebten sich beide
6 Lieder, op.13: Liebeszauber
6 Lieder, op.13: Der Mond kommt still gegangen
6 Lieder, op.13: Ich hab' in deinem Auge
6 Lieder, op.13: Die stille Lotosblume
Liederkreis, op.39: Waldesgesprach
Liederkreis, op.39: Mondnacht
Liederkreis, op.39: Er ist's, op. 79 no.24
Liederkreis, op.39: Sehnsucht, op. 51 no.1
Liederkreis, op.39: Mein Sch Stern!, op. 101 no.4
Liederkreis, op.39: Mignon, op 79 no. 29

Customer Reviews:

Brava Bonney!.......1999-12-04

I've listened to many recordings of "Fraunliebe", and although I still would not give up my precious disc with Lucia Popp's interpretation (now out of print), Bonney's interpretation is so moving on account of it's very convincing use of rubato. I listened to Bonney sing these songs (meaning "Fraunliebe" and some of Clara Schumann's) in Vienna. Her interpretation (especially through rubato) gave me the impression that she was not singing but speaking -- more specifically, speaking to *me*, about all the joys and sorrows of life. Of course I'm aware that she wasn't really doing so, but the effect was just magical. And now I enjoy that same impression every time I listen to this CD! Ashkenazy accompanies with utmost sensitivity, bringing out some voices which one doesn't usually hear. And yes, Clara Schumann's Lieder are beautiful in their own right. Has anyone noticed that "Er ist gekommen" resembles the D minor episode of the last movement of Robert's "Kreisleriana"? Also, Clara's "Mein Stern" resembles the chorale-like theme from the end of the penultimate movement of "Kreisleriana." Any musicologists out there who might know what to make of this? I know Clara and Robert were fond of quoting each other in their own compositions, so it's hard to imagine these cases being mere coincidences of musical invention...

A Beautiful Blend of Passion and Poetry.......1999-01-08

This CD is one of the most beautiful recordings of Schumann lieder I have heard to date. I recently wrote a paper for a music history class about Robert Schumann's use of "musical code" (imagery through musical motives) in the song cycle "Frauenliebe und Leben." During my research, I fell in love with the song cycle, which is a perfect blend of passion and poetry. I had listened to several recordings, but none paired piano and voice so well as Bonney and Ashkenazy have. "Frauenliebe und Leben" was meant to be a vocal/piano duet rather than merely a vocal solo with piano accompaniment, and they have captured the essence of the song cycle in that respect. Bonney's gorgeous, mellow voice and Ashkenazy's perfectly complementary, soulful interpretation give this album a truly "romantic" feel--both emotionally and musically. I highly recommend this album for lovers of "Frauenliebe und Leben." I plan to share this album with my accompanist as we prepare for my upcoming senior recital, in which I will perform this song cycle. Bonney and Ashkenazy's portrayal of "woman's love and life" is inspirational. Five stars, three thumbs up, and a big "WOW!" for this album.

Track Listings:

Track Listings

track listings

Track Listings

Live at Fip [Import]

Mozart Masterpieces, Vol. 3: Concertos for Violin, Horn, Flute and Harp

Roll It Down

Jazz in Paris: Sammy Price & Doc Cheatham Play George Gershwin

Music for the Herd of Herring [Import]

Poets [Import]

My Foolish Heart

Lucrezia Bori: The Victor Recordings (1914-25)

Rainmaker [Import]

Red in Bluesville

Outlaw [Import]

Lo Mejor de la Bachata y Salsa

Latin Moods

Remember

Jazz Music jazz-music-14

1. Walzer
2. Das Veilchen
3. Lorelei
4. Der Abendstern
5. Mein Stern
6. Volkslied
7. Die Gute Nacht,Die Ich Dir Sage
8. Am Strande
9. Der Wanderer In Der Sagemuhle
10. O Weh Des Scheidens,Das Er Tat
11. Der Wanderer
12. Beim Abschield
13. Er Ist Gekommen
14. Liebst Du Um Schonheit
15. Warum Willst Du And're Fragen
16. Liebesgarten
17. Die Stille Lotosblume
18. Ich Habe In Deinem Auge
19. Ich Stand In Dunklen Traumen
20. Sie Liebten Sich Beide