Purcell: Dido and Aeneas / Evelyn Tubb, Thomas Meglioranza, Julia Matthews et al New Trinity Baroque, Predrag Gosta

Track Listings
1. Overture    
2. Act I: Shake the cloud from off your brow (Belinda, Chorus)    
3. Act I: Ah! Belinda (Dido)    
4. Act I: Grief increases by concealing (Belinda, Dido, Second Woman)    
5. Act I: When monarchs unite (Chorus)    
6. Act I: Whence could so much virtue spring? (Dido, Belinda, Second Woman)    
7. Act I: Fear no danger to ensue (Belinda, Second Woman, Chorus)    
8. Act I: See, your royal guest appears (Belinda, Aeneas, Dido)    
9. Act I: Cupid only throws the dart (Chorus)    
10. Act I: If not for mine, for empire's sake (Aeneas)    
11. Act I: Pursue thy conquest, Love (Belinda)    
12. Act I: Guitar's Chacony / To the hills and the vales (Chorus)    
13. Act I: The Triumphing Dance    
14. Act II: Prelude for the Witches / Wayward sisters (Sorceress, First Witch)    
15. Act II: Harm's our delight (Chorus)    
16. Act II: The Queen of Carthage, whom we hate (Sorceress)    
17. Act II: Ho ho ho, Ho ho ho! (Chorus)    
18. Act II: Ruin'd ere the set of sun? (Witches, Sorceress)    
19. Act II: Ho ho ho, Ho ho ho! (Chorus)    
20. Act II: But ere we this perform (Witches)    
See all 39 tracks on this disc

Editorial Reviews
Opera (London)
"[Tubb's] runs are fluent ... and her decorations apt and neatly done.... Impeccable work from the 13-piece band."

Early Music (Oxford)
"Thomas Meglioranza gives a thoughtful and sympathetic performance that sends a breath of fresh air blowing gently through the opera."

Album Description
Evelyn Tubb's involvement with Purcell's stage music, and Dido & Aeneas in particular, has run like a thread through her illustrious career. She was part of the historic collection of Early Music luminaries who took part in the seminal 1981 Chandos recording by Andrew Parrott, and later sang one of the witches' parts with Nigel Rogers' Chiaroscuro Ensemble. In 1989, in partnership with Michael Fields, she founded the Mayfield Chamber Opera Company, and Dido & Aeneas was their first production, with Evelyn singing Dido. The production was hailed as "a thought-provoking and innovative masterpiece" and Evelyn's interpretation of the tragic heroine "sung with stunning beauty". But, being a Gemini, Evelyn always had a yearning to explore both sides of the tragedy. While several singers have sung both Dido and the Sorceress, in this present recording Evelyn is the first to do so with a characterization of the Sorceress that is true to Restoration ideas...

Purcell: Dido and Aeneas / Evelyn Tubb, Thomas Meglioranza, Julia Matthews et al New Trinity Baroque, Predrag Gosta

Purcell: Dido and Aeneas / Evelyn Tubb, Thomas Meglioranza, Julia Matthews et al New Trinity Baroque, Predrag Gosta, Music, Henry Purcell, Predrag Gosta, Evelyn Tubb, Thomas Meglioranza, Julia Matthews, Elizabeth Arnold, Terrance Barber, Allison Brown, Kevin Sutton, Brad Fugate, Michael Fields
Purcell: Dido and Aeneas / Evelyn Tubb, Thomas Meglioranza, Julia Matthews et al New Trinity Baroque, Predrag Gosta
Average customer rating: 5 out of 5 stars
  • Great performance! Bravo!
Purcell: Dido and Aeneas / Evelyn Tubb, Thomas Meglioranza, Julia Matthews et al New Trinity Baroque, Predrag Gosta

Manufacturer: Edition Lilac - #200204
ProductGroup: Music
Binding: Audio CD

ClassicalClassical | Indie Music | Stores | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Purcell: Dido and Aeneas

ASIN: B0001HKBCO
Release Date: 2004-02-20

Tracks:

  1. Overture
  2. Act I: Shake the cloud from off your brow (Belinda, Chorus)
  3. Act I: Ah! Belinda (Dido)
  4. Act I: Grief increases by concealing (Belinda, Dido, Second Woman)
  5. Act I: When monarchs unite (Chorus)
  6. Act I: Whence could so much virtue spring? (Dido, Belinda, Second Woman)
  7. Act I: Fear no danger to ensue (Belinda, Second Woman, Chorus)
  8. Act I: See, your royal guest appears (Belinda, Aeneas, Dido)
  9. Act I: Cupid only throws the dart (Chorus)
  10. Act I: If not for mine, for empire's sake (Aeneas)
  11. Act I: Pursue thy conquest, Love (Belinda)
  12. Act I: Guitar's Chacony / To the hills and the vales (Chorus)
  13. Act I: The Triumphing Dance
  14. Act II: Prelude for the Witches / Wayward sisters (Sorceress, First Witch)
  15. Act II: Harm's our delight (Chorus)
  16. Act II: The Queen of Carthage, whom we hate (Sorceress)
  17. Act II: Ho ho ho, Ho ho ho! (Chorus)
  18. Act II: Ruin'd ere the set of sun? (Witches, Sorceress)
  19. Act II: Ho ho ho, Ho ho ho! (Chorus)
  20. Act II: But ere we this perform (Witches)
  21. Act II: In our deep vaulted cell (Echo Chorus)
  22. Act II: Echo Dance of Furies
  23. Act II: Ritornelle
  24. Act II: Thanks to these lovesome vales (Belinda, Chorus)
  25. Act II: Oft she visits this lone mountain (Second Woman)
  26. Act II: Behold, upon my bending spear (Aeneas, Dido)
  27. Act II: Haste, haste to town (Belinda, Chorus)
  28. Act II: Stay, Prince (Spirit, Aeneas)
  29. Act III (Scene the Ships): Prelude / Come away, fellow sailors (First Sailor, Chorus)
  30. Act III: The Sailors' Dance
  31. Act III: See the flags and streamers curling (Sorceress, Witches)
  32. Act III: Our next motion (Sorceress, Witches)
  33. Act III: Destruction's our delight (Chorus)
  34. Act III: The Witches' Dance
  35. Act III: Your counsel all is urged in vain (Dido, Belinda, Aeneas)
  36. Act III: Great minds against themselves conspire (Chorus)
  37. Act III: Thy hand, Belinda (Dido)
  38. Act III: When I am laid in earth (Dido)
  39. Act III: With drooping wings (Chorus)

Album Description

Evelyn Tubb's involvement with Purcell's stage music, and Dido & Aeneas in particular, has run like a thread through her illustrious career. She was part of the historic collection of Early Music luminaries who took part in the seminal 1981 Chandos recording by Andrew Parrott, and later sang one of the witches' parts with Nigel Rogers' Chiaroscuro Ensemble. In 1989, in partnership with Michael Fields, she founded the Mayfield Chamber Opera Company, and Dido & Aeneas was their first production, with Evelyn singing Dido. The production was hailed as "a thought-provoking and innovative masterpiece" and Evelyn's interpretation of the tragic heroine "sung with stunning beauty". But, being a Gemini, Evelyn always had a yearning to explore both sides of the tragedy. While several singers have sung both Dido and the Sorceress, in this present recording Evelyn is the first to do so with a characterization of the Sorceress that is true to Restoration ideas...

Customer Reviews:

5 out of 5 stars Great performance! Bravo!.......2004-05-06

The choir and orchestra sing and play so beautifully, creating an unforgetable performance of this great opera. The soloists are well chosen, and each and every one has poise and the right amount of "drama" required for their roles. New Trinity Baroque is without a doubt a group to be reckoned with.

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  7. Shostakovich: Symphonies No 2 and 10 / Haitink
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