Stravinsky: The Rite of Spring; Tchaikovsky: Symphony No. 4 [Hybrid SACD] [Hybrid SACD]

Track Listings

1. Symphony No. 4 in F minor, Op. 36: Andante sostenuto. Moderato con anima. Moderato assai, quasi Andante. Allegro vivo

2. Symphony No. 4 in F minor, Op. 36: Andantino in modo di canzone

3. Symphony No. 4 in F minor, Op. 36: Scherzo: Pizzicato ostinato. Allegro

4. Symphony No. 4 in F minor, Op. 36: Finale: Allegro con fuoco

5. The Adoration of the Earth: Introduction

6. The Adoration of the Earth: The Auguries of Spring / Dances of the Adolescent Girls

7. The Adoration of the Earth: Game Of Abduction

8. The Adoration of the Earth: Spring Rounds

9. The Adoration of the Earth: Games of Rival Tribes

10. The Adoration of the Earth: Procession of the Sage

11. The Adoration of the Earth: The Sage

12. The Adoration of the Earth: Dance of the Earth

13. The Sacrifice: Introduction

14. The Sacrifice: Mystic Circles of the Young Girls

15. The Sacrifice: Glorification of the Chosen One

16. The Sacrifice: Evocation of the Elders

17. The Sacrifice: Ritual Action of the Elders

18. The Sacrifice: Sacrificial Dance

Tracks:

Also Sprach Zarathustra (Sunrise) - R. Strauss
Mars (The Planets) - Holst
Overture 1812 - Tchaikovsky
Entry Of The Gladiadtors - Fucik
Sabre Dance - Khachaturian
Procession Of The Sardar - Ippolitov Ivanov
Night On Bald Mountain - Mussorgsky
Anvil Chor (II Trovatore) - Verdi
The Thunderer March - Sousa
Thunder & Lightening Polka - J. Strauss
Prelude To Act III : Lohengrin - Wagner
The Ride Of The Valkryies - Wagner
Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
Rondeau - Edward Carroll
Overture: Fireworks Music - Handel
March To The Scaffold: Symphonie Fantastique - Berlioz
LesToreadors - Bizet
William Tell Overture: Finale - Rossini
Revolutionary Study - Abbey Simon
Fanfare For The Common Man - Copland
Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
Augurs Of Spring From Rite Of Spring - Stravinsky
Russian Dance From Petrouchka - Stravinsky
The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky

Customer Reviews:

Good selection.......2005-10-02

I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.

thunderous applause.......2005-08-31

This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!

Good Music at a Great Price.......2004-03-06

I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.

You will like this!.......2004-02-19

I had purchased an abundance of the "Favorites" collection and some were better than others.

This CD is at the top of them all. They may be short, but not that short. Wondrous music.

I can almost guarantee that you will like this music.
Well worth the price!

Good for the novice.......2002-06-08

The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.

Walt Disney's Fantasia: Remastered Original Soundtrack Edition

Average customer rating:

Mickey mouse on cover, elevator music for 70 year olds
Optical soundtrack recording limitations
Review of soundtrack Fantasia issues
Fantasia
low-fi fantasia

Walt Disney's Fantasia: Remastered Original Soundtrack Edition

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Fantasia (60th Anniversary Special Edition)
Fantasia 2000: An Original Walt Disney Records Soundtrack
Fantasia
Fantasia 2000
Classic Disney: 60 Years of Musical Magic

ASIN: B000001M4K
Release Date: 2001-07-31

Tracks:

Toccata And Fugue In D Minor - (by Bach)
The Nutcracker Suite Op.71A: Dance Of The Sugar Plum Fairy
The Nutcracker Suite Op.71A: Chinese Dance
The Nutcracker Suite Op.71A: Dance Of The Reed Flutes
The Nutcracker Suite Op.71A: Arabian Dance
The Nutcracker Suite Op.71A: Russian Dance
The Nutcracker Suite Op.71A: Waltz Of The Flowers
The Sorcerer's Apprentice
Rite Of Spring

Tracks:

Symphony No.6 ('Pastoral') Op.68: I. Allegro Ma Non Troppo
Symphony No.6 ('Pastoral') Op.68: II. Andante Molto Mosso
Symphony No.6 ('Pastoral') Op.68: III. Allegro/IV. Allegro/V. Allegretto
Dance Of The Hours (From The Opera 'La Gioconda')
A Night On Bald Mountain
Ave Maria Op.52 No.6

Amazon.com essential recording

It's hard to believe now that Walt Disney's bold 1940 impressionistic experiment in wedding then-state-of-the-art animation with classical music was a rather resounding failure upon its release. The cliché proves the rule: Fantasia was decades ahead of its time (Disney even launched a "psychedelic"-themed rerelease campaign in the late '60s). It's even harder to fathom that then-Disney management spent over a million dollars in the early '80s replacing the muscular Leopold Stokowski score with a digitally recorded clone, then another undisclosed fortune to digitize Leo and put him back alongside Mickey at the conductor's podium in the '90s! This much-traveled Stokowski score will gain no points for subtlety (a symphonic Shaq attack is more like it), but it was Walt's first--and only!--choice and has never sounded better. --Jerry McCulley

Customer Reviews:

Mickey mouse on cover, elevator music for 70 year olds.......2007-06-04

I bought it a couple of years ago looking at the cover but was extremely disappointed when my 18-month old insisted on "Mickey" today and I chucked it into my DVD player. Our baby started crying aloud suggesting "what is this rap?" Disney folks ought to know better not try and market elevator music for 70-year olds to little toddlers regardless of how fantasia the cover looks like!

Optical soundtrack recording limitations.......2007-03-05

The soundtrack recordings for "Fantasia" were provided
to the theaters of 1940 as optical tracks on the side
of the film being shown. Such recordings cannot be
compared to the magnetic tape recordings made after WWII
(using captured or "liberated" German machines at first),
to say nothing of the current digital technology.

An analog optical soundtrack on motion picture film was
bad enough, but the film itself was nitrate, notorious
for disintegrating over a relatively short period of time,
as well as for its flammability. The prints in
circulation wore out until "the sound had gotten so bad,
theaters were refusing to book the film" according to a
Disney spokesman quoted in the New York Times of March
11, 1982.

Stokowski knew what a difference stereo recording made,
compared to mono, because almost a decade earlier, he and
the Philadelphia Orchestra participated (without the
players' knowledge) in a series of experimental high
fidelity and stereo disc recordings made by Bell
Telephone Labs. At the time, Bell Labs and Western
Electric tried to interest several manufacturers of
phonographs in the new technology, but the Great
Depression was underway, and the idea of marketing
phonographs with two stylii and two loudspeakers was
deemed unfeasible. (The Bell system had 33-1/3 rpm
discs with two parallel grooves, requiring two stylii
for playback.)

The Fantasound process, as I understand it, required a
theater to install a single loudspeaker behind the screen
and three loudspeakers along each of the two side walls,
resembling somewhat today's "surround sound." But the
idea was not to produce true stereo sound, but rather
the "ping-pong" stereo concept, with the sounds from the
loudspeakers following the cartoon characters as they
moved back and forth across the screen.

I sometimes wonder if the original recordings were made
with discs, not on soundtrack film -- in which case they
might still exist somewhere in the Disney archives. The
many thousands of original cartoon animation cels used to
create the film images were not treated as archival
material, such as the original Technicolor negatives
of "Gone With The Wind" which were stored in underground
Kansas caves, where the temperature remained steady for
decade after decade. Instead, the cels were either
destroyed or individually distributed to interested
parties. All told, it's remarkable that the film and
soundtrack have survived almost seventy years in the
shape they're in.

Stokowski was not thrilled with the end product
of "Fantasia" because, reportedly, Disney engineers
played with his recording, snipping off beats to match
the animation and enhancing crescendos. Stravinsky --
the only composer represented who was still living at
the time -- also was appalled at Stokowski's rearrangement
of his work (which Stravinsky sold to Disney for $5,000
because he needed the money at the time), to say nothing
of the dinosaurs prancing about to his ballet. The 1940
audiences were either outraged (the purists), puzzled or
bored (the general public), or snickering that Disney
had "lost it" (the film industry). But some of us loved it.

Yet "Fantasia," like "The Rite of Spring," proved far
more durable than its critics could imagine. At the
time, I was familiar with the music of Beethoven's Sixth
Symphony, Tchaikovsky's "Nutcracker", Bach's "Ave Maria,"
and even Ponchielli's "Dance of the Hours," but "The Rite
of Spring," and "The Sorceror's Apprentice," and "Night on
Bald Mountain" as well as Bach's "Toccata and Fugue" were
revelations for me. I didn't know then that Stokowski
tinkered with those scores, but now I have a large number
of various performances of all of them in my recording
collection. My "Fantasia" recordings were issued on LPs
in the 1970s and are treasured as historic artifacts.

In effect, that is what this two-CD album is. It's a
mistake to listen to it as performances comparable to
modern digital recordings. Enjoy them for what they are
- historical efforts to popularize classical music.

Richard Q. Hofacker, Jr., Basking Ridge, NJ

Review of soundtrack Fantasia issues.......2007-02-16

Thanks to the other reviewers for honest opinions on sound quality of this product issue. The FANTASIA soundtrack deserved better, and fortunitely, I once bought a 2-volume cassette edition of Fantasia, remastered original soundtrack edition, purchased at Tomorrowland souvenir shop at Disneyland back in 1990. Still have it, in great condition box set, and even the new boom boxes sold in todays market, feature cassette and cd play. Muchos grac!

Fantasia.......2007-01-10

I am satisfied that the CD is of the original production of Fantasia, which I feel is superior to the current DVD. I hope that a DVD version of the original version will be made available at some time. The sound quality leaves a little to be desired, however.

low-fi fantasia.......2007-01-10

I was disapointed with the low-fi recording. I realize the soundtrack is from the 1940's, but I assumed it has been re-mastered. Rather muddy sound.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven
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Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
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The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Tocatta And Fugue In D Minor, BWV 565: Toccata
Nutcracker Suite, Op. 71a: Dance Of The Sugar Plum Fairy
Nutcracker Suite, Op. 71a: Chinese Dance
Slovak Philharmonic Orchestra: Dance Of The Reed Flutes
Nutcracker Suite, Op. 71a: Arabian Dance
Nutcracker Suite, Op. 71a: Russian Dance (Trepak)
Nutcracker Suite, Op. 71a: Waltz Of The Flowers
The Sorcerer's Apprentice
The Rite Of Spring: The Sacrifice
Sympony No. 6 In F Major, Op. 86, 'Pastoral': Scene By The Brook
La Giaconda: Dance Of The Hours
A Night On The Bare Mountain
Ave Maria

Customer Reviews:

Eisner doen't need your money!.......2007-01-29

If you wan the "Fantasia" experience on a budget, or you have moral objections to giving Eisner too much money, then this CD is for you. It is the entire "Fantasia" super-symphony culled from the archives at Naxos. Consequently, it does not have a continual level of quality. Directors, musicians, and recording equipment change from suite to suite, which can be hard on people with Brian Wilson "dog ears."

The only noticeable difference is on "Toccata And Fugue In D Minor." Instead of a full Stokowski orchestra, we get the solo organ version. If you want to be true to Bach on his own terms, this should not be a problem. However, if you wanted the full string and woodwind treatment, you may have to break down and cross Eisner's palm with silver.

Aside from this one difference (and a slight warble on the open note to "Toccata and Fugue," which may be a copying error) everything you heard in the movie is here. This is an enjoyable collection of Classical hits, great for cutting one's teeth on, or for a home schooler.

Stravinsky: The Rite of Spring; Tchaikovsky: Symphony No. 4

Average customer rating:

Great sonics

Stravinsky: The Rite of Spring; Tchaikovsky: Symphony No. 4

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain [Hybrid SACD]
Orff: Carmina Burana [Hybrid SACD]
Tchaikovsky 1812 Overture etc. / Kunzel, Cincinnati Pops (Multichannel Hybrid SACD)
Bartók: Concerto for Orchestra; etc. [Hybrid SACD]
Mussorgsky: Pictures at an Exhibition, A Night on Bald Mountain, and Other Russian Showpieces [Hybrid SACD]

ASIN: B00005QZLB
Release Date: 2002-01-01

Tracks:

Symphony No. 4 in F minor, Op. 36: Andante sostenuto. Moderato con anima. Moderato assai, quasi Andante. Allegro vivo
Symphony No. 4 in F minor, Op. 36: Andantino in modo di canzone
Symphony No. 4 in F minor, Op. 36: Scherzo: Pizzicato ostinato. Allegro
Symphony No. 4 in F minor, Op. 36: Finale: Allegro con fuoco
The Adoration of the Earth: Introduction
The Adoration of the Earth: The Auguries of Spring / Dances of the Adolescent Girls
The Adoration of the Earth: Game Of Abduction
The Adoration of the Earth: Spring Rounds
The Adoration of the Earth: Games of Rival Tribes
The Adoration of the Earth: Procession of the Sage
The Adoration of the Earth: The Sage
The Adoration of the Earth: Dance of the Earth
The Sacrifice: Introduction
The Sacrifice: Mystic Circles of the Young Girls
The Sacrifice: Glorification of the Chosen One
The Sacrifice: Evocation of the Elders
The Sacrifice: Ritual Action of the Elders
The Sacrifice: Sacrificial Dance

Customer Reviews:

Great sonics.......2004-09-30

This Rite of Spring has always been an impressive performance (and one of my favorite). An early Telarc digital triumph in the waning days of vinyl, it's even better in this stunning new SACD incarnation. The depth of field is uncanny, far better than on either the original vinyl or earlier CD version. The Tchaikovsky is perhaps less impressive but more than acceptable. Apart from the fact that both pieces are by Russians and can be VERY loud, I'm not sure I understand the pairing, though.

Average customer rating:

Russian Orchestral Masterworks

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Tracks:

Sym No.5 in e, Op.64: I. Andante - Allegro Con Anima - LSO/Rafael Fruhbeck De Burgos
Sym No.5 in e, Op.64: II. Andante Cantabile, Con Alcuna Licenza - LSO/Rafael Fruhbeck De Burgos
Sym No.5 in e, Op.64: II. Valse: Allegro Moderato - LSO/Rafael Fruhbeck De Burgos
Sym No.5 in e, Op.64: IV. Finale: Andante Maestoso-Allegro Vivace - LSO/Rafael Fruhbeck De Burgos
Ser, Op.48: Pezzo In Forma Di Sonatina Andante-Allegro-Andante - English Strs Orch/William Boughton
Ser, Op.48: Waltzer: Moderato - English Strs Orch/William Boughton
Ser, Op.48: Elegie: Larghetto Elegacio - English Strs Orch/William Boughton
Ser, Op.48: Finale: Thema Russo Andante-Allegro - English Strs Orch/William Boughton

Tracks:

Scheherazade Sym Ste, Op.35: Largo E Maestoso - Allegro Non Troppo - Bradley Creswick/George Ives
Scheherazade Sym Ste, Op.35: Lento - Andantino - Bradley Creswick/George Ives
Scheherazade Sym Ste, Op.35: Andantino Quasi Allegretto - Bradley Creswick/George Ives
Scheherazade Sym Ste, Op.35: Allegro Molto - Bradley Creswick/George Ives
Russian Easter Festival Ov, Op.36 - Bradley Creswick/George Ives

Tracks:

Romeo & Juliet - Ballet Ste, Op.64: I. Montagues And Capulets (Ste 2, No.1) - Philharmonia Orch/William Boughton
Romeo & Juliet - Ballet Ste, Op.64: II. The Child Juliet (Ste 2, No.2) - BBC National Orch Of Wales/Tadaaki Otaka
Romeo & Juliet - Ballet Ste, Op.64: III. Dance (Ste 2, No.4) - BBC National Orch Of Wales/Tadaaki Otaka
Romeo & Juliet - Ballet Ste, Op.64: IV. Dance Of Antilles Girls (Ste 2, No.6) - BBC National Orch Of Wales/Tadaaki Otaka
Romeo & Juliet - Ballet Ste, Op.64: V. Morning Dance (Ste 3, No.2) - BBC National Orch Of Wales/Tadaaki Otaka
Romeo & Juliet - Ballet Ste, Op.64: VI. Romeo & Juliet (Ste 1, No.6) - BBC National Orch Of Wales/Tadaaki Otaka
Romeo & Juliet - Ballet Ste, Op.64: VII. Romeo At The Grave Of Juliet (Ste 2, No.7) - BBC National Orch Of Wales/Tadaaki Otaka
Romeo & Juliet - Ballet Ste, Op.64: VIII. Death Of Tybalt (Ste 1, No.7) - BBC National Orch Of Wales/Tadaaki Otaka
Romeo & Juliet - Fant Ov - BBC National Orch Of Wales/Tadaaki Otaka

Tracks:

Sym No.2 in e, Op.27: I. Largo - Allegro Moderato - BBC National Orch Of Wales/Tadaaki Otaka
Sym No.2 in e, Op.27: II. Allegro Molto - BBC National Orch Of Wales/Tadaaki Otaka
Sym No.2 in e, Op.27: III. Adagio - Martin Ronchetti
Sym No.2 in e, Op.27: IV. Allegro Vivace - BBC National Orch Of Wales/Tadaaki Otaka
Vocalise, Op.34, No.14 - BBC National Orch Of Wales/Tadaaki Otaka

Tracks:

The Firebird Ste: Intro And Dance Of The Firebird - LSO/Gennadi Rozhdestvensky
The Firebird Ste: Adagio (Pas De Deux) - Entreaty Of The Firebird - LSO/Gennadi Rozhdestvensky
The Firebird Ste: Scherzo - LSO/Gennadi Rozhdestvensky
The Firebird Ste: Rondo (Khorovod) - LSO/Gennadi Rozhdestvensky
The Firebird Ste: Allegro - Infernal Dance - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: I. Adoration Of The Earth: Intro (Harbingers Of Spring) - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: I. Adoration Of The Earth: Dances of The Adolescents - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: I. Adoration Of The Earth: Mock Abduction - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: I. Adoration Of The Earth: Spring Rounds - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: I. Adoration Of The Earth: Game Of The Rival Tribes - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: I. Adoration Of The Earth: Dance Of The Earth - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: II. The Sacrifice: Intro - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: II. The Sacrifice: Mystical Circles Of The Adolescents - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: II. The Sacrifice: Glorification Of The Victim - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: II. The Sacrifice: Evocation Of The Ancestors - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: II. The Sacrifice: Ritual Of The Ancestors - LSO/Gennadi Rozhdestvensky
The Rite Of Spring: II. The Sacrifice: Sacred Dance - The Victim - LSO/Gennadi Rozhdestvensky

Tracks:

Petrouchka: First Scene: The Shrovetide Fair - LSO/Gennadi Rozhdestvensky
Petrouchka: Second Scene: Petrouchka's Room - LSO/Gennadi Rozhdestvensky
Petrouchka: Third Scene: The Moor's Room - LSO/Gennadi Rozhdestvensky
Petrouchka: Fourth Scene: Grand Carnival - LSO/Gennadi Rozhdestvensky
Sym In Three Movts: 1st Movt - LSO/Gennadi Rozhdestvensky
Sym In Three Movts: 2nd Movt - LSO/Gennadi Rozhdestvensky
Sym In Three Movts: 3rd Movt - LSO/Gennadi Rozhdestvensky

Tracks:

Pno Con No.1, Op.35: I. Allegro Moderato - Martin Jones/Graham Ashton/Michael Bouchmann
Pno Con No.1, Op.35: II. Lento - Martin Jones/Graham Ashton/Michael Bouchmann
Pno Con No.1, Op.35: III. Moderato - Martin Jones/Graham Ashton/Michael Bouchmann
Pno Con No.1, Op.35: IV. Allegro Brio - Martin Jones/Graham Ashton/Michael Bouchmann
Pno Con No.2, Op.102: I. Allegro - Martin Jones
Pno Con No.2, Op.102: II. Andante - Martin Jones
Pno Con No.2, Op.102: III. Allegro - Martin Jones
Chm Sym, Op.110a: I. Largo - ESO/William Boughton
Chm Sym, Op.110a: II. Allegro Molto - ESO/William Boughton
Chm Sym, Op.110a: III. Allegretto - ESO/William Boughton
Chm Sym, Op.110a: IV. Largo - ESO/William Boughton
Chm Sym, Op.110a: V. Largo - ESO/William Boughton

Average customer rating:

GRRRREAT!!!
Great introduction!

Heavy Classix, Vol. 2

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

1990s | By Decade | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

Heavy Classix
25 Thunderous Classics
Thunder & Lightning
Living In Oblivion : The 80's Greatest Hits, Vol. 2
Time Life Presents: Classical Thunder

ASIN: B000002SOM
Release Date: 1994-03-15

Tracks:

O'Fortuna (from Carmina Burana) - Phil Chor
The Alien God and the Dance of the Evil Spirits (from Scythian Ste, Op.20) - Simon Rattle/City Of Birmingham SO
Circuses (from Feste Romane) - Mariss Jansons/Olso PO
Symphony No.5 in d, Op.47: IV. Allegro non troppo (exc) - Mariss Jansons/Olso PO
Danse de la terre (from The Rite of Spring) - Riccardo Muti/Philidelphia Orch
Night on Bald Mountain (exc) - Mariss Jansons/Olso PO
Finlandia (exc) - Herbert von Karajan/Berlin PO
In the Hall of the Mountain King (from Peer Gynt) - Ambrosian Singers
Die Walkure (Prelude to Act I) - Bernard Haitink/Bavarian RSO
The Miraculous Mandarin (exc) - Eugene Ormandy/PO
Le Chasseur Maudit (exc) - Riccardo Muti/Philidelphia Orch
Glorification de L'Eleu (from The Rite of Spring) - Riccardo Muti/Philidelphia Orch
Danse generale (from Daphnis et Chloe, Ste No.2) - Mariss Jansons/Olso PO
The Sorcerer's Apprentice (exc) - Mariss Jansons/Olso PO
Dance of the Mountaineers (from Gayne Ballet) - Yuri Temirkanov/Royal PO
Sym No.6 in b, Op.74 'Pathetique': I. Allegro non troppo (exc) - Riccardo Muti/PO
Sinf: I. Allegretto - Simon Rattle/PO
The Death of Tybalt (from Romeo and Juliet) - Riccardo Muti/Philidelphia Orch
Sym No.10 in e, Op.93: II. Alllegro - Simon Rattle/PO
Danse sacrale (from The Rite of Spring) - Riccardo Muti/Philidelphia Orch
Manfred Sym, Op.58: I. Andante (exc) - Riccardo Muti/PO

Customer Reviews:

GRRRREAT!!!.......2006-10-25

This CD and the first Heavy Classix are some of the greatest compilations of powerful brassy classical music ever! None of that wussy string concerto stuff, just plain gusto, the kind of music you want to play at top volume with the windows rolled down so everyone will know what kind of god you are. (IMHO) I LOVE this cd and so will you...they're hard to find nowadays...so get yours while you can!

Great introduction!.......2000-04-14

The Heavy Classix CDs were my introduction to classical music, and it was a very successful introduction. Beginning with 'O Fortuna' (which you might recognize from any one of several movies including Excalibur) and continuing through a number of high-powered tracks, some of which (Finlandia, Sorcerers Apprentice) might be familiar to you, Heavy Classix 2 and its companion Heavy Classix are great places to learn about classical music and dispel yourself of the notion that classical music is boring.

Average customer rating:

Work Out: Music of Energy and Power

Manufacturer: Spj Music
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Inner Voices: Soothing Music for the Soul

ASIN: B00005Y9U7
Release Date: 1998-07-28

Tracks:

Overture la Cenerentola - Thomas Schippers
Symphony No. 4 in a ''italian'', I. Allergro Vivace'' - David Zinman
Scherzo [From Midsummer Night's Dream]
Scherzo [From Symphony No. 9 ''Choral''] - Alberto Lizzio
Finale to Piano Concerto No. 2 in G Major - Richard Kapp, Michael Ponti
Presto [From ''Summer'']
Toreadors - Alfred Scholz
Sabre Dance
Slaconic Dance Op. 46 No. 8 in G Minor - Antal Dorati
Petrouchka: Shrove Tide Fair
Petrouchka: Russian Dance
Rite of Spring: Augurs of Springs, Dances of the Young Girls
Concerto for Orchestra: Finale
Piano Concerto No 2 in BB, III Rondo - Alfred Brendel,

Average customer rating:

A MUST HAVE
Not just for bassoon players !!

Orchestral Excerpts for Bassoon

Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

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OrchestraPro Bassoon, vol. 2
Orchestral Excerpts for Clarinet
Orchestral Excerpts for Oboe
Orchestral Excerpts for Flute
French Music For Bassoon

ASIN: B0000038JZ
Release Date: 1995-03-17

Tracks:

Into
Marriage Of Figaro
Sym No.4
Sym No.9
Vn Cto. (1st)
Vn Cto. (2nd)
Vn Cto. (3rd)
Sym Fantastique (4th)
Sym Fantastique (5th)
La Gazza Ladra
Una Furtiva Lagrima
Sym No.4 (1st)
Sym No.4 (2nd)
Sym No.5 (1st)
Sym No.5 (2nd)
Sym No.5 ( 3rd)
Sym No.6
Scheherazade
Till Eulenspiegel
Ein Heldenleben
Bolero
Alborada Del Grazioso
Rapsodie Espanol
Pno Con in G (1st)
Pno Con in G (3rd)
Firebird
Rite Of Spring
Con
Sym No.1
Sym No.9
Closing

Customer Reviews:

A MUST HAVE.......2003-06-03

Every serious bassoon player should be required to own this cd, especially anyone considering auditioning for an orchestra. McGill explains how to play the excerpts in order to give them that special touch the judges are looking for. He also plays each example with such ease-- it almost sounds easy! This cd gives you something to strive for as an aspiring bassoonist.

Not just for bassoon players !!.......2000-10-16

I first heard of this recording from an article by Owen Lee in DOUBLE BASSIST magazine, in an article on Bach's Suite No. 3 (the 4th in a series on Bach's Suites for Unaccompanied Cello on Double-Bass) - a piece that I keep in my practice folder, and take out periodically. Lee said this CD is "the finest dissertation on musical phrasing that I have come across." Since I'm working on a guitar-bass duet arrangement of Ravel's "Bolero" and this is one of the excerpts, I figured I'd check it out.

I play primarily jazz bass, but have practiced "classical" music to get a better perspective on my weaknesses in intonation, phrasing, and overall style. And although I have never been one to disregard the other instruments in the orchestra (I have always enjoyed a well-played woodwind line), I have never got around to actually practicing these excerpts on my bass. Until now, of course. Anymore, I feel I am robbing myself of some incredible musical opportunities if I limit my vocabulary to double bass recordings.

Track Listings:

Track Listings

track listings

Track Listings

Jazz From Hell [Original recording remastered]

Piece De Clavecin

National Geographic: Destination Chicago

Kenton With Voices/Artistry in Voices and Brass

Original Rockabilly and Chicken Bop, Vol. 2: Rockin' in the Farmhouse

Open Our Eyes

Moment to Moment [Import]

Mozart Variations

Old Style

Official History of New Orleans Jazz [Import]

Short Bus

Merengue Y Mas

Lo Mejor de los Yaguaru, Vol. 1

Cosmopolitan: Celestial Cocktails

Woodlands

1. Symphony No. 4 in F minor, Op. 36: Andante sostenuto. Moderato con anima. Moderato assai, quasi Andante. Allegro vivo
2. Symphony No. 4 in F minor, Op. 36: Andantino in modo di canzone
3. Symphony No. 4 in F minor, Op. 36: Scherzo: Pizzicato ostinato. Allegro
4. Symphony No. 4 in F minor, Op. 36: Finale: Allegro con fuoco
5. The Adoration of the Earth: Introduction
6. The Adoration of the Earth: The Auguries of Spring / Dances of the Adolescent Girls
7. The Adoration of the Earth: Game Of Abduction
8. The Adoration of the Earth: Spring Rounds
9. The Adoration of the Earth: Games of Rival Tribes
10. The Adoration of the Earth: Procession of the Sage
11. The Adoration of the Earth: The Sage
12. The Adoration of the Earth: Dance of the Earth
13. The Sacrifice: Introduction
14. The Sacrifice: Mystic Circles of the Young Girls
15. The Sacrifice: Glorification of the Chosen One
16. The Sacrifice: Evocation of the Elders
17. The Sacrifice: Ritual Action of the Elders
18. The Sacrifice: Sacrificial Dance