20th & 21st Century Piano Sonatas

Editorial Reviews
Amazon.com
In his 84th year, Earl Wild was still able to steamroller through Samuel Barber's difficult Sonata with all the driving power you could want to hear, and still enough attention to spare for its musical values. This performance, which opens the CD, is one of the more impressive pieces of piano playing you're likely to hear anywhere. Stravinsky's only Piano Sonata doesn't invite such virtuosity, but Wild plays it with classic restraint and comprehension. He is equally convincing in Hindemith's Sonata No. 3, a performance that makes one regret that the blank 17 minutes on this disc wasn't used for more Hindemith. Unfortunately, Wild's own Piano Sonata, completed only days before the April 2000 recording session, doesn't reveal an outstanding creative talent. The finale, a kind of Latin Toccata dedicated to Ricky Martin (!), isn't even very amusing. Still, three out of four ain't bad, and Wild's playing leaves us expecting that this classic master has a great deal left to offer us. Excellent recorded sound, too. --Leslie Gerber

BBC Magazine, January 2001
There's no lack of energy or control - an extensive range of pianistic colour. Five stars for sound.

Album Description
Earl Wild, whose legendary career has spanned over 70 years, performs in this new recording four 20th and 21st century piano sonatas. Mr. Wild states: "I had a personal friendship with all four composers on this disc, although one of the relationships has been a little more intimate. I have performed the Hindemith and Stravinsky sonatas in public many times since the 1940s. The Barber Sonata however is a first performance for me. I have the greatest admiration for this wonderful work. My own Sonata was completed in April of 2000. A stylistically eclectic work, it incorporates Civil War tunes, echoes of popular music of the 1920s and, in the finale (entitled "Toccata a la Ricky Martin"), there is a distinctive Latin American flavor!"

20th & 21st Century Piano Sonatas

20th & 21st Century Piano Sonatas, Music, Samuel Barber, Paul Hindemith, Igor Stravinsky, Earl Wild, Earl Wild, 20th/21st Century Sonata/Sonatina for Keyboard, Chamber Music & Recitals, Classical, Classical Artists, Classical Music, Keyboard

20th Century Masters - The Millennium Collection: The Best of Les Paul
Average customer rating:

A must have for Les Paul enthusiasts

A talent ready to explode

A throwaway

Five stars for music...one star for length

Little-known Les Paul

20th Century Masters - The Millennium Collection: The Best of Les Paul
Les Paul
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005R8ET
Release Date: 2001-10-30

Tracks:

Blue Skies
Begin The Beguine
Dream Dust
Dark Eyes
It's Been A Long, Long Time - Les Paul Trio
Hawaiian Paradise
Rumors Are Flying
Steel Guitar Rag
Somebody Loves Me
Guitar Boogie
Caravan
What Are You Doing New Years's Eve? - Les Paul Trio

Customer Reviews:

A must have for Les Paul enthusiasts.......2007-05-10

I suppose I am fortunate enough to have seen Les Paul live at the Iridium Jazz Club on Broadway in NYC on April 30, 2007 and aquire this CD and then have the cover autographed by Les Paul himself. His contribution as an inventor, innovator, musician and most importanlty a wholesome person is what makes his existance so very impacive to the music world.

This best of CD in my opinion is just a a sample of the rest of his best of material. Yes, this is a must have, but there is so much more out there of Les as well as it's hard to capture the man and his music in such a small sampling. Take for instance his work with Bing Crosby and other legends such as Chet Atkins who Les and Chey put out a Grammy winning album in one take (yes, one take - Amazing!).

I also suggest reading about the impact Les has had on many of the greatest musicians to play the guitar, including many of those not featured on thi CD such as Jimmy Page and others.

If you can ever make the trip to the Iridium, I highly recommend it. Les is getting any younger, and I am glad I had the chance t see this living legend play while he still is able to do so. Les is a class act and a gem to listen to.

A talent ready to explode.......2007-04-23

Before Les Paul landed at Capitol Records in the 50's, he recorded these sides as a small combo leader and sideman for Decca. I had never heard any of these before. Early recordings are often the most revealing. Finding these is a wonderful surprise!

There is nothing slick or contrived here. Just Les' wonderful talent in a very satisfying context. This cd showcases young Les Paul on the launching pad ready to take off on his amazing and influential career.

This cd will remain in my changer in heavy rotation.

A throwaway.......2002-08-31

A few weeks ago I heard a wonderful performance by Les Paul and Marian McPartland on her Public Radio jazz program, and I promptly ordered this CD. Much to my disappointment, it finally arrived. I found it to be, at best, soporific. I'll probably give it to my father-in-law, who may find an appreciative space for it on the shelf next to Lawrence Welk.

Five stars for music...one star for length.......2002-06-08

I see that the other reviewers are rating this CD on the basis of the wonderful music on it. I agree completely that it is nearly magical. However, one really wonders, could they only find 33 minutes worth of material to include on a "Best Of" for one of the most important and innovative American musicians ever? I think it is absolutely insulting to Les. His accomplishments could easily (and probably have) fill a boxed set. However, try to not let it bother you that you have been [messed over] by Decca/MCA and just enjoy the music. It is truely majestic.

Little-known Les Paul.......2001-11-03

Les Paul "The Best Of Les Paul - Millennium Collection" (MCA/Universal, 2001)

Guitar whiz Les Paul is best known for his groundbreaking 1950s pop/instrumental work on the up-and-coming Capitol label. This WWII-era material on Decca Records is relatively unknown to most music fans. Some of it is session work, with Paul adding some sweet licks to pop tunes sung by Bing Crosby, Dick Haymes, and the Andrews Sisters. Most of this album, though, is devoted to straight jazz recordings, mellow small-combo material with plenty of standards such as "Blue Skies" and "Begin The Beguine"... It's nice stuff, a bit off the beaten track, and a nice glimpse at his career in the years before he experimented with multitracking and all the other studio wizardry he's reknowned for pioneering.

Average customer rating:

The beautiful gift of opera...
Pretty darn good
The Opera #1 Opera Album
Excellent assortment
Great Selections

The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

Carmen: Act 1: Prld - LPO/Sir Georg Solti
La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
La Boheme: Che Gelida Manina - Luciano Pavarotti
Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
Fedora: Amor Ti Vieta - Jussi Bjorling
Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
Rigoletto: La Donna E Mobile - Luciano Pavarotti
Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
Tosca: E Lucevan Le Stelle - Placido Domingo
Madama Butterfly: Un Bel Di - Mirella Freni
Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
Mattinata - Andrea Bocelli
Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
Turandot: Signore, Ascolta! - Montserrat Caballe
Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
Tosca: Vissi D'arte - Kiri Te Kanawa
Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
Rusalka: O Silver Moon - Renee Fleming
La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

The beautiful gift of opera..........2007-07-17

This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.

Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...

Average customer rating:

RIP, BEVERLY SILLS 1929-2007
Brava Sills!
Sills fits my bill
The Great American Soprano
My Favorite Woman

The Great Recordings

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
Beverly Sills: Made in America
Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato

ASIN: B0001Y4JG6
Release Date: 2004-05-11

Tracks:

Son Vergin Vezzosa - Paul Plishka
Eccomi... Oh! Quante Volte
Mira, O Norma
Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
Contro Un Cor Che Accende Amore - Nicolai Gedda
Che M'apporti? - Ambrosian Opera Chorus
Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
Vorrei Spiegarvi, Oh Dio, K.418
Amor, Op.68 No.5

Tracks:

Martern Aller Arten
E Strano! E Strano!
Ah, Fors'e Lui
Follie! Follie!
Sempre Libera
Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
Robert, Toi Que J'aime
Tu Ne Chanteras Plus?
Chere Enfant Que J'appele
Meine, Lippen, Die Kusen So Heiss
Wien, Wien, Nur Du Allein
Always Through The Changing

Customer Reviews:

RIP, BEVERLY SILLS 1929-2007.......2007-07-03

The great American diva's passing was announced today.

This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.

Brava Sills!.......2007-02-02

A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:

Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.

Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.

Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.

Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.

Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.

Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.

In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.

Sills fits my bill.......2006-03-13

This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.

The Great American Soprano.......2005-10-01

This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!

My Favorite Woman.......2005-08-05

I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.

Average customer rating:

Romance of the Violin
End of the Day
Wonderful!
Over and over and over....
Non-standard CD format

Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000DG06L
Release Date: 2003-10-28

Tracks:

O mio babbino caro (from 'Gianni Schicchi')
The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
Nocturne in C sharp minor (Op Post)
The Swan (from Carnival of the Animals)
Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
Casta Diva (from 'Norma')
Andante from Piano Concerto No. 21 in C Major K. 467
Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
Pur ti Miro (from 'L'incoronazione di Poppea')
Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')

Amazon.com

Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine

Customer Reviews:

Romance of the Violin.......2007-07-16

While it's not my very favorite Joshua Bell CD, this is a pleasure to listen to!

End of the Day.......2007-06-08

I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.

Wonderful!.......2007-05-30

I play this for my grandson to nap by. It is so relaxing and wonderful!

Over and over and over...........2007-05-17

That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.

Non-standard CD format.......2007-04-22

The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.

A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.

The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.

Average customer rating:

Great for kids!
Mediocre Sound Quality
I was pleased
The Most Famous Opera Arias
Okay But.... - a review of "The Most Famous Opera Arias"

The Most Famous Opera Arias

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002SCE
Release Date: 1994-07-19

Tracks:

Rigoletto: Act I - Caro nome
Rigoletto: Act III - La donna e mobile
Gianni Schicchi: O mio babbino caro
Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
Orfeo ed Euridice: Act III - Che faro senz Euridice
Madama Butterfly: Act III - Un bel di, vedremo
Romeo et Juliette: Act I - Ah! je veux vivre
Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
Tosca:: Act II - Vissi d'arte, vissi d'amore
Aida: Act I-Celeste Aida
Il Barbiere Di Siviglia: Act I-Una voce poco fa
Lakme: Act II - Ou va la jeune indoue?
La Wally: Act I - Ebben? Ne andro lontano
La Boheme: Act I - Che gelida manina
Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen

Customer Reviews:

Great for kids!.......2007-06-27

I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.

Mediocre Sound Quality.......2007-03-31

If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.

It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.

I was pleased.......2007-02-18

I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.

The Most Famous Opera Arias.......2007-01-05

I was completely surprised in the product as well as the time in which it was delivered.

I would not only refer this seller but I will come back myself.

Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18

My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.

This was the first we purchased and it is okay but not great.

Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)

Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.

Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.

Average customer rating:

"Sickness Will Surely Take the Mind Where Minds Can't Usually Go" (* * * * 1/4)
Tommy revisited
it started here
been there done that go for it....
A Classic

Tommy (1969 Original Concept Album)
The Who
Manufacturer: Mca
ProductGroup: Music
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Who's Next
Quadrophenia
The Who Sell Out
Live at Leeds
Who Are You

ASIN: B000002OZY
Release Date: 1996-03-12

Tracks:

Overture
It's A Boy
1921
Amazing Journey
Sparks
Eyesight To The Blind (The Hawker)
Christmas
Cousin Kevin
The Acid Queen
Underture
Do You Think It's Alright?
Fiddle About
Pinball Wizard
There's A Doctor
Go To The Mirror!
Tommy Can You Hear Me?
Smash The Mirror
Sensation
Miracle Cure
Sally Simpson
I'm Free
Welcome
Tommy's Holiday Camp
We're Not Gonna Take It

Amazon.com essential recording

Tommy had the dubious distinction of being the first-ever rock opera; however, it's none the worse for that, Ken Russell's adaptation notwithstanding. Due largely to Pete Townshend's skill as a songwriter and composer, Tommy tells a coherent story and includes quality rock and roll at the same time, an impressive feat by itself. While surprisingly more linear than the later Quadrophenia, Tommy boasts several songs that stand up well on their own, including the classic "Pinball Wizard," "The Acid Queen," "I'm Free," and "Sally Simpson." Much of the rest doesn't make much sense lyrically unless you listen to the entire album, but you'll probably want to do that anyway, preferably with the lights low and the stereo cranked. --Genevieve Williams

Customer Reviews:

"Sickness Will Surely Take the Mind Where Minds Can't Usually Go" (* * * * 1/4).......2007-06-13

The Who's Tommy had been foreshadowed lyrically by "A Quick One, While He's Away" - which Pete Townshend referred to as "Tommy's parents" on Live At Leeds - and musically by the two-part "Rael" from The Who Sell Out. (Although I am not sure about the continuity between "A Quick One" and Tommy.) Granted, the foreshadowing was subtle, but clearly Townshend had big things in mind as The Who's stature grew. But as a "rock opera", if we are to use that term, Tommy was not an entirely original creation. It was presaged by The Pretty Things' S.F. Sorrow in 1968. Moreover, word had apparently leaked to Townshend that Ray Davies was working on Arthur, or: the Decline and Fall of the British Empire. So just as The Kinks had influenced The Who's early sound, eg, "I Can't Explain", so too would they appear to have influenced them in the middle period of their heyday.

The centerpiece of Tommy is "Pinball Wizard", whose strummed chords are among the most recognizable in rock, and which serve as a motif throughout the record. However, I should note - as others have - that it is not too far removed from the chords heard on "Old Man Going" from the previously mentioned S.F. Sorrow. (But hey, even the opening to "Stairway To Heaven" had a precursor in "Taurus" by the band Spirit.) Of the two dozen tracks on the album, this is probably the only one known to a wider audience, and rightfully so. This is an excellent single which stands well on its own, and serves as one of the pillars for an album that also includes three instrumentals ("Overture", "Sparks", "Underture") and several under one-minute adhesive pieces, which are at times reminiscent of the fake commercials on Sell Out. Among the other solid, free-standing songs are "Amazing Journey", "Christmas", "Go To the Mirror!", "Sensation", "Sally Simpson", and "I'm Free". Pete Townshend wrote all of these songs, and most of the others on Tommy. But there is also the smartly chosen cover of Sonny Boy Williamson's "Eyesight To the Blind (The Hawker)". Plus, John Entwistle's two tracks introduce the unsavory characters one would expect from him, in this case the bully "Cousin Kevin" and the alcoholic, sexually abusive Uncle Ernie ("Fiddle About").

Tommy is surely to be praised for its great songs and ambition, but also for the fact that the story holds together quite well. It is easy to criticize it for being sketchy, but no libretto can serve to illustrate every scene of an opera perfectly. Townshend obviously expected it to be presented on stage. I will not go too deeply into the plot, but it is worth pointing out the highlights. Tommy witnesses the murder of his mother's lover by his father, long thought to have been killed in World War I ("1921"). Terrified by his father's insistence that he saw and heard nothing, and that his never to tell anyone about it, he is psychologically struck deaf, dumb, and blind. His parents, bereft of hope, first seek to heal him first through a strange spiritual leader ("Eyesight To the Blind") and then hallucinagens ("The Acid Queen"). Both fail, but in the meantime Tommy discovers he has an uncanny talent for pinball, which catapults him to fame. Soon after this, his parents find a doctor who discovers that Tommy's symptoms are psychosomatic ("There's A Doctor"). The refrain of "See me, feel me, touch me, heal me" comes from Tommy, who is aware of what is happening even though he cannot express himself. Tommy is healed when his mother destroys the mirror into which he perpetually stares, and through which he saw the murder happen ("Smash The Mirror"). Thought by many to have been the recipient of a miracle, he acquires legions of followers, who too hope to have their senses revived figuratively the way Tommy's were literally ("Sally Simpson", "Welcome".) Alas, like most so-called gurus, Tommy insists that his followers gain enlightenment the same way that he did. This, coupled with the fact that Uncle Ernie is heading up the camp, cause his followers to abandon him ("We're Not Gonna Take It"). Fortunately, Tommy does not abandon himself as the latter half of "We're Not Gonna Take It" - released in single form as "See Me, Feel Me" - indicates.

If any band were to make the rock opera legitimate, The Who was surely the big band who could. Although S.F. Sorrow deserves its share of credit, and although Arthur is a better album, Tommy is the one that everyone knows about. Obviously such a large project ran the risk of being overblown, but Townshend's penchant for graceful but powerful singles and longer pieces prevented this from happening. Tommy may not be a Great album, but it is a very good one, and is worthy of its status as a major breakthough in the history of rock.

Tommy revisited.......2007-05-30

Tommy came out my freshman year in college and I listened to it continuously. The Dayton Ballet just did an awesome ballet version of Tommy in April, so I bought this for my daughter's 13th birthday, she loves it!

it started here.......2007-05-26

The music of Tommy is where I first began really appreciating rock and roll, way back in 1988 when I was only 7 years old. That was a very important day in the life of me. There's no telling which direction my taste in music would have gone had I not heard some of the wonderful tunes from Tommy. I fear it would have eventually gone towards Limp Bizkit and other similar unenjoyable bands.

The music on this album is simply incredible. It's one thing to make a concept album and tell a good story. It's another when you can take a story and wrap *extremely* memorable music around it, which is what Tommy does so well.

I didn't really appreciate Keith Moon's drumming when I first heard this album, or Daltrey's emotional roller-coaster ride of a voice, going from convincingly angry to touching and sad. He's very good at going back and forth between those two emotions.

Still, I can't help but think back to my childhood. The line "See me, feel me, touch me, heal me" has stuck with me all these years, and there's a feeling when I listen to how that melody is sung that strucks me on a personal note. The "Right behind you, I see the millions" vocal line is another hook that has always stood up well, and will probably continue to do so.

I admit, Tommy is probably not my favorite Who album these days, because I've familiarized myself with other Who albums in the last decade. Denying the influence this album had on me would be ignorant and wrong, because Tommy is where my rock and roll obsession took off. The rest is history, my friend.

been there done that go for it...........2007-05-15

Tommy some great guitar work here. Do you play you do I thought so you've heard of this album 'till you're looking here and well you should be there what's it about?

Somebody has it rough to begin with and somehow makes it out without falling down all the way to oblivion. Tommy gets it from the beginning parents not so together and a family that almost defies merit still the songwriter seems to have an uncanny insight into the whole outcome of such things if you have a little savvy of your own.

Nice music sometimes it's like you just stepped off the bus from home and set foot in the garden othertimes you're in a tractor's nuts with no place to go for a headache.

This may or not be intended as an opera but I don't know if you expect a full blown orchestra wallowing in the waters of oblivion you won't find it here just some very snappy rock and roll... or pop rather.

Tommy opens with an overture I don't know it's not strictly speaking a full symphonic movement but it 's got some french horn right where it counts sort of makes you wonder what next from an album called Tommy.

There's no Thomson machine gun jokes in Tommy in fact it's not in there.

Something deeper something a little closer to home. Kid has a rough childhood and makes good.... That's it. Okay so you can go too far and maybe that's the point of writing 24 songs all at once having made your point take what comes from that and PROCEED to the nearest exit.

There's an underture the opposite of a movement in formal music theory called an Overture strange place to be if you're one of those lucky people that don't want anything for themselves.

All the Who albums are pop music at it's best but I say Tommy is the first stop to make if you're on your way to the record man. It's a long album two albums actually the best of the bands diverse talents is brought to completion in this very pop record of a story about a boy that rises to the top and has it all and I mean all.

The web can put you straight on who's who and what's what after all with this record but they don't even ever have a personal review of their own encounter and there's the rub. I like rock and roll and this album provides.

Very nice record well done and to the point. Masterpiece in spite of what they tell you on page one!

A Classic.......2007-04-11

Tommy is Pete Townsend's classic rock opera. It tells the story of a boy born deaf, dumb, and blind, and his eventual coming out and triumph. The music is tremendous with great soaring pieces, well crafted lyrics, and an interesting story line. Plus, it's the WHO; probably the best rock band ever. This is the album the include I'm Free, Pinball Wizard, Amazing Journey, and We're Not Gonna Take It. Actually, I really like the Overture.
This was one of the first albums I bought. It was my introduction to the WHO. And, I play it quite frequently.
It is a classic album, and well worth the listen.

Average customer rating:

Beautiful!
Voice of the Violin
Disappointed
Voices of the Violin
Angelic music

Voice of the Violin

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Romance of the Violin
Joshua Bell - Gershwin Fantasy
The Essential Joshua Bell
Tchaikovsky: Violin Concerto [Hybrid SACD]
Romance Of The Violin (Live From New York In Concert)

ASIN: B000H7JD1I
Release Date: 2006-09-05

Tracks:

Vocalise, Op. 34, No. 14
Ave Maria
Pourquoi me riller from Werther
Aprun r, Op. 7, No. 1
Song to the Moon from Rusalka
Laudate Dominum from Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339
None but the Lonely Heart, Op. 6/6
Una furtiva lagrima from L'Elisir d'Amore
In trutina from Carmina Burana
May Breezes from Songs without Words, Op. 62, No. 1
Beau soir
Estrellita
Nana (Bercuese) from Siete conciones populares Espanolas
Je crois entendre encore from The Pearl Fishers
Morgen! Op. 27, No. 4

Amazon.com

Constantly exhorted to "sing," string players naturally try to emulate that most beautiful musical instrument, the human voice; no wonder they literally want to get their fingers on the treasures of the vocal repertoire. Joshua Bell has appropriated some of its best-loved songs and operatic arias, from Mozart through the romantics to Orff. Slow, sustained, lovely and yes, singing, these beguiling melodies and wide emotional range are eminently well suited to the violin. Credit for most of the arrangements is given to J.A.C. Redford, a well-known film and television composer, and indeed the throbbing strings and jarring modulations typical of sound-tracks invade his orchestrations, in startling contrast to the composers' own. In Debussy's "Beau soir," pianist Frederic Chiu partners Bell so beautifully that one wishes he had supplanted the orchestra in all the songs with piano accompaniment. The violin transcriptions of the vocal line closely follow the originals, except for Redford's compulsive habit of adding octaves in the repeats and jumping from the lowest to the highest register. Of course, Bell is very good at all this, and it's the playing that's really the thing. His tone is ravishingly beautiful, warm on the G-string, radiant up high, and always deeply expressive. His love and innate feeling for the music---its inward simplicity, romantic yearning and passionate ardor---speak straight to the heart. In the only authentic violin part, the obbligato of Richard Strauss' "Morgen!" he is joined by the golden-voiced soprano Anna Netrebko; at first overly intense, she relaxes into a blissful, magical ending. --Edith Eisler

Customer Reviews:

Beautiful!.......2007-06-14

I think the reason I love this cd is because the music was not primarily written for the violin. Joshua Bell makes the violin "sing" the pieces. I especially liked Tchaikovsky's "None but the Lonely Heart." I've loved it since we sang it many years ago in our High School chorus and it is not on any of my classical cds.

Good choice.

Voice of the Violin.......2007-06-13

I was disappointed in Bell's popular music style. I love him playing Mozart with his verve and energy - as Mozart would have wanted his music played. This seemed slow and draggy.

Disappointed.......2007-05-17

I had heard one of the tracks on the radio, so I bought the CD. It was too high-ended, a little screechy.

Voices of the Violin.......2007-05-17

Voices is no only a great listen because of Joshua Bell, but it is relaxing and calming - for me that is a great way to let stress melt away.

Every song is well done. Of course Joshua Bell is a favorite.

Angelic music.......2007-05-14

I heard about this artist on NPR, and am enchanted by the magnificent voice he gives to the violin. Well worth the purchase.

The Most Relaxing Classical Album in the World...Ever!

Average customer rating:

Lives Up To The Title, Fine Variety Of Genre's.
Good for relaxing pregnant women
Too much opera
Does what it set out to do, very well
TRULY The most relaxing and beautiful music ever written.

The Most Relaxing Classical Album in the World...Ever!
Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , and Samuel Barber
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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The Most Relaxing Classical Album In the World Ever, Volume II
The Most Relaxing Piano Album in the World...Ever!
The Most Relaxing Classical Music in the Universe
25 Classical Favorites
Best of the Millennium: Top 40 Classical Hits

ASIN: B00000I93Z
Release Date: 1999-03-30

Tracks:

Air 'On the G String' - Academy Of St. Martin In The Fields
Morning - Academy Of St. Martin In The Fields
Canon In D - Academy Of St. Martin In The Fields
Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
II. Andante - Stephen Hough
Viens, Mallika - Mady Mesple
In Paradisum - Choir Of King's College, Cambridge
Clair De Lune - Dame Moura Lympany
II. Andate - Yehudi Menuhin
The Swan - Osian Ellis
II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
II. Andantino - James Galway
II. Largo - Yehudi Menuhin
Nimrod - London Symphony Orchestra
Blow the Wind - Pie Jesu - Jocelyn Pook
Variation 18 - Cecile Ousset
Pavane Op.50 - Gareth Morris

Tracks:

Zion Hort Die Wachter Singen - South German Madrigal Choir
Adagio In G Minor - Academy Of St. Martin In The Fields
Minuet - Academy Of St. Martin In The Fields
II. Largo - Andrei Gavrilov
Meditation - Hans Kalafusz
I. Adagio Sostenuto - Dame Moura Lympany
Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
II. Andante - Nigel North
II. Adagio - Jack Brymer
Intermezzo - Philharmonia Orchestra
I. Moderato - London Chamber Orchestra
O Mio Babbino Caro - Montserrat Caballe
Fantasia On 'Greensleeves' - Sinfonia Of London
II. Adagio Sostenuto (Opening) - Cecile Ousset
Nocturne - Academy Of St. Martin In The Fields
II. Adagio (Opening) - Julian Bream
Adagio For Strings Op.11a - The Philadelphia Orchestra
Entr'acte To Act III - Orchestre National De France

Amazon.com

You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward Garabedian

Customer Reviews:

Lives Up To The Title, Fine Variety Of Genre's........2007-02-04

This CD is a great way to enjoy a large variety of Classical Composers & many of their best known pieces. Vivaldi's "Four Seasons," is an all time favorite. There are vocals, Piano pieces, & some fine Violins. I found the latter the most enjoyable. Here you can find Rodrigo & Pachelbell. Samuel Barber's haunting Adagio will make your skin tingle. This may not be to everyones taste, but if you wish to relax? Give this a couple of listens.

Good for relaxing pregnant women.......2007-01-17

I stumbled onto this album whilst searching bit torrent websites for classical music. I don't normally listen to classical music but thought it might be relaxing for my pregnant wife. After hearing the quality of the performances, the arrangement, and the recording I decided to buy the album from amazon. All the songs you would expect from a "best album in the world" are there and they are not boring to listen to like a lot of other classical albums. I now play this album in the car constantly and the wife requested it be played at the hospital during the birth.

Too much opera.......2007-01-10

If it wasn't for the opera this would be a great CD.

Does what it set out to do, very well.......2006-11-15

So i'm a classical music veteran, someone who prefers to collect a complete work, rather than classical compilations. I probably would not have listened to this album at all if my dad didnt buy it for me as a gift. By now, i own the complete works that over half of the excepts on this disc come from. I am a purist if ever there was one.

That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.

Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.

To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.

Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)

So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.

TRULY The most relaxing and beautiful music ever written........2006-11-10

This album along with Volume 2 are now the two most valued albums in my music collection. I have all of the songs contained on these two albums but they are scattered through at least a dozen different albums and several are not performed by artists such as those that recorded this album and Volume 2.
SIMPLY BEAUTIFUL !!!!!!!!!!

Gershwin: Rhapsody In Blue/An American In Paris

Average customer rating:

Gershwin/Bernstein: Rhapsody In Blue and American In Paris
A glorious tribute!
A Truly Great Performance
GLORIOUS!
The Definitive Version and Good Sound Quality!

Gershwin: Rhapsody In Blue/An American In Paris

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000025MH
Release Date: 1990-10-25

Tracks:

Rhapsody in Blue
An American in Paris

Customer Reviews:

Gershwin/Bernstein: Rhapsody In Blue and American In Paris.......2007-01-16

In my opinion you just can't go wrong with Leonard Bernstein and the New York Philharmonic Orchestra. I have many of their recordings in addition to many recordings of other orchestras; some great, some not so much...but the New York Phil is cosistently great. This recording is a superb example of Gershwin's writing, thoughtfully reproduced by a fine orchestra. Both the brashness of the pieces and the subtleties are interpreted well by Mr. Bernstein and the orchestra. The soloists are nothing other than excellent. The brass section is easily as strong as the Chicago symphony's famous section, and the strings intonation is superb. The pathos and the humor of both pieces are readily projected by this sensitive orchestra and conductor. I couldn't recommend this recording higher!

A glorious tribute!.......2006-11-22

To play Gershwin accurately demands from the player, the absolute domain of an invisible taste, unsaid in the score. Few pianists (and Bernstein is among them) were able to convey the listener, this savoir vivre, humor, elegance, that idiomatic atmosphere that plainly justifies your effort.

To my mind, there just have been five pianists who have surmounted this peak: Oscar Levant, Jesus Maria Sanroma, Eugene List, Earl Wild and Leonard Bernstein.

So, under any pretext you should miss this invaluable musical gem.

A Truly Great Performance.......2006-08-19

I originally found this record in a used record store and purchased it for $1. This was not too long ago. After listening, i could not believe that this record only cost me $1 and that some idiot actually sold this to a used record store without listening first. I have never heard a performace of Rhapsody In Blue that is as powerful and heartfelt as this one. Bernstain melts into the piano, resulting in a performance that outshines so many Gershwin performances that exist. On the other side of the record is An American In Paris, a textbook tone poem, and i mean this as a great compliment. The images of Paris and a partially homesick/partially jubilant American strolling along exude from every note. When i found these great performances on CD, i snatched up a copy as quickly as i could. GET THIS RECORD. It is truly a Great Performance.

GLORIOUS!.......2006-07-21

This review refers to "Great Performances: Gershwin - Rhapsody in Blue/An American In Paris"(CD)

Well, how can you go wrong when Leonard Bernstein, with the help of the Columbia Symphony Orchestra and the New York Philharmonic, conducts(and performs brilliantly on piano)these two George Gershwin greats.You just can't. Even the quality of the CD is excellent.

Rhapsody will carry you away to some other place for a while. From that very first bluesy note, Bernstein and Orchestra will have you wrapped up in all it's jazzy glory. It's music that defines the word greatness and it's THE song I would pick (if I could only pick one) that exemplifies the masterfulness of American composers.

An American In Paris is wonderful. The feeling of a tourist on the loose in Paris is expertly portrayed through this recording. The highs, the lows and all the delights. I felt a part of it all(and I'm a long way from Paris!)

Now, if you have read any of my other CD reviews, you know that right about here is where I complain ,and sometimes even take a star off of my rating, when a CD is too short(considering how easy it is to get music elsewhere these days). But I have to say, even though the total time on this CD is only about 35 minutes, what a glorious 35 minutes it is.
Rhapsody a wonderful 16:26 and American In Paris a Yummy 18:22.
It's music that never gets old. It stands the test of time, and many repeated playings.

So you may want to keep a copy of this in your car. A great way to start your day. Listen on the way to work, and you'll have that "what? me worry?" attitude. Also fabulous for destressing on the way home from a long days work.It just seems to make everything okay.

As I said the CD has a nice quality. It also has a booklet with some notes on how Gershwin came to compose these songs.

Gershwin performed by Bernstein..it was meant to be!
Enjoy it...Laurie

The Definitive Version and Good Sound Quality!.......2006-06-06

This ADD recording has surprisingly good sound quality for an older recording that hasn't been remastered. The performance by Bernstein and both the Columbia Symphonic and the NY Philharmonic on the pieces is simply breathtaking. You'd be hard pressed to find better interpretations of these Gershwin masterpieces. The only problem with this album is that it's very short and although would have been the perfect length on an lp or cassette as it was originally, it seems to be a waste of cd space here. Sony should probably remaster this and add some tracks like perhaps "Porgy and Bess" to make it a better value proposition. I hope they re-release a remastered version on mini-lp sleeve replica packaging too.

David Bowie Narrates Prokofiev's "Peter and the Wolf"

Average customer rating:

Great telling of a classic story as a classical music introduction
Excellent for kids and adults
Dont have this CD but have the vinyl
My son's discovery of classical music
David Bowie tells us a fearful story

David Bowie Narrates Prokofiev's "Peter and the Wolf"

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Classical Music for Children: A Toddler's Introduction to Classical Music
Pavarotti's Opera Made Easy-My Favourite Opera For Children
Peter And The Wolf
Children's Favorites

ASIN: B000003F6R
Release Date: 1992-02-11

Tracks:

Peter And The Wolf: Introduction
Peter And The Wolf: The Story Begins
Peter And The Wolf: The Bird
Peter And The Wolf: The Duck, Dialogue With The Bird, Attack Of The Cat
Peter And The Wolf: Grandfather
Peter And The Wolf: The Wolf
Peter And The Wolf: The Duck Is Caught
Peter And The Wolf: The Wolf Stalks The Bird And The Cat
Peter And The Wolf: Peter Prepares To Catch The Wolf
Peter And The Wolf: The Bird Diverts The Wolf
Peter And The Wolf: Peter Catches The Wolf
Peter And The Wolf: The Hunters Arrive
Peter And The Wolf: The Procession To the Zoo
Young Person's Guide To The Orchestra: Theme: Full Orchestra
Young Person's Guide To The Orchestra: Theme: Woodwinds
Young Person's Guide To The Orchestra: Theme: Brass
Young Person's Guide To The Orchestra: Theme: Strings
Young Person's Guide To The Orchestra: Theme: Percussion
Young Person's Guide To The Orchestra: Theme: Full Orchestra
Young Person's Guide To The Orchestra: Variation I: Flute, Piccolo (Presto)
Young Person's Guide To The Orchestra: Variation II: Oboes (Lento)
Young Person's Guide To The Orchestra: Variation III: Clarinets (Moderato)
Young Person's Guide To The Orchestra: Variation IV: Bassoons (Allegro alla marcia)
Young Person's Guide To The Orchestra: Variation V: Violins (Brilliante alla pollaca)
Young Person's Guide To The Orchestra: Variation VI: Violas (Meno mosso)
Young Person's Guide To The Orchestra: Variation VII: Cellos
Young Person's Guide To The Orchestra: Variation VIII: Double basses (Cominciando lento, ma poco accel.)
Young Person's Guide To The Orchestra: Variation IX: Harp (Maestoso)
Young Person's Guide To The Orchestra: Variation X: French Horns (L' istesso tempo)
Young Person's Guide To The Orchestra: Variation XI: Trumpets (Vivace)
Young Person's Guide To The Orchestra: Variation XII: Trombones & Tuba (Allegro pomposo)
Young Person's Guide To The Orchestra: Variation XIII: Percussion (Moderato)
Young Person's Guide To The Orchestra: Fugue: Full Orchestra
The Nutcracker Suite: Overture
The Nutcracker Suite: March
The Nutcracker Suite: Dance Of The Sugar-Plum Fairy
The Nutcracker Suite: Russian Dance
The Nutcracker Suite: Arabian Dance
The Nutcracker Suite: Chinese Dance
The Nutcracker Suite: Dance Of The Mirlitons
The Nutcracker Suite: Waltz Of The Flowers

Customer Reviews:

Great telling of a classic story as a classical music introduction.......2007-01-04

I remember being introduced to the idea of classical music telling a story with Peter and the Wolf many, many years ago. As each character in the story appears, its theme (and the instrument playing it) is introduced. Then the story takes over and builds to its climax and resolution with just the right amount of fright and humor for 2-4 year-olds.

Peter is clearly presented as a child who is disobedient and mildly punished for it, but then he is also brave and resourceful in fixing the situation he has caused. Finally is also merciful to the wolf (although he does put the wolf in a zoo, if that really bothers you). So the story has some subtle hints at morality without it being too oppressive.

In this CD version, the narration is clear and the pacing seems very adequate for even 2 year-old's attention. They often ask to hear it again, and they love the picture book I bought to go with it - see another review. They know all the instruments names, and can identify the characters just from hearing the music.

Excellent for kids and adults.......2006-11-04

A very good version of the original. Bowie's voice is just right and the orchestra is right on. Excellent to demonstrate to kids the different instruments in a orchestra and a good story as well. I listened to it when I was young and also now when I am old. It still is great to listen to the music and the story telling.

Dont have this CD but have the vinyl.......2004-05-26

I admit I do not have this CD, but I do have the vinyl version of this album. It contains just the first two pieces, Peter and Britten's Young Person's Guide... It was released by Columnbia on green translucent vinyl! Combine that with the Red Label that Columbia used and it is quite the colorful Album... I remember that I bought the album for the Britten, big Britten fan here, and partially the novelty of Bowie narrating Peter. The Britten is great, and Peter is very good with the beauty of the Philly strings, which has always been Philly's strong point. If I were looking to replace my vinyl copy, which I am not, I would not hesitate to get this disk.

My son's discovery of classical music.......2003-05-17

My son's growing obsession with this story has truly sprouted since the purchase of this album.
Oddly enough, I never really knew this story or I don't remember it from my childhood, but once my dear sweet boy discovered it's haunting and charging sound, it's become a staple in my vehicle.

A perfect way to introduce classical music to any child -- tell them a story and have all the parts of the story be different instruments from an orchestra. Beautiful, just beautiful..

David Bowie tells us a fearful story.......2002-08-09

Prokofiev here produces a rare and fresh musical story for children. A young boy decides one day to push the gate at the bottom of the garden and move into the big wild world and its dangers, a wolf and a cat. The boy is followed by his friend the duck and meets his other friend the bird who is saved by a split-hair chance from the teeth of the cat by Peter's cry of alarm. All dangers in the world are not from the deep forest. But a far worse danger comes from there : the wolf. If Peter is saved by his grandfather who takes him home, the duck is less lucky and ends up in the wolf's stomach. But Peter is looking after things with the help of the bird and they catch the wolf that is then taken to the zoo by the hunters. We are not always saved from dangers by big strong armed men, but mostly by our courage and inventive imagination. And the music tells us to be creative.

This tale is perfectly served by David Bowie's both deep and volatile voice that finds here a brand new field of artistic achievement and multiplies the music's real dramatic dimension, like a confidential story told to the listeners in their deepest ears as if he were an elfish fairy any kid would believe to be true and safe, in a word friendly.

Dr Jacques COULARDEAU

Track Listings: