David Oistrakh [Box set]

Editorial Reviews
Amazon.com
Shortly before moving to the United States, the great violinist David Oistrakh gave some performances in Europe and made these recordings in Paris. They were the first ones issued in the U.S. that gave a fair idea of how he sounded, and they caught him in top form. This is simply some of the greatest violin playing ever recorded, including some of the most musically convincing performances of such major works as Beethoven's Kreutzer Sonata and the Franck Violin Sonata. The 1953-54 sound is excellent hi-fi mono. And don't miss the Ysaÿe Sonata for Unaccompanied Violin, a stunningly impassioned performance. --Leslie Gerber

Tracks:

Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: I. Nocturne, Adagio
Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: II. Scherzo, Allegro non troppo
Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: III. Passacaglia, Andante
Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: IV. Burlesca, Allegro con brio
Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: I. Allegretto
Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: II. Moderato
Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: III. Cadenza
Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: IV. Allegro con molto

Amazon.com

Sony has brought together Shostakovitch's greatest concertos in first recordings made soon after their American premieres by the artists most closely identified with them. Neither performance has been bettered, though some, such as Vengerov's Teldec Violin Concerto, come close. The Violin Concerto is in solid, detailed mono; the Cello Concerto in fine stereo. Oistrakh goes to the heart of the violin work, playing with extraordinary tonal magnificence and emotional power. He's matched by Mitropoulos, whose identification with the score is apparent. Rostropovitch is as good in the Cello Concerto, getting excellent support from Ormandy's Philadelphians. Both performances share the white heat of fresh discovery and have stood the test of time to become classic recordings. --Dan Davis

Amazon.com

Eugene Ormandy was Shostakovich's great interpreter (along with Bernstein) in the West, and he was entrusted with many U.S. premiers of the great Russian composer's symphonies and concertos. This recording of the First Cello Concerto was made while both the composer and his cellist friend were on tour in the United States, so it has the imprimatur of Shostakovich himself. The Violin Concerto similarly was recorded just days after its U.S. premiere in New York with the Oistrakh, for whom it was written. This is as distinguished a pair of performances as you're likely to hear, and although the Violin Concerto is mono, the sound never gets in the way of your enjoyment. An event. --David Hurwitz

Customer Reviews:

Fantastic oldy but goody..........2007-07-12

I rediscovered the Shost cello concerto. Turns out I had bought a copy on LP back in the 50's. I had forgotten it, but recognised the cover picture on the insert. I haven't played it in many years.

After hearing of Slava's death, I decided to add him to my collection, especially any DSCH pieces. I was pleasantly surprised to re-aquaint myself with an old friend. The sound of these older recordings are fantastic, stereo or not. If you want to collect authentic Shostakovich, you must collect this CD.

Authoritative Performances..........2007-02-02

I have owned both LPs and worn them out with repeated listenings. I feel these performances are breathtaking in their energy and emotion. I only wish there was such a paring on CD of the 2nd Violin and 2nd Cello Concertos with these soloists.

Incredible excitement from a cello.......2006-10-24

I'm a great fan of piano concerti, not string concerti, definitely not cello concerti. But this one makes me go weak in the knees. I first heard it performed by Rostropovich 30 years ago. It made my heart pound. It still does. This performance is the best I've heard. The sound quality is excellent, the orchestra is excellent, and Rostropovich is at the height of his powers. The concerto is modern, but not in the ugly atonal way of much modern orchestral music. It has a driving pulse, simple but powerful melodic lines that linger in the memory, a passionate, almost erotic, exoticism. A friend of mine who didn't like it referred to it as "cosmic debris." I can sort of understand his metaphor, but this trails a glorious plume on re-entry.

The violin concerto was for me just something extra on the disc. But after a careful listening, I'm impressed. Oistrakh was a top-notch violinist, and he was in exteme good form for this performance. The sound quality is good, but not as good as in the cello concerto. The orchestra is dazzling. I won't be skipping over this performance to get to the cello concerto - they make a fine pair in this recording. This disc is a must-have for any lover of 20th century concert music.

Slava! Electrifying stuff! .......2006-03-14

These are absolutely gorgeous recordings of both pieces. Indeed, these are the first ever recordings of both pieces, both recorded just months after their world premieres in the USSR, in 1956 and 1959. Sony have done an excellent job with the remastering, and the sound is crisp and clean.

As for the playing - Oistrakh and Rostropovich in their prime, with Shostakovich present and advising during both recordings - what more needs to be said. Shostakovich dedicated the First Cello Concerto to Rostropovich, his pupil and friend, and he almost seems to breathe the music. Oistrakh is magnificent in the Violin Conecrto, especially in the fast and furious finale. The New York Philharmonic under Mitropoulos and the Phildaelphia Orchestra under Ormandy are pretty damn good as well, and both pieces are fiendishly difficult in places.

Sorry this is praise is a little over the top, but it is entirely deserved!

Stunning Shostakovich.......2005-05-17

Rostropovich in the Cello Concerto is superb and, without question, this is the greatest STUDIO account of the Violin Concerto. But please note: Oistrakh and Mitropoulos gave the American premiere of the Violin Concerto in a LIVE radio broadcast performance on New Year's Day 1956, and the studio recording on this Sony CD was made the following day. That LIVE premiere performance can be heard (excellent sound!) in a 10-disc box set from the New York Philharmonic called "The Historic Broadcasts 1923 to 1987." It's an expensive set ($225), but it contains some other extraordinary items, such as Stravinsky conducting Tchaikovsky's 2nd Symphony, Artur Rubinstein's finest account of the Chopin Piano Concerto #1 with Bruno Walter, Kirsten Flagstad and Walter in an incredible Immolation Scene from Wagner's Gotterdammerung, Stokowski's only recording of Mendelssohn's "Scotch" Symphony, and a great performance by Heifetz with Toscanini of the Brahms Violin Concerto. While I'm not a great fan of Heifetz, this was his finest account of the Brahms.

But the REAL highlight of that NY Phil. set: the SUPERLATIVE performance by Oistrakh and Mitropoulos in the Shostakovich Violin Concerto. While this Columbia studio recording is indeed wonderful, it doesn't quite touch the inspired intensity of Oistakh's "live" premiere. Of course, not all "live" performances are better than their studio counterparts (e.g., I much prefer Sviatoslav Richter's studio Liszt concertos on Philips to his "live" concert recording on BBC Legends). But Oistrakh and Mitropoulos in the premiere tightened the screws and threw off sparks "live" that even this superb studio performance doesn't quite match.

This Sony Columbia Masterworks CD is worth its price just to have the outstanding account of the Cello Concerto with Rostropovich. But if you want to hear Oistrakh's interpretation of the Violin Concerto at its absolute zenith, you should try to hear the NY Phil. set too.

Highly recommended.

Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter

Average customer rating:

There can't be any better!
Wonderful smooth rendition
Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
Beethoven? Brahms? Karajan? Oistrakh? Richter? Rostropovich? Szell? On One CD? Talk About Star Power!
Glorious

Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
David Oistrakh , Mstislav Rostropovich , Sviatoslav Richter , Herbert von Karajan , and George Szell
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich,
Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99
Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B00000I7VO
Release Date: 1999-03-09

Tracks:

Triple Concerto For Violin, Cello & Piano In C, Op. 56: I Allegro
Triple Concerto For Violin, Cello & Piano In C, Op. 56: II Largo
Triple Concerto For Violin, Cello & Piano In C, Op. 56: III Rondo alla polacca
Double Concerto For Violin & Cello In A Minor, Op. 102: I Allegro
Double Concerto For Violin & Cello In A Minor, Op. 102: II Andante
Double Concerto For Violin & Cello In A Minor, Op. 102: III Vivace non troppo

Amazon.com

Among the concertos of Beethoven and Brahms, these two have always been stepchildren. One reason is their extreme difficulty; both composers were pianists, so Beethoven wrote an idiomatic part only for the piano. Brahms's friend Joseph Joachim offered advice for the violin concerto, but not for the Double Concerto, which was written as a peace offering after a falling-out. The Beethoven Triple Concerto demands utmost virtuosity, as well as intimate teamwork among the soloists, and that is exactly what these three supreme masters of their instruments bring to it. Free--indeed unaware--of technical problems, they give it a joyful, sparkling lightness. The piano ripples, the cello sings gorgeously, the violin soars ecstatically, the tone is intoxicatingly beautiful. The Finale is wistful, charming, lyrical, gently humorous; the ending is a big joke, with the cello and piano rumbling in the bass, while the violin whistles forlornly in the dark until they all join together. The Brahms is grand, majestic, dreamy, radiant, triumphant; the slow movement warm as dark velvet, the Finale genial and relaxed. Though the orchestra never covers the soloists, it explodes in the tutti passages, especially in the Beethoven, so you might keep a finger on the volume control. --Edith Eisler

Customer Reviews:

There can't be any better!.......2007-05-17

It is not for the names only.
I think it is a performance as Beethoven probably had in mind.

Wonderful smooth rendition.......2007-04-26

There is something magical about this recording. It is difficult to describe the smooth full sound that this recording presents. I own other recordings of the Brahms and the Beethoven and at first thought it a little extravagent to own another but I am very pleased I bought it.

Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter.......2007-01-18

I knew this recording and I received what I was expecting. Delivery and condition was great. Thanks.

Beethoven? Brahms? Karajan? Oistrakh? Richter? Rostropovich? Szell? On One CD? Talk About Star Power!.......2006-09-09

All those big names wouldn't mean a thing if the performances themselves were throw aways or showed little commitment, but that's hardly the case, this is probably the finest recordings of both works. Karajan and Richter for one had some rocky interpretative relations in their recording of Tchaikovsky's First Piano Concerto on DG. That was not a great record, where both musical giants pull and push to try and get their way. So yes, in some ways this Beethoven Triple Concerto presents even more challenges because there are four minds, four egos pitted together in one piece of music and that's not counting the greatest ego, Beethoven himself! Luckily everyone melds beautifully together, the three Russian masters are at their best, with Rostropovich a stand out and shining brightly. Meanwhile Karajan, the Austrian master conductor gives them his usual, grand, lush orchestral backdrop via the Berlin Philharmonic. This is warm-hearted, generous music-making between four fearsomely talented musicians.

The Brahms Double Concerto is just as fine, now we have the two string instrumentalists side by side. Oistrakh and Rostropovich communicate wonderfully together in this major Brahms piece. Szell backs them up every step of the way with his precise yet passionate conducting of the Cleveland Orchestra. The EMI recording sounds very good too in both works and the price is quite nice. An outstanding bargain.

Glorious.......2006-01-30

The unbroken tradition of Russian string playing is well-represented on this disc. The Double Concerto is especially wonderful, even rapturous. The two players are beautifully meshed, and Szell and the Cleveland sound warm and emotive, which they sometimes did not, on records and "live". The sessions they recorded for EMI (including a wonderful Dvorak Eighth, far surpassing their recoridng for Masterworks), captured something that often was not well projected.

The remastering captures this warmth, with more brightness than my LP copy of the Brahms ever had, at least after the initial playings.

Average customer rating:

Francescatti vs. Heifetz
The gentleman of the violin!
masters at work
Two Violin Concerti - Two wonderful recordings
Excellent recording, good price

Beethoven, Sibelius: Violin Concertos

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
Brahms: Violin Concerto; Mozart: Sinfonia
Mozart: Violin Concertos Nos. 4 & 5; Rondo concertante; Rondo; Adagio
Mozart: Violin Concertos Nos. 1-3; Rondo, K. 373

ASIN: B0000027OR
Release Date: 1992-01-03

Tracks:

Concert For Violin And Orchestra In D Major, Op.61: I. Allegro Ma Non Troppo (Cadenza: Fritz Kreisler) - Bruno Walter
Concert For Violin And Orchestra In D Major, Op.61: II. Larghetto - Bruno Walter
Concert For Violin And Orchestra In D Major, Op.61: III. Rondo: Allegro - Bruno Walter
Concerto For Violin And Orchestra In D Minor, Op.47: I. Allegro Moderato - The Philadelphia Orchestra
Concerto For Violin And Orchestra In D Minor, Op.47: II. Adagio Di Molto - The Philadelphia Orchestra
Concerto For Violin And Orchestra In D Minor, Op.47: III. Allegro, Ma Non Tanto - The Philadelphia Orchestra

Amazon.com

The Sibelius Violin Concerto was a David Oistrakh specialty. He brought to it a personal warmth and poetry, and he made the most of what critics call Sibelius's "Russian melancholy," which is the term applied to Russian music when it sounds most Finnish. But seriously, the great Finnish composer was a strong admirer of Tchaikovsky, whose Violin Concerto was another Oistrakh specialty. Eugene Ormandy's Sibelius credentials were similarly well established at the time that this great recording was made. At a budget price, with a terrific Beethoven Violin Concerto tossed in, you'd have to be nuts not to want to hear it. --David Hurwitz

Customer Reviews:

Francescatti vs. Heifetz.......2007-04-21

I've owned this CD and the Heifetz/Reiner Beethoven for years, and it's hard to imagine that both violinists were playing from the same score. Francescatti makes a regular practice of holding a note just a bit, to shape a phrase or add emphasis. Heifetz makes a consistent practice of avoiding this and moving briskly on--which raises the issue of tempo: in the first movement, Heifetz takes a full 2 minutes less than Francescatti (despite Heifetz' somewhat elaborate cadenza), and the remaining movements are similarly timed. As he bustles along, Heifetz tends to vary the force of his notes more subtly than Francescatti, who deploys a wider range of volume levels.

As a result, lovers of the Francescatti approach may find Heifetz clipped, brusque and impersonal, while lovers of the Heifetz approach may find Francescatti slow, heavy and mushy. Or to put it in positive terms, Heifetz excels in maintaining and building rhythmic energy, while Francescatti is best in developing the emotional content of the work and letting it "breathe." It took me a long time to come to appreciate both approaches, and I signal this as a study in contrast. At this low price, you can buy both and decide for yourself. (My favorite? This one.)

The gentleman of the violin!.......2006-06-30

Zino Francescati was a very solvent violinist with a pleasant tune and a warmth temperament. His phrasing was kind and delicate, and this is perhaps his main virtue and his main defect, because many works don't resist such approach.

But in this case, Beethoven' s Violin Concerto works out because the sublime inspiration of this Opus, allows to be expressed under this considerations and particularly this vision is carefully performed in this case.

Elegance and refinement feature this version. So please, don't miss it.

In the case of Sibelius violin's concerto, there are better options in the market such Ginette Neveu, ivry Gitlis and Jasha Heifetz.

masters at work.......2006-01-18

Francescatti's Beethoven concerto is shapely and engaging, and the playing is warm and refined throughout. My ultimate preferences with this piece are Shumsky's 1988 recording with the Philharmonia Orchestra under Davis, and Menuhin's recording under Furtwangler, but I admire Francescatti's beautiful lines and devoted intelligence. The reason, however, for seizing this remarkable offer (who knows anymore how long any recording will remain available!) has to be Oistrakh's incomparable recording of the Sibelius under Ormandy and the Philadelphia Orch. Of the many versions of this great work, for me, there is none that matches this particular Oistrakh/Ormandy recording. Of more recent versions, Cho-Liang Lin turns in a stupendously musical performance of this piece - convincing and beautiful. I believe five or six D. Oistrakh recorded versions of this concerto remain in print; his Melodiya recording with Rozhdestvensky is a rival, but Ormandy's command of the glacial cast of Sibelius' orchestral writing is just amazing, and, underpinning Oistrakh's inimitable conception, the playing of the Philadelphia Orch is rich and perfectly attuned to Sibelius. The remastered sound is first-rate, you'd think it was a modern recording. Whether you love this concerto, or dont yet know it, you've found here a defining performance to reveal its mysteries. I've treasured this recording for thirty years, and urge you to give it a hearing.

Two Violin Concerti - Two wonderful recordings.......2005-12-25

I don't play the violin at all, but I love these two concerti (They're among my favorites for violin).

The Beethoven is pretty good, actually very good. This is one of the first pieces I heard live at a concert. The length of the whole piece doesn't matter when you're actually listening to it. I've heard more romantic versions, but I actually prefer Francescatti's interpretation. It's very fine, nothing too showy to make the music more than what it is. For a more "modern" recording, I would choose Hilary Hahn's.

I haven't listened to the Sibelius as much as the Beethoven on this CD, but I actually prefer this playing to the artists of today, such as Bell, Chang, etc. Oistrakh's tone is wonderful.

I would definitely recommending this CD to anyoone, to introduce these pieces to a new listener, or to add this to a classical music connoisseur's collection.

Excellent recording, good price.......2005-08-10

This is a really great CD, featuring two of the 20th century's best violinists - Zino Francescatti on the Beethoven and David Oistrakh on the Sibelius. While the majority of my recordings are by modern day artists (Hahn, Chang, Bell, Midori, etc), I have several recordings by older artists, and for the most part I can tell a real difference in their playing styles compare to modern day players. To me, the older artists seem to play with a much more elegant, restrained style than the newer artists (with the exception of, perhaps Heifetz). While both artists play magnificently on this CD, I would say that this more elegant playing serves the Beethoven much better than the Sibelius.

The Beethoven isn't really one of my favorite concerti, mostly because it's so long that I rarely listen to the entire thing (all movements). However, I have listened to this entire recording more than enough times to recognize the warm, personal playing that Francescatti delivers.

The Sibelius, one of my all-time favorite concertos (for any instrument), is played exceptionally well by Oistrakh, though I think his playing style is a little too reserved for my tastes. To me, it often sounds like Oistrakh is playing in a more classical style than the Sibelius warrants. Compared with a recording at the other end of the spectrum (for example, Salerno-Sonnenberg), Oistrakh's playing is just a little boring, particularly on the spectacular final movement. Don't get me wrong, he plays beautifully, but I just prefer Sibelius to be a little grittier. However, to Oistrakh's credit, his playing is always perfect and controlled, even in incredibly difficult spots where some other artists can sound border-line out of control. It seems that playing with fire and abandon often comes at the price of clarity, and playing with technical clarity and perfection often comes at the price of excitement. That being said, no recording can really be said to be better than the other... I just happen to prefer the sibelius to be played slightly closer to the "fiery abandon" side of the spectrum (however, my favorite version of this concerto, by Midori, seems to find a perfect balance between the two extremes). Enjoy

Beethoven for Book Lovers: An Intimate Companion for Reading

Average customer rating:

Just what the title promises.
Real Relaxation
The gentle side of Beethoven
Relaxing and soothing
a great way to appreciate beethoven's music

Beethoven for Book Lovers: An Intimate Companion for Reading

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Brahms for Book Lovers: A Cozy Companion for Reading
Tchaikovsky At Tea Time: A Refreshing Blend For Body And Spirit
Mozart for Meditation
Bach for Breakfast
Mozart for Morning Coffee: Freshly Brewed to Perk Up Your Day

ASIN: B0000041FA
Release Date: 1996-06-11

Tracks:

Sonata No.5 In F (Spring): Adagio molto espessivo
Sonata #10 In G: Adagio espressivo
Sonata #2 In A: Andante piu tosto allegretto
String Quartet No.16 In F: Lentp assai, cantante e tranquillo
Sonata #7 In C Minor: Adagio cantabile
Sonata #8 In G: Tempo di minuetto
Sonata #3 In E- Flat: Adagio con molt' espressione
String Quartet No 6 In B-Flat: Adagio ma non troppo
'Archduke' Trio In B-Flat: Andante cantabile, ma pero con moto

Customer Reviews:

Just what the title promises........2007-03-29

Just received this CD today, and it's definitely wonderful background for reading; however, don't limit it to that. If you just need some time to close your eyes and unwind, this is also the perfect companion. Love it!

Real Relaxation.......2007-02-19

If you're a fan of Philips's Set Your Life to Music series, you'll want to get this CD. It will be especially good for string and piano music lovers. I have several of the series, and it has quickly become my favorite. It's perfect for reading, studying, or just "kicking back." If you know of someone who needs to relax and would like this type of CD, get it for him/her. You'll get major points for it.

The gentle side of Beethoven.......2005-08-10

If you know anything about the composer Beethoven, what often comes to mind is music that is highly dramatic and often loud, whether it be his hard-driving piano music banging on the keyboard or a full-blown orchestra (like Beethoven's Fifth Symphony with its famous, ominous opening, "dunt-dunt-dunt-da.") The point is that typically most of Beethoven's music demands to be heard, contemplated and emotionally processed.

But this is not the case for the Beethoven music on this CD. There was another side of this fiery composer - one that revealed a tender-hearted composer capable of very calm, lovely and song-like instrumental music. And it is this side of Beethoven that is captured in the nine very serene and lyrical selections on this CD. What is great about this compliation of Beethoven music is that many of Beethoven's most sentimental and beautiful slower movements have been "cherry picked" and grouped into one CD that is MUCH more condusive for leisurely listening (no loud banging on the piano or surges from the huge symphony). The music is pure Beethoven talent, but these selections do not demand to be heard and serve well to create a wonderful backdrop for relaxing, reading or late-night entertaining. Sometimes the music is so calm in one or two movements it seems to lack forward movement but - given its purpose for background music - this should not be objectionable.

The music on this CD features mostly piano and violin duets (termed violin sonatas) along with two inspiring string quartet selections and one famous piano/violin/cello song. By the way, this kind of music with a small number of instruments is called "chamber music." The violin/piano selections are very well chosen from the legendary recordings of violinist David Oistrakh and partner Orbinin - musicians known for their more relaxed playing of Beethoven and beautiful tone - all of which is perfect for such a "book reading" CD. (Other performers of the same music tend to put more "edge" and drama into these songs which can be more distracting for leisurely pursuits). All the music is touching and beautiful - with only a few of those typical loud Beethoven "surprizes" amist the quiet bliss - although there are some brief shifts to minor-key anguished tones at times that might disrupt some readers concentration.

Perhaps the highlight of the CD is one of the very last string quartets Beethoven wrote before his death - years into his total deafness and ill health (track 4). In this slow and sublime movement can be heard the most personal and spiritual aspects of this great composer. It is played by one of the greatest string quartets in history (Quartetto Italiano) with a deeply touching sentimentality. Listening to it, you can sense a man who has suffered much but who has come into a final rest and new depth of spiritual awareness at the end of his life. It was his final "swan song" and is surely one of the greatest and most poinant compositions he wrote. All-in-all, this CD is a very high-quality set of inspiring recordings that make not only for calm background music, but also for moments of introspection and growing musical appreciation. The non-techical music notes included give a helpful and interesting background on the music and composer. The sound quality is fine and not distracting in any way. A beautiful introduction to Beethoven's chamber music (for 2-5 instruments) and one you can listen to often and most any time.

Relaxing and soothing.......2001-11-29

When you can't recognize a Bach from Beethoven composition like me, this works perfectly. Once again Phillips as assembled a wonderful group of sonatas, trios and quartets to soothe the spirit. These songs are all slow and tranquil, perfect for those quiet moments when music is not to be intrusive but inclusive. Phillips has a whole line of classical music composers brought together with various themes such as this one. I've found them to be extremely convenient. Highly recommended for those that like their music softly at times, gently caressing the grey matter between ones ears. This music can tame even the most combustible moments. It recently was playing while discussing an issue that my teenage son and I were miles apart on. It seemed to help keep cool heads. I think I'll suggest a title like Tchaikovsky for Teen and Parents Issues since Phillips is open for themes for future discs!

a great way to appreciate beethoven's music.......2001-08-13

Some of Beethoven's most relaxing and tranquil music is included in this wonderful cd. Whether you're reading your favorite novel, doing homework or simply relaxing, this cd provides soothing background music, helping to enhance your concentration. There are no loud trumpets and such blasting, since it is basically peaceful music.

Mozart: Violin Concertos Nos. 1-3; Rondo, K. 373

Average customer rating:

one of the best one

Mozart: Violin Concertos Nos. 1-3; Rondo, K. 373

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

$6.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
Similar Items:

Mozart: Violin Concertos Nos. 4 & 5; Rondo concertante; Rondo; Adagio
Bach: Violin Concertos
Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
Brahms: Violin Concerto; Mozart: Sinfonia
Mozart: Horn Concertos Nos. 1-4

ASIN: B00005NPJK
Release Date: 2002-08-13

Tracks:

Violin Concerto No.1 In B Flat, K.207: I. Allegro Moderato
Violin Concerto No.1 In B Flat, K.207: II. Adagio
Violin Concerto No.1 In B Flat, K.207: III. Presto
Violin Concerto No.2 In D, K.211: I. Allegro Moderato
Violin Concerto No.2 In D, K.211: II. Andante
Violin Concerto No.2 In D, K.211: III. Rondeau (Allegro)
Violin Concerto No.3 In G, K.216: I. Allegro
Violin Concerto No.3 In G, K.216: II. Adagio
Violin Concerto No.3 In G, K.216: III. Rondeau (Allegro-Andante-Allegretto)
Rondo In C, K.373

Customer Reviews:

one of the best one .......2006-12-20

This is one of the best recordings of all Mozart violin concertos

Average customer rating:

A must own!
Music for a desert isle
Very nice set, but the Brahms is outstanding
INCREDIBLE VOILIN
King David

David Oistrakh

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
Similar Items:

Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
Bach, Händel, Vivaldi, Benda / David & Igor Oistrach
David Oistrakh: Brahms/Sibelius/Tchaikovsky
Legend: David Oistrakh [CD & DVD]
The Devil's Trill: Showpieces for violin & piano

ASIN: B000001GQI
Release Date: 1996-01-23

Tracks:

Konzart Fur Violine, Streicher Und Continuo A-moll BWV 1041: Allegro Moderato
Konzart Fur Violine, Streicher Und Continuo A-moll BWV 1041: Andante
Konzart Fur Violine, Streicher Und Continuo A-moll BWV 1041: Allegro Assai
Konzert Fur Violine, Streicher Und Continuo E-dur BWV 1042: Allegro
Konzert Fur Violine, Streicher Und Continuo E-dur BWV 1042: Adagio
Konzert Fur Violine, Streicher Und Continuo E-dur BWV 1042: Allegro Assai
Konzert Ur 2 Violinen, Streicher Und Continuo D-moll BWV 1043: Vivace
Konzert Ur 2 Violinen, Streicher Und Continuo D-moll BWV 1043: Largo Ma Non Tanto
Konzert Ur 2 Violinen, Streicher Und Continuo D-moll BWV 1043: Allegro
Romanze Fur Violine Und Orchester Nr. 1 G-dur Op.40
Romanze Fur Violine Und Orchester Nr. 2 F-dur Op.50

Tracks:

Konzert Fur Violine Und Orchester D-dur Op. 77 In D Major: Allegro Non Troppo
Konzert Fur Violine Und Orchester D-dur Op. 77 In D Major: Adagio
Konzert Fur Violine Und Orchester D-dur Op. 77 In D Major: Allegro Giocoso, Ma Non Troppo Vivace
Konzert Fur Violine Und Orchester D-dur Op.35 In D Major: Allegro Moderato
Konzert Fur Violine Und Orchester D-dur Op.35 In D Major: Canzonetta. Andante
Konzert Fur Violine Und Orchester D-dur Op.35 In D Major: Finale. Allegro Vivacissimo

Customer Reviews:

A must own!.......2007-03-07

The Bach concertos are amazing. I don't think I've heard a better violin tone in my life than what is captured here. The Brahms concerto is also great. I didn't love the Tchaikovsky concerto compared to some other recordings I've heard, but that is just personal taste. I would highly recommend picking up this double disc.

Music for a desert isle.......2007-02-05

The entire disc is wonderful, but if I could only take one recording on a shipwreck, it would be this version of the Bach E major concerto. Oistrakh's vibrancy and warmth of tone are unparalleled. Available recordings of this great artist are regrettably few; any fan of the violin should grab this collection while they can.

Very nice set, but the Brahms is outstanding.......2004-08-13

Though I usually prefer a bit more briskness in the faster movements, the Bach pieces for both single and double violins are given fine performances. Especially lovely is the Oistrakhs' reading of the adagio in BMV 1043. Thankfully, the sound does not exhibit the kind of steeliness or stridency fairly often characteristic of other Baroque and Early Classical period recordings....The two Beethoven Romances with Eugene Goossens and the Royal Philharmonic are given expectedly warm, songful readings.

On disc two, the Tchaikovsky Concerto is not as well recorded as the Brahms (discussed later). In comparison, it sounds just a tad boxy and muddy, but it's still okay. At various times in the first movement the pace is a bit slow, with Konwitschny sharing the responsibility. Overall, though, it's a nice performance, with the last movement being particularly enjoyable. This said I still prefer Oistrakh's stereo reading with Ormandy. My absolute favorite is the stunning Heifetz/Reiner.

The biggest attention getter for me in this compilation is the Brahms Concerto. The obvious comparison is with Oistrakh/Klemperer. For quite some time I have considered that performance among the finest---and I still do. But I do not get as much satisfaction from it as this one (in very fine mono) with Konwitschny and the Dresden Staatskapelle. One key reason is that Oistrakh is miked closer than he is with Klemperer. I hear more of his violin, and it sounds wonderful. A sense of warmth and richness is more apparent. Oistrakh seems more relaxed as well. With Klemperer, by comparison, he seems less attuned to beauty, more business-like and slightly restless. With Konwitschny, he seems to be enjoying more thoroughly what he is doing, more focused on making music as opposed to just playing notes. Hear how he brings more suppleness and sensitivity to the adagio. Indeed, throughout the entire performance he is no less virtuostic than he is with Klemperer yet he seems more able to let his emotions speak with greater expressiveness. Though I still enjoy the Oistrakh/Klemperer with its more massive and powerful orchestral approach, it is this Oistrakh/Konwitschny, along with a very different account, the Heifetz/Reiner, that sits at the top of my list of favorites in this magnificent work.

INCREDIBLE VOILIN.......2003-06-27

THIS GUY IS GREAT, YOU SEE HIS FACE AND YOU THINK HE'S A REDNECK BUT HIS FINGERS "PLAYS" WITH THE VIOLIN.
HE IS ONE OF THE GREATEST OF ALL TIMES

King David.......2001-09-15

Oistrakh, that great Russian violinist of sentiment and technical prowess is shown at his best in this collection. The Heifetz/Reiner version of Brahms on RCA seems to be the most famous, but this performance by Oistrakh and Konwitschny is better. Oistrakh has much more heart than Heifetz. Heifetz has always been cold blooded. If you want warmth and sentiment, Oistrakh is your man. Oistrakh also has a Brahms concerto with Klemperer, in stereo. If you must have one in stereo, the one with Klemperer will suffice, since Oistrakh's performance with Szell has not yet been issued on cd. The Beethoven romances are filled with such warmth and emotion, it's bound to give you goose bumps. The Tchaikovsky is also played in the grand, warm Oistrakh manner. Once you hear Oistrakh's deep sense of emotion, you will be hard pressed hearing it by others. There are many good performances, but get Oistrakh's. You'll be glad you did.

Mozart: Violin Concertos Nos. 4 & 5; Rondo concertante; Rondo; Adagio

Average customer rating:

The search stops here
I hope a a genius does NOT write modern music
Beautiful

Mozart: Violin Concertos Nos. 4 & 5; Rondo concertante; Rondo; Adagio

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Mozart: Violin Concertos Nos. 1-3; Rondo, K. 373
Bach: Violin Concertos
Brahms: Violin Concerto; Mozart: Sinfonia
Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
Vivaldi: The Four Seasons; Violin Concertos

ASIN: B00005NPJL
Release Date: 2002-08-13

Tracks:

I: Allegro
II: Andante Cantabile
III: Rondeau (Andante Grazioso - Allegro Ma Non Troppo)
I: Allegro Aperto
II: Adagio
III: Rondeau (Tempo Di Menuetto)
Rondo Concertante In B Flat, K.269
Rondo In C, K.373
Adagio In E, K.261

Customer Reviews:

The search stops here.......2007-03-04

I'm the type of listener that wants a quality reading of the essential pieces of music history so I can explore with the rest of my music budget for more obscure items. This way, when the satellite radio plays something outside of my preference, or a mood strikes, I'm covered.

With this purchase, my search for the two final Mozart violin concerti ceases. There may be a better violinist than Oistrakh, or one better suited for these pieces, or whatever disclaimer someone may want to put on it. I'm not buying it. I can now look for other pieces. Oistrakh is wonderful, the price is sentational (I used both the 4-for-3 and shipping bonuses as well), and the folks at EMI threw on three wonderful extras to extend the cd out to almost 80 minutes. Nice liner notes on the composer, violinist, and the music.

If you want to spend more for less, go ahead. But for someone who enjoys phenomenal violin music that has and will stand the test of time, this cd is a simple 5 star recommendation.

I hope a a genius does NOT write modern music.......2004-02-16

The honesty and truth of his works is what made Mozart a genius and his music exceptional and not, as the previous reviwer has stated, his use of advanced 'modern' harmonic developments. Technical refinements, feeling, taste - these things, though important, should not be considered ends in themselves. Many classical collectors have lost sight of the real end admist these things. It is music's integrity, and in its instruction of moral truths that should be one's only worthy end. Many artists today can play with emotion, skill and taste, but as wise listeners we should understand that these things are secondary to the humanity and integrity displayed in performances of works that have been inspired by such important truths. Oistrakh, as few artists do (especially today) understands this. When he performs he is not engaged in intellectual exercise, rather he makes music as music should be made: he instructs and brings to life the transcendent truths that these masters of old have been appropriately called masters for.

Beautiful.......2003-11-27

This is a beautifully played, selected, remastered, and priced recording of essential pieces of music.

I was wary of picking this up, because my experiences with budget classical releases have generally been bad: although the music is always wonderful, companies either get competent but uninspired performers, or transfer a legendary performer's recording (usually pretty old) to CD without taking any time to remaster it well.

Labels realize, I suppose, that there are two types of people who buy classical music: casual listeners that don't care about (or can't notice) such things, and a coterie of discerning obsessives who are willing to get fleeced for a good recording.

But EMI has actually done everyone a favor. This CD is a gift to a person starting a classical music collection, or anyone who just wants a beautiful recording of these pieces. Mozart's two greatest violin concertos are here, along with the alternate movements that he wrote for the same concertos - the disc actually fills its running time of 80 minutes, and it sounds glorious even on headphones. I'm not sure if it was a great remastering job or just an unusually sharp recording in the first place, but everything sounds bright and alive.

My knowledge of performers isn't that good, and I had never heard of David Oistrakh when I picked this up, but after a few listens I was convinced that he had to be a legend - which, unsurprisngly, he was (and is, I suppose). His tone is incredibly pure and smooth, and his playing retains the improvisatory feel of some of Mozart's continuously unspooling melodies while remaining disciplined and clear.

The 4th and 5th violin concertos mark the point when Mozart stopped performing these compositions himself, and handed over the reins to a more skilled violinist - and my god, they seem to have gotten very complicated. The development of the melodies occasionally moves into harmonic areas where it sounds like Mozart must have been writing in 20th century: and parts of the Turkish concerto, I swear, sound like they were picked up by Sibelius to use in Tapiola. But a genius, I suppose, is always writing modern music.

Tracks:

Allegro Con Fermezza
Andante Sostenuto
Allegro Vivace
Moderato
Andante
Allegro
Allegro Molto E Con Brio
Andantino Cantabile
Vivace Giocoso

Customer Reviews:

Transcendent..........2006-03-29

An astounding performance of some exceptional music; this is one of those older recordings in which the somewhat limited fidelity is transcended completely and wonderfully by the music itself. Wow! ;-)

Excruciatingly Beautiful.......2004-04-28

I have a special affection for the excruciatingly beautiful Khachaturian Violin Concerto, and this is my choice for the best recording. Here is the spectacle of brilliant young David Oistrakh in 1940 during the depths of World War II, standing on stage in Moscow with a single violin engaging in mortal battle with the USSR State Orchestra -- a sublimely beautiful battle that cries out the overwhelming change and struggles of the 20th century. Oistrakh caught up in the maelstrom of history, and emerging. On the surface the score has an ethnic "oriental" Armenian romanticism, timeless, beautiful and moving, yet at it's core it is modern, gritty, frantic, gigantic, and this conflict reinforces the feeling of the collision between the past and future ages. Or of the lone individual caught in the forces of history, fate and society enlarged beyond human scale. As for the performance, Oistrakh is able to bend the tones, dig for the raw textures and build the tension to wring intense passion that literally flies off the recording. In the Allegro, at times the strange harmonies and rhythms flood forth so rapidly they are almost too fast to hear. The force of Oistrakh's playing makes me wonder if he will break his violin. In the dark Andante his soul overflows with sadness and regret. The word virtuoso barely begins to describe the dexterity and soul of this amazing performance. What art! The orchestra under conductor Alexander Gauk captures a certain older native tonal quality of Russian music that seems to belong to some eastern tone system, slightly different than our ears are used to. Khachaturian asked Oistrakh to premier the piece, and I believe this is the first recording of it. It is interesting to compare this version with Oistrakh's 1960s recording with the composer conducting, also very beautiful, but in the extreme moments a more careful performance, and so less passionate.

Superb recordings by Oistrakh.......2002-07-15

Soviet recordings in the 1940's cannot possibly compare to the engineering of today, so allowances must be made for the sound quality in these archived performances. That being said, there is little to diminish superb performances by Oistrakh. Only two recordings compare with this Khachaturian - Kogan's phenomenal contribution and Oistrakh's second recording with the composer conducting. Like the Kabalevsky, it is thrilling in pace and the evocation of its folksy soundscape. The Glazunov is beautifully played, offering a lyrical, poised alternative to Heifetz's dazzling panache, though the latter remains this reviewer's favorite.

The Devil's Trill: Showpieces for violin & piano

Average customer rating:

a feast of violin virtuosity

The Devil's Trill: Showpieces for violin & piano

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

$7.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
Similar Items:

Prokofiev: Violin Concertos Nos. 1 & 2; Violin Sonata No. 2
Brahms: Violin Concerto; Violin Sonata No. 3
Glazunov, Khachaturian, Kabalevsky: Violin Concertos
David Oistrakh
Poulenc: Concerto champêtre; Concerto for two pianos; Organ Concerto

ASIN: B0002VEPR6
Release Date: 2004-09-07

Tracks:

I. Larghetto Affettuoso
II. Allegro (Tempo Giusto Della Scuola Tartinista)
III. Andante - Allegro Assai - Andante - Allegro Assai - Andante - Allegro Assai
Cadenza - Adagio
III. Clair De Lune
IV. Jota
Extase Op.21
Valse-Scherzo Op.34
I. Love-Song
Three Hungarian Folk-Dances
Legende Op.17
Mazurka Op.26

Customer Reviews:

a feast of violin virtuosity.......2006-03-02

What a tone! David Oistrakh was a virtuoso, of that there is no doubt. What makes his playing stand apart, though, is his rich, full, round tone. Oistrakh does not draw attention to his technical skill, he draws attention to the music.

These duets, with Vladimir Yampolsky on piano, were recorded at Abbey Road in London in early 1956, and first released by EMI in 1957. It's a fine set of "showpieces," beginning with Tartini's sonata in G minor, "The Devil's Trill." Slow lyrical numbers like Debussy's "Clair de lune" and Ysaye's "Extase" are interspersed with livelier numbers such as de Falla's "Siete canciones populares espanolas" and Koday's "Three Hungarian Folk-dances."

This is an easy recommendation for anyone who loves great violin music, another truly "Great Recording of the Century" from the EMI vaults.

Average customer rating:

As others have said...
A more relaxed & sublime reading
Highly rewarding
Would EMI Remaster Them, please?
It just sounds right

Sonatas for Violin and Piano

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
Legend: David Oistrakh [CD & DVD]
Brahms: Violin Concerto; Mozart: Sinfonia
Mozart: Violin Concertos Nos. 1-3; Rondo, K. 373
Beethoven: The Piano Trios

ASIN: B00005ND42
Release Date: 2001-10-09

Tracks:

I. Allegro Con Brio
II. Tema Con Variazioni (Andante Con Moto)
III. Rondo (Allegro)
I. Allegro Vivace
II. Andante Piu Tosto Allegretto
III. Allegro Piacevole
I. Allegro Con Sprito
II. Adagio Con Molt'Espressione
III. Rondo (Allegro Molto)

Tracks:

I. Presto
II. Andante Scherzoso, Piu Allegretto
III. Allegro Molto
I. Allegro
II. Adagio Molto Espressivo
III. Scherzo (Allegro Molto)
IV. Rondo (Allegro Ma Non Troppo)
I. Allegro
II. Adagio
III. Allegretto Con Variazioni

Tracks:

I. Allegro Con Brio
II. Adagio Cantabile
III. Scherzo (Allegro)
IV. Finale (Allegro)
I. Allegro Assai
II. Tempo Di Minuetto, Ma Molto Moderato E Grazioso
III. Allegro Vivace

Tracks:

I. Adagio Sostenuto-Presto
II. Andante Con Variazioni
III. Finale (Presto)
I. Allegro Moderato
II. Adagio Espressivo/III. Scherzo (Allegro)
IV. Poco Allegretto

Customer Reviews:

As others have said..........2007-05-23

...this is the one you want. It may have been recorded more than forty years ago, but the sound is warm and wonderful. These guys are tremendous, reminding one that Beethoven was essentially writings duets, not sonatas, and the interplay between the two is joyous, complex, and densely shadowed, as only a composer of Beethoven's timber could be.

A more relaxed & sublime reading.......2005-08-10

Many pairs have given us some fine readings of Beethoven's violin sonatas: Argerich/Kremer, Ashkenazy/Perlman, Grumiaux/Haskil, Szeryng/Haebler, Mutter/Orkis, Dumay/Pires, Pamela Frank/Claude Frank and others - each with their own style, color and insight. For a dazzling and spontaneous-sounding performance, Argerich/Kremer get high marks on a nice DG Beethoven Edition set which includes some great in-depth liner notes. Then, the romantic master, Perlman teams with Ashkenazy to give some of the most energetic, bold and satisfying readings - with that penetrating tone and showman style that is classic Perlman. Mutter and Orkis take a more daring, adventurous and romantic approach in their live 1998 recordings on tour. And so on.

But, listening to the performances of Oistrakh/Obirin, you hear a different take on these violin sonatas - one of more serenity, lyricism and really gentleness. What is notable about these readings is a consistent pace and more graceful tone to the music overall, conspicuosly lacking the more dramatic shifts in tempo and dynamics of other readings or that which one would nonrmally expect from Beethoven. Not to say this team does not fire it up in the scherzos and fast movements, but it is rarely done in an overly dramatic way or for effect. Also immediately heard is the ever-so beautiful and sweet tone of legendary violinist David Oistrakh which conveys a more tender side of Beethoven especially in the slower movements. Perhaps this duo's tonally-sensitive readings helps us remember that Beethoven also had a really gentle, loving inner nature and was equally adept at poinant lyricism as well as banging on the lower register of the keyboard. The tempos are overall a little slower, but highly poetic. Occassionally in some of the adagios, the tempo is so slow that forward progression seems to cease. But, this is the only minor drawback I see to this set and it depends on what nuances attracts you to the music. The sound quality is very good and completely enjoyable but not perfect given the 1962 recording date. Rightfully, ClassicsToday rated this set 8/10 for sound quality, but then gave it a top 10/10 for the Artistry category. Also on the positive side is its low price for a quality set of all 10 of the violin sonatas - some $20 lower than some others.

But, if I were to pick one complete set, my lean would be to either Kremer/Argerich (on DG's Beethoven Series) or Claude Frank/Pamela Frank, both who I think best bring out the passionate side of Beethoven but without losing the songful, tender side in the famous slow movements. The Franks' set possess tremendous musicality and is offered at a really super budget price - a suprizingly exceptional recording obscured by the greater giants. But the set that takes first place for sheer beauty of tone and lyricism is this one by Oistrakh/Obinin. And while they may lack a little of the fire and propulsion that is classic mid-late Beethoven`in the later sonatas, their set is probably the most admirable one if you lean more towards more the subtle and sublime. Perhaps Penguin Guide best sums up the story here: "The 1962 versions by Oistrakh and Obirin are also performances to treasure. There is a relaxed joy in the music-making and an almost effortless lyricism and an infectious sparkle. Some might feel a lack of inner tension, but it is a beautiful sound in every other aspect."

Highly rewarding.......2004-06-12

I listen to these recordings over and over. Oistrakh is marvelous and Oborin provides a well balanced accompaniment.

Would EMI Remaster Them, please? .......2004-02-13

There is no need to say anything about Oistrakh's command of the violin, which in many ways are unsurpassed.

His partner Oborin, however may not be as inspiring as Schnabel or Kempff. But he was the first Chopin gold medalist and the teacher of Ashkenazy. He is elegant and rather poetic. There are reasons to prefer him to Haebler as far as Beethoven's Sonatas are concerned.

However, from these CDs you will only get what you had when you listened to your LPs some 40 years ago and there hasn't been any change since they were first digitalized. What a shame for much craved for master pieces like these!

It just sounds right.......2004-01-13

While I don't have the wealth of musical experience as some of the other reviewers, and while my reasons for buting this disc, as opposed to others (it was the cheapest complete set), I am very please with what I got. The entire disc sounds right. It is in balance.

More generally, some discs make a hash of the notes, choosing to "inturpret" the pace. This does not, it flows at a constant pace.

At the very least, give it a sample listen and compare.

Track Listings: