Takemitsu: Nostalghia

Editorial Reviews
Amazon.com
A dazzling display! Conductor William Boughton and soloist Daniel Hope (along with the English Symphony Orchestra) put their spin on works for violin and chamber orchestra by Alfred Schnittke, Kurt Weill, and Toru Takemitsu. Soloist Hope's intonation and control are nothing short of phenomenal; indeed, he seems bred for just this kind of music. It should be said, however, that these works are very much in the postmodern vein and will not appeal to the average violin-and-orchestra enthusiast. Everything here requires concentration, especially from the listener. But perhaps the greatest surprise presented by this release is that Boughton and the ESO seem now to rival Pierre Boulez and groups such as Ensemble Modern for both competence and enthusiasm. This is a breathtaking achievement. --Paul Cook

Tracks:

I: Sostenuto Assai/Allegro Ma Non Troppo
II: Scherzo: Molto Vivace
III: Andante Cantabile
IV: Finale: Vivace
I: Allegro Assai Vivace
II: Allegretto Scherzando
III: Adagio
IV: Molto Allegro E Vivace
I: Zart Und Mit Ausdruck
II: Lebhaft, Leicht
III: Rasch Und Mit Feuer

Tracks:

I: Mit Energie Und Leidenschaft
II: Lebhaf, Doch Nicht Zu Rasch
III: Langsam, Mit Inniger Empfindung
IV: Mit Feuer
I: Introduzione: Adagio Mest/Allegro
II: Scherzo
III: Largo
IV: Finale: Allegro Vivace

Tracks:

I: Nauges
II: Fetes
I: Andante
II: Allegretto
III: Largo
IV: Allegretto Scherzando
I: Overture
II: Idylie
III: Cadenza
IV: Menuet
V: Finale Alla Marcia

Amazon.com

This inexpensively priced 3-CD set of music from the 2006 Lugano Festival with pianist Martha Argerich at its center presents a fascinating cross-section of chamber music, expertly performed. In addition to Argerich, we hear from 15 other instrumentalists - pianists, cellists, violinists, violists, a flugelhorn player (who plays along with Argerich in three of Schumann's Fantasiestücke, to very strange and not very welcome effect), and a wind ensemble made up of members of the Orchestra della Svizzera Italiana that plays with cellist Gautier Caupcon in Friedrich Gulda's Concerto for Cello and Wind Orchestra: a jazzy, definitely eclectic, and playful finale to the third CD. The infrequently played but rapturous Schumann Piano Quartet is a particular treat. Ravel's transcriptions of two Debussy Nocturnes for two pianos played by Sergio Tiempo and Karin Lechner are a delight as well. This is an off-the-beaten-track collection that will fascinate true devotees of chamber music. --Robert Levine

Customer Reviews:

Lots of Schumann, not much Argerich, plus some real oddities.......2007-06-08

EMI has gotten into the pleasanat habit of issuing a 3-CD bargain box of Martha Argerich's summer music from Lugano, and they are caviar for chamber music lovers, mixing familiar and unfamiliar works in sterling live performances. It's hard to think of any comparable series meeting such high standards since the heyday of the Marlboro Festival under Rudolf Serkin in the Fifties and Sixties. This 2006 edition is no exception, my only disappointment being the absence of Argerich herself in so many works. She even gives up her place in the two-piano arrangement of Debussy's Nocturnes to her protege Sergio Tiempo (she has been a long-time devotee, if not addict, of two-piano arrangements that almost every other serious musician eschews).

The dominance of works by Schumann reflects Ms. Argerich's personal fondness for him, and she appears in the Piano Quartet, which has enjoyed a wonderful, highly personal reading by Glenn Gould and the Juilliard Qt. (Sony), among others. This one displays every virtue of live musicmaking, with Argerich's fervent, spontaneous playing leading the way. Compared to earlier sets, the 2006 collection contains more rarities and because of all the sSchumann, less representation by great composers. The flugelhorn arrangement of Schumann's Fantasiestucke for clarinet sounds like a joke. The once unknown Tanayev Piano Quintet gets a committed reading that should help to boost its popularity. The Debbusy Nocturnes actually bring pleasure in the two-piano arrangement. You won't be prepared for Gulda's concerto for Cello and Piano, which sounds like three-beer night at your local German jazz club. But its worth a smile and a listen.

In the end, however, this installment might be best left to connoisseurs while newcomers to Argerich's summer festivities should begin with the earlier, more conventional editions.

Here's the listing of works and personnel since Amazon doesn't supply it:

Martha Argerich / Renaud Capucon / Lida Chen / Gautier Capucon - Piano Quartet in Eb op.47 (Schumann).

Gautier Capucon / Gabriela Montero - Sonata for cello and piano No.2 in D op.58 (Mendelssohn).

Sergei Nakariakov / Martha Argerich - Fantasiestucke op.73 - version for flugelhorn and piano (Schumann).

Nicholas Angelich / Renaud Capucon / Gautier Capucon - Piano Trio in D minor op.63 (Schumann).

Lilya Zilberstein / Dora Schwarzberg / Lucy Hall / Nora Romanoff-Schwarzberg / Jorge Bosso - Piano Quintet in G minor op.30 (Taneyev).

Sergio Tiempo / Karin Lechner - Three Nocturnes : Nuages / Fetes (Debussy transcribed for two piano Ravel).

Alissa Margulis / Polina Leschenko - Sonata for violin and piano No.1 (Schnittke).

Gautier Capucon / Alexander Rabinovich-Barakovsky - Concerto for cello and windband (Gulda).

Average customer rating:

sublime and fascinating
Insomnia- No Way! This one is hot!
Insomnia? No Way-This is for the living!

Insomnia

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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John Cage: In a Landscape
John Cage: Music for Prepared Piano, Vol. 2
Indeterminacy
4'33"
Cage: Sonatas and Interludes for Prepared Piano

ASIN: B000026CMT
Release Date: 2000-02-08

Tracks:

Haru No Umi
Nocturne
Stanza 2
Insomnia
Les Fils De Etoiles: Prelude Du Premier Acte 'La Vocation'
Cinque Piccoli Duetti: Preludio
Cinque Piccoli Duetti: Pastorale
Cinque Piccoli Duetti: Canzonetta
Cinque Piccoli Duetti: Sogno
Cinque Piccoli Duetti: Rondo
'Daphne' Etude
Six Melodies: No. 1 (Rubato)
Six Melodies: No.2 (Legastissimo)
Six Melodies: No.3
Six Melodies: No.4
Six Melodies: No.5
Six Melodies: No.6
Spiegel Im Spiegel
Il Padrino
Suite In The Old Style: Pantomime

Amazon.com

This may be one of the least abrasive albums of contemporary music you'll ever hear. On this culture-melding disc, violinist Gidon Kremer and harpist Naoko Yoshino explore the dizzying roots and offshoots of modern compositions from the Far East and Europe. Every work on Insomnia--whether written by John Cage, Arvo Pärt, or Richard Strauss--seems to share influences and similarities with the next. While Japanese composer Michio Miyagi (1894-1956) was looking to France for influences on Haru no umi, Erik Satie (1866-1925) was looking to the East on the preludes to Le Fils des Étoiles. The comparisons are fascinating, and Kremer and Yoshino make this difficult music sound easy and hypnotic. Especially effective: Pärt's gorgeous Spiegel im Spiegel and Schnittke's almost New Age-sounding "Pantomime" (from Suite in the Old Style). Great stuff for modern lovers. --Jason Verlinde

Customer Reviews:

sublime and fascinating.......2006-02-25

I could not agree more with the next reviewer: this is one of the most cohesive collections I've heard; each track segues effortlessly into the next. While the dissonance and atonality of much modern music grates on me; this CD is devoid of such things. The compositions are wonderfully luminous and the performer(s) approach rivets the listener. Excellent night-time composition music, seduction music- what have you. I strongly encourage you to take a chance on this!

Insomnia- No Way! This one is hot!.......2000-06-16

The title is misleading if not down right dubious. This is one hot album. Gidon Kremer is a performer of rare ability and he is at his best with the broad range of composers featured here. He is accompanied by an excellent harpist Naoko Yoshino who adds her own special charm to these pieces. They work well together and their skills are clearly evident. This album is not for everyone; it challenges the listener and forces you to pay attention but it is worth it.

Insomnia? No Way-This is for the living!.......2000-06-15

Gidon Kremer is at his most provocative best! The wide range of composers played here require all of his skill and he comes through. This album is not for everybody but those who want something new won't be disappointed. Naoko Yoshino's contributions on the harp are a delight in themselves and shouldn't be missed. From a musical point of view this is not for quiet nights! It gets you up and keep you up This album may challenge some people but that's one of its charms. Need a challenge go for it; its truly an adventure.

Average customer rating:

Listen to the Tzigane

East Meets West

Manufacturer: Warner Classics
ProductGroup: Music
Binding: Audio CD

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West Meets East: The Historic Shankar Menuhin Collection

ASIN: B00028X2AU
Release Date: 2004-09-14

Tracks:

Aochar (Introduction)
Gat in Teentala [Rhythmic Cycle of 16 Beats]
Tzigane-Rapsodie de Concert for Violin and Luth [Original Version]
Paoruno
Nana
Asturiana
Canci
Jota
Polo
Romanian Folk Dances: Stick Dance
Romanian Folk Dances: Sash Dance
Romanian Folk Dances: In One Spot
Romanian Folk Dances: Horn Dance
Romanian Folk Dances: Romanian Polka
Romanian Folk Dances: Fast Dance
Sonata 1955 for Violin and Piano: I
Sonata 1955 for Violin and Piano: Andante
Aochar (Introduction)
Gat in Teentala [Rhythmic Cycle of 16 Beats]

Amazon.com

Daniel Hope is an excellent violinist, very much in tune with today's tastes and fashions, as reflected in his remarkably swift rise to prominence. His technical mastery lets him exploit all the resources of his instrument; his adventurousness leads him to explore the music of many lands. However, the multifarious colors of his tonal palette threaten to overwhelm the music and become an end in themselves; to prove his stylistic versatility, he resorts to excess and exaggeration. Yet on this recording, which features works influenced by folk-music and inviting an improvisatory approach, his playing is strangely unspontaneous, planned, and unimaginative. The program is flanked by two ragas by Ravi Shankar, accompanied by Indian instruments, carefully reconstructed from recordings of Yehudi Menuhin, for whom they were written and with whom Hope was closely associated. They sound beautiful and thoroughly authentic. Recorded here for the first time is a recently discovered sonata by Schnittke, written when he was 20 and studying at the Moscow Conservatory. Tonal, harmonically and structurally conventional but not really derivative, it is full of strong contrasts and abrupt shifts of dynamics, mood and character, which the players bring out very convincingly. For the rest of the program, Hope's fine pianist plays a luthéal, described as an attachment to the piano capable of producing exotic sounds resembling harmonics, lute, cymbalon, harp and flute; it is claimed that Ravel originally wrote the accompaniment to his Tzigane for it. Indeed, on this recording it recreates the orchestral colors much better than the piano. Unfortunately, Hope attacks his part with unbridled ferocity rather than gypsy abandon. Bartók's Romanian Dances are equally excessive: either slow and sentimental or rough and scratchy, and de Falla's Suite populair espagnole lacks grace and charm. Hope recently joined the Beaux Arts Trio, becoming its youngest member ever; his first recording with the group, of works by Mendelssohn and Dvorak, has just been released. --Edith Eisler

Customer Reviews:

Listen to the Tzigane.......2006-08-03

When I was writing an essay about "Tzigane" in my blog, I met this CD. This is the first time I ever heard the original version of Tzigane. I bought it immediately.

Although this is a violinist Daniel Hope's album, the main character here seems to be luthéal, a piano-like instrument that sounds reminds you, if you are a lover of gypsy music, a cimbalom. He plays Fella and Bartók also with the instrument.
"Tzigane" by Ravel has been my favorite piece, my most favorite piece of Ravel. And after listening the Hope's playing, I found that the piece is definitely written to accompany with the luethéal, neither a piano nor an orchestra I always felt the later part of "Tzigane", after accompanying with the piano, that sounds are not like I expected. But here I listened to the original version, that made a sense at all.

Other thing that surprise me is a suite by Falla. I never got interested in Falla pieces but "Suite populaire espagnole" attracted me. Especially the second piece "Nana", I thought it is written by a contemporary composer.

Romanian Folk Dances by Bartók here was not surprise but a fine performance. Hope plays them as if he is a gypsy violinist not a classic concert violinist. In my impression, Bart&243k's pieces were not as effective by using luthéal as Ravel and Falla.

He plays also a violin sonata of Shunittke, strangely the sonata sounds the closest to Classical Music in the album. I don't get well why he puts the sonata in the album. It could be a British joke? Famous contemporary composer's piece sounds more classical than several decades ago pieces, the sonata was written in 1955 though.

The album starts and ends with Shankar, Famous Indian sitar player and composer, who wrote some pieces for Menuhin, Hope's teacher, it would be rather his predecessor than just a teacher. Hope dedicates the album to Rave Shankar.

I think Hope has a good sense of ensemble, he is not a so-called star player, not like "listen-to-MY-playing!!, me, me, me!!" And he wrote commentary about the composers by himself that is not usual, at least I saw the commentary by the player of the album the first time. When I visited in London I was impressed by great organized information in museums. The commentaries are somehow different from ordinary classic music albums and I saw there are deep understanding and admiration to history of music and composers who dedicated their lives to music.

One disappointment of the album is the title, "East Meets West". As I am an Asian and live in a far east country, Japan I imagine East means Asia. He picks Indian music but most of pieces were created by European, two of them, Ravel and Falla, are even from Western Europe. So in my sense, is this East?? Probably East means here rather Roma, Gypsy, or Tzigane who are supposed to originally come from India, than east area.

Anyway I wish Mr. Daniel Hope considers to make a album "Far East Meets West" someday. I tell you, Mr. Daniel Hope, there are many great composers in Asia too.

Sergey Prokofiev: Sonata in D Major, Op. 115, for Solo Violin / Sonata in C Major, Op. 56, for 2 Violins / Dimitri Shostakovich: Sonata Op. 134, for Violin & Piano / Alfred Schnittke: Praeludium in Memoriam D. Shostakovich, for 2 Violins - Lydia Mordkovitch

Average customer rating:

Rarely Heard Dramatic Works by Three Russian Composers

Sergey Prokofiev: Sonata in D Major, Op. 115, for Solo Violin / Sonata in C Major, Op. 56, for 2 Violins / Dimitri Shostakovich: Sonata Op. 134, for Violin & Piano / Alfred Schnittke: Praeludium in Memoriam D. Shostakovich, for 2 Violins - Lydia Mordkovitch

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

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ASIN: B000000ANV
Release Date: 1992-10-28

Tracks:

Sonata In D Major, Op. 115: 1. Moderato
Sonata In D Major, Op. 115: 2. Tema: Andante dolce
Sonata In D Major, Op. 115: 3. Con brio - Allegro precipitato - Tempo 1 - Allegro precipitato
Sonata For Two Violins In C Major, Op. 56: 1. Andante cantabile
Sonata For Two Violins In C Major, Op. 56: 2. Allegro
Sonata For Two Violins In C Major, Op. 56: 3. Commodo (quasi allegretto)
Sonata For Two Violins In C Major, Op. 56: 4. Allegro con brio - Piu presto
Praeludium In Memoriam D. Shostakovich - For Two Violins
Sonata For Violin And Piano, Op. 134: 1. Andante
Sonata For Violin And Piano, Op. 134: 2. Allegretto
Sonata For Violin And Piano, Op. 134: 3. Largo - Andante - Largo

Customer Reviews:

Rarely Heard Dramatic Works by Three Russian Composers.......2006-02-13

Recordings such as this superb one serve to remind us that though we may think we know the output of the major composers, there are still treasures to be discovered. Works for individual instruments find their way into recital programs but often lie in shadow of the 'big works' for the concert.

It is refreshing to hear these four works on one CD. The two Prokofiev pieces, 'Sonata for violin solo in D major, Op. 115' and 'Sonata for 2 violins in C major, Op. 56' are filled with graceful melodies as well as Prokofiev's pungent wit and bitter moments. Lydia Mordkovitch surveys the solo work with complete conviction and beauty of tone and is joined by Emma Young for the Op.56. They convey the work as though the two violins were and extension of one, so integrated is their performance.

Dmitri Shostakovich's Sonata for violin & piano, Op. 134 is a more dense and complex work and in the hands of Lydia Mordkovitch and pianist Clifford Benson it shines as a composition of exquisite interplay between the two instruments.

The most intriguing work on the CD is the 'Praeludium in Memoriam D. Shostakovich, for 2 violins or violin & tape' by Alfred Schnittke, the least well known of these composers - but hopefully not for long. The work reflects and respects Shostakovich but does so in Schnittke's own original language. It is hauntingly beautiful, strange in its appeal to the ear, yet wholly successful as an organic homage not only to its dedicatee but also to the legacy of ancient religious music.

This is a very well balanced program, beautifully recorded, and benefits not only from its highly original programming, but also from the brilliance of the performance by these three artists. Highly recommended. Grady Harp, February 06

Average customer rating:

good starters cd for schnittke
Great Introduction to Schnittke Courtesy of Kremer
classical, or a creature of its own?
I REQUIRE YOU TO LOVE THE MUSIC OF SCHNITTKE AS MUCH AS I DO

Kremer Plays Schnittke

Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

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Schnittke: Chamber Music
Schnittke: Complete String Quartets
Schnittke-Concerto Grosso No. 2/Viola Concerto
Alfred Schnittke: Concerto Grosso No. 4 - Symphony No. 5 / Pianissimo for Large Orchestra
Schnittke: Cello Concerto No.2; In Memoriam

ASIN: B000001GNL
Release Date: 1994-08-22

Tracks:

Con grosso No.1: 1. Prelude: Andante
Con grosso No.1: 2. Toccata: Allegro
Con grosso No.1: 3. Recitativo: Lento
Con grosso No.1: 4. Cadenza [without tempo marking]
Con grosso No.1: 5. Rondo. Agitato
Con grosso No.1: 6. Postludio. Andante-Allegro-Andante
Quasi una son - Gidon Kremer/Yuri Smirnov
Moz-Art a la Haydn - Gidon Kremer/Titiana Grindenko
A Paganini - Gidon Kremer

Customer Reviews:

good starters cd for schnittke.......2003-04-02

I have just started to listen to schnittke music. I saw this and got it and have not stopped listening to the power of the music.
The concerto grosso for violins, harp, and piano is something else

Great Introduction to Schnittke Courtesy of Kremer.......2002-11-30

This is a splendid introduction to those like myself who are unfamiliar with Schnittke's oeuvre. It's a fine mixture of chamber music and small orchestral pieces, highlighting the splendid playing of violinist Gidon Kremer and the Chamber Orchestra of Europe. Judging from this CD, Kremer surely must be regarded as one of Schnittke's most passionate advocates, judging from his electrifying, technically brilliant playing which has ample doses of lyricism. Without question, the most emotionally gripping work is the Concerto Grosso, which sounds like a post-modern take on Bach's or Vivaldi's music. The sound quality is splendid for an early Deutsche Grammophon recording.

classical, or a creature of its own?.......2002-07-31

This was my first exposure to Schnittke, and it (the Concerto Grosso on this album) was hypnotizing. It sounded less like most classical pieces I'd been familiar with, and more like an hour-long trip of experimental mood textures built up upon each other, then destroyed dramatically, others thrust down your throat before you had a chance to take a breath (this is one of those few experiences when I sometimes had to remember to breath .. Dylan Thomas being another). It sometimes has the mood impression of a piece of 'trance' music, is sometimes wistful, sometimes angry, other times whimsical .. it is very hard to turn off after the first 10-15 minutes. The references to other classical pieces are also fascinating .. it is amazing how different familiar passages can sound couched in such different surroundings. This is a fantastic recording, and one which has changed my expectations for new music (classical or otherwise) forever.

I REQUIRE YOU TO LOVE THE MUSIC OF SCHNITTKE AS MUCH AS I DO.......2001-07-15

If you're acquainted with Schnittke's string quartets or viola concerto, you might know what to expect from a disc like this one. When he was at his best - as he was, I feel, with the quartets and that concerto - he was darned close.

And so he is, here - darned near perfect, for all of 75 minutes' worth of music. The Concerto Grosso No. 1 is performed persuasively and enjoyably, which must be quite difficult with a piece of music this eclectic both in style and emotional tenor. It veers - sometimes comically, sometimes almost frighteningly - between 18th-century decorousness, bawdy cabaret and abject expressionism. (Listening to it right now, I just spotted a quotation from Tchaikovsky hidden amidst a swarm of angry, screeching violins.) The switches that performer Yuri Smirnov is here required to make between the harpsichord and prepared piano are especially powerful - chilling, even.

"Quasi una Sonata," an earlier work - appearing here in the composer's arrangement for violinist with chamber orchestra - is a little less shocking, but no less passionate and rigorous, and thoroughly compelling in its own right. The contrasts between thorny expressionism and tonal melody/harmony are perfectly calculated, very exciting.

"Moz-Art a la Haydn," a "game with music," is a hoot. As the name might imply, basically tosses Mozart into the blender and uses the musical fragments for a series of wonderfully silly musical "games" for conductor and performers. It's been said that few of the great composers are ever genuinely funny; Schnittke demonstrates here that he can make you think and laugh at once. (Mozart, of course, is the most notable exception to that rule, and one imagines he would only enjoy the perverse liberties Schnittke has taken with his music.)

I admit that the last piece on this disc, "A Paganini," is the least rewarding for me; it certainly loses something not to be able to actually see the performer wrestling with the, yes, Paganini-esque virtuosity the piece requires. However, it's still a very interesting listen, and the fact that the composer was able to wring 13 genuinely exciting minutes out of what is basically a series of cadenzas for solo violin is certainly a feat in itself.

Tracks:

Violin Con in D, Op. 77: I. Allegro non troppo (Cadence : Kreisler)
Violin Con in D, Op. 77: II. Adagio
Violin Con in D, Op. 77: III. Allegro giocoso, ma non troppo vivace
Violin Con in d, Op. 47: I. Allegro moderato
Violin Con in d, Op. 47: II. Adagio di molto
Violin Con in d, Op. 47: III. Allegro ma non tanto

Tracks:

Violin Con in d, Op. posth: I. In Kraftigem, nicht zu schnellem tempo
Violin Con in d, Op. posth: II. Langsam - III. Lebhaft, doch nicht schnell
Grand Duo Con, Op. 48: I. Allegro con fuoco
Grand Duo Con, Op. 48: II. Andante con moto
Grand Duo Con, Op. 48: III. Rondo (Allegro)
Violin Son in E-flat, Op. 11: I. Frisch
Violin Son in E-flat, Op. 11: II. Im Zeitmaeines langsamen, feierlichen Tanzes
Violin Son No. 2: I. Quasi una sonata

Customer Reviews:

Kremer triumphs in the Brahms, Sibelius, and Schumann concertos.......2006-07-02

Gidon Kremer has been the dominant European violinist for so long that one may take for granted his large output extending over four decades. This is an EMI two-fer bursting with his huge talent. Three works will immediately attract attention: the concertos by Brahms, Sibelius, and Schumann. The Brahms with Karajan was his first recording of the work; there's a more romantically swelling account with Bernstein on DG. I like that one better, but we are comparing greatness with greatness. DG's recording wasn't the best in terms of sound, and hear EMI makes the Berlin Phil. sound gorgeous. Karajan glosses over things a bit in the accompaniment, but Kremer's playing is soaring and searching while remaining firmly on the modern side of the romantic divide.

Likewise in the Sibelius, a work he recorded only once. Other violinists tend to romanticize a work alreayd over-infused with gestures borrowed from Tchaikovsky, but Kremer plays with great integrity and imaginaiton, thinking every bar afresh. Muti's accompaniment is symphonic and dramatic, which makes just the right contrast to the soloist's haunting solitude in the far North.

The Schumann concerto is a wandering imperfect work that Kremer believes in and has recorded twice (the second time with Harnoncourt on Teldec). This first outing for EMI under Muti is less fierce and eccentric. I remain unconvinced by the work's quality, but it never got a better champion than Kremer, who is inward, intense, an lyrical.

The two CDs are generously filled out with a recital of sonatas by Weber, Hindemith, and Schnittke, where Kremer shares the spotlight with a galvanized Andrei Gavrilov--they share a common vision of impassioned, often edgy readings that try to sound as spontaneous as possible. The major work is also the toughest, the jagged, free-form Quasi una Sonata of Schnittke, a 20-min. work that is brilliant but very taxing for both performer and listener. I'd never call the two sonatas by Himdemith and Weber works of genius, but over time we may find that this is.

Average customer rating:

Musique de XXe siècle russe

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

Scherzo | Forms & Genres | Classical | Styles | Music

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ASIN: B000F1HQX8
Release Date: 2006-06-13

Tracks:

Le Chant Du Rossignol
Scherzo
Pastorale
Lento Espressivo - Allegro Impetuoso
Pastorale. Moderato
Ballet. Allegro
Menuet. Tempo Di Minuetto
Fugue. Allegro
Pantomime. Andantino
I. Moderato
II. Scherzo. Presto
III. Andante
IV. Allegro Con Brio

Average customer rating:

Superb 20th century classic music

Kiss on Wood
Maria Bachmann , Jon Klibonoff , James MacMillan , William Bolcom , Paul Dresher , Aaron Copland , Alfred Schnittke , and James Saporito
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B000003ELE
Release Date: 1995-02-14

Tracks:

Kiss On Wood
Second Sonata For Violin And Piano: I. Summer Dreams
Second Sonata For Violin And Piano: II. Brutal,Fast
Second Sonata For Violin And Piano: III. Adagio
Second Sonata For Violin And Pian: IV. In Memory Of Joe Venuti
Nocturne
Sonata No. 1: I. Andante
Sonata No. 1: II. Allegretto
Sonata No. 1: III. Largo
Sonata No. 1: IV. Allegretto/Scherzando/Largo
Double Ikat Part 2

Customer Reviews:

Superb 20th century classic music.......2006-07-03

It is a shame this CD is out of print--it is thoroughly enjoyable. In my opinion the Bolcom and Schnittke pieces are superior to the others, but it is all worth a listen. Late 20th century classical music can indeed be a delight.

Average customer rating:

Modern Portraits

Manufacturer: RCA Red Seal
ProductGroup: Music
Binding: Audio CD

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Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000003EZI
Release Date: 1990-05-25