Songs of Robert Schumann, Vol. 5
Editorial Reviews
Amazon.com
Graham Johnson's complete Schubert song marathon for Hyperion reached the finishing post recently, but for anyone suffering withdrawal symptoms, the award-winning Schumann song series goes from strength to strength and now reaches its fifth volume with this fine program featuring the warmly lyrical baritone of Christopher Maltman, winner of the Lieder prize at the 1997 Cardiff Singer of the World competition. This disc is devoted to settings of Heine, and on the way to the celebrated Dichterliebe there are 20 songs, including four by Schumann's wife, Clara. There are so many delights to be found here, and the combination of a beautiful voice, Johnson's superbly sensitive playing, and the intimacy of Hyperion's benchmark recorded sound must surely propel this toward an awards ceremony or two. As usual, the disc comes with scholarly but completely accessible notes by Johnson. Sometimes it takes longer to read the notes than listen to the song, but it is always worth it--Johnson's insight is constantly illuminating. The Dichterliebe cycle is an intimate, deeply felt performance, winningly understated, and a great tribute to the intelligent musicality of both performers. It concludes a disc that absolutely bursts with goodies--77 minutes of bliss. --Keith Clarke
Songs of Robert Schumann, Vol. 5, Music, Christopher Maltman, Clara Wieck Schumann, Robert Schumann, Graham Johnson, Choral, Classical, Classical Composers, Classical Music, Classical Vocals, Romantic Music for Voice and Keyboard, Secular Choral Music for Male Voices, Song Cycle for Solo Voice and Piano, Vocal, Vocal Music
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
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Classical Masterpieces of the Millennium [20 CD Set]
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- Arleen Auger and Dalton Baldwin-Love Songs
- Voice of experience
- Auger at her best
- Hidden Treasure
- Gorgeous, sensitive music
|
Arleen Auger - Love Songs / Dalton Baldwin
Frank Bridge , Benjamin Britten , Pietro Cimara , Aaron Copland , Sir Noel Coward , Stefano Donaudy , Stephen Foster , Charles Gounod , Eduoard Lippe , Frederick Loewe , Gustav Mahler , Joseph Marx , Fernando J. Obradors , Jaime Ovalle , Francis Poulenc , Roger Quilter , Franz Schubert , Robert Schumann , Oscar Straus , Richard Strauss , Joaquin Turina , Dalton Baldwin , and Arleen Auger
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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- Haydn - Arias & Cantatas / Auger · H&H · Hogwood
ASIN: B0000006VP
Release Date: 1992-05-22 |
Tracks:
- Love Songs: Pastorale
- Love Songs: Del Cabello mas sutil
- Love Songs: Azulao
- Love Songs: Standchen
- Love Songs: Selige Nacht
- Love Songs: Fleurs
- Love Songs: Stornello
- Love Songs: Music, When Soft Voice Die
- Love Songs: Je t'aime
- Love Songs: Love's Philosophy
- Love Songs: Widmung
- Love Songs: Du bist wie eine Blume
- Love Songs: Das Rosenband
- Love Songs: Liebst du um Schonheit
- Love Songs: Cantares
- Love Songs: How Do I Love Thee?
- Love Songs: I'll Follow My Secret Heart
- Love Songs: Serenade
- Love Songs: Liebe Schwarmt auf allen Wegen
- Love Songs: Love Went A-Riding
- Love Songs: Why, No One to Love
- Love Songs: O del mio amato ben
- Love Songs: The Salley Gardens
- Love Songs: Heart, We Will Forget Him
- Love Songs: Before I Gaze at You Again
Customer Reviews:
Arleen Auger and Dalton Baldwin-Love Songs.......2007-01-29
A lovely collection -very varied. Arleen Auger has a beautiful voice and Baldwin's accompaniment is wonderful. The 3rd track, by Jayme Ovalle, is, as it says in the accompanying notes, bewitching, and is actually the reason I bought the CD.
Voice of experience.......2006-01-28
There isn't much I can add to the praise bestowed on this album by earlier reviewers. I do think though that a special poignancy is undeniable since Auger's voice, while still beautiful, clearly is not that of a young singer. Her maturity makes her interpretations of these love songs all the more touching. I've probably played this CD a dozen times through the years, far more than any other in my collection. It remains consistently and deeply satisfying.
Auger at her best.......2005-04-26
This is a disc that I recommend to my graduating seniors/graduate students who are pursuing a graduate degree or career options in Vocal Performance.
From the standpoint of technique, Auger is practically flawless---"harsh" is not a word I equate with Ms. Auger's singing. She and Dalton Baldwin are impeccable performers on this disc. All the material was wisely chosen and presented, including one of the slowest "O del mio amato ben's" and one of the slowest "Salley Gardens", indicative of the beautiful breath control this artist had. I have to take exception to one of the comments made by one reviewer, of the "lack of sesitivity to the music that most classical singers possess". This is plain ignorant. This reviewer clearly does not understand the great artistic endeavor that classical singers have to have with Song literature---only a non-singer could have said this. Our finest classical singers of memory have all been outstanding musicians. They also have texts to interpret in many languages. I, as a singer-performer-teacher take great umbrage at comments like this which serve only to degrade the richness of so much repertoire.
I too hated the untimely passing of this fabulous singer. She is one of four famous women singers who all died at the age of 53. I think this disc was recorded not to long before she passed away and does reflect her "goodbye" to her audience. However the disc will remain as timely as the repertoire in it.
Marcia M.Baldwin, Gig Harbor, WA.
Professor Emeritus, Eastman School of Music, Rochester,NY
Hidden Treasure.......2003-11-04
This recording is possibly one of the best examples of beautiful singing one will ever find. The repertoire, the artfulness, the line and the sheer beauty of Miss Auger's voice is a rare find. I've just recently purchased another copy as I loaned mine to a friend who begged to keep it! One note on the cover - this new cover art seems to imply this CD is some light version of 1970's Montovani romance music. Nothing could be further from the truth. Though the previous jacket (a photo of Miss Auger on pale pink) did look dated, I hope the next pressing of this (& I'm sure they'll be many more to come!) will give this collection the class packaging it deserves. This is a collector's item. Enjoy!!
Gorgeous, sensitive music.......2001-06-15
So first of all, ignore the cheesy cover art and album title. This is a beautiful collection of songs, beautifully performed. Since I concur with the other reviews that laud Auger's performance (though don't forget the accompanist Dalton Baldwin, who is also outstanding), I'll add only the comment that there is a certain melancholy surrounding a lot of the songs and performances that (a) I find haunting and appealing, and (b) you would never know simply from looking at the album.
The performance of "Why, No One to Love" is worth the price of admission alone.
Average customer rating:
- Another example of great playing
- Elegie with a trumpet
- Poetic
|
Elegie
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000S9P
Release Date: 1997-07-29 |
Tracks:
- Widmung - Myrthen Op. 25, No. 1
- Standchen - Schwanengesang D 957, No. 4
- How Fair Is This Spot - Twelve Songs Op. 21, No. 7
- Oh No, I Beg You, Forsake Me Not - Six Songs Op. 4, No. 1
- Oh! quand je dors
- Habanera - Rapsodie espagnole
- In An Outburst Of Tenderness - Op. 6, No. 3
- How Long, My Friend? - Six Songs Op. 4, No. 6
- Wie Melodien zieht es mir - Five Songs Op. 105, No. 1
- That My Grief Were With You - Op. 28, No. 3
- Not The Wind, Blowing From The Heights - In Spring Op. 43, No. 2
- Elegie
- Does The Day Reign? - Seven Songs Op. 47, No. 6
- Entreaty
- Sapphische Ode - Five Songs Op. 94, No. 4
- Oh, Do Not Grieve - Twelve Songs Op. 14, No. 8
- Vocalise
- Iris
- Kaddisch - Deux melodies hebraiques (No. 1)
- Ave Maria
- Mattinata
- Non ti scordar di me
- Bess, You Is My Woman Now - Porgy And Bess
Customer Reviews:
Another example of great playing.......2007-01-10
This CD of Sergei's playing is very nice. Him and his sister are a fine duo that can make very beautiful music with just the Piano and Trumpet/Flugelhorn. This CD shows Sergei's expressive and lyrical side rather than his great technical ability. The music on this CD is something you would want to sit in front of a fire and really relax. I would recommend this CD to anyone who enjoys Classical music, not just to trumpet players.
Elegie with a trumpet.......2007-01-09
Looking for Elegie. It was the correct piece, but I would have preferred it done with violins etc. Elegie was my mother's favorite piece.
Poetic.......2000-06-07
Sergei Nakariakov is one of the greatest trumpet players alive today. His repertoire is enormous and keeps growing. He is featured here on a disc of songs and lieder from the vocal repertoire. Who needs words? His trumpet speaks as clear as any voice, and is as touching as any words could be. The music is brilliant anyway. He someone makes it all a little more special.
Average customer rating:
- Schumann with beauty and interpretation
- a voice teacher and early music fan
|
Hyperion Edition: The Songs of Robert Schumann, vol. 7
Robert Schumann , Ian Bostridge , Graham Johnson , and Dorothea Roschmann
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Songs of Robert Schumann, Vol. 9
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- The Songs of Robert Schumann, Vol. 3
ASIN: B00006L3V6
Release Date: 2002-11-12 |
Tracks:
- FOUR DEUTS Op. 34: Liebesgarten (Reinick)
- Liebhabers Standchen (Burns/Gerhard)
- Unterm Fenster (Burns/Gerhard)
- Familien-Gemalde (Gr - n)
- MYRTHEN Op. 25: Widmung (R - ckert)
- Freisinn (Goethe)
- Der Nussbaum (Mosen)
- Jemand (Burns/Gerhard)
- Lieder aus dem Schenkenbuch im Divan No 1 (Goethe)
- Lieder aus dem Schenkenbuch im Divan No 2 (Goethe)
- Die Lotosblume (Heine)
- Talismane (Goethe)
- Lied der Suleika (Willemer/Goethe)
- Die Hochlander-Witwe (Burns/Gerhard)
- Lied der Braut No 1 (R - ckert)
- Lied der Braut No 2 (R - ckert)
- Hochlanders Abschied (Burns/Gerhard)
- Hochlandisches Wiegenlied (Burns/Gerhard)
- Aus den hebrdischen Gesangen (Byron/Kvrner)
- Ratsel (Fanshawe/Kannegiesser)
- Zwei Venetianische Lieder No 1 (Moore/Freiligrath)
- Zwei Venetianische Lieder No 2 (Moore/Freiligrath)
- Hauptmanns Weib (Burns/Gerhard)
- Weit, weit (Burns/Gerhard)
- Was will die einsame Trdne? (Heine)
- Niemand (Burns/Gerhard)
- Im Westen (Burns/Gerhard)
- Du bist wie eine Blume (Heine)
- Aus den ostlichen Rosen (R - ckert)
- Zum Schluss (R - ckert)
- John Anderson, Op 145 No 4 (Burns/Gerhard) Polyphony
- FOUR DUETS Op. 78: Tanzlied (R - ckert)
- Er und Sie (Kerner)
- Ich denke dein (Goethe)
- Wiegenlied am Lager eines kranken Kindes (Hebbel)
Customer Reviews:
Schumann with beauty and interpretation.......2006-06-06
The selection of Lieder solos and duets in this fine recording combines the familiar and the less familiar. One is struck not merely by the wonderful melodic quality of the pieces, but the sense of intimacy and tenderness that lies at the heart of the music. The Lieder are wonderful to perform - and to listen to two such fine singers as Dorothea Röschmann and Ian Bostridge sing together is a pleasure indeed.
The use of word painting in Lieder is absolutely pivotal to the successful performance of the works. A lovely tone is not enough - it is never enough for this sort of singing. How blessed the listener is when the performer possesses not merely beauty of voice, but the heart for Lieder, the intellect for Lieder, the ability to portray both heart and intellect...
There is a find blend between the soprano and tenor voices in this recording, and the piano accompaniment could not be bettered. The individual Lieder are sung beautifully, with feeling, taste and exquisite understanding.
So schön ist es... wunderbare Musik, wunderbar gesungen.
a voice teacher and early music fan.......2006-02-06
This recording includes 8 duets with Roschmann (soprano) and Bostridge (tenor), and numerous solos.The song cycle 'Myrten' (Myrtles) consists of 26 songs full of secrets and allusions. An important part of their power is their inter-connectedness in terms of tonality. This is something new in a song cycle. At first it appears to be a patchwork quilt,but it is bound together by personal biographical allusions where every choice of poem represents an aspect of love which encompasses the legend-in -the-making that was Robert and Clara.The disc opens with Four Duets Op.34, the sound of which betoken the domesticity of the marital state. Like so many other songs of 1840 the music describes projected happiness rather than the experience of it, as if one of the duet's functions was to help turn into reality the togetherness implied by the close interactions of the music. Schumann was the natural successor to Schubert and subsequently expanded the horizons of the Leid considerably. One of the areas in which he made real innovations was the vocal duet giving this form a new life with music both exciting and touching. And we have here three of the best interpreters to put them across to us. The blend of Roschmann and Bostridge suit these songs perfectly and the German is flawless, but then I've never heard either one of them sing below standard! Graham Johnson is a Schubert expert having recorded the entire Schubert Lieder for Hyperion, so his accompaniment of the Leid of Schumann is perfection. This disc is pure listening pleasure!!!!
Average customer rating:
|
Les Introuvables de Pierre Fournier
Manufacturer: EMI
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ASIN: B0000241DO
Release Date: 2002-08-05 |
Tracks:
- Cello Concerto No. 2 In D Major, H. 7b Op. 101
- Cello Concerto In A Minor, Op. 129
- Phantasiestke (3 Fantasy Pieces) For Clarinet (Or Cello Or Violin) & Piano, Op
- Variations On A Rococo Theme, For Cello & Orchestra (Or Cello & Piano) In A Majo
- Sonata For Cello & Piano No. 1 In F Major, Op. 5/1
- Sonata For Cello & Piano No. 2 In G Minor, Op. 5/2
- Sonata For Cello & Piano No. 3 In A Major, Op. 69
- Sonata For Cello & Piano No. 4 In C Major, Op. 102/1
- Sonata For Cello & Piano No. 5 In D Major, Op. 102/2
- Sonata For Arpeggione & Piano In A Minor, D.821
- Pieces For Children Big And Small For Piano, 4 Hands Op. 85
- Feldeinsamkeit ("Ich Ruhe Still Im Hohen Gren Gras"), Song For Voice & Piano,
- Romance For Cello & Piano, Op. 69
- Shylock, Incidental Music And Suite For Tenor & Orch., Op. 57
- Mavra, Opera Buffa In One Act
- Nocturne For Violin (Or Flute) & Piano
- Melody In F, Various Arrangements, Op. 3/1
- Introduction & Polonaise Brilliante For Cello & Piano In C Major, Op. 3
- Song Without Words For Cello & Piano In D Major, Op. 109
- Le Coq D'or (The Golden Cockerel; Zolotoy Petushok), Concert Suite For Orchestra
- The Tale Of Tsar Saltan, Op. 57
- Carnival Of The Animals, Zoological Fantasy For 2 Pianos & Ensemble
- Berceuse, For Violin & Piano (Or Orchestra) In D Major, Op. 16
- Tonadillas Al Estilo Antiguo, Songs (10) For Voice & Piano, H. 136
- Goyescas (Serenata Goyesca; Dusk), For Piano, H. 63
- La Gitana For Violin & Piano (After An 18th Century Arabo-Spanish Gypsy Song)
- Papillon, For Cello & Piano, Op. 77
- L' Enfant Prodigue, Sce Lyrique For Voices & Orchestra, L. 57
- Pie En Forme De Habanera, For Solo Instrument & Keyboard (Arr.)
- Kaddisch, Song For Voice & Piano (Modie Hraue No. 1)
- O Mensch, Bewein' Dein' Sde Gross, Chorale Prelude For Organ (Orgel-Bhlein N
- Herzlich Tut Mich Verlangen, Chorale Prelude For Organ, Bwv 727 (Bc K109)
- Ich Ruf Zu Dir, Herr Jesu Christ (I), Chorale Prelude For Organ (Orgel-Bhlein
- Nun Komm Der Heiden Heiland (I), Chorale Prelude For Organ (Orgel-Bhlein No. 1
- Sonata For Cello & Continuo In C Major, G. 6 (Six Sonatas No. 2)
Customer Reviews:
Fantastic Fournier.......2004-02-16
On this 4CD EMI Import, the great cellist Pierre Fournier performs a variety of orchestral and chamber recordings, recorded primarily in mono from the 1940s and early 50s. There are three orchestral works -- Haydn's 2nd Concerto (Kubelik/Philharmonia, 1951), Schumann's Concerto (Sargent/Philharmonia, 1956 in stereo), and Tchaikovsky's Rococo Variations (Bigot/Lamoureux, 1941). Disc two, and half of disc three, contain Beethoven Cello Sonatas with the great Artur Schnabel, while the fourth disc features a variety of pieces, from Bach and Boccherini to Debussy and Ravel, with pianist Gerald Moore. I'm withholding a fifth star because the collection contains mostly historical recordings, though it certainly captures one of history's greatest cellists in his prime. With that being said, "Les Introuvables de Pierre Fournier" is a must buy for cello entusiasts.
Average customer rating:
- Beautiful rendition of outstanding classic cello pieces
|
Meditation
Jean-Baptiste Lully , George Frideric Handel , Christoph Willibald Gluck , Charles Gounod , Felix Mendelssohn , Fryderyk Chopin , Franz Schubert , Robert Schumann , Johannes Brahms , Manuel de Falla , Gabriel Faure , Jules Massenet , Camille Saint-Saens , Maurice Ravel , Anonymous , Pyotr Il'yich Tchaikovsky , Sergey Rachmaninov , Fritz Kreisler , Mischa Maisky , and Pavel Gililov
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
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Maisky, Mischa
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Similar Items:
- Après un rêve
- Franz Schubert: Songs Without Words
- Schumann: Cello Concerto
- Cello Sonatas / Variations / 7 Songs Without Words
- Bach: Sonatas for Cello & Piano
ASIN: B000001GEA
Release Date: 1991-05-02 |
Tracks:
- Meditation (Ave Maria)
- Larghetto
- Gavotte
- Melodie
- Lied Ohne Worte Op. 109
- Prelude
- Ave Maria
- Traumerei
- Wiegenlied
- Nana
- Apres Un Reve
- Elegie
- Le Cygne
- Habanera
- Anon
- Nocturne
- Vocalise
- Liebesleid
Amazon.com
Russian-born Israeli cellist Mischa Maisky is not the superstar type. He rarely makes recordings and rarely performs outside Europe. But his playing, which he does brilliantly and beautifully on this recording, places him among the finest cellists of our time. This program of famous classical melodies, arranged for cello and piano, is one of the finest cello recordings ever made. --David Vernier
Album Details
Though his Recordings Are Relatively Few (Especially for a Major Label Artist), Mischa Maisky is Recognized as One of the Most Distinguished and Celebrated Cellists of Our Time. This Recital of Arrangements of Familiar as Well as Undeservedly Unfamiliar Classical Tunes Amply Demonstrates Why. His Tone is Impeccable, Technique Flawless, and Most Important He Leaves the Listener Feeling as If They're Hearing the Piece in a Wholly Fresh New Way. Joined by his Long Time Accompanist Pavel Gililov, this is a Recording all Cello Enthusiasts Are Sure to Enjoy.
Customer Reviews:
Beautiful rendition of outstanding classic cello pieces.......1998-12-11
This CD has rapidly become my favorite of my entire collection. I can listen to this for hours. Mr. Maisky plays beautifully, with passion, elegance and sensitivity. Although many of these pieces are familiar, Mr. Maisky is capable of nuances that make one feel that one has never before heard them performed so perfectly. As an amateur cellist myself, I have an intense desire to run to my cello and play these pieces whenever I listen to this CD. Unfortunately my enthusiasm far exceeds my talent so I am forever returning to Mr. Maisky's playing. Everyone for whom I have played this immediately wants to know where he or she can purchase it. I might just send off a few of these to some friends so they too can experience the beautiful sound of the cello played by this master.
Average customer rating:
- Which Hofmann?
- Josef Hofmann: Wonderful performances, lots of surface noise
|
The Complete Josef Hofmann, Vol. 3
Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Josef Hofmann, Vol. 4
- The Complete Josef Hofmann, Vol. 2
- The Chopin Concertos
ASIN: B000003LJ8
Release Date: 1994-09-01 |
Tracks:
- Valse In A Flat, Op. 34, No. 1
- Valse C Sharp Minor, Op. 64, No. 2
- Valse In E Minor, Op. Post
- Polonaise In A Minor, Op. 40, No. 1
- Impromptu No. 1, A Flat, Op. 29
- Fantasie-Impromptu, C Sharp Minor, Op. 66
- Berceuse In D Flat, Op. 57
- Chant Polonaise, 'The Maiden's Wish'
- Liebestraum No. 3 In A Flat
- Conccert Etude No. 1, 'Waldesrauschen'
- Venezia E Napoli - 'Tarantella' (Abridged)
- Marche Militaire
- Der Erlkonig
- Gavotte
- 'Moonlight Sonata In C Sharp, Op. 27 No. 2 First Movement
- Fantasiestucke, Op. 12, No. 3 'Warum?'
- Papillon, Op. 43, No. 1
- Spinning Song, Op. 67, No. 14
- Rondo Capriccioso, Op. 14 (Abridged)
- Spring Song, Op. 62, No. 6
- Hunting Song, Op. 19, No. 3
- La Jongleuse
Tracks:
- Caprice Espagnole, Op. 37 (Abridged)
- Minuet In G
- Valse-Caprice
- Miniatures, Book. 9 No. 7, 'El Dachtarawan'
- The Sanctuary
- Prelude In C Sharp Minor, Op. 3, No. 2
- Prelude In G Minor, Op. 23, No. 5
- Valse Gracile
- Birds At Dawn, Op. 20, No. 2
- Third Etude In C Minor, Op. 120
- Polonaise In A Major, Op. 40, No. 1
- Hunting Song, Op. 19, No. 3
- Spring Song, Op. 62, No. 6
- Marche Militaire
- Der Erlkonig
- Nocturne In E Flat, Op. 9, No. 1
- Valse In E Minor, Op. Post.
- Papillon, Op. 43, No. 1
- Spinning Song, Op. 67, No. 4
- Prelude In C Sharp Minor, Op. 3, No. 2
Amazon.com
Volume 3 gathers Hofmann's complete acoustic Columbia 78s, including seven previously unissued sides. While Hofmann allowed a lot of leeway in live performance, he took recording seriously, both from an artistic and technical standpoint. The myriad subtleties of touch, pedaling, and articulation in Hofmann's playing come through loud and clear in these vintage 1912-1918 recordings. Each selection reveals the pianist's singing tone, extremely even fingerwork, aristocratic poise, and taste. There's a sense of purpose and proportion to the playing that belies the notion that all Romantic pianists took insane liberties. --Jed Distler
Customer Reviews:
Which Hofmann?.......2004-09-06
Hofmann - particularly late Hofmann - may be an acquired taste.
Despite having been the protégé of Anton Rubinstein, "the wonderful boy" was recognized from quite an early age as the exemplar of a modern style of playing - textually faithful, eschewing swooning or bombast. (See, for example, the references to Hofmann in Henry Lahee's wonderful survey from 1900, Famous Pianists of Today and Yesterday.)
Still, a number of younger colleagues expressed ambivalence. Horowitz was floored by Hofmann's keyboard command - everyone was - but he, Artur Rubinstein and Arrau, to name just three - seem not to have been terribly moved by Hofmann's musicianship.
But which Hofmann are we considering? His playing for the gramophone - as early as 1903 and as late as 1935 - was as disciplined as it was imaginative and dazzling. The late Harold Schonberg called it "perfection plus."
However, as Gregor Benko makes clear in his essays for the Marston reissues, Hofmann switched on what the pianist called a "spectacular" style for many public performances. This may sound cynical. Often it sounds terribly cynical. Hofmann was not speaking merely of the need to project in a large concert hall. In public performance - at least those performances we have from the late `30s and early `40s - the aristocrat often becomes a mountebank, lurching from the softest pianissimos to explosive fortissimos, rattling off passages or entire pieces even faster than Simon Barere boasted he could do.
Schonberg - and Hofmann's friend and admirer Rachmaninoff - reminded us that during this period Hofmann had many personal troubles, including a severe drinking problem. We must believe that at his greatest Hofmann played as scrupulously and with as much refined feeling in public as he did on many of his studio recordings, though his manner may have differed somewhat. And there are some marvelous live performances. The Rubinstein 4th from his Golden Jubilee concert beggars description.
So where does that leave us? As an introduction to Hofmann, I would recommend the early Columbia recordings, those he made somewhat later for Brunswick, and the American and British test pressings from 1935 - perhaps his greatest recorded playing. These are Volumes 3, 4 and 5 of the complete Hofmann series. Serious listeners will also want the ups and downs of the Golden Jubilee (Volume 2). The Chopin concertos in Volume 1 have some splendid moments, but the superlative (not spectacular; superlative) performance there is a fragment of the first movement of the E minor concerto performed in London -- far more poised and committed than its counterpart from New York. (I wonder if Hofmann played differently in America than he did in Europe? Some musicians - for instance, Mahler, Toscanini, Bernstein - for varying reasons apparently did.)
Having said all this, the entire Hofmann series is priceless. Heartfelt thanks to Gregor Benko and Ward Marston for making it available in superb transfers with fascinating notes.
Josef Hofmann: Wonderful performances, lots of surface noise.......2000-03-15
For Hofmann lovers and devoted students of piano performance, this collection is priceless! For others, the surface noise will be a serious drawback. My assumption is that anyone interested in Hofmann will start by getting Volumes 1 & 2 -- the Chopin Concertos and the 1937 Golden Jubilee Recital. Beyond that, in choosing among Volumes 3 through 6, Volume 3 offers a wide range of Hofmann's repertoire in shorter pieces -- 42 tracks on two CD's. These are Josef Hofmann in his prime and the performances are marvelous. Unfortunately, they were recorded in 1912-18 (with six tracks from way back in 1903!) and the surface noise is pretty severe. Listening to them is an effort, but the effort is well worth while!
Average customer rating:
- Restraint and overdoing it
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Songs of Robert Schumann, Vol. 5
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
All Works by Clara Wieck Schumann
| Schumann, Clara Wieck
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| Schumann, Robert
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Similar Items:
- The Songs of Robert Schumann, Vol. 8
- The Songs of Robert Schumann 4 / Oliver Widmer, Stella Doufelix, Graham Johnson
- The Songs of Robert Schumann, Vol. 6
- Hyperion Edition: The Songs of Robert Schumann, vol. 7
- The Songs of Robert Schumann, Vol. 9
ASIN: B000058UUU
Release Date: 2001-03-13 |
Amazon.com
Graham Johnson's complete Schubert song marathon for Hyperion reached the finishing post recently, but for anyone suffering withdrawal symptoms, the award-winning Schumann song series goes from strength to strength and now reaches its fifth volume with this fine program featuring the warmly lyrical baritone of Christopher Maltman, winner of the Lieder prize at the 1997 Cardiff Singer of the World competition. This disc is devoted to settings of Heine, and on the way to the celebrated Dichterliebe there are 20 songs, including four by Schumann's wife, Clara. There are so many delights to be found here, and the combination of a beautiful voice, Johnson's superbly sensitive playing, and the intimacy of Hyperion's benchmark recorded sound must surely propel this toward an awards ceremony or two. As usual, the disc comes with scholarly but completely accessible notes by Johnson. Sometimes it takes longer to read the notes than listen to the song, but it is always worth it--Johnson's insight is constantly illuminating. The Dichterliebe cycle is an intimate, deeply felt performance, winningly understated, and a great tribute to the intelligent musicality of both performers. It concludes a disc that absolutely bursts with goodies--77 minutes of bliss. --Keith Clarke
Customer Reviews:
Restraint and overdoing it.......2004-02-13
Although the quality of singing and playing is as high as every other endeavour in this project, this is the first recording that feels "padded." The inclusion of two chorus settings--"Die Minnesaenger" and "Die Lotusblume"--not only add little to the concert but actually disrupt the flow for me. There are also four songs by Clara Schumann which don't do much for the whole concert either, especially her trite setting of "Lorelei." Graham Johnson's notes, which I always enjoy tremendously, also felt padded and less witty than usual. This is the first time I felt the desire to be comprehensive overtook the quality of the individual disc.
That said, there are many magnificent recordings here, especially "Belsatzar," "Mein Wagen rollet langsam," "Die beiden Grenadiere," and "Die Lotusblume." Although this DICHTERLIEBE did not replace my favorite (as Johnson's SCHOENE MUELLERIN and WINTERREISE recordings from the Schubert collection did), it's a lovely and ethereal display of restraint and care well worth having.
Average customer rating:
- What a wonderful recital!
|
Follow Goethe
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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| Wolf, Hugo
| ( W )
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ASIN: B000026CXH
Release Date: 1999-10-26 |
Tracks:
- Freisinn Op.25, 2: Lasst Much Nur Auf Meinem Sattel Gelten!
- Herbstgefuhl, Op. 19a , 1: Fetter Grune, Du Laub
- Phanomen: Wenn Zu Der Regenwand Phobus Sich Gattet
- Neue Liebe, Neues Leben, Op.75, 2: Herz, Mein Herz
- Meeres Stille D 216: Teife Stille Herrscht Im Wasser
- An Die Turen Will Ich Schleichen Op.98a, 8: An Die Turen Will Ich Schleichen, Still Und Sittsam...
- Erster Verlust D 226: Ach, Wer Bringt Die Schonen Tage
- Blumengruss: Der Strauss, Den Ich Gepflucket
- Wonne Der Wehmut Op.83, 1: Trocknet Nicht, Tranen
- Singet Nicht In Trauertonen Op.98a, 7: Singet Nicht In Trauertonen Von Der Einsamkeit Der Nacht
- Dammrung Senkte Sich Von Oben Op.19a, 2: Dammrung...
- Op. 7 Alles Kundet Dich An: Gegenwart
- Wandrers Nachtlied D.768: Uber Allen Gipfeln Ist Ruh
- Erlkonig op.1, 3: Wer Reitet So Spat Durch Nacht Und Wind?
- Op.7: Gesang Der Geister Uber Den Wassern: Des Menschen Seele Gleicht Dem Wasser
- Der Fischer: Das Wasser Rauscht', Das Wasser Schwoll
- Anakreons Grab: Wo Die Rose Hier Bluht
- Nachklang Op.19b, 1: Es Klingt So Prachtig
- Lynceus Der Turmer, Auf Fausts Sternwarte Singend Op.9 H. VIII, 3: Zum Sehen Geboren
- Mailied: Op.26,5: Wie Herrlich Leuchtet Mir Die Natur!
- Versunken D 715: Voll Locken Kraus Ein Haupt So Rund!
- Jagers Abendlied D. 368: Im Felde Schleich' Ich Still Und Wild
- Wanderers Nachtlied Op.9, H.1, 3a: Uber Allen Gipfeln Ist Ruh
- Hoffnung D. 295: Schaff', Das Tagwerk Meiner Hande
- Fruhlings Ubers Jahr: Das Beet, Schon Lockert Sich's In Die Hoh
- Der Rattenfanger: Ich Bin Der Wohlbekannte Sanger
- Zur Rosenzeit Op.48,5: Ihr Verbluhet, Suss Rosen
Amazon.com
The poetry of Goethe has a unique place in German literature and German song--the sheer variety of his lyrics, from heaven-storming passion to calm acceptance, from tender love to vicious cynicism, made his words the source-material of many composers' finest settings. Christoph Prégardien and Michael Gees have put together an intelligent program that combines some of the best-known composers of the German song--Schubert, Wolf, Schumann, Beethoven--with lesser masters--Loewe, Schoeck; we get both Schubert's and Loewe's setting of the achingly nostalgic "Wanderer's Nightsong," and Loewe's jaunty setting of "Der Erlkonig," perhaps Schubert's best-known song, but by no means his exclusive property. Two songs of Gees's own are intelligent modern pastiches of the romantic style, solidly accomplished word-settings with interesting piano writing. All the songs here are admirably selected for Prégardien's darkly sorrowful pure voice and Gees's tactful, occasionally intense, accompaniment. --Roz Kaveney
Customer Reviews:
What a wonderful recital!.......2000-02-17
After listening this CD we will finally know why Goethe is an great poet. Too much possibility contained in his poems, as this CD shows us. This unusual recital consists of 27 lieder from 11 composers, spanned from old Beethovan, Wolf to modern Diepenbrock, Shoeck, Gees. Thank God it contains very few over-sung Schubert-Goethe cliche. Pregardien selected and arrange these lieder wisely and carefully, and he deliberately changes style from one song to another. With his gold, clean voice and deep, intense interpretion, they reflected the wild and wide soul a great poet can be. Gees's accompaniment is as well.
Average customer rating:
- Great collections, with poor quality sound
- The Greatest Collection Of Romantic Era Music
- Somewhat lacking
|
The Top 100 Masterpieces of Classical Music, Vol. 6-10
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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| Brahms, Johannes
| ( B )
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| Delibes, Léo
| ( D )
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| ( D )
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| Elgar, Sir Edward
| ( E )
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Grieg, Edvard
| ( G )
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Similar Items:
- Masters of Classical Music (Box Set)
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- Best of the Millennium: Top 40 Classical Hits
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ASIN: B000001W12
Release Date: 1995-11-01 |
Tracks:
- The Top 10 Of Classical Music 1842 - 1853: 1843: Wedding March, From 'A Midsummer Night's Dream' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1847: Liebestraum No. 3 In A Flat - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1842: Nabucco - Overture - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1848: The Merry Peasant - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1847: Hungarian Rhapsody No. 2 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1850: Lohengrin - Preldue To Act 3 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1853: La Traviata - Prelude to Act 1 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1845: Tannhauser - Arrival Of The Guests At Wartburg - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1845: Violin Concerto In E Minor, 2nd Movement - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1846: Poet And Peasant - Overture - TOP 100 MASTERPIECES
Tracks:
- The Top 10 Of Classical Music 1854 - 1866: 1858: Orpheus In The Underworld - Overture - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1858: Melody In F - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1854: Les Preludes - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1865: Waltz In A Flat - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1862: The Force Of Destiny - Overture - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1864: I Love You - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1866: The Bartered Bride - Overture - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1864: Barcarolle, From 'The Tales Of Hoffman' - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1858: Tritsch Tratsch Polka - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1866: Light Calvary - Overture - Various Artists
Tracks:
- The Top 10 Of Classical Music 1867 - 1876: 1875: Piano Concerto No. 1 In B Flat Minor, 1st Movement (excerpt) - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1868: Cradle Song - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1875: The Moldau - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1870: Ride Of The Valkyries - From 'The Valkyrie' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1876: Morning, From 'Peer Gynt' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1875: Les Toreadors, From 'Carmen' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1870: Notturno, From 'Coppelia' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1876: Marche Slave, Op. 31 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1872: L'Arlesienne - Intermezzo - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1867: The Blue Danbue - Waltz - TOP 100 MASTERPIECES
Tracks:
- The Top 10 Of Classical Music 1877 -1893: 1878: Polonaise, From 'Eugene Onegin' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1893: Symphony No. 9, 'From The New World' - 2nd Movement - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1892: Waltz Of The Flowers, from 'The Nutcracker' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1887: Alborado, From 'Capriccio Espagnol' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1886: The Last Spring - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1886: Slavonic Dance No. 2 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1889: The Sleeping Beauty - Introduction - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1877: Siegfried's Death And Funeral March, From 'Twighlight Of The Gods' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1880: Songs My Mother Taught Me - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1889: Emperor Waltz - TOP 100 MASTERPIECES
Tracks:
- The Top 10 Of Classical Music 1894 - 1928: 1896: Also sprach Zarathustra - Fanfare - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1902: Symphony No. 5 - Adagietto - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1899: Finlandia - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1900: Dance Of The Bumble Bee - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1894: Meditation, From 'Thais' - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1901: Pomp And Circumstance - March No. 1 - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1894: Humoresque - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1903: Valse Triste - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1899: Vienna Blood - Waltz - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1928: Bolero - Various Artists
Customer Reviews:
Great collections, with poor quality sound.......2003-01-09
I expected to listen to great professional classical orchestra ...for this classical music collection, but the quality of the music is not too good.
There are a lot of great music collections, but they will sound better when they record it right.
It is good when you just want to have more classical music, but for a CD, the sound quality is like a [poorley made] CD.
I give 3 stars for this product.
The Greatest Collection Of Romantic Era Music.......2002-09-05
The Top 100 Classical Music series is a must have for novices of classical music, or someone already into the classics but wishes to amassa an "essentials" collection. This particular cd's span the Romantic Era, and although the 19th century saw much more music than what is covered on these recordings, this is nevertheless a brilliant and essential body of works. The Wedding March of Mendelsshon's Midsummer Night's Dream (played in weddings all over the world I'm assuming), Franz Lizst Hungarian Rhapsody No. 2 (The Looney Tunes Theme Music by the way) and other jewels of the era, such as the Blue Danube Waltz by Johann Strauss, the operetta overtures of Franz Von Suppe, Verdi's preludes to such operas as Nabucco and La Traviata, Wagner's intense, dramatic music for his Ring of the Nibelung operas, regarded as the epitome and the zenith of Romantic Era opera, and the music of other composers such as Tchaikovsky, Bizet, Sibelius, Rimsky Korsakov and many others. I highly recommend this cd to anyone wanting to sample and taste what Romantic Era music was all about. Five stars all the way.
Somewhat lacking.......2001-03-28
(referring to the entire collection)
The collection is well designed for introducing the listener to a large variety of music, with its broad range of composers and types of music. However, the interpretation of the music is hardly existant, and many of the pieces sound rather dull and uninteresting. Some lively pieces are played too slowly, and nearly all of them without emotion, keeping the set out of reach from being included in a true classical collection. Despite all that, the sheer number and range of pieces (along with the low price) make this a collection well suited for the new classical listener.
Track Listings:
- The Hyperion Schubert Edition 34 / 1817 - 1821
- The Hyperion Schubert Edition 6 / Anthony Rolfe Johnson, Graham Johnson
- The Probably Untrue Story Of Mary (who) Had A Little Lamb
- The Queen's Delight
- To Be Sung Upon the Water/Seven Sonnets of Michelangelo
- Verdi - Falstaff / Lafont, Martinpelto, Michaels-Moore, Mingardo, R. Evans, Palombi, E. James, Gardiner
- Verdi: Pezzi Sacri
- Virtuosi Of The Bow - Bach: 6 Cello Suites / Casals
- Vivaldi: Concertos Op.8
- Von DeUtscher Seele
Track Listings
track listings
Track Listings
Let's Stick Together [Original recording remastered]
Mozart: Three Piano Concerti, K. 107, Vol. II
Out Where the Blue Begins
Jazz in Paris: I Made You Love Paris
Rock N Roll Ain't Evil [CD-single] [Import]
Saturday Night Soul V.3 [Import]
Take a Look
Monteverdi: Vespro Della Beata Vegine
Parallel Dreams [Import]
Solos
Straightaways
Nueva Era
Merengue Underground [Import]
Steven Curtis Chapman: Greatest Hits
Jazz Masters