The Hyperion Schubert Edition 34 / 1817 - 1821
Track Listings
| 1. Der Alpenjager, D542 - Christopher Maltman/Graham Johnson | ||
| 2. La Pastorella Al Prato, D513 - John Mark Ainsley/Jamie MacDougall/Simon Keenlyside/Michael George/Graham Johnson | ||
| 3. Frohsinn, D520 - Stephan Loges/Graham Johnson | ||
| 4. Das Grab, D569 - The London Schubert Chorale/Stephen Layton/Graham Johnson | ||
| 5. Die Einsiedelei, D563 - Philip Langridge/Graham Johnson | ||
| 6. Atys, D585 - Thomas Hampson/Graham Johnson | ||
| 7. Das Dorfchen, D598 - John Mark Ainsley/Jamie MacDougall/Simon Keenlyside/Michael George/Graham Johnson | ||
| 8. Der Kampf, D594 - Neal Davies/Graham Johnson | ||
| 9. Die Geselligkeit (Lebenslust), D609 - Patricia Rozario/Catherine Denley/Ian Bostridge/Michael George/Graham Johnson | ||
| 10. Sing-Ubungen, D619 - Patricia Rozario/Lorna Anderson/Graham Johnson | ||
| 11. Das Abendrot, D627 - Neal Davies/Graham Johnson | ||
| 12. Abend, D645 - Martyn Hill/Graham Johnson | ||
| 13. Das Madchen, D652 - Marjana Lipovsek/Graham Johnson | ||
| 14. Cantate Zum Geburtstag Des Sangers Michael Vogl, D666 - Lynne Dawson/Michael Schade/Gerald Finley/Graham Johnson | ||
| 15. Prometheus, D674 - Simon Keenlyside/Graham Johnson | ||
| 16. Uber Allen Zauber Liebe, D682 - Daniel Norman/Graham Johnson | ||
| 17. Die Gefangenen Sanger, D712 - Matthias Goerne/Graham Johnson | ||
| 18. Grenzen Der Menschheit, D716 - Neal Davies/Graham Johnson | ||
| 19. Wandrers Nachtlied II, D768 - Christopher Maltman/Graham Johnson |
Editorial Reviews
Amazon.com
The Hyperion Schubert edition has moved into its final phase--surveys of songs not yet covered, arranged by period. The years 1817-21 were some of the most productive of Schubert's short life--he left home and lived with friends, possibly lovers, was briefly arrested by the secret police, and started to be recognized as a real force in Viennese music. Among the high points of this disc of songs, part songs, and a chamber cantata are Thomas Hampson's dangerous, dreamy performance of "Atys," a setting of a poem about sexual ambiguity and ambivalence by Schubert's roommate Mayrhofer and Christopher Maltman's delicate rendering of the well-known "Wanderer's Nightsong." Philip Langridge is charming in "Die Einsiedelei" with its sense of the need for pastoral retreat. The various part songs, in which singers as well-known as Ian Bostridge and John-Mark Ainsley put in guest appearances, make relaxing interludes between masterpieces. Graham Johnson's commentary in the accompanying booklet is as helpful and intelligent as his piano accompaniment. --Roz Kaveney
The Hyperion Schubert Edition 34 / 1817 - 1821, Music, Franz Schubert, Graham Johnson, Choral, Choral Music, Classical, Classical Composers, Classical Music, Classical Vocals, More than Two Solo Voices (w or w/o Keyboard or Continuo), Romantic Music for Voice and Keyboard, Two Solo Voices (with or without Keyboard/Continuo), Vocal
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The Hyperion Schubert Edition 34 / 1817 - 1821
Manufacturer: Hyperion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004GLLD Release Date: 2000-02-08 |
Tracks:
Amazon.com
The Hyperion Schubert edition has moved into its final phase--surveys of songs not yet covered, arranged by period. The years 1817-21 were some of the most productive of Schubert's short life--he left home and lived with friends, possibly lovers, was briefly arrested by the secret police, and started to be recognized as a real force in Viennese music. Among the high points of this disc of songs, part songs, and a chamber cantata are Thomas Hampson's dangerous, dreamy performance of "Atys," a setting of a poem about sexual ambiguity and ambivalence by Schubert's roommate Mayrhofer and Christopher Maltman's delicate rendering of the well-known "Wanderer's Nightsong." Philip Langridge is charming in "Die Einsiedelei" with its sense of the need for pastoral retreat. The various part songs, in which singers as well-known as Ian Bostridge and John-Mark Ainsley put in guest appearances, make relaxing interludes between masterpieces. Graham Johnson's commentary in the accompanying booklet is as helpful and intelligent as his piano accompaniment. --Roz KaveneyTrack Listings:
Track Listings
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