Miroirs
Editorial Reviews
Harold C. Schonberg, author of The Great Pianists
"All of his [Hamilton's] playing has sensitivity and color. One of the best of the million or so around."
Donal J. Henahan, former chief music critic, The New York Times
"A Major Talent [headline]...an enthralling listening experience. We should hear this major piano talent again, and soon!"
Album Description
In one remarkable recording, pianist Robert Hamilton has gathered works by Ravel and Rachmaninov that not only show each composer at his best, but illustrates the heretofore unexamined relationship between them! The enclosed booklet explores the subject, including the inspirational and personal similarities between these two ostensibly dissimilar geniuses. The notes also reveal many little-known facts and unravel some longstanding mysteries surrounding these exciting and superbly executed compositions.
Miroirs
Miroirs, Music, Sergey Rachmaninov, Maurice Ravel, Robert G. Hamilton, 20th/21st Century Music for Voice and Keyboard, 20th/21st Century Sonata/Sonatina for Keyboard, Chamber Music & Recitals, Classical, Classical Artists, Etude for Keyboard, Keyboard, Keyboard Work with Descriptive or Unclassified Title, Morceau for Keyboard, Prelude for Keyboard, Vocal
Average customer rating:
- Simply wonderful!
- quiet time reorganization of the mind
- Sumptuous
- You never have enough Ravel - just never.
- The Best of Ravel By Master Conductor And Orchestra
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Ravel: Boléro
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris
- Debussy: La Mer
- Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
- Rimsky-Korsakov: Scheherazade/Capriccio Espagnol
- Ravel: Piano Works
ASIN: B00002MXMX
Release Date: 1999-11-09 |
Tracks:
- Bolero
- Alborada del gracioso
- Ma Mere I'Oye (Complete Ballet): Prelude
- Ma Mere I'Oye (Complete Ballet): 1 Tableau: Andse du rouet et Scene
- Ma Mere I'Oye (Complete Ballet): 2 Tableau: Pavane de la Belle du bois dormant
- Ma Mere I'Oye (Complete Ballet): 3 Tableau: Les Entretiens de la Belle et de la Bete
- Ma Mere I'Oye (Complete Ballet): 4 Tableau: Petit Poucet
- Ma Mere I'Oye (Complete Ballet): 5 Tableau: Laideronette, Imperatrice des pagodes
- Une Barque sur l'ocean
- Rapsodie espagnole: Prelude a la nuit - Malaguena - Habanera - Feria
Tracks:
- La Valse
- Pavane pour une infante defunte
- Le tombeau de Couperin: Prelude
- Le tombeau de Couperin: Forlane
- Le tombeau de Couperin: Menuet
- Le tombeau de Couperin: Rigaudon
- Valses nobles et sentimentales: Modere - Assez lent
- Valses nobles et sentimentales: Modere - Assez anime
- Valses nobles et sentimentales: Presque lent - Azzez vif
- Valses nobles et sentimentales: Moins vif - Epilogue
- Menuet antique
- Fanfare pour 'L'Eventail de Jeanne
- Daphnis et Chloe (Suite No. 2): Lever du jour
- Daphnis et Chloe (Suite No. 2): Pantomime
- Dapnis et Chloe (Suite No. 2): Danse generale
Customer Reviews:
Simply wonderful!.......2007-01-09
If you are a music buff like myself ( and I do like all kinds of music ), than what's not to like about The Boléro, by Ravel? And I don't buy into that hog-wash of a story that Ravel wrote this piece in the beginning of dementia...gimmie a break and give that man credit where credit is due.....The Boléro is a master piece! Ok...my review: It was a pleasure to shop for this Cd on Amazon ( after a disappointing search in a main music store )I found what I was looking for, ordered it and anxiously waited it's delivery, which was only about 5 days. The Cd was delivered in tip-top shape and I have enjoyed repeated plays of The Boléro! ( if it were an LP, the grooves would have been worn down by now! ) Today...it's back to classic rock for me. I would surely order from Amazon again!
quiet time reorganization of the mind.......2007-01-05
Have listened to this over the years from a teen who couldn't understand why anyone would write something so slow and repetitive, to a young married who now understood a vehicle for passion in a world filled with disraction, to a person who hears the joy and passion and struggles of a composer and appreciates the pain as a growth process for humans. Tenderly,hot,good stuff.More please.
Sumptuous.......2007-01-04
To heck with arguments about Elvis, Chuck Berry, Bill Haley, etc. Ravel's Bolero was the first ever piece of rock music, so there. This version by Dutoit and the Montreal Symphony totally nails it, always been my favorite version. The trick is to not let things get over the top as the intensity heightens. Flawless readings of the Rapsodie Espagnole and La Valse to boot makes this an essential disc. This is all the evidence you need that Charles Dutoit is the greatest living Ravel interpreter.
You never have enough Ravel - just never........2006-01-15
This two disk set is one of those that you should add to your collection because it is wonderful music, sounds great, and is extremely affordable. Everyone knows and loves "Boléro". Commissioned by Ida Rubinstein as a ballet and premiered in 1928 was not a musical success. At another performance, led by Toscanini, Ravel complained that the tempo was too fast. Toscanini replied that it was the only way to save the work. But it soon became a mass success to Ravel's surprise and consternation. He felt they loved it for all the wrong reasons. The violinist Hélène Jourdan-Morhange relates this interesting story of one incident involving the work:
"Ravel was extremely surprised at the mass success of "Boléro" `They're going to turn it into another "Madelon", he said, rather crossly; and deep down he felt that the obsessive, musico-sexual element in the piece was probably behind its enormous popularity. But one old lady was proof against the contagion. Ravel's brother Edouard saw her, at the first performance, wedged tightly in her seat shouting above the applause `Rubbish! Rubbish!' Maurice, when informed by his brother, replied mysteriously: `That Old Lady got the message!'" from Ravel et nous 1945 page 166.
The other works on this disk are more substantive than the 15-minute crescendo and its constantly changing orchestral colors. The entire "Mother Goose" ballet - who doesn't love this? Although you usually here it performed as the suite. The "Rhapsodie Espagnol" is a favorite and delivers that wonderful Spanish flavor with a French sauce.
"Le tombeau de Couperin" and "Valses nobles et sentimentale" are orchestrations of major piano works (with some alterations in the tombeau) (there are other pieces on these disks that also began as piano works) that are probably more well known to the general public as orchestral works. However, they are very essential works in the pianist's repertoire, and I encourage you to get to know them in that form as well.
"La Valse" is really two things. There is a tribute to Johann Strauss. Ravel admitted that every composer wanted to write a very good waltz, but that it was very difficult. So, he wrote this symphonic waltz as a tribute. However, the second half is something else, is it not? There is decadence and a madness to it that seems like a nightmare to me. As if we are all trapped in this thing until everything falls apart with pain and loss into nothing. A fascinating piece.
There are other small and popular pieces on this disk that are all done well.
Recommended!
The Best of Ravel By Master Conductor And Orchestra.......2005-11-10
French-Canadian conductor Charles Dutoit and the Motneral Symphony Orchestra deliver what is the most musically satisfying collection of Ravel Bolero's French music. At a fine price, this is a fine jewel, with moments that sparkle and burn with a beautiful fire. The first track is of course the famous Bolero, with its hypnotic, singular theme that is expanded into a climatic crescendo which is overtly sexual, primal and sensuous. It was originally a ballet about a Spanish dancer (dancing the bolero of course) in a bawdy cafe. She is spurred on to dance even more erotically by the lusty men until we can assume the men can take no more. The Rhapsody Espagnole is an evocative portrait of Spain, with lyrical passages and tonal beauty. The Valse is another classic of French music of the early 20th century. Ravel's mother had died prior to the premiere. It is a slow, romantic waltz that escalates into a frenzied dance of death. In musical terms, there is nothing too different from La Valse and Bolero. They are both basically one motif that is repeated but changes in volume and pacing. The Pavane For A Dead Princess is my favorite work of his. It is possibly the most gorgeous funeral music one will ever hear. Far from being a melancholy piece, it is a stately, Renaissance-like work that pays homage to exoticism of the East and Romanticism of the West. The Dead Princess we assume is either Moorish or Spanish and the music is lilting and spiritual without ever reaching the heights of frustration or despair that Bolero or Valse take on. The Tomb of Couperin is also a funereal piece but its beauty lies in its imitation of Baroque music. Couperin was a Baroque composer of keyboard works. The music is aptly called neo-baroque or neoclassical since it was composed in the 20th century. This same style is embedded in Valses Nobles Et Sentimentales and Minuet Antique- all works that reflect the music of the Baroque and classical eras, an homage to Handel and Gluck. Daphne Et Cloe is perhaps his most ambitious work, as it expands on the Baroque classic and makes it more operatic and orchestrally grander. All fans of Ravel will want to own this recording. Dutoit knows this music down to a T and the orchestra captures nuance and subtlety in a variety of both light and dark textures. The music is brimming with life and the sound is crisp and beautifully remastered.
Average customer rating:
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Ravel: Greatest Hits
Manufacturer: Sony
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ASIN: B000002A27
Release Date: 1994-08-09 |
Tracks:
- Bolero
- Pavane For A Dead Princess
- Alborada Del Gracioso
- Rapsodie espagnole: Feria
- Le tombeau de Couperin: Rigaudon
- La Valse
- Piece In The Form Of A Habanera
- Mother Goose Suite: The Fairy Garden
- Daphnis et Chloe, Suite No. 2: Daybreak
- Daphnis et Chloe, Suite No. 2: Pantomime
- Daphnis et Chloe, Suite No. 2: General Dance
Customer Reviews:
Ravels Greatest hits.......2007-07-20
Listen to the genuis of Ravel on a clean sounding recording that you can enjoy time and time again without deterioration.Be advised the recording levels are not dampened so dinner guests and headset wearers will certainly be awokened especially at the end of Bolero.If you listen closely the music pages can be heard turning ,nice sense of being there ,get the cd they dont make em like this anymore.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Similar Items:
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Outstanding performance
- tour de force
- Ravel Piano Works- Pascal Roge
- Beautiful Works, Excellent Performance
|
Ravel: Piano Works
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Minuets
| Ballets & Dances
| Classical
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| Music
Pavanes
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| Classical
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Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
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Preludes
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| Classical
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Character Pieces
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General
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Chamber Music
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Rogi, Pascal
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Similar Items:
- Debussy: Piano Works
- Satie: Piano Works
- After the Rain...The Soft Sounds of Erik Satie
- Liszt: Favourite Piano Works
- Ravel: The Piano Concertos; Valses nobles et sentimentales
ASIN: B00000422W
Release Date: 1994-11-15 |
Tracks:
- Gaspard de la nuit: I Ondine
- Gaspard de la nuit: II Le Gibet
- Gaspard de la nuit: III Scarbo
- Valses nobles et sentimentales: I Modere, tres franc
- Valses nobles et sentimentales: II Assez lent, avec une expression intense
- Valses nobles et sentimentales: III Modere
- Valses nobles et sentimentales: IV Assez anime
- Valses nobles et sentimentales: V Presque lent, dans un sentiment intime
- Valses nobles et sentimentales: VI Vif
- Valses nobles et sentimentales: VII Moins vif
- Valses nobles et sentimentales: VIII Epilogue, lent
- Jeux d'eau
- Miroirs: I Noctuelles
- Miroirs: II Oiseaux tristes
- Miroirs: III Une barque sur l'ocean
- Miroirs: IV Alborada del gracioso
- Miroirs: V La Vallee des cloches
Tracks:
- Sonatine: I Modere
- Sonatine: II Mouvement de menuet
- Sonatine: III Anime
- Le tombeau de Couperin: I Prelude
- Le tombeau de Couperin: II Fugue
- Le tombeau de Couperin: III Forlane
- Le tombeau de Couperin: IV Rigaudon
- Le tombeau de Couperin: V Menuet
- Le tombeau de Couperin: VI Toccata
- Prelude
- Menuet sur le nom d'Haydn
- A la maniere de Borodine
- Menuet antique
- Pavane pour une infante defunte
- A la maniere de Chabrier
- Ma Mere L'Oye: Pavane de la Belle au bois dormant
- Ma Mere L'Oye: Petit Poucet
- Ma Mere L'Oye: Laideronnette, imperatrice des pagodes
- Ma Mere L'Oye: Entretiens de la Belle et de la Bete
- Ma Mere L'Oye: Le Jardin feerique
Customer Reviews:
Outstanding performance.......2005-11-29
I have to concur with Del Dotto's opinion in the yr 2000, this is as close to definitive as possible.
But why stop at just 1 excellent recording, also consider Jean Efflam Bavouzet on the MDG label. As well another definitive recording (yes its possible to have more than just one definitive) is Alexandre Tharaud's recent recording on Harmondo Mundi.
Pascal Rouge, a true master in Ravel, a very rare talent in the recording industry.
tour de force.......2005-04-20
Pascal Roges recordings of Ravels great piano works serves as a honest mark of the music that never was, but perhaps might have been. Gently capturing the sheltered aura of pre-novelite Chopin, whilst endowing the music with the acousto-eco-hyperbolies of Keats, this recording is not to be missed. one can almost sense the tragic embrace that beheld Toffy and Dolly in that one moment, that one eternal moment. Ah. I shall never forget it. Ravels piano works are, in all senses, composures of 20th century modernity, suffused with the country-stylised effects of, say, Emmylou Harris, and the impecably marked greenhouse-jubilance connecting all the pieces in one final exotic anti-frenzy makes certain implications on ones ability to hate. I dont hate this cd, for example. the best pieces are Jeux d'eau, what a hit! and Le Tombeau de Couperin. Buy this cd and you will/wont be very very happy.
Ravel Piano Works- Pascal Roge.......2002-08-30
Having searched for ages for a definitive recording of the Impressionistic Masterpiece "Gaspard de la Nuit", I found it in this CD. Roge plays the technical inferno of Ondine and Scarbo with flawless taste and passion. This recording would rival that of Martha Argerich's famous recording of Gaspard that has long been thought to be the best. The Tombeau and Sonatine are also very nicely done. Sometimes however, with the smaller lesser known pieces such as the Minuet, you get the sense that he is sightreading, not truely feeling the music. Nevertheless this is a must have.
Beautiful Works, Excellent Performance.......2002-08-27
Together with the 2CD set of Debussy's piano works, these two albums are master recordings of the finest impressionist piano music. Pascal Roge has an astonishing control of the sound of the piano, and can bring out a beautiful palette of various tone colours and moods, orchestrating the piano and creating a dreamworld of sensations. Listen to the wonderful suite Gaspard de la Nuit, the marvellous sonatine (especially the second movement), and of course the mirroirs... This album is a must!
Average customer rating:
|
Louis Lortie Plays Ravel's Complete Works for Solo Piano
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
Minuets
| Ballets & Dances
| Classical
| Styles
| Music
Pavanes
| Ballets & Dances
| Classical
| Styles
| Music
Waltzes
| Ballets & Dances
| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Sonatas
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Similar Items:
- Ravel: Music for Four Hands
ASIN: B0000VM3Y0
Release Date: 2004-01-20 |
Tracks:
- Pavane Pour Une Infante Defunte
- I Prelude
- II Fugue
- III Forlane
- IV Rigaudon
- V Menuet
- VI Toccata
- Serenade Grotesque
- Jeux D'eau
- I Adelaide. Modere - Tres Franc
- II Assez Lent - Avec Une Expression Intense
- III Modere
- IV Assez Anime
- V Presque Lent - Dans Un Sentiment Intime
- VI Vif
- VII Moins Vif
- VIII Epilogue. Lent
- La Valse
Tracks:
- I Ondine. Lent
- II Le Gibet. Tres Lent
- III Scarbo. Modere
- Majestueusement
- Mouvement De Menuet
- Allegro Giusto
- Paraphrase Sur Un Air De Gounod - Allegretto
- Assez Lent Et Tres Expressif
- I Noctuelles. Tres Leger
- II Oiseaux Tristes. Tres Lent
- III Une Barque Sur L'ocean. D'un Rythme Souple
- IV Alborada Del Gracioso. Assez Vif
- V La Vallee Des Cloches. Tres Lent
- I Modere
- II Mouvement De Menuet
- III Anime
Customer Reviews:
An overlooked set.......2006-05-04
Lortie's technique is assured and (I say this as a compliment) his approach seems to take Ravel's advice to heart: it suffices to perform the music rather than [over]interpret it. Ranks up there with Simon, Thibaudet, and Casadesus among other sets. Very good recorded sound.
Average customer rating:
- The sound of sprinkled diamonds
- More than a 'Bach Specialist'
- Riviting Ravel
- Riveting Ravel
|
Ravel: The Complete Solo Piano Music
Maurice Ravel , and Angela Hewitt
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
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| Music
Classical
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Similar Items:
- Bach: French Suites / Angela Hewitt
- Bach: The Six Partitas / Angela Hewitt
- Bach: The Toccatas
- Bach: The Well-Tempered Clavier (book 1)
- Bach: Well-Tempered Clavier, Book 2
ASIN: B000063TSM
Release Date: 2002-05-14 |
Tracks:
- Menuet antique
- Pavane pour une infante defunte
- Sonatine: Modere
- Sonatine: Mouvement de menuet
- Sonatine: Anime
- Valses nobles et sentimentales: Modere-tres franc
- Valses nobles et sentimentales: Assez lent
- Valses nobles et sentimentales: Modere
- Valses nobles et sentimentales: Assez lent
- Valses nobles et sentimentales: Presque lent
- Valses nobles et sentimentales: Vif
- Valses nobles et sentimentales: Moins vif
- Valses nobles et sentimentales: Epilogue: Lent
- Le Tombeau de Couperin: Prelude
- Le Tombeau de Couperin: Fugue
- Le Tombeau de Couperin: Forlane
- Le Tombeau de Couperin: Rigaudon
- Le Tombeau de Couperin: Menuet
- Le Tombeau de Couperin: Toccata
Tracks:
- Serenade grotesque
- Jeux d'eau
- Gaspard de la nuit: Ondine
- Gaspard de la nuit: Le Gibet
- Gaspard de la nuit: Scarbo
- Menuet sur le nom d'Haydn
- Prelude
- A la maniere de Borodine
- A la maniere de Chabrier
- Miroirs: Noctuelles
- Miroirs: Oiseaux tristes
- Miroirs: Une barque sur l'ocean
- Miroirs: Alborada del gracioso
- Miroirs: La vallee des cloches
Amazon.com
Taking time off from her definitive series of J.S. Bach recordings, Angela Hewitt here brings us the complete solo piano music of Ravel. Anyone who wondered whether this seemingly dyed-in-the wool Bachian might stumble should rest assured: this is a stunning double-disc. As Hewitt makes clear in her characteristically illuminating liner notes, Stravinsky's jibe that Ravel was "only a Swiss clock-maker" was hopelessly off the mark. "One doesn't need to open one's chest to show that one has a heart," said Ravel, and in these often understated recordings, one is made to feel his point powerfully. "Scarbo" is all the more dramatic through the suppressed excitement Hewitt's playing exudes. "Ondine" and "Le Gibet" are at once immaculately controlled and intensely atmospheric. In addition to those works most frequently played, we also get rarities, like "Sérénade grotesque," written when Ravel was 18, and not published until 1975. As Hewitt points out, Ravel's favorite composer was Mozart, and she plays him with a Mozartean subtlety of nuance. --Michael Church
Customer Reviews:
The sound of sprinkled diamonds.......2007-03-17
Perhaps a little poetic of a description, but that's my simple, non-expert opinion. I've heard various versions of Ravel's piano works over the years, but never like this: brilliant, crystalline, and crisply articulated; each turn of phrase throws light in all directions. Will lift you out of your chair. Simply dazzling.
More than a 'Bach Specialist'.......2005-05-25
Taking a break from her vast Bach cycle for Hyperion Records, Angela Hewitt puts her mind and fingers to the very different musical challanges of Maurice Ravel and the 19th-century French romantic-modern style. Well, all here is not completely divergent from Bach's music as Ravel's "Le Tombeau de Couperin" is a "Bach or Couperin-like suite" containing a prelude, fugue, menuet and toccata - but, of course, not sounding anything like either of the Baroque masters! Regardless of the composer in question, Angela Hewitt is known for delving deep into a composer's life and music to emerge with the purest, most representative essence of each work. Accordingly, her readings in general stay true to the score and intent of the composer and are a good reference point with minimal "outside influences." Accordingly, her Ravel conceptions here are very idiomatic to the man and his era.
Having "one foot in classicism, another in Romanticm and yet another in Modernism," Ravel's music fascinates with its combination of clarity of form, evocative harmonies, gentle nuances and curiously shifting tonalities. Angela Hewitt's finesseful style is well suited to Ravel's often delicate, imagery-rich music with her lovely phrasing, feathery touch, and ability to achieve the beautiful tonal colorations so characteristic of French music of this period. As often stated about French music, "It is always meant to be beautiful," and Angela Hewitt sure can create beauty in this music. Ravel's dreamy, cascading pieces (Sonatine, Jeaux D'eau, Ondine and Miroirs) are conveyed with the lightest of texture, nuanced lyricism and feminine touch that can make Ravel sound so enchanting. Never a harsh note is heard. This pianist especially excels in drawing out the poignancy of Ravel's more introspective works like the Pavane or Menuet d'Haydn. In these, her line is heart-felt and beautiful. Yet, Hewitt can create a strong sense of drama and intrigue when needed in works like the early Serenade Grotesque or the highly intelligent Valses Nobles. Her Alborada (Miroirs) is hot and spicy - a fine tribute to Ravel's Spanish-Basque roots. Equally delectable are her crystalline chromatic textures and exacting rhythms in pieces like the Prelude, Forlane and the Chabrieresque Rigaudon of "Le Tombeau." Hewitt really brings out the best in Ravel's most curious and fascinating music.
As many know, one of Ravel's most significant and famous piano works is 'Gaspard de la nuit' which is something of a top pianist's 'right-of-passage' due to the immense virtuosity required. Probably the most riviting performance of "le Gaspard" was by Martha Argerich in a live concert (EMI). Some say you have not lived until you've heard Argerich's performance which is one of her most exciting on record. Contrastingly, Hewitt's approach the this daunting piece is one of more subtlety and precision of passage work, shunning sheer bravura. This is most notable in the last movement, Scarbo (an eerie being from the literary work who haughts at night). In this movement, Martha Argerich gives us a Scarbo that is indeed fully terrifying with her quicksilver virtuosity that haughts its victim more through sheer power (created through speed and volume). In contrast, Hewitt's Scarbo is more subtle and insideous - created from nuances of shading/tempo/dynamic. Both evoke an ominous atmosphere but in a different way. Certainly Hewitt's Scarbo is more 'tame' - but perhaps more stealthy and cunning than Argerich's overtly sinister Scarbo. Hewitt brings a real crystal-clarity to this third movement; but for some, it may lack drama and "punch" - but all do compared to Argerich's electrifying reading. But, to Hewitt's favor is the Sonatine where her delicate and ethereal playing far surpasses Argerich's hyper-paced reading which never quite finds the gentle emotional center (a common critique of Martha's readings).
This is a very fresh, inspiring set that critics have taken note. This 2001 set received very high marks from both Gramophone and Penguin who herald Hewitt as having achieved status among the great pianists recording Ravel. Pretty good for a so-called "Bach specialist." The more I listen to Angela Hewitt's talent, the more I appreciate this pianist's esprit, range of repertoire and ability to create tonal beauty in anything she sets her hands to on the piano. The sound quality is excellent (rich and full) as are the 14 pages (!) of SUPERB program notes (which include the full text of literary work, "le Gaspard de la Nuit"). These are some of the finest notes written and were immensely helpful to understand more fully this programmic piece as well as the context and history of all works. Ravel's fascinating piano music was a very pleasing revelation to me this year, and I consider this two-CD set one of the treasures in my collection - as I do pretty much all of Hewitt's ever-growing and superb-quality discography. if you like this set, you should check out Hewitt's 2006 release of Chabrier piano music which is equally fascinating.
Riviting Ravel.......2003-02-27
Absolutely beautiful overall, powerful when needed, delicate when appropriate and always sensitive to what, I believe, were Ravel's intentions. But these are also fresh interpretations that I felt that I was listening to for the first time, especially the "Pavan." I have almost all of her Bach recordings and I am in the process of wearing them out! The Ravel is on that same level. Very highly recommended, even if you don't care for Ravel.
Alan Hewitt (no relation, to the best of my knowledge)
Riveting Ravel.......2002-05-29
Angela Hewitt, already known for her excellent interpretations of Bach's piano works, has turned her attentions to Ravel with equal effect. Her well-researched and accessibly-written liner notes alone are worth the price of the CD and it is clear that the research has not been just an intellectual exercise. Her playing is informed and technically splendid and the album benefits from a fine piano and good acoustics, essential elements in recording Ravel.
I enjoy Angela's chameleon-like ability to play Bach as Bach, Ravel as Ravel, Granados as Granados, etc...Her technique is marvellous but, unlike many other great pianists, her ego takes a back seat and lets the composers/compositions shine in their own right.
Average customer rating:
- Great Ravel!
- look at my other Ravel reviews
|
Ravel: Complete Works for Solo Piano
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Minuets
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Pavanes
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Ravel, Maurice
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Similar Items:
- Grieg: Complete Solo Piano Music
- Debussy, Ravel: Complete Works for Piano Duet and Two Pianos
- Fauré: Piano Music complete [Box Set]
- Debussy: Complete Chamber Music
- Complete Orchestral Works
ASIN: B0002XV2Y8
Release Date: 2005-02-15 |
Tracks:
- Serenade Grotesque
- Menuet Antique
- Pavane Pour Une Infante Defunte
- Jeux D'Eau
- 1: Modere
- 2: Mouvement De Menuet
- 3: Anime
- 1: Noctuelles: Tres Leger
- 2: Oiseaux Tristes: Tres Lent
- 3: Une Barque Sur L'Ocean: D'Un Rythme Souple
- 4: Alborada Del Gracioso: Assez Vif
- 5: La Vallee Des Cloches: Tres Lent
Tracks:
- 1: Ondine: Lent
- 2: Le Gibet: Tres Lent
- 3: Scarbo: Modere
- Menuet Sur Le Nom D'Haydn
- 1: Modere/Tres Franc
- 2: Assez Lent (Avec Une Expression Intense)
- 3: Modere
- 4: Assez Anime
- 5: Presque Lent (Dans Un Sentiment Intime)
- 6: Vif
- 7: Moins Vif
- 8: Epilogue: Lent
- Prelude
- Borodine: Valse/Allegro Giusto
- Emmanuel Chabrier (Paraphrase Sur Un Air De Gounod, Faust, Acte 3): Allegretto
- 1: Prelude: Vif
- 2: Fugue: Allegro Moderato
- 3: Forlane: Allegretto
- 4: Riguadon: Assez Vif
- 5: Menuet: Allegro Moderato
- 6: Toccata: Vif
Customer Reviews:
Great Ravel!.......2007-07-13
I think M. Collar is doing a really good job in this complete set of Ravel piano solo music (missing "La valse") The sound is very good for my taste ; clear and pearly. Very clean in the technically difficulties as well. I can feel his music very well. These are sensitive interpretations. I love them. I recommend this disc highly. Usually, I find out that pianists have too much the same sound for Debussy and Ravel. But here, we cannot mixed up! This is real Ravel sound.
look at my other Ravel reviews.......2007-07-08
to see which other pianists I prefer.
As I listen to ravel's incredible breath-taking mezmerising genius of poetic beauty and dazzling skills at composition, I understand why ravel and Debussy did not care much for the geramn romantic tradition. Ravel could not stand anything from Beethoven. In my 30 yrs, the only thing i liked by Beethoven was his 4th sym(only Walter/Columbia), but even that work has faded to a lost memory.
Its amazing how few folk know the genius of Ravel, and even less appreciate the timeless beauty of his creations.
ravel is the flowering and culmination of the romantic period , which is why i feel no desire to hear Chopin.
Average customer rating:
- A classic recording
- Wonderful
- You can't go wrong!
- Sublime Ravel
- Wonderful Ravel!!
|
Vlado Perlemuter Plays Ravel
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Ravel According to Ravel
- The Art of Ivry Gitlis
- Ravel: Piano Works
- The Art of Ruggiero Ricci
- Beethoven: Piano Sonatas [Germany]
ASIN: B000001KC3
Release Date: 1992-11-04 |
Tracks:
- Gaspard de la nuit: Ondine
- Gaspard de la nuit: Le Gibet
- Gaspard de la nuit: Scarbo
- Jeux d'eau
- Menuet sur le nom de Haydn
- Miroirs: Noctuelles
- Miroirs: Oiseaux Tristes
- Miroirs: Une Barque sur l'Ocean
- Miroirs: Alborada del Gracioso
- Miroirs: La Valldes cloches
- Menuet Antique
- Piano Concerto For The Left Hand
Tracks:
- Piano Concerto In G: Allegramente
- Piano Concerto In G: Adagio assai
- Piano Concerto In G: Presto
- Le tombeau de Couperin: Prde
- Le tombeau de Couperin: Fugue
- Le tombeau de Couperin: Forlane
- Le tombeau de Couperin: Rigaudon
- Le tombeau de Couperin: Menuet
- Le tombeau de Couperin: Toccata
- Pavane pour une Infante dnte
- Sonatine: Mod
- Sonatine: Menuet
- Sonatine: Anim
- Prde
- Valses nobles et sentimentales
Customer Reviews:
A classic recording.......2007-07-13
I first bought this collection on vinyl in a Vox Box and listened to it constantly. I was so touched and impressed by Perlemuter's playing that I hoped to study with him while I was a student in Paris. However, as luck would have it, he was away that year, so I never had that privilege.
When I saw that this had been re-issued on CD, I was delighted. I own nine versions of the complete Ravel piano works, the best of which are by Simon, Tharaud, Hewitt, Bavouzet on a lovely 1901 Steinway, and Roger Muraro (it was his recording that Joyce Hatto took credit for!). And yes, Francois' concertos and Gaspard are classics, too. All of these performers seem to understand the particular qualities of Ravel's style, and their performances contain many fine moments.
This, however, is the version I keep coming back to. Of course, it's the first one I knew, and it's certainly imprinted on me. But it's more than that. Perlemuter's interpretation is straightforward and unfussy, and it succeeds in presenting this music with a clarity and focus that reveal each piece's individual personality. I believe there's also a humility in Perlemuter's attitude towards music that allows him to stand back and reveal the music on its own terms. Such an attitude is arguably the goal of all interpretation, but it's certainly the ideal way to perform the subtle, Apollonian style of Ravel.
Very highly recommended, and the price is a bargain.
Wonderful.......2007-04-01
These most beautiful recordings manage to be lyrical without sentimentality--the way I think Ravel would have liked them recorded. I even prefer them to those of Casadesus. In fact, these are my favorite recordings of 19th century French piano music. Perlemuter has two recordings of Faure's piano music that are equally impressive--try first the version on Erato (or at least not the Nimbus recording--which is also quite good).
I found his Schumann recordings to be less impressive--his style didn't quite fit. However these recordings of Ravel are unmatched.
You can't go wrong!.......2006-11-22
This is a steal! It is one of the finest performances of all of the works! I may like Samson François concertos and Gaspard de la nuit, but this set is still stunning! Great touch and control, amazing tone and a great sound recording (1955). The Miroirs and Le Tombeau de Couperin are artfully read and interpreted. If you like these pieces... This will make you love them. If you love these pieces... This will be a real treat. And for the price, you almost feel like you are dong something wrong when you buy it. A great investment for the serious listener.
Sublime Ravel.......2001-04-13
It is easy to put off buying this set when looking at the recording date (1955) and the fact the sound was originally monaural. Don't make that mistake. These are Ravel performances of the very highest order. For me Perlemuter is to Ravel's piano music what Gieseking is to Debussy's. Even in the 2 concertos Perlemuter and Jascha Horenstein (was he inspired by Perlemuter?}reach new heights. The sound is good enough to bring out every nuance. every subtlety. 155 minutes of suberb music at the price of one medium priced CD is quite a bargain.
Wonderful Ravel!!.......2001-03-16
I can only echo the other reviewers' sentiments.
I thought I only sort of liked Ravel's piano concerti until I listened to this set. (I also have de La Roccha (sp) w/ St. Louis--not more than competent all around, and another Vox recording that was miserably recorded). Wow. The beauty of the piano playing, the admirable conducting, the orchestral contributions...all make for a wonderful Ravel experience.
Ditto the performance of the piano pieces (well, I guess we'll have to omit the orchestra and conductor from the bravos here!).
A WONDERFUL set.
These are mono, but who cares. You shouldn't!!!
Average customer rating:
- Bolero
- Exercise in orchestration.
|
Ravel: Boléro
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Ravel, Maurice
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ASIN: B000003CUZ
Release Date: 1990-10-25 |
Tracks:
- Alborado Del Gracioso
- I. Prelude A La Nuit
- II. Malaguena
- III. Habanera
- IV. Feria
- I. Modere
- II. Assez Lent
- III. Modere
- IV. Assez Anime
- V. Presque Lent
- VI. Assez Vif
- VII. Moins Vif
- VIII. Epilogue
- La Valse
- Bolero
Amazon.com
Jesus Lopez-Cobos proves himself a perceptive and idiomatic interpreter of some of Ravel's most popular works. A conductor with a fine ear and a style that lends itself more to elegance than brute force, he encourages his players to explore every nook and cranny of these colorful scores, without any sacrifice of energy or excitement. He's helped in no small degree by Telarc's excellent recording, which allows the music to build to a natural climax that conveys maximum impact without any sense of strain. There are many excellent Ravel discs out there, and this certainly deserves to be considered one of them. --David Hurwitz
Customer Reviews:
Bolero.......2007-03-20
Main reason I bought this disc was Bolero, which is an excellent 15-minute long piece. The rest of the peices, while not what would normally attract me to buying a disc of themselves, were quite enjoyable. Reccommended for anyone who likes classical/orchestral music
Exercise in orchestration........2002-01-31
What else can you say when a spirited performance of astoundingly inspired music is brilliantly recorded with depth and clarity as on this recording? Not only are these pieces excellent examples of Ravel's orchestral mastery; the sonics Telarc uses to tranmit them through your speakers will have you rapt with respect. The instrumental colors captured here run from excitingly vivid pizzicato stings to reflectively subdued woodwinds. The Bolero is excellent; it covers every decibel level. But, some of Ravel's slyest orchestral tricks will delight you in the Rapsodie and La Valse. This disc is well worth adding to your collection.
Average customer rating:
- great pianist!!!!
- Yesterday Francois would be celebrating his eighty-two anniversary
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Debussy & Ravel: Piano Works - Samson Francois (6 CD's)
Samson Francois , Claude Debussy , and Maurice Ravel
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Minuets
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Similar Items:
- Chopin: Piano Works, Vol. 3
- Debussy, Ravel: Orchestral Works
- Beethoven: Complete Piano Sonatas / Daniel Barenboim
- Beethoven - The Complete String Quartets / Alban Berg Quartet
- Liszt: Works for Piano and Orchestra
ASIN: B0002RUAEM
Release Date: 2004-11-02 |
Tracks:
- 1. Danseuses De Delphes
- 2. Voiles
- 3. Le Vent Dans La Plaine
- 4. Les Sons Et Les Parfums Tournent Dans L'Air Du Soir
- 5. Les Collines D'Anacapri
- 6. Des Pas Sur La Neige
- 7. Ce Qu'a Vu Le Vent D'Ouest
- 8. La Fille Aux Cheveux De Lin
- 9. La Serenade Interrompue
- 10. La Cathedrale Engloutie
- 11. Danse De Puck
- 12. Minstrels
- 1. Brouillards
- 2. Feuilles Mortes
- 3. La Puerta Del Vino
- 4. Les Fees Sont D'Exquises Danseuses
- 5. Bruyeres
- 6. General Lavine (Eccentric)
- 7. La Terrasse Des Audiences Au Clair De Lune
- 8. Ondine
- 9. Hommage A S. Pickwick Esq. P.P.M.P.C.
- 10. Canope
- 12. Feux D'Artifice
Tracks:
- 1. Reflets Dans L'eau
- 2. Hommage A Rameau
- 3. Mouvement
- 1. Cloches A Travers Les Feuilles
- 2. Et La Lune Descend Sur Le Temple Qui Fut
- 3. Poissons D'or
- Reverie
- 1. Andantino
- 2. Allegretto Scherzando
- La Plus Que Lente, Valse
- 1. Pour Les Degres Chromatiques
- 2. Pour Les Agrements
- 4. Pour Les Sonorites Opposees
- 5. Pour Les Arpeges Composes
- 6. Pour Les Accords
- Masques
- L'Isle Joyeuse
- Berceuse Heroique
Tracks:
- 1. Doctor Gradus Ad Parnassum
- 2. Jimbo's Lullaby
- 3. Serenade For The Doll
- 4. The Snow Is Dancing
- 5. The Little Shepherd
- 6. Golliwogg's Cake-Walk
- 1. Pagodes
- 2. La Soiree Dans Grenade
- 3. Jardins Sous La Pluie
- 1. Prelude
- 2. Menuet
- 3. Clair De Lune
- 4. Passepied
- 1. Prelude
- 2. Sarabande
- 3. Toccata
Tracks:
- 1. Allegramente
- 2. Adagio Assai
- 3. Presto
- Lento/Allegro
- 1. Pavane De La Belle Au Bois Dormant - Pierre Barbizet
- 2. Petit Poucet - Pierre Barbizet
- 3. Laideronnette, Imperatrice Des Pagodes - Pierre Barbizet
- 4. Les Entretiens De La Belle Et De La Bete - Pierre Barbizet
- 5. Le Jardin Feerique - Pierre Barbizet
Tracks:
- Pavane Pour Une Infante Defunte
- 1. Modere, Tres Franc
- 2. Assez Lent
- 3. Modere
- 4. Assez Anime
- 5. Presque Lent
- 6. Vif
- 7. Moins Vif
- 8. Epilogue: Lent
- Prelude
- Jeux D'Eau
- Menuet Sur Le Nom D'Haydn
- 1. Noctuelles
- 2. Oiseaux Tristes
- 3. Une barque Sur L'Ocean
- 4. Alborada Del Gracioso
- 5. La Vallee Des Cloches
- Emmanuel Chabrier (Paraphrase Sur Un Air De Gounod)
- Borodine
Tracks:
- 1. Ondine
- 2. Le Gibet
- 3. Scarbo
- 1. Modere
- 2. Mouvement De Menuet
- 3. Anime
- 1. Prelude
- 2. Fugue
- 3. Forlane
- 4. Riguadon
- 5. Menuet
- 6. Toccata
- Menuet Antique
Customer Reviews:
great pianist!!!!.......2007-02-16
samson was one of the greatest pianists of the 20th century his debussy was sublime and his color palete to impresionism is unsurpassed. could someone tell me if these recordings of his debussy are the stereo ones
Yesterday Francois would be celebrating his eighty-two anniversary .......2006-05-19
Samson Francois figure has evidenced slow but increasing enhancement through the years. His notable pianism, aristocratic approach and refined phrasing are some of his virtues.
If you still do not know about this legendary artist, no itý s the time for you to convince by yourself about the supreme level occupied by him.
When he left us in 1970 at his 46, he had so much to give. The musical world remained legitimately orphan and much more vile since his premature death.
But, fortunately his legacy will live among us, every time you listen any record you acquire of this peerless musician.
His Ravel is loaded not only of notable, sensual and asserive expressiveness. If you know about some other performance able to equal his Gaspard de la nuit, please, be my guest.
His Debussy is sober, eloquent with Impresionist flair and sublime musicality.
A true artistic and a fundamental treasure in your collection.
Track Listings:
- Mozart: Piano Concertos Nos. 16, 24 - 27 [Import]
- Mozart: Sonatas, Vol.I
- Mozart: Symphonies Nos. 36 ("Linz"), 33 & 27
- Music for Oboe and Strings
- New Music - Piano Compositions By Henry Cowell / Brown, Hays, Kubera, Cahill
- Pape: Electroacoustic Chamber Works
- Parry: I Was Glad, My, Soul There Is a Country, 20 English Lyrics, Jerusalem
- Passionately UnStuffed
- Peter Scott Lewis: Atlantic Crossing; Rhapsodic Images
- Piston: Symphony 4 / Three New England Sketches
Track Listings
track listings
Track Listings
Easy Come Easy Go & Speedway [Import]
Liszt: The Orchestral Recordings
Love Like Yours & Mine
David X. Young's Jazz Loft: 1954-1965
Shot Down Satellites [Import]
Lovers Again
Living for Love [CD-single] [Import]
Piano Sons Opp35,58
Little Animals
In Orbit
Mic City Sons
Hoolignans y 9 Grandes Idolos del Rock & Roll
Las Clasicas [Original recording remastered]
Classical Guitar Masters: Musical Renaissance
Swing Your Big Head