Mozart: Symphonies Nos. 36 ("Linz"), 33 & 27

Editorial Reviews
Amazon.com
Naxos's practice with this series of mature Mozart symphonies has been a sensible one. The six late ones are paired with earlier, less familiar works, and although not all of Mozart's symphonies are great, there's a lot more charming music that can be found in just those last six major pieces. Even better, Barry Wordsworth's performances are extremely lively and appealing. At budget price, there's lots to enjoy here. --David Hurwitz

Mozart: Symphonies Nos. 36 ("Linz"), 33 & 27, Music, Wolfgang Amadeus Mozart, Barry Wordsworth, Capella Istropolitana, Classical, Classical Composers, Classical Period Symphony, Symphonic
Mozart: Symphonies Nos. 35-41
Average customer rating: 4.5 out of 5 stars
  • NONE FINER!
  • Excellent readings of the last six symphonies...
  • Radiant performances!
  • Wonderful Sound Quality and Precision
  • Other than Bruno Walter's
 Mozart: Symphonies Nos. 35-41

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Beethoven: 9 Symphonies
  2. Mozart: The Great Piano Concertos, Vol. 1
  3. Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra
  4. Mozart: The Great Piano Concertos, Vol. 2
  5. Beethoven: Symphony No. 9 / Karajan, Berlin Philharmonic Orchestra

ASIN: B000001GQB
Release Date: 1996-01-23

Tracks:

  1. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Allegro Con Spirito
  2. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': (Andante)
  3. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Menuetto - Trio
  4. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Finale. Presto
  5. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Adagio - Allegro Spiritoso
  6. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Andante
  7. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Menuetto - Trio
  8. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Presto
  9. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Adagio - Allegro
  10. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Andante
  11. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': (Finale.) Presto

Tracks:

  1. Symphonie No. 39 Es-dur KV 543: Adagio - Allegro
  2. Symphonie No. 39 Es-dur KV 543: Andante Con Moto
  3. Symphonie No. 39 Es-dur KV 543: Menuetto. Allegretto - Trio
  4. Symphonie No. 39 Es-dur KV 543: Finale. Allegro
  5. Symphonie No. 40 g-moll KV 550: Molto Allegro
  6. Symphonie No. 40 g-moll KV 550: Andante
  7. Symphonie No. 40 g-moll KV 550: Menuetto. Allegretto - Trio
  8. Symphonie No. 40 g-moll KV 550: Allegro Assai
  9. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Allegro Vivace
  10. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Andante Cantabile
  11. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Menuetto. Allegretto - Trio
  12. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Molto Allegro

Amazon.com essential recording

Karl Bohm was one of this century's great Mozart conductors--a fact that's apt to be forgotten in the flood of authentic instrument productions, many of them on DG's associated labels. He conducted Mozart with real love and affection, maintaining moderate tempos, allowing each work's gorgeous melodies a chance to sing and breathe. Mozart's symphonic music has its roots in the opera house, and so did Bohm. Listening to the witty woodwind interjections in the finale of Symphony No. 39, for example, you can readily imagine the witty exchanges of different characters in one of Mozart's comic operas. These beautifully recorded versions of Mozart's greatest symphonies belong in the collection of every fan of the composer. --David Hurwitz

Customer Reviews:

5 out of 5 stars NONE FINER!.......2007-07-19

In the WHOLE recorded field of Mozart late symphonies, NONE shine like these. Karl Bohm, undoubtedly, ranks supreme as the finest Mozart interpreter of "our" generation. He simply KNEW, and HAD A WAY, with this music that remains unparalleled. And the Berlin, well, they, too, certainly can work their way through these scores like no other ensemble...likely because of the great master leading them here.

I originally had these on LP back in the 60's, and literally wore the set out, replacing it years later. Then, of course, with it's initial release on cd I repurchased it, but found it "shrill" to my ears. This new remastering is simply stunning, and first rate. Thanks DG (or Universal) for your loving care and attention in this re-release mastering.

Simply stated, this set of the final symphonies of Mozart, under Bohm, BELONG in EVERY COLLECTION as a cornerstone. Should you doubt me, please read on among the other reviews here, and be convinced. ~operabruin

5 out of 5 stars Excellent readings of the last six symphonies..........2007-03-09

I was listening to these again last night and I have to say, Bohm knows his Mozart. Then again, so does the Berlin Philharmonic. Bohm always seems to pick the right tempo, never too fast but not too slow either. The perfect example is the opening of the 39th, where Bohm revels in creating a big engulfing sound during the slow introduction; however as soon as the allegro kicks in, tempi and tones have a spring in their step. For me, this is one of the great versions of the 39th, even in spite of a few sloppy moments in the latter movements. He submits an excellent 35th and 36th, again with moderate tempi but wonderfully Mozartean phrasing, somewhat surprising since when Bohm recorded these, "Period Instruments" weren't even a twinkle in Harnoncourt's eye, and "Romantic" readings were all the rage for Mozart. Bohm's steadiness with these interpretations is only matched by his ear for detail; better, say, than Marriner, who is unquestionably steady, but whose readings lack spontenaity, and more consistent than Szell, whose 40th is one of the great readings, but whose 39th falls flat and whose brass/woodwinds can't handle their increased role in the Jupiter symphony.
Considering the age of these recordings (early- to mid-60s), they also sound remarkably clean and clear, and all of the parts can easily be heard; although I would credit Bohm with some of this as he was always excellent at creating space and keeping all of Mozart's many layers exposed to the listener. I have a number of different accounts of Mozart's last six symphonies (Marriner, Bernstein, Karajan, Szell 35, 39-41, Mackerras), but pound for pound, this one is the best. If you still aren't happy with the versions you own, this set may be your stopping point.

5 out of 5 stars Radiant performances!.......2007-02-03


The Symphony No. 41 in C major Kv 551 best known as Jupiter retakes and maintains the most representative epic spirit of Mozart like any one Symphony. It breaths liberty, Dionysian pleasure and that essential rapture so common in the masterpieces. And under Bohm's baton exudates full aristocratic sound.

In spite of the fact it has been recorded so many times, just a few directors have been able to extract and carve in relief the majestic splendor of this K.

On the other hand the version of the 38th Symphony is simply majestic and radiant. Bohm never abuses of excess of elegance and his pristine lyricism may be easily realized.

Karl Bohm was indeed, one of the most representative Ambassadors of the Mozart symphonic repertoire. The Berlin Philharmonic, fortunately still maintained the noble sound inherited from Furtwangler and then Fricsay and that was a decisive fact to his favor.

5 out of 5 stars Wonderful Sound Quality and Precision .......2006-03-24

Precision. That is what comes to my mind when listening to a Karl Bohm interpretation of Mozart. Mozart's final symphonies are ageless masterpieces of music. Anyone can recognize the opening Allegro moto of Symphony No. 40 in G-Minor (one of Mozart's only symphonies in a minor key). Just finding a collection with these wonderful symphonies is a great find.

As to the sound quality, Deutsch Gramophone spent extra time and resources into reissuing these originally analog recordings. It is nice to be able to hear every woodwind in balance and the string sections in their glory. The sound does not seem forced or artificial and the quality is absolutely superb.

These recordings were completed during the height of Bohm's time as a conductor. His interpretations are truly "viennese" in that tempos and structure are very precise and meticulous. Some may think his tempi are slow or plodding, but they offer a very nice interpretation that perhaps was accepted in Mozart's era. The 35th, 39th, and 41st symponies in the set are my favorites.

I would also suggest looking at George Szell's performances with the Cleveland Orchestra, for they offer a different interpretation but are also superb.

5 out of 5 stars Other than Bruno Walter's.......2006-01-21

Columbia SO recordings (NOT with the New York PO) , which are OOP, this Bohm is the one to have, the only one you need actually. As I've heard at least 6 other major conductors, Klemperer , Mackerraas, both Levine's etc etc.
The only 2 I kept are the Walter ,got mine from a used cd dealer in the UK online :-) and the Bohm, complete sym set, which is the way to go for Mozart fans. There's quite a few very good syms in the 1-34.
All that stuff you read about Bohm being a "kapplemiester" (germanic style/cold), old fashioned, tutonic, is very misleading. I hear nothing of the sort and wish these comments would stop.
Though I was forwarned about Bohm being off track in approach with his german orch, I sense there is some anti-german sentiments in these negative comments about Bohm. None of this criticism leveled against Bohm is factual, only a prejudice in their minds.

As to
Details, tempos, instrument quality, sound quality, orch size all are in perfect harmony with Mozart.
. Bohm and the Berlin show forth a understanding of Mozart that none except Walter can rival.
The Klemper/Philharmonia on TESTAMENT, not the EMI release(which are duds) are not too bad, but not in the same category as either Bohm or Walter.
I sat down one day and compred all 3, and concluded the Klemperer were not necessary , for sound issues and also not on par with Bohm's definitive recording.

EDIT: I should mention that i read on a forum recently, he recalled Bohm from his vinyl set that the performances were 'a bit dull". Bohm does not speed read. Any conductor that takes Mozart too fast is doing a disservice to these richly detailed scores. Mozart requires detailed attention, which is what Bohm brings. Yet the life is there, not dull at all.
EDIT on Feb 21/07...
Mackerras' Prague is not in the same league as the Berlin. Many of the soloists in this Berlin use instruments that bring out a chamber flaor, and also Bohm kept the orch smaller than many other orch's. This smaller chamber sound brings more to Mozart than many other recodings I;'ve heard. Even Walter's Columbia is "big sound", yet Walter's does present a "Mozartian" image. Bohm goes even further. Many other like conductors record Mozart with a "Beethovenian" sound. That us large orch/heavy/darker.

Paul Best
Baton Rouge



Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41
Average customer rating: 4.5 out of 5 stars
  • A good bargain
  • Great compilation of Mozart!
  • Good collection
  • Retrograde Mozart with undeniable heart
  • Mozart: The Great Late Symphonies
 Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mozart: The Great Piano Concertos, Vol. 1
  2. Beethoven: The 9 Symphonies (Collectors Edition)
  3. Mozart: The Six String Quintets
  4. Mozart: The Great Piano Concertos, Vol. 2
  5. Mozart: Violin Concertos

ASIN: B0000942LO
Release Date: 2003-07-01

Tracks:

  1. I. Allegro Con Brio
  2. II. Andante
  3. III. Menuetto-Trio
  4. IV. Allegro
  5. I. Allegro Moderato
  6. II. Andante
  7. III. Menuetto-Trio
  8. IV. Allegro Con Spirito
  9. I. Adagio-Allegro
  10. II. Andante
  11. III. Presto

Tracks:

  1. I. Allegro Con Spirito
  2. II. Andante
  3. III. Menuetto-Trio
  4. IV. Presto
  5. I. Molto Allegro
  6. II. Andante
  7. III. Menuetto-Trio
  8. IV. Presto
  9. I. Molto Allegro
  10. II. Andante
  11. III. Menuetto: Allegretto-Trio
  12. IV. Allegro Assai

Tracks:

  1. I. Adagio-Allegro
  2. II. Andante Cantabile
  3. III. Menuetto: Allegretto-Trio
  4. IV. Finale: Allegro
  5. I. Allegro Vivace
  6. II. Andnate Cantabile
  7. III. Menuetto: Allegretto-Trio
  8. IV. Molto Allegro

Customer Reviews:

4 out of 5 stars A good bargain.......2007-07-11

A bargain set, which whilst quirkily performed (in places), is a never-the-less continually entertaining to re-visit.

5 out of 5 stars Great compilation of Mozart!.......2007-01-12

If you want to get the best of Mozart with a fabulous composer than this cd is the one for you. I am not a music critic, just a biology major who studies well listening to these classics -- they really help keep me focused!! Awsome symphonies at a great price -- what could be better?!?!

4 out of 5 stars Good collection.......2006-12-21

I particularly found Symphonies 25 and 40 to be very nice to listen to. The the rest of them I found to be ok, maybe since I am not a big fan of classical music. I bought this cd because I went to a symphony that played Mozart no. 25 which I enjoyed very much. Hence I decided to try out his other compositions.

4 out of 5 stars Retrograde Mozart with undeniable heart.......2005-12-04

Leonard Bernstein thought that every composer was a romantic because he was. These big, heart-on-sleeve performances of Mozart's great late symphonies use the Vienna Phil. at almost full force--they could slip into the Brahms First without adding personnel. Bernstein lived long enough to theoretically be influenced by the period-instrument movement, but his allegiance never shifted. He belongs with Karajan and Bohm as the last conductors for whom Mozart should sound "important."

At its best, this approach yields romantic depth, perhaps not what Mozart intended but valid in its way. I would rather listen to Bernstein's Mozart symphonies than Karajan's (tending to be slick and glossy, although better than reputed) or Bohm's (brisk and faceless). A new listener should know in advance that the slow movements will be expressively drawn out and the minuets often slow and heavy-footed (these dancers are wearing boots). But Bernstein believes in this music, and he is always genuine. That ocunts for a lot with a composer who used to be played as if he were a porcelain doll and is now too often played as if his divine music were written by a Roccoco computer. Four stars.

5 out of 5 stars Mozart: The Great Late Symphonies.......2004-06-16

What a great album we have here. Leonard Bernstein conducts the later symphonies of Mozart, which are considered to be his most mature and his greatest works for full orchestra. This album is worth the price and a treasure to own for your extensive classical music collection. If you appreciate classical music, you'll truly enjoy this album. Everyone knows that Leonar Bernstein ranks among one of the best conductors of the 20th century, right up there with the great names of Herbert Von Karajan, Bruno Walter, Sir Neville Marriner, all who have held their own when it comes to Mozart's music. Karajan I feel is not quite as good when it comes to Mozart's symphonic works. Bruno Walter and Sir Neville Marriner have long surpassed Karajan in the area of Mozart symphonies. Indeed, if you get the chance be sure to check out symphonies conducted by either Bruno Walter or Sir Neville Marriner. Marriner and the Acadamy Of Saint Martin In The Fields did mostly Mozart and provided the music of the 1984 Milos Forman film Amadeus.

The reason this album is so good is Leonard Bernstein conducting. As a conductor and a musically atuned soul, he seems to really interpret these symphonies perfectly. He gets Mozart. He has captured every note, every vibrato, roulade, flowing lines and bouncy but balanced joy in every allegro movement, such as the first movement of the Prague Symphony No. 38. For contrast, he understood the substance and darkness that seems to be written into the Allegro of the Symphony No. 25. The first movement is meant to sound furious, anguished and complex, and fast in a darker sort of mood. It's one of those rare moments in which Mozart foreshadows the Romantic Era that would begin with Beethoven. Mozart would also do this with the andante of his 21st piano concerto and the opening movement of the Piano Concerto No. 20. The last symphonies 40 and 41, "Haffner" and "Jupiter" are regarded as Mozart's most mature works for the symphony. The orchestra is more panoramic and produces a less lighter texture. The music is a fully developed Mozart in his later years. The Jupiter is his grandest. Its name conjures up the vastness of the planet Jupiter or the majesty of the Roman god Jupiter. Get this album if you're a fan of Mozart and a fan of the conductor Leonard Bernstein who aptly conducted the New York Philharmonic for many years and the Berlin Philharmonic towards the end of his life.
Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood
Average customer rating: 4.5 out of 5 stars
  • The original, original instrument take
  • The most complete set of Mozart symphonies ever recorded
  • Indispensable
  • Ok, but....
  • A milestone set, and worthy of all praise
 Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood
Wolfgang Amadeus Mozart , The Academy of Ancient Music , Christopher Hogwood , and Jaap Schroder
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  5. Complete Mozart Symphonies / Pinnock, English Concert

ASIN: B000004CYS
Release Date: 1997-06-24

Tracks:

  1. Symphony No. 1 In E Flat Major, K.16: I. Allegro molto
  2. Symphony No. 1 In E Flat Major, K.16: II. Andante
  3. Symphony No. 1 In E Flat Major, K.16: III. Presto
  4. Symphony No. 4 In D Major, K.19: I. Allegro
  5. Symphony No. 4 In D Major, K.19: II. Andante
  6. Symphony No. 4 In D Major, K.19: III. Presto
  7. Symphony In F Major, K.19a-Anh.223: I. Allegro assai
  8. Symphony In F Major, K.19a-Anh.223: II. Andante
  9. Symphony In F Major, K.19a-Anh.223: III. Presto
  10. Symphony No. 5 In B Flat Major, K.22: I. Allegro
  11. Symphony No. 5 In B Flat Major, K.22: II. Andante
  12. Symphony No. 5 In B Flat Major, K.22: III. Allegro molto
  13. Symphony In D Major, K.32: I. Molto allegro
  14. Symphony In D Major, K.32: II. Andante
  15. Symphony In D Major, K.32: III. Menuetto & Trio
  16. Symphony In D Major, K.32: IV. Finale
  17. Symphony In D Major, K.81-K.783l: I. Allegro
  18. Symphony In D Major, K.81-K.783l: II. Andante
  19. Symphony In D Major, K.81-K.783l: III. Allegro molto
  20. Symphony In D Major, K.97-K73m: I. Allegro
  21. Symphony In D Major, K.97-K73m: II. Andante
  22. Symphony In D Major, K.97-K73m: III. Menuetto & Trio
  23. Symphony In D Major, K.97-K73m: IV. Presto

Tracks:

  1. Symphony In D Major, K.95-K73n: I. Allegro
  2. Symphony In D Major, K.95-K73n: II. Andante
  3. Symphony In D Major, K.95-K73n: III. Menuetto & Trio
  4. IV. Presto
  5. Symphony No. 11 In D Major, K.84-K73q: I. Allegro
  6. Symphony No. 11 In D Major, K.84-K73q: II. Andante
  7. III. Allegro
  8. Symphony No. 10 In G Major, K.74: I. Allegro - Andante
  9. Symphony No. 10 In G Major, K.74: II. Rondo (Allegro)
  10. Symphony In D Major, K.87-K74a: I. Allegro
  11. Symphony In D Major, K.87-K74a: II. Andante grazioso
  12. Symphony In D Major, K.87-K74a: III. Presto
  13. Symphony In D Major, K.120-K.111-111a: I. Allegro assai
  14. Symphony In D Major, K.120-K.111-111a: II. Andante grazioso
  15. Symphony In D Major, K.120-K.111-111a: III. Presto
  16. Symphony In C Major, K.96-K.111b: I. Allegro
  17. Symphony In C Major, K.96-K.111b: II. Andante
  18. Symphony In C Major, K.96-K.111b: III. Menuetto & Trio
  19. Symphony In C Major, K.96-K.111b: IV. Allegro molto
  20. Symphony No. 13 In F Major, K.112: I. Allegro
  21. Symphony No. 13 In F Major, K.112: II. Andante
  22. Symphony No. 13 In F Major, K.112: III. Menuetto & Trio
  23. Symphony No. 13 In F Major, K.112: IV. Allegro molto

Tracks:

  1. Symphony In C Major, K.35: Sinfonia: Allegro
  2. Symphony In D Major, K.38: Intrada: Allegro
  3. Symphony In D Major, K.200-K62a: I. Serenata: Allegro
  4. Symphony In D Major, K.200-K62a: II. Menuetto &Trio
  5. Symphony In D Major, K.200-K62a: III. Andante
  6. Symphony In D Major, K.200-K62a: IV. Menuetto & Trio
  7. Symphony In D Major, K.200-K62a: V. Allegro
  8. Symphony No. 9 In C Major, K.73: I. Allegro
  9. Symphony No. 9 In C Major, K.73: II. Andante
  10. Symphony No. 9 In C Major, K.73: III. Menuetto & Trio
  11. Symphony No. 9 In C Major, K.73: IV. Allegro molto
  12. Symphony In D Minor, K.118-K74c: Overture: Allegro - Andante - Presto
  13. Symphony In F Major, K.75: I. Allegro
  14. Symphony In F Major, K.75: II. Menuetto & Trio
  15. Symphony In F Major, K.75: III. Andantino
  16. Symphony In F Major, K.75: IV. Allegro
  17. Symphony No. 12 In G Major, K.110-K75b: I. Allegro
  18. Symphony No. 12 In G Major, K.110-K75b: II. Andante
  19. Symphony No. 12 In G Major, K.110-K75b: III. Menueto & Trio
  20. Symphony No. 12 In G Major, K.110-K75b: IV. Allegro

Tracks:

  1. Symphony No. 14 In A Major, K.114: I. Allegro moderato
  2. Symphony No. 14 In A Major, K.114: II. Andante
  3. Symphony No. 14 In A Major, K.114: III. Menuetto & Trio
  4. Symphony No. 14 In A Major, K.114: IV. Molto allegro
  5. Symphony No. 14 In A Major, K.114: V. Anhang: Menuett K.61g
  6. Symphony No. 15 In G Major, K.124: I. Allegro
  7. Symphony No. 15 In G Major, K.124: II. Andante
  8. Symphony No. 15 In G Major, K.124: III. Menuetto & Trio
  9. Symphony No. 15 In G Major, K.124: IV. Presto
  10. Symphony No. 16 In C Major, K.128: I. Allegro maestoso
  11. Symphony No. 16 In C Major, K.128: II. Andante grazioso
  12. Symphony No. 16 In C Major, K.128: III. Allegro
  13. Symphony No. 17 In G Major, K.129: I. Allegro
  14. Symphony No. 17 In G Major, K.129: II. Andante
  15. Symphony No. 17 In G Major, K.129: III. Allegro

Tracks:

  1. Symphony No. 18 In F Major, K.130: I. Allegro
  2. Symphony No. 18 In F Major, K.130: II. Andantino grazioso
  3. Symphony No. 18 In F Major, K.130: III. Menuetto & Trio
  4. Symphony No. 18 In F Major, K.130: IV. Molto allegro
  5. Symphony No. 19 In E Flat Major, K.132: I. Allegro
  6. Symphony No. 19 In E Flat Major, K.132: II. Andante
  7. Symphony No. 19 In E Flat Major, K.132: III. Menuetto & Trio
  8. Symphony No. 19 In E Flat Major, K.132: IV. Allegro
  9. Symphony No. 19 In E Flat Major, K.132: Anhang: Andantino grazioso (substitute slow movement)
  10. Symphony In D Major, K.185-K167a: I. Allegro assai
  11. Symphony In D Major, K.185-K167a: II. Andante grazioso
  12. Symphony In D Major, K.185-K.167a: III. Menuetto & Trio
  13. Symphony In D Major, K.185-K167a: IV. Adagio - Allegro assai

Tracks:

  1. Symphony No. 20 In D Major, K 133: I. Allegro
  2. Symphony No. 20 In D Major, K 133: II. Andante
  3. Symphony No. 20 In D Major, K 133: III. Menuetto And Trio
  4. Symphony No. 20 In D Major, K 133: IV. Allegro
  5. Symphony No. 21 In A Major, K 134: I. Allegro
  6. Symphony No. 21 In A Major, K 134: II. Andante
  7. Symphony No. 21 In A Major, K 134: III. Menuetto And Trio
  8. Symphony No. 21 In A Major, K 134: IV. Allegro
  9. Symphony In D Major, K 135: I. Molto allegro
  10. Symphony In D Major, K 135: II. Andante
  11. Symphony In D Major, K 135: III. Molto allegro
  12. Symphony In D Major, K 161 - K 163 - K 141a: I. Allegro moderato
  13. Symphony In D Major, K 161 - K 163 - K 141a: II. Andante
  14. Symphony In D Major, K 161 - K 163 - K141a: III. Presto

Tracks:

  1. Symphony No. 26 In E Flat Major, K 184 , K 161a: Molto presto - Andante - Allegro
  2. Symphony No. 27 In G Major, K 199 , K 161b: I. Allegro
  3. Symphony No. 27 In G Major, K 199 , K 161b: II. Andantino grazioso
  4. Symphony No. 27 In G Major, K 199 , K 161b: III. Presto
  5. Symphony No. 22 In C Major, K 162: I. Allegro assai
  6. Symphony No. 22 In C Major, K 162: II. Andantino grazioso
  7. Presto assai
  8. Symphony In D Major, K 181, K 162b: I. Allegro spiritoso
  9. Symphony In D Major, K 181, K 162b: II. Andantino grazioso
  10. Symphony No. 24 In B Flat Major, K 181, K 162b: III. Presto assai
  11. Symphony No. 24 In B Flat Major, K 182, K 173dA: I. Allegro spiritoso
  12. Symphony No. 24 In B Flat Major, K 182, K 173dA: II. Andantino grazioso
  13. Symphony No. 24 In B Flat Major, K 182, K 173dA: III. Allegro

Tracks:

  1. Symphony No. 25 In G Minor, K 183, K 173dB: I. Allegro con brio
  2. Symphony No. 25 In G Minor, K 183, K 173dB: II. Andante
  3. Symphony No. 25 In G Minor, K 183, K 173dB: III. Menuetto And Trio
  4. Symphony No. 25 In G Minor, K 183, K 173 dB: IV. Allegro
  5. Symphony No. 29 In A Major, K 201, K 186a: I. Allegro moderato
  6. Symphony No. 29 In A Major, K 201, K 186a: II. Andante
  7. Symphony No. 29 In A Major, K 201, K 186a: III. Menuetto And Trio
  8. Symphony No. 29 In A Major, K 201, K 186a: IV. Allegro con spirito

Tracks:

  1. Symphony No. 30 In D Major, K 202 , K 186b: I. Molto allegro
  2. Symphony No. 30 In D Major, K 202, K 186b: II. Andantino con moto
  3. Symphony No. 30 In D Major, K 202, K 186b: III. Menuetto And Trio
  4. Symphony No. 30 In D Major, K 202, K 186b: IV. Presto
  5. Symphony In D Major, K 203, K 189b: I. Andante maetoso - Allegro assai
  6. Symphony In D Major, K 203, K 189b: II. Andante
  7. Symphony In D Major, K 203, K 189b: III. Menuetto And Trio
  8. Symphony In D Major, K 203, K 189b: IV. Prestissimo

Tracks:

  1. Symphony No. 28 In C Major, K 200, K 189k: I. Allegro spriritoso
  2. Symphony No. 28 In C Major, K 200, K 189k: II. Andante
  3. Symphony No. 29 In C Major, K 200, K 189k: III. Menuetto (Allegretto) And Trio
  4. Symphony No. 28 In C Major, K 200, K 189k: IV. Presto
  5. Symphony In D Major, K 121, K 207a: I. Allego molto
  6. Symphony In D Major,K 121, K 207a: II. Andante grazioso
  7. Symphony In D Major, K 121, K 207a: III. Allegro
  8. Symphony In D Majr, K 204,K 213a: I. Allegro assai
  9. Symphony In D Major, K 204, K 213a: II. Andante
  10. Symphony In D Major, K 204, K 213a: III. Menuetto And Trio
  11. Symphony In D Major, K 204, K 213a: IV. Andantino grazioso - Allegro

Tracks:

  1. Symphony In C Major, K 208, K 213c: I. Molto allegro
  2. Symphony In C Major, K 208, K 213c: II. Andantino
  3. Symphony In C Major, K 208, K 213c: III. Presto assai
  4. Symphony In D Jaor, K 250, K 249b (Haffner Serernade): I. Allegro maestoso - Allegro molto
  5. Symphony In D Major, K 250, K 248b (Haffner Serenade): II. Menuetto galante And Trio
  6. Symphony In D Major, K 250, K 248b (Haffner Serenade): III. Andante
  7. Symphony In D Major, K 250, K 248b (Haffner Serenade): IV. Menuetto And 2 Trios
  8. Symphony In D Major, K 250, K 248b (Haffner Serenade): V. Adagio - Allegro assai
  9. Symphony No. 32 In G Major, K 318: I. Allegro spiritoso
  10. Symphony No. 32 In G Major, K 318: II. Andante
  11. Symphony No. 32 In G Majaor, K 318: III. Tempo primo

Tracks:

  1. Symphony No. 33 In B Flat Major, K 319: I. Allegro assai
  2. Symphony No. 33 In B Flat Major, K 319: II. Andante moderato
  3. Symphony No. 33 In B Flat Major, K 319: III. Menuetto And Trio
  4. Symphony No. 33 In B Flat Major, K 319: IV. Allegro assai
  5. Symphony In D Major, K 320 (Posthorn Serenade): I. Adagio maestoso - Allegro con spirito
  6. Symphony In D Major, K 320 (Posthorn Serenade): II. Andantino
  7. Symphony In D Major, K 320 (Posthorn Serenade): III. Presto
  8. Symphony No. 34 In C Major, K 338: I. Allegro vivace
  9. Symphony No. 34 In C Major, K 338: II. Andante di molto piu tosto allegretto
  10. Symphony No. 34 In C Major, K 338: III. Allegro vivace

Tracks:

  1. March In D Major, K 408, No. 2, K 385a
  2. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: I. Allegro con spirito
  3. Symphony No. 25 In D Major, 'Haffner' (First Version), K 385: II. Andante
  4. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: III. Menuetto And Trio
  5. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: IV. Presto
  6. Symphony No. 36 In Major, 'Linz', K 425: I. Adagio - Allegro spiritoso
  7. Symphony No. 36 In C Major, 'Linz', K 425: II. Andante
  8. Symphony No. 36 In C Major, 'Linz', K425: III. Menuetto And Trio
  9. Symphony No. 36 In C Major, 'Linz', K 425: IV. Presto

Tracks:

  1. Symphony No. 31In D Major, 'Paris' (First Version), K 297, K 300a: I. Allegro vivace
  2. Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: II. Andante
  3. Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: III. Allegro
  4. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: I. Allegro con spirito
  5. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: II. (Andante)
  6. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: III. Menuetto And Trio
  7. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: IV. Finale (Presto)
  8. Symphony No. 38 In D Major, 'Prague', K 504: I. Adagio - Allegro
  9. Symphony No. 38 In D Major, 'Prague', K 504: II. Andante
  10. Symphony No. 38 In D Major, 'Prague', K504: III. Presto

Tracks:

  1. Symphony No. 39 In E Flat Major, K 543: I. Adagio - Allegro
  2. Symphony No. 39 In E Flat Major, K 543: II. Andante con moto
  3. Symphony No. 39 In E Flat Major, K 543: III. Menuetto And Trio (Allegretto)
  4. Symphony No. 39 In E Flat Major, K 543: IV. Finale (Allegro)
  5. Symphony No. 40 In G Minor (First Version), K 550: I. Molto allegro
  6. Symphony No. 40 In G Minor (First Version), K 550: II. Andante
  7. Symphony No. 40 In G Minor (First Version), K 550: III. Menuetto And Trio (Allegretto)
  8. Symphony No. 40 In G Minor (First Version), K 550: IV. Allegro assai

Tracks:

  1. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: I. Allegro assai
  2. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: II. Andante
  3. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: III. Allegro
  4. Symphony No. 41 In C Major, 'Jupiter', K 551: I. Allegro vivace
  5. Symphony No. 41 In C Major, 'Jupiter', K 551: II. Andante cantabile
  6. Symphony No. 41 In C Major, 'Jupiter', K 551: III. Menuetto And Trio (Allegretto)
  7. Symphony No. 41 In C Major, 'Jupiter', K 551: IV. Molto allegro

Tracks:

  1. Symphony In A Minor, 'Odense', K 16a, Anh. 220: I. Allegro moderato
  2. Symphony In A Minor, 'Odense', K 16a, Anh. 220: II. Andantino
  3. Symphony In A Minor, 'Odense', K 16a, Anh. 220: III. Rondo: Allegro moderato
  4. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: I. Allegro maestoso
  5. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: II. Andante
  6. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: III. Molto allegro
  7. Symphony In F Major, K 76, K 42a: I. Allegro maestoso
  8. Symphony In F Major, K 76, K 42a: II. Andante
  9. Symphony In F Major, K 76, K 42a: III. Menuetto And Trio
  10. Symphony In F Major, K 76, K 42a: IV. Allegro
  11. Symphony No. 6 In F Major, K 43: I. Allegro
  12. Symphony No. 6 In F Major, K 43: II. Andante
  13. Symphony No. 6 In F Major, K 43: III. Menuetto And Trio
  14. Symphony No. 6 In F Major, K 43: IV. Allegro

Tracks:

  1. Symphony In G Major, 'Neue Lambach': I. Allegro
  2. Symphony In G Major, 'Neue Lambach': II. Andante un poco allegretto
  3. Symphony In G Major, 'Neue Lambach': III. Menuetto And Trio
  4. Symphony In G Major, 'Neue Lambach': IV. Allegro
  5. Symphony No. 7 In D Major, K 45: I. Allegro
  6. Symphony No. 7 In D Major, K 45: II. Andante
  7. Symphony No. 7 In D Major, K 45: III. Menuetto And Trio
  8. Symphony No. 7 In D Major, K 45: IV. Finale
  9. Symphony In B Flat Major, K 45b, Anh. 214: I. Allegro
  10. Symphony In B Flat Major, K 45b, Anh. 214: II. Andante
  11. Symphony In B Flat Major, K 45b, Anh. 214: III. Menuetto And Trio
  12. Symphony In B Flat Major, K 45b, Anh. 214: IV. Allegro
  13. Symphony In D Major, K 51, K 46a: I. Molto allegro
  14. Symphony In D Major, K 51, K 46a: II. Andante
  15. Symphony In D Major, K 51, K 46a: III. Molto allegro
  16. Symphony No. 8 In D Major, K 48: I. Allegro
  17. Symphony No. 8 In D Major, K 48: II. Andante
  18. Symphony No. 8 In D Major, K 48: III. Menuetto And Trio
  19. Symphony No. 8 In D Major, K 48: IV. Allegro

Tracks:

  1. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: I. Allegro
  2. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: II. Andante
  3. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: III. Menuetto And Trio
  4. Symphony In B Flat Major, Anh. C11.03, Anh. 215, K 3 - 74g: IV. Allegro molto
  5. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: I. Adagio maestoso - Allegro con spirito
  6. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: II. Andante sostenuto
  7. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: III. Finale (Allegro molto)
  8. Symphony No. 40 In G Minor (Second Version), K 550: I. Molto allegro
  9. Symphony No. 40 In G Minor (Second Version), K 550: II. Andante
  10. Symphony No. 40 In G Minor (Second Version), K 550: III. Menuetto And Trio (Allegretto)
  11. Symphony No. 40 In G Minor (Second Version), K 550: IV. Allegro assai

Amazon.com essential recording

This was the set that really got the "authentic instrument" craze going. It was a big, ambitious project that promised a fresh look at familiar music, as well as lots of exciting new discoveries. Christopher Hogwood tailored his forces to match what we know of the actual size and constitution of the orchestras of the period, and since Mozart wrote symphonies in every country in Europe, including England, France, Italy, Germany, Austria and Czechoslovakia, the result is practically a blueprint of 18th-century orchestral practice. Then everyone else got into the act, and these performances sort of fell off the musical map. Listening to them again, one finds they hold up rather well. There's still the sense of discovery, and of course the music itself is glorious. At budget price, this is history in sound. --David Hurwitz

Customer Reviews:

4 out of 5 stars The original, original instrument take.......2007-05-03

A few months ago I bought the Trevor Pinnock Mozart Complete Symphonies (11 cds) and the 250th Anniversary Edition Mozart Symphonies (8 cds) that is not quite a complete symphony cycle. The Anniversary Edition features Harnoncourt on about 5 of the 8 discs. I also have his two CD twofers that cover the early symphonies. So, I more or less ended up with two complete renditions of Mozart's symphonies. I first bought the Harnoncourt early symphony 2fer and enjoyed it enough to buy volume two. This led me to buy the 250 Anniversay 8 cd set. I have not in the least regretted these purchases!

Harnoncourt is the most radical of these three original instrument takes on Mozart, especially in the late symphonies. For example, listen to symphony 29 by each of these three sets and compare them to the Karl Bohm benchmark 29th. Harnoncourt is Ricky Racer and Bohm is Mr. Serene and Majestic.

Obviously, price is only one of the factors in buying. The AAM costs more but has almost twice the music. The AAM set is probably the more collectable since they got there first. This set was issued in multiple lp boxes way back when and I recently watched just one of these boxes, unopened, go for over 80 bucks at EBAY.

There really is quite a sound difference between modern and original instruments. Rhapsody has the Mozart Horn Concertos posted by the AAM using an apparently valveless horn. Listen to this very squeaky rendition and compare it to Brain's to get a feel for the difference. They also have the Philips Complete Mozart Piano Concerto box that features a pianoforte on disc one of concertos 1 to 4. This instrument sounds more like a harpsichord than a piano and took some adjusting to get used to. The Smithsonian put out on vinyl (circa 1980) The Six Brandenburg Concerti by Bach on original instruments. The booklet gives quite a bit of info on the differences in instruments between modern and original. Here are a few snippets: "The brass instruments were, until the 19th century, valveless." This reduced the number of notes available. "The wind instruments of Bach's time had few keys--the transverse flute had one, the oboe two or three, and the bassoon three--calling for contrived fingerings to cover the full chromatic scale." "The music produced by a Baroque bow is characteristically tapered in shape, with great potential for a lively distinction between notes."

The bottom line for me is that Mozart, when well played, conducted, and recorded, sounds great--be it original instruments or modern. Having both modern and original choices is great. Life is wonderful with changes in flavor. I have only listened once to the AAM Mozart symphonies and have not done a compare and contrast between these and Pinnock's, etc. I was impressed by the consistency in performance and that being very good. It is really quite a feat to put out 19 cds and have them sound great from stem to stern. As an ADD recording, these give the DDDs a run for the money. The AAM Mozart Symphony cycle is posted at Rhapsody so you can look before you leap if you are in the market.

5 out of 5 stars The most complete set of Mozart symphonies ever recorded.......2006-08-10

This massive 19 CD collection contains 71 symphonies!

Yes, all 41 of the usual symphonies are here, but another 27 symphonic works are presented, as well as alternative versions of symphonies Nos. 31, 35 & 40. The works are all recorded on period instruments (or modern copies of 18th century instruments) and the orchestra is accompanied throughout by harpsichord continuo. The sounds of the various sections of the orchestra are full of colour and character - the wind and brass players, in particular, make this set such a delightful one.

I also have the Pinnock recording, which contains only the standard 41 symphonies and it is every bit as good. I can really make up my mind which I prefer, although Pinnock's reading of symphony No. 40 is sublime - particularly in the beautiful slow movement. However, Hogwood and his Academy of Ancient Music play almost all these symphonies with great gusto and style. As another reviewer said, Hogwood allows his musicians to simply play the music and let Mozart's music live in a natural and "organic" way, with minimal interference from the conductor.

Each work tells a story and the recordings of these works remind us of the fact that Mozart wasn't some sort of proto-Beethoven, rather, his music was more like the culmination of many 18th century currents, trends and ideas - "Baroque music on steroids", even! ;-))

This is a set which is very close to my heart and I consider it one of the treasures in my home. I return to it often - at any time of the day or night.

5 out of 5 stars Indispensable .......2004-11-13

This set is indispensable for anyone who seriously wants to have a complete Mozart collection. It contains every symphonic work written by Mozart, including second versions of certain late symphonies.

The playing is "alive" and fresh, the sound is full, warm and clear. What you get is not Hogwood's "interpretation"...but music and just the music, this guy understands Mozart and just lets these musicians play with joy, spontaneity, meaning and feeling. I didn't think they would be so good! There are times when you don't even notice that they're playing on period instruments.

This set is completely satisfying and I'm glad I own it. It's a pricy box set, but totally worth it...try to find it used and bask in the glory of Mozart.

3 out of 5 stars Ok, but...........2004-06-30

I will qualify this review by saying that I have not by any means listened to every single symphony on this recording. I listened to several of the symphonies from this set for a conducting class, and spent a considerable amount of time comparing them with other recordings for phrase structure, dynamics, etc. My conclusion:

Overall, I am personally just not impressed by Hogwood. His handling of the phrases is rough, and the music just doesn't seem polished. Occasionally the balance is questionable (for example, several clarinet passages in the first movement of the 39th stick out), and at other points I get the impression that he put little planning into the organization of strong and weak bars. Perhaps it is mostly personal preference, but other conductors really do sound better.

I think that this recording has its place, as there are few boxed sets of all of Mozart's symphonies available, and certainly there was some groundbreaking period instrument work here. I would, however, strongly recommend that anyone considering purchasing this set actually obtain a copy first from a library to decide if this is really what they want.

5 out of 5 stars A milestone set, and worthy of all praise.......2004-04-29

In the 1970s, the Hungarian conductor Antal Dorati recorded all of the 104 symphonies of Franz Joseph Haydn (Amazon asin # B0000042DP). The era of "epic" integral collections was ignited. Many thought the vast majority of Haydn's symphonies would be boring, cookie-cutter works rolled out in almost assembly-line fashion. But Dorati, with excellent help from the Haydn scholar H. C. Robbins Landon, would disprove all of that, and show that there is not a dud in the whole collection. And Dorati's readings have stood the test of time.

Dorati's achievement marked the beginning of an ea that in the next 2 decades would see complete integral sets of the works of every major composer, culminating ultimately in the 1980s with Phiips complete Mozart Edition.

Shortly after Dorati finished his massive project, the Academy of Ancient Music embarked on a complete traversal of all of the "symphonies" of Mozart on period instruments, the currently reviewed item. Not just the traditional 41, but also many lesser know works. More fascinating music was unearthed. But, the milestone of this set is not the discovery of forgotten masterpieces. That had become a common daily occurence. It was the period instrument movement instead that was set free by Hogwood's achievement. With this project, Hogwood did for period instruments what Dorati did for integral cycles of lesser known works. The period instrument movement had been around for a long time. But it never quite could hit "mainstream" until Hogwood made these recordings. And ever since, period instruments have flourished.

There are better recordings of many of the works in this set, both on period instruments and conventional instruments. But the consistency that runs through the set brings an appreciation for Mozart's Symphonies that is unparallelled.

The set is competitively priced, the sound is very good throughout, there is decent documentation.
Mozart: Symphonies Nos. 36 & 38
Average customer rating: 5 out of 5 stars
  • Pure Chemistry!
  • Symphonic opera
  • good alternative
  • Great Music
  • Mackerras never disappoints
 Mozart: Symphonies Nos. 36 & 38

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mozart: Symphonies No.25, No.28 & No.29
  2. Mozart: Symphonies Nos. 40 & 41
  3. Mozart: Symphony No. 32; Symphony No. 35; Symphony No. 39
  4. Mozart: Symphonies Nos. 31, 33, 34
  5. Mozart: Symphonies 24, 26, 27, & 30

ASIN: B000003CUE
Release Date: 2003-04-22

Tracks:

  1. I. Adagio/Allegro Spiritoso
  2. II. Poco Adagio
  3. III. Menuetto: Trio
  4. IV. Finale: Presto
  5. I. Adagio/Allegro
  6. II. Andante
  7. III. (Finale) Presto

Amazon.com

Mozart's 36th and 38th symphonies are both named after the cities in which they were first performed: Linz and Prague, respectively. It's wholly appropriate, then, to have the Prague Chamber Orchestra in No. 38, although the truth is they do No. 36 just as well, of course. These effervescent performances offer a refreshing view of both works, and Telarc's sound is superb. Lovely. --David Hurwitz

Customer Reviews:

5 out of 5 stars Pure Chemistry!.......2007-03-09

These are without a doubt the most envigorating and faithful interpretations of these two Mozart symphonies I've heard. It's hard to describe, but Sir Charles Mackerras and the Prague Orchestra share something intangible on this disc, a remarkable musical chemistry that you will only believe if you hear it! As with the other recordings in this Mozart cycle, the tempos may be faster than in other versions, but it just sounds so right and they are played with so much conviction. I highly recommend this disc to anyone who treasures Mozart and/or classical music in general.

5 out of 5 stars Symphonic opera.......2004-12-14

I've heard several other versions of these two symphonies, and this CD still contains my favorite interpretations of both. Mozart wrote the "Prague" symphony for the city that loved his operas, and the spirit of opera buffa permeates both these works. This recording is not for those who like their Mozart to be polite--if anything, the spirit of these interpretations borders on raucousness. Yet it's welcome raucousness, as Mackerras displays his usual meticulous attention to detail, and the Prague Chamber Orchestra plays with an almost reverent precision (which stands to reason, since one of these symphonies is theirs in spirit and in name). Expect flowing, lyrical andantes (the slow movement of the Prague features some of the most tender playing I've yet heard from this orchestra and conductor), a spirited Linz minuet, and hearty, thrilling outer movements. By the end of the Linz symphony, you'll be grinning; by the end of the Prague, you'll be smiling from ear to ear. These two symphonies were obviously intended to be fun (albeit perfectly constructed, brilliantly inventive fun), and it's nice to have a recording that conveys that feeling. It'll be hard to go back to your old recordings once you've heard this one. Play it loud!

5 out of 5 stars good alternative.......2004-08-27

mackerras is a good alternative to the big band readings of bohm, walter, etc. the prague orchestra plays with light, chamber orchestra-like textures that work well for mozart. as expected, the tempos are brisk and the music - especially the outer movements - is exciting. but the thing that surprised me was the slow movements. i've always found mozart's slow movements to be a little dull, but this disc opened my eyes to their beauty. maybe it was the faster tempos that did it. a good disc. highly recommended.

5 out of 5 stars Great Music.......2003-06-10

This is one of the best CD of Mozart music I've ever heard. It is amazing how well the music was performed. Also, the music itself is great.

This is a must for everyone.

5 out of 5 stars Mackerras never disappoints.......2000-01-14

I agree with the unidentified music fan below in his rave for this recording, particularly his comments about the Prague, which is the recording that first drew me to Mackerras' Mozart symphonies. The first movement of the Linz *is* slower than you might expect, given Mackerras' break neck tempi elsewhere (e.g., the last mvt of the Linz and the first of the Prague), but I wouldn't say the tempo is problematic in the least. In fact, the adagio introduction is a little on the quick side, while the subsequent allegro seems well-paced.

Mackerras' interpretations are crisp and contrapuntally clear; tempi are in general brisk -- in short everything you'd expect from a "period instrument" recording, except without the period instruments. Those who like "historically informed performance" (HIP) recordings will appreciate this and will not miss the authentic instruments. The bonus, and what makes these recordings rise above the burgeoning number of HIP Mozart recordings, is Mackerras' attention to phrasing and articulation.

A couple of examples: conductors seem to traditionally shy away from Mozart's sforzandi (e.g., Walter's recordings), perhaps thinking them too kitchy. Mackerras' and the Prague CO's sforzandi are always present, clear and expertly articulated. Also, Mackerras' clarity brings out details that are sometimes lacking in other recordings, like the moment in the Prague, in the minor inflected version of the second theme of mvmt 1 where the two bassoon answer the strings. The bassoons ring out clearly and are balanced with the rest of the orchestra such that they become almost soloists. Listen to Walter, Horenstein, Karajan, Bohm, even Hogwood -- all seem to consider this crucial moment to be "background", and the bassoons are balanced accordingly softly. But there are many other examples -- in every bar there seems to be a surprise.

Note that Mackerras' always observes the exposition repeat, where Mozart indicated one (there is none, e.g., in the Haffner), but he often repeats the 2nd half also (development through coda)! In this volume, this happens, e.g., in the last mvmt of the Linz and the first of the Prague. I like this, but it may not be to everyone's taste. I don't know what the scholarly rationale for this is, but I suppose there must be one. In the end, I don't care, though, because it seems to suit the music and to be so *right*.

The notes (can't remember if it's the notes to this volume or another volume in the set) claim a tradition in Prague of Mozart interpretation inherited in an unbroken line from Mozart's time in that city. I don't know whether this is true, but the Prague players seem to have Mozart's number, and this is some of the most memorable, natural, easy-flowing Mozart performance you will ever hear. Much of the praise I heap on this volume applies to the entire set, BTW. Apologies for being long-winded!
Mozart: Symphonies Nos. 23 & 36; Sinfonia Concertante
Average customer rating: 4 out of 5 stars
  • Stylish all the way, but the temperature is too low
  • BPO hard to beat playing Mozart
  • More Mozart
 Mozart: Symphonies Nos. 23 & 36; Sinfonia Concertante

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mozart: "Posthorn" Serenade; Marches K. 335 Nos. 1 & 2; Divertimento K. 251 "Nannerl Septet"
  2. Mozart: Symphony No. 25; Symphony No. 31 "Paris"; Masonic Funeral Music; Symphony in D major "The Posthorn"
  3. Mozart: Symphonies Nos.28, 29 & 35 "Haffner"

ASIN: B000002AYC
Release Date: 1996-06-25

Tracks:

  1. Symphony No. 23 In D Major, K. 181: I. Allegro spiritoso
  2. Symphony No. 23 In D Major, K. 181: II. Andantino grazioso
  3. Symphony No. 23 In D Major, K. 181: III. Presto assai
  4. Sinfonia For Violin, Viola And Orchestra In E-Flat Major, K. 364: I. Allegro maestoso
  5. Sinfonia For Violin, Viola And Orchestra In E-Flat Major, K. 364: II. Andante
  6. Sinfonia For Violin, Viola And Orchestra In E-Flat Major, K. 364: III. Presto
  7. Symphony No. 36 In C Major, K. 425 'Linz': I. Adagio - Allegro spiritoso
  8. Symphony No. 36 In C Major, K. 425 'Linz': II. Andante
  9. Symphony No. 36 In C Major, K. 425 'Linz': III. Menuetto - Trio
  10. Symphony No. 36 In C Major, K. 425 'Linz': IV. Presto

Customer Reviews:

3 out of 5 stars Stylish all the way, but the temperature is too low.......2006-05-19

When Abbado misfires in Mozart, it's because he mistakes reticence for refinement. That happens on this CD quite a lot, particularly in the smiling and often recorded Sinfonia Concertante for violin and viola. It wasn't smart to pick the Berlin Phil's first-desk players for the solo parts. They sound impersonal, as if they are sitll section players rather than stars, and since Abbado favors brisk speeds, the solo parts lack bite and depth. Everything rushes by too fast to show any persoanlity.

By contrast, the brief Sym. #23 (at 9 min. it's even littler than Sym. #25, the "little G minor") is perfectly judged, a fleeting delight with a breathtaking melody in the slow movement--one wishes for more, more, more. Abbado's "Linz" Sym. #36 needs a shot in the arm. He skates over the surface very prettily but to no great consequnce. Late Mozart deserves better than elegance and sophisticated orchestral playing, but that's all it gets here.

5 out of 5 stars BPO hard to beat playing Mozart.......2001-11-16

The centerpiece of the CD, Mozart's Symphony in C, K425, experiences an interesting reading from Claudio Abbado and the Berliner Philharmoniker. As the previous reviewer rightly points out, the tempi used by Abbado are slow, but IMHO not heavy-handed.

Part of me thinks that giving this magnificent piece a sedate reading is the correct thing to do, considering that it took Mozart all of 4 days (no typo there) to compose this work. I believe that Abbado must be using one of the versions of the score where the 2nd mevement is marked 'poco adagio', which contrasts this movement very nicely with the 1st and 4th.

All in all a splendid experience - even if you own one or two Linzer symphonies already, this one makes a nice contrast for a hurry-free evening in front of the fire.

4 out of 5 stars More Mozart.......2001-04-21

On this disc, Claudio Abbado leads the Berlin Philharmonic through yet more music by Mozart. You say how many more takes on Mozart can be made, well in this case it is three. The infrequently recorded Symphony No. 23 is first (all nine minutes of it) and even in its brevity it is as enjoyable as any of the middle Symphonies. Next is "Sinfonia Concertante," K. 364 which is a concerto for both viola and violin, and it is delightful. Finally, comes the CD's meat and potatoes piece, the 36th Symphony also known as the "Linzer." Abbado manages to draw his interpretation out to nearly twice the length of his Berlin predecessor Karl Bohm's recording of thirty years earlier on DG Originals, and Abbado's performance offers an interesting contrast to Bohm's version. In all, this is fine CD but with all the numerous classic Mozart performances available by Ormandy, Szell and Bohm (among others) available at mid-line or budget price, it seems there are better places to start.
Mozart: The Last 6 Symphonies, Nos. 35,36,38,39,40,41
Average customer rating: Not rated
    		Mozart: The Last 6 Symphonies, Nos. 35,36,38,39,40,41

    Manufacturer: Sony / Odyssey
    ProductGroup: Music
    Binding: Audio CD

    All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B00000DSDC
    Release Date: 1991-01-14
    Mozart: Symphonies Nos. 35 "Haffner", 36 "Linz" & 40
    Average customer rating: Not rated
      		Mozart: Symphonies Nos. 35 "Haffner", 36 "Linz" & 40

      Manufacturer: Deutsche Grammophon
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000ASAEO4
      Release Date: 2005-11-08

      Tracks:

      1. Allegro Con Spirito
      2. Andante
      3. Menuetto-Trio
      4. Finale. Presto
      5. Adagio-Allegro Spiritoso
      6. Andante
      7. Menuetto: Allegretto-Trio
      8. Allegro Assai
      9. Molto Allegro
      10. Andante
      11. Menuetto: Allegretto-Trio
      12. Allegro Assai
      Mozart Symphony 36, Linz Symphonies Nos. 33 and 27: Capella Istropolitana, Barry Wordsworth Conductor
      Average customer rating: 5 out of 5 stars
      • Transparent, Clear, Ideal Tempi
      • Serene Ebullience
      		 Mozart Symphony 36, Linz Symphonies Nos. 33 and 27: Capella Istropolitana, Barry Wordsworth Conductor

      Manufacturer: Naxos
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Mozart: Symphonies Nos. 40, 31 & 28
      2. Mozart: Symphonies Nos. 34, 35 & 39

      ASIN: B0000013NQ
      Release Date: 1992-09-08

      Tracks:

      1. Adagio. Allegro Spiritoso
      2. Poco Adagio
      3. Menuetto
      4. Presto
      5. Allegro Assai
      6. Andante Moderato
      7. Minuetto
      8. Finale. Allegro Assai
      9. Allegro
      10. Andante Grazioso
      11. Presto

      Amazon.com

      Naxos's practice with this series of mature Mozart symphonies has been a sensible one. The six late ones are paired with earlier, less familiar works, and although not all of Mozart's symphonies are great, there's a lot more charming music that can be found in just those last six major pieces. Even better, Barry Wordsworth's performances are extremely lively and appealing. At budget price, there's lots to enjoy here. --David Hurwitz

      Customer Reviews:

      5 out of 5 stars Transparent, Clear, Ideal Tempi.......2007-06-14

      Wolfgang Amadeus Mozart (1756 - 1791): Symphonies No. 27 in G Major (K. 199/161b) (1773); No. 33 in B Flat Major (K. 319) (1779); Nr. 36 "Linz" in C Major (K. 425) (1783). Performed by the Capella Istropholitana, directed by Barry Wordsworth. Recorded in June 1989 at the Moyzes Hall, Bratislava, Slovakia. Released 1989 as Naxos 8.550264. Total time: 64'46".

      Barry Wordsworth's series of six Mozart CDs for Naxos (five with symphonies, one with overtures) belong, together with Jenö Jando's series of Beethoven sonatas, to the greatest achievements of Naxos during its first two years in existence (the label was only founded in 1987). This last CD in the series, although it does not perhaps contain the absolute cream of Mozart, is a worthy conclusion, having all the advantages of the earlier CDs (ideal tempi, clarity of conception, transparency of recording) but nothing to criticize. At the Naxos price this is amazing value for money and I can only add my voice to those already on the site saying, if you want this repertoire you would be well-advised to try this extraordinary disc before heading for the more up-market versions.

      5 out of 5 stars Serene Ebullience.......2003-01-13

      The lightest disc of the five in Wordsworth's Mozart Symphonies set for Naxos highlights the virtues of his approach. Harnoncourt's superprecise, stripped-down articulations, while exhilarating on the major symphonies, would be supercilious with such playful pieces as the Symphony No. 27. Wordsworth's own streak of radicalism lies in his willingness to let the music breathe. The opening movement of No. 33 is just slow enough to exhibit the work's gracious sense of ebullience: not at all melancholy, but stately (this goes too for No. 36's terrific adagio-come-allegro first movement). The slow movements have the gentle pensive joy of Fragonard's famous painting of a girl and her book. And the jolly final movements swirl with exhilaration. The Capella Istropolitana's combination of modern instruments and chamber-scale presence help greatly to make this music Wordsworth's own. This disc shows how Wordsworth, with his Fanny Price take on these Elizabeth Bennett-style pieces, takes his place in the pantheon of contemporary interpreters of the 18th Century canon.
      Mozart: Symphonies Nos. 34, 35 & 36
      Average customer rating: 5 out of 5 stars
      • A good lesson for all present and foture counductors- excellent enteratinment- great pleasure....
      		 Mozart: Symphonies Nos. 34, 35 & 36

      Manufacturer: Delta
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Mozart: Symphonies 38 & 39
      2. Symphonies Nos. 40 & 41 (A little night music)
      3. Mozart: Dances And Minuets

      ASIN: B000001VV7
      Release Date: 1996-08-01

      Tracks:

      1. Sym No.34 in C, K.338: Allegro vivace
      2. Sym No.34 in C, K.338: Andante di molto
      3. Sym No.34 in C, K.338: Finale. Allegro vivace
      4. Sym No.35 in D, K.285, 'Haffner': Allegro con spirito
      5. Sym No.35 in D, K.285, 'Haffner': Andante
      6. Sym No.35 in D, K.285, 'Haffner': Menuetto
      7. Sym No.35 in D, K.285, 'Haffner': Presto
      8. Sym No.36 in C, K.425, 'Linz': Adagio/Allegro spiritoso
      9. Sym No.36 in C, K.425, 'Linz': Poco Adagio
      10. Sym No.36 in C, K.425, 'Linz': Menuetto
      11. Sym No.36 in C, K.425, 'Linz': Presto

      Customer Reviews:

      5 out of 5 stars A good lesson for all present and foture counductors- excellent enteratinment- great pleasure...........2006-01-31


      Listening to famous conductors and their grandious
      orchestras while playing the last Mozart's symphonies,
      people today have less opportunity to get-at least
      correct music. Today art and music empire, apparrntly fell
      behind in artistic interpretation. Big orchestras and their
      conductors are collapsing in dynamics and tempos and all
      that, people buy wrapped in a nice package. What a tragedy!

      Fortunately, here is Hans Graf and his Salzburg orchestra.
      Again, complete understanding of style and Mozart, reasults in
      trilling interpretation and outstanding listener experience.
      I will let specialists make detail reviews of this CD,
      which they don't dare, and let "Haffner" play. BRAVO!
      Mozart: Symphonies Nos. 36 & 40
      Average customer rating: Not rated
        		Mozart: Symphonies Nos. 36 & 40

        Manufacturer: Polygram Records
        ProductGroup: Music
        Binding: Audio CD

        All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
        GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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        GeneralGeneral | Classical | Styles | Music
        Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
        ASIN: B00000E500
        Release Date: 1993-12-14

        Track Listings:

        1. Music for Oboe and Strings
        2. New Music - Piano Compositions By Henry Cowell / Brown, Hays, Kubera, Cahill
        3. Pape: Electroacoustic Chamber Works
        4. Parry: I Was Glad, My, Soul There Is a Country, 20 English Lyrics, Jerusalem
        5. Passionately UnStuffed
        6. Peter Scott Lewis: Atlantic Crossing; Rhapsodic Images
        7. Piston: Symphony 4 / Three New England Sketches
        8. Point Conception
        9. Quiet Moods
        10. Ragtimes by the King of Ragtime Writers

        Track Listings

        track listings

        Track Listings

        Free Hand/Interview

        Martinu: Songs of the Czech Highlands

        Measured Chaos Live [Live]

        Eight Shorts in Search of David Lynch

        Shutdown [Import]

        Masterpiece Theatre [Import]

        Mcmlxx

        Prokofiev: Sinfonia Concertante; Merikanto: Concerto for cello No2

        May Your Song Always Be Sung, Vol. 3 [Import]

        Jazz Music: 1988 & All That Jazz

        Nonsuch [Original recording remastered]

        La Bomba

        Lo Siento, Frank & Acustico [Import]

        Door Into Summer/Knock Breathe

        The Melody Ranch Girl