American Bach

Track Listings
1. Prelude    
2. Courante    
3. Dorian    
4. Gigue    
5. Guaracha    
6. Prelude    
7. Allemande    
8. Courante    
9. Sarabande    
10. Minuet I and II    
11. Gigue    
12. Prelude    
13. Allemande    
14. Courante    
15. Sarabande    
16. Bouree I and II    
17. Gigue    

Editorial Reviews
Howard Reich, music critic, Chicago Tribune
To Chicago instrumental virutuoso Michael J. Miles, the banjo is an instrument of nobility, capable of addressing scores by one of the most towering intellects in western music, JS Bach. To prove the point, Miles has spent the past seven years laboring over a most unlikely project: a recording of two cello suites by Bach, transcribed for 5-string banjo. No overdubbing, nor orchestral accompaniment, no vocals, no instrumental doubling, nothing, just an unamplified banjo assisted by a lone bass player. By simply strumming his banjo's soft spoken nylon strings, Miles has dared to take on some of the most dramatic and profound music every written.

The remarkable thing is that Miles has succeeded. Somehow, this rubber-fingered fellow has managed to make the long and sinuous melodies of Bach sound perfectly natural (well almost) on the humble banjo. His recording which also includes Miles beguiling "Suite for the Americas," respects the stylistic traditions of baroque playing while bringing into the mix the quaintly ringing sound of an unmistakably American folk instrument.

JANOS STARKER
"I was just talking about him during a lecture I recently gave in New York," says eminent cellist Janos Starker, whose recording of Bach's cello suites endure as major achievements in classical music. "The lecture was called, 'The Indestructible Bach,' and I said I know Bach is indestructible because there is this banjo playing in Chicago, and he is playing Bach! But it is a remarkable feat," concedes Starker, who is not known for giving praise easily. "My first reaction to his playing was a... read more

Album Description
Never before has any banjoist attempted what Miles has succeeded in doing here, to record two of JS Bach's cello suites in their entirity. In addition Miles has composed a stunning suite of his own in which he pays tribute to Bach's suite format In Suite for the Americas, Miles puts an entirely American spin on the format with new movements including Dorian, in the Dorian mode and Guaracha, a Cuban rhythm.

American Bach

American Bach, Music, J.S. Bach, Michael J. Miles, Al Ehrich, Margaret Bell, Clawhammer banjo and double bass playing Bach's first and thrid cello suites, and Miles' own "Suite for the Americas."
Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
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Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]

Manufacturer: Delta
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ASIN: B00012QLSW
Release Date: 2003-12-09

Tracks:

  1. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  2. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  3. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  4. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  5. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  6. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  7. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  8. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  9. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
  10. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
  11. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
  12. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble

Tracks:

  1. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
  2. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
  3. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
  4. Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
  5. Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
  6. Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble

Tracks:

  1. Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
  2. Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
  3. Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
  4. Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
  5. Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
  6. Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
  7. Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
  8. Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
  9. Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
  10. 12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky

Tracks:

  1. Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
  2. Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
  3. Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
  4. Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
  5. Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
  6. Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
  7. Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
  8. Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
  9. Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble

Tracks:

  1. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
  2. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
  3. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
  4. Overture Coriolan Op.62 - Dresdner Philharmonic
  5. Overture Leonore No.2, Op.72 - Dresdner Philharmonic

Tracks:

  1. Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
  2. Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
  3. Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
  4. Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
  5. Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
  6. Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
  7. Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
  8. Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
  9. Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
  10. Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd

Tracks:

  1. Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
  2. Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
  3. Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
  4. Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
  5. Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
  6. Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland

Tracks:

  1. Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
  2. Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
  3. Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
  4. Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
  5. Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
  6. Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
  7. Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
  8. Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
  9. Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
  10. Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
  11. Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch

Tracks:

  1. Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
  2. Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
  3. Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
  4. Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
  5. Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
  6. Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
  7. Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
  8. Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
  9. Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
  10. Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
  11. Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
  12. Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
  13. Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
  14. Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic

Tracks:

  1. Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
  2. Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
  3. Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
  4. Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
  5. Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman

Tracks:

  1. Rustle of Spring Op.32, No.6 - Jennd
  2. Novelette in F Major Op.21, No.1 - Jennd
  3. Songs Without Words: E Major Op.19, No.1 - Jennd
  4. Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
  5. Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
  6. Songs Without Words: G Major Op.62, No.1 - Jennd
  7. Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
  8. Intermezzo in a Major, Op.76, No.6 - Jennd
  9. Intermezzo in a Minor Op.76, No.7 - Jennd
  10. Intermezzo in a Major Op.118, No.2 - Jennd
  11. Intermezzo in E Flat Minor Op.118, No.6 - Jennd
  12. Lyric Pieces: Arietta Op.12, No.1 - Jennd
  13. Lyric Pieces: Folkevise Op.12, No.5 - Jennd
  14. Lyric Pieces: Butterfly Op.43, No.1 - Jennd
  15. Lyric Pieces: To Spring Op.43, No.6 - Jennd
  16. Lyric Pieces: Notturno Op.54, No.4 - Jennd
  17. Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
  18. Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
  19. Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
  20. Melody in F Op.3, No.1 - Jennd
  21. Humoresque in G Flat Major Op.101, No.7 - Jennd

Tracks:

  1. Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
  2. Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
  3. Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
  4. Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
  5. Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
  6. Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
  7. Impromptu in B Flat Major D.935, No.3: Pito - Jennd
  8. 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
  9. 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
  10. 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
  11. 4 Impromptus D.899: No. 1 in C Minor - Jennd
  12. 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
  13. 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
  14. 4 Impromptus D.899: No. 4 in a Flat Major - Jennd

Tracks:

  1. Sonata in a Major D.959: Allegro - Michael Endres
  2. Sonata in a Major D.959: Andantino - Michael Endres
  3. Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
  4. Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
  5. Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
  6. Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
  7. Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
  8. Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres

Tracks:

  1. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
  2. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
  3. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
  4. Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
  5. Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
  6. Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin

Tracks:

  1. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
  2. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
  3. Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
  4. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra

Tracks:

  1. Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
  2. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
  3. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
  4. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
  5. Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
  6. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
  7. Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
  8. Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
  9. Fantasy on Weber's FreischVilmos Fischer

Tracks:

  1. Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
  2. Pictures at an Exhibition: Gnomus. Sempre Vivo
  3. Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
  4. Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
  5. Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
  6. Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
  7. Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
  8. Pictures at an Exhibition: Promenade. Tranquillo
  9. Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
  10. Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
  11. Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
  12. Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
  13. Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
  14. Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
  15. Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
  16. Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
  17. Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
  18. Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
  19. Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
  20. Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
  21. Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
  22. Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
  23. Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
  24. Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
  25. Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)

Tracks:

  1. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  2. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  3. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  4. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  5. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
  6. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov

Tracks:

  1. Prde Op.3, No.2 - Margarete Babinsky
  2. Mdie Op.3, No.3 - Margarete Babinsky
  3. Polichinelle Op.3, No.4 - Margarete Babinsky
  4. Moment Musical Op.16, No.3 - Margarete Babinsky
  5. Moment Musical Op.16, No.5 - Margarete Babinsky
  6. Variations on a Theme by Corelli Op.42 - Margarete Babinsky
  7. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  8. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  9. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  10. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  11. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  12. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  13. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  14. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  15. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  16. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  17. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  18. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  19. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  20. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  21. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  22. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  23. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  24. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  25. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  26. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  27. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  28. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
  29. Prde Op.23, No.5 - Margarete Babinsky

Tracks:

  1. Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
  2. Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
  3. Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
  4. Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
  5. American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart

Album Description

This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.

Customer Reviews:

5 out of 5 stars Ultimate music for every time of day and every mood.......2007-07-03

With 20 CDs in the collection, we have classical music for every mood and atime of day.

4 out of 5 stars Would give 5 stars if sound quality where better.......2007-06-30

This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.

5 out of 5 stars Great collection for a great price.......2007-06-27

I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.

5 out of 5 stars 20 Fabulous Discs.......2007-06-08

I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.
Hush
Average customer rating: 4.5 out of 5 stars
  • Yo-Yo Ma and Bobby McFerrin
  • Yo-Yo keeps on experimental
  • This is no "Don't Worry, Be Happy"
  • Excellent CD!
  • My 1st introduction to Bobby McFerrin (3.5-4 stars)
Hush

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. The Mozart Sessions
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ASIN: B0000027VR
Release Date: 1992-01-28

Tracks:

  1. Grace
  2. Concerto In D Minor For 2 Mandolins: Andante
  3. The Legend Of Tsar Saltan: Flight Of The Bumblebee
  4. Stars
  5. Hush Little Baby
  6. Vocalise
  7. Notebook For Anna Magdalena Bach: Musette
  8. Coyote
  9. Sonata For 2 Cellos: Allegro prestissimo
  10. Ave Maria
  11. Hoedown!
  12. Orchestral Suite No. 3: Air
  13. Good-Bye

Amazon.com

The idea here was to put two masters together--one classical cellist, one improvisational singer/sound-effects performer--and voilà! instant amazing, unique, hip--and, hopefully, hit--record. The intriguing setup was to see what would happen when each led the other through the unfamiliar territory of his own specialty. The success of this recording lies not so much in the music or even in the overall performances, but in the fascinating and fun opportunity to sit in on the musicians' good-natured, respectful give-and-take, to witness an uncommon form of artistic chemistry that allows each performer to expand his vision and even his technique. On one hand we get Bobby McFerrin's impressionistic, improvisatory jazz/pop; on the other we enjoy Yo-Yo Ma's highly refined, formalized musicianship. Originally planned as a disc for children, Hush goes far beyond its initial premise, with each of the 13 tracks demonstrating these musicians' unique gifts and showing that, whether it's Vivaldi or jazz, it's all music and it's all a lot of fun. --David Vernier

Customer Reviews:

5 out of 5 stars Yo-Yo Ma and Bobby McFerrin.......2007-05-12

This CD is one of my favorites. I give it away and buy another. Playful and fun as well as great music. It never fails to make me laugh. A joy. If you aren't a little silly, don't bother. Kids love it, too.

5 out of 5 stars Yo-Yo keeps on experimental.......2006-03-04

One of the best parts of a genius is to try out of his layers. In this case Yo-Yo tried to go out from the classic, and with a very good singer, in a easy say, as Bobby. They make a very special music between classic and jazz, with some elements of pop.
It's an incredible fusion of strings and vocal strings, in some moments it is not possible to separate them, some times is like a big keyboard directed by a single musician. In a word, they experiment, and the result was incredible.

5 out of 5 stars This is no "Don't Worry, Be Happy".......2005-10-23

Have never been a big Bobby McFerrin fan, probably due to that god-awful, "Don't Worry, Be Happy." But I am a classical music junkie and one day listening to our local classical station I heard a selection that I thought was the most beautiful thing I had ever heard. What a shock when I learned that it was McFerrin and Yo-Yo Ma doing Vivaldi's Andante!

Honestly, I could do without the non-classical pieces on this CD...although I enjoy them.

But the classical interpretations are some of the most heavenly, wonderful, beautiful, awe-inspiring things that I have ever heard, on any CD, in any genre! Yes, that good!

McFerrin uses his voice as the perfect instrument and accompanient to Ma's cello. They were made for each other.

Listen to the samples of the classical pieces if you're a doubter...

5 out of 5 stars Excellent CD!.......2005-09-22

While I admit to being a newbie in my connoisseurship of the classical music genre, not only do I think that this disc is a good collection of some of the best classical music ever written, it is actually FUN sometimes, with silly bits thrown in by Bobby and Yo-Yo Ma every now and then! These guys make great music and have a great time making it.

Bobby uses his voice as a fantastic sounding 'instrument' to sing notes much like an instrument playing a duet with Yo-Yo; sometimes his voice sounds so much like a real instrument that you even forget that you are hearing vocals--I don't even know what other vocalist could pull this off. It is a fascinating experiment. I recommend it highly!

4 out of 5 stars My 1st introduction to Bobby McFerrin (3.5-4 stars).......2005-05-29

I think I kinda heard this back in elementary school (maybe like in the 2nd, 3rd, 4th grade or so, I get kinda mixed when I say that), it's like sumthin I never heard be4, A guy who sings, scats and does it all goes by the name Bobby McFerrin and a cellist by the name of Yo Yo Ma. I'd have follow thru his work as a cellist/string player from various TV apperances, shows, movies, etc. and he does sounds good 2 this day, believe me.

Anyway as I was gonna say this was the 1st album I got introduced a bit by Bobby McFerrin. Not SIMPLE PLEASURES nor SPONTANEOUS INVENTIONS. Just this 1. I hope to hear more from him and collect all of his albums incl. Yo Yo Ma's. They still sound good. No doubt.
Classic Yo-Yo
Average customer rating: 4 out of 5 stars
  • New Yo-Yo Fan
  • Simply wonderful!
  • Awesome
  • What is this?
  • Great if you're not familiar with Yo-Yo Ma
Classic Yo-Yo

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005OAY5
Release Date: 2001-09-18

Tracks:

  1. Unaccompanied Cello Suite No. 1 in G Major
  2. Prelude
  3. Fear Tango
  4. Butterfly's Day Out
  5. Was Gott tut, das ist wohlgetan
  6. Slavonic Dance No. 2 in E minor, Op.72
  7. Three Preludes
  8. Allegro ben ritmato e deciso
  9. American Collection Theme
  10. Sonata for Cello and Piano in F Major, Op. 99
  11. IV. Allegro molto
  12. The Eternal Vow from Crouching Tiger, Hidden Dragon
  13. Erbarme dich (Matthdus-Passion)
  14. Quartet for Piano & Strings No. 2 in G minor, Op. 45
  15. IV. Allegro molto
  16. Vocalise
  17. Libertango
  18. Simple Gifts
  19. Appalachia Waltz

Amazon.com

Except for one "previously unreleased" recording and two new ones, this is a compilation of segments taken from older Yo-Yo Ma CDs, perhaps to whet listeners' appetite to hear the entire records. The disc represents a triumph of performance over material. The program consists of short pieces and single movements of long ones and serves to display Yo-Yo Ma's extraordinary versatility, his spectacular instrumental and musical gifts, and his remarkable ability to invest everything he plays with the same commitment and emotional concentration. There is no logic to the sequence, except that it begins and ends with solo cello. Bach, whom Ma plays tuned normally when unaccompanied and tuned low with the Amsterdam Baroque Orchestra, may justify the CD's title but seems out of place. Moreover, juxtaposing him with O'Connor and Piazzolla is jarring, though the Tangos are beautiful. The transcription of Dvorák's lovely E-minor Slavonic Dance, despite the participation of violinist Itzhak Perlman and his golden tone, sounds like a movie soundtrack: all bravura and cheap effects. The playing's the thing, and it is stunning, not only Yo-Yo Ma's, but that of all his collaborators, from vocalists Bobby McFerrin and Alison Krauss to pianist Emanuel Ax, Ma's duo partner of 25 years. Ax joins Ma for the Finale of Brahms's second cello sonata; that is what you may find yourself humming at the end. --Edith Eisler

Customer Reviews:

4 out of 5 stars New Yo-Yo Fan.......2006-07-09

I had never listened to Yo-Yo Ma before (that I knew of) and then I was at a dance recital a few months ago. Two little ballerinas danced to "Simple Gifts" with Alison Kraus, and I had to have that song. I really enjoy playing this album when my family is just hanging out reading or playing with the baby in the living room. Each piece is unique and beautiful in its own way. Simple Gifts is still my favorite piece on the album, I only wish it were longer!

5 out of 5 stars Simply wonderful!.......2006-06-04

I recently got this CD as a birthday gift. I've been wanting this CD for a while. The first track is a wonderful song in all reality the entire CD is a wonderful experience. The prelude by Gershwin is unique sounding with the cello. The jazz quality is still there and has a bit of classical influence intertwined among it. Yo-Yo Ma's recording of Simple Gifts is a good song and when they had the lyrics sung by Alison Krauss it was a wonderful choice. Her vocals matched the cello incredibly well. Track 8 is a wonderful song that I love to hear being played on the cello. For any person who loves classical music or cello music this CD is a good choice to buy. It will be well worth your money.

5 out of 5 stars Awesome.......2004-08-20

While most people on this site see the "classic" in the title of the album as referring to classical music only, they are mistaken. Classic Yo-Yo refers to his style, not the genre into which his music choices fall. The list of tracks alone should have been a big enough clue that the music isn't all classical. Judging this album, or any album for that matter, on just its title is simply foolish. And while this is technically a solo album, the way Yo-Yo brings in guest artists to perform with him shows his flexibility as an artist. His version of Simple Gifts is so much more than a school chorus; it is an amazing cellist playing the accompaniment on a song that is meant to be sung.

On a more positive note, I found every track beautiful, from the elegant solo cello in the Bach cello suite to the haunting vocal line in the Bobby McFerrin piece. Yo-Yo Ma gathered a wide range of intriguing pieces to make this fantastic album.

2 out of 5 stars What is this?.......2004-02-10

This is a compilation of many different styles; look Yo-Yo can play bluegrass! Not really "Classic" Yo-Yo.

3 out of 5 stars Great if you're not familiar with Yo-Yo Ma.......2002-12-27

This CD is a good sample of what yo-yo ma has acheived in his musical career, if you want a more in depth listening of his talents than I suggest getting the simply baroque CD. The only thing that I didn't like about this cd was that the compositions were to mixed up in the genres. There was a bit of classical, some movie works, a great song by John Williams, and some of The Tango series music. If you would rather listen to one genre, get a CD that just has Classical or Contemerary, don't get a jack of all trades cd.
More Of The Most Relaxing Classical Music In The Universe
Average customer rating: 4.5 out of 5 stars
  • Better than most
  • Wonderful Music
More Of The Most Relaxing Classical Music In The Universe
Ludwig van Beethoven , Eugene-Auguste Ysaye , Johann Sebastian Bach , Jean Sibelius , Sergey Prokofiev , Jules Massenet , Anonymous , Fryderyk Chopin , Giacomo Puccini , Robert Schumann , Pyotr Il'yich Tchaikovsky , Kazuo Yamada , Claude Debussy , Felix Mendelssohn , Carl Maria von Weber , Enrique Granados , Gustav Holst , and Various Artists
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000AINLR
Release Date: 2003-08-12

Tracks:

  1. RACHMANINOFF Piano Concerto #2, Adagio
  2. VERDI Preludio
  3. PAGANINI "Introduzione e tema con variazioni"
  4. BRAHMS Sonata for two pianos, Andante
  5. MOZART Adagio in E Major
  6. BEETHOVEN "Pathetique" Sonata, Adagio
  7. YSAYE Sonate #2, "Malinconia"
  8. BACH Prelude #22, Well-Tempered Clavier, Book I
  9. VERDI "Quando le sere al placido" (When the Evening Becomes Peaceful)
  10. BACH Orchestral Suite #2
  11. SIBELIUS The Swan of Tuonela
  12. PROKOFIEV Romeo and Juliet
  13. MASSENET Meditation from "Tha
  14. RACHMANINOFF Prelude

Tracks:

  1. TRADITIONAL Catalonian Folk Song
  2. CHOPIN Piano Concerto #1, Larghetto
  3. PUCCINI "Crisantemi" (Chrysanthemums)
  4. SCHUMANN "Traumerei" (Dreaming)
  5. TCHAIKOVSKY Swan Lake (excerpt)
  6. K. YAMADA ''Chugoku-Chiho No Komoriuta" Lullaby
  7. DEBUSSY "En Bateau" (By Boat)
  8. BEETHOVEN Symphony #6 "Pastoral", Andante
  9. MENDELSSOHN Songs Without Words
  10. WEBER Introduction, theme and variations
  11. GRANADOS "Goyescas" (Sketches on the works of Goya)
  12. TCHAIKOVSKY Nocturne in F
  13. HOLST The Planets, "Neptune"

Customer Reviews:

4 out of 5 stars Better than most.......2007-02-08

This is a good mixture of elevator music, and some soft relaxing melodies.

5 out of 5 stars Wonderful Music.......2007-01-18

Wonderful music for your listening pleasure. Very relaxing and soothing. Nothing beats classical music.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Lost Theremin Album
Average customer rating: 5 out of 5 stars
  • Clara Rockmore Rocks!
  • Amazing Album
  • Lost, but still priceless
Lost Theremin Album

Manufacturer: Bridge Records, Inc.
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by KreislerAll Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Villa-Lobos, HeitorVilla-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
CelloCello | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
EnglishEnglish | Languages | Opera & Vocal | Styles | Music
Solo InstrumentalSolo Instrumental | New Age | Styles | Music
Similar Items:
  1. The Art Of The Theremin
  2. Theremin - An Electronic Odyssey
  3. Music from the Ether: Original Works for Theremin
  4. Ondes Martenot
  5. Day the Earth Stood Still (Score)

ASIN: B000KJTGNI
Release Date: 2006-12-26

Product Description

Long regarded as "The Queen of the Theremin," Clara Rockmore's virtuosity as the world's leading exponent of the theremin, was commonly acknowledged during her long and successful career. Intimately involved with Leon Theremin in the development of the instrument, Clara Rockmore's career as a thereminist had her performing with major orchestras and with her sister, the legendary pianist, Nadia Reisenberg. The Rockmore/Reisenberg duo is heard on this CD in 13 never-before released tracks, recorded in 1975. Also heard here are three tracks with the accompaniment of a cello ensemble, and one with the accompaniment of the much admired Argentine composer/guitarist, Jorge Morel. This recording comes with a booklet which includes numerous historic photographs of the performers, as well as excerpts from an interview conducted by Robert Sherman, in which his mother, Nadia Reisenberg; his aunt, Clara Rockmore; and the electronic pioneer Robert Moog discuss their lives and the background of their involvement with the theremin and its creator, Leon Theremin.

Customer Reviews:

5 out of 5 stars Clara Rockmore Rocks!.......2007-05-18

Clara Rockmore's theremin artistry comes forth beautifully with this achingly lovely collection of classical music. Highly recommended for anyone interested in the theremin as a musical instrument and for the classical music lover in general.

5 out of 5 stars Amazing Album.......2007-03-22

I've got a couple of Clara's other CD's and this one is just stellar. There are two standouts - Estrellita and Summertime that show the incredible artistry of both Clara and her equally talented sister Nadia Reisenberg in something other than classical music. I wish more people would discover Clara and Nadia's work - they're both under appreciated if you ask my humble but accurate opinion (LOL).

The booklet that comes along with the CD is quite funny and very loving as it's written by Clara's nephew/Nadia's son who brought this gem to life.

This is definitely a CD to add to the collection.

5 out of 5 stars Lost, but still priceless.......2007-03-03

Although Clara Rockmore is universally acclaimed as one of the best musicians of her era, very few of her performances were ever recorded. An aspiring violinist, she took up the strange and wonderful Theremin when physical problems forced her to give up the violin. She invented a method for playing the radical new instrument, and her classical concerts gave the instrument respectability.
In keeping with her style, all the material on this CD is classical in nature, often somber or serious in tone. And while these recordings were made long after her heyday, the performances are still top rate examples of Theremin playing and her discipline and passion for the material is clearly undiminished by time.
Her few earlier recordings had long been an inspiration to several generations of Thereminists. This set of recordings enlarges the available corpus of her work tremendously. Let us hope it inspires as many new musicians as the first round!
Best of the Canadian Brass
Average customer rating: 4.5 out of 5 stars
  • A Must!
  • great music
  • The one you need
Best of the Canadian Brass

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Gabrieli, GiovanniGabrieli, Giovanni | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MonteverdiAll Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Mu