Haydn: 6 String Quartets [Import]

Track Listings

1. Quartett No.1 Es-Dur 1-4

2. Quartett No.2 C-Dur 5-8

3. Quartett No.3 G-Moll 9-12

4. Quartett No.4 D-Dur 1-4

5. Quartett No.5 F-Moll 5-8

6. Quartett No.6 A-Dur 9-12

Tracks:

Allegro Con Spirito
Adagio
Menuetto: Allegro
Finale: Allegro Ma Non Troppo
Allegretto - Allegro
Largo Cantabile E Mesto
Menuetto: Allegro
Finale: Presto
Allegretto - Allegro
Fantasia: Adagio
Menuetto: Presto
Finale: Allegro Spirituoso

Customer Reviews:

exemplifying the full extent of Haydn's virtuosity.......2006-07-20

For me it is the late Haydn string quartets, more so than the late symphonies, that afford us a full demonstration of his consummate compositional mastery. For as good as the London Symphonies are, if you listen to them alongside Mozart's great symphonies they really do not quite measure up; but the late quartets are second not even to Mozart's best works in the genre, endowed as they are with magnificent complexity, ingenious subtlety, and profound sophistication.

The Op. 76 quartets are the place to start in listening to Haydn's quartets. He sometimes equaled these exemplary compositions, in earlier works as well as later ones, but he never bettered them. Op. 76 belong to that rarefied list of powerful, progressive masterworks written at the end of his life that includes the Trumpet Concerto, The Creation, Paukenmesse, and, yes, the aforementioned London Symphonies.

(Especially beautiful on this disc is the adagio of the E-flat quartet: harmonically adventurous, mysterious, and captivating, I've returned to it more than once.)

I have elsewhere stated my preference and conviction for authentic, "period instrument" performances of these works; while I do prefer the accounts of the Quatuor Mosaïques to these readings, then, I at the same time insist that these are interpretations not to be missed. Readings of the Baroque and Classical literature on modern instruments can still be very effective, if an awareness of the character and function of timbre and sonority in those historical musical languages is incorporated into playing of skill and good judgement (the academy of St. Martin in the Fields under Neville Mariner, for example, have committed excellent performances of the late Mozart symphonies to disc on modern instruments). The Kodály Quartet are a first-rate ensemble and they dig into these pieces with expertise and enthusiasm. And for only ten dollars per disk on Naxos, you really mustn't pass on these recordings.

Haydn's "Famous 30" Quartets.......2005-07-29

This is general review of the Naxos series of Haydn's string quartets.

You know the old saying, "you get what you pay for." This is usually true for sure ... but once in a while in life something comes around whose quality and value far exceed the price. Such is the case with the Naxos recordings of the Kodaly Quartet. These are performances of top caliber recorded with very good to excellent sound quality.

But, where to start with so many Haydn quartets? One suggestion is to get the Naxos SETS of these works which are an even more stellar bargin. You can get them at rediculously low prices used on Amazon usually. But, if you are buying one CD at-a-time (which perhaps allows for more appreciation and slower savoring), you might focus on what is known as "Haydn's Top 30." This is a list of Haydn's quartets that are recognized by many experts as his finest: Op. 3 (no. 3,5) - Op.9 (no. 2) - Op. 17 (no. 5) - Op. 20 (no. 4,5,6) - Op. 33 (No. 2,3,6) - Op. 50 (no. 6) - Op. 54 (no. 1,2,3) - Op. 64 (all) - Op. 74 (no. 1,2,3) - Op. 76 (all) - Op. 77 (no. 1,2).

Quartets prior to Op. 17 have more of a simpler, pleasant "galante" style ... Op. 20 sees Haydn fully in his "Storm & Stress" period with bold harmonies and dynamic rhythms ... By Op. 33 Haydn had moved on from the pre-Romantic-era emotive composing of Op. 20 and adopted a more lyrical style .... the quartets of Op. 64 have a really gorgeous and relaxed style ... then in Op. 76 & 77 we see the pinnacle of Haydn's quartet craft late in his life with quartets rich in intelligent form, complex part writing and more grand 'symphonic' harmonies - part due to his writing for large London audiences. A good place to start is to get one CD each from Haydn's early, middle and late periods - like Op. 3, Op. 33 and Op. 76 - and see the development that occured as Haydn literally gave birth to the modern string quartet.

Exploring the Haydn Quartets -- Op. 76 nos. 4-6.......2004-10-05

Joseph Haydn wrote the six string quartets of opus 76 in 1797 when he was at the height of his powers. The quartets were dedicated to Haydn's patron, Count Edody, and are known as the "Erody" quartets. The first three quartets of opus 76 appear on a separate Naxos CD by the Kodaly Quartet. In fact, the Kodaly Quartet has recorded the entire series of Haydn quartets at a budget price. The opus 76 quartets in particular are music-making at its highest level. These quartets are engaging and accessible to hear and to play (they were composed to be played) and are yet filled with imagination, inventiveness, and musical content. In describing the opus 76 quartets, Karl Geiringer writes in his "Haydn: A Creative Live in Music" (p. 321) that "[e]verything here is condensed and intensified, the expression more personal and more direct." This award-winning CD by the Kodaly Quartet includes the 4,5, and 6th quartet and is a joy.

The quartet no. 4 in B-flat major is known as the "Sunrise" after the running, rising theme in the first violin, set over heavy chords, with which it opens. The first movement, marked allegro con spirito, is a movement of contrasts. As do several other movements on this CD, it features alternating sections of fast and slow sections, rising and falling solo themes, and ensemble and solo playing. The second movement, marked adagio, continues to alternate solo passages for the violin with intricate playing for the entire ensemble. There is also a lovely theme deep in the lower register of the cello. This is a slow, sad movement. The third movement is a minuet which features echoing falling two-note figures heavily accented at the end of each phrase. The trio continues the pattern established in the earlier movements by having a solo theme sing out over chords in the remainder of the ensemble. The final movement is a rondo which opens with a whimsical, song-like theme played in the ensemble. As the movement progresses, the tempo increases, and the quartet ends humorously with a whirwind version of the rondo theme.

The fifth quartet in D major is unique in that each of the four movements develop essentially the same thematic material. The opening movement is an allegretto which opens quietly and lyrically in the violin. Here again, the movement dramatically picks up in tempo near the conclusion. The second movement of the work marked "Largo cantabile e mesto" (very slow, singing, and troubled) is the highpoint of this work. The slow movement is substantially longer than the opening movement, which is itself highly unusual in a composition of this period. The movement opens with a slow stately theme followed by an intense middle section in different harmonies and then a return of the opening material. The minuet opens in the alto voice of the strings, but the most striking feature of this movement is the ruminative, running solo for the cello in the trio. The finale, marked presto, consists of a running theme over a brushing figure in the strings. It reminded me of a Russian folk tune and of Beethoven's middle quartets.

The sixth and final quartet of opus 76 is in E-flat major and brings an extraordinary end to the set. The first movement, marked allegro-allegretto, is a set of variations based on a call and response theme. The variations feature solo instruments embellishing the theme as played by the ensemble. Again, this movement masterfully alternates fast and slow sections and ensemble and solo playing. There is a great deal of counterpoint throughout. The second movement marked "Fantasia:Adagio" is full of adventurous harmonic writing based upon rapid and ambiguous movements from one key to another. In much of this movement, Haydn dispensed with the use of a key signature, giving both the music and the notation a strikingly modern flavor. The third movement, a minuet, opens with a theme with many turns and twists for the violin in its upper register. But, again, the striking portion of this movement is in the trio. Haydn writes it in an old form called the Alternativo. The pattern is a rising heavily rhythmic passage in the cello playing the major scale, followed by a descending passage playing the scale. This is a delight to follow when one is prepared for it. The finale, allegro spirituoso, is based upon a falling figure. It is light and rapid and shows Haydn's mastery of counterpoint.

The music of these quartets, and of the earlier three quartets of opus 76 is inexhaustible. This CD is an outstanding introduction to chamber music and to the music of Haydn.

Best of the Best.......2001-11-16

I certainly agree with the other reviewer on this page: With the possible addition of Op. 77 No. 1, the three quartets on this Naxos CD represent the greatest, and most appealing, quartet music that Haydn produced. And that's saying a lot because there are many other treasures among Haydn's string quartets.

Finest of all is the "Fifths Quartet," so called because of the first violinist's widely spaced intervals at the start of the first movement. Haydn is not always congenial when he writes in the minor key, but here he creates a movement of great drama and energy that is unique in his oeuvre. The other movements are just as fine, especially the remarkable canonic scherzo, a bewitching witches' dance.

But then the other quartets are no also-rans. The "Emperor" features lovely variations on Haydn's own hymn to the emperor of the Austro-Hungarian Empire ("Glorious Things of Thee Are Spoken") and a last movement of great dash and sparkle. And the "Sunrise" has that wonderfully evocative rising figure at the beginning of the movement that gave the quartet its name.

The Kodaly Quartet, as throughout their Haydn cycle, show they are to the manner born. They caress those lovely variations with a much tenderness, then throw themselves with great abandon into the fiery "Fifths" quartet. All of which makes for just about the best performances of these quartets on disc. Naxos adds a warm yet clear and detailed recording to top off a highly distinguished release.

Brilliantly performed Haydn string quartets!.......2000-07-12

This CD contains the last three of Joseph Haydn's "Erdody" string quartets, Op. 76. (The quartets were named for Count Erdody, to whom Haydn dedicated them.) Many musicologists consider the "Erdody" quartets to be the finest of the 83 Haydn composed during his long life, and the Kodaly Quartet validates that consideration with superbly warm, enthusiastic, and poetic performances. Throughout the three quartets, Haydn's marvelously infectious optimism and sunny disposition are readily evident. Especially enjoyable is the beginning of Op. 76 No. 4, which begins very softly and builds to a crescendo that gives the musical impression of a sunrise (hence the quartet's nickname - "Sunrise.")

The engineering and sound quality of this CD are excellent. The balance between four members of the quartet is nearly perfect, giving the performances a wonderful sense of realism and immediacy. The acoustics of the recording venue are warm and spacious.

Tracks:

Str Qt in E flat, Op.0: I. Presto
Str Qt in E flat, Op.0: II. Menuetto
Str Qt in E flat, Op.0: III. Adagio
Str Qt in E flat, Op.0: IV. Menuetto
Str Qt in E flat, Op.0: V. Finale: Presto
Str Qt in B flat, Op.1 No.1: I. Presto
Str Qt in B flat, Op.1 No.1: II. Menuetto
Str Qt in B flat, Op.1 No.1: III. Adagio
Str Qt in B flat, Op.1 No.1: IV. Menuetto
Str Qt in B flat, Op.1 No.1: V. Presto
Str Qt in E flat, Op.1 No.2: I. Allegro
Str Qt in E flat, Op.1 No.2: II. Menuetto
Str Qt in E flat, Op.1 No.2: III. Adagio
Str Qt in E flat, Op.1 No.2: IV. Menuetto
Str Qt in E flat, Op.1 No.2: V. Presto
Str Qt in D, Op.1 No.3: I. Adagio
Str Qt in D, Op.1 No.3: II. Menuetto
Str Qt in D, Op.1 No.3: III. Presto
Str Qt in D, Op.1 No.3: IV. Menuetto
Str Qt in D, Op.1 No.3: V. Finale: Presto

Tracks:

Str Qt in G, Op.1 No.4: I. Presto
Str Qt in G, Op.1 No.4: II. Menuetto
Str Qt in G, Op.1 No.4: III. Adagio Ma Non Tanto
Str Qt in G, Op.1 No.4: IV. Menuetto
Str Qt in G, Op.1 No.4: V. Presto
Str Qt in C, Op.1 No.6: I. Presto Assai
Str Qt in C, Op.1 No.6: II. Menuetto
Str Qt in C, Op.1 No.6: III. Adagio
Str Qt in C, Op.1 No.6: IV. Menuetto
Str Qt in C, Op.1 No.6: V. Finale: Presto
Str Qt in A, Op.2 No.1: I. Allegro
Str Qt in A, Op.2 No.1: II. Menuetto
Str Qt in A, Op.2 No.1: III. Adagio
Str Qt in A, Op.2 No.1: IV. Menuetto
Str Qt in A, Op.2 No.1: V. Allegro Molto

Tracks:

Str Qt in E, Op.2 No.2: I. Allegro Molto
Str Qt in E, Op.2 No.2: II. Menuetto
Str Qt in E, Op.2 No.2: III. Adagio
Str Qt in E, Op.2 No.2: IV. Menuetto
Str Qt in E, Op.2 No.2: V. Finale: Presto
Str Qt in F, Op.2 No.4: I. Presto
Str Qt in F, Op.2 No.4: II. Menuetto
Str Qt in F, Op.2 No.4: III. Adagio
Str Qt in F, Op.2 No.4: IV Menuetto: Allegretto
Str Qt in F, Op.2 No.4: V. Allegro
Str Qt in B flat, Op.2 No.6: I. Adagio
Str Qt in B flat, Op.2 No.6: II. Menuetto
Str Qt in B flat, Op.2 No.6: III. Presto: Scherzo
Str Qt in B flat, Op.2 No.6: IV. Menuetto
Str Qt in B flat, Op.2 No.6: V. Presto

Tracks:

Str Qt in C, Op.9 No.1: I. Moderato
Str Qt in C, Op.9 No.1: II. Menuetto: Un Poco Allegretto
Str Qt in C, Op.9 No.1: III. Adagio
Str Qt in C, Op.9 No.1: IV. Finale: Presto
Str Qt in E flat, Op.9 No.2: I. Moderato
Str Qt in E flat, Op.9 No.2: II. Menuetto
Str Qt in E flat, Op.9 No.2: III. Adagio
Str Qt in E flat, Op.9 No.2: IV. Finale: Allegro Molto
Str Qt in G, Op.9 No.3: I. Allegro Moderato
Str Qt in G, Op.9 No.3: II. Menuetto
Str Qt in G, Op.9 No.3: III. Largo
Str Qt in G, Op.9 No.3: IV. Finale: Presto
Str Qt in d, Op.9 No.4: I. Moderato
Str Qt in d, Op.9 No.4: II. Menuetto
Str Qt in d, Op.9 No.4: III. Adagio Cantabile
Str Qt in d, Op.9 No.4: IV. Finale: Presto

Tracks:

Str Qt in B flat, Op.9 No.5: I. Poco Adagio: Theme And Vars
Str Qt in B flat, Op.9 No.5: II. Menuet: Allegretto
Str Qt in B flat, Op.9 No.5: III. Largo Cantabile
Str Qt in B flat, Op.9 No.5: IV. Finale: Presto
Str Qt in A, Op.9 No.6: I. Presto
Str Qt in A, Op.9 No.6: II. Menuetto
Str Qt in A, Op.9 No.6: III. Adagio
Str Qt in A, Op.9 No.6: IV. Finale: Presto
Str Qt in E, Op.17 No.1: I. Moderato
Str Qt in E, Op.17 No.1: II. Menuet
Str Qt in E, Op.17 No.1: III. Adagio
Str Qt in E, Op.17 No.1: IV. Finale: Presto
Str Qt in F, Op.17 No.2: I. Moderato
Str Qt in F, Op.17 No.2: II. Menuet: Poco Allegretto
Str Qt in F, Op.17 No.2: III. Adagio
Str Qt in F, Op.17 No.2: IV. Finale: Allegro Di Molto

Tracks:

Str Qt in E flat, Op.17 No.3: I. Andante Grazioso
Str Qt in E flat, Op.17 No.3: II. Menuet: Allegretto
Str Qt in E flat, Op.17 No.3: III. Adagio
Str Qt in E flat, Op.17 No.3: IV. Allegro Di Molto
Str Qt in c, Op.17 No.4: I. Moderato
Str Qt in c, Op.17 No.4: II. Menuet: Allegretto
Str Qt in c, Op.17 No.4: III. Adagio Cantabile
Str Qt in c, Op.17 No.4: IV. Finale: Allegro
Str Qt in G, Op.17 No.5: I. Moderato
Str Qt in G, Op.17 No.5: II. Menuet: Allegretto
Str Qt in G, Op.17 No.5: III. Adagio
Str Qt in G, Op.17 No.5: IV. Finale: Presto
Str Qt in D, Op.17 No.6: I. Presto
Str Qt in D, Op.17 No.6: II. Menuet
Str Qt in D, Op.17 No.6: III. Largo
Str Qt in D, Op.17 No.6: IV. Finale: Allegro

Tracks:

Str Qt in E flat, Op.20 No.1: I. Allegro Moderato
Str Qt in E flat, Op.20 No.1: II. Menuet: Un Poco Allegretto
Str Qt in E flat, Op.20 No.1: III. Affettuoso E Sostenuto
Str Qt in E flat, Op.20 No.1: IV. Finale: Presto
Str Qt in C, Op.20 No.2: I. Moderato
Str Qt in C, Op.20 No.2: II. Capriccio: Adagio
Str Qt in C, Op.20 No.2: III. Menuet: Allegretto
Str Qt in C, Op.20 No.2: IV. Fuga A Quattro Soggeti: Allegro
Str Qt in g, Op.20 No.3: I. Allegro Con Spirito
Str Qt in g, Op.20 No.3: II. Menuet: Allegretto
Str Qt in g, Op.20 No.3: III. Poco Adagio
Str Qt in g, Op.20 No.3: IV. Allegro Di Molto

Tracks:

Str Qt in D, Op.20 No.4: I. Allegro Di Molto
Str Qt in D, Op.20 No.4: II. Un Poco Adagio E Affettuoso
Str Qt in D, Op.20 No.4: II. Menuet Alla Zingarese
Str Qt in D, Op.20 No.4: IV. Presto E Scherzando
Str Qt in f, Op.20 No.5: I. Moderato
Str Qt in f, Op.20 No.5: II. Menuet
Str Qt in f, Op.20 No.5: III. Adagio
Str Qt in f, Op.20 No.5: IV. Fuga A Due Soggetti
Str Qt in A, Op.20 No.6: I. Allegro Di Molto E Scherzando
Str Qt in A, Op.20 No.6: II. Adagio
Str Qt in A, Op.20 No.6: III. Menuetto
Str Qt in A, Op.20 No.6: IV. Fuga A Tre Soggetti: Allegro

Tracks:

Str Qt in b, Op.33 No.1: I. Allegro Moderato
Str Qt in b, Op.33 No.1: II. Scherzo: Allegro
Str Qt in b, Op.33 No.1: III. Andante
Str Qt in b, Op.33 No.1: IV. Presto
Str Qt in E flat, Op.33 No.2 'The Joke': I. Allegro Moderato, Cantabile
Str Qt in E flat, Op.33 No.2 'The Joke': II. Scherzo: Allegro
Str Qt in E flat, Op.33 No.2 'The Joke': III. Largo Sostenuto
Str Qt in E flat, Op.33 No.2 'The Joke': IV. Finale: Presto
Str Qt in C, Op.33 No.3 'The Bird': I. Allegro Moderato
Str Qt in C, Op.33 No.3 'The Bird': II. Scherzo: Allegretto
Str Qt in C, Op.33 No.3 'The Bird': III. Adagio
Str Qt in C, Op.33 No.3 'The Bird': IV. Rondo: Presto

Tracks:

Str Qt in B flat, Op.33 No.4: I. Allegro Moderato
Str Qt in B flat, Op.33 No.4: II. Scherzo: Allegretto
Str Qt in B flat, Op.33 No.4: III. Largo
Str Qt in B flat, Op.33 No.4: IV. Presto
Str Qt in G, Op.33 No.5: I. Vivace Assai
Str Qt in G, Op.33 No.5: II. Largo E Cantabile
Str Qt in G, Op.33 No.5: III. Scherzo: Allegro
Str Qt in G, Op.33 No.5: IV. Finale: Allegretto
Str Qt in D, Op.33 No.6: I. Vivace Assai
Str Qt in D, Op.33 No.6: II. Andante
Str Qt in D, Op.33 No.6: III. Scherzo: Allegretto
Str Qt in D, Op.33 No.6: IV. Finale: Allegretto
Str Qt in d, Op.42: I. Andante Ed Innocentemente
Str Qt in d, Op.42: II. Menuet
Str Qt in d, Op.42: III. Adagio E Cantabile
Str Qt in d, Op.42: IV. Finale: Presto

Tracks:

Str Qt in B flat, Op.50 No.1: I. Allegro
Str Qt in B flat, Op.50 No.1: II. Adagio Non Lento
Str Qt in B flat, Op.50 No.1: III. Poco Allegretto
Str Qt in B flat, Op.50 No.1: IV. Finale: Vivace
Str Qt in C, Op.50 No.2: I. Vivace
Str Qt in C, Op.50 No.2: II. Adagio Cantabile
Str Qt in C, Op.50 No.2: III. Menuetto: Allegretto
Str Qt in C, Op.50 No.2: IV. Finale: Vivace Assai
Str Qt in E flat, Op.50 No.3: I. Allegro Con Brio
Str Qt in E flat, Op.50 No.3: II. Andante Piu Tosto Allegretto
Str Qt in E flat, Op.50 No.3: III. Menuetto: Allegretto
Str Qt in E flat, Op.50 No.3: IV. Finale: Presto

Tracks:

Str Qt in f#, Op.50 No.4: I. Allegro Spirito
Str Qt in f#, Op.50 No.4: II. Andante
Str Qt in f#, Op.50 No.4: III. Menuetto
Str Qt in f#, Op.50 No.4: IV. Fuga: Allegro Moderato
Str Qt in F, Op.50 No.5: I. Allegro Moderato
Str Qt in F, Op.50 No.5: II. Poco Adagio
Str Qt in F, Op.50 No.5: III. Menuetto
Str Qt in F, Op.50 No.5: IV. Finale: Vivace
Str Qt in D, Op.50 No.6 'The Frog': I. Allegro
Str Qt in D, Op.50 No.6 'The Frog': II. Poco Adagio
Str Qt in D, Op.50 No.6 'The Frog': III. Menuetto: Allegretto
Str Qt in D, Op.50 No.6 'The Frog': IV. Finale: Allegro Con Spirito

Tracks:

Str Qt inG, Op.54 No.1: I. Vivace Assai
Str Qt inG, Op.54 No.1: II. Allegretto
Str Qt inG, Op.54 No.1: III. Menuet
Str Qt inG, Op.54 No.1: IV. Vivace
Str Qt in C, Op.54 No.2: I. Vivace
Str Qt in C, Op.54 No.2: II. Adagio -
Str Qt in C, Op.54 No.2: III. Menuetto: Allegretto
Str Qt in C, Op.54 No.2: IV. Adagio
Str Qt in E, Op.54 No.3: I. Allegretto
Str Qt in E, Op.54 No.3: II. Largo
Str Qt in E, Op.54 No.3: III. Menuetto: Allegretto
Str Qt in E, Op.54 No.3: IV. Finale: Presto

Tracks:

Str Qt in A, Op.55 No.1: I. Allegro
Str Qt in A, Op.55 No.1: II. Adagio Cantabile
Str Qt in A, Op.55 No.1: III. Menuet
Str Qt in A, Op.55 No.1: IV. Finale: Vivace
Str Qt in f, Op.55 No.2 'The Razor': I. Andante
Str Qt in f, Op.55 No.2 'The Razor': II. Allegro
Str Qt in f, Op.55 No.2 'The Razor': III. Menuetto: Allegretto
Str Qt in f, Op.55 No.2 'The Razor': IV. Presto
Str Qt in B flat, Op.55 No.3: I. Vivace Assai
Str Qt in B flat, Op.55 No.3: II. Adagio Ma Non Troppo
Str Qt in B flat, Op.55 No.3: III. Menuetto
Str Qt in B flat, Op.55 No.3: IV. Presto

Tracks:

Str Qt in C, Op.64 No.1: I. Allegro Moderato
Str Qt in C, Op.64 No.1: II. Menuet: Allegro Ma Non Troppo
Str Qt in C, Op.64 No.1: III. Allegretto Scherzando
Str Qt in C, Op.64 No.1: IV. Finale: Presto
Str Qt in b, Op.64 No.3: I. Allegro Spirito
Str Qt in b, Op.64 No.3: II. Adagio Ma Non Troppo
Str Qt in b, Op.64 No.3: III. Menuet: Allegretto -

Amazon.com's Best of 2001

A massive set--67 string quartets on 21 discs in a budget-priced, shelf-friendly, compact box. So the obvious question is: do you need it? The equally obvious answer is a resounding "yes" if you love these endlessly inventive quartets and if you appreciate superbly played performances that capture both the letter and the spirit of Haydn's genius. The Angeles String Quartet isn't as well known as some ensembles that have recorded complete Haydn sets, but they are superior to all, with the arguable exception of the Tatrai Quartet. They demonstrate technical polish and rich, warm sound that's never cloying. And they give these works the forward-moving impetus they need within a classical framework, eschewing both anachronistic Romanticism and the mechanical astringency of period specialists.

The Angeles Quartet is unique in its mastery of early as well as late works, in tune with Haydn's stylistic development and sensitive to the attractions of each of these remarkable pieces. So they infuse the visionary slow movements of the late quartets with the appropriate depth and at the same time revel in the muscularity of the Opus 76 No.2's catchy Menuetto, the humor of the "Joke" Quartet, Opus 33 No.2, and the power of the Allegro con spirito of Opus 76 No.1. Most impressive is their way with the early quartets--no small matter when you consider that the contents of the first six discs precede the Opus 20 set generally considered as signaling the maturity of the form. The Angeles make even the earliest quartets, five-movement divertimentos for four strings, a habit-forming delight. Their playing here is full of exuberance, wittily playful and rough, peasantlike by turns. The sonics are outstanding, too, well-balanced, warm, and lifelike. An indispensable recording. --Dan Davis

Customer Reviews:

A superb Haydn benchmark.......2007-06-28

It takes a lot of time to grasp Haydn's music, because there's much of everything: symphonies, piano sonatas, operas, piano trios, string quartets, choral works, songs, etc. - in sum, more than one thousand individual works. It will probably take more than a year listening to it all, and comprehend it as well (i.e., not as "background music"). Few, if any person, can have a complete grasp of everything he wrote.

But there are nonetheless good reasons trying to grasp Haydn's music, at least partly. This bargain set - 68 string quartets on 21 CDs - is a perfectly good reason. Haydn's string quartets contain some of his finest music. And the present recordings with Angeles Quartet are simply superb. Unlike many period instrument performers, Angeles Quartet avoids meticulous mannerism and plays this music with energy and passion, without loosing structural control. Furthermore, the recordings are excellent, with a rich, creamy and spacious sound. In short, great performances and excellent engineering. A benchmark recording, no less.

There are some rival complete sets: Aeolian Quartet (Decca), Festetics Quartet (period instrument performances, Arcana), Tátrai (Hungaroton), and Kodaly Quartet (Naxos). In terms of sound, the present set is clearly preferable. In terms of performances, the only serious rival is Tátrai Quartet's classic collection from the sixties. But Angeles Quartet is not a second choice. If you hesitate, you need both. Budget and shelf space minded collectors need not hesitate.

Perfect Dinner Music.......2007-05-14

Some might be offended at the idea that music be played in the background to accompany a fine meal, but in fact most of us listen to music in the background. This entire set of 15-CDs is (to my ears) the perfect music to accompany a delicious meal with someone you love. I have owned this CD set for years and never tire of it.

I have found that after listening to it hundreds of times that using iTunes in shuffle mode keeps it fresh.

Delightful Background Music.......2006-03-04

This music is a great buy, and wonderful to listen to while doing desk work or reading.

The Angeles String Quartet does an excellent job, and all of the works are so tuneful that I frequently found myself walking around the house humming the tunes after hearing a quartet for the first time.

He truly is the father of string quartets!.......2005-09-27

This may not be true as far as the instrumentation is concerned, but Haydn is one of the first to explore them as more than a solo violin with a trio accompaniment (second violin, viola and cello), thus giving the chamber music a new dimension.

If you've already explored Haydn's universe through some of his glorious symphonies, these string quartets are an excellent way of further expanding your appreciation of Haydn's music. There are very few dull moments in this lot (and almost all of them are to be found in his early quartets, while there are a few in his very latest works, where he seems to have lost the energy and brio that had established him as one of the best composers of his time). His first works have five movements and ressemble the divertimenti or serenatas. Later on, his quartets took a form which was to become standard, both for Haydn and other composers: four movements - a fast one, a slow one, a minuet and trio and a fast finale.

If one listens to Haydn's string quartes in chronological order, one can feel and appreciate his growth and maturity as a composer. The motives introduced during the first movement are developed over the entire work entity, the increasing use of first movements that are monothematic, the expansion of harmonic usage, the combination of serious with funny, intellectual with ridicule, etc.

Both Mozart and Beethoven wrote famous series of string quartets, but I've always liked Haydn's quartets the most. My personal favorites are op. 76 (especially no 3, which later on became the German National Anthem), op. 64 (especially no 5 called "The lark") and op. 33 (where Haydn introduced special effects, like a birdcall, which gave the third quartet its name).

A matter of taste?.......2005-05-31

It is something unpleasant about the sound here; it is resonant, yes, but not like the Takacs quartet. Comparing to the Takacs' take on op.76/1, 2 & 3, which I love, the Angeles' makes me think of a grey substance, sterile, antiseptic, of no life. Is it the sound quality? Or is it the way the quartet is playing? I think the latter, but it is difficult to figure out what is wrong; in fact I don't find any serious miscalculations. The problem is that the playing feels calculated; it is some kind of contrived perfection, it all feels too concious; I feel something wrong about the accent, the stress of the phrasings... but I give up: Suffice it to say that I regret I bought this collection of boring performances. Three stars for professional playing. If you like some human touch, go for the Aeolian quartet, less perfection, more life.

Haydn: String Quartets, Op. 20 "Sun", Nos. 4-6

Average customer rating:

Exploring the Haydn Quartets -- Opus 20 nos 4-6
Lifetime listening pleasure

Haydn: String Quartets, Op. 20 "Sun", Nos. 4-6

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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String Quartets Op. 20, 1-3
Haydn: String Quartets, Op. 33 "Russian", No. 3 "The Bird", 4 and 6
Haydn: String Quartets, Op. 33 "Russian", No. 1, No. 2 "The Joke", No. 5 "How do you do?"
Haydn: String Quartets Op. 76, Nos. 1-3
Haydn: String Quartets, Op. 71, Nos. 1-3 "Apponyi Quartets"

ASIN: B0000013WN
Release Date: 1994-02-15

Tracks:

Quartet No. 27 In D Major, Op. 20, No. 4: Allegro di molto
Quartet No. 27 In D Major, Op. 20, No. 4: Un poco adagio e affettuoso
Quartet No. 27 In D Major, Op. 20, No. 4: Menuet alla Zingarese: Allegretto
Quartet No. 27 In D Major, Op. 20, No. 4: Presto e scherzando
Quartet No. 23 In F Minor, Op. 20, No. 5: Moderato
Quartet No. 23 In F Minor, Op. 20, No. 5: Menuet
Quartet No. 23 In F Minor, Op. 20, No. 5: Adagio
Quartet No. 23 In F Minor, Op. 20, No. 5: Finale: Fuga a due soggetti
Quartet No. 24 In A Major, Op. 20, No. 6: Allegro di molto e scherzando
Quartet No. 24 In A Major, Op. 20, No. 6: Adagio
Quartet No. 24 In A Major, Op. 20, No. 6: Menuet
Quartet No. 24 In A Major, Op. 20, No. 6: Fuga con tre soggetti

Amazon.com

Haydn's String Quartet in F minor, Op. 20 No. 5, is the first piece of tragic music composed in the classical period, and it shows that in Haydn's hands this new musical language would be capable of the widest range of expression. It's a lesson that Mozart and Beethoven took to heart. But these quartets aren't all gloom and doom--far from it. Op. 20 No. 4, for example, contains a Hungarian Minuet that features one of the composer's many excursions into the territory of folk music, and it ends with a zippy finale that's positively toe-tapping. Unlike many composers, when Haydn broadens the range of musical expression, he always carries his listeners with him. As you can hear for yourself, it's a musical trip worth taking. --David Hurwitz

Customer Reviews:

Exploring the Haydn Quartets -- Opus 20 nos 4-6.......2006-12-07

In his discussion of Haydn's string quartets in the invaluable Oxford Composer Companion's "Haydn", Professor Simon McVeigh of the University of London observes (p. 293): "Haydn's mastery of the quartet genre is one of the most telling and celebrated achievements in the history of Western music. His innate understanding of the grammar and syntax of musical style in the second half of the 18th century was unrivalled and his quartets are a continual exploration of this mastery of language, all the more effective because it is articulated by four players." This recording by the Kodaly Quartet shows that Haydn's quartets amply deserve McVeigh's high praise. This CD, part of a cycle of Haydn's complete string quartets on Naxos, includes the final three quartets of a series of six that Haydn composed in 1772, known as the "Sun" quartets.

Haydn had composed at least 22 quartets before the opus 20 set. But in the the opus 20 quartets, Haydn put the form on a new course. He changed it from a rather lightweight divertemento style of chamber music featuring solo instruments to the intimate and expressive style that made the quartet the most weighty and serious form in art music. In their variety of emotional tones, their close part-writing among the voices, their combination of galant and serene writing with learned fugal movements, the opus 20 quartets set a standard for the genre that has rarely been surpassed. Beethoven and Brahms are among the musicians who valued these quartets. As a young man in Vienna, Beethoven copied the scores of these quartets in 1793-1794 to study and learn from them. Brahms, a collector and music scholar as well as composer, at one time owned the autographs of the set.

The first work on this CD and the fourth quartet of the set is in D major. It begins in a serene, elevated tone and ends in a movement of jollity and humor. The opening allegro, as does much of Haydn, develops from a single lengthy theme stated at the beginning of the movement. It is a movement both accessible and subtle. The slow movement is in the minor key and consists of a theme followed by three variations, in which the second violin, viola, and cello, respectively have the leads, followed by a return and elaboration of the opening material. The third movement is a "Menuet alla Zingarese" that foreshadows Brahms in its use of gypsy material and strong syncopations. The finale is again based upon a single theme and brings the work to a lively, brilliant close.

Of the opus 20 quartets, both the third and the fifth are in the minor key. The fifth quartet in F minor contrasts markedly with the fourth quartet in its sad, plaintive character. With the exception of the trio of the minuet, placed as the second movement, the work remains in the minor key throughout. The work opens with a long, slow, and sad theme given largely to the first violin. The angular minuet, also in the minor, continues the sorrowful feeling of the work. The third movement remains sad, but in a lyrical way, with long high passages for the first violin decorating the rocking theme presented by the three other voices of the quartet. The highlight of this work is the fugal finale, rooted solidly in the minor key with two subjects, which brings the quartet to a learned and passionate close.

The final quartet of the series, in A major, shares with its predecessor a learned fugal finale. But in other respects, the work is entirely different. It is in a humorous, happy mood, and first two movements of the quartet emphasize the role of the first violin more than do its companions. Both the opening allegro and the following adagio include concertante, virtuosic passages for the solo violinist. The minuet includes an unusual direction from Haydn requiring the first violin, viola, and cello to play only on the lowest string of their instruments. After these three galant-style movement, the work concludes with a learned three-subject fugue. As always, Haydn wears his learning and skill lightly. The work is a delight.

This CD, and the companion volume by the Kodaly Quartet of the first three quartets of opus 20, make an ideal introduction to the Haydn string quartets and to the joy and intimacy of making music.

Robin Friedman

Lifetime listening pleasure.......2001-06-11

This version by the Kodaly Quartet is recorded to perfection, well balanced and clear. The musicians allow the music to speak, rather than imposing an idiosyncratic interpretation. Besides, it's a bargain at this price.

Haydn: String Quartets, Op. 33 "Russian", No. 3 "The Bird", 4 and 6

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Haydn's Op 33 String Quartets
Haydn's Top 30 Quartets

Haydn: String Quartets, Op. 33 "Russian", No. 3 "The Bird", 4 and 6

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Haydn: String Quartets, Op. 33 "Russian", No. 1, No. 2 "The Joke", No. 5 "How do you do?"
Haydn: String Quartets, Op. 20 "Sun", Nos. 4-6
Haydn: String Quartets Op. 76, Nos. 1-3
Haydn: String Quartets, Op. 71, Nos. 1-3 "Apponyi Quartets"
String Quartets Op. 20, 1-3

ASIN: B0000013YF
Release Date: 1995-01-25

Tracks:

Allegro Moderato
Scherzo: Allegretto
Adagio Ma Non Troppo
Finale: Rondo-Presto
Vivace Assai
Andante
Scherzo: Allegretto
Finale: Allegretto
Allegro Moderato
Scherzo: Allegretto
Largo
Finale: Presto

Amazon.com

Haydn claimed that his Op. 33 string quartets were composed in a "new and special way," and ever since musical scholars have been arguing about what he meant. Was it mere advertising, or is something different really going on? One this is certain: in place of the usual minuet movement, Haydn invented something called a "Scherzo," which means "joke" in Italian--an innovation that was immediately taken up by Beethoven and just about every composer since. These were also the string quartets that inspired Mozart to compose his great Six Quartets Dedicated to Haydn, making them one of the most influential set of pieces in the history of music. Witty, sophisticated, and tuneful, the music itself is its own best advertisement. --David Hurwitz

Customer Reviews:

Haydn's Op 33 String Quartets.......2007-02-19

I ordered this CD and its mate with the other three quartets of Opus 33. My interest in these six quartets was originally their importance as models for Mozart's six late quartets dedicated to Joseph Haydn. However, I discovered that these are great works on their own, in the same class as Mozart's. The differences between them show the differences in Mozart and Haydn's temperaments, rather than any difference in genius of the composer or excellence of workmanship.

The performances of the Kodaly Quartet are uniformly first-rate, and the quality of the reproduction is excellent.

Haydn's Top 30 Quartets.......2005-07-29

This is general review of the Naxos series of Haydn's string quartets.

You know the old saying, "you get what you pay for." This is usually true for sure ... but once in a while in life something comes around whose quality and value far exceed the price. Such is the case with the Naxos recordings of the Kodaly Quartet. These are performances of top caliber recorded with very good to excellent sound quality.

But, where to start with so many Haydn quartets? One suggestion is to get the Naxos SETS of these works which are an even more stellar bargin. But, if you are buying one CD at-a-time (which perhaps allows for more appreciation and slower savoring), you might focus on what is known as "Haydn's Top 30." This is a list of Haydn's quartets that are recognized by many experts as his finest: Op. 3 (no. 3,5) - Op.9 (no. 2) - Op. 17 (no. 5) - Op. 20 (no. 4,5,6) - Op. 33 (No. 2,3,6) - Op. 50 (no. 6) - Op. 54 (no. 1,2,3) - Op. 64 (all) - Op. 74 (no. 1,2,3) - Op. 76 (all) - Op. 77 (no. 1,2).

Quartets prior to Op. 17 have more of a simpler, pleasant "galante" style and are quite enjoyable for "everyday listening" ... Op. 20 sees Haydn fully in his "Storm & Stress" period with bold harmonies and dynamic rhythms ... By Op. 33 Haydn was over his pre-Romantic-era emotive composing and returned to a more lyrical style .... Op. 64 has a really gorgeous and relaxed style ... then in Op. 76 & 77 we see the pinnacle of Haydn's craft late in his life with quartets rich in intelligent construction, complex part writing and more grand 'symphonic' harmonies - part due to his writing for large London audiences. A good place to start is to get one CD each from roughly Haydn's early-middle-late periods - like Op. 3, Op. 33 and Op. 76 and see the development that occured as Haydn literally gave birth to the modern string quartet.

Another quartet with a keen affinity for Haydn is the Austrian quartet, Quatuor Mosaiques, whose vivid recordings of Op. 20, 33, 64, 76 and 77 have won critical acclaim for their in-depth readings and beautiful sound. Using period instruments, the Mosaiques' recordings in general are more dramatic in style and tone generally than the Kodaly Quartet (using modern instruments) and are considered by most to be the finest of any period-instrument quartet right now. Their award-winning Op. 20 recording is most exceptional and dramatic. But the Kodaly Quartet with their lucious, smooth-sounding Haydn recordings gets universally high marks from most reviewers and is the finest value bar none. Go for the sets for the best value.

Mozart: The 6 Haydn-Quartets; The 6 String Quintets

Average customer rating:

Unmissable!
A knockout bargain

Mozart: The 6 Haydn-Quartets; The 6 String Quintets
Wolfgang Amadeus Mozart , Milton Katims , and Budapest String Quartet
Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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Great Performances From The Library Of Congress, Vol. 6: Budapest String Quartet In Concert At The Library of Congress
Beethoven The Middle Quartets in Concert at the Library of Congress 1940-1960
Mozart: String Quartets Nos. 14 - 23
Haydn: String Quartets Op. 76, Nos. 1-3
Mozart: Complete String Trios & Duos

ASIN: B00008S7HM
Release Date: 2003-05-12

Tracks:

Cd-1 (1-4) (The 6 Haydn-Quartets 1-12 ) String Quartet In G Major, K.387
Cd-1 (5-8) String Quartet In D Minor, K.412 (217b)
Cd-1 (9-12) String Quartet In B-Flat Major, K.458 "The Hunt"
Cd-2 (1-4) String Quartet In E Major, K.428 (421b)
Cd-2 (5-8) String Quartet In A Major, K.464
Cd-2 (9-12) String Quartet In C Major, K.465 "Dissonant"
Cd-3 (1-4) (The 6 String Quintets 1-12) String Quintet No.1 In B-Flat Major, K.174
Cd-3 (5-8) String Quintet No.2 In C Minor, K.406 (516b)
Cd-3 (9-12) String Quintet No.2 In C Major, K.515
Cd-4 (1-4) String Quintet No.4 In G Minor, K.516
Cd-4 (5-8) String Quintet No.5 In D Major, K.593
Cd-4 (9-12) String Quintet No.6 In E-Flat Major, K.614

Album Details

4CD Box set. Columbia Legends Series.

Customer Reviews:

Unmissable!.......2005-06-13

Perhaps you should remove one star or two for production values, which are not state of the art; the sound feels very thin, missing quite a lot in body. The playing, however, is the very, very best. The world will never get a string quartet with such an understanding of Mozart! The tempos are generally brisk, but it never sounds hurried. I am used to the Quartetto Italiano on this stuff, and that played rather slowly, wonderfully as such, but slowly. The Budapest Quartet is playing quickly, but it always feels easy, elegant and relaxed.
The nerve on the quintet K. 516 is very exiting. In spite of being recorded by the mid 40ies, I've never wanted any other recordings of the quintets.
The 'Haydn' quartets are recorded by the mid 50ies, but here I would like some better sound. I've preferred the Quartetto Italiano for almost ten years; know I only listen to the Budapest. I guess that my mind now is able to add the sound which is missing on the recording.
My five stars because you should not miss this - and in some years this collection perhaps will be out of print...

A knockout bargain.......2005-05-22

How can I review the greatest string quartet ever? The recording is quite decent, a remastering of LPs that were already excellent. Don't think scratchy reissue.

And the performance? My god, these guys are total quartetness--I just listened to the Dissonant Quartet, and there is a rhythmic thrust beyond others, no matter when recorded. The proof is in the astounding gasps--there's no more accurate term--in the last movement. There may have been equally good performances that I'll never know because they were early 20th century, but thanks there are these great performances that got the benefit of good recording.

The Most Relaxing Flute Album in the World...Ever!

Average customer rating:

Sweet Lilting Flute Music to Unwind With

The Most Relaxing Flute Album in the World...Ever!

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

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The Most Relaxing Harp Album in the World... Ever!
The Most Relaxing Violin Album in the World ... Ever!
The Most Relaxing Cello Album in the World Ever
The Most Relaxing Guitar Album in the World... Ever!
The Most Relaxing Chamber Music Album in the World ... Ever!

ASIN: B000AXWGYU
Release Date: 2005-10-04

Tracks:

Flute Concerto No. 1 in G, K.313 - II Adagio - Wolfgang Amadeus Mozart
Concerto in G, Op. 10 No. 4 - II Largo - Antonio Vivaldi
Gymnope No. 1 - Erik Satie
Sonata in C (after Hob.III.72) - Andantino - Franz Joseph Haydn
Sicilienne, Op. 78 - Gabriel Faur
Flute Quartet No. 2 in G, K. 285a - I Andante - Wolfgang Amadeus Mozart
Concerto in F, Op. 10 No. 5 - II Largo e cantabile - Antonio Vivaldi
Romance - Arthur Honegger
Orchestral Suite No. 2 in B Minor, BWV 1067 - III Sarabande - Johann Sebastian Bach
Beau Soir - Claude Debussy
Sonata for Two Flutes in B Minor, Op. 2 No. 4 - I Largo - Georg Philipp Telemann
Sonata for Two Flutes in B Minor, Op. 2 No. 4 - II Grazioso - Georg Philipp Telemann
Flute Concerto No. 2 in D, K.314 - II Andante ma non troppo - Wolfgang Amadeus Mozart
Sonata for Flute & Continuo in E Minor, BWV 1034 - III Andante - Johann Sebastian Bach
Gymnope No. 2 - Erik Satie

Tracks:

Concerto in D, Op. 10 No. 3 Il Cardellino - II Cantabile - Antonio Vivaldi
Concerto for Flute & Orchestra in D - II Adagio - attr. Franz Joseph Haydn
Flute Quartet No. 3 in C, K. 285b - II Andantino con variazioni: Variation 5 - Wolfgang Amadeus Mozart
Concerto in G for Flute & Strings - II Adagio - Georg Philipp Telemann
Arabesque No. 1 in E - Claude Debussy
Concerto Secondo in D (Paris Quartets) - II Affettuoso - Georg Philipp Telemann
Berceuse (from Dolly Suite) - Gabriel Faur
Mtation (from Tha) - Jules Massenet
Concerto in D, RV 429 - II Largo - Antonio Vivaldi
En bateau (from Petite Suite) - Claude Debussy
Andante in C, K.315 - Wolfgang Amadeus Mozart
Partita in A Minor for Solo Flute, BWV 1013 - III Sarabande - Johann Sebastian Bach
Morceau de concours - Gabriel Faur
Concerto for Flute & Harp in C, K.299 - II Andantino - Wolfgang Amadeus Mozart
Aria - Jacques Ibert
Paris Quartet No. 4 in B Minor - V Triste - Georg Philipp Telemann
Syrinx for Solo Flute - Claude Debussy

Customer Reviews:

Sweet Lilting Flute Music to Unwind With.......2006-01-10

Crisp and clean and seductively laid back is this nice collection of 31 pieces from the composer likes of Haydn, Mozart, Bach, Debussy, Telemann, et al, performed by the greatest flutists in the world such as Bennett, Galway, and Rampal.

Especially enjoying the Concerto in G by Vivaldi with harpsichord.

Franz Joseph Haydn: Complete String Quartets (Box Set)

Average customer rating:

Many Hours of Magnificent Listening Pleasure

Franz Joseph Haydn: Complete String Quartets (Box Set)
Kodly Quartet
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Haydn: Complete Piano Trios
Haydn: The "Sturm und Drang" Symphonies
Mozart: String Quartets (Complete Mozart Edition, Vol. 12)
Schubert: The String Quartets
Haydn: The Seven Last Words

ASIN: B00004SSJF
Release Date: 2000-08-15

Tracks:

String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Allegro con spirito
String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Adagio sostenuto
String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Menuetto: Presto
String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Finale: Allegro ma non troppo
String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Allegro
String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Andante o piu tosto allegretto
String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Menuetto: Allegro ma non troppo
String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Vivace assai
String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Allegro
String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Poco adagio, cantabile
String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Menuetto: Allegro
String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Finale: Presto

Tracks:

String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Allegro con spirito
String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Adagio
String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Menuetto: Allegro
String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Finale: Allegro ma non troppo
String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Allegretto - Allegro
String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Largo cantabile e mesto
String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Menuetto: Allegro
String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Finale: Presto
String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Allegretto - Allegro
String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Fantasia: Adagio
String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Menuetto: Presto
String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Finale: Allegro spirituoso

Tracks:

The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: L'Introduzione: Maestoso ed adagio
The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata I: Pater, dimitte illis, non enim sciunt, quid faciunt (Largo)
The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata II: Amen dico tibi: hodie mecum eris in paradiso (Grave e cantabile)
The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata III: Mullier, ecce fillus tuus, et tu, ecce mater tua! (Grave)
The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata IV: Eli, Eli, lama asabthani? (Largo)
The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata V: Sitio (Adagio)
The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata VI: Consummatum est! (Lento)
The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata VII: Peter! in manus tuas commendo spiritum meum - (Largo)
The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Il terrmoto (Presto e con tutta la forza)
String Quartet No. 68 In D Minor, Op. 103 Hob. III: 83: Andante graziso
String Quartet No. 68 In D Minor, Op. 103 Hob. III: 83: Menuetto ma non troppo presto

Tracks:

String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Allegro
String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Adagio
String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Menuetto: Allegretto
String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: (Finale): Vivace
String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Adagio-Allegro
String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Adagio (cantobile)
String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Menuetto: Allegretto
String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Finale: Allegretto
String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Vivace
String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Andante con moto
String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Menuetto
String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Finale: Vivace

Tracks:

String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Vivace
String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Adagio
String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Menuetto: Allegretto
String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Finale: Adagio-Presto-Adagio
String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Allegro con brio
String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Allegretto
String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Menuetto: Allegretto
String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Finale: Presto
String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Allegro
String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Largo cantobile
String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Menuetto: Allegretto
String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Finale: Presto

Tracks:

String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Allegro (moderato)
String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Andantino (grazioso)
String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Menuetto: Allegro
String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Finale: Vivace
String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Allegro spiritoso
String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Andadnte grazioso
String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Menuetto
String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Finale: Presto
String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Allegro
String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Largo assai
String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Menuetto: (Allegretto)
String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Finbale: Allegro con brio

Tracks:

String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Allegro
String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Adagio cantabile
String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Menuetto
String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Finale: Vivace
String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Andante o piu tosto allegretto
String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Allegro
String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Menuetto: Allegretto
String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Finale: Presto
String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Vivace assai
String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Adagio ma non troppo
String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Menuetto
String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Finale: Presto

Tracks:

String Quartet In B Flat Major Op. 1, No. 1: Presto
String Quartet In B Flat Major Op. 1, No. 1: Minuet
String Quartet In B Flat Major Op. 1, No. 1: Adagio
String Quartet In B Flat Major Op. 1, No. 1: Minuet
String Quartet In B Flat Major Op. 1, No. 1: Finale: Presto
String Quartet In E Flat Major Op. 1, No. 2: Allegro molto
String Quartet In E Flat Major Op. 1, No. 2: Minuet
String Quartet In E Flat Major Op. 1, No. 2: Adagio
String Quartet In E Flat Major Op. 1, No. 2: Minuet
String Quartet In E Flat Major Op. 1, No. 2: Finale: Presto
String Quartet In D Flat Major Op. 1, No. 3: Adagio
String Quartet In D Flat Major Op. 1, No. 3: Minuet
String Quartet In D Flat Major Op. 1, No. 3: Scherzo: Presto
String Quartet In D Flat Major Op. 1, No. 3: Menuet
String Quartet In D Flat Major Op. 1, No. 3: Finale: Presto
String Quartet In G Flat Major Op. 1, No. 4: Presto
String Quartet In G Flat Major Op. 1, No. 4: Minuet
String Quartet In G Flat Major Op. 1, No. 4: Adagio ma non tanto
String Quartet In G Flat Major Op. 1, No. 4: Minuet
String Quartet In G Flat Major Op. 1, No. 4: Finale: Presto

Tracks:

String Quartet In E Flat Major Op. 1, No. 0: Presto
String Quartet In E Flat Major Op. 1, No. 0: Minuet
String Quartet In E Flat Major Op. 1, No. 0: Adagio
String Quartet In E Flat Major Op. 1, No. 0: Minuet
String Quartet In E Flat Major Op. 1, No. 0: Finale: Presto
String Quartet In C Major Op. 2, No. 6: Presto assai
String Quartet In C Major Op. 2, No. 6: Minuet
String Quartet In C Major Op. 2, No. 6: Adagio
String Quartet In C Major Op. 2, No. 6: Minuet
String Quartet In C Major Op. 2, No. 6: Finale: Allegro
String Quartet In D Major Op. 2, No. 1: Allegro
String Quartet In D Major Op. 2, No. 1: Minuet
String Quartet In D Major Op. 2, No. 1: Adagio
String Quartet In D Major Op. 2, No. 1: Minuet
String Quartet In D Major Op. 2, No. 1: Finale: Allegro molto
String Quartet In G Major Op. 2, No. 2: Allegro molto
String Quartet In G Major Op. 2, No. 2: Minuet
String Quartet In G Major Op. 2, No. 2: Adagio
String Quartet In G Major Op. 2, No. 2: Minuetto
String Quartet In G Major Op. 2, No. 2: Finale: Presto

Tracks:

String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Allegro moderato
String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Menuetto: Allegretto ma non troppo
String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Allegretto scherzando
String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Finale: Presto
String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Allegro spiritoso
String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Adagio ma non troppo
String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Menuetto: Allegretto
String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Finale: Presto
String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Vivace assai
String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Adagio
String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Menuetto: Allegretto
String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Finale: Allegro con spirito

Tracks:

String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Allegro con brio
String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Menuetto: Allegretto
String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Adagio - Cantabile e sostenuto
String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Finale: Presto
String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Allegro moderato
String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Adagio - Cantabile
String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Menuetto: Allegretto
String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Finale: Vivace
String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Allegro
String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Andante
String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Menuetto: Allegretto
String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Finale: Presto

Tracks:

Quartet No. 28 In E Flat Major, Op. 20, No. 1: Allegro moderato
Quartet No. 28 In E Flat Major, Op. 20, No. 1: Minuet: Un poco allegretto
Quartet No. 28 In E Flat Major, Op. 20, No. 1: Affetuoso e sostenuto
Quartet No. 28 In E Flat Major, Op. 20, No. 1: Finale: Presto
Quartet No. 25 In C Major, Op. 20, No. 2: Moderato
Quartet No. 25 In C Major, Op. 20, No. 2: Capriccio: Adagio
Quartet No. 25 In C Major, Op. 20, No. 2: Minuet: Allegretto
Quartet No. 25 In C Major, Op. 20, No. 2: Fuga a quattro soggetti
Quartet No. 26 In G Minor, Op. 20, No. 3: Allegro con spirito
Quartet No. 26 In G Minor, Op. 20, No. 3: Minuet: Allegretto
Quartet No. 26 In G Minor, Op. 20, No. 3: Poco adagio
Quartet No. 26 In G Minor, Op. 20, No. 3: Finale: Allegro di molto

Tracks:

Quartet No. 27 In D Major, Op. 20, No. 4: Allegro di molto
Quartet No. 27 In D Major, Op. 20, No. 4: Un poco adagio e affettuoso
Quartet No. 27 In D Major, Op. 20, No. 4: Menuet alla Zingarese: Allegretto
Quartet No. 27 In D Major, Op. 20, No. 4: Presto e scherzando
Quartet No. 23 In F Minor, Op. 20, No. 5: Moderato
Quartet No. 23 In F Minor, Op. 20, No. 5: Menuet
Quartet No. 23 In F Minor, Op. 20, No. 5: Adagio
Quartet No. 23 In F Minor, Op. 20, No. 5: Finale: Fuga a due soggetti
Quartet No. 24 In A Major, Op. 20, No. 6: Allegro di molto e scherzando
Quartet No. 24 In A Major, Op. 20, No. 6: Adagio
Quartet No. 24 In A Major, Op. 20, No. 6: Menuet
Quartet No. 24 In A Major, Op. 20, No. 6: Fuga con tre soggetti

Tracks:

Quartet No. 35 In D Minor, Op. 42: Andante ed Innocentemente
Quartet No. 35 In D Minor, Op. 42: Menuetto: Allegretto
Quartet No. 35 In D Minor, Op. 42: Adagio e cantabile
Quartet No. 35 In D Minor, Op. 42: Finale: Presto
Quartet No. 9 In F Major, Op. 2, No. 4: Presto
Quartet No. 9 In F Major, Op. 2, No. 4: Menuet
Quartet No. 9 In F Major, Op. 2, No. 4: Adagio
Quartet No. 9 In F Major, Op. 2, No. 4: Menuet: Allegretto
Quartet No. 9 In F Major, Op. 2, No. 4: Finale: Allegro
Quartet No. 10 In B Flat Major, Op. 2, No. 6: Adagio With Variations
Quartet No. 10 In B Flat Major, Op. 2, No. 6: Menuet
Quartet No. 10 In B Flat Major, Op. 2, No. 6: Scherzo: Presto
Quartet No. 10 In B Flat Major, Op. 2, No. 6: Menuet
Quartet No. 10 In B Flat Major, Op. 2, No. 6: Finale: Presto

Tracks:

Quartet No. 11 In D Minor, Op. 9, No. 4: Moderato
Quartet No. 11 In D Minor, Op. 9, No. 4: Menuet
Quartet No. 11 In D Minor, Op. 9, No. 4: Adagio - Cantabile
Quartet No. 11 In D Minor, Op. 9, No. 4: Finale: Presto
Quartet No. 12 In C Major, Op. 9, No. 1: Moderato
Quartet No. 12 In C Major, Op. 9, No. 1: Menuet: Un poco allegretto
Quartet No. 12 In C Major, Op. 9, No. 1: Adagio
Quartet No. 12 In C Major, Op. 9, No. 1: Finale: Presto
Quartet No. 13 In G Major, Op. 9, No. 3: Moderato
Quartet No. 13 In G Major, Op. 9, No. 3: Menuet: Allegretto
Quartet No. 13 In G Major, Op. 9, No. 3: Largo
Quartet No. 13 In G Major, Op. 9, No. 3: Finale: Presto

Tracks:

Quartet No. 14 In E Flat Major, Op. 9, No. 2: Moderato
Quartet No. 14 In E Flat Major, Op. 9, No. 2: Menuet
Quartet No. 14 In E Flat Major, Op. 9, No. 2: Adagio
Quartet No. 14 In E Flat Major, Op. 9, No. 2: Finale: Allegro di molto
Quartet No. 15 In B Flat Major, Op. 9, No. 5: Poco adagio
Quartet No. 15 In B Flat Major, Op. 9, No. 5: Menuet: Allegretto
Quartet No. 15 In B Flat Major, Op. 9, No. 5: Largo: Cantabile
Quartet No. 15 In B Flat Major, Op. 9, No. 5: Finale: Presto
Quartet No. 16 In A Major, Op. 9, No. 6: Presto
Quartet No. 16 In A Major, Op. 9, No. 6: Menuet
Quartet No. 16 In A Major, Op. 9, No. 6: Adagio
Quartet No. 16 In A Major, Op. 9, No. 6: Finale: Presto

Tracks:

Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Vivace assai
Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Largo e cantabile
Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Scherzo
Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Finale
Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Allegro moderato
Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Scherzo
Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Largo e sostenuto
Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Finale
Quartet No. 31 In B Minor, Op. 33, No. 1: Allegro moderato
Quartet No. 31 In B Minor, Op. 33, No. 1: Scherzo
Quartet No. 31 In B Minor, Op. 33, No. 1: Andante
Quartet No. 31 In B Minor, Op. 33, No. 1: Finale

Tracks:

Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Allegro moderato
Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Scherzo: Allegretto
Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Adagio ma non troppo
Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Finale: Rondo - Presto
Quartet No. 33 In D Major, Op. 33, No. 6: Vivace assai
Quartet No. 33 In D Major, Op. 33, No. 6: Andante
Quartet No. 33 In D Major, Op. 33, No. 6: Scherzo: Allegretto
Quartet No. 33 In D Major, Op. 33, No. 6: Finale: Rondo - Presto
Quartet No. 34 In B Flat Major, Op. 33, No. 4: Allegro moderato
Quartet No. 34 In B Flat Major, Op. 33, No. 4: Scherzo: Allegretto
Quartet No. 34 In B Flat Major, Op. 33, No. 4: Largo
Quartet No. 34 In B Flat Major, Op. 33, No. 4: Finale: Presto

Tracks:

String Quartet Op. 17 No. 2 In F Major: Moderato
String Quartet Op. 17 No. 2 In F Major: Menuetto: Allegretto
String Quartet Op. 17 No. 2 In F Major: Adagio
String Quartet Op. 17 No. 2 In F Major: Finale: Allegro di molto
String Quartet Op. 17 No. 1 In E Major: Moderato
String Quartet Op. 17 No. 1 In E Major: Menuetto: Allegretto
String Quartet Op. 17 No. 1 In E Major: Adagio
String Quartet Op. 17 No. 1 In E Major: Finale: Presto
String Quartet Op. 17 No. 4 In C Minor: Moderato
String Quartet Op. 17 No. 4 In C Minor: Menuetto
String Quartet Op. 17 No. 4 In C Minor: Adagio cantabile
String Quartet Op. 17 No. 4 In C Minor: Finale: Allegro

Tracks:

String Quartet In D Major, Op. 17, No. 6: Presto
String Quartet In D Major, Op. 17, No. 6: Menuetto
String Quartet In D Major, Op. 17, No. 6: Largo
String Quartet In D Major, Op. 17, No. 6: Presto
String Quartet In E Flat Major, Op. 17, No. 3: Andate grazioso
String Quartet In E Flat Major, Op. 17, No. 3: Menuetto: Allegretto
String Quartet In E Flat Major, Op. 17, No. 3: Adagio
String Quartet In E Flat Major, Op. 17, No. 3: Allegro molto
String Quartet In G Major, Op. 17, No. 5: Moderato
String Quartet In G Major, Op. 17, No. 5: Menuetto
String Quartet In G Major, Op. 17, No. 5: Adagio
String Quartet In G Major, Op. 17, No. 5: Presto

Tracks:

Quartet No. 66 In G Major, Op. 77, No. 1: Allegro moderato
Quartet No. 66 In G Major, Op. 77, No. 1: Adagio
Quartet No. 66 In G Major, Op. 77, No. 1: Menuetto: Presto
Quartet No. 66 In G Major, Op. 77, No. 1: Finale: Presto
Quartet No. 67 In F Major, Op. 77, No. 2: Allegro moderato
Quartet No. 67 In F Major, Op. 77, No. 2: Menuet: Presto
Quartet No. 67 In F Major, Op. 77, No. 2: Andante
Quartet No. 67 In F Major, Op. 77, No. 2: Finale: Vivace assai

Tracks:

String Quartet In B Flat Major, Op. 50, No. 1: Allegro
String Quartet In B Flat Major, Op. 50, No. 1: Adagio non lento
String Quartet In B Flat Major, Op. 50, No. 1: Menuetto: Poco allegretto
String Quartet In B Flat Major, Op. 50, No. 1: Finale: Vivace
String Quartet In C Major, Op. 50, No. 2: Vivace
String Quartet In C Major, Op. 50, No. 2: Adagio: Cantabile
String Quartet In C Major, Op. 50, No. 2: Menuetto: Allegretto
String Quartet In C Major, Op. 50, No. 2: Finale: Vivace assai
String Quartet In E Flat Major, Op. 50, No. 3: Allegro con brio
String Quartet In E Flat Major, Op. 50, No. 3: Andante piu tosto Allegretto
String Quartet In E Flat Major, Op. 50, No. 3: Menuetto: Allegretto
String Quartet In E Flat Major, Op. 50, No. 3: Finale: Presto

Tracks:

String Quartet Op. 50 No. 4 In F Sharp Minor: Allegro spirituoso
String Quartet Op. 50 No. 4 In F Sharp Minor: Andante
String Quartet Op. 50 No. 4 In F Sharp Minor: Menuetto: Poco allegretto
String Quartet Op. 50 No. 4 In F Sharp Minor: Finale: Fuga: Allegro moderato
String Quartet Op. 50 No. 5 In F Major: Allegro moderato
String Quartet Op. 50 No. 5 In F Major: Poco adagio
String Quartet Op. 50 No. 5 In F Major: Menuetto: Allegretto
String Quartet Op. 50 No. 5 In F Major: Finale: Vivace
String Quartet Op. 50 No. 6 In D Major: Allegro
String Quartet Op. 50 No. 6 In D Major: Poco adagio
String Quartet Op. 50 No. 6 In D Major: Menuetto: Allegretto
String Quartet Op. 50 No. 6 In D Major: Finale: Allegro con spirito

Customer Reviews:

Many Hours of Magnificent Listening Pleasure.......2007-02-20

When these quartets were recorded, in the 1990's and early 2000's, the Kodaly Quartet ("KQ") had been playing together for more than a quarter century. It shows. What is evident on these recordings is the perfect cohesion of these highly talented musicians; they clearly have an intimate knowledge of the score of each quartet and thoroughly enjoy playing together. The KQ's performance is fresh, truly conveys their love for this music, and fully brings to life the range of emotions contained in this musical microcosm - playfulness, elegance, sunny joy, and gentle reverie - with every movement of these quartets having a quality of refinement and graciousness that allows the listener to savor every note.

The allegro movements on these CDs have a wonderful rhythmic vitality.
While listening to them, one can imagine elegantly dressed men and women in the 18th century, with the women in long, flowing silk dresses, moving across the dance floor to the sounds of this wonderful music. Although this chamber music was originally composed for small private gatherings, the fast movements have a lively rhythm that evokes the image of dancing couples.

The slow movements are played with a beautiful tenderness that invites the listener to float upwards with closed eyes into a serene musical heaven, floating in the clouds like an albatross with its wings outspread, being lifted by air currents as it slowly glides through an azure sky on a warm summer day.

These digital recordings have an excellent crystal clear sound quality, capturing the KQ's precision and their sensitivity to every nuance of every note. The sound engineering is truly first-rate, giving a feeling of immediacy and physical presence to the instruments. It is only one step away from having the musicians actually performing in front of you, in your own living room.

I am absolutely delighted with this series of the complete Haydn string quartets by the KQ. As it turns out, every CD in the series has been a delight, including the ones with "spurious arrangements" and quartets that may very well not have been composed by Haydn at all, but by Romanus Hoffstetter (1742 - 1815).

Even the early string quartets are more than mere historical footnotes. They are also beautiful music, irrespective of who composed them, Haydn or Hoffstetter. They are delightful and very worthy compositions in their own right. As stated by Allan Badley in the booklet notes to one of the CD's of the earliest quartets: "There is much to admire in the Op. 3 Quartets, whoever the composer may have been. They are elegant, neatly composed works with lively outer movements, gentle, graceful slow movements, and the kind of lilting, intoxicating minuets that are an integral part of Austrian music of the period." The fact that these string quartets are less musically complex than Haydn's later masterpieces, such as the Opus 71, "Apponyi" quartets, does not detract from their beauty.

I would gladly have paid twice as much for this set of CDs and still felt it was an excellent value. The CD booklet notes are well-written, with historical information, musical analysis, and information on the Kodaly Quartet. Very highly recommended.

Haydn: String Quartets, Op. 64, Nos. 4-6

Average customer rating:

Exploring the Haydn Quartets -- Opus 64 Nos.4-6
more of the same old...

Haydn: String Quartets, Op. 64, Nos. 4-6

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Haydn: String Quartets Op. 64, Nos. 1, 2 and 3
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Haydn: String Quartets, Op. 20 "Sun", Nos. 4-6
Haydn: String Quartets, Op. 33 "Russian", No. 1, No. 2 "The Joke", No. 5 "How do you do?"
Haydn: String Quartets, Op. 71, Nos. 1-3 "Apponyi Quartets"

ASIN: B0000013W4
Release Date: 1994-02-15

Tracks:

String Quartet In G Major, Op.64, No.4, Hob. III: 66: Allegro con brio
String Quartet In G Major, Op.64, No.4, Hob. III: 66: Menuetto: Allegretto
String Quartet In G Major, Op.64, No.4, Hob. III: 66: Adagio - Cantabile e sostenuto
String Quartet In G Major, Op.64, No.4, Hob. III: 66: Finale: Presto
String Quartet In D Major, Op.64, No.5, Hob. III: 63 'The Lark': Allegro moderato
String Quartet In D Major, Op.64, No.5, Hob. III: 63 'The Lark': Adagio - Cantabile
String Quartet In D Major, Op.64, No.5, Hob. III: 63 'The Lark': Menuetto: Allegretto
String Quartet In D Major, Op.64, No.5, Hob. III: 63 'The Lark': Finale: Vivace
Allegro
Andante
Menuetto: Allegretto
Finale: Presto

Customer Reviews:

Exploring the Haydn Quartets -- Opus 64 Nos.4-6.......2004-06-02

Many years ago, the members of the Budapest and Juilliard String Quartets were each individually polled. Each musician was asked about which composer's string quartets he would find indespensable if the works of only one composer were allowed to survive. Surprisingly enough, each person came up on his own with the same answer: the quartets of Joseph Haydn. Given some reflection and familiarity with the quartets, this unanimity is, perhaps, not as surprising as might appear at first blush. The Haydn quartets are a treasure of imagination, inspiration, and variety. They are immenintly worth hearing for themselves and also are the basis for subsequent compositions in this revered musical genre.

This CD by the Kodaly quartet will help show why Haydn's quartets deserve their high regard. The disc consists of the 4th,5th and 6th quartet of Haydn's opus 64, composed in 1790 just before Haydn's first trip to London. (Haydn, Mozart and Beethoven and other composers of the classical era frequently published their quartets in sets of three or six.) The CD is part of a complete recording of the 88-some Haydn quartets and is available at a budget price. It is an ideal introduction to the world of the string quartet for the new listener or for the listener wishing to explore Haydn.

In listening to the quartets on this CD and its companion volume (featuring quartets 1 - 3 of opus 64) the listener will notice several repeated patterns. These include the emphasis on the first violin, the repeated placement of passages in the high register, the slow movements consisting of three sections, with a minor key section sandwiched between two outward major key sections, and a quick, perpetuum mobile finale. These outward formalities are the bottles into which Haydn pours an astonishing variety of music.

The CD opens with the quartet in G major, opus 64, No. 4. The opening allegro con brio opens with a jaunty opening theme followed by a distinct more subdued secondary theme. There is a great deal of twittering in the violin's high register near the close of the exposition and recaptitulation before the movement comes to a quiet close. The second movement is a minuet which straddles the line between decor and delicacy and some virtual foot-stomping. The trio features a delightful violin solo with a skipping theme over a plucked accompanyment. The third movement, adagio cantabile e sostenuto is a reverie with a flowing melody in the first violin which is basically repeated in the minor with a change in accompanyment. The final presto opens with a lively dancing theme for all four instruments and includes contrapuntal passages in the middle section. The quartet ends quietly after some high notes in the violin.

The second quartet on this CD (no. 5) is in D major and is known as the "Lark" quartet. The opening movement, allegro moderato, begins with a few bars of a bouncy figure in the lower strings followed by the "lark" theme, a lovely, insouciant, mostly high-pitched melody in the first violin over the opening figure. This melody pervades the movement, including the development section. The second movement, adagio-cantabile features a serene, glowing melody with the first violin again predominant. The first violin alternates nicely with the lower strings and there is a fine chordal passage in the middle and lower strings in mid-movement. The end of the movement features the first violin over the chords in the low strings before the quiet close.
The minuet features the second violin and the viola with the trio featuring lots of movement among the instruments in a minor key. The finale, presto, is a perpetuum mobile, light, short, and quick. The different voices join in seriatim at the end as the work comes to a snappy, unison close.

The final work on this CD (no. 6) is the quartet in E-flat major.
This is probably the most tightly-written quartet of the six, with a great deal of variety in tempo, mood, and instrumentation. The part-writing is fine and close. The opening allegro, begins quietly and in unison at a moderate tempo. There are frequent contrasts between the upper and lower strings, shifts in tempo and key and intricate interplay between the four voices. The second movement is marked andante with quiet duet passages for the violin and viola in the opening and concluding sections. The opening theme flows seamlessly into a middle section which offers a striking passage for the solo violin in a pleading, highly dramatic voice. There is a pause and then a return to the tranquillity of the opening theme. The third movement, menuetto, similarly is notable for its trio. It is of the character of a Schubert landler and consists of a lilting dancelike solo in the second violin with the first violin playing an obligato passage in accompanyment in the instrument's highest register. The finale is a presto which juxtaposes again the high registers of the quartet against the low registers. There is another obligato passage for the violin in its upper register. The movement slows down at the end for a few quizzical bars before a rapid close.

This is a thoroughly enjoyable CD which celebrates the sheer joy of making music.

more of the same old..........1999-12-21

as good as the rest of the fine kodaly quartet recordings for naxos. a must - and a bargain

Haydn: String Quartets, Opp. 51, 54, 55, 64, 71, 74

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essential Haydn quartets
Rock Me Amadeus

Haydn: String Quartets, Opp. 51, 54, 55, 64, 71, 74

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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Mozart: String Quartets Nos. 14 - 23
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ASIN: B0002U9G9E
Release Date: 2004-11-09

Customer Reviews:

essential Haydn quartets.......2007-07-11

I have a tendency to be a completist, however, experience tells me that typically not all of a composer's works within a certain genre are equally appealing. There are a number of exceptions - Beethoven immediately comes to mind - but I don't, for example, feel compelled to have all the symphonies of Mozart (but I do have all the piano sonatas & concertos & listen to all of them, although some are more inspired than others). Even though Haydn was a genius, he was also a very prolific composer, & not everything he wrote was equally memorable (one critic, reviewing a set of complete Haydn quartets, referred to some of his early quartets as "equivalents of today's elevator music.") Now, if you acquire this Haydn set which includes 18 quartets plus op. 51, along with a 3 disc set of quartets that include op 76, 77 & 103 (also performed by the Amadeus Quartet on DGG), you'll find that between both sets you'll have a comprehensive survey of the best of Haydn's quartets. There is a ton of great chamber music here.

I'm not a Haydn expert, so I can't vouch for the performances except to say that the Amadeus Quartet (active 1947-87) was a highly regarded ensemble that recorded extensively during that time (complete Mozart, Beethoven, Brahms quartets etc). These discs were recorded between 1971-1978 & the sound is consistently fine.

This 7 cd package is one of DGG's collector editions that is usually available through an Amazon reseller for considerably less than the list price, which makes it an outstanding bargain.

Highly recommended!

Rock Me Amadeus.......2005-08-31

A few years ago my father got me the Angeles Quartet box set of the complete Haydn String Quartets. It took me a while to listen to and absorb all 21 discs, but after a time I decided to give it back to dad for a spin. Not a huge string quartet collector, he had a few Naxos discs of the various Haydn opuses, but nothing comprehensive. Well he quickly fell in love with the Angeles performances, and since the box took up so little space on his over-crowded CD shelves, he decided that the loan of this set might be extended indefinitely. He offered me his Naxos titles, but I declined, and thought about getting the Aeolian box on Decca/London instead. I then came across this 7CD set in DG's "Collectors Edition" series by the acclaimed Amadeus String Quartet. I purchased it along with their "Trio" title collecting opp. 76, 77 & 103, and realized ten discs of Haydn SQs as a secondary set was plenty. I had been previously impressed by Amadeus on other recordings (see my reviews of their Schubert and Brahms/Dvorak discs), and they are in top flight form on the Haydn works as well. The Angeles set offers extraordinary music for a better overall value, but if you want a lot, but not necessarily all, of the Haydn String Quartets, you can't go wrong with Amadeus.

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Wonderfully Performed Chamber Music

String Quartets Op 3 Nos 3-6
Haydn , and Kodaly Quartet
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B000069CUV
Release Date: 2002-08-20

Tracks:

Presto
Largo
Menuetto
Presto
Allegro Moderato
Adagio
Presto
Andante Contabile ('Serenade')
Menuetto
Scherzando
Tempo Giusto
Adagio
Menuetto
Scherzando

Customer Reviews:

Wonderfully Performed Chamber Music.......2007-02-20

When these quartets were recorded, the Kodaly Quartet ("KQ") had been playing together for more than a quarter century. It shows. What is evident on these recordings is the perfect cohesion of these highly talented musicians; they clearly have an intimate knowledge of the score of each quartet and thoroughly enjoy playing together. The KQ's performance is fresh, truly conveys their love for this music, and fully brings to life the range of emotions contained in this musical microcosm - playfulness, elegance, sunny joy, and gentle reverie - with every movement of these quartets having a quality of refinement and graciousness that allows the listener to savor every note.

The allegro movements on these CDs have a wonderful rhythmic vitality.
While listening to them, one can imagine elegantly dressed men and women in the 18th century, with the women in long, flowing silk dresses, moving across the dance floor to the sounds of this wonderful music. Although this chamber music was originally composed for small private gatherings, the fast movements have a lively rhythm that evokes the image of dancing couples.

The slow movements are played with a beautiful tenderness that invites the listener to float upwards with closed eyes into a serene musical heaven, floating in the clouds like an albatross with its wings outspread, being lifted by air currents as it slowly glides through an azure sky on a warm summer day.

These digital recordings have an excellent crystal clear sound quality, capturing the KQ's precision and their sensitivity to every nuance of every note. The sound engineering is truly first-rate, giving a feeling of immediacy and physical presence to the instruments. It is only one step away from having the musicians actually performing in front of you, in your own living room.

I am absolutely delighted with this series of the complete Haydn string quartets by the KQ. As it turns out, every CD in the series has been a delight, including this one with quartets that may very well not have been composed by Haydn at all, but by Romanus Hoffstetter (1742 - 1815).

These early string quartets are more than mere historical footnotes. They are also beautiful music, irrespective of who composed them, Haydn or Hoffstetter. They are delightful and very worthy compositions in their own right. As stated by Allan Badley in the CD booklet notes to the Opus 3 Quartets: "There is much to admire in the Op. 3 Quartets, whoever the composer may have been. They are elegant, neatly composed works with lively outer movements, gentle, graceful slow movements, and the kind of lilting, intoxicating minuets that are an integral part of Austrian music of the period." The fact that these string quartets are less musically complex than Haydn's later masterpieces, such as the Opus 71, "Apponyi" quartets, does not detract from their beauty.

I would gladly have paid twice as much for this CD and still felt it was an excellent value. The CD booklet notes are well-written, with historical information, musical analysis, and information on the Kodaly Quartet. Very highly recommended.

Track Listings:

1. Quartett No.1 Es-Dur 1-4
2. Quartett No.2 C-Dur 5-8
3. Quartett No.3 G-Moll 9-12
4. Quartett No.4 D-Dur 1-4
5. Quartett No.5 F-Moll 5-8
6. Quartett No.6 A-Dur 9-12