Mozart Concertos for Fortepiano No. 14 in Eb, K.449 and No. 21 in C, K.467
Track Listings
| 1. Allegro vivace | ||
| 2. Andantino | ||
| 3. Allegro ma non troppo | ||
| 4. Allegro Maestoso | ||
| 5. Andante | ||
| 6. Allegro vivace assai | ||
| 7. in Eb, K.449 |
Editorial Reviews
Robert Strobl, Toccata (Germany), January, 2005
Lubin's playing is sharply etched and ruthlessly good
Album Description
These are two of Mozart's most beautiful piano concertos. They are very dissimilar in character. The Eb Concerto was written in 1784 when Mozart, then 28, was at an early stage of his piano-concerto "blitz" (he wrote 14 piano concertos for Viennese audiences between 1783 and 1787). The Eb Concerto is an intimate, chamber-like piece, with textures that recall the Baroque era, particularly in the concerto-grosso-like, quasi-fugal closing movement. The C-Major Concerto, K.467, on the other hand, is a grand, symphonic work with trumpets and drums in the outer movements. The famous slow movement, a kind of cavatina, provides a wonderful contrast to the regal first movement and the brilliant, exuberant finale.
Mozart Concertos for Fortepiano No. 14 in Eb, K.449 and No. 21 in C, K.467, Music, Mozart, Steven Lubin, The Mozartean Players Classical Orchestra, The Mozartean Players Classical Orchestra Steven Lubin (solo keyboard)
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Mozart Concertos for Fortepiano No. 14 in Eb, K.449 and No. 21 in C, K.467
Manufacturer: Classical Soundings, Inc. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009RYGFY Release Date: 2005-04-02 |
Tracks:
Product Description
These are two of Mozart's most beautiful piano concertos. They are very dissimilar in character. The Eb Concerto was written in 1784 when Mozart, then 28, was at an early stage of his piano-concerto "blitz" (he wrote 14 piano concertos for Viennese audiences between 1783 and 1787). The Eb Concerto is an intimate, chamber-like piece, with textures that recall the Baroque era, particularly in the concerto-grosso-like, quasi-fugal closing movement. The C-Major Concerto, K.467, on the other hand, is a grand, symphonic work with trumpets and drums in the outer movements. The famous slow movement, a kind of cavatina, provides a wonderful contrast to the regal first movement and the brilliant, exuberant finale.Track Listings:
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