Mozart Concertos for Fortepiano No. 14 in Eb, K.449 and No. 21 in C, K.467

Track Listings
1. Allegro vivace    
2. Andantino    
3. Allegro ma non troppo    
4. Allegro Maestoso    
5. Andante    
6. Allegro vivace assai    
7. in Eb, K.449    

Editorial Reviews
Robert Strobl, Toccata (Germany), January, 2005
Lubin's playing is sharply etched and ruthlessly good

Album Description
These are two of Mozart's most beautiful piano concertos. They are very dissimilar in character. The Eb Concerto was written in 1784 when Mozart, then 28, was at an early stage of his piano-concerto "blitz" (he wrote 14 piano concertos for Viennese audiences between 1783 and 1787). The Eb Concerto is an intimate, chamber-like piece, with textures that recall the Baroque era, particularly in the concerto-grosso-like, quasi-fugal closing movement. The C-Major Concerto, K.467, on the other hand, is a grand, symphonic work with trumpets and drums in the outer movements. The famous slow movement, a kind of cavatina, provides a wonderful contrast to the regal first movement and the brilliant, exuberant finale.

Mozart Concertos for Fortepiano No. 14 in Eb, K.449 and No. 21 in C, K.467, Music, Mozart, Steven Lubin, The Mozartean Players Classical Orchestra, The Mozartean Players Classical Orchestra Steven Lubin (solo keyboard)
Mozart Concertos for Fortepiano No. 14 in Eb, K.449 and No. 21 in C, K.467
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    Mozart Concertos for Fortepiano No. 14 in Eb, K.449 and No. 21 in C, K.467

    Manufacturer: Classical Soundings, Inc.
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0009RYGFY
    Release Date: 2005-04-02

    Tracks:

    1. Allegro vivace
    2. Andantino
    3. Allegro ma non troppo
    4. Allegro Maestoso
    5. Andante
    6. Allegro vivace assai
    7. in Eb, K.449

    Product Description

    These are two of Mozart's most beautiful piano concertos. They are very dissimilar in character. The Eb Concerto was written in 1784 when Mozart, then 28, was at an early stage of his piano-concerto "blitz" (he wrote 14 piano concertos for Viennese audiences between 1783 and 1787). The Eb Concerto is an intimate, chamber-like piece, with textures that recall the Baroque era, particularly in the concerto-grosso-like, quasi-fugal closing movement. The C-Major Concerto, K.467, on the other hand, is a grand, symphonic work with trumpets and drums in the outer movements. The famous slow movement, a kind of cavatina, provides a wonderful contrast to the regal first movement and the brilliant, exuberant finale.

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