Rameau - La Guirlande ~ Zéphyre / Daneman, Méchaly, Ockenden, Decaudaveine, Agnew, Baloza, Cappella Coloniensis, Christie
Editorial Reviews
Amazon.com
Though entitled acte de ballet, these two works are really small operas, since the action is carried on mainly by recitatives and arias. However, there is also a profusion of dances: courtly, gracious, stately as well as lively, sometimes in sets amounting to entire suites. They supplement the chorus's commentary on the action and reflect the characters' mood and state of mind. Both works have idyllic, pastoral settings and very flimsy librettos, the first about love among shepherds and shepherdesses, the second between gods, goddesses, and nymphs. It is Rameau's music that infuses these contrived, artificial characters and situations with vibrant life and human emotions, and it is beautiful, with an unfailing crystalline purity, whether expressing joy, pleading, or nostalgia. The orchestra sets and underlines mood and atmosphere with evocative tone-painting; the winds not only imitate whole choirs of birds, but illustrate sighs and emotions; hunting horns herald the goddess Diana. The performance is exemplary, the sound transparent but not thin, and the dances have a supple, lilting rhythm. The singers negotiate their florid arias with ease and communicate tenderness, passion, remorse, anguish, and forgiveness. In La Guirlande, countertenor Paul Agnew and soprano Sophie Daneman are outstanding; in Zéphyre, whose three parts are all sung by sopranos, the wind-god's voice is much brighter than that of the nymph he courts. Described as among Rameau's lesser works, these two pieces seem to have been neglected unjustly. --Edith Eisler
Rameau - La Guirlande ~ Zéphyre / Daneman, Méchaly, Ockenden, Decaudaveine, Agnew, Baloza, Cappella Coloniensis, Christie, Music, Jean-Philippe Rameau, Cappella Coloniensis, Les Arts Florissants, William Christie, Sophie Daneman, Paul Agnew, Rebecca Ockenden, Sophie Decaudaveine, François Bazola, Gaëlle Méchaly, Ballet, Baroque Ballet, Classical, Classical Music, Opera/Operetta, Orchestral & Symphonic
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Rameau - La Guirlande ~ Zéphyre / Daneman, Méchaly, Ockenden, Decaudaveine, Agnew, Baloza, Cappella Coloniensis, Christie
Jean-Philippe Rameau , Cappella Coloniensis , Les Arts Florissants , William Christie , Sophie Daneman , Paul Agnew , Rebecca Ockenden , Sophie Decaudaveine , François Bazola , and Gaëlle Méchaly
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B000059QUY
Release Date: 2001-07-03 |
Tracks:
- La Guirlande: Scene 1: Ritournelle - Cappella Coloniensis Des WDR/William Christie
- La Guirlande: Scene 1: Peut-on Etre A La Fois Si Tendre Et Si Volage? - Paul Agnew
- La Guirlande: Scene 1: Ranimez-vous... - Paul Agnew
- La Guirlande: Scene 1: Toi Qui Vis Mon Erreur - Paul Agnew
- La Guirlande: Scene 1: Annonce: Mais J'entends Les Bergers Que Ta Fete Rassemble - Paul Agnew
- La Guirlande: Scene 2: Air Gracieux - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 2: Hatons-nous... - Les Arts Florissants/William Christie
- La Guirlande: Scene 2: Menuets - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 3: Zelide, Nos Plaisirs N'ont Rien Qui Vous Amuse? - Francois Bazola/Sophie Daneman
- La Guirlande: Scene 3: Tout Languit Dans Nos Bois... - Sophie Daneman
- La Guirlande: Scene 4: Que Vois-je? - Paul Agnew
- La Guirlande: Scene 5: Je Vous Revois, Belle Zelide - Paul Agnew/Sophie Daneman
- La Guirlande: Scene 5: Annonce: Nos Bergers De L'Amour Vont Celebrer La Fete - Paul Agnew
- La Guirlande: Scene 5: Triomphe, Triomphe, Amour - Sophie Daneman/Paul Agnew
- La Guirlande: Scene 6: Aimons, Aimons - Les Arts Florissants/William Christie
- La Guirlande: Scene 6: (Bergers Qui Vont Offrir Leurs Guirlandes A L'Amour) - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 6: Sons Brillants... - Les Arts Florissants/William Christie
- La Guirlande: Scene 6: La Flute Est Des Soupirs Le Plus Tendre Interprete - Paul Agnew/Les Arts Florissants/William Christie
- La Guirlande: Scene 6: Air Gracieux En Rondeau - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 6: Entree Des Patres - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 6: Musette - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 6: Gavotte (Rigaudon Gai) - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 6: Quand Du Dieu Des Bois - Sophie Daneman
- La Guirlande: Scene 6: Pantomime Noble - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 6: Air Gracieux, Tambourins - Cappella Coloniensis Des WDR/Hiro Kurosaki
- La Guirlande: Scene 6: Vole, Amour - Sophie Daneman/Paul Agnew/Les Arts Florissants/William Christie
- La Guirlande: Scene 6: Contredanse - Cappella Coloniensis Des WDR/Hiro Kurosaki
Tracks:
- Zephyre: Scene 1: Prld - Les Arts Florissants/William Christie
- Zephyre: Scene 1: Les Nymphes De Diane Approchent De Ces Leiux - Gaelle Mechaly
- Zephyre: Scene 1: On Vient/Sous Cet Epais Feuillage/Scene 2: Chantons Le Retour De L'aurore - Gaelle Mechaly/Rebeca Ockenden/Sophie Decaudaveine
- Zephyre: Scene 2: Gavottes - Les Arts Florissants/William Christie
- Zephyre: Scene 2: O Diane, Pourquoi Vous Separer De Nous? - Rebeca Ockenden/Sophie Decaudaveine
- Zephyre: Scene 3: Ou Courez-vous, Nymphe Charmante? - Gaelle Mechaly/Rebeca Ockenden
- Zephyre: Scene 3: Ou Suis-je? - Rebeca Ockenden/Gaelle Mechaly
- Zephyre: Scene 3: L'Amour A Des Appas Toujours Victorieux - Gaelle Mechaly/Rebeca Ockenden
- Zephyre: Scene 4: Courons, Signalons Notre Zele! - Gaelle Mechaly/Sophie Decaudaveine
- Zephyre: Scene 5: Air - Les Arts Florissants/William Christie
- Zephyre: Scene 5: Passepieds - Les Arts Florissants/William Christie
- Zephyre: Scene 5: Que Craignez-vous D'un Dieu Que L'univers Adore? - Gaelle Mechaly
- Zephyre: Scene 5: Air - Les Arts Florissants/William Christie
- Zephyre: Scene 5: Menuets - Les Arts Florissants/William Christie
- Zephyre: Scene 5: Gavotte - Les Arts Florissants/William Christie
- Zephyre: Scene 5: Vous Ne Devez L'eclat Des Fleurs - Gaelle Mechaly/Rebeca Ockenden
- Zephyre: Scene 5: Sarabande/Voyez Ces Amants Heureux - Gaelle Mechaly
- Zephyre: Scene 5: Quels Sons! Quelle Vive Lumiere!/Scene 6: Rassurez-vous, Je Cede - Gaelle Mechaly/Rebeca Ockenden/Sophie Decaudaveine
- Zephyre: Scene 6: Qu'il Est Doux De Suivre - Rebeca Ockenden/Gaelle Mechaly
- Zephyre: Scene 6: Sarabande - Les Arts Florissants/William Christie
- Zephyre: Scene 6: Gavottes - Les Arts Florissants/William Christie
- Zephyre: Scene 6: Amour, Sois Le Dieu De Nos Ames - Gaelle Mechaly/Rebecca Ockenden/Choeur Des Arts Florissants
- Zephyre: Scene 6: Contredanse - Les Arts Florissants/William Christie
Amazon.com
Though entitled acte de ballet, these two works are really small operas, since the action is carried on mainly by recitatives and arias. However, there is also a profusion of dances: courtly, gracious, stately as well as lively, sometimes in sets amounting to entire suites. They supplement the chorus's commentary on the action and reflect the characters' mood and state of mind. Both works have idyllic, pastoral settings and very flimsy librettos, the first about love among shepherds and shepherdesses, the second between gods, goddesses, and nymphs. It is Rameau's music that infuses these contrived, artificial characters and situations with vibrant life and human emotions, and it is beautiful, with an unfailing crystalline purity, whether expressing joy, pleading, or nostalgia. The orchestra sets and underlines mood and atmosphere with evocative tone-painting; the winds not only imitate whole choirs of birds, but illustrate sighs and emotions; hunting horns herald the goddess Diana. The performance is exemplary, the sound transparent but not thin, and the dances have a supple, lilting rhythm. The singers negotiate their florid arias with ease and communicate tenderness, passion, remorse, anguish, and forgiveness. In La Guirlande, countertenor Paul Agnew and soprano Sophie Daneman are outstanding; in Zéphyre, whose three parts are all sung by sopranos, the wind-god's voice is much brighter than that of the nymph he courts. Described as among Rameau's lesser works, these two pieces seem to have been neglected unjustly. --Edith Eisler
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- Spiritual Chants [Live]
- Stenhammar: Symphony No. 2; Excelsior!
- Stravinsky: Le Sacre du Printemps, Debussy: La Mer, Boulez: Notations VII
- Stravinsky: Petrushka, Pulcinella / Klemperer, Philharmonia (1947 vrsn. prev. unreleased)
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