à la Gloire de Dieu
Track Listings
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1. Charles IVES: The Unanswered Question
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2. Samuel BARBER: Agnus Dei
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3. Igor STRAVINSKY: Symphony of Psalms
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4. Michael TIPPETT: Five Negro Spirituals from 'A Child of Our Time'
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5. Francis POULENC : Sept Répons des Tenèbres
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Editorial Reviews
Gramophone, March 15, 2003
"The Sixteen give a deeply committed and technically brilliant reading of this extremely difficult repertoire."
Album Description
This recording draws together some truly great choral pieces - from Stravinsky's Symphony of Psalms through Barber's Agnus Dei, the moving choral setting of his ever-popular Adagio for Strings. Here the most prominent new world composers of the time, Ives and Barber, are brought together with old world counterparts, Poulenc and Stravinsky, in a disc of deeply felt music expressing each composers' perception of the spirituality of life. Straddling the two worlds is Michael Tippett's set of spiritual settings from "A Child of Our Time".
à la Gloire de Dieu, Music, Samuel Barber, Charles Ives, Francis Poulenc, Igor Stravinsky, Michael Tippett, Harry Christophers, BBC Philharmonic Orchestra, Ruth Dean, Carys-Anne Lane, Libby Crabtree, Neil MacKenzie, Robert Evans, Sally Bruce-Payne, 20th/21st Century Orchestral Music, 20th/21st Century Symphony, Choral, Classical, Classical Vocals, Mass Section, Orchestral, Sacred Choral Music, Secular Choral Music a capella, Symphonic
Average customer rating:
- Messiaen and I genuflect in different ways
- Worth It!
- What does it matter if it's mono?
- Profound Music, Profound Peformance. Poor Recording.
- Invaluable
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Messiaen par lui-même
Manufacturer: EMI Classics
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Similar Items:
- Olivier Messiaen: Complete Organ Works
- Car Wheels on a Gravel Road
ASIN: B000002SBX
Release Date: 1992-05-12 |
Tracks:
- Le Banquet Celeste (1926)
- Diptyque (Essai sur la vie terrestre et l'eternite religieuse) (1929)
- Apparition de l'Eglise Eternelle (1931)
- L'Ascension I: I. Majeste du Christ demandant sa gloire a son pere
- L'Ascension II: II. Alleluias sereins d'une ame qui desire le Ciel
- L'Ascension III: III. Transports de joie d'une ame devant la gloire du Christ qui set la sienne
- L'Ascension IV: IV. Priere du Christ montant vers son Pere
Tracks:
- La Nativite du Seigneur: I. La Vierge et l
- La Nativite du Seigneur: II. Les Bergers
- La Nativite du Seigneur: III. Desseins Eternels
- La Nativite du Seigneur: IV. Le Verbe
- La Nativite du Seigneur: V. Les Enfants de Dieu
- La Nativite du Seigneur: VI. Les Anges
- La Nativite du Seigneur: VII. Jesus accepte la souffrance
- La Nativite du Seigneur: VIII. Les Mages
- La Nativite du Seigneur: IX. Dieu parmi nous
Tracks:
- Les Corps glorieux: I. Subtilite des Corps glorieux
- Les Corps glorieux: II. Les Eaux de la Grace
- Les Corps glorieux: III. L'Ange aux parfums
- Les Corps glorieux: IV. Combat de la mort et de la vie
- Les Corps glorieux: V. Force et Agilite des Corps glorieux
- Les Corps glorieux: VI. Joie et clarte des Corps glorieux
- Les Corps glorieux: VII. Le Mystere de la Sainte-Trinite
Tracks:
- Messe de la Pentecote: I: Entree
- Messe de la Pentecote: II: Offertoire
- Messe de la Pentecote: III: Consecration
- Messe de la Pentecote: IV: Communion
- Messe de la Pentecote: V: Sortie
- Livre d'orgure: I: Reprises par interversion
- Livre d'orgure: II: Premiere piece en trio
- Livre d'orgure: III: Les Mains de l'abime
- Livre d'orgure: IV: Chants d'oiseaux
- Livre d'orgure: V: Deuxieme piece en trio
- Livre d'orgure: VI: Les Yeux dans les roues
- Livre d'orgure: VII: Soixante-quatre durees
Customer Reviews:
Messiaen and I genuflect in different ways.......2006-02-08
I stumbled across a short biography of Messiaen in a literary journal. A devout Catholic, Messiaen was purportedly commited to preservation of medieval sacred music -- which led me to pick up this album -- and yet all I find is that composed some of the most minimalistic modern 'music' that I've ever heard. According to musical theorists, there is a beauty in the mathematical algorithms that he exercises on his keyboard, but in no way does that beauty extend into a melodic piece. This is not sacred gregorianesque music, this is not heavenly plainsong, this is not glorious baroque. If Messiaen truly did intend this to be sacred music, all I can say is that he and I genuflect in different ways.
Worth It!.......2005-12-15
When I approached this set I too was worried about the mono recording and the quality of the sound, but then I realized it's Messiaen himself playing his works. The Deutche-Grammaphone box set looks wonderful but to hear the compser play his music as he intended is worth more than stereo.
The music itself is some of the best 20th century classical/experimental. Messiaen's organ works are special. He used a church organ in the way his contemporaries were using tape machines, sine generators, filters and early modular synthesizers. The result is highly luminous and cerebral. The music drifts in and out structure and dissonance. One of the great characteristics about these works is that they all flow from one sound source(the organ), which gives off a feeling of sonic autonomy as if the music were a completely self-perpetuating entity, always existing. Who knew an organ could facilitate so many tones and resonances? "Soixante-quatre durées" is the pinnacle of his experimental endevours.
What does it matter if it's mono?.......2005-03-10
This is a monumental masterful monolithic monstrosity of a set of cd's (pardon the alliteration). Messiaen was truly an organist at heart, and his organ works are truly organ works. He never wrote as some did, with no knowledge of the instrument. He had been organist at Saint-Trinité for twenty-plus years before this recording, and he has inspired me to learn some of these pieces myself. There is so much to say about these amazing discs, but I will limit myself to saying that no matter what people say about mono recordings or unadvanced compositions, from Le banquet céleste to the Livre pour orgue, Messiaen's genius shines through. My personal favorite is the opener, Le banquet céleste. It touches a certain place in your soul left for whatever deity you worship. Buy this recording, because it is such a bargain for a master of his art in the 20th century.
Profound Music, Profound Peformance. Poor Recording........2001-08-24
One of the peculiarities of the twentieth century is the presence of recordings. If Mendelssohn had wished to hear Bach perform, it was too late; the secrets that Bach held playing his music were forever lost to him. Not many recognized Messiaen during his lifetime as the genius performer and composer that he was, and so now that the chance to hear him in person has passed, those interested must turn to recordings. How fortunate we are to have the recordings, though! It is good that we have records of titans like Bartok, Ives and Messiaen in our vaults! This is a must for any musician and a worthwhile listen for any `layman.' Messiaen was one of the most influential teachers of music in the Twentieth century and has left us some of the most important ovure from the epoch. Listening to a modernist perform his modern works, there is none of the coldness that comes from performers playing the music without understanding it, none of the feeling of listening to a trained bird. Messiaen plays expressing complex and powerful emotions; faith, awe, terror, mystery, majesty. The drawback is, of course, the poor recording that blunts the powerful timbres of the organ. But comparing Messiaen's performance with any that I have heard, I would take this recording before any of the other recordings of Messiaen's music. It is very powerful. Listen especially to the `Pentacost Mass.'One of the best recordings I own. One of the few profound performances recorded.
Invaluable.......1999-11-29
A must for organists who play Messiaen's works. How fortunate that we have a recording of Messiaen playing his own organ compositions. Although the performances aren't perfect they are extremely helpful, especially regarding tempii .. when he notes "extremement lent", he means it !
Average customer rating:
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Berlioz: The Complete Operas
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
| Berlioz, Hector
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Allen, Thomas
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Bainbridge, Elisabeth
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ASIN: B000025VM7
Release Date: 2002-03-11 |
Tracks:
- Overtura
- Scena1a
- Scena1b
- Scena2a
- Scena2b
- Scena3a
- Scena3b
- Scena3c
- Scena4a
- Scena4bscena5
- Scena6
- Scena7a
- Scena7b
- Scena8a
- Scena8b
- Scena8c9y10a
- Scena10by11
- Scena12a
- Scena12b
- Scena13finale_a
- Scena13finale_b
- Scena13finale_c
- Scena13finale_d
- Scena13finale_e
- Scena13finale_f
- Tableau_bild3_a
- Tableau_bild3_b
- Tableau_bild3_c
- Tableau_bild3_d
- Tableau_bild3_e
- Tableau_bild3_f
- Tableau_bild3_g
- Tableau_bild3_h
- Tableau_bild3_i
- Finale_a
- Finale_b
- Tableau_bild4_a
- Tableau_bild4_b
- Tableau_bild4_c
- Tableau_bild4_d
- Tableau_bild4_e
- Tableau_bild4_f
- Tableau_bild4_g
- Tableau_bild4_h
- Finale
- Overtura
- Actoprimero_a
- Actoprimero_b
- Actoprimero_c
- Actoprimero_d
- Actoprimero_e
- Actoprimero_f
- Actoprimero_g
- Actoprimero_h
- Actoprimero_i
- Actoprimero_j
- Actoprimero_k
- Actoprimero_l
- Actoprimero_m
- Entreacto
- Acto_segundo_a
- Acto_segundo_b
- Acto_segundo_c
- Acto_segundo_d
- Acto_segundo_e
- Acto_segundo_f
- Acto_segundo_g
- Acto_segundo_h
- Acto_segundo_i
- Acto_segundo_j
- Acto_segundo_k
- Ha! Ha! Apr Dix Ans
- Les Grecs Ont Disparu...Malheureux Roi!...Chore...C'est Lui!
- Reviens Toi, Vierge Ador!...Pauvre e ar!...Si Tu M'aimes, Va -T'en...Mais Le Ciel Et La T
- Dieux Protecteurs De La Ville ernelle
- Combat De Ceste - Pas De Lutteurs
- Andromaque Et Son Fils!
- Du Peuple Et Des Soldats
- Chiment Effroyable!
- Que La Dsse Nous Prote...A Cet Object SacrFormez Corte, Enfant S
- Non, Je Ne Verrai Pas La Dlorable Fe
- De Mes Sens erdus...
- Introduction Orchestrale...O Lumie De Troie!...Ah!...Fuis, Fils De V us
- Quelle Espance Encor Est Permise...Le Salut Des Vaincus Est De N'enp Lus Attendre
- Ah! Puissante Cybe
- Tous Ne Piront Pas...O Digne Soeur D'hector
- Complices De Sa Gloire...Le Tror! Le Tror!
- De Carthage Les Cieux
- Gloire Didon
- Nous Avons Vu Finir Sept Ans Peine...Chers Tyriens
- Entr Des Constructeurs
- Entr Des Matelots
- Entr Des Laboureurs
- Peuple! Tous Les Hinneurs...Gloire Didon
- Les Chants Joyeux...Sa Voix Fait Nare Dans Mon Sein
- Echapp Grand Peine...Errante Sur Les Mers.
- J'rouve Une Soudaine Et Vive Impatience
- Auguste Reine, Un Peuple Errant Et Malheureux
- J'ose Peine Annoncer La Terrible Nouvelle!...Annonce Nos Troyensl 'Entreprise Nouvelle...Des Ar
- Chasse Royale Et Orage - Pantomime
- Dites, Narbal, Qui Cause Vos Alarmes-
- De Quels Revers Menaces-Tu Carthage...Vaine Terreur
- Marche Pour L'entr De La Reine
- Pas Des Alms
- Danse Des Esclaves
- Pas D'esclaves Nubiennes
- Assez, Ma Soeur...O Blonde C
- Pardonne, Iopas...O Pudeur! Tous Conspire
- Mais Bannissons Ces Tristes Souvenirs...Tout N'est Que Paix Et Charme
- Nuit D'ivresse Et D'extase Infinie!
- Vallon Sonore
- Prarez Tout, Il Faut Partir Enfin...Chaque Jour Voit Grandir La ColRe Des Dieux
- Par Bacchus! Ils Sont Fous Avec Leur Italie!...
- Inutiles Regrets!...Ah! Quand Viendra L'instant Des Supres Adieux
- En!...
- Debout, Troyens, eillez-Vous, Alerte!...Alerte!...Entendez-Vouz, Ami S, La Voix D'en-
- Errante Sur Tes Pas...Italie!
- Va, Ma Soeur, L'implorer
- En Mer, Voyez! Six Vaisseaux!...Dieux Immortels! Il Part!...
- Ah! Ah! Je Vais Mourir...
- Adieu, Fie Cit
- Dieux De L'oubli, Dieux Du Tare...S'il Faut Enfin Qu'en Aborde En Italie
- Pluton...Semble M're Procipe...
- Ah! Au Secours! Au Secours! La Reine S'est Frapp...Rome...Rome...Im Mortelle!...Haine ernelle
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Rogues: Noël anciens
Manufacturer: Gall Music
ProductGroup: Music
Binding: Audio CD
Holiday
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ASIN: B000004A2X
Release Date: 1995-12-12 |
Average customer rating:
- Stellar performance of Russia's National opera masterpiece!!
- a solid, exciting production, supurb sound
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Moussorgski - Boris Godounov / Raimondi, Wischnewskaja, Plishka, Gedda, Dubosc, Cowan, Rostropovitch (1989 film)
Modest Petrovich Mussorgsky , Mstislav Rostropovitch , Ruggero Raimondi , Galina Wischnewskaja , Wyatscheslaw Polozov , Paul Plishka , Nicolai Gedda , Catherine Dubosc , and Richard Cowan
Manufacturer: Elektra / Wea
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Similar Items:
- Russian Album
ASIN: B000005E6S
Release Date: 1992-05-01 |
Tracks:
- Boris Godounov: Introduction orchestrale: Scene - Eh bien, qu'avez-vous?
- Boris Godounov: A quis nous abandonnes-tu ?
- Boris Godounov: Fideles croyants, notre boiar reste inexorable
- Boris Godounov: Tu as entendu les hommes?
- Boris Godounov: Scene du Couronnement, Coronation Scene
- Boris Godounov: Mon ame est en peine
- Boris Godounov: Encore un dernier recit
- Boris Godounov: O Dieu de force, Dieu de Justice
- Boris Godounov: Tu as ecrit toute la nuit
- Boris Godounov: Oh, je me souviens - Ouglich
- Boris Godounov: On sonne les matines - Boris, tout tremble devant toi
- Boris Godounov: J'ai pris un caneton gris
- Boris Godounov: Peuple chretien, bonnes gens aimes de Dieu
- Boris Godounov: Dans la bonne ville de Kazan
- Boris Godounov: Pour moi!
- Boris Godounov: Qui etes-vous? - D'humbles pelerins, de saints moines
- Boris Godounov: Que faites-vous, maudits coquins - Fuite de Grigori
Tracks:
- Boris Godounov: Ou est mon fiance?
- Boris Godounov: Oh, c'est assez, Princesse - Chanson du Moustique, Mosquito Song
- Boris Godounov: Ah, Nounou, en voila un conte, Jeu de la Main chaude, The Hand-Clapping Game
- Boris Godounov: Qu'y a-t-il?
- Boris Godounov: Comme c'est bien, mon fils!
- Boris Godounov: Aie, chut! - Qu'y a-t-il donc?
- Boris Godounov: A cause de notre Perroquet
- Boris Godounov: Mon fils, mon cher enfant!
- Boris Godounov: Tsarevitch, obeis!
- Boris Godounov: Tu ne me crois donc pas?
- Boris Godounov: Assez, ah, je suffoque!
- Boris Godounov: Au bord de la Vistule bleue
- Boris Godounov: Cela suffit!
- Boris Godounov: Je n'ai pas besoin de toi aujourd'hui, Rouzia
- Boris Godounov: Ah! Mon Dieu! Cest vous, mon Pere!
- Boris Godounov: A minuit, dans le jardin
- Boris Godounov: Prends-garde, Tsarevitch - La Polonnaise - Nous aurons bientot conquis la Moscovie
Tracks:
- Boris Godounov: Elle! Marina!
- Boris Godounov: Eh bien, la messe est-elle finie?
- Boris Godounov: Trrr, trrr, trrr
- Boris Godounov: Aaah! Boris! Ils ont offense L'Innocent!
- Boris Godounov: Nobles Boiars!
- Boris Godounov: Eh bien, passons au vote
- Boris Godounov: Que dites-vous la, Boiars!
- Boris Godounov: Arriere, arriere
- Boris Godounov: Auguste Souverain - Mon recit sera simple et bref
- Boris Godounov: J'etouffe
- Boris Godounov: Pleurez, bonnes gens
- Boris Godounov: Amene-le par ici
- Boris Godounov: Trrr...le bonnet de fer
- Boris Godounov: Le ciel et la lune se sont eteints
- Boris Godounov: Hardi! notre male temerite
- Boris Godounov: Domine, salvum fac regem
- Boris Godounov: Qui le Malin nous envoie-t-il encore
Customer Reviews:
Stellar performance of Russia's National opera masterpiece!!.......2004-07-02
Let's start with the quibbles, on account of their relative insignificance: 1) I miss the real bells used on the Gjórgiev (especially!!!) and the Abbado recordings (the samples I got to hear alerted me to this - the chimes used here sound poor by comparison); 2) the Russian original-language libretto is incomplete (were more space allowed here, I'd have published the missing parts in the original Russian). [I recommend downloading the libretto from other websites - and then piecing in the few things that are otherwise absent from the regular-performance libretto from the booklet supplied - Rostropóvich's reading gives this opera (a composite of the 1868 and 1872 versions) as completely as possible (the réprise of the Simpleton's scene in the last tableau, originally salvaged from the St. Vasíljiy's (Basil's) tableau cut in the 1872 version and which however was reinstated in this recording, could have been omitted consequently - though I'm glad it wasn't!).] 3) I wish the orchestra (very good indeed!!!) could be heard more even when the singers are in full voice (this defect relative to Culshaw's Wagner recordings - my standard in taste - also afflicts Rostropóvich's otherwise superb recording of Shostakóvich's "Lady Macbeth of Mcjénsk").
Otherwise, a very powerful reading with everybody in peak form fully deserving a full 5 stars - even the venerable arch-star of Russian soprani from 1952-82 (from her début with the Boljshóy to her retirement from live operatic performances - of course she was forced out of the Boljshóy in 1974 into exile...) Vishñévskaja, who was close to being 61 years of age at the time of this recording, comes off as well as everybody else (you could hardly tell her age)! Another success is that of Mira Zakai as one of the nurses (in Act II) - she's much better here than in Solti's recording of Mahler's 2nd Symphony with the CSO (where she sounds so uninvolved as well as plain when compared to Helen Watts or Maureen Forester). Gedda sings the Simpleton's part as movingly as could be anticipated from somebody who has given so much of his career to the Russian repertoire, while Plishka gives a wonderfully warm Pimjén. As to Ruggero Raimondi - wow, what a wonderfully evocative portrayal of the demented Carj (C pronounced as 'ts' like in "bolts"; 'j' just softens the 'r' somewhat...)!!! One doesn't need a bassus profundus (which he's not - though his low notes lack nothing!) to do justice to this rôle after all...
Finally, regarding the version of the score being used: while it's indeed based on the 1872 "definitive" version, much stuff cut therefrom which was in the 1868 original version makes it into the recording (not a note is cut from the score). While obviously the earlier version of Act II as well as a few other snippets in Act I (when Grigóriy wakes up) are superseded (the latter's snippets are merely the same music given to offstage choir instead of the strings as done initially), other things (e.g., the dismissal of the crowd in the Prologue's 1st scene, the scene in front of St. Vasíljiy's Cathedral) are fully reinstated - all of this can be vouched for from the full score 2-book set published by Oxford University Press giving Musórgskiy's original version.
Most definitely recommended in all events and regards!!! [Hopefully Erato will reissue this recording as it's amply deserving!]
a solid, exciting production, supurb sound.......2000-07-29
Mussorgsky's Boris Godunov is so rich that it never can be encompassed by one interpretation, however strong. It's worth having two or more versions, including this one, conducted by Rostropovitch, on hand. Here's how it stacks up with two other fine quality, stereo recordings using Mussorgsky's original orchestration: Abbado's and Gergiev's.
Rostropovitch and the ensemble under his baton, provide both a polished orchestral presentation and dynamic drama dominated by one of the best Borises of the digital age. The story and the music reinforce one another seamlessly.
The dramatic presentation in the Rostropovitch version is much more exciting than that in the Abbado version, which focuses more on creating a flawlessly recorded, stunning symphonic and choral atmosphere. In the Rostropovitch version, beautiful children's voices add both an innocent element to Mussorgsky's dark drama and another stunning instrument to the orchestration. In the perfectly polished Abbado version, adult women with full voices flawlessly sing the children's roles.
Rostropovitch's production lacks some of raw dramatic heft of Gergiev versions, but it has more polish. The Gergiev CD set offers two complete versions, both Mussorgsky's 1868 version and the 1873, each complete and with different casts, making it a bargain, if such a thing can be said about overpriced classical music CDs. The Rostropovitch version contains only the 1872 score.
I have all three versions and listen to all of them with great pleasure. If, heaven forbid, I could only have one, this version conducted by Rostropovitch might be it. It would be a tough call to make.
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Operamania (Box Set)
Manufacturer: Mca Import
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Binding: Audio CD
Bellini, Vincenzo
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ASIN: B0000582FG
Release Date: 2002-10-29 |
Customer Reviews:
Best of the Best.......2005-10-02
First rate selections, performed by first rate musicians.
Here are some of the most haunting melodies ever created.
Average customer rating:
|
Saint-Saëns: Samson et Dalila
Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD
General
| Saint-Saëns, Camille
| ( S )
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Similar Items:
- Rise Stevens in Opera and Song
ASIN: B000003LJP
Release Date: 1994-12-27 |
Tracks:
- Act I: Dieu! Dieu D'Israel! - New Orleans Opr Chor/Renato Cellini
- Act I: Arretez, O Mes Freres! - Ramon Vinay/New Orleans Opr Chor/Renato Cellini
- Act I: Implorons A Genoux Le Seigneur... - Ramon Vinay/New Orleans Opr Chor/Renato Cellini
- Act I: Qui Donc Eleve Ici La Voix? - Arthur Cosenza/Ramon Vinay/New Orleans Opr Chor/Renato Cellini
- Act I: Que Vois-je! Abimelech! - Joseph Mordino/Thomas Carter/Joseph Knight/Tony Lopez
- Act I: Maudite A Jamais Soit La Race... - Joseph Mordino/Tony Lopez/Thomas Carter/Joseph Knight
- Act I: Humne De Joie, Humne De Delivrance... - New Orleans Opr Chor/Renato Cellini/Ara Berberian
- Act I: Voici Le Printemps Nous Portant Des Fleurs... - New Orleans Opr Chor/Renato Cellini
- Act I: Je Viens Celebrer La Victoire... - Rise Stevens/Ramon Vinay/Ara Berberian
- Act I: Dance Of The Priestesses Of Dagon - New Orelans Opr Orch/Renato Cellini
- Act I: Printemps Qui Commence... - Rise Stevens/Ara Berberian
- Act II: Prld - New Orelans Opr Orch/Renato Cellini
- Act II: Samson, Recherchant Ma Presence... Amour! Viens Aider Ma Faiblesse! - Rise Stevens
- Act II: J'ai Gravi La Montagne... - Joseph Mordino/Rise Stevens
- Act II: Il Faut, Pour Assouvir Ma Haine... - Rise Stevens/Joseph Mordino
- Act II: En Ces Lieux, Malgre Moi... - Ramon Vinay/Rise Stevens
- Act II: Mon Coeur S'ouvre A Ta Voix... - Rise Stevens/Ramon Vinay
Tracks:
- Act II: Mais!... Non! Que Dis-je, Helas! - Rise Stevens/Ramon Vinay
- Act III: Vois Ma Misere, Helas! - Ramon Vinay/New Orleans Opr Chor/Renato Cellini
- Act III: L'aube Qui Blanchit Defa Les Coteaux... - New Orleans Opr Chor/Renato Cellini
- Act III: Bacchanale - New Orelans Opr Orch/Renato Cellini
- Act III: Salut! Salut Au Juge D'Israel... - Joseph Mordino/New Orleans Opr Chor/Renato Cellini
- Act III: L'ame Triste Jusqu'a La Mort... - Ramon Vinay/Rise Stevens/New Orleans Opr Chor/Renato Cellini /Joseph Mordino
- Act III: Gloire A Dagon Vainqueur! - Joseph Mordino/Rise Stevens/New Orleans Opr Chor/Renato Cellini
Average customer rating:
- Phaeton is Great!
- Sonorous tranport to the Versailles of Louis XIV
|
Lully - Phaëton / Crook, Smith, Yakar, Gens, Théruel, Fouchécourt, Naouri, Huttenlocher, Les Musiciens du Louvre, Minkowski
Jean-Baptiste Lully , Marc Minkowski , Howard Crook , Rachel Yakar , Jennifer Smith , Les Musiciens du Louvre , Véronique Gens , Gérard Theruel , Jean-Paul Fouchécourt , Philippe Huttenlocher , Laurent Naouri , Jérôme Varnier , Florence Couderc , Michel Laplénie , Eric Bellocq , Virginie Pochon , Béatrice Di Carlo , and Ensemble Vocal Sagittarius
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
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| Lully, Jean-Baptiste
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Similar Items:
- Lully - Acis & Galatee / Fouchecourt, Gens, Naouri, Crook, Delunsch, Felix, Masset, Les Musiciens du Louvre, Minkowski
- Lully: Roland /Teste · Panzarella · Dumait · Zanetti · Les Talens Lyriques · Rousset
- Rameau - Platée / Ragon, Smith, de Mey, Les Musiciens du Louvre, Minkowski
- Lully - Atys
- Rameau - Hippolyte et Aricie / Padmore, Panzarella, Hunt, Naouri, E. James, Petibon, Mechaly, Delunsch, Les Arts Florissants, Christie
ASIN: B000005EAR
Release Date: 1994-06-07 |
Tracks:
- Phaeton: Overture
- Phaeton: 'Cherchons al paix dans cet asile' (Troupe d' Astree)
- Phaeton: 'Dans cette paisible Retraite' (Ritournelle - Astree)
- Phaeton: 'Dans ces lieux, tout rit sans cesse' (Troupe d' Astree)
- Phaeton: 'Que les mortels se rejouissent' (Choeur)
- Phaeton: 'Un heros qui merite une gloire immortelle'
- Phaeton: 'Suivons de Heros, suivez-nous'
- Phaeton: Air pour les suivants de Saturne
- Phaeton: 'Plaisirs venez sans crainte' (Bourree-Choeur)
- Phaeton: 'On a vu ce Heros terrible dans al Guerre'
- Phaeton: Reprise de l'overture
- Phaeton: Act I, Scene 1: 'Heureuse une ame indifferente'
- Phaeton: Act I, Scene 2: 'Je ne vous croyais pas dans ce lieu solitaire'
- Phaeton: Act I, Scene 3: 'Vous passiez sans me voir'
- Phaeton: Act I, Scene 4: 'Vous paraissez chagrin, mon Fils'
- Phaeton: Act I, Scene 5: 'Heurex, qui peut voir du Rivage' (Protee es sa suite)
- Phaeton: Act I, Scene 5: 'Prenez soin sur ces bords des troupeaux de Neptune'
- Phaeton: Act I, Scene 6: 'Vous avec qui le sang me lie'
- Phaeton: Act I, Scene 7: 'Que Protee avec nous partage'
- Phaeton: Act I, Scene 7: 'Le Plaisir est necessaire'
- Phaeton: Act I, Scene 7: 'Vos jeux ont des appas, je les quitte avec peine'
- Phaeton: Act I, Scene 7: 'C'est un secret qu'il faut qu'on vous arrache'
- Phaeton: Act I, Scene 8: 'Le sort de Phaeton se decouvre a mes yeux'
- Phaeton: Act I, Scene 8: Reprise
- Phaeton: Act II, Scene 1: 'Protee en a trop dit, je fremis du danger'
- Phaeton: Act II, Scene 2: 'Il me fuit, I'inconstant!'
- Phaeton: Act II, Scene 3: 'Que l'incertitude est un rigoreux tournment'
- Phaeton: Act II, Scene 4: 'Quel Malheur'
- Phaeton: Act II, Scene 4: 'Que mon sort serait doux'
Tracks:
- Phaeton: Act II, Scene 5: 'Roys qui pour Souverain devez me reconnaitre'
- Phaeton: Act II, Scene 5: 'Que de tous cotes on entende le nom de Phaeton'
- Phaeton: Act II, Scene 5: Chaconne
- Phaeton: Act II, Scene 5: Petit Air pour les mesmes
- Phaeton: Act III, Scene 1: 'Ah Phaeton est-il possible...'
- Phaeton: Act III, Scene 1: 'Pour regir l'Univers les Destins m'ont fait naitre'
- Phaeton: Act III, Scene 2: 'Suivez-la, ma presence irrite ses douleurs'
- Phaeton: Act III, Scene 3: 'Songez-vous qu'Isis est ma Mere?'
- Phaeton: Act III, Scene 4: Marche
- Phaeton: Act III, Scene 4: Air pour les mesmes
- Phaeton: Act III, Scene 4: 'O vous pour qui l'Amour des plus beaux de ser noeuds'
- Phaeton: Act III, Scene 4: 'Nous reverons votre puissance'
- Phaeton: Act III, Scene 4: 'Vous qui servez Isis'
- Phaeton: Act III, Scene 5: Entree des Furies
- Phaeton: Act III, Scene 6: 'Le Ciel trouble votre bonheur'
- Phaeton: Act III, Scene 6: 'Vous etes son Fils, je le jure'
- Phaeton: Act III, Scene 6: 'Ce Dieu semble approuver le serment que je fais'
- Phaeton: Act IV, Scene 1: 'Sans le Dieu qui vous eclaire'
- Phaeton: Act IV, Scene 1: 'C'est par vous, o Soleil, que le Ciel s'illumine'
- Phaeton: Act IV, Scene 1: 'Redoublez la Rejouissance'
- Phaeton: Act IV, Scene 1: Air
- Phaeton: Act IV, Scene 1: 'Dans ce Palais, bravez I'Envie' (Air, Choeur)
- Phaeton: Act IV, Scene 2: 'Dans ce Palais, bravez l'Envie' (Air, Choeur)
- Phaeton: Act IV, Scene 2: 'C' est toi que j'en atteste'
- Phaeton: Act IV, Scene 2: 'Tous mes Tresors vous sont ouverts'
- Phaeton: Act IV, Scene 2: 'Allez repandre la lumiere'n (Choeur)
- Phaeton: Act V, Scene 1: 'Assemblez-vous, Habitants de ces lieux'
- Phaeton: Act V, Scene 2: 'Dieu qui vous declarez mon Pere'
- Phaeton: Act V, Scene 3: 'O rigoureux martyre'
- Phaeton: Act V, Scene 3: 'Dieu! Epaphus!'
- Phaeton: Act V, Scene 3: 'Helas, une chaine si belle'
- Phaeton: Act V, Scene 4: 'Que l'on chante, que tout reponde'
- Phaeton: Act V, Scene 4: Bourre - Premier Air
- Phaeton: Act V, Scene 4: 'Ce beau jour ne permet qu'a l'Aurore'
- Phaeton: Act V, Scene 5: 'Changer ces doux concerts en des plaintes funebres '
- Phaeton: Act V, Scene 5: 'C' est votre secours que j'implore'
- Phaeton: Act V, Scene 5: 'Dieu qui lancez le tomerre'
Customer Reviews:
Phaeton is Great!.......1999-12-11
This is a great opera. I think Phaeton is Lully's best opera. This one is exciting and fresh. The music and singing are very good. There are many memorable moments in Phaeton. Track 23 of disc 1 and track 24 of disc 2 prove that Lully is the baroque master. Baroque doesn't get any more powerful than those tracks! The opera's last track will have you remember the name Lully. The music is quite fitting for the time of King Louis XIV.
Sonorous tranport to the Versailles of Louis XIV.......1999-09-15
A musically balanced realisation of a classic Baroque opera on modern instruments. Lack of a visual focus always makes some of the interlude music seem superfluous. Notes in English and German expain the background to the work and the composer .
There is a translation of the libretti in English and German, the French text is printed in antique script in (old) French.
Average customer rating:
|
Russian Popular & Sacred Songs
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
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| Gounod, Charles
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ASIN: B000001GL8
Release Date: 1995-03-14 |
Tracks:
- L'Etoile brillante
- Chanson du vaillant major
- Chant des matelots
- Chant du Terek-Pluss
- Chant de marche dans la campagne
- Sur la montagne
- Chant des brigands
- Fille simplette dans un cimetiere, de nuit
- Plainte de jeune fille ukrainienne
- Liutenant Tschitschereff
- Le coeur brise
- Printemps dans la foret
- Le Safran rouge
- Valse ancienne
- La recolte des framboises
- Bandura
- Marche des cavaliers
- Le long de la route
- Les nuits moscovites
- Deux chants cosaques
- Adieu
Tracks:
- Dieu soit avec nous
- Deux chants liturgiques
- Hymne de No
- Hymne a la Vierge Marie
- Ciel et Terre (Vepres ukrainiennes)
- Tchedrik (Vepres ukrainiennes)
- A Jerusalem, sonnent les cloches (Vepres ukrainiennes)
- Canon d'Andreas Kritzky
- Hymne funebre
- Cherubin (Hymne)
- Gloire a la resurrection (Chant tire de la messe de Paques)
- Premier Hymne de Paques
- Psaume de Paques
- Deuxieme hymne de Paques
- Ave Maria
- Notre Pere
- Litanie de la grande liturgie de Saint Jean
- Dieu, Sauve ton peuple
- Credo
- Premier Psaume de David
Average customer rating:
|
Le Chant français, 1948-1965
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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| Berlioz, Hector
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| Borodin, Alexander
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| Delibes, Léo
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| Donizetti, Gaetano
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| Flotow, Friedrich von
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| Gluck, Christoph W.
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| Gounod, Charles
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| Mascagni, Pietro
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| Massenet, Jules
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| Meyerbeer, Giacomo
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| Mozart, Wolfgang Amadeus
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| Offenbach, Jacques
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| Ponchielli, Amilcare
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| Puccini, Giacomo
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| Wagner, Richard
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| Rossini, Gioacchino
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ASIN: B000093U3N
Release Date: 2004-01-07 |
Average customer rating:
|
à la Gloire de Dieu
Manufacturer: CORO
ProductGroup: Music
Binding: Audio CD
All Works by Barber
| Barber, Samuel
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| Stravinsky, Igor
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| Tippett, Michael
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ASIN: B00008ZZ26
Release Date: 2003-06-01 |
Tracks:
- Charles IVES: The Unanswered Question
- Samuel BARBER: Agnus Dei
- Igor STRAVINSKY: Symphony of Psalms
- Michael TIPPETT: Five Negro Spirituals from 'A Child of Our Time'
- Francis POULENC : Sept Rns des Tenes
Album Description
This recording draws together some truly great choral pieces - from Stravinsky's Symphony of Psalms through Barber's Agnus Dei, the moving choral setting of his ever-popular Adagio for Strings. Here the most prominent new world composers of the time, Ives and Barber, are brought together with old world counterparts, Poulenc and Stravinsky, in a disc of deeply felt music expressing each composers' perception of the spirituality of life. Straddling the two worlds is Michael Tippett's set of spiritual settings from "A Child of Our Time".
Track Listings:
- Lalo: Violin Concerto in F, Op. 20 / Concerto russe, Op. 29 / Scherzo in D minor / Le roi d'Ys Overture / Charlier
- Lars-Erik Larsson: Symphonies Nos. 1 & 2
- Lasso: Chansons And Madrigals
- Live From The Holland Liszt Festival, Duos for Two Pianos and Piano, Four-Hands
- Loewe: Lieder und Balladen, Vol.7
- Manuel M. Ponce Vol. I
- Matthews: Fourth sonata for orchestra; Broken Symmetry
- Mozart: Complete Sonatas for Fortepiano and Violin, Vol. 1; Mannheim Sonatas
- Mozart: Davidde Penitente Kv469, Ave Verum Corpus Kv618 [Import]
- Mozart: Piano Concertos Nos. 18 & 19 [Import]
Track Listings
track listings
Track Listings
Fuzz, Flaykes, & Shakes, Vol. 2: The Day Breaks at Dawn
Dynamic Organ Music Series Volume 2
Good Hands
Ast
Sur O No Sur [Import]
In Crowd [Import]
Let's Face the Music and Dance [Import]
Hommage à Revueltas
Hopeful Ramantic
I Love Being Here With You
Julie Ruin
Extrano a Mi Pueblo
Estrellas de Espana
Maple Room
Brassy and Sassy