Christophe Rousset ~ Bach - Goldberg Variations
Editorial Reviews
Amazon.com
One of the finest harpsichord players active today, Christophe Rousset made many excellent recordings for Harmonia Mundi before jumping ship and recording for Polygram. This will probably turn out to be a mistake on his part, as most of his Bach releases haven't even been issued in this country, whereas his Harmonia Mundi titles are still available and going strong. One of the few new recordings of Rousset's that we do have is this first-rate Goldberg Variations, a fine performance by any standard. This piece will always remain one of the ultimate intellectual and emotional challenges for pianists and harpsichordists alike, and Rousset is certainly up to the job. Grab it while you can. --David Hurwitz
Christophe Rousset ~ Bach - Goldberg Variations, Music, Johann Sebastian Bach, Christophe Rousset, Baroque Variations for Keyboard, Classical, Classical Music, Keyboard
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J. S. Bach: Goldberg Variations, BWV 988; Italian Concerto, BWV 971; etc.
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ASIN: B000BV5RCE
Release Date: 2006-05-16 |
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ASIN: B00008RV2C
Release Date: 2003-04-08 |
Tracks:
- Allegro Assai - I Musici
- Preludio - Henryk Szeryng
- Prelude In C Major, BWV 846 - Andras Schiff
- Air - Thurston Dart
- Aria - Christophe Rousset
- Toccata - Wolfgang Rubsam
- Fugue - Wolfgang Rubsam
- Sinfonia - Heinz Holliger
- Largo Ma Non Tanto - David Oistrakh
- Jesu, The Joy Of Man's Desiring - Julius Katchen
- Allegro - Musica Antiqua Koln
- Sheep May Safely Graze - Stuttgart Chamber Orchestra
- Badinerie - Christopher Hogwood
- Allegro - Trevor Pinnock
- Fugue - Trevor Pinnock
- Prelude - Mischa Maisky
- Fugue In G Minor 'The Little', BWV 578 - Helmut Wacha
Average customer rating:
- In response to the other review
- Bach would have attended all performances in the series!
|
Christophe Rousset ~ Bach - Goldberg Variations
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
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Variations
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| Baroque (c.1600-1750)
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ASIN: B000004CYL
Release Date: 1996-04-09 |
Tracks:
- Aria
- Variato 1. a 1 Clav.
- Variato 2. a 1 Clav.
- Variato 3. Canone all'Unisuono. a 1 Clav.
- Variato 4. a 1 Clav.
- Variato 5. a 1 o vero 2 Clav.
- Variato 6. Canone alla Seconda. a 1 Clav.
- Variato 7. a 1 o vero 2 Clav. al tempo di Giga
- Variato 8. a 2 Clav.
- Variato 9. Canone alla Terza. a 1 Clav.
- Variato 10. Fughetta. a 1 Clav.
- Variato 11. a 2 Clav.
- Variato 12. Canone alla Quarta. a 1 Clav.
- Variato 13. a 2 Clav.
- Variato 14. a 2 Clav.
- Variato 15. Canone alla Quinta. a 1 Clav. andante
- Variato 16. Ouverture. a 1 Clav.
- Variato 17. a 2 Clav.
- Variato 18. Canone alla Sexta. a 1 Clav.
- Variato 19. a 1 Clav.
- Variato 20. a 2 Clav.
- Variato 21. Canone alla Settima. a 1 Clav.
- Variato 22. a 1 Clav.
- Variato 23. a 2 Clav.
- Variato 24. Canone all'Ottava. a 1 Clav.
- Variato 25. a 2 Clav. adagio
- Variato 26. a 2 Clav.
- Variato 27. Canone alla Nona. a 2 Clav.
- Variato 28. a 2 Clav.
- Variato 29. a 1 o vero 2 Clav.
- Variato 30. Quodlibet. a 1 Clav.
- Aria
Amazon.com
One of the finest harpsichord players active today, Christophe Rousset made many excellent recordings for Harmonia Mundi before jumping ship and recording for Polygram. This will probably turn out to be a mistake on his part, as most of his Bach releases haven't even been issued in this country, whereas his Harmonia Mundi titles are still available and going strong. One of the few new recordings of Rousset's that we do have is this first-rate Goldberg Variations, a fine performance by any standard. This piece will always remain one of the ultimate intellectual and emotional challenges for pianists and harpsichordists alike, and Rousset is certainly up to the job. Grab it while you can. --David Hurwitz
Customer Reviews:
In response to the other review.......1999-05-24
I haven't heard the whole disk, only the selections offered. But since I know well the variations, I shall respond. (I didn't tamper with the 5 star rating.)
This harpsichord playing is indeed quite good. If I remember right, he used an authentic model and not merely an authentic-sounding instrument.
But I shouldn't compare this playing to Toscanini. The best compliment I can think of is that it sounds like Gould on a harpsichord.
Bach would have attended all performances in the series!.......1999-02-02
I think I am not supposed to comment solely on the performer; yet given the work performed and the composer, a comment on either would be superfluous. Neither needs any comment. In the case of such works, the performer is everything; and Christophe Rousset seems to be just about that: everything. His performances in ensemble work are wonderful, but his special gift is evident in solo work such as this. The haprsichord has a reputation for being a "less than" instrument in comparison with the piano: less tonal color, less dynamic range, less yielding of nuance. In some performers' hands this is so. When Rousset plays, the instrument sings. What Toscanini was to the orchestra, Rousset is to his instrument. How he coaxes such fluidity, nuance and sense of melody from it, is beyond any explanation - other than the simple one, that he has sold his soul to God.
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