Moto Perpetuo

Track Listings

1. Moto Perpetuo

2. Peasant Rhapsody

3. Song

4. A Light Rachenitza

5. Chant

6. A Little Toccata

7. Sevdana

8. Ballade

9. Tongue Twister

10. Maiden's Sorrow

11. Rebec Song

12. Rachenitza

Tracks:

Scarlatti: Keyboard Sonata in C Major K. 159
Bach: Two-Part Invention No. 13
Debussy: "Doctor Gradus ad Parnassum" from Children's Corner
Chopin: Mazurka in F-sharp Minor
Bach: "Prelude" from Partita No. 3 for Solo Violin
Chopin: Etude in C-sharp Minor
Chopin: Mazurka in F-sharp Minor
Bach: Three-Part Invention No. 10
Tchaikovsky: Melody in E-flat
Brahms: "Presto in G-Minor I after Bach"
Bach: "Prelude" from Suite for Unaccompanied Cello 1
Bach: Three-Part Invention No. 15
Paganini: Moto Perpetuo
Scarlatti: Keyboard Sonata in D Minor K. 213
Bach: Two-Part Invention No. 6
Beethoven: "Adagio sostenuto" from "Moonlight" Sonata
Bach: Two-Part Invention No. 11
Beethoven: Seven Variations on "God Save The King"
Bach: Three-Part Invention No. 7
Paganini: Moto Perpetuo (Bluegrass version)

Amazon.com

Bela Fleck is one of the greatest five-string banjo players performing today. Beginning in the 1970s, he honed his lightning-fast chops performing bluegrass, then moved on to contemporary jazz and fusion sounds. With this album, he broadens his horizons once again by performing an entire program of classical music transcriptions. Reminiscent of classical guitar albums by John Williams (who makes a guest appearance here), the disc traverses a wide range of repertoire--from Chopin mazurkas to Bach's Two and Three Part Inventions. Throughout, Fleck displays a feathery touch on his banjo, and his instrument offers a pleasant, brassy tone with very little twang. The technique he displays on Perpetual Motion is astounding and a refreshing change of pace from the smooth grooves found on the banjoist's Flecktones recordings. The arrangements are generally minimalist and understated, but violinist Joshua Bell, bassist Edgar Meyer, mandolinist Chris Thile, and percussionist Evelyn Glennie join in on this groundbreaking disc. Bluegrass purists may be disappointed (this is a far cry from the free-spirited, folksy abandon found on Sony's Short Trip Home and Appalachian Journey CDs), but classical fans will be astounded by how perfectly natural Fleck's banjo sounds on these works. --Jason Verlinde

Customer Reviews:

Amazing and beautiful.......2007-01-02

Fleck's 2001 disc `Perpetual Motion' is by far his most ambitious foray into virtuosity, performing classical works by Bach, Scarlatti and Chopin.

And he does it without really showing off. He only tackles mazurkas, fugues and Bach classical inventions on the five-string banjo, a simple instrument for which this music was never conceived.

I once flirted with playing the banjo, and it wasn't an easy task, even trying to play 'Uncle Pen'.

But the man must be possessed to play it like Bela does. Alternating between delicate and complicated, slow to fast, Fleck gets about as much out of the humble banjo as anyone possibly could. He plays it precisely and with a light touch, with respect for the music and his instrument.

Some reviewers think it pretentious of Fleck to attempt a banjo foray into the classical genre. That's bunk. How is virtuosity measured, after all? By playing many genres: classical, bluegrass, pop, jazz, Indian, fusion. And by playing them well.

Fleck wasn't awarded a Grammy for this recording just by looking pretty. He earned it.

Another Bela Fleck Masterpiece!.......2006-09-17

Who knew there could be classical banjo. It may sound dumb to some of you, but Bela Fleck pulls it off perfectly. I prefer the jazz fusion of his work with the Flecktones, but that does not mean this is not brilliant. Technically speaking, Bela and all of his collaborators are the best around, and who can argue with the songwriting of the classical composers(no one openly insults Mozart). If you haven't heard Bela Fleck, here's some advice. Get one of his Flecktones albums if you're into jazz, rock, or funk, this if you like classical, and his Newgrass Revival, Strength in Numbers, or Sam Bush stuff if you're a bluegrass fan.

Definitely a Winner.......2006-07-05

It is apparent to my ears why this CD won a Grammy. It takes familiar classical music pieces and puts the distinct Bela Fleck style on them. The pairing of the banjo with different instruments makes this album texturally interesting for the ear and one does not tire of the selections, even if they are familiar. My favorite pairing is the marimba with the banjo. The liner notes are interesting, as is Bela's story on how difficult it was to make the album. It was definitely worth his time and the listener's .

Soul Food.......2006-01-30

This is exquisite! The best of human experience encoded on a simple CD disk.

AN AMAZING WORK ! ! !.......2005-11-12

I was searching a classical music CD for a long time which is something different.Which consists variety of instruments. Like guitar,violin,banjo,mandolin...for example.Something different and also exiting music.This CD fullfills my wishes. The music like this doesn't come up very often I suppose!
Béla Fleck did a great job by working with people who is masters of their instruments like John Williams etc. This causes the CD to be more joyful.You won't get bored to listen it again and again!
Anyway ,either you are a fan of classical music or not, you won't be dissapointed with this.I guarantee :)

Average customer rating:

Selection of Songs?
If you are a violin lover, buy it
This is "THE" Greatest Hits alum by Perlman
This is a relaxing, however, somewhat disjointed collection.

Itzhak Perlman's Greatest Hits

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Cinema Serenade
Concertos From My Childhood / Perlman, Foster
Masters of the Bow
Itzhak Perlman - A la carte / Lawrence Foster

ASIN: B000002RZO
Release Date: 1998-02-17

Tracks:

Salut D'amour, Op.12
Songs Without Words, Op.19: Sweet Remembrance
Humoresque
Berceuse, Op.16
Flight Of The Bumble-Bee
The Girl With The Flaxen Hair
The Swan
Cavatina, Op.85, No.3
The Old Folks At Home
Liebesfreud
Moto perpetuo, Op.11
Vocalise, Op.34, No.14
String Quartet Op.11, No.1: Andante cantabile
Songs My Mother Taught Me, Op.55, No.4
Guitarre, Op.45, No.2
Romance In A Major, Op.94, No.2
Nocturne In E Flat, Op.55, No.2
Zapateado, Op.23

Customer Reviews:

Selection of Songs?.......2006-07-02

Perlman is a man of extraordinary clarity and tonality also one of my favorite violinists. After I finish practicing a piece I usually find a recording to listen to different interpretations. Most of them are by Perlman and Heifetz. Unfortunately this album has some obscure songs and the songs itself do not do justice to Perlman what some other songs may have done. Still it is important to broaden the scope, so I would recommend this to all music connoisseurs :). btw i'm only 16 so...don't take this review too literal huh?

If you are a violin lover, buy it.......2003-01-19

It's beautiful. Simply put.

This is "THE" Greatest Hits alum by Perlman.......2000-12-03

Perlam is already a great player like the whole world knows. But the music selection couldn't better! I espacily like the piano accomplimant. Perlman pays the pieces with true style. The working realtionship between Perlman and the Pianist is truly incredible. Before geting any of Perlman's other greatest hits albums, get this one!

This is a relaxing, however, somewhat disjointed collection........1998-11-12

This collection of familiar tunes will provide a relaxing hour with one of the world's premier violinists. However, the combination of "The Old Folks at Home" and "Motto perpetuo" is somewhat difficult to assimilate. At any rate, Perlman is a listener's joy!

Average customer rating:

World's best trumpet player
Credit Wynton Marsalis
stylistically wrong
Wynton, Wynton, Wynton.
Good, but not the best

Carnaval

Manufacturer: Sony
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Cornet Favorites
Classic Wynton
Wynton Marsalis - Baroque Music for Trumpet
Turn-of-the-Century Cornet Favorites
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ASIN: B0000026EN
Release Date: 1990-10-25

Tracks:

Carnaval: Variations Sur 'Le Carnaval De Venise'
Carnaval: The Debutante (Caprice Brillant)
Carnaval: Believe Me, If All Those Endearing Young Charms
Carnaval: Grand Russian Fantasia
Carnaval: Moto Perpetuo, Op 11
Carnaval: 'Tis the Last Rose of Summer
Tsar Saltan: The Flight of The Bumblebee
Carnaval: Napoli -- Variations on a Neapolitan Song
Carnaval: Fantaisie Brillante
Carnaval: Sometimes I Feel Like a Motherless Child
Carnaval: Valse Brillante

Customer Reviews:

World's best trumpet player.......2007-05-12

The incredible Wynton Marsalis plays the classics of the brass solo genre.
If you want to hear some very delightful music played by a most impressive instrumentalist, get this album.

Listening to this will make you realize the mediocrity of most of today's popular music. They don't grow people like Jean-Baptiste Arban any more.

Credit Wynton Marsalis.......2007-01-25

This outstanding collection of turn-of-the-last-century cornet solos is a collector's item. Mr. Marsalis (and the ensemble) makes it all sound so easy and enjoyable. As an instrumental music teacher I find hearing these inspires many of my high school high brass players to work on them.

stylistically wrong.......2005-05-29

Having studied with an international authority on cornet playing I can con fidently say that Wynton's cornet playing is ok at best. More than anything hes tryying to sell CDs rather than capture the essence of Cornet playing, like most of wyntons playing its alot of flash but no substance. Great if your a trumpet head and you get off on empty virtuostic fluff.

Wynton, Wynton, Wynton........2005-01-01

There are times, when I'm listeing to Wynton, I get depressed like the flash of a 64th note played. His sounds is so pure and wonderful. He rocks. I don't mind realizing that there aren't many other trumpeteers out there like him.

I met him once actually. In Alice Tully Hall, after a holiday concert. He stood on the stage towering over my dad, brother and I. He called us "the frontline", after my dad telling him we play the trumpet, trombone, and clarinet. What a cool guy.

Good, but not the best.......2004-11-28

Marsalis is an excellent trumpet player, there is no question as to that. He is certainly not the best in the world, however. I prefer a better recording of Carnival of Venice and many other cornet solos by Gerard Schwarz. The spirit of such solos is lost when they are put to ensemble accompaniment, Schwarz interprets them far better in my opinion. Also, his technical mastery is at least equal to that of Wynton's, or was when he made the album. His sound is sweeter and more perfect to my ear. And this is not the only album in which you can hear dazzling technical pieces, either. Sergei Nakariakov, Rafael Mendez, and Allen Vizzutti are the most proficient players with recordings out there. Nakariakov and Mendez both do better readings of the Paganini, playing the entire song double-tonguing and circular breathing. The Mendez Flight of the Bumblebee has a much better sound and fits the piece more, too. The most amazing song I have ever heard is the Carnival of Venus, by Vizzutti. Listen to anything by Wynton and then this song, you will be absolutely amazed. The last variation of the Marsalis is Vizzutti's first, and they get harder from there. Simply put, this is a good recording and the most accessible, but there are better ones out there. I wouldn't buy this to hear cornet solos or amazing technical pieces, but for hearing other interpretations. I prefer Schwarz, Mendez, Vizzutti, and Nakariakov.

Average customer rating:

Classic Wynton
amazing
Heard this with NEW appreication.........
Wynton's the best
Classic Wynton--brilliant, clear trumpet renditions

Classic Wynton

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Greatest Hits: Trumpet
Standard Time, Vol.3: The Resolution Of Romance

ASIN: B00000DI10
Release Date: 1998-11-10

Tracks:

In Gabriel's Garden: The King's March - English CO; Leppard, R.
Concerto For Two Trumpets In C Major: Allegro - English CO; Newman, A.
The Indian Queen: Entrada From The Indian Queen - St. Luke's Orch; Nelson, J.
In Gabriel's Garden: The Prince Of Denmark's March - English CO; Newman, A.
In Gabriel's Garden: Trumpet Voluntary - English CO; Leppard, R.
Baroque Duet: Let The Bright Seraphim - Wynton Marsalis
Suites De Symphonies: Rondeau - English CO; Leppard, R.
Brandenburg Concerto No. 2: III. Allegro Assai (Excerpt) - Eastman Wind Ensemble; Hunsberger, D.
In Gabriel's Garden: Prelude From Te Deum - Eastman Wind Ensemble; Hunsberger, D.
Concerto For Trumpet And Orchestra In D Major: II. Allegro Moderato - Philharmonia Orch; Salonen, E.
Baroque Music For Trumpets: I. Adagio - Eastman Wind Ensemble; Hunsberger, D.
Concerto For Trumpet And Orchestra In E-Flat Major: III. Finale. Allegro - Wynton Marsalis
Concerto For Trumpet And Orchestra In E Major: III. Rondo. Allegro Molto - Wynton Marsalis
Carnaval: 'Tis The Last Rose Of Summer - Wynton Marsalis
Carnaval: Variations On 'Le Carnaval De Venise' - Wynton Marsalis
On The Twentieth Century: Rondo For Lifey (For Trumpet And Piano) - Wynton Marsalis
Prayer Of St. Gregory For Trumpet And Organ - Anthony Newman
Concerto For Trumpet And Orchestra: I. Allegro - Wynton Marsalis
Carnaval: Moto Perpetuo - Wynton Marsalis
Tsar Saltan: Flight Of The Bumblebee - Wynton Marsalis

Amazon.com

Wynton Marsalis may not have an easily recognizable or even particularly handsome tone, but this erstwhile jazz trumpeter is an amazing virtuoso with a fine sense of classical style. If you've never owned/heard any of his classical CDs, and you love (mostly baroque) trumpet music, this compilation--a sort of "greatest hits"--is for you. From such cruddy, sensationalistic works as Carnival of Venice to the glories of Haydn's E-Flat Concerto, this is grand entertainment. Marsalis is joined by Kathleen Battle in an exciting version of Handel's "Let the bright seraphim," and the treat there is doubled. A fine piece by Hovhaness for trumpet and organ, never before released, is another surprise. Come listen to the endless, seemingly casual roulades that come out of this guy's trumpet--they'll wake you right up. --Robert Levine

Customer Reviews:

Classic Wynton.......2007-07-11

Classic! What else is there to say? As an introduction to the other, many classic recordings of this superbly talented trumpeter, it is as good a guide as possible.

amazing.......2006-10-31

Classic Wynton is the most glorious display of musicianship I have ever heard. No other trumpet player even comes close to Wynton. Don't listen to anything the editorial review says though, it must have been written by a complete ignoramus. Wynton Marsalis not having a clear or recognizable tone? Please...That's like saying Kobe Bryant isn't a good shooter. I can't believe that garbage is on a credible site such as Amazon.

Heard this with NEW appreication................2006-09-07

This is such a wonderful mix. I especially love the Haydn concerto finale in E flat. I was listening to this cd when my grandson (almost 3) heard the glorious music of the trumpet for the first time. He loved seeing the photos of Mr. Marsalis (which I embellished, albeit true, saying how difficult it is to play the trumpet - hence the need for a handerchief to wipe his brow in one of the photos). This awakened his awareness of trumpet music where he now loves to listen to one of his Baby Einstein cd's in the car. Specifically, he told his mother "louder" when the trumpet piece was played - repetetively.

Wynton's the best.......2006-03-17

I'm not a professional musician and don't have a trained ear but Wynton Marsalis has provided me with a very delightful hour of extremely good music.

Classic Wynton--brilliant, clear trumpet renditions.......2006-02-25

For anyone who loves trumpet music as I do, this album is a must. Wynton Marsalis has mastered twenty all-time favorite pieces with such brilliance, that no other trumpeteer comes near by comparison. Opening with J. Clarke's, The King's March, Wynton proceeds to favor listeners with such baroque favorites as Purcell's Entrada from "The Indian Queen," J. Clark's The Prince of Denmark's March and J. Stanley's Trumpet Voluntary. Fantastic selections from Bach, Mozart, and Haydn follow, with the album also including such delightful listening as The Last Rose of Summer, Carnival of Venisee, and Flight of the Bumblebee. You won't be disappointed with this purchase!

Average customer rating:

Reading about Paganini
Unexpected Delights
An unearthly hand guides his bow
Excellent Introductory set of Paganini
Fine compilation of Paganini

The Best of Paganini

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Paganini: 24 Caprices
Paganini for Two / Gil Shaham, Goran Sollscher
The Art of Ivry Gitlis
Paganini: Violin Concertos
Heifetz Showpieces

ASIN: B00000J9H2
Release Date: 1999-06-15

Tracks:

Violin Concerto No. 1 In D, Op. 6: 1. Allegro maestoso - Nicolo Paganini
Violin Concerto No. 1 In D, Op. 6: 2. Adagio - Nicolo Paganini
3. Rondo, Allegro spirituoso - Nicolo Paganini
I palpiti, Op.13 - Nicolo Paganini
Le streghe, Op.8 - Nicolo Paganini
Violin Concerto No. 4 In D Minor: 1. Allegro maestoso - Nicolo Paganini
Violin Concerto No. 4 In D Minor: 2. Adagio Flebile con sentimento - Nicolo Paganini
3. Rondo galante. Andantino gaio - Nicolo Paganini

Tracks:

Violin Concerto No. 2 in B mnor, Op. 7 - Allegro maestoso - Various Artists
Violin Concerto No. 2 in B mnor, Op. 7 - Adagio - Various Artists
Violin Concerto No. 2 in B mnor, Op. 7 - Rondo a la clochette, La Campanella - Various Artists
Caprice For Violin No. 13 - Various Artists
Caprice For Violin No. 20 - Various Artists
Caprice For Violin No. 24 - Various Artists
Violin Concerto No. 3 in E - Introduzione Andante, Allegro marziale - Various Artists
Violin Concerto No. 3 in E - Adagio, Cantabile spianato - Various Artists
Violin Concerto No. 3 in E - Polacca, Andantino vivace - Various Artists
Moto Perpetuo, Op. 11 - Various Artists

Customer Reviews:

Reading about Paganini.......2007-01-25

Fans of Paganini should read Julian Livingston's novel, Paganini-The Vampire Career. In this book, P.T. Barnum has sent Henry Feder to Europe to seek out a new violinist, Nicolaties, more than 40 years after Paganini died without last rites. Nicolaties looks, performs, behaves like Paganini. Could it be him? Lots of technical references to music, as Mr. Livingston is a musician and has written 2 operas. A very interesting book for musicians, vampire lovers, and macabre 19th century European tales.

Unexpected Delights.......2001-03-16

I bought this CD after hearing of the legend of Paganini - the devil on his shoulder, the playing that made people faint, the Marfan-syndrome affected joints that allowed impossible finger contortions, the immense crowds that adored him, as they did Liszt at the piano. What I expected was to hear impossible violin artistry at work, which was definitely fulfilled. What I did not expect, however, were the marvelous interludes between the violin solos. Paganini's concerti are unlike those of Beethoven and Brahms, as the violin completely dominates the attention. But the power of the full orchestra was unexpected. These are true violin showpieces, to be certain, but they are also marvelous bits of music - when the full orchestra blasts in you can't help but smile.

An unearthly hand guides his bow.......2000-08-13

"The Devil guides his bow " was what audiences said when they heard the fast fingers of Nicolo Paganini as he performed his various Caprices and Concertos. This was not an insult. He could play with demonic speed and still maintain a great sound. He is first and foremost a violinist, a superb one. Paganini's music is also brilliant and elegant sounding. In his time, audiences were moved to tears by his slower violin movements. This proves the emotional factor is present in his music, making him a Romantic composer and nevertheless a Classical composer. Stradivari violins were being made at this time. It was a great period in music and Paganini was a legend. I highly recommend this cd containing his most gorgeous works.

Excellent Introductory set of Paganini.......2000-01-14

This is a fine compilation. Not only it includes better compositions by Paganini, it also includes some of the best recorded performance of the works as well. As a musicological interest, Grumiaux and Szerying gave revival performances of no.3 and 4. The approaches the three violinists take are interesting to note as well. Szeryng and Grumiaux's playing emphasize the lyrical, aristocratic quality, whereas Gitlis emphasizes the demonic quality. And both approaches work splendidly. This set will provide an excellent introduction for people who does not know the compositions by Paganini, and will provide great pleasure for those who knows the music but has not heard them performed by these three wonderful violinists. Strongly recommended.

Fine compilation of Paganini.......1999-12-01

This is a fine collection of Paganini. Szeryng and Grumiaux gave the modern premieres for third and fourth concertos, respectively. Grumiaux's aristocratic performance of the fourth concerto has rarely been matched. In his performance, musicianship, technique and taste are balanced in an incomparable perfection. Szeryng's noble, distinguished performance of the third concerto has also very few equals. His restrained lyricism is particularly effective in the aria-like 2nd movement. As a pleasant surprise, Szeryng's performance has a great deal of charm as well (which is not always the case). Then as a contrast, this set has a hair-raisingly demonic performance of the second concerto by under-rated Ivry Gitlis. Gitlis's approach is 180 degree opposite from lyrical Grumiaux and Szeryng. Gitlis plays the concerto as if he is an personification of the devil himself, with gut-shattering vibrato and fearless abandan. Gitlis' fine performances of 3 caprices matches in every way with Heifetz's. The other recordings in this set are also distinguished, but not quite in the same level as the above mentioned. Grumiaux's lyrical performance of the first concerto sounds somewhat pale compared to young Yehudi Menuhin's 1934 performance, and so as his recording of two variations (Ricci plays a better Le Streghe, and I don't understand why Philips did not use Gitlis' version of I palpiti, which is much better). Marrinar's competent but hardly exciting perpetuo mobile (compare with Toscanini's recording!) could have been substituted with several more of Gitlis' Paganini short pieces he recorded during the 1960's on Philips. But this compilation is definitely worth getting for the concertos nos.2, 3 & 4. And the price is good too!

Paganini for Two / Gil Shaham, Goran Sollscher

Average customer rating:

A great CD
Epochal Paganini
Aristocratic Playing
passion in a cage
Glad to see Paganini's guitar music isn't being neglected.

Paganini for Two / Gil Shaham, Goran Sollscher

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Schubert for Two (Dig)
Dvorák For Two: Works For Violin & Piano
The Best of Paganini
Paganini: Violin Concertos
Duos for Violin & Guitar

ASIN: B000001GJB
Release Date: 1994-03-15

Tracks:

Sonata Concertata For Violin And Guitar In A Major, M.S. 2: Allegro Spiritoso
Sonata Concertata For Violin And Guitar In A Major, M.S. 2: Adagio, Assai Espressivo
Sonata Concertata For Violin And Guitar In A Major, M.S. 2: Rondeau. Allegretto Con Brio, Scherzando
Sei Sonate M.S. 27 (Op. 3) For Violin And Guitar: Sonata No. 1 In A Major: Larghetto
Sei Sonate M.S. 27 (Op. 3) For Violin And Guitar: Sonata No. 1 In A Major: Presto Variato - Variazione
Sei Sonate M.S. 27 (Op. 3) For Violin And Guitar: Sonata No. 1 In A Major: Andante Largo
Sei Sonate M.S. 27 (Op. 3) For Violin And Guitar: Sonata No. 1 In A Major: Allegretto
Sei Sonate M.S. 27 (Op. 3) For Violin And Guitar: Sonata No. 6 In E Minor: Andante
Sei Sonate M.S. 27 (Op. 3) For Violin And Guitar: Sonata No. 6 In E Minor: Allegro Vivo E Spiritsos - Minore
Grand Sonata M.S. 3 For Violin And Guitar In A Major: Romance. Piu tosto Largo, Amorosamente
Centone Di Sonate M.S. 112 For Violin And Guitar: Lettera A: Sonata No. 2 In D Major: Adagio Cantabile
Centone Di Sonate M.S. 112 For Violin And Guitar: Lettera A: Sonata No. 2 In D Major: Rondoncino. Andantino, Tempo Di Placca - Minore
Centone Di Sonate M.S. 112 For Violin And Guitar: Lettera A: Sonata No. 2 In A Major: Adagio Cantabile
Centone Di Sonate M.S. 112 For Violin And Guitar: Lettera A: Sonata A Major: Rondo. Andantino, Allegretto-Minore-Maggiore
Cantabile M.S. 109 For Violin And Guitar (Pianoforte) In D Major
Introduction And Variations On 'Dal Tuo Stellato Soglio' From Rossini's Mose (Sonata A Preghiera) M.S. 23: Introduction. Adagio
Introduction And Variations On 'Dal Tuo Stellato Soglio' From Rossini's Mose (Sonata A Preghiera) M.S. 23: Theme. Tempo Alla Marcia
Introduction And Variations On 'Dal Tuo Stellato Soglio' From Rossini's Mose (Sonata A Preghiera) M.S. 23: Var. I
Introduction And Variations On 'Dal Tuo Stellato Soglio' From Rossini's Mose (Sonata A Preghiera) M.S. 23: Var. II Vigoroso
Introduction And Variations On 'Dal Tuo Stellato Soglio' From Rossini's Mose (Sonata A Preghiera) M.S. 23: Var. III
Introduction And Variations On 'Dal Tuo Stellato Soglio' From Rossini's Mose (Sonata A Preghiera) M.S. 23: Finale
Moto Perpetuo (Allegro Vivace A Movimento Perpetuo) M.S. 72 (Op. 11), For Violin And Guitar In C Major

Customer Reviews:

A great CD.......2006-02-02

This collection of Paganini's music has it all. Great playing from both soloists, full of passion and presence, great recording, well balanced - a must for this kind of music and great pieces, all coming to life by Gil Shaham.

Epochal Paganini.......2005-08-09

This disc is a landmark in the history of Paganini performing.Gil Shaham's flawless technique simply makes the music shine in all its virtuosistic brilliance.Shaham's light-hearted approach to the music gives the pieces on this CD a level of warmth and intimacy that is hard to find in any other recording of Paganini works.The only draw-back to this recording is the fragmentary performance of the Grand Sonata.The CD is only barely over 60 minutes long and there is still plenty of place for the 2 remaining movements to fill in.But most of all,it is the marvellous playing from both Shaham and Gollscher that stuns any listener and make them hunger for more.

Aristocratic Playing.......2002-03-04

This is a delightful cd that still sets the standard for these varied violin/guitar pieces even though they were recorded in November '92. Gil Shaham plays with an aristocratic charm that makes every piece sound so refreshing and witty; he has imbued into these Paganini works the purest violin tones and cleanest approach of everyone who has tackled the same works including Monica Huggett's recordings on Harmonia Mundi and the inexpensive Naxos recordings. Indeed while listening to both Huggett's and Shaham's interpretations of the "Sonata Concertata", I prefer the latter simply because it is so much more refined; Huggett's playing seems more raw and less polished even though there may appear to be more energy. Huggett plays the piece as if it was a Baroque Miniature Masterpiece; Shaham plays it in the Classical Mold full of romance and feeling- imparting a greater degree of mystery and spirituality. Shaham makes every note sound just right and no quips with the interpretation; his refinement of technique reminds me of a young Arthur Grumiaux but with a even greater sense of mastery and control.

It is an interesting fact that Paganini wrote over 100 solo pieces for the guitar even though he is now known primarily for his violin works. Paganini is believed to have used the guitar as the instrument of choice during composition. Although his guitar pieces do not approach the virtuosic exuberance of the more famous violin counterparts such as the "24 Caprices", they define an intimate and private Paganini; one who indulges in a more relaxed and quiet setting- away from the fireworks of the stage performances. However make no mistake- many of these pieces from this recording are meant to be played with a lot of fire and splendid bowtapping such as the "Moto Perpetuo" (the last selection) and Shaham's rhythmic attack never slackens even in the most demanding passages.

"Paganini for Two" on first glance sounds like any other recording made especially for background dinner music (even the tiny sticker on the packaging highlights this point!)but there is a lot of lyrical refinement for even the serious Paganini collector and classical music lover. A number of Sonatas are included although at times the guitar plays a lesser role. I would have preferred to see the entire "Grand Sonata" appear in this recording but only the "Romance" from it- a very short four and a half minute piece is included. The rest of the programme if not generous is still varied and interesting- stretching slightly over 60 minutes.

All this talk of Shaham certainly does not detract from the wonderful accompaniment provided by veteran guitarist Goran Sollscher who was known previously for his luminous recordings of the Bach Lute suites (also on DG)and refreshing interpretations of even the music of the Beatles! You can hear every one of Sollscher's notes and this partnership is certainly a very successful one. To cap it all off, the sound is crystal clear with a lot of depth and proper soundstaging. The violin and guitar sound very holographic and on a good hi-fi equipment, this disc can be worthy of demonstration material.

A Solid 5 Star Recommendation? You bet!

passion in a cage.......2000-03-22

I wonder what the musicians on this record could do, if they really let themselves go! Here we have so much brilliant skill, and Shaham & Söllcher could easily exchange a bit of it for some rage and tears. Then it should have been a six star rating on this record!

Glad to see Paganini's guitar music isn't being neglected........1999-07-09

Among the "big three" of classical writers for guitar (Sor, Giuliani, Paganini), Paganini seems to me best at integrating the guitar in chamber ensembles. Not that his guitar-violin relationship is static in these duets. In the Sonata Concertante, for example, the instruments are almost equal partners, with the guitar slightly upstage. In the six sonatas, the guitar merely provides accompaniment.

The common denominator is the likeability of this music, with little or none of the bravura writing for which Paganini is best known. In fact, among the three composers for the guitar above-mentioned, Paganini seems to me the most straight-ahead and guitaristic.

It's interesting to see Sollscher tackle this material, since he's best-known for his solo Bach transcriptions on his custom 11-string. Totally different -- and totally entrancing.

Tracks:

A Set: 1. Allegro
A Set: 2. Adagio
A Set: 3. Allegro
Ste, Op.74: 1. Rhap: Tempo Rubato
Ste, Op.74: 2. Ser: Molto Tranquillo
Ste, Op.74: 3. Scherzo: Vivace
Ste, Op.74: 4. Dance: Allegretto
Quatour Pour La Fin Du Temps: Abime Des Oiseaux
Monolog 3: 1. Andante Sostenuto
Monolog 3: 2. Allegro Vivace
Five Pieces: 1. Vigorous
Five Pieces: 2. Flowing
Five Pieces: 3. Rhythmic
Five Pieces: 4. Singing
Five Pieces: 5. Spirited
Parable, Op.126 (Parable XIII)
Rhap
Moto Perpetuo, Op.11

Album Description

Stunning collection of some of the most important 20th century solo clarinet works performed by one of the world's most renowned clarinetists.

Customer Reviews:

Breathtaking Virtuosity!.......2007-04-07

Love the album! First heard a live performance of the Martino "A Set for Clarinet" while in college. This recording is as good, for sure! Also love Mr. Cohler's take on Wm. O. Smith's "Five Pieces for Clarinet Alone".
(I know Bill Smith personally, and I'm sure he loves it too!). Best of all though, is the Paganini "Molto Perpetuo". Superb circular breathing!

good but not flawless.......2003-11-22

I don't have any overwhelming complaints about this recording, but from a clarinetist's standpoint, there are a few detractions. I thought the use of vibrato was a bit overdone and definitely affected the tone in a less than positive way. The echo-y sound of the recording definitely helps gloss over some things, but it almost has the effect of a pianist who uses too much pedal. On pieces for solo clarinet, I'd really like to hear a good clear tone with more core to it, rather than a somewhat flighty sound that uses vibrato to maintain your interest.

Matters of taste aside, the technical facility was excellent, except for a few minor spots where the rhythmic consistency seemed a little shaky. Some of the pieces have a lot of rubato feel to them, and that's fine, but some of them clearly demand a steady pulse, and there are just a few minor places were you're not quite sure if it's still there (a couple places in the smith 5 pieces for clarinet for example). Pitch on the extreme registers was good, and most of the weird effects came across well.

All in all, I'd recommend this to any clarinet aficionados, but serious students would be advised to take the performance with a grain of salt (as I suppose could be said of any recordings really.)

Lovely.......2003-03-25

Every composition well-chosen, every performance well-played. The recording quality is clear with splendid presence.

The Paganini--wow! I've already moved the doleful Osborne to my frequent-listening shelf. It's unsurprising the Martino appeals to clarinetists: it's exciting and athletic, leaping over multiple octaves at a single bound! I also enjoyed Enland von Koch's alternatively playful and pensive "Monolog 3".

Tracks:

Carnival Of The Animals: The Swan
Violin Concerto In D Minor, Op. 47: II. Adagio di molto
Trio in A Minor, Op. 50: II. A. Tema con variazioni
The Love For Three Oranges: March
Italian Serenade
Carnival Of Venice (Variations On A Famous Theme): V. Rhumba
Moto Perpetuo
Vocalise, Op. 34, No. 14
Souvenir De Florence, Op. 70: II. Adagio cantabile e con moto
Violin Concerto No. 1 In A Minor, Op. 99: IV. Burlesque

Customer Reviews:

Profile of passion.......2000-02-20

I have not yet been in the right place at the right time to see this film but I have followed Nadja's career since she won the Naumberg competition. This is a beautiful and lovingly compiled profile of her life in music, as selected from her recording history to date (not included is the astonishing recent album of gypsy music with the Assad Brothers). I knew that the creators of this soundtrack had a spiritual affinity with their subject when I saw the Souvenir de Florence second movement selection, the Sibelius second movement, the Shostakovich Burlesque and the Rachmaninov vocalise - pieces that capture the Nadja that has always captured me. Indeed, for us long-time fans, and for anyone, this is a wonderful souvenir album of one of the most soul-possessing fiddlers of our time.

Nadja - breakthrough artist.......1999-12-30

The picture on this album cover is horrible... gotta say this up front.

Now, if I could only give a one sentence appraisal of both this CD and the documentary, Nadja Salerno-Sonnenberg is the one person, the one superior artist who is also a "real" person (well, who let us see that), who could possibly reach out and grab the non-classical music enthusiast and make them thirst for classical music, because they will want more of her music.

And, if there were no other reason, I love the album, but then it and the film it stems from are so rich on so many other facets. The music itself is perfect beyond reproach.

For those of us who were never completely classically inclined, like myself, we are presented with a whole person here. Nadja is not stiff and unreachable, but rather, someone who is so very much an "average joe" who loves her family and treasures her friends, perhaps with an extremely heightened awareness that we would all kill for but might kill us if we ever got there without a likewise outlet as she has with her music, but also with a "who you lookin' at" New York accent.

I'd like to see Paola Di Florio's documentary of Nadja, "Speaking in Strings" as required viewing, world-wide. I think then that classical music would have a whole new audience. Not a doubt in my mind.

Until I saw "Speaking in Strings", I thought all classical soloists were people with sticks up their behinds who talked down their noses at everyone else. Shows you what I know.

Her music reduces me to tears, in a way I never thought possible (there's an old phrase that goes -- "This guy not only knows nothing, he don't even suspect nothing").. and that was really honestly me and classical music.

I can't even watch TV now without hearing the violin in the music of shows or commercials and then instantly switching to the stereo to this or another of her albums to hear Nadja, to hear the really good stuff. I want to feel it now, and no longer being fed junk or be a passive observer.

Just my opinion, but we've shortchanged ourselves in what "feeds" us. I never knew it was missing, until I saw this documentary, which led me to buy the album, which now, happily takes me from smiles to tears throughout. So that now I am listening to it all. A whole new world has been opened up to me.

So, I give this album as many stars as there are in the heavens. I've gotten a great gift, and if I go any farther, I'll ruin it with words.

Thank you Paola and Nadja for taking the time, the caring, and to Nadja especially for letting us so deeply into her life to make sure we "got it."

Nadja, I "got it", and I now totally believe that line in the film where you say that great moments we all have are fleeting and they are only good if you "share it." You sure have shared it. Thanks.

Bravo Nadja!.......1999-10-23

Saw the film...now have the album...love both. She's an inspiration to all of us who live in the fast lane...both emotionally and professionally... Allegro Vivace Con Mucho Brio!

PS: Per the previous reviewers comment, in the days of Mozart/Beethoven, etc., it was quite customary to perform sections of long-form works independently when playing concerts...which just confirms by example that there's nothing "wrong" or low-brow about doing it now, either in concert or on a recording.

Bits and pieces winningly played.......1999-10-07

The EMI release of (72435 56908-2) is subtitled "A Musical Companion to the Film." So I assume the music herein is not from the film but a sampling that represents, as the soloist is quoted as saying, "the variety and growth of my musical life so far." The writer is Nadja Salerno-Sonnenberg and the film is to be about her life as an artist. But none of that need concern us here. As a rule I object to movements being played out of the context of the work from which they come--e.g., the Adagio movement of the Sibelius Violin Concerto--but in this case the opening selection, Saint-Saens "The Swan," was so winningly played that I found myself liking this program very much indeed. Other composers represented here are listed above in this website. The artist is given more than adequate assistance from several pianists, chamber players, and the London Symphony Orchestra, making me suspect the selections are drawn from earlier recordings. Nevertheless, for those who like violin music in general and do not care if you hear an entire composition or just part of one, or for those who simply admire this artist, I can recommend this CD.

The Legendary James Galway: Man With the Golden Flute

Average customer rating:

Galway is a Master

The Legendary James Galway: Man With the Golden Flute

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

James Galway - Dances for Flute
James Galway ~ Meditations
The Wind Beneath My Wings
James Galway - Serenade
Music For My Friends

ASIN: B00005LN5X
Release Date: 2001-08-07

Tracks:

Hora Staccato
Serenade
Moto Perpetuo, Op.11
Minuet & Badinerie
Haru No Umi
Waltz
The Flight Of The Bumblebee
Adagio & Var
'Minute' Waltz
Dance Of The Blessed Spirits
Fant Pastorale Hongroise, Op.26

Customer Reviews:

Galway is a Master.......2002-04-22

I have returned to playing the flute after a long 15 year hiatus and went in search of good flute music to hear for inspiration. Of the 3 flute cd's I bought this has proved to be my favorite. The range of repertoire, the beautiful tone Mr. Galway achieves to play it and the orchestra that accompanies him make all the songs delightful to hear. I often find myself humming some of the melodies even after I've put the cd away...a sure sign I've really grown to like the music. I usually only hum tunes to rock or pop songs I hear on the radio - but now I do it for these songs too. If you enjoy the sound of the flute this would be a good cd to have for a collection.

Average customer rating:

"Carmen Fantasie" - Sergei Nakariakov
Correction regarding Moto Perpetuo
Practise does make perfect!
Simply Breathtaking!
Absolutely stellar display of technicality on trumpet.

Sergei Nakariakov - Carmen Fantasy
Franz Waxman , Willi Brandt , Jean-Baptiste Arban , Manuel de Falla , Camille Saint-Saens , Niccolo Paganini , Pyotr Il'yich Tchaikovsky , Gabriel Faure , Pablo de Sarasate , Sergei Nakariakov , and Alexander Markovich
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
Similar Items:

Sergei Nakariakov ~ Ravel · Gershwin · Bernstein · Glazunov - Trumpet Works
Sergei Nakariakov - No Limit
From Moscow With Love
Elegie
Trumpet Concertos

ASIN: B000000SND
Release Date: 1995-03-07

Tracks:

Carmen Fantasie
Concert Piece No. 2
Variations on a Tyrolean Song
La Vida breve: Spanish Dance
Le Carnaval des Animaux: Le Cygne
Norma: Variations on a Theme from Bellini's Norma
Caprice op. 1 No. 17
Valse-scherzo op. 34
Le Reveil
Zigeunerweisen op. 20, 1
MotoPerpetuo op. 11

Customer Reviews:

"Carmen Fantasie" - Sergei Nakariakov.......2004-08-09

This album features Russian trumpet virtuoso Sergei Nakariakov playing a very wide variety of virtuoso music not only for trumpet, but violin, cello, and voice, among others. Sergei recorded this when he was only seventeen or eighteen years old, and when I had finished listening to it, I was shocked at how such a young person was able to have complete control over these very technically demanding pieces. Perhaps the most notable piece on here is Pagini's "Moto Perpetuo" for violin and guitar (or orchestra). The double-tonguing and circular breathing he uses on this piece is almost as impressive as when Rafael Mendez, the other great virtuoso trumpeter, did it many years ago. The title song, Camren Fantasie, is also good for people who know a bit about Bizet's famous opera "Carmen". "Le Cygne" by Saint-Saëns is beautifully done, and the caprice for violin solo really allows you to hear Nakariakov's embauchre and tone quality. Also, the classic "Zigeurweisen" piece is played with great enthusiasm as another great virtuoso trumpet piece. I would recommend this album to any fan of classical music, trumpet music, and definitely a must for all trumpet players. This is one of Nakariokov's best albums, in my opinion, and even if you don't know much about classical music, you will still be impressed by the extremely gifted talent of this young man.

Correction regarding Moto Perpetuo.......2004-04-11

I thought I should correct something a previous reviewer said in comparing Nakariakov to Mendez. A little known fact about the Marsalis and Mendez recordings of Moto Perpetuo is that they were spliced together. I listened to the Mendez recording for years not realizing this, but discovered this information in an online trumpet forum, apparently verified by his trumpet playing twin sons.

Practise does make perfect!.......2000-09-30

Sergei Nakariakov's talent is immense. I am currently listening to as many trumpet virtuosos as possible and he is certainly in the top ranks. But his work leaves me wanting something more. I judge all great trumpet players by the standard set by the Mexican trumpet player, Rafael Mendez. Mendez always left you believing he had done his absolute best on a piece. He always left you with the sense that his respect for the music came before his virtuoisity, that is, his musicality was paramount to his urge to show his trumpet talent. Nakariakov does not do this. He displays his talent first,the music comes second. Nowhere is the more evident than on Moto Perpetuo. I know of only two other recordings by trumpet players of this piece written by Paganini to show off the violin. Mendez, on The Trumpet Magic of Rafael Mendez, does an extraordinary job while Wynton Marsalis, on Classic Wynton, does not even attempt to tongue this exemplar of stacatto. He simply slurs his way through. Nakariakov does tongue and he manages to hit all the notes, but not with the precision, authority, and love that Mendez displays.In the upper ranges, Nakariakov bleets and on the lower,he blats. Also, Nakariakov's control fails at times. He seems to run out of gas about half-way through Moto Perpetuo. Mendez maintains his high level of energy and control all the way through. I know Mendez was the first trumpet player to be able to inhale through his nose while he played out through his lips. He does not pause to breathe during Motto Perpetuo. I do not know if Nakariakov does this. I doubt it.I have heard that Mendez practised for over two and a half years before he recorded Motto Perpetuo. I cannot imageine Nakariakov doing this. Check out Mendez. Nakariakov attempts many of the numbers that Rafael Mendez first recorded in his attempt to show the trumpet as the equal of the violin in symphonic play. Nakariakov clearly is competing with Mendez. But Mendez simply did it better.

Simply Breathtaking!.......2000-06-07

I could go on for days about each track on this disc. Several tracks contain sections that feature music so hard to play - this is the first (and maybe last) time these pieces have been recorded on the trumpet. Who else can double-tongue Paganini's "Moto Perpetuo" while circular breathing? Nakariakov reminds us of his deeper side through his beautiful performance of "The Swan." I have played this disc so many times that I am surprised it still functions. A MUST, I repeat, A MUST for all trumpet players, serious musicians, and everyone else too!

Absolutely stellar display of technicality on trumpet........1999-04-25

After listening to countless numbers of CD's of trumpet players, Sergei Nakariakov takes the trumpet to a totally new level. Sergei is a true virtuoso and genius on the trumpet. His demonstration of his triple tounging and double tounging along with his absolute perfection of cleanliness of the notes are un-paralleled to any I have ever heard. Unlike most trumpet players Sergei even recorded straight through his pieces with no editing, except to take out the breaths in the last piece on the CD (Moto Perpetuo). Sergei truly takes the trumpet to a new level with his technical perfection. If you are a trumpet player of ANY LEVEL this CD demonstrates another side to the trumpet that is virtually left untouched by many.

Danny Popov Athens, GA University of Georgia Trumpet performance major and student of Fred Mills, founding member and former lead trumpet of the Canadian Brass for 24 years.

Track Listings:

Track Listings

track listings

Track Listings

Chronicles of Life & Death Pt.2 [CD-single] [Enhanced] [Import]

Inside Story / Still Dancers / Quadruple Elegy

King of the Country Blues

Clifford Brown's Finest Hour

The Art of Creation

Gotta Tell You

Jazz 'Round Midnight: Sarah Vaughan

Johannes Ockeghem: Missa De plus en plus; Missa Fors seulement

Lead Free/B.W. Stevenson [Import]

Gypsy Jazz

Key Lime Pie

In An Expression of the Inexpressible [Import]

Intergalactic [Import]

Faith That Is Real

Traditional Jazz Christmas

1. Moto Perpetuo
2. Peasant Rhapsody
3. Song
4. A Light Rachenitza
5. Chant
6. A Little Toccata
7. Sevdana
8. Ballade
9. Tongue Twister
10. Maiden's Sorrow
11. Rebec Song
12. Rachenitza