Music from the Movies [Box set]

Track Listings
Disc: 1

1. Streets of Philadelphia {From Philadelphia}

2. Whole New World {From Aladdin} [(Aladdin's Theme)]

3. Firm (Main Title)

4. Theme from in the Line of Fire

5. Theme from Rain Man

6. Unchained Melody {From Ghost}

7. All for Love {From the Three Musketeers}

8. For Your Eyes Only {From For Your Eyes Only}

9. I'm Every Woman {From the Bodyguard}

10. Theme from Twin Peaks

Disc: 2

1. (Everything I Do) I Do It for You {From Robin Hood}

2. Beauty and The Beast {From Beauty and The Beast}

3. Dances With Wolves {From Dances With Wolves}

4. Theme from Schindler's List

5. Take My Breath Away {From Top Gun}

6. Chariots of Fire {From Chariots of Fire}

7. Theme from Cliffhanger

8. Lonely Shepherd [From the Lonely Shepherd]

9. When I Fall in Love {From Sleepless in Seattle}

10. Love Theme from "An Officer and a Gentleman"

Tracks:

Love Theme - Romeo and Juliet
Lara's Theme / Somewhere My Love - Dr. Zhivago
My Heart Will Go On - Titanic
The Second Waltz - Eyes Wide Shut
Heigh-Ho - Snow White
Moonriver - Breakfast at Tiffany's
Sirtaki / Zorba's Dance - Zorba the Greek
Main Title - The Godfather
Bolero - "10"
John Dunbar's Theme - Dances with Wolves
The Windmills of Your Mind - The Thomas Crown Affair
Edelweiss - The Sound of Music
True Love - High Society
Stranger in Paradise - Kismet
Romance - The Gadfly
Main Title - Once Upon a Time in the West

Customer Reviews:

At The Movies by Andre Rieu.......2007-05-20

Andre Rieu brings a warmth and pop-like aire to his music.Here he plays popular music with a classical orchestra and adds his special ingredients to it ie:humor (musical jokes for the serious listener),fun,light-heartedness.It's a band of very talented musicians having alot of fun as is evident in the playing and especially if you've seen them in concert.I can "hear" the smiles on their not serious faces by their style of playing...less staccato and with more feeling.Andre and company swing and dance through every track climaxing on Ravel's Bolero from the movie "10".

very beautiful.......2007-01-09

This cd is very beautiful. It captures the songs wonderfully. The orchestra does a fine job.

Refreshing Music.......2006-11-03

Andre Rieu presents wonderful songs in a very inspirational way. They are to be enjoyed as "dinner music" or just for times when the TV is off and you need some "quiet time". It is a great grouping of melodies.

from texas--AND FROM A MUSIC LOVER.......2006-08-30

ANDRE RIEU TAKES US ON A WONDERFUL TRIP BACK IN TIME TO THE MOVIES YOU CAN=T FORGET AND THE MUSIC THAT MADE THEM CLASSICS. DO BUY IT. IT IS A TREASURE...

Andre Rieu - Music for the masses.......2006-08-10

Sometimes you just want enjoyable music as a backdrop to the job at hand. I turn to Andre to get me through these events. Probably not a glowing endorsement, but if you know of Mr. Rieu's feelings about music, he would just smile and nod his head. This is music to just enjoy for the sake of music - and that is a good thing.

Average customer rating:

Best of the the popular Copland...
A Great American Album
Must have this one...

Ultimate Copland Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO
Copland: Music for Films
Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man
Bernstein Century - Gershwin: Rhapsody in Blue, etc
Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris

ASIN: B00002S5EW
Release Date: 1999-11-09

Tracks:

Fanfare For The Common Man
From Four Dance Episodes From 'Rodeo': Saturday Night Waltz
From Four Dance Episodes From 'Rodeo': Hoe-Down
From Old American Songs: Simple Gifts
Appalachian Spring: Variations On A Shaker Hymn
From Music For Movies: Grovers Corners (From Our Town)
From Billy The Kid: Introduction - The Open Prairie
From Billy The Kid: Street In A Frontier Town
From Billy The Kid: Mexican Dance
From Billy The Kid: Gun Battle
From Billy The Kid: Celebration (After Billy's Capture)
From Billy The Kid: The Open Prairie Again
From Billy The Kid: El Salon Mexico
Appalachian Spring: Very Slowly
Appalachian Spring: Allegro
Appalachian Spring: Moderato: The Bride And Her Intended
Appalachian Spring: Fast: The Revivalist And His Flock
Appalachian Spring: Allegro: Solo Dance Of The Bride
Appalachian Spring: Meno Mosso
Appalachian Spring: Doppio Movimento: Variations On A Shaker Hymn
Appalachian Spring: Moderato: Coda

Customer Reviews:

Best of the the popular Copland..........2004-12-26

Here's a great introduction to the popular music of Aaron Copland. When "Fanfare for the Common Man" begins, sparks of recognition will fly for most listeners. This song has been everywhere: presidential inaugurations, the olympics, commercials, movies, etc. Some flatten it as hopelessly clichéd, while others find it moving and inspiring. Copland also reprised it in the finale of his Third Symphony. Arguably Copland's most famous piece, "Appalachian Spring" closes the CD. In between, more great Copland: excerpts from 'Rodeo' (apparently the beef lobby has appropriated "Hoe-Down" as one of their themes); a great vocal rendition of "Simple Gifts" and a large chunk of another of Copland's best known works: "Billy the Kid". The only confusing piece is the "Variations on a Shaker Hymn" from Appalachian Spring when the entire Appalachian Spring is already included. Seems slightly redundant.

Though most of the pieces on this CD were written in the 1930s and 1940s, they tend to evoke the old west. With titles such as "Rodeo" and "Billy the Kid" this shouldn't surprise too many people.

Copland went on to compose more dissonant and twelve tone compositions later on in his career. These obviously weren't as popular with the public in general as the pieces on this CD. Nonetheless, if this disc whets the appetite, a foray into Copland's less popular works will yield much. It will help to expose the totality of Copland's output. This disc only represents a small portion of his work. Regardless, this disc is a great starting point for getting to know one of the United States' best known composers of the twentieth century.

A Great American Album.......2004-02-13

This is a great album representing true patriotic American music. Songs like "Hoe-Down" are lively and energetic and give rememberance to what one can imagine as the true American spirit.

Must have this one..........2002-09-17

I like all types of music, I wanted this album because I liked the song "RODEO" that is used on the beef commercials. This CD has made me into a Copland fan. It has many great songs. If you want a CD that says "I am an American." This is it. I am sending copies to a friend in Bombay and Tel Aviv. This is who I am put to music.

Mob Hits II: More Music from the Great Mob Movies

Average customer rating:

Great album
Perfect for gift for an Italian like myself
Disappointed
Mob Hits II: More Music from the Great Mob Movies
Definately now as good as the first edition!

Mob Hits II: More Music from the Great Mob Movies
Various Artists
Manufacturer: Medalist
ProductGroup: Music
Binding: Audio CD

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Mob Hits Christmas
Eh, Paisano! 100% Italian-American Classics
Viva Italia! Festive Italian Classics
Goodfellas: Music From The Motion Picture
Jerry Vale Sings the Great Italian Hits

ASIN: B00004S35E
Release Date: 2000-03-21

Tracks:

The Godfather: Manhattan Serenade - Tommy Dorsey/Jo Stafford
GoodFellas: Beyond The Sea - Bobby Darin
GoodFellas: Roses Are Red (My Love) - Bobby Vinton
The Godfather, Part II/The Freshman: Guantanamera - Celia Cruz
Mama - Connie Francis
Donnie Brasco: (The Gang That Sang) Heart Of My Heart - Lou Monte
Medley: Just A Gigolo/I Ain't Got Nobody - Louis Prima
Analyze This - Medley: When You're Smiling (The Whole World Smiles With You)/The Sheik Of Araby - Louis Prima
The Godfather/The Freshman: Mona Lisa - Nat King Cole
Bronx Tale: I Only Have Eyes For You - The Flamingos
The Godfather: Michael's Theme - Henry Mancini
The Godfather: Tarantella - Mob Hits II: More Music From The Great Mob Movies
Casino: I'll Take You There - The Staple Singers
Dominick The Donkey - Lou Monte
Donnie Brasco: Have Yourself A Merry Little Christmas - Jerry Vale
Donnie Brasco: Silver Bells - Vic Damone

Album Description

Features 16 of the most memorable songs from the most powerful mob movies such as 'The Godfather', 'Bronx Tale', 'Donnie Brasco' & 'Goodfellas'. Artists include Louis Prima, Connie Francis, Bobby Darin, Nat King Cole & Celia Cruz. 2000 release. Standard jewel case.

Customer Reviews:

Great album.......2007-07-17

This is a very good album that doesn't force fit each song into a "mob" theme. Almost all the songs are timeless ... plus, Dominick the Donkey is on this record so anyone who has spent a Christmas season in or around NYC should appreciate having the opportunity to sing "ching-iddy, ching, hee-haw, hee-haw" all year long.

Perfect for gift for an Italian like myself.......2007-07-12

I got this CD as a gift for my father. He loves all kinds of mobster movies and especially "The Godfather" movies. He loved it! Even if you haven't seen any mobster movies it still has some good italian classic songs that you could enjoy.

Disappointed.......2007-05-10

it was ok...not what i was expecting. I didnt care for the Christmas music that was mixed in...

Mob Hits II: More Music from the Great Mob Movies.......2005-08-03

Nice selection of songs - Brings back memories of the films they were heard in - Good quality and sound -

Definately now as good as the first edition!.......2001-06-20

I was truly disappointed in this purchase. Not only is the quality bad, but I didn't really care for some of the selections. The song did not feel like they flowed together at all. But I do need to say, that MobHits 1 was great and I highly recommend that purchase!

Average customer rating:

Woody Allen music from his movies
Woody Allen , Carmen Miranda , and Glenn Miller
Manufacturer: Soundtrack Factory
ProductGroup: Music
Binding: Audio CD

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Film Music
Woody's Winners: 20 Classic Tracks from the Films
Woody Allen Classics
Woody Allen More Movie Music
Manhattan (1979 Film)

ASIN: B00007GD3A
Release Date: 2004-04-05

Tracks:

As Time Goes By
Keepin' Out Of Mischief Now
Stardust
If Dreams Come True
I'll See You In My Dreams
You Made Me Love You
I've Heard That Song Before
Flight Of The Bumblebee
September Song
Body And Soul
In The Mood
Begin The Begine
Opus One
If You Are But A Dream
Goodbye
I'm Gettin' Sentimental Over You
American Patrol
Take The 'A' Train
South American Way
I'm In The Mood For Love
Big Noise From Winnetka
Toot, Toot, Tootsie! ( Goodbye)
Singin' The Blues
Did I Remember
Cocktails For Two
Rhapsody In Blue
Tickle- Toe
Body And Soul
Frenesi
Moonglow
Alabama Song
Sing Sing Sing
That Jungle Jamboree
At The Jazz Band Ball
Whispering
Penthouse Serenade
Out Of Nowhere
She's Funny That Way
Truckin'
Caravan
Sophisticated Lady
Sunrise Serenade

Average customer rating:

Anything but corporate country...
not really a Lyle Lovett album
ok.. but not classic Lyle
eclectic genius
More Corporate Country

Smile ~ Songs from the Movies
Lyle Lovett
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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My Baby Don't Tolerate
The Road to Ensenada
Lyle Lovett and His Large Band
Pontiac
Step Inside This House

ASIN: B000089H9U
Release Date: 2003-02-25

Tracks:

Blue Skies (from With Honors)
Straighten Up & Fly Right (from Dear God)
Gee Baby, Ain't I Good To You (from Kissing Jessica Stein)
Smile (from Hope Floats)
Moritat (Mack The Knife) (from Quiz Show)
Summer Wind (from For The Love Of The game)
What'd I Say (from Where The Heart Is)
Tile The Sun Shines (w/ Keb Mo) (from Mumford)
You've Got A Friend In Me (w/Randy Newman) (from Toy Story)
Walking Tall (from Stuart Little)
Pass Me Not (w/George Duke) (from Leap Of Faith)
I'm A Soldier In The Army Of The Lord (from The Apostle)

Amazon.com

If it hadn't been so long since Lyle Lovett released an album of original songs--that would be 1996's Road to Ensenada--Smile might seem more significant than it really is. Not that it doesn't contain some wonderful music. But like Step Inside This House, Lovett's 1998 tribute to his favorite Texas singer-songwriters, Smile only whets the appetite for more original material. The concept is simple enough: take 12 songs that Lovett has recorded for various movies since 1992 and put them all on one disc. The crowd-pleaser "You've Got a Friend in Me," his Toy Story duet with Randy Newman, is probably the most familiar of the bunch, followed by Burt Bacharach and Tim Rice's wistful "Walking Tall," from Stuart Little. Even better, though, are the ones that may have slipped through the cracks, such as the gospel standard "Pass Me Not," from 1994's Leap of Faith, and Nat "King" Cole's "Straighten Up and Fly Right," from the 1996 Garry Marshall comedy Dear God. And Lovett's Chet Baker-style take on Irving Berlin's "Blue Skies," from 1994's With Honors, proves that the Texas troubadour is a much more versatile singer than he often gets credit for. Smile may not be in the same league as Lovett's best original work, but it's a pleasant enough diversion nonetheless. --David Hill

Customer Reviews:

Anything but corporate country..........2006-08-23

Wow, Kavity Killer - have you even heard this album? It's certainly not corporate, and it's nowhere near country for the most part. These are songs Lovett did specifically for films, and most of them are old chestnuts - not exactly tunes you hear on Top 40 (or any other kind of) radio. It sounds to me like you had something you wanted to say, and you said it - regardless of the fact that it had nothing to do with either the artist or the music. This is hardly Lyle at his best - check "Pontiac", "Joshua Judges Ruth", or "The Road to Ensenada" for that - but it's him doing something he does well, which is bringing a distinct and curiously affecting voice to some pop standards. This record was released to satisfy the terms of a contract with a record label, no doubt, but it's still good stuff.

not really a Lyle Lovett album.......2006-06-15

From almost any other singer this would be a three-star disk, but for Lyle Lovett this is a disappointment. Lovett is one of the most likeable popular musicians around, which guarantees that if a movie studio has him record the featured song for one of their films everyone is going to like it and more tickets will get sold. But he didn't write any of the songs on this CD and they seem to be pushing him into genres and styles that are a bit of a stretch for him.

Don't get me wrong, he sings these songs well. But he's out of his element in all but two or three of them. Straighten Up and Fly Right could be a song he wrote, and the duet with Randy Newman is of course a delight (though not as much so as Long Tall Texan, on The Road to Ensenada). I also kind of liked Summer Wind. The rest of the tunes? Hmm...

I consider Lovett, when in prime form, to be the best singer-songwriter in all of popular music: better than Lennon/McCartney, better than Dylan. Add to that fact the fantastic band he backs himself with, and wow! But Smile contains no Lovett tunes and uses studio ensembles, not his Large Band. Hardcore fans will be unable to do without this album, but if you're more selective and are only really interested in his best stuff, in the Lyle Lovett of Joshua Judges Ruth and The Road to Ensenada, this has little in common with those albums and is of only a passing interest.

ok.. but not classic Lyle.......2006-01-31

I liked this cd in general, however, I did feel like it was a means to complete a contractual obligation. I prefer Lye's other works better.

But no matter what song he sings, Lyle re-invents it to be his own, even if he didn't write it.

eclectic genius .......2006-01-01

I loved this CD. The mix of country, blues, jazz and pop is perfect. The choice of songs is great and Randy Newman is a welcome addition and very upbeat.

More Corporate Country.......2004-11-25

Lyle Lovett is just the latest corporately manufactured top 40 country singer to come down the line. It totally sounds like they overdubbed his voice in the studio and used background singers to bolster his thin, quavering voice. Most of the backing tracks were also obviously programmed on a cheap synthesizer, Casio mayber? 3-minute ditties that sound like they were designed with the top-40 in mind, banal subject matter, and a real lack of conviction on lovett's part all add up to an album that will be in the cut-out bin within the month.

Average customer rating:

Viva Raul!!!!
9
"Nine" is spectacular!
...Their sound can last a hundred years...
Best Musical - 1982

Nine (1982 Original Broadway Cast)
Maury Yeston , Raul Julia , and Karen Akers
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Nine - The Musical (2003 Broadway Revival Cast)
Kiss Of The Spider Woman: The Musical - Original Cast Recording (Original London Cast)
Grand Hotel: The Musical - Broadway Cast Recording
Grey Gardens - A New Musical (2006 Original Broadway Cast)
Passion (1994 Original Broadway Cast)

ASIN: B0000996FQ
Release Date: 2003-05-13

Tracks:

Overture D'elle Donne/Spa Music/Not Since Chaplin
Guido's Song
The German's At The Spa
My Husband Makes Movies
A Call From The Vatican
Movie Themes
Only With You
Folies Bergeres
Nine
Ti Voglio Bene (Be Italian)
The Bells Of St. Sebastian

Tracks:

A Man Like You/Unusual Way/Duet
The Grand Canal
Simple
Be On Your Own
Not Since Chaplin (Reprise)/I Can't Make This Movie
Waltz From 'Nine'
Getting Tall
Nine/Long Ago (Reprise)
The Germans At The Spa - Maury Yeston
Unusual Way - Maury Yeston
The Grand Canal - Maury Yeston

Customer Reviews:

Viva Raul!!!!.......2007-02-15

Raul Julia ......the grand performer is the main reason to buy this CD ......i was never a fan of "Nine" but you can feel Raul, his magic in every song.....the songs might not stay with you forever , but Raul renditions will...Long live the great Raul Julia Arcelay..the Best of the Best!!!

9.......2006-09-23

"Nine" the brilliant Broadway musical directed by the brilliant Tommy Tune and starring the brilliant Raul Julia and with a brilliant scenic design of glaring white tile including the stage floor, and a brilliant costume design, except for the "Folies Bergere" number, every one was dressed in black, and a brilliant casting coup- 1 man surrounded by 21 women-and a couple of handfuls of brilliant musical numbers and by now you get the picture, the show was brilliant but it was its' brilliance that sabotaged the show and to boot the show was stubbornly not audience-friendly.

This led to moments of awe-inspiring highs surrounded by moments of boredom.

The first high comes about 15 minutes into the show by the entrance of flame-haired Anita Morris. Dressed head to toe in a lacy,skin-tight,see-through outfit that doesn't even try to hide her ample attributes-and she is making a phone call to her lover draped over a white tiled cube(bed) and she slithers, slides, stretches in positions not humanly possible, purring seductively to her boyfriend and having a real good time with herself in what is possibly the hottest and most erotic moment
I have ever witnessed on a Broadway stage and threatened to blister and melt the very tile she played on. Ironically the number was "A Call From the Vatican".

Another high moment came with Liliane Montevecchi as Guidos'(Julia) producer who bemoans the gloom of modern cinema and longs for the days of song, dance and color,,"Folies Bergere"

A pivotal moment in Guidos' life is when at the age of 9,he and a couple of his classmates visit a notorious whore who teaches the young boys how to "Be Italian" This incident so shames Guidos' mother she sends him away to a draconian Catholic school run by cruel nuns who happily beat the devil out of their students. This leads to the beautiful Gregorian Chant-like "The Bells of St Sebastian".

Guido begins his new film of Casanova "The Grand Canal" which is a 15 minute mini-opera.

I have to mention Karen Akers who plays Guidos' wife and I adore her voice which to me sounds like a mix of honey and melted caramels-just listen to her long ago section of "My Husband Makes Movies" and "Be On Your Own".

Raul Julia also has effective numbers "Guidos Song" "Only With You" and he sings the afore-mentioned spine-shivery "Bell of St Sebastian" and he duets with his 9-year old self on the finale "Nine" which ends the show on an effectivly quiet moment.

There are other fine moments to be found "Unusual Way" with Shelly Burch comes to mind.

This CD is a wonderful reminder of just how great a Broadway musical can be and although I enjoyed the entire show warts and all, I only wish the show had been more accessable to a wider audience so everyone could have witnessed the brilliance I had.

"Nine" is spectacular!.......2006-07-24

Based on Fellini's autobiographical film, "8 1\2", "Nine" opened in 1982 with a score by Maury Yeston and a book by Arthur Kopit. It starred Raul Julia, Karen Akers, Anita Morris, Liliane Montevecchi among others. Its direction was by Tommy Tune. All of these individuals (oh yes, Jonathan Tunick, the orchestrator) are responsible for this spectacular original cast album of the spectacular musical, "Nine.
Mr. Yeston has supplied as score that is filled with memorable songs that are tuneful and musically interesting. His lyrics are witty and original. Every song is outstanding. I must single out Ms. Akers' wonderful torch songs, "My Husband Makes Movies" and "Be On Your Own" as being the bests of the score. Ms. Akers performs them so well, which makes them even more enjoyable. I also cannot forget the exceptional "Folies Bergeres" sequence featuing Ms. Montevecchi in her element.
However, Mr. Julia and the other cast memembers give absolutely wonderful performances as well.
This is a nearly complete recording at something like 70 minutes. ("Nine" is not two and a half hours long for those of you who began to question the above statement.) As a bonus, it features Mr. Yeston performing some of his great songs.

...Their sound can last a hundred years..........2006-04-22

I have to admit that when I first listened to this CD I was not favorably impressed. None of the songs captured me instantly and many seemed rather jarring and confusing, particularly as I was not acquainted with the show and no synopis is included. I put it away only to recently pick it up with the guilty feeling that I had not given it any true consideration. This proved to be very true. After forcing myself to listen to it several times, I had to force myself to stop listening! There is something truly magical and mysterious about this show, a quality which sings through the stirring, passionate, indelibly European music and the moving, often bitingly clever and even provocative lyrics. Maury Yeston certainly knew what he was doing. He has created something which is very different from much of the broadway fare that came before it and was to follow it, something which is truly unique, but in such a subtle, elusive way that it is impossible to pinpoint wherein this individuality lies. This is certainly not one of the greatest musicals of all time. It is flawed; there is a disjointed quality to the songs some of which are decidely weaker than others. It is simply distintive.
This is must in great part be attributed to the performances. The cast of 'Nine' is superb and deserves to be remembered as it is. As Guido Contini, Raul Julia gives a performance which perfectly captures the internal struggles and outward charm of this character. While his singing does not match up to his acting,(his voice is rather grating, and occasionally he does things to the high notes that I would prefer not to discuss) he makes an admirable effort in each song and succeeds in most. He nails 'Guido's Song' in which the character's state of mind is so brilliantly outlined and has just the right bravado for 'The Grand Canal.'Nobody, even the worst singer in the world, could ruin the sweetly simple and utterly lovely 'Only With You', though I do not feel that he does justice to 'The Bells of St Sebastian' which is one of my favorite songs; I find the mix of styles and rythms incredably stirring.
It is the women who surround Julia who are responsible for the life and the fantasy that is so palpable on this recording. The women's overture is one of those inspired strokes of genius which serve to bring an entirely new sound to Broadway. As a whole they provide excellent support in 'The Grand Canal' and in the rollicking 'The Germans at the Spa' which is hysterical but also performs the task for which it was written, namely to create atmosphere, much better than many similar songs in other shows. Camille Saviola provides excellent vocals as mama Maddelena. As Yeston comments in the liner notes, hers is only one of many standout performances. This musical is wonderful in its ability to make stars of each of its soloists, each is brilliantly showcased in the respective song/s. Karen Akers(Luisa) may not have the strongest voice, but as another reviewer commented she has a worldly weariness which perfectly suits her character. Her two songs 'My Husband makes Movies'and 'Be on Your Own' are two of the most moving moments in 'Nine', the former raises so many questions about life and love while the latter is almost heartbreaking in its desparation..."go off and live your petty fictions full of blatant contradictions you can't see..." Anita Morris(Carla) does not have what could be described as an attractive voice, but she has just the right brash, steamy powerful belt for 'A Call from the Vatican'. Taina Elg(Guido's mother) and Shelly Burch(Claudia) both provide sweetly pretty renditions of 'Nine' and 'Unusual Way' respectively while Kathi Moss' voice soars in the wonderfully exciting 'Be Italian'. One of the weaker moments is the unconvincing 'Getting Tall'; Cameron Johann does not have the ability or is simply too young to save this song. But all this would still not be worthy of five stars, it is the true showstopper, the glorious 'Follies Bergeres', which catapults this show to the hights of my regard. Brilliantly concieved, it is brilliantly executed here by Julia and Stephanie Cotsirilos but particularly by the extraordinary Liliane Montevecchi. Never was there a performance which was more worthy of a Tony. She soars through this song both as an actress and a singer...and almost evokes Edith Piaf in some of those dizzying climaxes...I could go on raving for some time longer but this review has already become ridiculously long. The one true downside of this recording are Yeston's demo recordings of some of the songs which are quite simply ghastly. Talk about composers butchering their own material! In spite of this I heartily reccomend that any fan of musicals add this to their collection, would I really write such a long, pompous review if I didnt feel it was worth it?

Best Musical - 1982.......2005-06-29

The surprise winner of 1982's Best Musical Tony (beating the equally deserving "Dreamgirls) was "Nine", an intelligent production, with a beautiful score by Maury Yeston.

While arguments can be made about whether this original or the 2003 revival are better, I slightly prefer the revival, only because the orchestrations sound richer. The casts of both are terrific!

Best tracks include:

My Husband Makes Movies
A Call From The Vatican
Only With You
Folies Bergeres
The Bells Of St. Sebastian
Unusual Way
Simple
Be On Your Own
I Can't Make This Movie

Both versions are worthy purchases, but if you have to pick one, pick the revival (single disc, synopsis, lyrics).

Average customer rating:

Its okay
outstanding!
Aaron Copland: the Norman Rockwell of film scoring
Great recording of definitive American film music
Leonard Slatkin conducts Copland

Copland: Music for Films

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches
Copland: Symphony No. 3; Quiet City
Copland: The Music of America
Ultimate Copland Album
The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B000003FHI
Release Date: 1994-04-12

Tracks:

The Red Pony: Morning On The Ranch
The Red Pony: The Gift
The Red Pony: Dream March
The Red Pony: Circus Music
The Red Pony: Walk To The Bunkhouse
The Red Pony: Grandfather's Story
The Red Pony: Happy Ending
Our Town
The Heiress Suite
Music For Movies: New England Countryside
Music For Movies: Barley Wagons
Music For Movies: Sunday Traffic
Music For Movies: Grovers Corner
Music For Movies: Threshing Machines
Prairie Journal (Music For Radio)

Amazon.com essential recording

This is a great series of recordings. Leonard Slatkin has generally chosen the right balance of music for the composers used in the series (with terrific cover art from Thomas Hart Benton). This disc is devoted to Copland's film music. The treat here is a version of The Heiress Suite reconstructed by Arnold Freed. Copland's talent for writing for films rested in his ability to identify and maintain themes, at the same time not slacking on the transitional details. This belongs in any Copland collection. --Paul Cook

Customer Reviews:

Its okay.......2007-05-13

I was disappointed and don't listen to it much. I like certain songs, but not the rest.

outstanding!.......2006-01-21

one of slatkins best recordings.with copland hes on, the sound on this cd is ok,not as good as his telarc recordings witch i think are his better recordings but this one is one of them to.

Aaron Copland: the Norman Rockwell of film scoring.......2004-06-14

When I purchased this collection I was already very familiar with Mr. Copland's more popular fanfaric motifs. I was astounded at how much I enjoyed the wonderful division of both sweeping dramatic themes and friendly, home-grown melodies. His film scores for the 1939 'Of Mice and Men' and the 1940 'Our Town' are a testament to classic films set in simpler times. The 'Red Pony' tracks for which the compilation is named are a magical digression from the listener's pre-conceived notions of Copland western fare. When one expects "Rodeo" (arguably one of Copland's most famous themes) one instead receives a gentler and sometimes powerfully moving score. The crowning jewel of this collection, however; is the beautiful suite from his Academy Award winning score for William Wyler's 1949 film of 'The Heiress.' When listening to this magnificent piece of musical history I am reminded how so many great scores are unavailable to listeners of today, and only through recreation and re-recordings can we re-capture those glimpses of film score artistry. I can only hope that many lost or hard to find works continue to be found or recorded so that film score and music lovers in general can continue to discover and rediscover the joy and beauty of our masters in film composing.

Great recording of definitive American film music.......2004-04-08

In a way, filmgoers have been listening to Copland's film scores nearly every time they go to the cinema, since film composers have been shamelessly ripping off Copland for the last half-century or so. When you listen to the "Our Town" suite, do you get the nagging feeling that you have heard this music somewhere before? No doubt you have, in dozens of derivitave film scores from the 1980's and 1990's, sometimes (shamelessly) right down to the exact chord progressions.

How nice it is then to be able to go back to the source, and have rendered in so superb a fashion as it is by Slatkin & the St. Louis Symphony Orchestra. Slatkin, as usual, upholds his reputation as one of the leading interpreters of American music.

This CD contains the premier recording of "The Heiress Suite," which is a delight to listen to, and of course the fairly well-known "Red Pony" music. Is their a more quintessential piece of "Western" music than the "Walk to the Bunkhouse?" How does a jewish boy from Brooklyn nail it on the head so perfectly, anyway?

Other selections include "Music for Movies," a collection of bits & pieces from an assortment of Copland-scored movies that Copland arranged in 1943, and "Music for Radio," an earlier composition that isn't really "movie music," but fits well with the rest of the compositions on this CD.

Instead of wasting your time on movie soundtracks that are nothing more than just derivitave hack jobs, listen to music by a composer who had truly mastered his craft.

Leonard Slatkin conducts Copland.......2000-11-14

This album is worth it just to get the world premiere recording of "The Heiress Suite" reconstructed by Arnold Freed. Also of note are Walk to the Bunkhouse from "The Red Pony" and New England Countryside. Leonard Slatkin conducts these pieces with great emotional feel that states that this is the same America that Copland wanted to us to embrace.

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Average customer rating:

Bought this for Concerto for Clarinet
Aaron Copland: Populist and Conductor
Tribute to Lincoln
A great way to get your dose of Copland....
Well balanced retrospective, -or- Listen to this!

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Copland Collection: Orchestral Works, 1948-1971
Copland: Music for Films
A Copland Celebration Vol. 3
A Copland Celebration Vol. 1
Samuel Barber / Thomas Schippers

ASIN: B0000027BJ
Release Date: 1991-01-18

Tracks:

El Salon Mexico
An Outdoor Overture
Billy The Kid: Introduction: The Open Prairie
Billy The Kid: Street In A Frontier Town
Billy The Kid: Prairie Night (Card Game At Night)
Billy The Kid: Gun Battle
Billy The Kid: Celebration (After Billy's Capture)
Billy The Kid: Billy's Death
Billy The Kid: The Open Prairie Again
Quiet City
John Henry
Our Town
Las Agachadas
Fanfare For The Common Man

Tracks:

Rodeo (Four Dance Episodes): I. Buckaroo Holiday
Rodeo (Four Dance Episodes): II. Corral Nocturne
Rodeo (Four Dance Episodes): III. Saturday Night Waltz
Rodeo (Four Dance Episodes): IV. Hoedown
The City: New England Countryside
Of Mice And Men: Barley Wagons
The City: Sunday Traffic
Our Town: Grovers Corners
Of Mice And Men: Threshing Machines
Appalachian Spring (Suite From The Ballet): Very Slow
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Moderato
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Still Faster
Appalachian Spring (Suite From The Ballet): As At First (Slowly)
Appalachian Spring (Suite From The Ballet): Calm And flowing
Appalachian Spring (Suite From The Ballet): Moderato; Coda
Letter From Home
Danzon Cubano

Tracks:

Lincoln Portrait: Lento
Lincoln Portrait: Subito Allegro
Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
Symphony No. 3: I. Molto Moderato-With Simple Expression
Symphony No. 3: II. Allegro Molto
Symphony No. 3: III. Andantino Quasi Allegretto
Symphony No. 3: IV. Molto Deliberato
Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

Bought this for Concerto for Clarinet.......2007-07-14

The sum is greater than the parts. This is a great Copland collection and shows his diversity. Yet as divers and the three CD are they are all distinctively Copland. Benny Goodman is usually associated with jazz yet he was also diverse in his career. "Concerto for Clarinet, Strings, and Harp & Piano" is a mantra that will carry you to a timeless place.

An added plus is the many other popular pieces that you know you heard but did not realize it was Copland especially the music from movies.

You may have to play the set a few times before being able to recognize the different tracks by name. The down side is many of Copland's works are outside of the date range of this collection.

Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.

Average customer rating:

EASTWOOD IS ALSO A GREAT SONGWRITER
Play Misty For Me
"Go ahead, make your day!"

Music for the Movies of Clint Eastwood

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Bebop General | Bebop | Jazz | Styles | Music

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Eastwood After Hours: Live At Carnegie Hall
Unforgiven: Original Motion Picture Soundtrack
Million Dollar Baby
Eastwood After Hours (Live at Carnegie Hall)
Mystic River

ASIN: B00005NOZ2
Release Date: 2001-09-11

Tracks:

Theme from Rawhide - Frankie Laine
The Good, The Bad And The Ugly - Ennio Morricone
Theme From The Outlaw Josey Wales - Jerry Fielding
Theme From Pale Rider
Claudia's Theme From 'Unforgiven'
Theme From Dirty Harry - Lalo Schifrin
Big Fran's Baby From 'A Perfect World'
Misty From 'Play Misty For Me' - Erroll Garner
Amanda's Theme From 'Tightrope'
Kate's Theme From 'Absolute Power'
Why Should I Care Instrumental Theme From 'True Crime'
Espacio From 'Space Cowboys'
Doe Eyes (Love Theme From The Bridges Of Madison County) - Lennie Niehaus/Michael Lang
Clint Eastwood, An American Filmmaker Suite, Part 1: Out Of The Shadows
Clint Eastwood, An American Filmmaker Suite, Part 2: An American Landscape
Clint Eastwood, An American Filmmaker Suite, Part 3: This I Remember - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 4: The Journey Continues...
Clint Eastwood, An American Filmmaker Suite, Part 5: Battle Royale (It's All There) - Lennie Niehaus/Joshua Redman/Ralph Moore
Clint Eastwood, An American Filmmaker Suite, Part 6: Day Dreams - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 7: The Piano Player
Clint Eastwood, An American Filmmaker Suite, Part 8: Destiny - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 9: At Peace And Play
Clint Eastwood, An American Filmmaker Suite, Part 10: I Love Jazz - Lennie Niehaus/Joshua Redman

Customer Reviews:

EASTWOOD IS ALSO A GREAT SONGWRITER.......2007-06-11

This is a "semi" career spanning CD (and the only decent one in existence) of the movie themes from some great Eastwood movies. The earlier pieces are from his days in TV and transition to movies. The more mature work with Lennie Niehaus displays Clint's artistry, no not only as an actor, award winning director, but great composer. My only complaint is the disc is missing the off-beat and totally original jazzy "Just A Closer Walk With Thee" from THE GAUNTLET.

The disc does contain his wonderful A PERFECT WORLD and THE UNFORGIVEN. Why Eastwood never won an Oscar for some of his original scores is a mystery to me. He is more celebrated as a director than as an actor only because he won more awards in that category and his acting style was known for it's low-keyed and reactionary style. But the Clint Eastwood the musician cannot be dismissed and here is that more than proves his versatility. A known jazz lover, for fans of that genre, give a listen to WHY SHOULD I CARE from "True Crime", another great Eastwood composition.

The remainder of the disc is a salute to Eastwood and his work with a heavy emphasis on the jazz.

First rate. I've been a fan since his directoral debut in PLAY MISTY FOR ME. Little did I realize what a great composer he would turn out to be.

A must for any fans as there are no single soundtacks available from his movies featuring his work.

Play Misty For Me.......2005-12-20

Nearly an hour and 20 minutes of "Music For the Movies of Clint Eastwood". What fan wouldn't be happy with this CD? 23 Tracks, and a great compilation. From the early TV days, the "Theme from Rawhide"(this was about the time I fell in love with Clint, I think I was about 8)performed by Frankie Lane, and Spaghetti Western, the "The, Good, The Bad, and The Ugly"(does anyone REALLY know the words to this one, and does it really matter?)to the romantic Doe Eyes"(the love theme from "Bridges of Madison County", the music will have you reliving the great moments from great films that just say Clint!

The first half of the album features both Clint's own works and the fabulous talented composers he has worked with. Ennio Moricone's oh so recognizable style("The Good, The Bad and the Ugly"), the moving music of Lennie Niehaus("Pale Rider"), the haunting sounds from Lalo Schfrin("Dirty Harry Theme", where you will relive Clint doing the, "Do you feel lucky punk?" speech), and some other wonderful musicians including the great Civil War and Western sounding "Theme from Outlaw Josey Wales", by Jerry Fielding, and Erroll Garner's"Play Misty For Me", a gorgeous piano rendition. Some of Clint's own works, included are "Claudia's Theme" from "Unforgiven" "Kate's Theme" from "Absolute Power", "Big Fran's Baby" from "A Perfect World", and of course the mesmerizing and above mentioned "Doe Eyes".

Second half is a 10 part instrumental suite, "Clint Eastwood, An American Filmmaker Suite". This is music composed and conducted by Lennie Niehaus for the PBS "American Masters" documentary " Eastwood: Out of the Shadows" The music tells Clint's story musically, and it flows beautifully and emotionally.It has a little of everyting, including some great jazzy numbers. The orchestration and the musicians capture the journey wonderfully. For list of all 23 track titles, see buying info. You can also listen to samples from there.

The quality of the CD is excellent. A pamphlet with some production notes, and the tracks is included. There are some great pix of Clint as well. It doesn't have ALL his films included. Hopefully the music form "Kelly's Heroes"("Burning Bridges) and "The Beguiled"(more from Lalo Schifrin) will make the sequel album!

Take it in your car and listen to it when you are stuck in traffic, and it will take you somewhere else for a while.Just say "Play Misty For Me" and hit track 8. Highly recommended for the Eastwood fan. And for those that can't get enough, I would also recommend the soundtrack to "Bridges of Madison County". One of the most romantic albums I ever heard.

"Head 'Em Up, Move 'Em On....Keep Them Doggies Rollin...Rawhide!"

Enjoy....Laurie

"Go ahead, make your day!".......2004-06-21

There's really not too much to say about this, except that any big fan of "Clint Eastwood", or at least the majority of these movies should like this. What I enjoy most are the tracks from his westerns, as they all set a nice mood, but the rest are very good as well. I can't help but think this would have been twice as good had it contained dialogue from each of these films too. Overall a great collection for the fan. After all, if there's one thing "Clint" knows about as much as his acting, it's his music.

Average customer rating:

The barest glimpse of John Williams
Maybe it'll grow on me
Very Good!!!
disappointing
Williams' Winning Style Captures Film Scores

John Williams Plays the Movies

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Classic Williams: Romance of the Guitar
The Essential John Williams
Great Composers: John Williams (Film Score Anthology)
John Williams - Greatest Hits 1969 - 1999
The Music of John Williams: 40 Years of Film Music

ASIN: B0000029W8
Release Date: 1997-04-01

Tracks:

Kiss From A Rose (Batman Forever)
Everything I Do (Robin Hood)
Unchained Melody (Ghost)
Love Is All Around (Four Weddings And A Funeral)
The Godfather
Moon River (Breakfast At Tiffany's)
The Wizard Of OZ
The Mission
Cavatina (The Deer Hunter)
As Time Goes By (Casablanca)
I Will Wait For You (Les Parapluies de Cherbourg)
It Had To Be You (When Harry Met Sally)
Calling You (Bagdad Cafe)
The Entertainer (The Sting)
Il Postino
Once Upon A Time In America
Once Upon A Time In The West
Schindler's List

Customer Reviews:

The barest glimpse of John Williams.......2006-08-15

John Williams is one of the world's best guitarists, but you'd never know it by listening to this album. He basically plucks out the melody. I think I hear more complex playing in the background, but if that's what it is, it's mixed so as to be barely audible. On the other hand, it's very nice background music. I hope brisk sales support Williams' more serious efforts.

Maybe it'll grow on me.......2004-07-28

If I were not a guitarist myself, I would find this collection very very charming. Certainly the selections are beautiful, and Williams is renowned for one of them: Stanley Myers' "Cavatina" from THE DEER HUNTER. It's just that for me this recording does virtually nothing for either the guitar or the lovely pieces selected for this rather peculiar alteration. I'm just not sure that this kind of project, where a virtuoso SOLOIST is brought in to ACCOMPANY an orchestra (Perlman and Yo-Yo Ma have done similar recordings) is a winner; not even five percent of Williams' prodigious technique is anywhere to be heard and he just sounds so irrelevant. (I'd usually expect to hear this kind of thing from Liona Boyd.) That being acknowledged though, the melodies ARE perfectly lovely and Mr. Williams HAS throughout his great career done many brilliant recordings of dense and difficult music that leave one's mouth agape. I suppose he's earned this little vacation.

Very Good!!!.......2002-09-15

I like this CD very much, I have looked for it for 5 years since I listened its MP3, I got it now, thanks!

disappointing.......2001-04-24

While this album is pleasant enough, it is more orchestra music than classical guitar. John Williams is a great classical guitarist, but the guitar part on this album could have been played by any competent guitarist. If you want nice background music, this album is ok. If you want classical guitar music, look elsewhere.

Williams' Winning Style Captures Film Scores.......2000-08-25

If you like film music, this CD is for you; if you like guitar music, this CD is for you. John Williams brings his guitar virtuosity to bear masterfully on the scores of a number of popular films, which span a period of 60 years.

The use of the guitar gives a different sound to number of the selections, and shows that a good piece of music will shine, no matter what the instrumentation.

Track Listings:

Track Listings

track listings

Track Listings

Curious Corn

Lebendige Vergangenheit: Renata Tebaldi

Live at Lupo's Heartbreak Hotel [Live]

Doble Gigante : the Latin Jazz Sides [Import]

The Best Comp in the World

R&B Music: 18 Classic Tracks: Ike & Tina [Import]

La Paloma

Master Haydn, Student Beethoven

Look for the Wind

In the Zone

Late Night Conversations [Enhanced]

Kiss From A Rose [EP] [Import]

Kumharas Ibiza 2003 [Import]

Gospel Favorites

Witness: Got the Saint Louis Blues - Classical Music in the Jazz Age

1. Streets of Philadelphia {From Philadelphia}
2. Whole New World {From Aladdin} [(Aladdin's Theme)]
3. Firm (Main Title)
4. Theme from in the Line of Fire
5. Theme from Rain Man
6. Unchained Melody {From Ghost}
7. All for Love {From the Three Musketeers}
8. For Your Eyes Only {From For Your Eyes Only}
9. I'm Every Woman {From the Bodyguard}
10. Theme from Twin Peaks

1. (Everything I Do) I Do It for You {From Robin Hood}
2. Beauty and The Beast {From Beauty and The Beast}
3. Dances With Wolves {From Dances With Wolves}
4. Theme from Schindler's List
5. Take My Breath Away {From Top Gun}
6. Chariots of Fire {From Chariots of Fire}
7. Theme from Cliffhanger
8. Lonely Shepherd [From the Lonely Shepherd]
9. When I Fall in Love {From Sleepless in Seattle}
10. Love Theme from "An Officer and a Gentleman"