Op.110)

Editorial Reviews
Amazon.com
Reference's CDs are marketed primarily as realistic sound recordings, on which level this disc is a decided success. The piano definitely sounds like a piano, well above the high level norm of contemporary recordings. There is another realism to be considered, though, and that is how well Beethoven is reproduced by the performances. Despite Eugene Istomin's long-standing reputation as one of America's leading pianists, his playing here is distressingly bland, setting out the music without a strong point of view and minimizing the power of Beethoven's conception. --Leslie Gerber

Tracks:

Pno Trio in E flat, Op.1 No.1: I. Allegro
Pno Trio in E flat, Op.1 No.1: II. Adagio Cantabile
Pno Trio in E flat, Op.1 No.1: III. Scherzo: Allegro Assai - Trio
Pno Trio in E flat, Op.1 No.1: IV. Finale: Presto
Pno Trio in G, Op.1 No.2: I. Adagio - Allegro Vivace
Pno Trio in G, Op.1 No.2: II. Largo Con Espressione
Pno Trio in G, Op.1 No.2: III. Scherzo: Allegro - Trio
Pno Trio in G, Op.1 No.2: IV. Finale: Presto
Vars On Dittersdorf's 'Ja, Ich Muss Mich Von Ihr Scheiden' in E flat, Op.44

Tracks:

Pno Trio in c, Op.1 No.3: I. Allegro Con Brio
Pno Trio in c, Op.1 No.3: II. Andante Con Brio
Pno Trio in c, Op.1 No.3: III. Menuetto: Quasi Allegro - Trio
Pno Trio in c, Op.1 No.3: IV. Finale: Prestissimo
Pno Trio in B flat, Op.97 'Archduke': I. Allegro Moderato
Pno Trio in B flat, Op.97 'Archduke': II. Scherzo: Allegro - Trio
Pno Trio in B flat, Op.97 'Archduke': III. Andante Cantabile Ma Pero Con Moto - Poco Piu Adagio...
Pno Trio in B flat, Op.97 'Archduke': IV. Allegro Moderato - Presto
Allegretto in B flat, WoO 39
Allegretto in E flat, Hess 48

Tracks:

Pno Trio in D, Op.70 No.1 'Ghost': I. Allegro Vivace Con Brio
Pno Trio in D, Op.70 No.1 'Ghost': II. Largo Assai Ed Espressivo
Pno Trio in D, Op.70 No.1 'Ghost': III. Presto
Pno Trio in E flat, Op.70 No.2: I. Poco Sostenuto - Allegro, Ma Non Troppo - Tempo I - Tempo II
Pno Trio in E flat, Op.70 No.2: II. Allegretto
Pno Trio in E flat, Op.70 No.2: III. Allegretto, Ma Non Troppo
Pno Trio in E flat, Op.70 No.2: IV. Finale: Allegro
Vars On Muller's 'Ich Bin Der Schneider Kakadu' in G, Op.121a: Intro: Adagio Assai - Tema: ...

Tracks:

Vc Son No.1 in F, Op.5 No.1: I. Adagio Sostenuto -
Vc Son No.1 in F, Op.5 No.1: Allegro - Adagio - Presto - Tempo I. (Allegro)
Vc Son No.1 in F, Op.5 No.1: II. Allegro Vivace
Vc Son No.2 in g, Op.5 No.2: I. Adagio Sostenuto Ed Espressivo -
Vc Son No.2 in g, Op.5 No.2: Allegro Molto Piu Tosto Presto
Vc Son No.2 in g, Op.5 No.2: II. Rondo: Allegro
Vc Son No.3 in A, Op.69: I. Allegro, Ma Non Tanto
Vc Son No.3 in A, Op.69: II. Scherzo: Allegro Molto
Vc Son No.3 in A, Op.69: III. Adagio Cantabile - Allegro Vivace

Tracks:

Vc Son No.4 in C, Op.102 No.1: I. Andante - Allegro Vivace
Vc Son No.4 in C, Op.102 No.1: II. Adagio - Tempo D'andante - Allegro Vivace
Vc Son No.5 in D, Op.102 No.2: I. Allegro Con Brio
Vc Son No.5 in D, Op.102 No.2: II. Adagio Con Molto Sentimento D'affetto -
Vc Son No.5 in D, Op.102 No.2: III. Allegro - Allegro Fugato
Vars On Handel's 'See The Conqu'ring Hero Comes' in G, WoO 45
Vars On Mozart's 'Bei Mannern, Welche Liebe Fuhlen in E flat, WoO 46
Vars On Mozart's 'Ein Madchen Oder Weibchen' in F, Op.66

Tracks:

Vn Son No.1 in D, Op.12 No.1: I. Allegro Con Brio
Vn Son No.1 in D, Op.12 No.1: II. Tema Con Var: Andante Con Moto
Vn Son No.1 in D, Op.12 No.1: III. Rondo: Allegro
Vn Son No.2 in A, Op.12 No.2: I. Allegro Vivace
Vn Son No.2 in A, Op.12 No.2: II. Andante, Piu Tosto Allegretto
Vn Son No.2 in A, Op.12 No.2: III. Allegro Piacevole
Vn Son No.3 in E flat, Op.12 No.3: I. Allegro Con Spirito
Vn Son No.3 in E flat, Op.12 No.3: II. Adagio Con Molt'espressione
Vn Son No.3 in E flat, Op.12 No.3: III. Rondo: Allegro Molto

Tracks:

Vn Son No.4 in a, Op.23: I. Presto
Vn Son No.4 in a, Op.23: II. Andante Scherzoso Piu Allegretto
Vn Son No.4 in a, Op.23: III. Allegro Molto
Vn Son No.5 in F, Op.24 ('Spring'): I. Allegro
Vn Son No.5 in F, Op.24 ('Spring'): II. Andante Scherzoso Piu Allegretto
Vn Son No.5 in F, Op.24 ('Spring'): III. Allegro Molto
Vn Son No.5 in F, Op.24 ('Spring'): IV. Rondo: Allegro Ma Non Troppo
Vn Son No.6 in A, Op.30 No.1: I. Allegro
Vn Son No.6 in A, Op.30 No.1: II. Adagio Molto Espressivo
Vn Son No.6 in A, Op.30 No.1: III. Allegretto Con Var

Tracks:

Vn Son No.7 in c, Op.30 No.2: I. Allegro Con Brio
Vn Son No.7 in c, Op.30 No.2: II. Adagio Cantabile
Vn Son No.7 in c, Op.30 No.2: III. Scherzo: Allegro - Trio
Vn Son No.7 in c, Op.30 No.2: IV. Finale: Allegro
Vn Son No.8 in G, Op.30 No.3: I. Allegro Assai
Vn Son No.8 in G, Op.30 No.3: II. Tempo Di Minuetto, Ma Molto Moderato E Grazioso
Vn Son No.8 in G, Op.30 No.3: III. Allegro Vivace
Vn Son No.10 in G, Op.96: I. Allegro Moderato
Vn Son No.10 in G, Op.96: II. Adagio Espressivo -
Vn Son No.10 in G, Op.96: III. Scherzo: Allegro - Trio
Vn Son No.10 in G, Op.96: IV. Poco Allegretto - Adagio - Tempo I. - Allegro - Poco Adagio - Presto

Tracks:

Vn Son No.9 in A, Op.47 ('Kreutzer'): I. Adagio Sostenuto - Presto
Vn Son No.9 in A, Op.47 ('Kreutzer'): II. Andante Con Var
Vn Son No.9 in A, Op.47 ('Kreutzer'): III. Finale: Presto
Pno Trio in a, Op.50: I. Pezzo elegiaco: Moderato Assai - Allegro Giusto - Adagio Con Duole E ...
Pno Trio in a, Op.50: IIA. Tema Con Var: Andante Con Moto - Piu Mosso - Allegro Moderato - Tempo...

Amazon.com

In the main, the youthful Beethoven chamber music collaborations between Daniel Barenboim, Pinchas Zuckerman, and the late Jacqueline du Pré are characterized by broad, liberally fluctuating tempos, ripeness of tone, and a tendency to place expression ahead of stylistic considerations. Zuckerman's sweet vibrato, for instance, seems misplaced in Beethoven's terse, combative syntax (the earlier trios and violin sonatas, for example). Likewise, du Pré's throbbing solo lines impose a late-Romantic patina on the music that some listeners will find more appropriate to Arensky or Glazunov. More often than not, Daniel Barenboim's piano provides the decisive voice, by way of setting tempos and effecting transitions.

While the leaner, more economically expressive Abegg Trio (Tacet) and Vienna Piano Trio (Nimbus) Beethoven Trio offerings better reflect the composer's headlong brio and nervous energy, the Barenboim-Zuckerman-Du Pré team oozes sheer musicality and involvement in every bar. For this reason, one might well prefer Zuckerman and Barenboim's overwrought rapport in the Violin Sonatas to the violinist's tighter RCA remakes with Marc Neikrug at the piano. Du Pré's tragic illness prevented her and Barenboim from tackling the Cello Sonatas in the studio. Happily, their exciting, communicative live 1970 Edinburgh Festival traversals (plus the variation sets) were broadcast by the BBC and captured in excellent sound. So was a touchingly indulgent Tchaikovsky Trio preserved from one of Du Pré's final concerts, included as both a bonus and a memento. Tully Potter's excellent booklet notes give equal time to music and artists, and rightly discuss the performances in the context of their time. It's good to have these recordings gathered in a budget-priced, space-saving box. --Jed Distler

Customer Reviews:

With minor reservations, "excellent".......2004-05-16

As noted above, this 9 CD set resulted from the youthful collaboration of Barenboim, du Pre (soon to wed Barenboim) and Zukerman. Clearly Barenboim is the driving force. As the info booklet asks: "Would Beethoven have approved of what Barenboim does here? Perhaps not, although he would surely have applauded the young man's courage".

Sadly, du Pre's illness (she had MS, forcing her retirement in 1973 and ultimately causing her untimely death) seriously limited the collaboration. Because her illness prevented a studio recording, the cello sonatas are from 1970 live recordings taped by the BBC. The audience noise is distracting, and I simply cannot understand why the coughs and chair scrapings could not have been edited out.

Barenboim and co really do drag out the slow movements; sometimes to good effect, and sometimes too much in my view. For example, the third movement of the Archduke Trio goes for 12:07 on the Naxos recording but extends to 16:02 here (but this one is still a better rendition).

To fill out the last CD, EMI includes Tchaikovsky's Piano Trio Op 50 (taped from a live performance in Tel Aviv in 1972), which is not in the same league as Beethoven's (but I guess they had to do something with the space).

My main complaint is that the thick 3-language info booklet is devoted entirely to the history of the performers and includes not a single word about the music itself!

Tracks:

Son No.8 in a KV310: I. Allegro maestoso
Son No.8 in a KV310: II. Andante cantabile con espressione
Son No.8 in a KV310: III. Presto
Son No.21 in C 'Waldstein' Op.53: I. Allegro con brio
Son No.21 in C 'Waldstein' Op.53: II. Adagio molto
Son No.21 in C 'Waldstein' Op.53: III. Rondo. Allegro moderato
Son No.20 in A, D959: I. Allegro
Son No.20 in A, D959: II. Andantino
Son No.20 in A, D959: III. Scherzo. Allegro vivace. Trio. Un poco piu lento.
Son No.20 in A, D959: IV. Rondo. Allegretto. Presto

A Beethoven Trilogy: The Last Three Sonatas, Opp. 109, 110 & 111

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Rosenbaum Brings These Works Home

A Beethoven Trilogy: The Last Three Sonatas, Opp. 109, 110 & 111

Manufacturer: Bridge Records, Inc.
ProductGroup: Music
Binding: Audio CD

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Rosenbaum performs Schubert: Moments Musicaux Op. 94

ASIN: B0006SHNHY
Release Date: 2004-12-01

Tracks:

Sonata No. 30 in E Major, Opus 109 - I Vivage ma non troppo
Sonata No. 30 in E Major, Opus 109 - II Prestissimo
Sonata No. 30 in E Major, Opus 109 - III Andante molto cantabile ed espressivo (Gesangvoll, mit inningster Empfindung)
Sonata No. 31 in A-flat Major, Opus 110 - I Moderato cantabile molto espressivo
Sonata No. 31 in A-flat Major, Opus 110 - II Allegro molto
Sonata No. 31 in A-flat Major, Opus 110 - III Adagio, ma non troppo; Arioso dolente (Klagender gesang)
Sonata No. 31 in A-flat Major, Opus 110 - IV Fuga: Allegro, ma non troppo; L'istesso tempo di Arioso
Sonata No. 31 in A-flat Major, Opus 110 - V L'istesso tempo della Fuga poi a poi di nuovo vivente (nach und nach wieder auflebend)
Sonata No. 32 in c minor, Opus 111 - I Maestoso - Allegro con brio ed appassionato
Sonata No. 32 in c minor, Opus 111 - II Arietta: Adagio molto semplice e cantabile

Album Description

Written between 1820 and 1822 at a time when Beethoven was suffering from a variety of maladies including nearly total deafness, each of these three sonatas stands alone as a great artistic achievement. Heard together in Victor Rosenbaum's magisterial performances, these works remind us of what vast new territories of the imagination Beethoven explored. Pianist Victor Rosenbaum became a member of the piano faculty at the New England Conservatory in 1967, and went on to head both the piano and chamber music departments at NEC. In addition to his long tenure at NEC, Rosenbaum was Director and President of the Longy School of Music from 1985 to 2001, where he continues as a faculty member. Victor Rosenbaum has toured as a soloist throughout Europe and the USA, and in 1996 made his first solo recording for Bridge Records-a highly acclaimed Schubert recital (BRIDGE 9070). In this recording, made in Boston's acoustically superb Jordan Hall, Rosenbaum plays Beethoven's final three sonatas in powerfully insightful readings.

Customer Reviews:

Rosenbaum Brings These Works Home.......2007-02-12

This is the single most satisfying recording I own of Beethoven's last three piano sonatas. I rank it alongside Gilels' offering.

Claudio Arrau was once noted to have observed that you can't really play the late Beethoven sonatas unless you're at least 50 years old. By that, I believe he meant that you have to have lived and contended with a certain minimum set of important emotional milestones and experiences that can only occur with maturity. I have come to increasingly appreciate Arrau's observation, especially listening to the performances of younger artists. It seems that some of what is being said in these late works simply goes over their heads. In contrast, none of the emotional terrain these works cover is lost on Maestro Rosenbaum.

I had the pleasure of meeting Maestro Rosenbaum and playing for him in a master class. I also observed him with other pianists during their master class sessions as well. Rosenbaum brings a rare and refreshing psychological-mindedness to his interpretation of a composer's work. His playing reflects this approach in that his performance of a work feels like the unfolding of a compelling and inevitable emotional drama. After listening to him, I feel I've been told a story, even if I can't remember any of the words.

If you are looking to be emotionally moved by these works, you will be very pleased with this disc.

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Beethoven: The Last Three Sonatas
Beethoven , and Jerome Rose
Manufacturer: Medici Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B00008GQCO
Release Date: 2002-11-26

Beethoven: Three Sonatas (Moonlight / Waldstein / Op.110)

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Beautiful Sonatas by Beethoven...Played by a Master, Bar None!

Beethoven: Three Sonatas (Moonlight / Waldstein / Op.110)

Manufacturer: Reference Recordings
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B0000015A5
Release Date: 1996-03-12

Tracks:

Moonlight: Son No. 14 in c#, Op. 27 No. 2: Adagio sostenuto
Moonlight: Son No. 14 in c#, Op. 27 No. 2: Allegretto
Moonlight: Son No. 14 in c#, Op. 27 No. 2: Presto Agittato
Waldenstein: Son No. 21 in C, Op. 53: Allegro con brio
Waldenstein: Son No. 21 in C, Op. 53: Adagio molto
Waldenstein: Son No. 21 in C, Op. 53: Rondo
Son No. 31 in A-flat, Op. 110: Moderato
Son No. 31 in A-flat, Op. 110: Allegro molto
Son No. 31 in A-flat, Op. 110: Adagio

Amazon.com

Reference's CDs are marketed primarily as realistic sound recordings, on which level this disc is a decided success. The piano definitely sounds like a piano, well above the high level norm of contemporary recordings. There is another realism to be considered, though, and that is how well Beethoven is reproduced by the performances. Despite Eugene Istomin's long-standing reputation as one of America's leading pianists, his playing here is distressingly bland, setting out the music without a strong point of view and minimizing the power of Beethoven's conception. --Leslie Gerber

Customer Reviews:

Beautiful Sonatas by Beethoven...Played by a Master, Bar None!.......2007-06-09

Lovely, Lovely, Lovely......nothing else will do for an opener for this review of this beautiful album of three of the greatest piano works by Beethoven.

Oh, so carefully, yet deftly, played. Such crisp deliniated bite, where it should be. So softly and lovingly shaped phrasing. All this from these time-worn, beautiful hands on this Master Pianist, who, sadly, was not in the recording studio much the last half of his life. This man was the wonderful Eugene Istomin, who originally played with Pablo Casals at the end of his career. After Casals' death, Eugene married Marta, Pablo's widow, and also began playing with Leonard Rose (cellist), and Issac Stern, as the "Istomin, Rose, Stern Trio" and continued in this vein for many many years.

I knew him from these recordings back in the 60's and 70's, and always loved this most generously talented threesome's LP releases. With the demise of the LP, lots of people were "lost" when CD's came out, relegated to the back of the closets at the studio libraries. Slowly, Sony/CBS began releasing these recordings. Also, Eugene made a very few new recordings, of which, this is one.

I do not recall if this was his last, or the Mozart sonatas, but one of the two were. One would never know just how ill this man was to hear him play these masterworks with such deep feeling and deft fingerwork. (I do not agree with Leslie Gerber's assessment of this recording at all, and as I continue to grow still older, I am finding I disagree more and more often with "professional" assessments).

Having always held Mr. Istomin in such a high regard, I was more than doubly surprised and pleased to have had the wonderful experience of lunching with him shortly before his passing. While I was living in DC a few years ago, a friend of mine had done some electrical work for him in his apartment and became friends with him. So, he "surprised" me one day by telling me that he had a treat for me for noon's repast. What a wonderful time, sharing food with this wonderful man, and listening to him tell stories from his past in his soft and gentle voice, and to watch his hands as he spoke. Later, we went over to his apartment, and he played the "Pathetique" for me (on Vladimir Horowitz's Steinway, which he owned, parked in his living room)....wow! I shall never forget it. Afterward, he pulled out a copy of this cd and autographed it to me. How sad that only a few months later he was gone. But, I never listen to his recordings without forever being so deeply pleased that I got to meet this towering musical giant from my "childhood" of finding/discovering classical music at the age of 20!

If I could have just one wish, it would be for the "Pathetique" to have been also included on this truly Desert Island disc.

Eugene, (as Bob Hope would say), "Thanks for the Memory"....."Salute!, you Grandest of Masters!" ~operabruin

(PS: I realize this sort of runs on a little about meeting Mr. Istomin, but I thought perhaps you folks might enjoy this.)

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Beethoven: The Last Three Piano Sonatas

Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00005UO8A
Release Date: 2002-02-12

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Beethoven: The Last Three Piano Sonatas

Manufacturer: Russian Revelation
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B000006BB6
Release Date: 1998-04-21

Tracks:

Sonata in E flat, No.30 Op.109: I Vivace ma non troppo-Adagio espressivo-Tempo I
Sonata in E flat, No.30 Op.109: II Prestissimo
Sonata in E flat, No.30 Op.109: III Andante molto cantabile ed espressivo
Sonata in A flat, No.31 Op.110: I Moderato cantabile molto espressivo
Sonata in A flat, No.31 Op.110: II Allegro molto
Sonata in A flat, No.31 Op.110: III.Adagio ma non troppo-Arioso dolente
IV Fuga:allegro ma non troppo-L'istesso tempo di Arioso
Sonata in C minor, No.32 op.111: I Maestoso-Allegro con brio ed appassionato
Sonata in C minor, No.32 op.111: II Arietta:Adagio molto semplice e cantible

Amazon.com

Revelation brings out the same January 12, 1975, Op. 111 issued by Music & Arts in a brighter yet hissier transfer. Sviatoslav Richter dives headfirst into the opening movement, safety last, looking Beethoven's "Allegro con brio ed appassionato" straight in the eye (what a tempo!), and generates both high tension and repose in the sublime Arietta as well as in Op. 109's variation movement. The slightly distanced miking in an October 10, 1965, Op. 110 is kinder to Richter's metrical shifts and accentuation than the clangy version from the same year on Praga. The pianist still pounds out the left-hand quavers in the Klagender Gesang, in contrast to his more graceful Philips and Live Classics traversals a quarter century later. A worthy but not indispensable addition to Richter's colossal discography. --Jed Distler

BEETHOVEN: Last Three Piano Sonatas - Artur Pizarro

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BEETHOVEN: Last Three Piano Sonatas - Artur Pizarro

Manufacturer: Linn Records
ProductGroup: Music
Binding: Audio CD
ASIN: B000FILYP2
Release Date: 2006-04-27

Tracks:

Vivace, ma non troppo - Adagio espressivo
Prestissimo
Andante, molto cantabile ed espressivo
Moderato cantabile, molto espressivo
Allegro molto
Adagio, ma non troppo - Fuga: Allegro, ma non troppo
Maestoso - Allegro con brio ed appassionato
Arietta: Allegro molto , semplice e cantabile

Product Description

Ludwig Van Beethoven (1770-1827)

The Last Three Piano Concertos
Piano Sonata No. 30 in E, Op. 109
Piano Sonata No. 31 in A flat, Op. 110
Piano Sonata No. 32 in C minor, Op. 111

Artur Pizarro

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Beethoven Master

Beethoven: The Last Three Sonatas

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B0000037IW
Release Date: 1995-10-03

Tracks:

Son No. 30 in E, Op. 109: Vivace Ma Non Troppo-Adagio Espressivo
Son No. 30 in E, Op. 109: Prestissimo
Son No. 30 in E, Op. 109: Gesangvoll Mit Innigster Empfindung: Molto espressivo/Leg...
Son No. 31 in A flat, Op. 110: Moderato Cantabile Molto Espressivo
Son No. 31 in A flat, Op. 110: Allegro Molto
Son No. 31 in A flat, Op. 110: Adagio, Ma Non Troppo-Recitativo-Adagio, Ma Non Troppo
Son No. 31 in A flat, Op. 110: Fuga: Allegro Ma Non Troppo
Son No. 32 in c, Op. 111: Maestoso-Allegro Con Brio Ed Appassionato
Son No. 32 in c, Op. 111: Adagio Molto Semplice E Cantabile

Customer Reviews:

Beethoven Master.......2000-02-27

I must admit to finding Beethoven a bit of a bore- he led music out of the Classical era and into the heavier Romantic era. In his last piano sonatas in particular, Romanticism is revealed at its very peak, and they are demanding for the listener as well as for the performer. Yet in Bernard Roberts, Beethoven has a living champion like no other, and this disc is a fortuitous example of Beethoven playing of the highest standard. It is as if Roberts has been able to sense Beethoven's very soul buried deep in the music, and has found a way to lift it out and share it with us through gripping mastery of the piano and its expressive sound world.

If you like Beethoven, you MUST listen to this CD; if you find Beethoven a bore as I do, you should still consider this CD- it may surprise you.

Three Sonatas for Piano & Violoncello
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First Rate Beethoven Sonatas

Three Sonatas for Piano & Violoncello

ProductGroup: Music
Binding: Audio CD

Classical | Indie Music | Stores | Music
General | Classical | Styles | Music
ASIN: B00000I6K3
Release Date: 1997-04-06

Tracks:

Allegro ma non tanto
Scherzo: Allegro molto
Adagio cantabile - Allegro vivace
Andante - Allegro vivace
Adagio - Tempo d'andante - Allegro vivace
Allegro con brio
Adagio con molto sentimento d'affetto

Customer Reviews:

First Rate Beethoven Sonatas.......2002-11-01

One of my favorite recordings of the Beethoven Cello Sonatas.
These artists make a powerful personal statement. Touching and beautiful, I recommend this CD highly.

Track Listings:

Track Listings

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Ballad Collection [Limited Edition] [Import]

All the Sad Young Men

Bach: Geschwinde, ihr wirbelnden Winde - The Contest between Phoebus and Pan BWV 201

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