Chopin: Sonata No. 3, Etudes, op. 25

Editorial Reviews
Amazon.com
Nelson Freire, the grizzled gent who here makes his Decca debut at the ripe old age of 58, may indeed be elusive, but the biographical facts speak for themselves. Born in the Brazilian city of Boa Esperanca, Freire had huge early success, winning both the Vianna da Motta Prize and the Dinu Lipatti Medal when he was 20. For many years Martha Argerich's favorite four-hand partner, he has always won plaudits for his Chopin, and this inspiring disc shows why. The majestic Third Sonata seems governed from the start by an improvisatory impulse, but there's nothing showy about the playing. His touch is light, tender, and responsive to every hint in the score. In the second movement, he evinces rare delicacy and precision, and in the third, a thrillingly warm legato: he refuses to indulge in histrionics, which allows the genuine drama of the final movement to surge out more strongly. The Etudes offer a string of surprises, each emerging in an entirely fresh guise. No. 2 is more perfumed than usual, and No. 3 more expansive; the giant left-hand leaps of No. 4 are tossed off with nonchalant ease; the three "finales" are as astonishing as anyone could wish. Rounding things out with the three posthumous etudes, Freire also reminds us how velvety and muted his touch can be. There's an old-fashioned excellence about this pianism, which we need more of these days. --Michael Church

Tracks:

Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
Turkish March - Mozart, Wolfgang Amadeus
Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus

Tracks:

Overture No. 4 In Major: Rejouissance - J.S.Bach
Overture No. 3 In D Major: Air - J.S.Bach
Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
Jesu, Joy Of Man's Desiring - J.S.Bach
Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
Prelude In C Major - J.S.Bach
Toccata And Fugue In D Minor - J.S.Bach
Prelude In C Minor - J.S.Bach
Overture No. 1 In C Major: Passepied - J.S.Bach
Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
Violin Concerto In E Major: I. Adagio - J.S.Bach
St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach

Tracks:

Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
Fur Elise - Ludwig Van Beethoven
Violin Romance No. 2 - Ludwig Van Beethoven
'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
Minuet - Ludwig Van Beethoven
Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
Coriolan: Overture - Ludwig Van Beethoven
Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
Egmont: Overture - Ludwig Van Beethoven

Tracks:

Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
Wine, Woman And Song - Johann Strauss
Tritsch Tratsch Polka - Johann Strauss
The Blue Danube - Johann Strauss
The Gypsy Baron: Introduction - Johann Strauss
Annen Polka - Johann Strauss
Vienna Blood - Johann Strauss
The Gypsy Baron: Einzugsmarsch - Johann Strauss

Tracks:

Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC

Tracks:

Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
String Serenade: Waltz - Peter Tchaikovsky
Violin Concerto: Andante - Peter Tchaikovsky
The Sleeping Beauty: Introduction - Peter Tchaikovsky
The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
The Sleeping Beauty: Waltz - Peter Tchaikovsky
Capriccio italien Op. 45 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
Eugene Onegin: Polonaise - Peter Tchaikovsky

Tracks:

The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
Siciliano - VIVALDI, Antonio
Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio

Tracks:

Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
Waltz In E Flat Major, Op. 18 - Frederic Chopin_
Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_

Tracks:

Ave Maria - Franz Schubert
Impromptu In E Flat Major - Franz Schubert
Standchen - Franz Schubert
Trout Quintet: Tema con variazioni - Franz Schubert
'Rosamunde': Entr'acte No. 1 - Franz Schubert
Moment Musical In A Flat Major - Franz Schubert
'Rosamunde': Entr'acte No. 2 - Franz Schubert
Moment Musical No. 3 In F Minor - Franz Schubert
'Rosamunde': Ballet Music No.2 - Franz Schubert
Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert

Tracks:

Nabucco: Overture - Verdi, Giuseppe
Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
Aida: Prelude - Verdi, Giuseppe
II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
Aroldo: Overture - Verdi, Giuseppe
La Traviata: Prelude - Verdi, Giuseppe
La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
La forza del destino: Overture - Verdi, Giuseppe

Customer Reviews:

masters of classical music.......2007-03-26

A nice collection for the classical listener. Great variety of composers and the music quality of the cds are very good.

A good basic collection.......2006-11-10

With selections from numerous composers, it is an easy way to familiarize oneself with some of the most popular classical works and excerpts. A pleasant listen for the initiated too.

An excellent introduction to classical music.......2006-10-18

This is an excellent introduction to classical music. Well performed and presented.

Very Beautiful!!!!!1.......2006-10-05

If you are a fan of classical music then you better get this set. Not only is it very cheap, 10 Discs for about 2$ per disk. Now where are you gonna find a deal like this. I actually found mine chaper, $20.00 even and the music is outstanding. If you had a very bad day and very stressed out, just put in one of these cds, lay down, dim down the lights and just relax. It really helped me out.

Still Stuck on Beethoven.......2006-08-22

I just recently started listening to classical music so I'm certainly not one to compare or critique the quality of this set. However, I do have a few comments...

My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.

I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!

I think this set is a wonderful introduction to classical music!!!!!

Average customer rating:

My experience of this CD
Beautiful!
Well worth the money. Wonderful! Wonderful!
Best investment to make
A great pianist interpreting the most inspired composer ever !

Chopin: The Piano Works

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Bourees | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Ecossaises | Ballets & Dances | Classical | Styles | Music

Galops | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Liszt: Piano Works
Brahms: Works for Solo Piano
Schubert: The Piano Sonatas
Works for Solo Piano
Mozart: The Piano Concertos

ASIN: B0000041KB
Release Date: 1997-06-24

Tracks:

24 Preludes, Op.28: I - C Major
24 Preludes, Op.28: II - A Minor
24 Preludes, Op.28: III - G Major
24 Preludes, Op.28: IV - E Minor
24 Preludes, Op.28: V - D Major
24 Preludes, Op.28: VI - B Minor
24 Preludes, Op.28: VII - A Major
24 Preludes, Op.28: VIII - F Sharp Minor
24 Preludes, Op.28: IX - E Major
24 Preludes, Op.28: X - C Sharp Minor
24 Preludes, Op.28: XI - B Major
24 Preludes, Op.28: XII - G Sharp Minor
24 Preludes, Op.28: XIII - F Sharp Major
24 Preludes, Op.28: XIV - E Flat Minor
24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
24 Preludes, Op.28: XVI - B Flat Minor
24 Preludes, Op.28: XVII - A Flat Major
24 Preludes, Op.28: XVIII - F Minor
24 Preludes, Op.28: XIX - E Flat Major
24 Preludes, Op.28: XX - C Minor
24 Preludes, Op.28: XXI - B Flat Major
24 Preludes, Op.28: XXII - G Minor
24 Preludes, Op.28: XXIII - F Major
24 Preludes, Op.28: XXIV - D Minor
Prelude In C Sharp Minor, Op.45
Prelude In A Flat Major
Impromptu In A Flat Major, Op.29
Impromptu In F Sharp Major, Op.36
Impromptu In G Flat Major, Op.51
Fantaisie-Impromptu In C Sharp Minor, Op.66

Tracks:

Ballade No.1 In G Minor, Op.23
Ballade No.2 In F Major, Op.38
Ballade No.3 In A Flat Major, Op.47
Ballade No.4 In F Minor, Op.52
Scherzo No.1 In B Minor, Op.20
Scherzo No.2 In B Flat Minor, Op.31
Scherzo No.3 In C Sharp Minor, Op.39
Scherzo No.4 In E Minor, Op.54

Tracks:

3 Nocturnes, Op.9: I - B Flat Minor
3 Nocturnes, Op.9: II - E Flat Major
3 Nocturnes, Op.9: III - B Major
3 Nocturnes, Op.15: I - F Major
3 Nocturnes, Op.15: II - F Sharp Major
3 Nocturnes, Op.15: III - G Minor
2 Nocturnes, Op.27: I - C Sharp Minor
2 Nocturnes, Op.27: II - D Flat Major
2 Nocturnes, Op.32: I - B Major
2 Nocturnes, Op.32: II - A Flat Major
2 Nocturnes, Op.37: I - G Minor
2 Nocturnes, Op.37: II - G Major

Tracks:

2 Nocturnes, Op.48: I - C Minor
2 Nocturnes, Op.48: II - F Sharp Minor
2 Nocturnes, Op.55: I - F Minor
2 Nocturnes, Op.55: II - E Flat Major
2 Nocturnes, Op.62: I - B Major
2 Nocturnes, Op.62: II - E Major
Nocturne In E Minor, Op.72 No.1
Nocutrne In C Sharp Minor
Nocturne In C Minor

Tracks:

12 Etudes, Op.10: I - C Major
12 Etudes, Op.10: II - A Minor
12 Etudes, Op.10: III - E Major
12 Etudes, Op.10: IV - C Sharp Minor
12 Etudes, Op.10: V - G Flat Major 'Black Key'
12 Etudes, Op.10: VI - E Flat Minor
12 Etudes, Op.10: VII - C Major
12 Etudes, Op.10: VIII - F Major
12 Etudes, Op.10: IX - F Minor
12 Etudes, Op.10: X - A Flat Major
12 Etudes, Op.10: XI - E Flat Major
12 Etudes, Op.10: XII - C Minor 'Revolutionary'
12 Etudes, Op.25: I - A Flat Major
12 Etudes, Op.25: II - F Minor
12 Etudes, Op.25: III - F Major
12 Etudes, Op.25: IV - A Minor
12 Etudes, Op.25: V - E Minor
12 Etudes, Op.25: VI - G Sharp Minor
12 Etudes, Op.25: VII - C Sharp Minor
12 Etudes, Op.25: VIII - D Flat Major
12 Etudes, Op.25: IX - G Flat Major
12 Etudes, Op.25: X - B Minor
12 Etudes, Op.25: XI - A Minor 'Winter Wind'
12 Etudes, Op.25: XII - C Minor

Tracks:

2 Polonaises, Op.26: I - C Sharp Minor
2 Polonaises, Op.26: II - E Flat Minor
2 Polonaises, Op.40: I - A Major
2 Polonaises, Op.40: II - C Minor
Polonaise In F Sharp Minor, Op.44
Polonaise In A Flat Major, Op.53
Polonaise-fantaisie In A Flat Major, Op.61

Tracks:

3 Polonaises, Op.71: I - D Minor
3 Polonaises, Op.71: II - B Flat Major
3 Polonaises, Op.71: III - F Minor
Polonaise In B Flat Minor
Polonaise In G Flat Major
Polonaise In G Minor
Polonaise In B Flat Major
Polonaise In A Flat Major
Polonaise In G Sharp Minor

Tracks:

Waltz In E Flat Major, Op.18
3 Waltzes, Op.34: I - A Flat Major
3 Waltzes, Op.34: II - A Minor
3 Waltzes, Op.34: III - F Major
Waltz In A Flat Major, Op.42
3 Waltzes, Op.64: I - D Flat Major
3 Waltzes, Op.64: II - C Sharp Minor
3 Waltzes, Op.64: III - A Flat Major
2 Waltzes, Op.69: I - A Flat Major
2 Waltzes, Op.69: II - B Minor
3 Waltzes, Op.70: I - G Flat Major
3 Waltzes, Op.70: II - F Minor
3 Waltzes, Op.70: III - D Flat Major
Waltz In E Minor (1830)
Waltz In E Major (1829)
Waltz In A Minor (?1843)
Waltz In A Flat Major (1827)
Waltz In E Flat Major ('Sostenuto', 1840)
Waltz In E Flat Major (1829 - 1830)

Tracks:

4 Mazurkas, Op.6: I - F Sharp Minor
4 Mazurkas, Op.6: II - C Sharp Minor
4 Mazurkas, Op.6: III - E Major
4 Mazurkas, Op.6: IV - E Flat Minor
5 Mazurkas, Op.7: I - B Flat Major
5 Mazurkas, Op.7: II - A Minor
5 Mazurkas, Op.7: III - F Minor
5 Mazurkas, Op.7: IV - A Flat Major
5 Mazurkas, Op.7: V - C Major
4 Mazurkas, Op.17: I - B Flat Major
4 Mazurkas, Op.17: II - E Minor
4 Mazurkas, Op.17: III - A Flat Major
4 Mazurkas, Op.17: IV - A Minor
4 Mazurkas, Op.24: I - G Minor
4 Mazurkas, Op.24: II - C Major
4 Mazurkas, Op.24: III - A Flat Major
4 Mazurkas, Op.24: IV - B Flat Minor
4 Mazurkas, Op.30: I - C Minor
4 Mazurkas, Op.30: II - B Minor
4 Mazurkas, Op.30: III - D Flat Major
4 Mazurkas, Op.30: IV - C Sharp Minor
4 Mazurkas, Op.33: I - G Sharp Minor
4 Mazurkas, Op.33: II - D Major
4 Mazurkas, Op.33: III - C Major
4 Mazurkas, Op.33: IV - B Minor
4 Mazurkas, Op.41: I - C Sharp Minor
4 Mazurkas, Op.41: II - E Minor
4 Mazurkas, Op.41: III - B Major
4 Mazurkas, Op.41: IV - A Flat Major

Tracks:

3 Mazurkas, Op.50: I - G Major
3 Mazurkas, Op.50: II - A Flat Major
3 Mazurkas, Op.50: III - C Sharp Minor
3 Mazurkas, Op.56: I - B Major
3 Mazurkas, Op.56: II - C Major
3 Mazurkas, Op.56: III - C Minor
3 Mazurkas, Op.59: I - A Minor
3 Mazurkas, Op.59: II - A Flat Major
3 Mazurkas, Op.59: III - F Sharp Minor
3 Mazurkas, Op.63: I - B Major
3 Mazurkas, Op.63: II - F Minor
3 Mazurkas, Op.63: III - C Sharp Minor
4 Mazurkas, Op.67: I - G Major
4 Mazurkas, Op.67: II - G Minor
4 Mazurkas, Op.67: III - C Major
4 Mazurkas, Op.67: IV - A Minor
4 Mazurkas, Op.68: I - C Major
4 Mazurkas, Op.68: II - A Minor
4 Mazurkas, Op.68: III - F Major
4 Mazurkas, Op.68: IV - F Minor
Mazurka In A Minor ('a Emile Gaillard', 1840)
Mazurka In A Minor ('Notre temps', 1840)
Mazurka In B Flat Major (1826)
Mazurka In G Major (1826)
Mazurka In A Flat Major (1834)
Mazurka In C Major (1833)
Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
Mazurka In D Major (1832)
Mazurka In D Major (?1820)
Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy

Tracks:

Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
Piano Sonata No.3 In B Minor, Op.58: III - Largo
Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
Fantaisie In F Minor, Op. 49

Tracks:

Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
Variations sur un air national allemand - E Major (1826)
Rondo In C Minor, Op.1
3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
Rondo 'a la Mazur' In F Major, Op.5
Marche funebre In C Minor, Op.72 No.2
Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
Rondo In C Major, Op.73 - Vladimir Ashkenazy
Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy

Tracks:

Variations In A Major ('Souvenir de Paganini', 1829)
Variations brillantes In B Flat Major, Op.12
Rondo In E Flat Major, Op.16
Bolero In A Minor, Op.19
Cantabile In B Flat Major
Variation In E Major
Largo In E Flat Major
Allegro de concert In A Major, Op.46
3 Nouvelles Etudes (1837): I - F Minor
3 Nouvelles Etudes (1837): II - A Flat Major
3 Nouvelles Etudes (1837): III - D Flat Major
Tarentelle In A Flat Major, Op.43
Fugue In A Minor (1841 - 42)
Albumblatt in E Major (1843)
Op.74 No.2: Wiosna - Spring
2 Bourrees (1846): I - G Minor; II - A Major
Galop Marquis
Berceuse In D Flat Major, Op.57
Barcarolle In F Sharp Major, Op.60

Customer Reviews:

My experience of this CD.......2007-04-04

My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.

Beautiful!.......2006-08-18

This is a beautifully played collection of Chopin's work. It was a birthday gift,
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.

Well worth the money. Wonderful! Wonderful!.......2006-06-10

I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!

Best investment to make.......2006-05-21

In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.

Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.

Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.

The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.

This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.

A great pianist interpreting the most inspired composer ever !.......2005-09-15

Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.

Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).

Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.

Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)

Chopin: Piano Works [Etudes - Impromptus - Sonatas - Concertos - Mazurkas - Polonaise - Berceuse]

Average customer rating:

It's Analog, But He's Digitally Right On
More outstanding Chopin from an unjustly neglected pianist
this is the chopin to buy.
BRILLIANT!!!
Vasary's Chopin Etudes - Finally on CD.

Chopin: Piano Works [Etudes - Impromptus - Sonatas - Concertos - Mazurkas - Polonaise - Berceuse]

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Chopin: Piano Works [Nocturnes - Waltzes - Ballades - Scherzi]
Rachmaninov: The Complete Piano Concertos
Beethoven: Piano Sonatas
Debussy: Favorite Piano Works
Chopin: Sonata in B-flat minor, Berceuse, etc.

ASIN: B0009F2EN2
Release Date: 2005-08-09

Tracks:

No.1 In C Major: Allegro
No.2 In A Minor: Allegro
No.3 In E Major: Lento Ma Non Troppo
No.4 In C Shapr Minor: Presto
No.5 In G Flat Major: Vivace
No.6 In E Flat Minor: Andante
No.7 In C Major: Vivace
No.8 In F Major: Allegro
No.9 In F Minor: Allegro, Molto Agitato
No.10 In A Flat Major: Vivace Assai
No.11 In E Flat Major: Allegretto
No.12 In C Minor: Allegro Con Fuoco
No.1 In A Flat Major: Allegro Sostenuto
No.2 In F Minor: Presto
No.3 In F Major: Allegro
No.4 In A Minor: Agitato
No.5 In E Minor: Vivace
No.6 In G Sharp Minor: Allegro
No.7 In C Sharp Minor: Lento
No.8 In D Flat Major: Vivace
No.9 In G Flat Major: Allegro Assai
No.10 In B Minor: Allegro Con Fuoco
No.11 In A Minor: Lento-Allegro Con Brio
No.12 In C Minor: Molto Allegro, Con Fuoco
Allegro Assai Quasi Presto
Andantino
Tempo Giusto
Allegro Agitato

Tracks:

I. Grave-Doppio Movimento
II. Scherzo
III. Marche Funebre
IV. Presto
I. Allegro Maestoso
II. Scherzo. Molto Vivace
III. Largo
IV. Finale. Presto Non Tanto
Allegro Non Troppo
Allegretto
Lento
Vivace
Introduction And Variations On A German National Air ('Der Schweizerbub') In E Major, Op.Posth.
Poco Mosso
Andante
Maestoso

Tracks:

I. Allegro Maestoso
II. Romance. Larghetto
III. Rondo. Vivace
I. Maestoso
II. Larghetto
III. Allegro Vivace

Customer Reviews:

It's Analog, But He's Digitally Right On.......2007-03-11

I first listened to Tamás Vásáry rendition of Chopin's Piano Concerto No. 1 in E minor in the late 1960s when I was 15 or 16 years old, studying piano and very much interested in "big time" younger pianists. The concerto came to me as a gift from Dad on a DG vinyl pressing of decent quietness and dynamic range, and it quickly became my favorite classical record. Vásáry appeared to be 30 years old or so back then--a bit of an Eastern European analog of our own Van Cliburn, though with a style I preferred to the young Texan's, especially in the Chopin.

Now that you know the nostalgic side of this, I can say that this set of CDs comes through very, very well audially (considering that the original recordings were made in the 1960s). It appears that DG may have recorded the concertos at 30 inches per second on reel-to-reel tape, hence there are no instances of tape oversaturation and distortion, and the background hiss while present, does not directly compete with even the quieter passages. DG clearly devoted its then-best technical efforts to this then-young artist. And with reason.

Vásáry has a reputation as a phenomenal technical and interpretative virtuoso, and this comes through in the recordings. His young fingers are forever fluid but precise, and for sheer joyful tunefulness, Vásáry's interpretations fit Chopin's spirit wonderfully well. Younger ears than mine may fault the late-1960s' audio quality, but the sheer musicality and precision of playing places these recordings near the top of the heap. The fact that the set is attractively priced helps make this set a great gift for a lover of music trying to build a basic classical library. This is Chopin wonderfully played.

More outstanding Chopin from an unjustly neglected pianist.......2006-12-16

As with his recordings of the Scherzi and ballades, Vasary proves himself one of a handful of really great Chopin interpreters. I found his Etudes far more 'poetic' (yes, these etudes are no mere studies in barn-storming virtuosity) than Perahia's, his sonatas as involving as Ashkenazy's and nearly all the other pieces on par with the best. Maybe most remarkable are the two concertos that I hadn't heard since their days as LPs in the 1960s. They sound every bit as good now, and, for my money, they would be the versions to choose among all others. I hear Vasary several times over the years in concert hall, but unfortunately he never really repeated those pianistic marvels of his youth. To be treasured.

this is the chopin to buy........2006-10-21

when i put cd 1 in my audio and played track one, i was taken by surprise. i've been weaned on pollini's etudes, and thought them definitive. but etude no. 1 from the op. 10 sets is completely different form pollini's. simply put, there's no pollini pounding in vasary.
vasary's playing may strike you as fragile. there certainly is an amorphous sound to it, compared with the straight-out expression of confidence in pollini and the almost burdensom romanticism in kissin. vasary's chopin does not wear it's heart out on the sleeve, if you catch what i'm trying to say. no where else would you find such dignity, such poignant playing.
rubinstein perhaps represents a suitable alternative precisely because he presents different perspectives of chopin. rubinstein's chopin is inspired and masculine. vasary's chopin is full of feminine dreaming.
you'll get hooked once you check these out. horowitz and kissin don't stand a chance against vasary. rubinstein, pollini, and argerich (with her unorthodox, fiery expressions) are good supplements.

BRILLIANT!!!.......2006-01-17

I am surprised to find that my experience is very similiar to the other reviewer of these works!Listening in my car to a Deutsche Grammophone cassette,a compilation of CHOPIN piano pieces by several Artists,I was completely taken by surprise to listen to 2 of Chopin's Nocturnes and one of His ETUDES-WINTER WIND being played Like no other Performer that I have heard(I have listened to Ivan Moravec's Nocturnes and Juana Zayas's Etudes as well as Murray Perahia.The Playing by this unknown Artist was much more flowing and natural,spontaneous.The Etude was a Tour De Force,with Stunning Vitality.I was eager to get back Home just to find out who this Supreme Artist was!I peered through the inlay of the cassette through my reading Glasses.I found the name TAMAS VASARY against those Pieces!
I am glad that the complete set of Etudes and Nocturnes by this Supreme Artist is Available now on CDs.I need to ask my friends in the USA to get it for me!

Vasary's Chopin Etudes - Finally on CD........2005-09-05

Back in 1981, I stumbled upon an unlabeled cassette recording of the Chopin op. 10 Etudes. Greatly impressed, I spent the next eighteen years searching and listening to dozens of recordings of the Etudes in an effort to identify the pianist and recording. Meanwhile, I was finding no match for the sheer musicality of what I was hearing on the cassette. At last I discovered that the mystery pianist was Tamas Vasary, in a recording he made in the 1960's and available once again as part of this freshly-released, 3-CD box set. Here one will find technique and pianism aplenty as Vasary demonstrates his mastery of the assorted technical problems found in the Etudes. But unlike many pianists, some of whom see the mastery of these problems (or, in some cases, the avoidance of them) as the end or goal in playing the Studies, Vasary keenly perceives, and never loses sight of, the truth, beauty and poetry behind this music, and compromises nothing in his pursuit. In the playing of that counterpoint passage in op. 10 #4, for example, one will not hear the pedal being used as a crutch, or whitewash, as it often is in this instance. Rather, one will hear, with perfect clarity combined with a wonderful, round tone, music of a composer who was, after all, a great fan and disciple of that master contrapuntist, J.S. Bach. A first regard for musicianship and, above all, a love for the music itself, clearly is in evidence in Vasary's recording. Get it - even though you already have a recording of the Etudes.

Average customer rating:

wonderful gems
"New" Horowitz at his Best

Horowitz: Discovered Treasures

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

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Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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Horowitz: The Last Romantic
Horowitz At Home
Horowitz: The Last Recording
Horowitz at the Met
Horowitz in Moscow

ASIN: B0000027UH
Release Date: 1992-10-06

Tracks:

Sonata In G major, L. S28
Sonata In B Minor, L. I47
Sonata In F-Sharp Minor, L.481
Sonata In D Minor, L.267
Sonatat In G Major, F.120
Sonata In C Minor, L.9
Chorale Prelude 'Ich ruf' zu dir, Herr Jesu Christ
Sonata In E-Flat Major, Op.12, No.2: Rondo
Adagio sostenuto In F Major
Piano Sonata In B-Flat Major, Op.25, No.3: Rondo
Piano Sonata In A Major, Op.50, No.1: Adagio
Trois nouvelles etudes: Etude In A-Flat Major, No.1
Etude In E-Flat Minor, Op.10, No.6
Prelude In D-Flat Major, Op.28, No.15 'Raindrop'
Fairy Tale In A Major, Op.51, No.3
Feulilet d'album, Op.58
Etude, Op.65, No.3
Consolations In E Major, S.172, No.2

Customer Reviews:

wonderful gems.......2005-08-31

I remember how entranced I was seeing Horowitz perform on television and watching him craft and nurture the music. I've enjoyed his interpretations since and this recording was completely enjoyable. I enjoyed especially the Chopin, Clementi and Scryabin works. I'm glad I discovered it.

"New" Horowitz at his Best.......2000-03-25

The material for this album was recorded from 1962-1972, but not released until 1992. Horowitz was a perfectionist when it came to programming albums and recitals, and generally recorded more than was needed for an album--this is the extra material. The performances are uniformly outstanding.

Each of the six Scarlatti Sonatas are performed with Horowitz' usual clarity, technical prowess, and charm.

Horowitz "floats" the theme of the Bach-Busoni Chorale Prelude in a way few other pianists can match.

The four Clementi Sonata movements one again re-establish Horowitz as the greatest advocate of Clementi of his time. Especially noteworthy here is the E-flat rondo, tossed off with brilliant virtuosity while remaining true to the spirit of the composition.

Horowitz recorded more of Chopin's music than that of any other composer, so the additions to Horowitz' Chopin discography are truly icing on the cake here. The well known "Raindrop" Prelude is played on a larger scale than usual--the rain threatens to become a thunderstorm! The late Etude is a miracle of chord voicing, while the earlier Etude proves that one does not have to drown the work in a haze of pedal to achieve a legato effect.

With the Scriabin, we reach the climax of the album. The Album Leaf exudes a steamy vagueness, while the Etude in Fifths will set your nerves aflame(the last octave run sounds like the Horowitz of the 1940s.)

Customer Reviews:

Get anything Grigory Sokolov recorded .......2006-07-29

Grigory Sokolov is definitely one of the most underrated pianist for the past few decades, and I truly believe he is the best still around.

Currently there are two CD boxes( each contains 5 CDs)and one DVD (Live in Paris) available in the market. This is one of the CD set.

CD1: Beethoven Diabelli Variations;
CD2 & CD3: Schubert D894, D960;
CD4: Chopin Sonata No 2 and Etude op25 ;
CD5: Scriabin Sonata No 3&9,Prokofiev Sonata No 8 and Rachmaninov Prelude op23 No 4.

Because of his reclusive personality and unwilling to record (perhaps due to perfectionism) , he never had contract with major labels and therefore lots of people were not aware of him. However, the one single DVD is good enough to do him justice--you have to see it to believe it.

He is one of the best classic pianists ever, along with Gilels, Richter, etc----definitely the best still around. If you have notheard of Solokov, get both CD sets and DVD--that will be the best investment for your classic music collection and years of enjoyment. And if one of us get lucky, we might still be able to see him one stage one day.

Average customer rating:

Cherkassky said it best
The best Charkassky album extant
Elegant Chopin
Great record.
Listen to the Preludes, Barcarolle and Nocturne

Shura Cherkassky

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Artur Schnabel
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Claudio Arrau 3 (III) (Great Pianists of the Century series) - Chopin / Debussy / Granados / Liszt / Mozart / Schubert (2 CDs)
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Great Pianists (series) - Ignaz Friedman plays Beethoven, Chopin, Hummel, Mendelssohn, etc.

ASIN: B00000HY8B
Release Date: 1999-01-12

Tracks:

Etudes, Op. 10: No. 1 In C, Allegro
Etudes, Op. 10: No. 2 In A-Minor, Allegro
Etudes, Op. 10: No. 3 In E, Lento ma non troppo
Etudes, Op. 10: No. 4 In C-Sharp Minor, Presto
Etudes, Op. 10: No. 5 In G-Flat 'Black Keys,' Vivace
Etudes, Op. 10: No. 6 in E-Flat Minor, Andante
Etudes, Op. 10: No. 7 In C, Vivace
Etudes, Op. 10: No. 8 In F, Allegro
Etudes, Op. 10: No. 9 In F-Minor, Allegro molto agitato
Etudes, Op. 10: No. 10 In A-Flat, Vivace assai
Etudes, Op. 10: No. 11 In E Flat, Allegretto
Etudes, Op. 10: No. 12 In C-Minor 'Revolutionary,' Allegro con fuoco
Etudes, Op. 25: No. 1 In A-Flat 'Aeolian Harp,' Allegro sostenuto
Etudes, Op. 25: No. 2 In F-MInor, Presto
Etudes, Op. 25: No. 3 In F, Allegro
Etudes, Op. 25: No. 4 In A Minor, Agitato
Etudes, Op. 25: No. 5 In E-MInor, Vivace
Etudes, Op. 25: No. 6 In G-Sharp Minor, Allegro
Etudes, Op. 25: No. 7 In C-Sharp Minor, Lento
Etudes, Op. 25: No. 8 In D Flat, Vivace
Etudes, Op. 25: No. 9 In G Flat 'Butterfly,' Allegro assai
Etudes, Op. 25: No. 10 In B-Minor, Allegro con fuoco
Etudes, Op. 25: No. 11 In A-MInor 'Winter Wind,' Lento-Allegro
Etudes, Op. 25: No. 12 In C-MInor, Allegro molto
Apologia: Trois nouvelles etudes - No. 1 In F Minor, Andantino
Trois nouvelles etudes: No. 1 In D-Flat, Allegretto
Trois nouvelles etudes: No. 1 In 3 In A-Flat, Allegretto
Trois nouvelles etudes: Fantasy In F-Minor, Op. 49
Trois nouvelles etudes: Mazurkza In D, Op. 33, No. 2

Tracks:

Barcarolle In F-Sharp, Op. 60
Nocturne In F-Minor, Op. 55, No. 1
Preludes, Op. 28: No. 1 In C, Agitato
Preludes, Op. 28: No. 2 In E-Minor, Largo
Preludes, Op. 28: No. 3 In 3 In G, Vivace
Preludes, Op. 28: No. 4 In B-Minor, Lento assai
Preludes, Op. 28: No. 5 In D, Allegro molto
Preludes, Op. 28: No. 6 In B-Minor, Lento assai
Preludes, Op. 28: No. 7 In A, Andantino
Preludes, Op. 28: No. 8 In F-Sharp Minor, Molto agitato
Preludes, Op. 28: No. 9 In E, Largo
Preludes, Op. 28: No. 10 In C-Sharp Minor, MOlto allegro
Preludes, Op. 28: No. 11 In B, Vivace
Preludes, Op. 28: No. 12 In G-Sharp Minor, Presto
Preludes, Op. 28: No. 13 IN F-Sharp, Lento
Preludes, Op. 28: No. 14 In E-Flat Minor, Allegro
Preludes, Op. 28: No. 15 In D-Flat, Sostenuto
Preludes, Op. 28: No. 16 In B-Flat Minor, Presto con fuoco
Preludes, Op. 28: No. 17 In A-Flat, Allegretto
Preludes, Op. 28: No. 18 In F-Minor, Molto allegro
Preludes, Op. 28: No. 19 In E-Flat, Vivace
Preludes, Op. 28: No. 20 In C Minor, Largo
Preludes, Op. 28: No. 21 IN B-Flat, Cantabile
Preludes, Op. 28: No. 22 In G-Minor, Molto agitato
Preludes, Op. 28: No. 23 In F, Moderato
Preludes, Op. 28: No. 24 In D Minor, Allegro appassionato
Piano Sonata No. 3 In B-Minor, Op. 58: 1. Allegro maestoso
Piano Sonata No. 3 In B-Minor, Op. 58: 2. Scherzo. Molto vivace
Piano Sonata No. 3 In B-Minor, Op. 58: 3. Largo
Piano Sonata No. 3 In B-Minor, Op. 58: 4. Finale. Presto ma non tanto

Customer Reviews:

Cherkassky said it best.......2007-06-21

In the liner notes to this CD, Cherkassky is quoted as saying: "Some people like my playing, and some perhaps don't. But I don't think anybody can call me boring."

That was exactly my thought when first listening to his interpretations. The tempos and phrasing are inventive and unique. There are times he seems to be so inventive that his hands sound as if they are not quite operating in sync, yet it all works beautifully. Cherkassky's playing demonstrates the difference between a skilled technician and an artist.

His rendition of the Chopin Barcarolle is a true masterpiece, one I never tire of listening to. It alone would justify buying this album.

The best Charkassky album extant.......2004-08-08

I heard Shura Cherkassky play in person three times, and each time he blew me away, but his recordings were not always as warm or exciting as his live performances. This set is an exception. In the Etudes, especially, I can almost see Shura hunched over the keys, his feet working the pedals frantically if instinctively to produce those beautiful corruscating cascades of sound in which he enveloped us all. How magical his playing was, and how unique! I am so happy that this album exists so I can tell people, "THAT is what Shura Cherkassky sounded like."

Elegant Chopin.......2003-04-12

If I had to choose just one adjective to describe the playing of Shura Cherkassky, it would be 'elegant.' I've just been comparing all the traversals of the Chopin 'Preludes' contained in the Philips 'Great Pianists of the 20th Century' collection; it includes those of Marta Argerich, Claudio Arrau, Jorge Bolet, and Alfred Cortot, along with Cherkassky's. Of these surely the most elegant, the most nuanced are those of Cherkassky. Arrau's come close (and are in better sound). For my money, the most exciting, although not necessarily the most accurate, are still those of Cortot, as old as they are. Still, I would not want to be without these gems by Cherkassky. He seems unrushed, unrhetorical, unmannered. The Preludes seem natural, somewhat restrained, always wise and civilized. The sound in these 1968 recordings is just fine.

The 'Études,' however, are something else. They seem a bit unsettled and the sound, from the early 1950s, shows its age. Still, they are skilfully phrased and he makes music of them, not just show-pieces. The F major and the C minor ('Revolutionary') are particularly effective.

As one earlier reviewer pointed out, the 'Nocturne in F minor, Op. 55, No. 1' is wonderful. And even better is the 'Barcarolle in F-sharp, Op. 60.' Indeed, it is one of the best I know.

The Third sonata does not catch fire, for some reason. I wonder why Philips didn't include his more effective recording of the Second. Ah, well, I think it's still available elsewhere.

The Philips collection is a treasure-house of important performances and this set is particularly valuable for the Preludes, the F minor Nocturne, and the Barcarolle.

Great record........2002-04-15

Excellent disk! When I bought this recorg a few years ago it was intuitive choise. I was beginner in the piano music. But, after many listenings of other pianists this interpretation of Chopin is still the best. Here I'm filling the gone epoch, epoch of lyrics and romantics.
If you like Chopin - buy it.

Listen to the Preludes, Barcarolle and Nocturne.......2002-02-06

Most of the reviewers liked this recording for the Etudes. I pull this recording out for the Preludes, the outstanding Barcarolle and Nocturne Op. 55 No. 1. These recordings are my standards for these works. He caresses these works with such loving tenderness. His melodic line always sings, and he can be so magical in the way he turns a phrase.

I first dismissed this recording of the Preludes because Cherkassky doesn't have the same technical polish that younger artists are able to attain. But if you listen to the Preludes for a while, you discern Cherkassky's astonishing ability to create pianistic color. The Preludes are little tone poems and need to be played with that in mind. By comparison, most newer recordings now sound shallow and dry to me.

The B minor Sonata is a live performance and also shows Cherkassky at his most individual. Yet another performance to be cherished.

Tracks:

Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
String Serenade: Waltz - Peter Tchaikovsky
Violin Concerto: Andante - Peter Tchaikovsky
The Sleeping Beauty: Ballet Suite: Introduction - Peter Tchaikovsky
The Sleeping Beauty: Ballet Suite: Pas d'action - Adagio - Peter Tchaikovsky
The Sleeping Beauty: Ballet Suite: Waltz - Peter Tchaikovsky
Capriccio Italien Op. 45 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
Eugene Onegin: Polonaise - Peter Tchaikovsky

Tracks:

The 4 Seasons: Spring: Concerto No. 1 In E Major - Antonio Vivaldi
Siciliano - Antonio Vivaldi
Concerto In D Minor: (Allegro assai) Cologne Concerto - Antonio Vivaldi
The 4 Seasons: Summer: Concerto No. 2 In G Minor - Antonio Vivaldi
Oboe Sonata In B Flat Major - Antonio Vivaldi
The 4 Seasons: Autumn: Concerto No. 3 In F Major - Antonio Vivaldi
Oboe Concerto - Antonio Vivaldi
Concerto In D Minor: (Largo e spiccato) Cologne Concerto - Antonio Vivaldi
The 4 Seasons: Winter: Concerto No. 4 In F Minor - Antonio Vivaldi

Tracks:

Scherzo No 1 In B Minor, Op 20 - Frederic Chopin
Three Nocturnes, Op. 9: No. 3 In B Major - Frederic Chopin
Twelve Etudes, Op. 10: No. 5 In G Flat Major - Frederic Chopin
Twelve Etudes, Op. 25: No. 10 In B Minor - Frederic Chopin
24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin
24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin
24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin
24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin
24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin
24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin
Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin
Waltz In E Flat Major, Op. 18 - Frederic Chopin
Nocturne In C Sharp Minor, Op. posth. - Frederic Chopin
Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin
Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin

Tracks:

Ave Maria - Schubert, Franz
Impromptu In E Flat Major - Schubert, Franz
Budapest Strings: Standchen - Schubert, Franz
Trout Quintet: Tema con variazioni - Schubert, Franz
Entr'acte No.1 From 'Rosamunde' - Schubert, Franz
Moment Musical In A Flat Major - Schubert, Franz
Entr'acte No. 2 From 'Rosamunde' - Schubert, Franz
Moment Musical No. 3 In F Minor - Schubert, Franz
Ballet Music No.2 From 'Rosamunde' - Schubert, Franz
Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Schubert, Franz

Tracks:

Nabucco: Overture - Giuseppe Verdi
Nabucco: Va Pensiero, sull'ali Dorate - Giuseppe Verdi
Aida: Prelude - Giuseppe Verdi
II Trovatore - Gypsie's Chorus: Vedi! le fosche notturne - Giuseppe Verdi
Il Ttrovatore - Soldiers' Chorus: II Trovatore: Or co' daddi, ma fra poco - Giuseppe Verdi
Aroldo: Overture - Giuseppe Verdi
La Traviata: Prelude - Giuseppe Verdi
La Traviata: Noi Siamo zingarelle - Giuseppe Verdi
La Traviata: Libiamo ne' lieti calici - Giuseppe Verdi
La Traviata: Di Madride noi siam mattadori - Giuseppe Verdi
La Forza del destino: Overture - Giuseppe Verdi

Customer Reviews:

A good deal, but a little skimpy.......2001-05-25

This is a good deal for 10 cds, but there are nno complete pieces except for the Four Seasons by vivaldi, and some shorter piano works. The recording quality is a little bit less than perfect, and it doesn't have teh full vollume of other cds i have. Overall, I recomend buying it, there are some nice pieces on it.

Complete Masterworks Recordings, 1962-1973

Average customer rating:

Horowitz: good. Amazon: good. Sony Classical: BAD.
ARE YOU CRAZY RICH OR CRAZY STUPID?
merely spectacular!
I have never regretted buying this...
The greatest 20th Cent. pianist at his best!

Complete Masterworks Recordings, 1962-1973

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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Complete Recordings on Deutsche Grammophon
Chopin: The Piano Works
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Horowitz Encores
Brahms: Works for Solo Piano

ASIN: B000002909
Release Date: 1993-10-05

Tracks:

Sonata In E Major, K 531 (L430): Allegro
Sonata In A Major, K322 (L483): Allegro
Sonata In G Major K455 (L209): Allegro
Sonata No. 8 In C Minor, Op. 13 'Pathetique': I. Grave - Allegro di molto e con brio
Sonata No. 8 In C Minor, Op. 13 'Pathetique': II. Adagio cantabile
Sonata No. 8 In C Minor, Op. 13 'Pathetique': III. Rondo. Allegro
Impromptu In G-flat Major, Op. 90 (D899) No. 3: Andante
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Etude In C-sharp Minor, Op. 25 No. 7: Lento
Scherzo No. 1 In B Minor, Op. 20: Presto con fuoco
3 Preludes - From Book II: IV. Les fees sont d'exquises danseuses. Rapide et leger
3 Preludes - From Book II: V. Bruyeres. Calme
3 Preludes - From Book II: VI. General Lavine - eccentric.
Poeme In F-sharp Major, Op. 32 No. 1: Andante cantabile
Etude In C-Sharp Minor, Op. 2 No. 1: Andante
Etude In D-Sharp Minor, Op. 8 No. 12: Patetico

Tracks:

Piano Sonata No.2 In B- Flat, Op.35: I. Grave- Doppio movimento
Piano Sonata No.2 In B- Flat, Op.35: II. Scherzo
Piano Sonata No.2 In B- Flat, Op.35: III. Marche funebre. Lento
Piano Sonata No.2 In B- Flat, Op.35: IV. Finale. Presto
Etude-Tableau In C, Op.33 No.2: Allegro
Etude-Tableau In C, Op.33 No.2: Appassionato
Arabeske In C, Op.18: Leicht und zart
Kinderszenen, Op.15 - Scenes From Childhood: 1. Von fremden Landern und Menschen
KINDERSZENEN, OP.15: 2. Kuriose Geschichte
KINDERSZENEN, OP.15: 3. Hansche-Mann
KINDERSZENEN, OP.15: 4. Bittendes Kind
KINDERSZENEN, OP.15: 5. Gluckes genug
KINDERSZENEN, OP.15: 6. Wichtige Begbenheit
KINDERSZENEN, OP.15: 7. Traumerei
KINDERSZENEN, OP.15: 8. Am Kamin
KINDERSZENEN, OP.15: 9. Ritter vom Steckenpferd
KINDERSZENEN, OP.15: 10. Fast zu ernst
KINDERSZENEN, OP.15: 11. Furchtenmachen
KINDERSZENEN, OP.15: 12. Kind im Einschlummern
KINDERSZENEN, OP.15: 13. Der Dichter spricht
Toccata In C, Op.7: Allegro
Hungarian Rhapsody No.19 In D Minor: Lento patetico (Lassan)- Vivace (Friska)

Tracks:

Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante moderato
Keyboard Sonatas: Allegretto
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante
Keyboard Sonatas: Andante e cantabile
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante e cantabile
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante moderato
Keyboard Sonatas: Vivo
Keyboard Sonatas: Allegro

Tracks:

Toccata, Adagio And Fugue In C, BWV 564: I. Preludio, quasi improvvisando. Tempo moderato
Toccata, Adagio And Fugue In C, BWV 564: II. Intermezzo. Adagio
Toccata, Adagio And Fugue In C, BWV 564: III. Fuga. Moderamente sherzando, un poco umoristico
Fantasie In C, Op.17: I. Durchaus phantastisch und leidenschalflich vorzutragen
Fantasie In C, Op.17: II. Massig. Durchaus energisch
Fantasie In C, Op.17: III. Langsam getragen. Durchweg leise zu halten
Piano Sonata No.9, Op.68 'Black Mass': Moderato quasi andante-Molto meno vivo-Allegro-Piu vivo-Allegro...
Poeme In F-Sharp Major, Op.32 No.1: Andante cantibile

Tracks:

Mazurka In C-sharp Minor, Op. 30. No. 4: Allegretto
Etude In F major, Op. 10 No. 8: Allegro
Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
Serenade For The Doll. Allegro ma non troppo
Etude In C-Sharp Minor, Op. 2 No. 1: Andante
Etude In A-Flat Major, Op. 72 No. 11: Presto e con leggierezza
Traumerei
Sonata No. 11 In A Major, K.331: I. Tema.Andante grazioso e variazioni
Sonata No. 11 In A Major, K. 331: II. Menuetto - Trio
Sonata No. 11 In A Major, K. 331: III. Rondo alla Turca
Polonaise-Fantaisie In A-Flat Major, Op. 61: Allegro maestoso

Tracks:

Mazurka In B minor, Op. 33 No. 4: Mesto
Nocturne In E Minor, Op. 72 No. 1: Andante
Piano Sonata No. 10, Op. 70: Moderato - Allegro - Puissant, radieux - Allegro - Piu vivo - Presto - Moderato
Piano Sonata In F Major, Hob. XVI: 23: I. Allegro
Piano Sonata In F Major, Hob. XVI: 23: II. Adagio
Piano Sonata In F Major, Hob. XVI: 23: III. Finale
Blumenstuck In D-Flat Major, Op. 19: Leise bewegt
L'ISLE JOYEUSE: Quasi una cadenza - Tempo.
Vallee d'Obermann: Lento assai - Piu lento - Un poco piu di moto ma sempre lento - Presto - Lento

Tracks:

Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
Nocturne In F Minor, Op. 55 No. 1: Andante
Polonaise In F-Sharp Minor, Op. 44: Tempo di polacca - Doppio movimento, tempo di Mazurka - Tempo I
Sonata In E major, K 380 (L23): Andante commodo
Sonata In G major, K 55 (L335): Allegro
Arabeske In C Major, Op. 18: Leicht und zart
Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
Traumerei
Variations On A Theme From Bizet's Opera 'Carmen'

Tracks:

Sonata In E-Flat Major, Op. 12 No. 2: III. Rondo
Adagio sostenuto In F Major
Sonata In B-Flat Major, Op. 25 No. 3: II. Rondo
Sonata In A Major, Op. 50 No. 1: II. Adagio
Corale Prelude 'Lch ruf zu dir, Herr Jesu Christ'
Sonata In F-Sharp Major, K 319 (L35): Allegro
Sonata In G Major, K 260 (L124): Allegro
Sonata In C Major, HOB. XVI: 48: I. Andante con espressione
Sonata In C major, Hob. XVI:48: II. Rondo
Sonata No. 28 In A Major, Op. 101: I. Allegretto ma non troppo
Sonata No. 28 In A Major, Op. 101: II. Vivace alla Marcia
Sonata No. 28 In A Major, Op. 101: III. Adagio ma non troppo, con affetto - Allegro

Tracks:

Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': I. Adagio sostenuto
II. Allegretto
Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2'Moonlight': III. Presto agitato
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': I. Allegro con brio
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': II. Introduzione. Adagio molto - attacca
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': III. Rondo. Allegro moderato - Prestissimo
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': I. Allegro assai
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': II. Andante con moto -attacca
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': III. Allegro, ma non troppo - Presto

Tracks:

Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
Etude in G-flat major, Op. 10 No. 5: Vivace
Introduction & Rondo In E-Flat Major, Op. 16: Introduzione. Andante - Rondo. Allegro vivace
Waltz in A minor, Op. 34 No. 2: Lento
Polonaise in A-flat Major, Op. 53: Maestoso
Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
Mazurka in E minor, Op. 41 No. 2: Andantino
Mazurka in D major, Op. 33 No. 2: Vivace
Etude in C-sharp minor, Op. 10 No. 4: Presto
Etude in E major, Op. 10 No. 3: Lento, ma non troppo
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Prelidu In B Minor, Op. 28 No. 6: Lento assai

Tracks:

Posonaise in A major, Op. 40 No. 1: Allegro con brio
Prelude in D-flat major, Op. 28 No. 15: Sostenuto
Etude in E-flat minor, Op. 10 No. 6: Andante
Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
Mazurka In F Minor, Op. 7 No. 3
Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
Variations On A Theme By Clara Wieck From Sonata No. 3 In F Minor,Op. 14: Andantino
Kreisleriana, Op. 16: I. Ausserst bewegt
Kreisleriana, Op. 16: II.Sehr innig
Kreisleriana, Op. 16: III. Sehr aufgeregt
Kreisleriana, Op. 16: IV. Sehr langsam
Kreisleriana, Op. 16: V. Sehr lebhaft
Kreisleriana, Op. 16: VI. Sehr langsam
Kreisleriana, Op. 16: VII. Sehr rasch
Kreisleriana, Op. 16: VIII. Schnell und spielend

Tracks:

Impromptu In A-Flat Major Op. 90 (D899) No. 4: Allegretto
Impromptu In F Minor Op. 142 (D935) No. 1: Allegro moderato
Impromptu In A-Flat Major Op. 142 (935) No. 2: Allegretto
Impromptu In E-Flat Major Op. 90 (D899) No. 2: Allegro
Consolation In E Major S. 172 (R.12) No. 2
Pour les arpeges composes: Dolce e lusingando
La terrasse des audiences du clair de lune: Lent
Etude In A Minor Op. 104b No. 3: Allegro vivace
Scherzo & March S. 177 (R.20)

Tracks:

Feuillet d'album In E-Flat Major Op. 45 No. 1: Andante piacevole
Etude In F-Sharp Minor Op. 8 No. 2: A capriccio, con forza
Etude In B-Flat Minor Op. 8 No. 11: Andante cantabile
Etude In D-Flat Major Op. 8 No. 10: Allegro
Etude In A-Flat Major Op. 8 No. 8: Lento (Tempo rubato)
Etude In F-Sharp Major Op. 42 No 3: Prestissimo
Etude In F-Sharp Major Op. 42 No. 4: Andante
Etude In C-Sharp Minor Op. 42 No. 5: Affannato
Etude Op. 65 No. 3: Molto vivace
No. 1: Allegretto
2 Poemes Op. 69: No. 2: Allegretto
Vers la flamme Op. 72: Allegro moderato
Feuillet d'album Op. 58
Fairy Tale In A Major Op. 51 No. 3
Sonata No. 2 In B-Flat Minor Op. 36: I. Allegro agitato
Sonata No. 2 In B-flat, Minor, Op. 36: II. Non allegro
Sonata No. 2 In B-Flat Minor, Op. 36: III. Allegro molto
Prelude In G-Sharp Minor Op. 32 No. 12: Allegro
Moment musical In B Minor Op. 16 No. 3: Andante cantabile
Etude-Tableau In E-Flat Minor Op. 33 No. 5: Non allegro - Presto
Etude-Tableau In C Major Op. 33 No. 2: Allegro
Etude-Tableau In D Major Op. 39 No. 9: Allegro moderato (Tempo di Marcia)

Amazon.com

It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains. There was some truth in this to the extent that he really could be variable on record, but by general consensus his Masterworks recordings show him at his absolute best. Aside from his famous Carnegie Hall concerts from 1965, you get stunning performances of music by Schumann, Haydn, Beethoven, Chopin, Scriabin, and above all, Scarlatti--the composer that Horowitz, more than anyone, put back on the map for pianists the world over. A great set. --David Hurwitz

Customer Reviews:

Horowitz: good. Amazon: good. Sony Classical: BAD........2004-05-24

I bought this set in December, and because I have so many classical CD's (more than 300), it took me 5 months to realize that the set contained TWO volume 8's and NO volume 9's. Worried that it might be too late, I e-mailed Amazon. Their first reply was that the replacement was already on its way (with return shipping paid for as well). Wow, that was a relief!

When I got the new set, I decided to study it closely and make sure that everything was good. It turns out that several of the discs (in both sets) had holes through the aluminum reflective layer -- which seemed to be because it was too thin to begin with. One disc was cracked, and another looked like the aluminum was "rotting out" on the edge. You would think that for $230, Sony Classical would put more quality into their discs. So what good is "Super Bit Mapping" and "High Definition Remastering" if the discs are so cheap that the player will misread the data? And I don't have much confidence that the discs will last many years, either.

Fortunately I got to pick the best discs from the 2 sets, so I won't need to replace this one for another. But I certainly lost respect for Sony Classical.

And kudos to you Amazon; you're really looking out for your customers!

ARE YOU CRAZY RICH OR CRAZY STUPID?.......2002-08-25

Why would any one in the right mind plunk down [money] for 13 CDS by the same pianist? Is it so you can brag about owning 11 years' worth of the same old thing? Or did you get it as a gift designed to impress but not really to listened to? Now you could probably get [money] for it whether you used it or not. Columbia Masterworks should have brought along new and younger talent. For my bet I can't think of many American pianists who are currently recording. Do we have to recycle Schumann, Rachmaninoff, Schubert, Beethoven, Liszt, Chopin, Scriabin, and others over and over? This is the Twenty-first Century. We should at least be thinking of Twentieth Century piano works. I can get 10 CDs by 10 pianists currently recording if I look to Europe.

merely spectacular!.......2001-03-10

I've only had this set about a week and have already indulged three complete listenings; it's a gold mine! - the power of preaching is persuasive in the Temple of Horowitz! I'm taken aback by the unity and continuity of sonics, an excellent and remarkable display of high engineering art. Everything important is here (almost! I wish some of the Scriabin Preludes had been included). There are sketches of incomparable pianism and supreme intelligence in these discs: Liszt's 'Vallee d'Obermann', and the Consolations; Debussy's 'L'isle joyeux' - so 'russian playing french'! - Scriabin's 'Vers le flamme' and the Black Mass sonata - one simply can't climb out of the volcano, it's terrifying and beautiful! - and the Scarlatti and Chopin. Only Gilels approaches Horowitz's indigenous understanding of Chopin. In the course of thirteen discs the glory can start to crash in around you, but at the last moment of endurance along comes 'Serenade of the Doll', or one of the Consolations. The Bach-Busoni is cerebral and fine. Horowitz gets rapped for the wrong romanticism - it's the romanticism of artistic intelligence that his art claims! I love that famous C clunker at the beginning of the Bach-Busoni in the Return to Carnegie Hall recital; more than that, I appreciate how Horowitz played his public pride in it, no retouches, etc. Shrewd, and very real, I think. He was a pianist of enormous humility on the inside, so completely knowing of his gifts - one of the reason his playing was something special. He possessed the often disregarded ability to stand completely outside his playing and admire it as one might a beautiful woman, with complete humility. It affords us the privilege of reaping joy after joy of a remarkable art the likes of which will surely stand true for a long time. 200 bucks is a lot of money, I probably would have thought it too much for the convenience of a collection; I'm glad someone else didn't feel that way, and gave me the set! - now I find it curiously too clever a package to be considered merely a consolidation of recordings into a 'set' - there is something indefinably congruent about these recordings. They fit together with harmonious intent, and shine and shadow the land with a marvelous music. Highest recommendation without reservation.

I have never regretted buying this..........2000-08-22

Considering that this set is devoted to a single instrument played by one artist in a 12-year period, the depth is mind-blowing. If variety is the spice of life, than this set is a very warming set indeed.

For the most part, Horowitz communicates a deep respect for the specific style of each composer: his Scarlatti is done articulately and without any smear with the pedal. His Liszt is demonic. His Rachmaninov is dazzling, with all of the "superfluous" notes (!) and Russian virtuosity in tact. Horowitz's Schumann is sensitive, passionate and Romantic.

And then there are his interpretations of Chopin. To me, Vladimir Horowitz is one of Chopin's best ambassadors. In particular, I draw attention to the Polonaise-Fantaisie in Vol. 3 and the mazurkas and etudes of Vol. 7.

For a good summary of this collection, listen to Vol. 4, "The Legendary 1968 TV Concert." Applause is omitted between selections, and the repertoire is tailored to Horowitz's pianistic gifts.

The first disc of Vol. 3 (Including the Bach-Busoni Toccata and the Schumann Fantasy) is not top-notch piano-playing... It's a little sloppy and inaccurate. I'm sure there are other minor slips elsewhere in this collection, but here they are most obviously seen.

Regardless, this collection is a MUST for Horowitz fans. Save up your money little by little and go and buy it. It is truly the most rewarding purchase of classical music I have ever made.

The greatest 20th Cent. pianist at his best!.......2000-04-15

If you were to take a set of piano music from only one performer to a desert island, this would be the set. Vladimir Horowitz was a pianist of incredible, almost unique, technical prowess capable of creating wonderful piano textures and tone colorings, and possessing his own dark, distinctive sound on a wonderful Steinway he had transported to each of his concerts or studio recording sessions. Of almost limitless ability, he suffered criticism from music critics because he severely limited his performing repertoire and stayed away from the concert stage for several prolonged periods because of his terrible insecurity and stagefright. He was especially criticized in his early years for bravura performances which were brilliant, but loud and not always tasteful. He was known for giving his enthralled audiences what they wanted, but it should be remembered that he championed Scarlatti and almost single-handedly brought him back into the performing world from near-oblivion, and it was Horowitz who premiered several important works by twentieth century composers such as Barber and Khatchaturian. He kept the works of the mysterious and exotic Alexander Scriabin from disappearing from piano benches in the conservatories, and he created some of the most imaginative and thrilling encore transcriptions ever heard in the concert hall. In later years, his repertoire expanded and he played some wonderful Mozart, Haydn, and Beethoven, much of which is featured in this set. The highlight of this disc collection from the early 60's through about 1973 is the historic return concert at Carnegie Hall in 1965. After a self-imposed exile from public performing for 12 years, he made this famous recital which is one of the most memorable in the history of recorded piano performance. Although he made several nerve-induced mistakes in the opening Bach piece, he settled down quickly and delivered a thrilling performance, highlighted, for me, at least, by the Chopin Ballade in G minor, which took away my breath and featured one of the most dazzling climaxes I have ever heard on a piano. His incredible performance possessed a youthful vitality which belied his 62 years. Throughout the other discs in this set one hears Horowitz at his best: still technically awesome yet more musically mature and capable of producing little miracles from pieces well-known, and less-known. No longer pandering to the expectations of the audience, he gave as his encore at the Carnegie Hall return concert, a precious, child-like Traumerei from Kinderszenen. The Schumann featured on these discs includes some of the most beautiful offerings available anywhere of this composer, including a wonderful Fantasy in C and perhaps the best performance ever on record of Kreisleriana. The Schubert impromptus are little miracles, and the Debussy that's thrown in makes us fantasize about the other French music he could have given us! His wonderful Chopin reminds us there are other views besides Rubinstein's to this most-important-of-all piano literature, and his Rachmaninoff is glorious. Performing into his eighties, he was a wonder of music and the 13 discs offered here give a personal record of a dazzling career from his very best years. It might be pointed out that several pieces are offered more than once in the set as they were recorded in several concerts and studio sessions and it is interesting to hear the differences in his performances. One might wish that his piano oeuvre had included more composers and a wider range of pieces, but this collection certainly highlights the work he was best known for, including as it does the various Chopin, Rachmaninoff, Liszt, Schumann, Scarlatti, Scriabin, Bach, Mozart, Haydn, Schubert, Clementi, and Beethoven gems he was noted for throughout his long career. Anyone loving the piano, or just beautiful music must hear these discs!

Average customer rating:

Top ten of any performance ever!
Largely Dispensable
A Mix of Sensitive, Passionate, and Vulgar Playing...
Great value!
Simply Great!

Vladimir Horowitz: The Indispensable

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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Great Pianists on Piano Playing: Godowsky, Hofmann, Lhevinne, Paderewski and 24 Other Legendary Performers (Great Pianists: In Their Own Words)
Horowitz At Home

ASIN: B000026CV2
Release Date: 1999-11-09

Tracks:

Polonaise - Fantasie, Op. 61, In A-flat Major
Sonata, K 127, L. 186 In A - flat Major
Sonata, K. 87, L. 33, In B Minor
Sonata, K. 135, L. 224, In E Major
Humoresque, Op. 10, No. 5
Scherzo No. 1, Op. 20, In B Minor
Etude, Op. 10, No. 4, In C-sharp Minor
Etincelles, Op. 36, No. 6
Prelude, Op. 23, No. 5, in G Minor: Prelude, Op. 23, No. 5
Nocturne, Op. 9, No. 3, in B Major
Hungarian Rhapsody No. 2
Nocturne, Op. 27, No. 1, In C - sharp Minor
Scherzo No. 2, Op. 31, In B-flat Minor
Etude, Op. 72, No. 6, In F Major
Variations On A Theme From 'Carmen'

Tracks:

Mephisto Waltz No. 1
Barcarolle, Op. 60, In F-sharp Major
Etude, Op. 2, No. 1, In C-sharp Minor
Prelude, Op. 32, No. 5, In G Major
Nocturne, Op. 72, No. 1, In E Minor
Etude, Op. 8, No. 7, In B-flat Minor
Barcarolle, Op. 10, No. 3
Polonaise, Op. 53, In A-flat Major
Rakoczy March (Hungarian Rhapsody No. 15)
Etude, Op. 8, No. 12, In D-sharp Minor
Etude, Op. 25, No. 7, In C-sharp Minor
Ballade No. 1, Op. 23, In G Minor
Etude, Op. 42, No. 5, In C-sharp Minor
The Stars And Stripes Forever

Customer Reviews:

Top ten of any performance ever!.......2004-07-08

We made sure our home had hardwood floors just so we could enjoy this performance at its absolute best. Listen to it at lifelike volume and enjoy the ride: it sounds like it could unravel at any moment, but it never does. So many performances of this work are technically stunning, but tremendously dull. Horowitz brings this piece to life like no other pianist. But, if you can find it, Lazar Berman's recording for CBS was stunning.

Largely Dispensable.......2004-06-12

Beginning with a rather tinny Polonaise-Fantaisie, Horowitz follows it up with three relatively stunning Scarlatti sonatas. I am terrified by his reading of the Rachmaninoff G Minor prelude, he uses practically NO pedal at all. The Hungarian Rhapsody by Liszt is borderlining on out of control throughout, as is typical by Horowitz. The Chopin B Major Nocturne is one of the few highlights on this first disc.

Horowitz's Mephisto Waltz has always been horrific, blaring and, dare I say, bangy. I still can not fathom how the greatest pianist of the twentieth century could play a piece so poorly! The highlights of the second disc are certainly the Scriaban preludes. In concurrence with a previous reviewer, the Chopin Ballade is by no means acceptable. If you are looking for the best recording of this piece, Horowitz Live and Unedited, the recording of the 1965 Carnegie Hall return concert, is absolutely unsurpassable.

RCA squeaked out a three-star rating with some fine selections, but others are, simply . . . not good. If you are looking for Horowitz at his best, the previously mentioned "Live and Unedited" CD is the best of his I own, out of about 12 CD's.

A Mix of Sensitive, Passionate, and Vulgar Playing..........2003-07-07

Horowitz has always been a controversial figure in the music world, and this CD can help explain why. It abounds in obscene playing of Chopin (it's an almost painful experience to listen to the reading of the first Ballade) and contains some ridiculously eccentric Liszt (it sounds as if Horowitz plays the last two chords of the first Mephisto Waltz with his elbows). Apart from these shenanagins, however, Horowitz offers up several sparkling Scarlatti Sonatas, beautifully passionate Scriabin Etudes, and demonically exciting original transcriptions such as The Stars and Stripes Forever and the Carmen Variations. The two other Liszt selections are also very entertaining. My rating of three stars is based on the overall quality of playing on this particular album and not on my opinion of Horowitz in general. Still, this recording is worth the money for the few treats I have mentioned.

Great value!.......2003-06-08

This is a great value double-CD album. Horowitz is my top pianist. Not only do I enjoy the boundless passions of his playing, but I also find in his rich range of expressions something beyond techniques and maturity that other pianists cannot rival. This is an ideal album for anyone who wants to experience the colours and virtuosity of the renowned pianist.

Simply Great!.......2003-06-06

Vladimir Horowitz, The Complete Masterworks Recordings 1962-1973, Volume VII: Early Romantics

Average customer rating:

The Schumann Kreisleriana is worth everything, and the Chopin is magical
Chopin + Schumann + Horowitz = Unforgettable Playing
Classic Chopin

Vladimir Horowitz, The Complete Masterworks Recordings 1962-1973, Volume VII: Early Romantics

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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ASIN: B00000290G
Release Date: 1994-07-19

Tracks:

Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
Etude in G-flat major, Op. 10 No. 5: Vivace
Introduction & Rondo in E-flat major, Op. 16
Waltz in A minor, Op. 34 No. 2: Lento
Polonaise in A-flat Major, Op. 53: Maestoso
Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
Mazurka in E minor, Op. 41 No. 2: Andantino
Mazurka in D major, Op. 33 No. 2: Vivace
Etude in C-sharp minor, Op. 10 No. 4: Presto
Etude in E major, Op. 10 No. 3: Lento, ma non troppo
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Prelude in B minor, Op. 28 No. 6: Lento assai

Tracks:

Posonaise in A major, Op. 40 No. 1: Allegro con brio
Prelude in D-flat major, Op. 28 No. 15: Sostenuto
Etude in E-flat minor, Op. 10 No. 6: Andante
Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
Mazurka in F minor, Op. 7 No. 3
Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
Variations on a Theme by Clara Wieck from Sonata No. 3 in F minor, Op. 14: Andantino
Kreisleriana, Op. 16: I. Auberst bewegt
Kreisleriana, Op. 16: II. Sehr innig
Kreisleriana, Op. 16: III. Sehr aufgeregt
Kreisleriana, Op. 16: IV. Sehr langsam
Kreisleriana, Op. 16: V. Sehr lebhaft
Kreisleriana, Op. 16: VI. Sehr langsam
Kreisleriana, Op. 16: VII. Sehr rasch
Kreisleriana, Op. 16: VIII. Schnell und spielend

Amazon.com essential recording

Schumann and Chopin were staples of Horowitz's repertory, and this late 1960s-early 1970s collection finds him at his mature peak, playing with elan and imaginative fantasy. The Kreisleriana is one of his greatest recordings, trumping rivals with its spectacular pianism and complete identification with the composer. The Chopin set typifies Horowitz's approach--big and bold, with personalized editorial emendations and an energy that shatters the conventional salon approach. But he also sings Chopin's touching melodies as few others can, making the lovely Op. 10 No. 3 Etude an achingly touching poem. --Dan Davis

Customer Reviews:

The Schumann Kreisleriana is worth everything, and the Chopin is magical.......2005-12-20

This is a must have dual CD set of one of the great pianists of all time playing some of his favorite music. Later in life Horowitz made a TV show that became a best selling VHS tape entitled "Horowitz: The Last Romantic". If you ever heard him play, you know that title is appropriate and what the grand piano style was all about.

I have often referred to recordings of music as photographs of music. And just as photographs of people a wonderfully valuable, they are not the real person and do not capture the real person. Even a movie or documentary distorts the reality of the person. Still, we treasure our home movies, photos, and recordings. And we should. We just need to remember what they really are and that they are representations of reality (or of fictions if that is what they are) rather than real life.

It was my good fortune to hear Horowitz in recital three times; twice here in Ann Arbor and once in East Lansing. While I have heard dozens of great pianists, and hundreds of very fine quality, Horowitz (and Rubenstein) had a special charisma that was totally involving. His playing had special qualities that were unique to him. He played more quietly and yet was able to send that whisper of sound to the farthest rows in Hill Auditorium. I believe the secret of his power was that he had so many shades of pianissimo. While we clearly here a great dynamic range in these recordings, the compressed nature of recordings cannot capture the full range of what we heard in live performance.

The other thing he had was the ability to not only keep the voices clear in the music he was playing, but to give each voice its own character and sound. The recording of Schumann's fabulous Opus 16, Kreisleriana included here captures this ability to a stunning degree. This recording should be in your collection and studied carefully. While these phantasies are full of contrasts that make listening to them seemingly easy, there is so much quality and interesting music that they will reward as much close listening and study as you can lavish on them.

The other Schumann work included is the "Variations on a theme by Clara Wieck" (who became Schumann's wife and was a superb and important pianist).

The Chopin pieces included here are a wonderful collection of etudes, mazurkas, the two famous polonaises, preludes, waltzes, and the wonderful but not often heard "Introduction and Rondo in E-flat major Op 16". These are all full of magic and will hold your imagination closely. I find myself saying, "Oh, I LOVE this piece" and then the next one comes on, and I say the same thing again and then again for the next one. They are all pieces I have learned to play or want to learn (like the Intro & Rondo).

Get a hold of these disks if you can. Just a number of wonderful listening experiences.

Chopin + Schumann + Horowitz = Unforgettable Playing.......2003-04-12

Volume Seven of Sony's Horowitz reissue contains very convincing performances of Chopin and Schumann, Romantic composers whose music was sympathetic to the pianist's interpretive style.

It was not uncommon for Horowitz to bring to light a rarely played work by a well known composer, which is the case with Chopin's Introduction & Rondo in E-flat. This early composition (probably written for Chopin's most advanced pupils) abounds with glittery passagework and technical configurations similar to his Concertos (which Horowitz never recorded). Under Horowitz's hands, the work exceeds the boundaries of mere salon piece and emerges as a virtuoso tour de force.

Horowitz (who had a Polish grandmother and was fond of pointing out that he was "half as much a Pole as Chopin") considered the Mazurkas to be Chopin's greatest works, and often stated that there was more music in the shortest Chopin Mazurka than in the longest Mahler Symphony. The pianist treated the Mazurkas less as dance pieces than as "dance-fantasies" and his playing of the works was freer than the more straightforward Rubinstein. Highlights of this set include a seductive F-sharp Minor, Op. 59 No. 3.

Horowitz made several recordings of the ever popular A-flat Polonaise, and this one adheres most closely to Chopin's text. The introduction is very sparsely pedalled (as if Horowitz were saying "Look! I can play the tricky introduction without using the pedal to cover up insufficient fingerwork. Take THAT, Rubinstein!"). The remainder of the piece goes with gusto and flair (too fast to be a Maestoso), but he somehow misses the grandeur which Rubinstein brought to the piece--and which Horowitz himself would attain in his last years. The A-major Polonaise is also taken at a fast clip, but this somehow seems more appropriate to this work, and one is reminded of Chopin's remark that if he were able to play the piece the way he meant it to be played, the piano would lay in ruins afterward.

If anyone thought Horowitz, then approaching 70, had lost any of his fire, their worries were quickly dispelled with the Etudes included here. The C-sharp Minor goes at a rapid clip, but unlike many pianists, there is no loss of clarity. The famous Revolutionary Etude is given a more outwardly virtuosic performance then the pianist's 1963 recording, yet somehow the piece has less impact here.

The ubiquitous C-sharp Minor Waltz is from the Boston concert of April 7, 1968. Three days previously, the Reverend Martin Luther King had been murdered in Memphis. At the beginning of this concert, Horowitz came onstage with an African-American minister, and played Chopin's Funeral March in memory of Dr. King.

Horowitz learned Shumann's Kreisleriana in the 1930s, but did not play it in public until 1968. Several attempts to record the work in concert were not successful, and Horowitz came to the conclusion that he needed the peace and quiet of a recording studio to achieve the concentration for a performance suitable for posterity. Horowitz recorded the work at one inspired session on December 1, 1969, and this may well be the most successful Kreisleriana ever recorded. Ironically, Horowitz, who often had trouble holding together a Beethoven Sonata, makes this structurally splintered work emerge as one piece. This is one Kriesleriana which is never rambling or boring. There is virtuosity here, but never for its own sake, and there is poetry in plenty. This stands alongside the 1932 Liszt Sonata and 1951 Rachmaninoff Third Concerto as one of Horowitz's greatest recordings. However, it should be pointed out that this reissue of Kriesleriana uses a few alternate takes, which are markedly different from the original LP and an earlier CD issue (MK42409). Although the performance is basically similar, there are several differences in detail.

Schumann's Variations on a Theme by Clara Wieck, originally included as a filler for the Kriesleriana record, is given a straightforward reading here. It a lovely little work, but it is even more beautiful in its original context: as the third movement from the composer's Sonata in F Minor, another rarely played work Horowitz would bring to light in 1975.

The sound is more than acceptable here, and especially fine in the Schumann works.

Classic Chopin.......2000-11-23

Volume Seven of Vladimir Horowitz's "Complete Masterworks Recordings" ("Early Romantics") compiles almost two discs worth of classic Chopin performances. There's a little bit of everything here -- Polonaises, Etudes, Mazurkas and Preludes, but sadly no Nocturnes. The Chopin renditions here are as good as, if not better than, anything available -- Rubinstein, Kissin, Pollini and Cliburn included. And just when you thought the highlight of this collection was the Chopin material, on come two amazing pieces by Schumann, "Variations on a Theme by Clara Wreck" and "Kreislerania." The latter piece is a particular favorite of mine -- a wild and turbulent, and at times poetic and lovely, masterpiece which Horowitz captures in all its brilliance. In all, "Early Romantics" is a thoroughly enjoyable couple of discs that anyone should love.

Track Listings:

Track Listings

track listings

Track Listings

Undressing Underwater [Import]

Chrysalis: Orchestral Music of Brian Fennelly

Blues in the Night--The Songs of Harold Arlen

The Crown King of Swing

The Going's Easy [Import]

Destiny

Blues in the Night [Import]

Brahms: String Quartet in Bf No3, Op67; Hindemith: String quartet No2

At the Ryman [Live]

Backdoor Blues

Bakesale

BBC Sessions, Vol. 2 1970-71 [Live]

Biggest Baddest Mutha [Cast Recording]

Thielemann - Wagner ~ Meistersinger, Lohengrin, Parsifal, Tristan und Isolde

Matador/Inta Somethin'