Foss: Piano Concertos, Elegy for Anne Frank / Nakamatsu, Kasman

Track Listings
1. Concerto for Piano and Orchestra    

Editorial Reviews
Amazon.com
Both Foss Piano Concertos were written early in his career, the First under the influence of Hindemith, the Second influenced by Stravinsky. Both pieces are energetic, virtuosic romps, entertaining on a superficial level, but both seem rather synthetic, the product of more thought than feeling. Nakamatsu, a superb musician, plays the First Concerto with perhaps too much artistry, while Kasman is as brash as the Second Concerto he plays. There is more genuine feeling in the six-minute Elegy than in the hour of Piano Concertos. The narration, taken from Anne Frank's Diary and read by the composer's daughter, is touching, but it doesn't connect firmly with the music, so the version without narration seems more of an artistic success. Throughout the disc, the playing of the orchestra (from Orange County, California) is spectacular and the sound quality quite vivid. It's an impressive production (and a very long CD at 77:59), but the overall artistic result is a bit disappointing, except, perhaps, for listeners who get a kick out of hearing fingers move very fast over a keyboard. --Leslie Gerber

Foss: Piano Concertos, Elegy for Anne Frank / Nakamatsu, Kasman, Music, Lukas Foss, Carl St. Clair, Pacific Symphony Orchestra, Jon Nakamatsu, Lukas Foss, Yakov Kasman, Avant-Garde, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Concerto, Miscellaneous, Modern Composition, Music with Spoken Words
Foss: Piano Concertos, Elegy for Anne Frank / Nakamatsu, Kasman
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    Foss: Piano Concertos, Elegy for Anne Frank / Nakamatsu, Kasman
    John Nakamatsu , and Eliza Foss
    Manufacturer: Harmonia Mundi
    ProductGroup: Music
    Binding: Audio CD

    Foss, LukasFoss, Lukas | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B000059WLA
    Release Date: 2001-04-10

    Amazon.com

    Both Foss Piano Concertos were written early in his career, the First under the influence of Hindemith, the Second influenced by Stravinsky. Both pieces are energetic, virtuosic romps, entertaining on a superficial level, but both seem rather synthetic, the product of more thought than feeling. Nakamatsu, a superb musician, plays the First Concerto with perhaps too much artistry, while Kasman is as brash as the Second Concerto he plays. There is more genuine feeling in the six-minute Elegy than in the hour of Piano Concertos. The narration, taken from Anne Frank's Diary and read by the composer's daughter, is touching, but it doesn't connect firmly with the music, so the version without narration seems more of an artistic success. Throughout the disc, the playing of the orchestra (from Orange County, California) is spectacular and the sound quality quite vivid. It's an impressive production (and a very long CD at 77:59), but the overall artistic result is a bit disappointing, except, perhaps, for listeners who get a kick out of hearing fingers move very fast over a keyboard. --Leslie Gerber

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